Cattle Drive Quotes

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I can believe things that are true and things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and the Beatles and Marilyn Monroe and Elvis and Mister Ed. Listen - I believe that people are perfectable, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkled lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumble bee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of causal chaos, background noise, and sheer blind luck. I believe that anyone who says sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.
Neil Gaiman (American Gods (American Gods, #1))
This was Texas, after all, where people liked to believe they were still living in the days of cattle drives and gunfighters.
Stephen King (The Outsider)
This was Texas, after all, where people liked to believe they were still living in the days of cattle drives and gunfighters
Stephen King (The Outsider)
Father, of course, was special all to himself. There could never be anyone quite to match him. I wanted to be like him, just as he was. But first I wanted, as he had done, to ride the range, to have my own string of ponies and take part in an all-brand round-up and in a big cattle drive and dash into strange towns with just such a rollicking crew and with a season’s pay jingling in my pockets.
Jack Schaefer (Shane)
And even in circumstances less critical, women were almost always welcomed in new enterprises that hadn’t yet become either prestigious or profitable—whether it was early radio or early cattle drives.
Gail Collins (America's Women: 400 Years of Dolls, Drudges, Helpmates, and Heroines)
Couldn’t sleep?” he asked as he approached, then stopped by the railing next to her. She shook her head. “I guess I’m too excited about the cattle drive.” “It’s keeping me up, too, but not from excitement.
Susan Mallery (Kiss Me (Fool's Gold, #17))
William groaned. It was Vimes. Worse, he was smiling, in a humourless predatory way. "Ah, Mr de Worde," he said, stepping inside. "There are several thousand dogs stampeding through the city at the moment. This is an interesting fact, isn't it?" He leaned against the wall and produced a cigar. "Well, I say dogs," he said, striking a match on Goodmountain's helmet. "Mostly dogs, perhaps I should say. Some cats. More cats now, in fact, 'cos, hah, there's nothing like a, yes, a tidal wave of dogs, fighting and biting and howling, to sort of, how can I put it, give a city a certain . . . busyness. Especially underfoot, because - did I mention it? -they're very nervous dogs too. Oh, and did I mention cattle?" he went on, conversationally. "You know how it is, market day and so on, people are driving the cows and, my goodness, around the corner comes a wall of wailing dogs . . . Oh, and I forgot about the sheep. And the chickens, although I imagine there's not much left of the chickens now.
Terry Pratchett (The Truth: Stage Adaptation)
By this time the Indian fighting had become like dangerous cattle drives—the tribes were forced into revolt, driven and decimated, and the sad, sullen remnants settled on starvation lands. It was not nice work but, given the pattern of the country’s development, it had to be done.
John Steinbeck (East of Eden)
He’d been the one to lie and cheat in their relationship. So why was he punishing her? Why-- Who cared why, she told herself. She’d just spent a week on a cattle drive. She’d saved fifty steers from drowning. She’d crossed a raging river and had lived to tell the tale. Jeff was beneath her notice.
Susan Mallery (Kiss Me (Fool's Gold, #17))
He lifted his arm that had been resting on her shoulders and gazed at the words she had written on his hand. He had been branded as cattle are branded to show whom they belong to. The cold mountain air stung his lips. She was driving too fast on this road that had once been a forest. Early humans had lived in it. They studied fire and the movement of the sun. They read the clouds and the moon and tried to understand the human mind His father had tried to melt him into a Polish forest when he was five years old. He knew he must leave no trace or trail of his existence because he must never find his way home. That was what his father had told him. You cannot come home. This was not something possible to know but he had to know it all the same
Deborah Levy (Swimming Home)
That winter arrived immediately, all at once -- you could watch it come. Twin curtains of white appeared in the north, white all the way to the sky, driving south like the end of all things. They drove the wind before them and it ran like wolves, like floodwater through a cracked dyke. Cattle galloped the fencelines, bawling. Trees toppled; a barn roof tumbled over the highway. The river changed directions. The wind flung thrushes screaming into the gorge and impaled them on the thorns in grotesque attitudes.
