Cave Exploring Quotes

Then something Tookish woke up inside him, and he wished to go and see the great mountains, and hear the pine-trees and the waterfalls, and explore the caves, and wear a sword instead of a walking-stick.

To err is to wander and wandering is the way we discover the world and lost in thought it is the also the way we discover ourselves. Being right might be gratifying but in the end it is static a mere statement. Being wrong is hard and humbling and sometimes even dangerous but in the end it is a journey and a story. Who really wants to stay at home and be right when you can don your armor spring up on your steed and go forth to explore the world True you might get lost along get stranded in a swamp have a scare at the edge of a cliff thieves might steal your gold brigands might imprison you in a cave sorcerers might turn you into a toad but what of what To fuck up is to find adventure: it is in the spirit that this book is written.

As they sang the hobbit felt the love of beautiful things made by hands and by cunning and by magic moving through him, a fierce and jealous love, the desire of the hearts of dwarves. Then something Tookish woke up inside him, and he wished to go and see the great mountains, and hear the pine-trees and the waterfalls, and explore the caves, and wear a sword instead of a walking-stick.

His room was like an explorer's den, a lair of furs, the cave of a magician.

Growing up spoiled a lot of things. It spoiled the nice game they had when there was nothing to eat in the house. When money gave out and food ran low, Katie and the children pretended they were explorers discovering the North Pole and had been trapped by a blizzard in a cave with just a little food. They had to make it last till help came. Mama divided up what food there was in the cupboard and called it rations and when the children were still hungry after a meal, she'd say, 'Courage, my men, help will come soon.' When some money came in and Mama bought a lot of groceries, she bought a little cake as celebration, and she'd stick a penny flag in it and say, 'We made it, men. We got to the North Pole.' One day after one of the 'rescues' Francie asked Mama: 'When explorers get hungry and suffer like that, it's for a reason . Something big comes out of it. They discover the North Pole. But what big things comes out of us being hungry like that?' Katie looked tired all of a sudden. She said something Francie didn't understand at the time. She said, 'You found the catch in it.

And suddenly first one and then another began to sing as they played, deep-throated singing of the dwarves in the deep places of their ancient homes; and this is like a fragment of their song, if it can be like their song without their music. [...]As they sang the hobbit felt the love of beautiful things made by hands and by cunning and by magic moving through him, a fierce and jealous love, the desire of the hearts of dwarves. Then something Tookish woke up inside him, and he wished to go and see the great mountains, and hear the pine-trees and the waterfalls, and explore the caves, and wear a sword instead of a walking-stick. He looked out of the window. The stars were out in a dark sky above the trees. He thought of the jewels of the dwarves shining in dark caverns. Suddenly in the wood beyond The Water a flame leapt up - probably somebody lighting a wood-fire-and he thought of plundering dragons settling on his quiet Hill and kindling it all to flames. He shuddered; and very quickly he was plain Mr. Baggins of Bag-End, Under-Hill, again. He got up trembling.

It looks a bit like the inside of a cave that has been turned inside out and warmed by the sun.

I want to climb every last mountain, row down every last river, explore every last cave, cross every last bridge, run across every last beach, visit every last town, city, country. Everywhere. I should've done more than watch documentaries and video blogs about these places.

Schoolmastering kept me busy by day and part of each night. I was an assistant housemaster, with a fine big room under the eaves of the main building, and a wretched kennel of a bedroom, and rights in a bathroom used by two or three other resident masters. I taught all day, but my wooden leg mercifully spared me from the nuisance of having to supervise sports after school. There were exercises to mark every night, but I soon gained a professional attitude towards these woeful explorations of the caves of ignorance and did not let them depress me. I liked the company of most of my colleagues, who were about equally divided among good men who were good teachers, awful men who were awful teachers, and the grotesques and misfits who drift into teaching and are so often the most educative influences a boy meets in school. If a boy can't have a good teacher, give him a psychological cripple or an exotic failure to cope with; don't just give him a bad, dull teacher. This is where the private schools score over state-run schools; they can accommodate a few cultured madmen on the staff without having to offer explanations.

When we encounter a friend who's depressed or afraid, we automatically try to take that distress away and to cheer the person up. While we may be operating with the best of intentions, this Band-Aid approach only reinforces the condition. Unless people experience their pain completely and begin to undrstand it, they will not only fail to overcome it, they'll also lose the opportunity of using it to advance their own growth. Pain can get you somewhere, and that somewhere can be a life-enhancing experience. We all tend to forget that pain can signal change. Alleviating the symptoms of pain in someone, without helping them to get at its underlying source, robs them of an important to for self-exploration. It's also a way of placating that reinforces the person'S need to cave in and succumb to another. This attitude undermines healthy character development and contributes to psychospiritual, moral, and ultimately social decay.

In 1988, a cave explorer named Véronique Le Guen volunteered for an extreme experiment: to live alone in an underground cavern in southern France without a clock for one hundred and eleven days, monitored by scientists who wished to study the human body's natural rhythms in the absence of time cues. For a while, she settled into a pattern of thirty hours awake and twenty hours asleep. She described herself as being "psychologically completely out of phase, where I no longer know what my values are or what is my purpose in life." When she returned to society, her husband later noted, she seemed to have an emptiness inside her that she was unable to fully express. "While I was alone in my cave I was my own judge," she said. "You are your own most severe judge. You must never lie or all is lost. The strongest sentiment I brought out of the cave is that in my life I will never tolerate lying." A little more than a year later, Le Guen swallowed an overdose of barbiturates and lay down in her car in Paris, a suicide at age thirty-three.

You may look at other beautiful Queens in your life doing their Queenly work with calm, confident efficiency and think you could never be like them… … And you won’t. Because the truth is, no one will rule your realm like you. Your crown will not be identical to the crown of other Queens. There has never been another Queen like you before and there never will be. You are uniquely qualified by the mountains you have climbed, caves you have explored, and the treasures you have discovered. But take heed, dear one, you can confidently acknowledge your strengths, talents, and gifts and be humble. You get to choose how you want to rule your realms.

After dinner, I went upstairs and found Ren standing on the veranda again, looking at the sunset. I approached him shyly and stood behind him. “Hello, Ren.” He turned and openly studied my appearance. His gaze drifted ever so slowly down my body. The longer he looked, the wider his smile got. Eventually, his eyes worked their way back up to my bright red face. He sighed and bowed deeply. “Sundari. I was standing here thinking nothing could be more beautiful than this sunset tonight, but I was mistaken. You standing here in the setting sun with your hair and skin aglow is almost more than a man can…fully appreciate.” I tried to change the subject. “What does sundari mean?” “It means ‘most beautiful.’” I blushed again, which made him laugh. He took my hand, tucked it under his arm, and led me to the patio chairs. Just then, the sun dipped below the trees leaving its tangerine glow in the sky for just a few more moments. We sat again, but this time he sat next to me on the swinging patio seat and kept my hand in his. I ventured shyly, “I hope you don’t mind, but I explored your house today, including your room.” “I don’t mind. I’m sure you found my room the least interesting.” “Actually, I was curious about the note I found. Did you write it?” “A note? Ah, yes. I just scribbled a few notes to help me remember what Phet had said. It just says seek Durga’s prophecy, the Cave of Kanheri, Kelsey is Durga’s favored one, that sort of thing.” “Oh. I…also noticed a ribbon. Is it mine?” “Yes. If you’d like it back, you can take it.” “Why would you want it?” He shrugged, looking embarrassed. “I wanted a memento, a token from the girl who saved my life.” “A token? Like a fair maiden giving her handkerchief to a knight in shining armor?” He grinned. “Exactly.” I jested wryly, “Too bad you didn’t wait for Cathleen to get a little older. She’s going to be very pretty.” He frowned. “Cathleen from the circus?” He shook his head. “You were the chosen one, Kelsey. And if I had the option of choosing the girl to save me, I still would have picked you.” “Why?” “A number of reasons. I liked you. You are interesting. I enjoyed listening to your voice. I felt like you saw through the tiger skin to the person underneath. When you spoke, it felt like you were saying exactly the things I needed to hear. You’re smart. You like poetry, and you’re very pretty.” I laughed at his statement. Me, pretty? He can’t be serious. I was average in so many ways. I didn’t really concern myself with current makeup, hairstyles, or fashionable, but uncomfortable, clothes like other teenagers. My complexion was pale, and my eyes were so brown that they were almost black. By far, my best feature was my smile, which my parents paid dearly for and so did I-with three years of metal braces. Still, I was flattered. “Okay, Prince Charming, you can keep your memento.” I hesitated, and then said softly, “I wear those ribbons in memory of my mom. She used to brush out my hair and braid ribbons through it while we talked.” Ren smiled understandingly. “Then it means even more to me.

Carlsbad Caverns National Park is best described as living artwork.

The sacredness of the world is that it pursued the light; the sanctity of the cave is that it never left the darkness

12. They had spent a lot of time on the beach, as did everyone for miles around when the sun decided to shine. Theirs was no ordinary beach; it was a gorgeous swathe of golden sand, framed by granite cliffs upon which stood the crumbling walls of an ancient castle. There were caves to explore too, hidden in the cliffs. Children and adults alike would venture deep into them, discovering a dark world that belonged predominantly to birds and sea creatures.

Look, look at my country, look at my Kabul, my city, what is left of my city? The streets are as bare as mountains now, the buildings are as ragged as mountains and as bare and empty of life, there is no life here only fear, we do not live in the buildings now, we live in terror in the cellars in the caves in the mountains, only God can save us now, only order can save us now, only God's Law harsh and strictly administered can save us now, only The Department for the Promotion of Virtue and the Prevention of Vice can save us now, only terror can save us from ruin, only neverending war, save us from terror and neverending war, save my wife they are stoning my wife, they are chasing her with sticks, save my wife save my daughter from punishment by God, save us from God, from war, from exile, from oil exploration, from no oil exploration, from the West, from the children with rifles, carrying stones, only children with rifles, carrying stones, can save us now.

I wanted to be regarded as an accomplished explorer rather than as an accomplished female explorer. I wanted to encourage other women to fulfill their dreams despite imposed gender barriers. I wanted other women to know that difficult endeavors are possible and success is worth celebrating.

Anywhere you wanted to travel to?” ‘I’m suffocated by the darkness and this question. I wish I was brave enough to have travelled. Now that I don’t have time to go anywhere, I want to go everywhere: I want to get lost in the deserts of Saudi Arabia; find myself running from the bats under the Congress Avenue Bridge in Austin, Texas; stay overnight on Hashima Island, this abandoned coal-mining facility in Japan sometimes known as Ghost Island; travel the Death Railway in Thailand, because even with a name like that, there’s a chance I can survive the sheer cliffs and rickety wooden bridges; an everywhere else. I want to climb every last mountain, row down every last river, explore every last cave, cross every last bridge, run across last beach, visit every last town, city, country. Everywhere. I should’ve done more than watch documentaries and video blogs about these places.

I wasn’t just exploring the pocked landscape; I was also exploring conceptual barriers. By passing through the threshold of darkness, I was discovering my psychological limits and potential. Each time my eyes adjusted to the dim light, I would find new strength, and with courage, I could go further.

At least once a week, if not once a day, we might each ponder what cosmic truths lie undiscovered before us, perhaps awaiting the arrival of a clever thinker, an ingenious experiment, or an innovative space mission to reveal them. We might further ponder how those discoveries may one day transform life on Earth. Absent such curiosity, we are no different from the provincial farmer who expresses no need to venture beyond the county line, because his forty acres meet all his needs. Yet if all our predecessors had felt that way, the farmer would instead be a cave dweller, chasing down his dinner with a stick and a rock. During our brief stay on planet Earth, we owe ourselves and our descendants the opportunity to explore—in part because it’s fun to do. But there’s a far nobler reason. The day our knowledge of the cosmos ceases to expand, we risk regressing to the childish view that the universe figuratively and literally revolves around us. In that bleak world, arms-bearing, resource-hungry people and nations would be prone to act on their “low contracted prejudices.” And that would be the last gasp of human enlightenment—until the rise of a visionary new culture that could once again embrace, rather than fear, the cosmic perspective.

Caves have carried strong symbolic resonance for as long as there has been sacred legend. It might be tempting to say that it began with Plato’s “allegory of the cave” in The Republic, which explores the interplay between shadows and reality (or in contemporary terms, perhaps, between virtual and actual reality).

My Wild Woman welcomed me with open arms into the womb of my cave. She grasped me by the hand and, one by one, introduced me to my shadow creatures. I roamed, I raged, I roared, I explored and when I thought I was done, that I couldn’t possibly go any further, my Wild Woman drew me into her lap. She comforted me in the circle of her fierce embrace and affectionally whispered tendernesses to me. She firmly sent me back out to play until the creatures became my friends. She revealed to me the place where the soft glow of my inner hearth resided and there, we were joined by my Wise Woman, Together, they showed me how to ignite the fire with the parts of myself which no longer served the woman I was becoming and they held me while I grieved.

had ever seen them before. He sensed it was the calm before the storm, but that didn’t stop him. Will wasn’t coming back for a few days and he didn’t want to wait that long to have a look at the caves. Joe thought he would have time to explore one of the caves before heading back. He’d brought his torch at the last minute as he thought that, even though it was daylight, it might be a bit dark in

As we know, bears hibernate in caves. They appear almost lifeless. This is an analog to the practices of ancient shamans, and to Sufis who practice the forty-day halvet (retreat), in which the Shaman would enter a cave, have an experience of dying, explore the spiritual realms, and then is reborn as the Initiate or Master (just as the bear is reborn each spring as it “wakes up” and leaves its cave).

Not only could he share the memories, and control them, he could keep the link intact as their thoughts moved through time from the past to the present. The men of his clan enjoyed a richer, fuller ceremonial interrelationship than any other clan. But with the trained minds of the mog-urs, he could make the telepathic link from the beginning. Through him, all the mog-urs shared a union far closer and more satisfying than any physical one—it was a touching of spirits. The white liquid from Iza’s bowl that had heightened the perceptions and opened the minds of the magicians to The Mog-ur, had allowed his special ability to create a symbiosis with Ayla’s mind as well. The traumatic birth that damaged the brain of the disfigured man had impaired only a portion of his physical abilities, not the sensitive psychic overdevelopment that enabled his great power. But the crippled man was the ultimate end-product of his kind. Only in him had nature taken the course set for the Clan to its fullest extreme. There could be no further development without radical change, and their characteristics were no longer adaptable. Like the huge creature they venerated, and many others that shared their environment, they were incapable of surviving radical change. The race of men with social conscience enough to care for their weak and wounded, with spiritual awareness enough to bury their dead and venerate their great totem, the race of men with great brains but no frontal lobes, who made no great strides forward, who made almost no progress in nearly a hundred thousand years, was doomed to go the way of the woolly mammoth and the great cave bear. They didn’t know it, but their days on earth were numbered, they were doomed to extinction. In Creb, they had reached the end of their line. Ayla felt a sensation akin to the deep pulsing of a foreign bloodstream superimposed on her own. The powerful mind of the great magician was exploring her alien convolutions, trying to find a way to mesh. The fit was imperfect, but he found channels of similarity, and where none existed, he groped for alternatives and made connections where there were only tendencies. With startling clarity, she suddenly comprehended that it was he who had brought her out of the void; but more, he was keeping the other mog-urs, also linked with him, from knowing she was there. She could just barely sense his connection with them, but she could not sense them at all. They, too, knew he had made a connection with someone—or something—else, but never dreamed it was Ayla.

I have something to show you." He sank down next to me and handed me a sketchbook. I opened it. And saw the mermaid. She was drawn in colored ink, exquisitely detailed; each scale had a little picture in it: a pyramid, a rocket, a peacock, a lamp. Her torso was patterened red, like a tattoo, like coral. She had a thin strand of seaweed around her neck, with a starfish holding on to the center. Her hair was a tumble of loose black curls. She had my face. I turned the page.And another and another. There she was fighting a creature that was half human, half octopus. Exploring a cave. Riding a shark. Laughing and petting a stingray that rested on her lap. "I'm calling her Cora Lia for the moment," Alex told me. "I thought about Corella, but it sounded like cheap dishware." "She's...amazing." "She's fierce. Fighting the Evil Sea-Dragon King and his minions." I traced the red tattoo on her chest. "This is beautiful." Alex reached into my sweater, pulled the loose neck of the T-shirt away from my shoulder. I didn't stop him. "It looks like coral to me." He touched me, then,the pad of his thumb tracing the outline of the scar. It felt strange, partly because of the difference in the tissue, but more because in the last few years, the only hands that had touched me there were mine. I set the book aside carefully. "Guess I don't see what you do." "That's too bad, because I see you perfectly." I curved myself into him. "Maybe you're exactly what I need." "Like there's any doubt?" He buried his face in my neck.I didn't stop him. "So." "So?" "We'll kill a few hours, watch the sunrise, have pancakes, and you'll drive home." "What?" I felt him smile against my skin. "I got you swimming with sharks. Next on the Conquer Your Fears list is driving a stick shift.Right?" "One thing at a time," I said. Then, "Oh. Do that again." In another story, the intrepid heroine would have gone running out and splashed in the surf, hypothermia be damned. She would have driven the Mustang home, booked a haircut, taken up stand-up comedy, and danced on the observation deck of the Empire State Building. But this was me, and I was moving at my own pace. Truth: My story started a hundred years ago. There's time.

The sore throat had started after the night the first doll appeared. No wonder it hurt too much to eat or drink anything. Night after night, the dolls had been climbing into his mouth and down his throat as he slept, making their way through the narrow passageways of his body like explorers in a dark, damp cave. The realization nauseated him. He felt the urge to vomit, but there was nothing in his stomach to bring up. Nothing but acid and fear.

Woman lost (skin deep) like a damn fine thread in the fire Woman of the world caught up in your black machinations I was a woman who cried alone at night, who gave it all away when she saw the good heart of the man inside Woman caught standing up; her open parts are broken - Someone's armour broke right through, it was you, you For some reason I've been thinking about you, your light Today, you poured out all the tension, the ego underground Hibernating inside my heart. I was so close to it, to the flicker Of love in a lonely street and I turned my head and walked Away from the flame in your arms. As I put away the fun in A house of fight I came across you and a mechanism in My brain shifted chemically, walls caved in like the cadence In your words and I was lost in the darkness. Even now in Middle age I remember when desire was a popular drug And everyone was selling it but I don't live to explore to be Able to illuminate the proof of my existence, live to burn Vicariously though the diamond mouth of sleeping stars. From so much love, pictures of death arrived in black and White photographs and you're perfect, you always were - Illusions have no flaws; they're dangerous beings, smoke. Could I take the moon back and still live with my great Expectations of nostalgia, laughter, tears and suffering - But they are all a part of me not the people of the stars, Long dead videotape, the past has stained the symphony Of my soul (like the wind through the trees) throughout Me finding myself, my two left feet as a female poet The warning was there of the noise of eternity, signs That said, don't anger the sea, you have an ally in her. When men grow cold listen to their stories and bask in The glory of their genuine deaths, their winters, put Them away so you can read them like the newspaper. Once in a while you can go back to where you stood In youth with your afternoon tea, the sun of God in our Eyes - I am that kind of woman who lives in the past

The track led into a sort of tunnel made of forest. They left daylight behind, a thousand leaves hemming them into dusky shade. As she traipsed behind Jack's torn blue jacket, he squinted into the foliage, hearkening to every cracking twig or bird-chirrup. After what seemed an age, they came out into blessed sunshine again. They were in a clearing, their ears filled with a thundering wind, the air itself trembling. A few paces further they came upon the source: above them, a waterfall tumbled from a clifftop as high as a church steeple. The water fell in milky blue strands, shooting spray in the air that danced in rainbows of gold, pink and blue. At their feet was a deep and inviting lagoon. It fair took her breath away. Jack crouched to look at the pool's edge, where a mud bank was scrabbled with marks. "We should go back," he said. "Something drinks here." She didn't care. She was spellbound. "Look, a cave!" Across the lagoon stood a dark entrance hung with pretty mosses, like a fairy grotto. "Just one peep," she whispered, for there was something powerful and secret about the place. "Then we can go back." But Jack was still peering at the tracks around the water's edge. "Whatever drinks here, it's not here now. I dare you, Jack. A quick look around the cave and then we'll be on our way." She had a notion, from some story or other, that caves were places where treasure was hidden; she reckoned pirates might have left jewels and plunder behind long ago. "It's the end of the rainbow," she laughed. "Let's find our crock of gold.