Anthony Doerr (The Shell Collector)
The words of the wise are like cattle prods—painful but helpful. Their collected sayings are like a nail-studded stick with which a shepherd drives the sheep.
Anonymous
It was William who would climb out of his carriage unafraid and help a farmer drive a herd of cattle or sheep across a road when necessary.
Lisa M. Prysock (To Find a Duchess)
If you get into trouble, give a shout.” “We’ll be fine,” Gladys said. Famous last words, Zane thought, wishing he could believe them. All the novices looked as if they could be blown off their mounts by a stiff wind. He didn’t usually allow for second-guessing, but he was about to make an exception. Deciding to go forward with the cattle drive had been about the stupidest idea he’d ever had.
Susan Mallery (Kiss Me (Fool's Gold, #17))
The night was still and cool, with no hint of stars above the cloud cover. The forecasted rain had yet to fall, and he was beginning to believe that they were going to get through the cattle drive without some kind of disaster. Even as the thought formed, he made a fist and knocked on the log. No point in tempting fate. Not when there were still two days and plenty of miles between his greenhorns and the safety of the house.
Susan Mallery (Kiss Me (Fool's Gold, #17))
We resumed driving and cut along a dirt road through the prairie. Lush tall grasses spread as far as the eye could see, a rolling green vista that was disturbed only by a few small rusted oil pumps and by cattle grazing here and there.
David Grann (Killers of the Flower Moon: Adapted for Young Readers: The Osage Murders and the Birth of the FBI)
Where’s Chase?” Maya said. “I want to guilt him into getting my bags for me.” Zane gave a sigh of the long-suffering. “How many?” “Four, but two of them are small.” “You’re going on a cattle drive, not touring the capitals of Europe.” Maya leaned toward Phoebe. “He’s always crabby when people invade his precious ranch. Hmm. Actually he’s crabby most of the time.” Zane’s scowl didn’t seem to affect Maya, who linked arms with Phoebe, then used her free hand to blow Zane a kiss.
Susan Mallery (Kiss Me (Fool's Gold, #17))
His private opinion about a lot of the baby thugs and delinquents he encountered on the job was that what they really yearned after, whether they knew it or not, was a rifle and a horse and a herd of cattle to drive through dangerous terrain.
Tana French (The Searcher)
I walked across the two feet of drive to the lawn and stepped slowly onto the grass. It wasn't a wild grass, of course, but it was happy grass. Some variety of centipede, the mat stretching across the open spaces, the leaves and roots and runners heavily steeped in time and good water and care and nitrates. It felt…satisfied, maybe, and very oddly, it also felt...snobbish, if grass can feel snobbish. My own mixed grasses at home felt useful, functional, and beneficial. "You are supposed to be eaten," I told the snobbish grass softly, "by sheep and cattle and goats and geese. You are foodstuff." "Nell?" Rick asked. "Nothing," I said, walking away, the grass tickling my arches and pressing up between my toes. "Just talking to the grass.
Faith Hunter (Blood of the Earth (Soulwood, #1))
The population aids the army. Recently Porkhov schoolboys caught three parachutists. A bearded old villager, armed with a stake, brought in a diversionist, disguised in the green uniform of a pre-revolutionary forester. The peasants drive off the cattle. Grain fields are burning. This year the stalks are almost as tall as an average man. There was not enough time to harvest the grain. Attacks and counterattacks continue. On both sides the losses are heavy. Yesterday one of our tanks caught fire. The driver rushed his burning tank at a German machine.
Ilya Ehrenburg (The Tempering of Russia)
...The Arabs I rode herding cattle with your father in the fifties and sixties would do a full day’s work for twenty years, seven days a week, and retire sound.” He snorted. “The drive now is for pretty lawn ornaments. The Arabian horses were originally bred as weapons of war, and now they are artwork.