He drew his fingers down over her collarbones drifting closer to her breasts. “The muscles here on our women are often as developed as ours.” Judging by the heated look in his eyes, he didn’t mind at all that she had breasts instead of muscular pecs. “And here.” Her pulse picked up as he cupped her breasts. “You’re rounder here. Softer. Fuller.” He squeezed them gently and drew his thumbs across the hard, sensitive peaks. Ava sucked in a breath as sensation shot through her. “Do that again.” He brushed his thumbs across the tight buds again., toyed with them and gave an experimental pinch. Ava jerked and arched against him. “You’re sensitive here,” he murmured. “Yes.” His lips captured hers once more, tasting and tempting as he explored her breasts and ratcheted up her need. She and Jak’ri had been nearly bare with each other countless times in their dreams as they swam and cavorted in Rounaka Sea, but they had been out in the open and the dreams had felt so real that she would never have thought of doing her lustful inclinations there for fear of being discovered. Now, however, they were alone. They were free and the cave enclosing them might has well have been a Honeymoon suite at a secluded resort. So there was no reason for her to hold back. She moaned. Jak’ri certainly wasn’t holding back. The women of Purvel might not have breasts like hers, but he sure as hell knew what to do with them, teasing and tweaking and squeezing until she squirmed against him. Her breath shortening. “Jak’ri,” she whispered, tunneling the fingers of one hand through his thick hair while she slid the other down his back and rocked against the thick, hard ridge concealed by his pants. “I want you.” Nodding he trailed heated kisses down her neck. “I want you too.” One of his big hands left her breast and cupped her ass, grinding her against him. “Are you ready to release your eggs?” Sensation shot through her. “Hmmm?” “Are you ready to release your eggs so I can fertilize them?” he murmured, clutching her closer. Her eyes flew open. “Wait, what?” She leaned back. “I assume your reproduce the same way Purveli’s do,” he said, dragging his eyes up from her breasts to meet hers. “You release your eggs, then I fertilize them.” She stared at him, stunned. Release her eggs? Did he mean like a…like a fish? Her gaze shot to the barely discernable scales that coated his broad chest and handsome face. Did Purveli’s not have sex the way humans and Lasaran’s did? His lips twitched as his eyes danced with mirth. Relief filled her. “Oh my gosh,” laughing Ava shoved one of his shoulders. “You are so bad.” He laughed. “Apologies, I couldn’t resist. My scales seemed to fascinate you.

Society’s structure exists to maintain the power and wealth of a few privileged persons. A person must resist society’s attempts to bully him or her into living a diminished life of a conformist. I must be wary that my defining character is neither effaced nor compromised and rebuff men of weaker temperament attempting to repress my uninhibited joy for life. I need to demonstrate the inventive spirit of an opportunistic doer. I will allow myself to run wild in the eyes of the world of watchers and establish a lifestyle that allows the physical body room to flex its fibrous muscles. I shall live in a manner that enables the mind the opportunity to construct a secure shelter that encourages mental and spiritual exploration. I aspire to establish a workable balance between retreating to my private cave to seek solace and striking meaningful engagements with the larger world.

I had better come clean now and say that I do not believe that art (all art) and beauty are ever separate, nor do I believe that either art or beauty are optional in a sane society." "That puts me on the side of what Harold Bloom calls 'the ecstasy of the privileged moment. Art, all art, as insight, as transformation, as joy. Unlike Harold Bloom, I really believe that human beings can be taught to love what they do not love already and that the privileged moment exists for all of us, if we let it. Letting art is the paradox of active surrender. I have to work for art if I want art to work on me." (...) We know that the universe is infinite, expanding and strangely complete, that it lacks nothing we need, but in spite of that knowledge, the tragic paradigm of human life is lack, loss, finality, a primitive doomsaying that has not been repealed by technology or medical science. The arts stand in the way of this doomsaying. Art objects. The nouns become an active force not a collector's item. Art objects. "The cave wall paintings at Lascaux, the Sistine Chapel ceiling, the huge truth of a Picasso, the quieter truth of Vanessa Bell, are part of the art that objects to the lie against life, against the spirit, that is pointless and mean. The message colored through time is not lack, but abundance. Not silence but many voices. Art, all art, is the communication cord that cannot be snapped by indifference or disaster. Against the daily death it does not die." "Naked I came into the world, but brush strokes cover me, language raises me, music rhythms me. Art is my rod and my staff, my resting place and shield, and not mine only, for art leaves nobody out. Even those from whom art has been stolen away by tyranny, by poverty, begin to make it again. If the arts did not exist, at every moment, someone would begin to create them, in song, out of dust and mud, and although the artifacts might be destroyed, the energy that creates them is not destroyed. If, in the comfortable West, we have chosen to treat such energies with scepticism and contempt, then so much the worse for us. "Art is not a little bit of evolution that late-twentieth-century city dwellers can safely do without. Strictly, art does not belong to our evolutionary pattern at all. It has no biological necessity. Time taken up with it was time lost to hunting, gathering, mating, exploring, building, surviving, thriving. Odd then, that when routine physical threats to ourselves and our kind are no longer a reality, we say we have no time for art. "If we say that art, all art is no longer relevant to our lives, then we might at least risk the question 'What has happened to our lives?

As a child, she was curious about the world beyond the sea, but in a vague, half-sketched way, as she was curious about a lot of things she read in books. London and Treasure Island and horses and dragons were all equally imagined to her. She thought she would probably see them one day, when she was old. In the meantime, the island was hers to explore, and it took up more time than she could ever imagine having. There were books to read, thousands of them in the castle library, and Rowan brought back more all the time. There were trees to climb, caves along the beach to get lost in, traces of the fair folk who had once lived on the island to find and bring home. There was work to be done: Food needed to be grown and harvested; the livable parts of the castle, the parts that weren't a crumbling ruin, needed to be combed for useful things when the tide went out. She was a half-wild thing of ink and grass and sea breezes, raised by books and rabbits and fairy lore, and that was all she cared to be.

I still don’t see why we couldn’t sleep in that cave,” Mari said as MacRieve led her out into the night. “Because my cave’s better than their cave.” “You know, that really figures.” After the rain, the din of cicadas and frogs resounded in the underbrush all around them, forcing her to raise her voice. “Is it far?” When he shook his head, she said, “Then why do I have to hold your hand through the jungle? This path looks like a tractor busted through here.” “I went back this way while you ate to make sure everything was clear. Brought your things here, too,” he said as he steered her toward a lit cave entrance. When they crossed the threshold, wings flapped in the shadows, building to a furor before settling. Inside, a fire burned. Beside it, she saw he’d unpacked some of his things, and had made up one pallet. “Well, no one can call you a pessimist, MacRieve.” She yanked her hand from his. “Deluded fits, though.” He merely leaned back against the wall, seeming content to watch her as she explored on her own. She’d read about this part of Guatemala and knew that here limestone caverns spread out underground like a vast web. Above them a cathedral ceiling soared, with stalactites jutting down. “What’s so special about this cave?” “Mine has bats.” She breathed, “If I stick with you, I’ll have nothing but the best.” “Bats mean fewer mosquitoes. And then there’s also the bathtub for you to enjoy.” He waved her attention to an area deeper within. A subterranean stream with a sandy beach meandered through the cavern. Her eyes widened. A small pool sat off to the side, not much larger than an oversize Jacuzzi, and laid out along its edge were her toiletries, her washcloth, and her towel. Her bag—filled with all of her clean clothes—was off just to the side. Mari cried out at the sight, doubling over to yank at her bootlaces. Freed of her boots, she hopped forward on one foot then the other as she snatched off her socks. She didn’t pause until she was about to start on the button fly of her shorts. She glanced up to find him watching her with a gleam of expectation in his eyes. “You will be leaving, of course.” “Or I could help you.” “I’ve had a bit of practice bathing myself and think I can stumble my way through this.” “But you’re tired. Why no’ let me help? Now that I’ve two hands again, I’m eager to use them.” “You give me privacy or I go without.” “Verra well.” He shrugged. “I’ll leave—because your going without is no’ an option. Call me if you need me.