Patricia Briggs (Dead Heat (Alpha & Omega, #4))
In the Amazon, the turn to swidden was unfortunate. Slash-and-burn cultivation has become one of the driving forces behind the loss of tropical forest. Although swidden does permit the forest to regrow, it is wildly inefficient and environmentally unsound. The burning sends up in smoke most of the nutrients in the vegetation—almost all of the nitrogen and half the phosphorus and potassium. At the same time, it pours huge amounts of carbon dioxide into the air, a factor in global warming. (Large cattle ranches are the major offenders in the Amazon, but small-scale farmers are responsible for up to a third of the clearing.) Fortunately, it is a relatively new practice, which means it has not yet had much time to cause damage. More important, the very existence of so much healthy forest after twelve thousand years of use by large populations suggests that whatever Indians did before swidden must have been ecologically more sustainable.
Charles C. Mann (1491: New Revelations of the Americas Before Columbus)
He must be really smart. That must make you proud. I certainly couldn’t design a website and entice people to sign up for a cattle-drive vacation.” Zane’s ever-so-perfect mouth tightened. “He lied, stole and committed fraud. Pride doesn’t much enter into it for me.” Phoebe hunched down in her seat. “If you’re going to put it like that,” she mumbled and turned her attention to the scenery.
Susan Mallery (Kiss Me (Fool's Gold, #17))
If I followed my better instincts right now, I would put this typewriter in the Volvo and drive to the home of the nearest politician -- any politician -- and hurl the goddamn machine through his front window ... flush the bugger out with an act of lunatic violence then soak him down with mace and run him naked down Main Street in Aspen with a bell around his neck and black lumps all over his body from the jolts of a high powered "Ball Buster" cattle prod.
Hunter S. Thompson
I one evening overtook one of my townsmen, who has accumulated what is called 'a handsome property'..on the Walden road, driving a pair of cattle to market, who inquired of me how I could bring my mind to give up so many of the comforts of life. I answered that I was very sure I liked it passably well; I was not joking. And so I went home to my bed, and left him to pick his way through the darkness and the mud to Brighton, which place he would reach some time in the morning.
Henry David Thoreau (Walden)
I can believe things that are true and I can believe things that aren’t true and I can believe things where nobody knows if they’re true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen—I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone’s ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theatres from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we’ll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind’s destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it’s aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there’s a cat in a box somewhere who’s alive and dead at the same time (although if they don’t ever open the box to feed it it’ll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn’t even know that I’m alive. I believe in an empty and godless universe of causal chaos, background noise and sheer blind luck. I believe that anyone who says that sex is overrated just hasn’t done it properly. I believe that anyone who claims to know what’s going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman’s right to choose, a baby’s right to live, that while all human life is sacred there’s nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, life is a cruel joke and that life is what happens when you’re alive and that you might as well lie back and enjoy it.
Neil Gaiman (American Gods)
I one evening overtook one of my townsmen, who has accumulated what is called “a handsome property”—though I never got a fair view of it—on the Walden road, driving a pair of cattle to market, who inquired of me how I could bring my mind to give up so many of the comforts of life. I answered that I was very sure I liked it passably well; I was not joking. And so I went home to my bed, and left him to pick his way through the darkness and the mud to Brighton—or Bright-town—which place he would reach some time in the morning.
Henry David Thoreau
Not they indeed," cried Thorpe; "for, as we turned into Broad Street, I saw them—does he not drive a phaeton with bright chestnuts?" "I do not know indeed." "Yes, I know he does; I saw him. You are talking of the man you danced with last night, are not you?" "Yes. "Well, I saw him at that moment turn up the Lansdown Road, driving a smart-looking girl." "Did you indeed?" "Did upon my soul; knew him again directly, and he seemed to have got some very pretty cattle too." "It is very odd! But I suppose they thought it would be too dirty for a walk.
Jane Austen (The Complete Works of Jane Austen (All Novels, Short Stories, Unfinished Works, Juvenilia, Letters, Poems, Prayers, Memoirs and Biographies - Fully Illustrated))
Couldn’t sleep?” he asked as he approached, then stopped by the railing next to her. She shook her head. “I guess I’m too excited about the cattle drive.” “It’s keeping me up, too, but not from excitement.” The simple statement caught her unaware. With a few words, he expressed a vulnerability that made her heart squeeze, even as her hormones hummed a Dixie Chicks song about cowboys and being taken away. It was the night, she told herself. Or maybe it was just the man. Regardless, wouldn’t this be a good time to suddenly be witty and charming? Or even gorgeous. She would settle for gorgeous and not funny, as long as she didn’t have to talk to much. “I know it’s a big responsibility,” she said when she neither transformed into a supermodel nor thought of anything brilliant to say. “But you seem to have everything figured out. I’m sure it will be fine.” He sighed. “Want to guarantee that in writing?” “Would it help if I did?” “No.” He stared up at the sky. “I couldn’t get them to leave.” “Yes, well, you tried.” He grunted. She guessed that trying and failing didn’t count for much in his world. Yet another strike against her. She screwed up all the time.
Susan Mallery (Kiss Me (Fool's Gold, #17))
You have driven me from the East to this place, and I have been here two thousand years or more. [...] My friends, if you took me away from this land it would be very hard for me. I wish to die in this land, I wish to be an old man here. [...] I have not wished to give even a part of it to the Great Father [the President]. Though he were to give me a million dollars I would not give him this land. [...] When people want to slaughter cattle they drive them along until they get them to a corral, and then they slaughter them. So it was with us. [...] My children have been exterminated; my brother has been killed.
Standing Bear
Faster than fairies, faster than witches, Bridges and houses, hedges and ditches; And charging along like troops in a battle All through the meadows the horses and cattle: All of the sights of the hill and the plain Fly as thick as driving rain; And ever again, in the wink of an eye, Painted stations whistle by. Here is a child who clambers and scrambles, All by himself and gathering brambles; Here is a tramp who stands and gazes; And here is the green for stringing the daisies! Here is a cart runaway in the road Lumping along with man and load; And here is a mill, and there is a river: Each a glimpse and gone forever! From A Railway Carriage
Rbert Louis Stevenson
All the novices looked as if they could be blown off their mounts by a stiff wind. He didn’t usually allow for second-guessing, but he was about to make an exception. Deciding to go forward with the cattle drive had been about the stupidest idea he’d ever had. “Ready to go, boss?” Frank asked as he rode up. Zane let his gaze settle on the two kids, then he shook his head. “No, but we’re leaving anyway.” Frank grinned. “Me and the boys are taking bets on who falls off their horse first. You’re gonna have to let us know who it is and when it happens for the pool.” Zane pulled his hat down low. For the first time in years, he wanted to be somewhere other than the ranch. Greenhorns. The whole lot of them. Frank and the boys were right. Someone would be tumbling from a horse, and if Zane was lucky, that would be the least of his troubles. “Have fun,” Frank said with an expression that announced “better you than me.” Zane nodded. “I know you’re not much for praying, but you might want to put in a good word with the Almighty.” “Sure thing, boss. You’re going to need all the help you can get.” Zane nodded. “You’ll be able to reach me on my cell phone. We’ll be staying within range of the towers.” “I’ll be here.” Zane wished he would be, as well. A sharp whistle warned him that his life was about to stampede out of control.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Arrange for supplies to be delivered every day. You’ll have to write up a schedule for the men. Have Cookie plan a menu this afternoon.” Frank’s eyes widened. He looked as if someone had just run over his favorite dog. “Boss, you’re not taking Cookie with you.” It was more of a plea than a question. “No one else can cook for shit. What am I supposed to feed them?” “But without Cookie, one of the boys will have to cook for those of us left behind.” “There’s enough stuff frozen to get everyone through a week.” “Ah, jeez.” Frank’s shoulders slumped. “Why’d you have to take Cookie with you?” Zane ignored the question. Frank knew he was stuck on the ranch. With Zane gone, Frank would be in charge. “I’ll have the two-way radios with me. With the new tower in place, you’ll be able to reach me any time.” Frank was still grumbling about losing the ranch cook for a week. “Want to trade?” Zane asked flatly. His foreman pressed his lips together. They both knew taking ten novice riders out on a fake cattle drive through wilderness was nothing short of five kinds of hell. June weather was usually good, but there was always the possibility of a freak snowstorm, a sizable flash flood, spooked cattle, bears, runaway horses, snakebite and saddle sores. Frank slapped him on the back. “You have a fine time out there, boss. The boys and I will keep things running back here.” “Somehow I knew you were going to say that.