When a middle school teacher in San Antonio, Texas, named Rick Riordan began thinking about the troublesome kids in his class, he was struck by a topsy-turvy idea. Maybe the wild ones weren’t hyperactive; maybe they were misplaced heroes. After all, in another era the same behavior that is now throttled with Ritalin and disciplinary rap sheets would have been the mark of greatness, the early blooming of a true champion. Riordan played with the idea, imagining the what-ifs. What if strong, assertive children were redirected rather than discouraged? What if there were a place for them, an outdoor training camp that felt like a playground, where they could cut loose with all those natural instincts to run, wrestle, climb, swim, and explore? You’d call it Camp Half-Blood, Riordan decided, because that’s what we really are—half animal and half higher-being, halfway between each and unsure how to keep them in balance. Riordan began writing, creating a troubled kid from a broken home named Percy Jackson who arrives at a camp in the woods and is transformed when the Olympian he has inside is revealed, honed, and guided. Riordan’s fantasy of a hero school actually does exist—in bits and pieces, scattered across the globe. The skills have been fragmented, but with a little hunting, you can find them all. In a public park in Brooklyn, a former ballerina darts into the bushes and returns with a shopping bag full of the same superfoods the ancient Greeks once relied on. In Brazil, a onetime beach huckster is reviving the lost art of natural movement. And in a lonely Arizona dust bowl called Oracle, a quiet genius disappeared into the desert after teaching a few great athletes—and, oddly, Johnny Cash and the Red Hot Chili Peppers—the ancient secret of using body fat as fuel. But the best learning lab of all was a cave on a mountain behind enemy lines—where, during World War II, a band of Greek shepherds and young British amateurs plotted to take on 100,000 German soldiers. They weren’t naturally strong, or professionally trained, or known for their courage. They were wanted men, marked for immediate execution. But on a starvation diet, they thrived. Hunted and hounded, they got stronger. They became such natural born heroes, they decided to follow the lead of the greatest hero of all, Odysseus, and

Perceptive and valuable personal explorations of time alone include A Book of Silence by Sara Maitland, Party of One by Anneli Rufus, Migrations to Solitude by Sue Halpern, Journal of a Solitude by May Sarton, The Point of Vanishing by Howard Axelrod, Solitude by Robert Kull, Pilgrim at Tinker Creek by Annie Dillard, The Diving Bell and the Butterfly by Jean-Dominique Bauby, A Field Guide to Getting Lost by Rebecca Solnit, The Story of My Heart by Richard Jefferies, Thoughts in Solitude by Thomas Merton, and the incomparable Walden by Henry David Thoreau. Adventure tales offering superb insight into solitude, both its horror and its beauty, include The Long Way by Bernard Moitessier, The Strange Last Voyage of Donald Crowhurst by Nicholas Tomalin and Ron Hall, A Voyage for Madmen by Peter Nichols, Into the Wild by Jon Krakauer, and Alone by Richard E. Byrd. Science-focused books that provided me with further understanding of how solitude affects people include Social by Matthew D. Lieberman, Loneliness by John T. Cacioppo and William Patrick, Quiet by Susan Cain, Neurotribes by Steve Silberman, and An Anthropologist on Mars by Oliver Sacks. Also offering astute ideas about aloneness are Cave in the Snow by Vicki Mackenzie, The Life of Saint Anthony by Saint Athanasius, Letters to a Young Poet by Rainer Maria Rilke, the essays of Ralph Waldo Emerson (especially “Nature” and “Self-Reliance”) and Friedrich Nietzsche (especially “Man Alone with Himself”), the verse of William Wordsworth, and the poems of Han-shan, Shih-te, and Wang Fan-chih. It was essential for me to read two of Knight’s favorite books: Notes from the Underground by Fyodor Dostoyevsky and Very Special People by Frederick Drimmer. This book’s epigraph, attributed to Socrates, comes from the C. D. Yonge translation of Diogenes Laërtius’s third-century A.D. work The Lives and Opinions of Eminent Philosophers. The Hermitary website, which offers hundreds of articles on every aspect of hermit life, is an invaluable resource—I spent weeks immersed in the site, though I did not qualify to become a member of the hermit-only chat groups. My longtime researcher, Jeanne Harper, dug up hundreds of reports on hermits and loners throughout history. I was fascinated by the stories of Japanese soldiers who continued fighting World War II for decades on remote Pacific islands, though none seemed to be completely alone for more than a few years at a time. Still, Hiroo Onoda’s No Surrender is a fascinating account.

The archaeologist attached to the Bayard Dominick’s Marquesan team had reported in 1925 that the Marquesas offered “few opportunities for archaeological research.” But in 1956, a new expedition set out to reexamine the possibilities in these islands at the eastern edge of the Polynesian Triangle. An energetic Columbia University graduate student named Robert Suggs was sent ahead to reconnoiter, and he quickly discovered that the previous generation had gotten it all wrong. Everywhere he looked, he saw archaeological potential. “We were seldom out of sight of some relic of the ancient Marquesan culture,” he writes. “Through all the valleys were scattered clusters of ruined house platforms. . . . Overgrown with weeds, half tumbled down beneath the weight of toppled trees and the pressure of the inexorable palm roots, these ancient village sites were sources of stone axes, carved stone pestles, skulls, and other sundry curios.” There were ceremonial plazas “hundreds of feet long” and, high on the cliffs above the deep valleys, “burial caves containing the remains of the population of centuries past.” The coup de grâce came when Suggs and his guide followed up on a report of a large number of “pig bones” in the dunes at a place called Ha‘atuatua. This windswept expanse of scrub and sand lies on the exposed eastern corner of Nuku Hiva. A decade earlier, in 1946, a tidal wave had cut away part of the beach, and since then bones and other artifacts had been washing out of the dunes. Not knowing quite what to expect, Suggs and his guide rode over on horseback. When they came out of the “hibiscus tangle” at the back of the beach and “caught sight of the debris washing down the slope,” he writes, “I nearly fell out of the saddle.” The bones that were scattered all along the slope and on the beach below were not pig bones but human bones! Ribs, vertebrae, thigh bones, bits of skull vault, and innumerable hand and foot bones were everywhere. At the edge of the bank a bleached female skull rested upside down, almost entirely exposed. Where the bank had been cut away, a dark horizontal band about two feet thick could be seen between layers of clean white sand. Embedded in this band were bits of charcoal and saucers of ash, fragments of pearl shell, stone and coral tools, and large fitted stones that appeared to be part of a buried pavement. They had discovered the remains of an entire village, complete with postholes, cooking pits, courtyards, and burials. The time was too short to explore the site fully, but the very next year, Suggs and his wife returned to examine it. There

Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep blank space high up above many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of dots. At length I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at that very moment with great emotion, in intricate, detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which wholly worlds of feeling and energy were wrapped in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water. I saw white-faced cattle lowing and wading in creeks. I saw May apples in forests, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided, and apples grew spotted and striped in the fall. Mountains kept their cool caves and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wild ducks flew with outstretched necks, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remember the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “yes, that’s how it was then, that part there was called France.” I was filled with the deep affection of nostalgia- and then I opened my eyes. We all ought to be able to conjure up sights like these at will, so that we can keep in mind the scope of texture’s motion in time.

As if reading his mind, she smiled happily up at him. “Gary really came through for us, didn’t he?” “Absolutely, ma petite. And Beau LaRue was not so bad either. Come, we cannot leave the poor man pacing the swamp. He will think we are engaging in something other than conversation.” Wickedly Savannah moved her body against his, her hands sliding provocatively, enticingly, over the rigid thickness straining his trousers. “Aren’t we?” she asked with that infuriating sexy smile he could never resist. “We have a lot of clean-up to do here, Savannah,” he said severely. “And we need to get word to our people, spread the society’s list through our ranks, warn those in danger.” Her fingers were working at the buttons of his shirt so that she could push the material aside to examine his chest and shoulder, where two of the worst wounds had been. She had to see his body for herself, touch him to assure herself he was completely healed. “I suggest, for now, that your biggest job is to create something for Gary to do so we can have a little privacy.” With a smooth movement, she pulled the shirt from over her head so that her full breasts gleamed temptingly at him. Gregori made a sound somewhere between a sigh and a moan. His hands came up to cup the weight of her in his palms, the feel of her soft, satin skin soothing after the burning torture of the tainted blood. His thumbs caressed the rosy tips into hard peaks. He bent his head slowly to the erotic temptation because he was helpless to do anything else. He needed the merging of their bodies after such a close call as much as she did. He could feel the surge of excitement, the rush of liquid heat through her body at the feel of his mouth pulling strongly at her breast. Gregori dragged her even closer, his hands wandering over her with a sense of urgency. Her need was feeding his. “Gary,” she whispered. “Don’t forget about Gary.” Gregori cursed softly, his hand pinning her hips so that he could strip away the offending clothes on her body. He spared the human a few seconds of his attention, directing him away from the cave. Savannah’s soft laughter was taunting, teasing. “I told you, lifemate, you’re always taking off my clothes.” “Then stop wearing the damn things,” he responded gruffly, his hands at her tiny waist, his mouth finding her flat stomach. “Someday my child will be growing right here,” he said softly, kissing her belly. His hands pinned her thighs so that he could explore easily without interruption. “A beautiful little girl with your looks and my disposition.” Savannah laughed softly, her arms cradling his head lovingly. “That should be quite a combination. What’s wrong with my disposition?” She was writhing under the onslaught of his hands and mouth, arcing her body more fully into his ministrations. “You are a wicked woman,” he whispered. “I would have to kill any man who treated my daughter the way I am treating you.” She cried out, her body rippling with pleasure. “I happen to love the way you treat me, lifemate,” she answered softly and cried out again when he merged their bodies, their minds, their hearts and souls.

We humans do ponder alternatives for our behavior, do mourn the loss of others, do want to do something about our losses and about maximizing our gains, and do ask questions about our origin and destiny and propose answers, and we are so disorderly in our bubbling and conflicting creativities that we are often a mess. We do not know exactly when humans began grieving, reacting to losses and gains, commenting on their condition, and asking inconvenient questions about the wherefrom and whereto of their lives. We know for certain, based on artifacts from the burial sites and caves that have been explored to date, that 50,000 years ago some of these processes were well established. But note how, amazingly, this is a mere evolutionary instant when we compare, say, 50 thousand years of humanity to 100 million years of the lives of social insects, not to mention a few billion years of history for bacteria.

She started dooking—a chuckling bark—licked my hand, and then jumped down to explore the shop.

Right,” she said. “Come down off that chair. I think we are ready for the next step.” “What do you mean?” “I am going to see Mrs. Carter tomorrow. I shall tell her that you are not able to keep up with the twins in lessons.” “But--” Miss Minton held up her hand. “Don’t interrupt, please. I shall tell her that I will set you to work separately because you are holding the twins back. That means I am trusting you to work on your own. I shall, of course, help you whenever I can, but you must keep up the deception.” She gave one of her tight smiles. “I don’t see why we shouldn’t have an interesting time. I have a book about the history of Brazil, and one by Bates, the explorer who first described this part of the Amazon. And another by Humboldt--a very great scientist. The twins may live as though they are still in Littleford-on-Sea, but there is no need for us to do so.” Maia jumped from the chair. “Oh, Minty,” she said, and threw her arms around her governess. “Thank you. I’m sorry…I thought--” “Well don’t,” said Miss Minton briskly. And then: “Come along, it’s time we opened my trunk.” Miss Minton had been poor all her life. She had no trinkets, no personal possessions; her employers underpaid her when they paid her at all--but her trunk was an Aladdin’s cave. There were travel books and fairy tales, novels and dictionaries and collections of poetry… “How did you get them all?” Maia asked wonderingly. “How did you manage?” Miss Minton shrugged. “If you want something enough you usually get it. But you have to take what goes with it”--and she pointed to her shabby blouse and mended skirt. “Now, let’s see---what shall we start with? Ah yes, here is Bates. He must have sailed down this very river not sixty years ago. Look at that drawing of a sloth…

You’ve saved your money and bought a ticket to Fashion Week in Milan. All the world’s great clothing designers will be showing their startling and beautiful designs. You’ll be one of the first to see them! Or picture yourself in Rome. You’re at a performance of the opera Aïda, written by Italian composer Giuseppe Verdi. You’re seated amid eighteen-hundred-year-old ruins under a starry sky, listening to magnificent music. You’ve got your snowboard and warm clothing so you can glide down the slopes the world’s greatest skiers took during the 2006 Winter Olympics near Turin. Or perhaps it’s summer, and you’re going to explore the sea caves of Capri, off the coast of Naples. Later, you can take a look at the towering columns at Agrigento, among the temples the ancient Greeks built on the island of Sicily long before Italy existed. In any one of these places, you might be one of the millions of tourists who visit Italy every year. But alongside the tourists are Italians, also appreciative of the wonders of their own country.

Writing about personal life experiences is one manner of objectifying our existence. We strain the most value out of our palpitation of existence by exploring in a careful and artistic manner what we encounter. Writing purposefully enables a person to escape a tragic sense of pessimism that living in a flawed world induces and heightens his or her tremor of appreciable sensations. Writing opens the heart and mind to adoration. Perchance by conscientiously exploring personal feelings and assiduously examining my thoughts in a written investigation of the complications of life, I can discover a window to my own soul, exhibit admiration for all people, and reach out of my darken cave to touch other people’s hearts.

People who don’t read it, and even some of those who write it, like to assume or pretend that the ideas used in science fiction all rise from intimate familiarity with celestial mechanics and quantum theory, and are comprehensible only to readers who work for NASA and know how to program their VCR. This fantasy, while making the writers feel superior, gives the non-readers an excuse. I just don’t understand it, they whimper, taking refuge in the deep, comfortable, anaerobic caves of technophobia. It is of no use to tell them that very few science fiction writers understand “it” either. We, too, generally find we have twenty minutes of I Love Lucy and half a wrestling match on our videocassettes when we meant to record Masterpiece Theater. Most of the scientific ideas in science fiction are totally accessible and indeed familiar to anybody who got through sixth grade, and in any case you aren’t going to be tested on them at the end of the book. The stuff isn’t disguised engineering lectures, after all. It isn’t that invention of a mathematical Satan, “story problems.” It’s stories. It’s fiction that plays with certain subjects for their inherent interest, beauty, relevance to the human condition. Even in its ungainly and inaccurate name, the “science” modifies, is in the service of, the “fiction.” For example, the main “idea” in my book The Left Hand of Darkness isn’t scientific and has nothing to do with technology. It’s a bit of physiological imagination—a body change. For the people of the invented world Gethen, individual gender doesn’t exist. They’re sexually neuter most of the time, coming into heat once a month, sometimes as a male, sometimes as a female. A Getheian can both sire and bear children. Now, whether this invention strikes one as peculiar, or perverse, or fascinating, it certainly doesn’t require a great scientific intellect to grasp it, or to follow its implications as they’re played out in the novel. Another element in the same book is the climate of the planet, which is deep in an ice age. A simple idea: It’s cold; it’s very cold; it’s always cold. Ramifications, complexities, and resonance come with the detail of imagining. The Left Hand of Darkness differs from a realistic novel only in asking the reader to accept, pro tem, certain limited and specific changes in narrative reality. Instead of being on Earth during an interglacial period among two-sexed people, (as in, say, Pride and Prejudice, or any realistic novel you like), we’re on Gethen during a period of glaciation among androgynes. It’s useful to remember that both worlds are imaginary. Science-fictional changes of parameter, though they may be both playful and decorative, are essential to the book’s nature and structure; whether they are pursued and explored chiefly for their own interest, or serve predominantly as metaphor or symbol, they’re worked out and embodied novelistically in terms of the society and the characters’ psychology, in description, action, emotion, implication, and imagery. The description in science fiction is likely to be somewhat “thicker,” to use Clifford Geertz’s term, than in realistic fiction, which calls on an assumed common experience. The description in science fiction is likely to be somewhat “thicker,” to use Clifford Geertz’s term, than in realistic fiction, which calls on an assumed common experience. All fiction offers us a world we can’t otherwise reach, whether because it’s in the past, or in far or imaginary places, or describes experiences we haven’t had, or leads us into minds different from our own. To some people this change of worlds, this unfamiliarity, is an insurmountable barrier; to others, an adventure and a pleasure.

Runners embrace the pain cave. We are overcomers. This is what we do. This is who we are.

More important, it allows the brain to discover and strengthen creative links between these memories. Perhaps some strategy you learned while exploring a cave will help you in the maze task, or conversely, maybe something you learned from the maze task will help you next time you’re down in a cave. Your brain suddenly realizes, hey, exploring mazes and caves is really the same thing. And, of course, that’s exactly what Erin’s participant dreamed: “that led me to think about when I went on this trip a few years ago and we went to see these bat caves, and they’re kind of like, maze-like.” It’s a perfect example of the function of dreaming we suggested earlier—the extraction of new knowledge from existing information through the discovery of unexpected associations.

From cave paintings depicting hunting grounds to the Babylonian tablets capturing the "whole world" (as they experienced it). Through the advancements of the Middle Ages, especially from Islamic scholars and Chinese cartographers. Massive strides came about with the Renaissance, as exploration and expansion abounded. Then on to the massive leaps to modern surveying and satellite imagery. The journey has been astonishing! I cannot help but think that this mirrors the path of our understanding of God and the world They created. Our sincere, yet limited perspectives began to expand as our experience and understanding grew. The reality of that which we sought to "map out" was (and is) often our best efforts, complicated by ignorance, limitations, bias, and more. We imperfectly stumble towards better, more honest representations. Even then, our growing understanding helps us see the limitations of our own attempts to bring meaning to that which is so much bigger than our capacity to fully understand. Just as we know that the Mercator projection map is deeply problematic and, in many ways, wildly incorrect, so too do so many of our understandings of the Divine often fail to meet our own standards. And in the same way, we also hold on to them because they are familiar and we are so deeply invested in them. And in the end, no matter how good and accurate and true our "maps" are, they will always and only ever be mere representations- pale reflections of a much grander, complex, and ever-changing reality.

After about four kilometers I spotted a hill with a spirit shrine ahead and so stopped to rest and explore the caves there. A woman came along with a child in her arms and three dead lizards slung over her shoulder, which she placed near the spot where I was resting. I thought of asking her for one of the lizards, but didn’t dare say anything.

They were here to catch a glimpse of the kaleidoscope of color within their souls. To examine closely the beauty that lurks inside all of us but is rarely seen. They were here to explore the radiant spectrum of their inner selves, to uncover a magical primal strength inherited from their ancestors. They sought treasures buried in caves that many feared to enter.

After the fall of Atlantis and Lemuria, the elements of civilization were brought by survivors to the British Isles and Scandinavia, which, along with the Arctic, make up the remnants of what had once been. Due to the devastating after-effects of the Age of Catastrophe, the inhabitants of Britain were forced to vacate their habitats and flee for safety to the eastern climes. They crossed the land-bridge between Britain and Scandinavia, and ventured into lands less affected by the great cataclysm. Southward and eastward they went, taking their customs, religious rites, technology, language, art, music and symbolism. However, because these forced emigrations occurred before the official dates posited for civilization's rise, they have been deliberately ignored. Nevertheless, in 2008, new found evidence revealed that Egypt was indeed colonized by Westerners over fifteen thousand years ago. Wall paintings dating from this remote period have been found in southern Egypt bearing a striking resemblance to those found in the caves of Lascaux, France. As Comyns Beaumont said, this artwork is Nordic in origin. It belongs to travelers from the North-West who desperately sought refuge from the cataclysm that made their own homelands uninhabitable. The races of Egypt, Libya and India knew these handsome visitors as “Men of Gold,” “God Men,” “Good Men,” “Goat Men,” and “Stag Men.” In the Bible they are cryptically referred to as “Edomites” or "Red Men." This title - attributed to early Egyptians - simply denotes sunburn. Red is the color a fair Caucasian man’s skin turns when exposed to intense equatorial heat. It is singular to find a white

Hpa-An A small and fairly average town in Southeastern Myanmar but it is a base for exploring some of the fantastic surrounding areas. There are lots of curious caves to discover with the giant Saddar cave and its reclining Buddha and the Bat Cave the best ones. The Bat Cave is best visited at sunset when a ridiculous number of bats (hundreds of thousands) fly out of it only to return the following morning. You can also rent a bike or motorbike and explore the tranquil Burmese countryside. Another option is to climb to the top of Mount Zwegabin which is home to a monastery where the resident monks will let you sleep.