Susan Mallery (Kiss Me (Fool's Gold, #17))
The Allies housed a hundred patients there. Before that the Germans held it with a small army, their last stronghold. Some rooms are painted, each room has a different season. Outside the villa is a gorge. All this is about twenty miles from Florence, in the hills. You will need a pass, of course. We can probably get someone to drive you up. It is still terrible out there. Dead cattle. Horses shot dead, half eaten. People hanging upside down from bridges. The last vices of war. Completely unsafe. The sappers haven’t gone in there yet to clear it. The Germans retreated burying and installing mines as they went. A terrible place for a hospital. The smell of the dead is the worst. We need a good snowfall to clean up this country. We need ravens.
Michael Ondaatje (The English Patient)
For too long we have been the playthings of massive corporations, whose sole aim is to convert our world into a gargantuan shopping 'mall'. Pleasantry and civility are being discarded as the worthless ephemera of a bygone age; an age where men doffed their hats at ladies, and children could be counted on to mind your Jack Russell while you took a mild and bitter in the pub. The twinkly-eyed tobacconist, the ruddy-cheeked landlord and the bewhiskered teashop lady are being trampled under the mighty blandness of 'drive-thru' hamburger chains. Customers are herded in and out of such places with an alarming similarity to the way the cattle used to produce the burgers are herded to the slaughterhouse. The principal victim of this blandification is Youth, whose natural propensity to shun work, peacock around the town and aggravate the constabulary has been drummed out of them. Youth is left with a sad deficiency of joie de vivre, imagination and elegance. Instead, their lives are ruled by territorial one-upmanship based on brands of plimsoll, and Youth has become little more than a walking, barely talking advertising hoarding for global conglomerates. ... But now, a spectre is beginning to haunt the reigning vulgarioisie: the spectre of Chappism. A new breed of insurgent has begun to appear on the streets, in the taverns and in the offices of Britain: The Anarcho-Dandyist. Recognisable by his immaculate clothes, the rakish angle of his hat and his subtle rallying cry of "Good day to you sir/ madam!
Gustav Temple and Vic Darkwood (The Chap Manifesto: Revolutionary Etiquette for the Modern Gentleman)
Now don’t go too fast, John,” Mama said. “And be careful of the curve at the bottom of the hill. Sometimes Mr. Pettengill’s cattle get out and block the road.” “Yes, ma’am.” John cranked up the engine. The car shook and trembled and made a series of loud popping noises before it began to roll down the driveway, picking up speed as it went. “Hooray!” shouted Theo. “Hooray!” “Heavens to Betsy,” Mama cried, “slow down, John. Do you want to kill us?” Leaning over the seat, I estimated we were going all of ten or fifteen miles per hour. “It’s a good thing there aren’t more motorcars on the road,” Mama said. “If everyone drove like you, we’d never make it to town in one piece.” Hannah gave her mother an agonized look. “Mama,” she whispered, “John knows how to drive.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
Ladies,” he said as he stepped forward. “I’m afraid we don’t have enough tents or saddles to add you to the group.” “I already tried to stop them,” Elaine said, “but they insisted.” She turned to Phoebe. “Eddie and Gladys are known for being a little hardheaded.” “Among other things,” Maya added wryly. “That one’s Eddie, and that one’s Gladys,” she said, pointing. “We’re not additions,” Eddie said, “we’re replacements.” Gladys dug through the large black purse strapped over her forearm and pulled out a checkbook. “We met a nice couple at Ronan’s last night, and they couldn’t say yes fast enough when we offered to buy their spots on the cattle drive.” “They said they’re gonna stay in town and get a hot stone massage every day instead.” “But--” “We already paid,” Eddie said. “Five hundred bucks a pop. Figured it would be worth it if we could see some sexy cowboys. We’ve taken riding lessons from Shane Stryker, but he refuses to take off his shirt for us. I hope you’re not going to be so stubborn.” Phoebe thought Zane might call off the whole thing, after all, but all he did was mutter, “Fine. Head inside, I’ll bring your things.” She supposed the novices were a bit of a challenge and senior novices would be even more of one, but to her mind, the older women were quirky and delightful. “We’re mighty excited about this trip,” Gladys said. “Eddie here has wanted to go on a cattle drive since she first saw City Slickers.” She winked. “Not that either of us have a hankering to help with a birthing, mind you. It looked a tad messy.” Phoebe was charmed.
Susan Mallery (Kiss Me (Fool's Gold, #17))
I want you to give me a straight answer," Declan said. "Are you even thinking about going to college?" "No." It was satisfying and terrible to say it out loud, a trigger pulled, the explosion over within a second. Ronan looked around for bodies. Declan swayed; the bullet had clearly at least grazed him near a vital organ. With effort, he got the arterial spray under control. "Yeah, I figured. So the endgame is making this a career for you, isn't it?" This was not, in fact, what Ronan wanted. Although he wanted to be free to dream, and free to live at the Barns, he did not want to dream in order to be able to live at the Barns. He wanted to be left alone to repair all of the buildings, to raise his father's cattle from their supernatural sleep, to populate the fields with new animals to be eaten and sold, and to turn the very rearmost field into a giant mudslick suitable for driving cars around in circles. This, to Ronan, represented a romantic ideal that he would do much to achieve. He wasn't sure how to tell his brother this in a persuasive, unembarrassing way, though, so he'd said, in an unfriendly way, "I was actually thinkin' of being a farmer." "Ronan, for fuck's sake," Declan said. "Can we have a serious conversation for once?" Ronan flipped him the bird with swift proficiency.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Hang tight,” he said. “I’ll be right there.” Marlboro Man was right there, in less than five minutes. Once I determined the white pickup pulling beside my car was his and not that of Jason Voorhees, I rolled down my window. Marlboro Man did the same and said, with a huge smile, “Having trouble?” He was enjoying this, in the exact same way he’d enjoyed waking me from a sound sleep when he’d called at seven a few days earlier. I was having no trouble establishing myself as the clueless pansy-ass of our rapidly developing relationship. “Follow me,” he said. I did. I’ll follow you anywhere, I thought as I drove in the dust trail behind his pickup. Within minutes we were back at the highway and I heaved a sigh of relief that I was going to survive. Humiliated and wanting to get out of his hair, I intended to give him a nice, simple wave and drive away in shame. Instead, I saw Marlboro Man walking toward my car. Staring at his Wranglers, I rolled down my window again so I could hear what he had to say. He didn’t say anything at all. He opened my car door, pulled me out of the car, and kissed me as I’d never been kissed before. And there we were. Making out wildly at the intersection of a county road and a rural highway, dust particles in the air mixing with the glow of my headlights to create a cattle ranch version of London fog.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
As Zane drove toward the exit, Phoebe searched frantically for a topic of conversation. Nothing brilliant came to mind. She nibbled on her lower lip as she considered risking the truth. When nothing better occurred to her, she decided to dive right into the cowboy-infested water. “So this is really strange, huh?” Zane glanced at her but didn’t speak. She cleared her throat. “Me being here. I mean you don’t know me from a rock, and I’m going to be staying at the ranch for a couple of days. Maybe we should get to know each other, so the situation isn’t so awkward.” “If you don’t feel like you belong, why did you come?” She spent a good three seconds mentally swooning over the sound of his voice before processing his words. He wasn’t exactly welcoming. “Well, um, several reasons,” she said, stalling, then couldn’t think of any but one. She sighed. “Maya guilted me into it.” “What did she tell you? That I keep Chase locked in a tower and feed him bread and water?” Phoebe winced. “Not exactly.” “But close.” “Um, maybe.” Zane’s grip on the steering wheel tightened. “She’s always had a soft spot for Chase.” “He must be really smart. That must make you proud. I certainly couldn’t design a website and entice people to sign up for a cattle-drive vacation.” Zane’s ever-so-perfect mouth tightened. “He lied, stole and committed fraud. Pride doesn’t much enter into it for me.” Phoebe hunched down in her seat. “If you’re going to put it like that,” she mumbled and turned her attention to the scenery.