Halong Bay Halong Bay is the most beautiful place in Vietnam and a true natural wonder which hasn't yet been spoiled by mass tourism and hordes of tourists. It's best explored on a boat trip around the area which will take up at least a full day if you want to see the best of it. You can explore caves, swim in tiny creaks and enjoy the sun setting over these stunning limestone islets.

The seed: 4807473561118841822 This is another great mushroom island seed. You start off on an island for survival, and right in view is a magnificent mushroom biome to explore. A few things that make this mushroom island seed special. First, it has a small section containing dirt. With that, it has one tree. You don’t often see that in a mushroom biome. This, together with the island, makes it one of the most interesting mushroom island seeds around. Something else is that there are almost no caves on the entire island; another rarity. Some mushroom biomes will have elaborate cavern systems going down all the way to the bedrock, while others have at least a few closer to the surface. This one, though, has almost none at all. There are two, easily found, but they don’t lead anywhere.     The seed: -1469366519271110166 This seed is perfect for anyone looking to gain some enchanting books.

2012 Continuation of My Message to Andy   Our simultaneous out-of-body experience was a once-in-a-lifetime one. To be honest with you, Andy, since that “perfect” day at the Keukenhof Gardens, I have not achieved that heavenly occurrence again.               Do you recall our subsequent Zentology sessions with Monsieur Dubois? He went to great lengths to describe what he saw when he found us at the poppy field? His words rang clearly in my mind. This was how he explained our “astral projection.” He said, “One of the reasons I’m interested in spiritual travel is that it provides a unique means of approaching distant and extraordinary states of transcendent awareness; especially that of sexual mysticism. This sui generis experience exposes the seeker to a series of spiritual lessons to his or her identity, therefore providing the soul the freedom to journey to various non-physical dimensions. These lessons introduce the traveler to a variety of psychic and metaphysical states, where individual freedom and spiritual awareness are heightened to insurmountable ecstasies. In addition, astral projection provides an inner laboratory where the seeker can experiment with techniques and methods of moving through our limited psychic consciousness, delving into distant realities, what we spiritualists call ‘exploring the heavenly states.’ We loosely term the experience ‘Nirvana,’ turning faith and hope into confidence and spiritual enlightenment. He continued, “That brings me to Sahasrāra chakra. This is the seat of the parabindu (the supreme bindu), the merging of Kundalini Shakti and Shiva, which emanate from this location. The liberation you and Andy attained is what Hindus believe to be the highest unification of the individual with the universe. “Above Brahma-randhra (‘the cave of Brahma’) is a hole in the crown of the head. It is through this opening that the soul escapes after death. This is the Sahasrāra chakra. When the soul separates from the physical body, the Brahma-randhra bursts open, freeing the soul from its confines through the ‘Door to Pure Consciousness’ or the ‘Door of Liberation.’ The Hindus call this perforation – Kapala Moksha.

Here we are on a technological cutting edge of a historical moment in underground exploration and such thoughts as, I’m going to die if I leave you, and possibly kill you if I stay with you,’ is bouncing around in the heads of people and you’re not aware of it. You don’t know that that’s what the person is thinking. And when we do get ready to turn, to head back, suddenly you’re confronted with this near fight or flight syndrome for Tom and Paul who are both getting dangerously low on gas. Actually, I could have gone on if I had had more line. But at this point, I had

Highly conscious people illuminate paths many never thought to explore Their profound depth of understanding and insight cuts through the illusions, lies, noise of everyday life And clarity of thought and breadth of knowledge enables them to see solutions where others see none It's a distillation of wisdom honed through trials, tribulations, failures and triumphs This is what makes them formidable Not their ability to dominate a conversation, but to transform it To elevate the discourse to realms of thought previously esoteric, obscured or uncharted

The writer who refuses to explore the darker regions of the heart will never be able to write convincingly about the wonder, the magic and the joy of love for just as goodness cannot be trusted unless it has breathed the same air as evil.

With a wicked smirk, I part the Devil's lips. He invites me eagerly with want, drinking me in like salted chocolate, savoring my blood on his tongue. He thinks he has me. My muscles tense when he weakens, my power growing as his desire burgeons. It shifts too suddenly. I gasp as he grabs me by the waist, pulling me firmly against his body. His hand coils around my neck, lifting my lips to his. My eyes shut instinctually, tasting the blood and honey on his tongue. The taste deepens, layered like spiced sangria. I want more. I want it so much, it consumes me. I press into him harder. He's ravenous, squeezing me, threading his fingers through my hair, ruining my curls. No. My eyes burst open, but I don't shatter his fantasy. Not yet. I come up for breath as his lips find their way to my neck. I tilt my head back, glancing at the stained glass ceiling. The upper hand is mine again when I push him against the stone wall, furiously feeding him kisses to satiate his hunger. He grabs my leg, pulling it around his waist. I balance myself against the cave, and with my touch, crystals start to sprout. Citrine, ruby, and amber. They form into points, my own glittering weapons. Once they're not long enough, I snap a piece off. The Devil mistakes my destruction as rapture. I play into it further. Grabbing him by the collar, I spin us away from the wall, continuing our tango over to the balcony. Wisps of my gossamer gown pool around my thighs as he explores me. My fingers twist into his hair, pulling, stringing up his appetite until he begs for more. And, once I have him truly at my mercy, I jab the crystal straight into his back.

It's like crawling into a cave I always knew was there but never explored. I remember putting my head into his salesman's briefcase when I was young. This time the bright eye I entered pulls away, a helium balloon. The musty air wheezes, sighs trapped for years in old motel rooms. Further down the sound turns to grey drippings that fall on my cheeks. Some boy has been here before. Burned matches in a corner, a tennis shoe, unreadable scratchings on the walls. This is far enough. Turning to find my way out, I tiptoe along a narrow black stream where white hands are rising, sinking. I find myself stepping into the water: like slipping my small feet into large dark shoes, it is deeper than I expected. Up to my knees, my waist, I see the opening again— a circle of sky cut with a dull car key, a blue mouth singing a melody I know by heart but have never heard before. As I go under, my arms, thick as my father's, reach above the surface then return to embrace me.

Then something Tookish woke up inside him, and he wished to go and see the great mountains, and hear the pine-trees and the waterfalls, and explore the caves, and wear a sword instead of a walking stick.

We have increased our population to the level of 7 billion and beyond. We are well on our way toward 9 billion before our growth trend is likely to flatten. We live at high densities in many cities. We have penetrated, and we continue to penetrate, the last great forests and other wild ecosystems of the planet, disrupting the physical structures and the ecological communities of such places. We cut our way through the Congo. We cut our way through the Amazon. We cut our way through Borneo. We cut our way through Madagascar. We cut our way through New Guinea and northeastern Australia. We shake the trees, figuratively and literally, and things fall out. We kill and butcher and eat many of the wild animals found there. We settle in those places, creating villages, work camps, towns, extractive industries, new cities. We bring in our domesticated animals, replacing the wild herbivores with livestock. We multiply our livestock as we've multiplied ourselves, operating huge factory-scale operations involving thousands of cattle, pigs, chickens, ducks, sheep, and goats, not to mention hundreds of bamboo rats and palm civets, all confined en masse within pens and corrals, under conditions that allow those domestics and semidomestics to acquire infectious pathogens from external sources (such as bats roosting over the pig pens), to share those infections with one another, and to provide abundant opportunities for the pathogens to evolve new forms, some of which are capable of infecting a human as well as a cow or a duck. We treat many of those stock animals with prophylactic doses of antibiotics and other drugs, intended not to cure them but to foster their weight gain and maintain their health just sufficiently for profitable sale and slaughter, and in doing that we encourage the evolution of resistant bacteria. We export and import livestock across great distances and at high speeds. We export and import other live animals, especially primates, for medical research. We export and import wild animals as exotic pets. We export and import animal skins, contraband bushmeat, and plants, some of which carry secret microbial passengers. We travel, moving between cities and continents even more quickly than our transported livestock. We stay in hotels where strangers sneeze and vomit. We eat in restaurants where the cook may have butchered a porcupine before working on our scallops. We visit monkey temples in Asia, live markets in India, picturesque villages in South America, dusty archeological sites in New Mexico, dairy towns in the Netherlands, bat caves in East Africa, racetracks in Australia – breathing the air, feeding the animals, touching things, shaking hands with the friendly locals – and then we jump on our planes and fly home. We get bitten by mosquitoes and ticks. We alter the global climate with our carbon emissions, which may in turn alter the latitudinal ranges within which those mosquitoes and ticks live. We provide an irresistible opportunity for enterprising microbes by the ubiquity and abundance of our human bodies. Everything I’ve just mentioned is encompassed within this rubric: the ecology and evolutionary biology of zoonotic diseases. Ecological circumstance provides opportunity for spillover. Evolution seizes opportunity, explores possibilities, and helps convert spillovers to pandemics.

Once upon a time, somewhere miles and miles beneath the surface of the ocean, there lived a young octopus named Nina. Nina spent most of her time alone making strange creations out of rocks and shells. And she was very happy. But then on Monday the shark showed up. “What’s your name?” said the shark. “Nina,” she replied. “Do you want to be my friend?” he asked. “OK. What do I have to do?” said Nina. “Not much,” said the shark, “just let me eat one of your arms.” Nina had never had a friend before, so she wondered if this was what you had to do to get one. She looked down at her eight arms and decided it wouldn’t be so bad to give up one. So she donated an arm to her wonderful new friend. Every day that week, Nina and the shark would play together. They explored caves, built castles of sand, and swam really, really fast. And every night the shark would be hungry, and Nina would give him another one of her arms to eat. On Sunday, after playing all day, the shark told Nina that he was very hungry. “I don’t understand,” she said, "I’ve already given you six of my arms, and now you want one more?” The shark looked at her with a friendly smile and said, “I don’t want one. This time I want them all.” “But why?” Nina asked. And the shark replied, “Because that’s what friends are for.” When the shark finished his meal, he felt very sad and lonely. He missed having someone to explore caves, build castles, and swim really, really fast with. He missed Nina very much. So he swam away to find another friend.

love, the desire of the hearts of dwarves. Then something Tookish woke up inside him, and he wished to go and see the great mountains, and hear the pine-trees and the waterfalls, and explore the caves, and wear a sword instead of a walking-stick.

Then something Tookish woke up inside him, and he wished to go and see the great mountains, and hear the pine-trees and the waterfalls, and explore the caves, and wear a sword instead of a walking-stick.

In the

solo dive

President Pitzer, Mr. Vice President, Governor, Congressman Thomas, Senator Wiley, and Congressman Miller, Mr. Webb. Mr. Bell, scientists, distinguished guests, and ladies and gentlemen: I appreciate your president having made me an honorary visiting professor, and I will assure you that my first lecture will be very brief. I am delighted to be here and I'm particularly delighted to be here on this occasion. We meet at a college noted for knowledge, in a city noted for progress, in a State noted for strength, and we stand in need of all three, for we meet in an hour of change and challenge, in a decade of hope and fear, in an age of both knowledge and ignorance. The greater our knowledge increases, the greater our ignorance unfolds. Despite the striking fact that most of the scientists that the world has ever known are alive and working today, despite the fact that this Nation's own scientific manpower is doubling every 12 years in a rate of growth more than three times that of our population as a whole, despite that, the vast stretches of the unknown and the unanswered and the unfinished still far out-strip our collective comprehension. No man can fully grasp how far and how fast we have come, but condense, if you will, the 50,000 years of man's recorded history in a time span of but a half century. Stated in these terms, we know very little about the first 40 years, except at the end of them advanced man had learned to use the skins of animals to cover them. Then about 10 years ago, under this standard, man emerged from his caves to construct other kinds of shelter. Only 5 years ago man learned to write and use a cart with wheels. Christianity began less than 2 years ago. The printing press came this year, and then less than 2 months ago, during this whole 50-year span of human history, the steam engine provided a new source of power. Newton explored the meaning of gravity. Last month electric lights and telephones and automobiles and airplanes became available. Only last week did we develop penicillin and television and nuclear power, and now if America's new spacecraft succeeds in reaching Venus, we will have literally reached the stars before midnight tonight. This is a breathtaking pace, and such a pace cannot help but create new ills as it dispels old, new ignorance, new problems, new dangers. Surely the opening vistas of space promise high costs and hardships, as well as high reward. So it is not surprising that some would have us stay where we are a little longer to rest, to wait. But this city of Houston, this State of Texas, this country of the United States was not built by those who waited and rested and wished to look behind them. This country was conquered by those who moved forward-and so will space. William Bradford, speaking in 1630 of the founding of the Plymouth Bay Colony, said that all great and honorable actions are accompanied with great difficulties, and both must be enterprised and overcome with answerable courage. If this capsule history of our progress teaches us anything, it is that man, in his quest for knowledge and progress, is determined and cannot be deterred. The exploration of space will go ahead, whether we join in it or not, and it is one of the great adventures of all time, and no nation which expects to be the leader of other nations can expect to stay behind in this race for space. Those who came before us made certain that this country rode the first waves of the industrial revolutions, the first waves of modern invention, and the first wave of nuclear power, and this generation does not intend to founder in the backwash of the coming age of space. We mean to be a part of it - we mean to lead it. For the eyes of the world now look into space, to the moon and to the planets beyond, and we have vowed that we shall not see it governed by a hostile flag of conquest, but by a banner of freedom and peace...

Then something Tookish woke up inside him, and he wished to go and see the great mountains, and hear the pine-trees and the waterfalls, and explore the caves, and wear a sword instead of a walking-stick. He looked out of the window. The stars were out in a dark sky above the trees.

The bodies of child-abuse victims are tense and defensive until they find a way to relax and feel safe. In order to change, people need to become aware of their sensations and the way that their bodies interact with the world around them. Physical self-awareness is the first step in releasing the tyranny of the past. How can people open up to and explore their internal world of sensations and emotions? In my practice I begin the process by helping my patients to first notice and then describe the feelings in their bodies—not emotions such as anger or anxiety or fear but the physical sensations beneath the emotions: pressure, heat, muscular tension, tingling, caving in, feeling hollow, and so on. I also work on identifying the sensations associated with relaxation or pleasure. I help them become aware of their breath, their gestures and movements. I ask them to pay attention to subtle shifts in their bodies, such as tightness in their chests or gnawing in their bellies, when they talk about negative events that they claim did not bother them.

In a crowded cave, one grenade might do the work of twenty bullets. Sword-wielding officers beheaded dozens of willing victims. There were reports of children forming into a circle and tossing a live hand grenade, one to another, until it exploded and killed them all. In a cave filled with Japanese soldiers and civilians, Yamauchi recalled, a sergeant ordered mothers to keep their infants quiet, and when they were unable to do so, he told them, “Kill them yourself or I’ll order my men to do it.” Several mothers obeyed.94 As the Japanese perimeter receded toward the island’s northern terminus at Marpi Point, civilians who had thus far resisted the suicide order were forced back to the edge of a cliff that dropped several hundred feet onto a rocky shore. In a harrowing finale, many thousands of Japanese men, women, and children took that fateful last step. The self-destructive paroxysm could not be explained by deference to orders, or by obeisance to the death cult of imperial bushido. Suicide, the Japanese of Saipan earnestly believed, was the sole alternative to a fate worse than death. The Americans were not human beings—they were something akin to demons or beasts. They were the “hairy ones,” or the “Anglo-American Demons.” They would rape the women and girls. They would crush captured civilians under the treads of their tanks. The marines were especially dreaded. According to a story circulated widely among the Japanese of Saipan, all Marine Corps recruits were compelled to murder their own parents before being inducted into service. It was said that Japanese soldiers taken prisoner would suffer hideous tortures—their ears, noses, and limbs would be cut off; they would be blinded and castrated; they would be cooked and fed to dogs. Truths and half-truths were shrewdly wedded to the more outrageous and far-fetched claims. Japanese newspapers reproduced photographs of Japanese skulls mounted on American tanks. A cartoon appearing in an American servicemen’s magazine, later reproduced and translated in the Japanese press, had suggested that marine enlistees would receive a “Japanese hunting license,” promising “open season” on the enemy, complete with “free ammunition and equipment—with pay!”95 Other cartoons, also reproduced in Japan, characterized the Japanese as monkeys, rats, cockroaches, or lice. John Dower’s study War Without Mercy explored the means by which both American and Japanese propaganda tended to dehumanize the enemy. Among the Japanese, who could not read or hear any dissenting views, the excesses of American wartime rhetoric and imagery lent credibility to the implication that a quick suicide was the path of least suffering. Saipan was the first Pacific battlefield in which Americans had encountered a large civilian population. No one had known what to expect. Would women and children take up weapons and hurl themselves at the Americans?

All architecture is, metaphorically, a shadow cast on a cave wall. Architecture is a version of the truth – a version of sense – proposed by the architect and realised in the physical form of buildings and the identification of places for inhabitation.

In the face of one of the cliffs is the grotto of Blandas, that has been occupied since remote ages. A methodical exploration has revealed a spearhead of silex, a bronze axe, bone bracelets, a coin of the Hundred Years' War, and lastly a little pin- cushion of cloth in the shape of a heart, ornamented with metal crosses, the relic of some refugee in the Reign of Terror, hiding to escape the guillotine.

We develop our architecture through metaphor. In the distant past we looked to those places we recognised and experienced in nature for ideas – the shelter of a cave, the shade of a tree, the original refuge of the womb, our own proud vertical stance and point of view, the communal circle we make with our friends in a forest clearing… – and sought to emulate them in our architecture.

We went to Monticello and Mount Vernon and explored caves in the Shenandoah Valley. We visited the Bureau of Engraving and Printing to see how dollars got made and toured Frederick Douglass’s house in the southeast part of Washington, learning how an enslaved person could become a scholar and a hero.