Susan Mallery (Kiss Me (Fool's Gold, #17))
We did the dishes and talked--about the cattle business, about my job back in L.A., about his local small town, about family. Then we adjourned to the sofa to watch an action movie, pausing occasionally to remind each other once again of the reason God invented lips. Curiously, though, while sexy and smoldering, Marlboro Man kept his heavy breathing to a minimum. This surprised me. He was not only masculine and manly, he lived in the middle of nowhere--one might expect that because of the dearth of women within a twenty-mile range, he’d be more susceptible than most to getting lost in a heated moment. But he wasn’t. He was a gentleman through and through--a sizzling specimen of a gentleman who was singlehandedly introducing me to a whole new universe of animal attraction, but a gentleman, nonetheless. And though my mercury was rising rapidly, his didn’t seem to be in any hurry. He walked me to my car as the final credits rolled, offering to follow me all the way home if I wanted. “Oh, no,” I said. “I can get home, no problem.” I’d lived in L.A. for years; it’s not like driving alone at night bothered me. I started my car and watched him walk back toward his front door, admiring every last thing about him. He turned around and waved, and as he walked inside I felt, more than ever, that I was in big trouble. What was I doing? Why was I here? I was getting ready to move to Chicago--home of the Cubs and Michigan Avenue and the Elevated Train. Why had I allowed myself to stick my toe in this water? And why did the water have to feel so, so good?
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
«It's not easy to believe.» «I» she told him, «I can believe anything. You have no idea what I can believe.» «Really?» «I can believe things that are true and I can believe things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen - I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like the Martians in "War of the Worlds". I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kind of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of casual chaos, background noise, and sheer blind luck. I believe that anyone who says that sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.»
Neil Gaiman (American Gods (American Gods, #1))
I’d never been with anyone like Marlboro Man. He was attentive--the polar opposite of aloof--and after my eighteenth-month-long college relationship with my freshman love Collin, whose interest in me had been hampered by his then-unacknowledged sexual orientation, and my four-year run with less-than-affectionate J, attentive was just the drug I needed. Not a day passed that Marlboro Man--my new cowboy love--didn’t call to say he was thinking of me, or he missed me already, or he couldn’t wait to see me again. Oh, the beautiful, unbridled honesty. We loved taking drives together. He knew every inch of the countryside: every fork in the road, every cattle guard, every fence, every acre. Ranchers know the country around them. They know who owns this pasture, who leases that one, whose land this county road passes through, whose cattle are on the road by the lake. It all looked the same to me, but I didn’t care. I’d never been more content to ride in the passenger seat of a crew-cab pickup in all my life. I’d never ridden in a crew-cab pickup in all my life. Never once. In fact, I’d never personally known anyone who’d driven a pickup; the boys from my high school who drove pickups weren’t part of my scene, and in their spare time they were needed at home to contribute to the family business. Either that, or they were cowboy wannabes--the kind that only wore cowboy hats to bars--and that wasn’t really my type either. For whatever reason, pickup trucks and I had never once crossed paths. And now, with all the time I was spending with Marlboro Man, I practically lived in one.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
SILVER CITY IS NO PLACE FOR AMATEURS I left Colorado Springs the next morning and got back in the fucking car for another day of driving for the Tour of the Gila. I’d never driven in snow before, but I made it to Santa Fe and then Albuquerque in the afternoon, careful to dodge all the tumbleweeds on the highway in New Mexico. I hadn’t known that those existed outside of cartoons. Already exhausted when I got off the interstate, I was surprised when my GPS said “48 miles remaining, 1.5 hours’ drive time”—I was sure that couldn’t be right. Then I saw the steep climbs, bumpy cattle guards, and dangerous descents on the road into Silver City. I drove as fast as I could, sliding my poor car around hairpins in the dark. I made it to the host house, fell asleep, and found two flat tires when I went outside to unpack the car in the morning. They probably weren’t meant for drifting. My luck didn’t improve when the race started. I got a flat tire when I went off the road to dodge a crash, and I chased for over an hour to get back to the field. Between the dry air and altitude, I got a major nosebleed. My car was parked at the base of the finishing climb, and I got there several minutes behind the field, my new white Cannondale and all my clothes covered in blood. The course turned right to go up the climb, and I turned left, climbed into my car, and got the hell out of there. I might have made the time cut, but for the second time in two weeks, I opted to climb in the car instead. I got out of that town like I was about to turn into a pumpkin, and made it back to San Diego nine hours later. If there wasn’t a Pacific Ocean to stop me, I’d have driven another day, just to get farther from Gila.