How can people open up to and explore their internal world of sensations and emotions? In my practice I begin the process by helping my patients to first notice and then describe the feelings in their bodies—not emotions such as anger or anxiety or fear but the physical sensations beneath the emotions: pressure, heat, muscular tension, tingling, caving in, feeling hollow, and so on. I also work on identifying the sensations associated with

Suppose we wanted to transmit this knowledge, everything we had ever learned, to another world. First we would want to make the representation as compact as possible. By squeezing out redundancies we could compress the number so that it would occupy smaller and smaller spaces. In fact, if we are adept enough we can represent the number in a manner that requires almost no space whatsoever. We simply take the long string of digits and put a decimal point in front of it so that it becomes a fraction between 0 and 1, a mere point on a line. Then we choose a smooth stick and declare one end 0 and the other end 1. Measuring carefully, we make a notch in the stick -- a point on the continuum representing the number. All of our history, our philosophy, our music, our art, our science -- everything we know would be implicit in that single mark. To retrieve the world's knowledge, one would measure the distance of the notch from the end of the stick, then convert the number back into the books, the music, the images. The success of the scheme would depend on the fineness of the mark and the exactness of the measurement. The slightest imprecision would cause whole Libraries of Alexandria to burn. [...] Suppose the medicine men of Otowi had discovered this trick. Suppose, contrary to all evidence, that they had developed a written language, a number system, and tools of enough precision to encode a single book of sacred knowledge into the notch of a prayer stick -- the very book, perhaps, that explains what the symbols on the rock walls mean. And suppose a hiker, exploring one day in the caves above Otowi, found the stick. Could the knowledge be recovered? [...] Aliens trying to decode our records might recognize what seemed to be deliberate patterns in the markings of ink on pages or the fluctuating magnetic fields of computer disks (though, again, if the information had been highly compressed, it would be harder and harder to distinguish from randomness). If they persisted, would they find truths to marvel at, signs of kindred minds? Or would they even recognize the books and tapes as things that might be worth analyzing? One can't go around measuring every notch on every stick.

The society’s archaeologists and volunteers had discovered a series of remote caves in the Judean desert dating from the time of the last rebellion against Rome (the Bar Kokhba revolt of 132–35 CE). The guests included David Ben-Gurion, several cabinet members, and journalists. The highlight of the evening was the presentation by former chief of staff Yigael Yadin, now retired from the army and the leader of the explorations to the remote caves. The caves, Yadin explained, were the last refuge of the remnants of the failed rebellion. Located high on a cliff side and nearly inaccessible, the caves were swelteringly hot and had no water and no sanitation.

Bacon’s curiosity makes him sound amazingly modern, and in many ways he was. But his writings look back as much as they look forward, and the figure to whom he owes his greatest debt is without doubt Aristotle, whom he discovered through his admiration for Grosseteste.5 Aristotle’s works unlocked for Bacon a world of scientific investigation, above all a method of exploring the wonders of nature and understanding its underlying principles

SATURDAY, APRIL 4 Let us not become weary in doing good, for at the proper time we will reap a harvest if we do not give up. Galatians 6:9 (NIV) WRITING IS MY CALLING. EVEN without compensation, I would write. My latest book explores the life of Dr. Martin Luther King Jr. I wrote the first draft in 2005. Countless editors rejected it. Over ten years, I rewrote the manuscript no fewer than eight times. Each new revision was denied for publication. As an orator and Bible scholar, Dr. King said, “Faith is taking the first step even when you don’t see the whole staircase.” I was tempted to quit on many days as my manuscript received mountain-high rejection notices. Isaiah’s words comforted me, “But they that wait upon the LORD shall renew their strength; they shall mount up with wings as eagles; they shall run, and not be weary; and they shall walk, and not faint” (Isaiah 40:31, KJV). Ultimately I did not quit or cave to self-defeat, and my book was finally published in 2018. The decade that I spent revising the text proved to be a priceless exercise in learning patience and sharpening my writing skills. My dream was deferred, but it was not denied. And here is a spiritual nugget that was gleaned from my ten-year writing journey: The soul will grow weary when it toils toward an unseen promise. Yet, as I labor to attain the vision that I hold for myself, the Spirit of the Lord strengthens my heart and emotions as I press ahead. What are you laboring to achieve? If you refuse to quit, Jesus will touch you with His unwavering perseverance. Despite what happens in the process, never give up on yourself. Press onward. Jesus will bring you to a successful finish. —ALICE THOMPSON

Aside from the occasional task at court, it’s his free time that matters. In a sonnet written by Ludovico’s court poet, Guidotto Prestinari, Leonardo is accused of spending his days hunting in the woods and hills around Bergamo for “various monsters and a thousand strange worms.” He also explored caves and climbed mountains to study the fossils and geology and to glimpse the view up high, making him one of the very first European alpinists. We also know from his later inventories that around this time he began buying more books as well. And he began contemplating the creation of his own books on various subjects, beginning with painting, which he preferred to treat as a science, while at the same time analyzing and treating machine design and hydraulics more as creative arts.

language provides a limited number of options. Beyond that, there is a vast expanse, a tunnel, a cave—a dim gray space without much light, if there’s any light at all. Maybe it’s the job of those of us who live in that liminal space, who live beyond what is already defined, to determine what might exist in the unnamed places between. To be the explorers. To set out into the darkness, strike a match, and get a good look around. To seek not answers, necessarily, but to stand still for a while and listen. And to know, at the very least, we tried. We faced the darkness of the unknown. We looked. We kept our eyes open, even when the match went out.

Supernatural creatures never known to men lurked in many a chasm and crevice and cave; conquerors and warlords, sorceresses and wizards, plotted and schemed, dreaming their dreams and working their marvels. A worldwide land lay beneath their flying keel, a world they had as yet only begun to explore, a world that held yet many strange and perilous adventures for them.

If geography and time are the warp and weft structuring (art) history, perceptual culture is like the pile of a velvet cloth that, without altering the warp or weft of the fabric, reenchants its texture and depth. It treats Islam as the Simurgh, and objects as its feathers. Like the galleries in China full of representations futilely and obsessively trying to reconstruct the bird from its feathers, the museum is a monument to our inability to feel what we are trying to represent. And yet like the three princes seeking the hand of the Chinese princess in the gallery of creation, we can also discover through objects the spirit we can never expect to pin down in our hands. With these hopes tucked in between the warp of evidence and the weft of interpretation, this book would like to quote a certain textile from a very long time ago: I exist for pleasure; Welcome! For pleasure am I; he who beholds me sees joy and well-being. This book offers complex more than simple pleasures: its many questions diverge and converge, offering iridescence to our certainties. It puts forth the pleasure of using thought as steel wool polishing our mental acumen, enabling perception beyond predetermined realities. It may be that a barzakh exists somewhere between the secular and the sacred, a peninsula of understanding in which we enter the cave of our ghurba and become in the world but not of it. If we tread lightly with a pure heart cleansed in the mirror of curiosity and wonder, it may just open its doors a bit and let us explore the glory it holds inside.

did. I think you both did the right thing. We have no idea where that sound could be coming from. Maybe it was just a natural sound from the cave, or maybe it’s a new form of life that could be a threat. Who knows? At this point let’s play it safe. We can return here at a later time and further explore the cave with better equipment.” Johansson said.

在澳购买毕业证【咨询Q、微:2026614433】（办理LTU毕业证成绩单原版）如何在澳洲办理拉筹伯大学毕业证本科学位和硕士学位毕业证。 SSBNSVBSSVBNSVBSNCSVSCSSKJSLKSJSKLSJKSLSJSNMSSNBVSBNVSNBSVSBN A deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our country's most essential stories are hidden in plain view--whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods like downtown Manhattan, where the brutal history of the trade in enslaved men, women, and children has been deeply imprinted. Clint Smith is a staff writer at The Atlantic and the author of the poetry collection Counting Descent. The book won the 2017 Literary Award for Best Poetry Book from the Black Caucus of the American Library Association and was a finalist for an NAACP Image Award. He has received fellowships from New America, the Emerson Collective, the Art For Justice Fund, Cave Canem, and the National Science Foundation. His writing has been published in The New Yorker, The New York Times Magazine, Poetry Magazine, The Paris Review and elsewhere. Born and raised in New Orleans, he received his B.A. in English from Davidson College and his Ph.D. in Education from Harvard University.

When Life Challenges You, Don't Cave In. Always Be Open To Exploring Different Possibilities!

inside him, and he wished to go and see the great mountains, and hear the pine-trees and the waterfalls, and explore the caves, and wear a sword instead of a walking-stick.

There was nothing to aim at. Seth hadn’t screamed. Seth wasn’t down there. Another scream split the air. But someone else was. He holstered his gun and rushed for the cave. “Please, someone help me!” It was Seth. No, not Seth. “Someone help me!” The voice broke. Sobbing echoed off the cavern walls. Not a little boy. He stuck his head over the cavern entrance. “A woman?” Rafe spoke aloud. Trying to believe his own ears. The words echoed into the depths. There was no response, only sobs. But it was not his imagination. There really was someone down there. The crying rose and fell, echoed off the walls until it sounded like ten women crying, all ghostly, terrified. “Who’s down there?” His voice bounced back to him. Only more tears. The sun was gone. Dank, cool air rose up from the pit. He could see nothing. After those first words, there were no more. But she might be out of her mind with fear. Something Rafe could understand. Rafe looked at the rope but didn’t care to trust his weight to it. His eyes went to a flat boulder only feet away. Would it still be there? After all this time? Rafe muscled the boulder aside, stone scratching on stone, and uncovered a depression in the rocks to reveal . . . “My ladder.” He pulled it out, the metal clinking. It was chain, badly rusted after lying in the ground for years. Long ago Rafe had switched it for the hand-woven hemp rope he, Ethan, and Seth had trusted with their lives. Then trust had died and Rafe had anchored the ladder to this boulder. The sobbing had a haunting quality, but this was no ghost—Rafe didn’t believe in them—although for a few uncertain seconds, he’d been tempted to consider the possibility. “I’m coming down.” The sobs stopped. Then he heard them again, softer, muffled, as if she was trying to squelch the sound. “I’ll get you out,” he called, his voice echoing. Had someone abandoned her down there? “Can you tell me your name?” No response. He gave his chain ladder a quick inspection and wasn’t too happy with its condition. “I’m Rafe Kincaid. I ranch near here.” Rafe had known the cavern very well by the time he’d given up his exploring. Not as well as Seth. No one knew this cavern like Rafe’s little brother. Seth had run wild down there. Once, in a particularly wild mood, Seth had told Rafe he’d lost his soul down there and had to find it. Seth had always been