Phil Gaimon (Pro Cycling on $10 a Day: From Fat Kid to Euro Pro)
I hung up the phone after saying good night to Marlboro Man, this isolated cowboy who hadn’t had the slightest probably picking up the phone to say “I miss you.” I shuddered at the thought of how long I’d gone without it. And judging from the electrical charges searing through every cell of my body, I realized just how fundamental a human need it really is. It was as fundamental a human need, I would learn, as having a sense of direction in the dark. I suddenly realized I was lost on the long dirt road, more lost than I’d ever been before. The more twists and turns I took in my attempt to find my bearings, the worse my situation became. It was almost midnight, and it was cold, and each intersection looked like the same one repeating over and over. I found myself struck with an illogical and indescribable panic--the kind that causes you to truly believe you’ll never, ever escape from where you are, even though you almost always will. As I drove, I remembered every horror movie I’d ever watched that had taken place in a rural setting. Children of the Corn. The children of the corn were lurking out there in the tall grass, I just knew it. Friday the 13th. Sure, it had taken place at a summer camp, but the same thing could happen on a cattle ranch. And The Texas Chain Saw Massacre? Oh no. I was dead. Leatherface was coming--or even worse, his freaky, emaciated, misanthropic brother. I kept driving for a while, then stopped on the side of the road. Shining my brights on the road in front of me, I watched out for Leatherface while dialing Marlboro Man on my car phone. My pulse was rapid out of sheer terror and embarrassment; my face was hot. Lost and helpless on a county road the same night I’d emotionally decompensated in his kitchen--this was not exactly the image I was dying to project to this new man in my life. But I had no other option, short of continuing to drive aimlessly down one generic road after another or parking on the side of the road and going to sleep, which really wasn’t an option at all, considering Norman Bates was likely wandering around the area. With Ted Bundy. And Charles Manson. And Grendel.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Two starving kids and tree-hugging vegetarians. I’m going to kill Chase.” Phoebe didn’t blame him. Despite her lack of experience in the cattle-drive department, even she could see the potential for trouble. Then a familiar figure standing beside the driver caught her attention, and she waved. Maya grinned and waved back. “It’s Maya,” Phoebe said. Zane turned and followed her gaze. “Just perfect,” he muttered as his ex-stepsister walked toward them. “You’re looking grim, Zane,” Maya said cheerfully when she joined them. “Who died?” She smiled. “Oh, I forgot. You’re just being your usual charming self.” She squeezed his arm. “You’ve missed me, I know.” Zane’s eyes narrowed. “Like foot fungus.” She laughed and turned to Phoebe. “You’re still alive. I see Zane didn’t bore you to death.” “Not even close.” Phoebe hugged her friend. Maya waved forward the bus driver, a pretty woman in her fifties. “Phoebe, this is Elaine Mitchell.” “You’re the one Maya worked for in high school?” Phoebe asked. “I am.” Maya put her arm around Phoebe’s shoulders. “And this is my BFF, Phoebe.” “Welcome to Fool’s Gold,” Elaine said with a smile. Instead of her usual suit and high heels, Maya wore jeans, a long-sleeved shirt and boots. Her blond hair was pulled back in a braid. “You look like a local,” Phoebe said. “Speaking of locals,” Maya began, a note of warning in her voice. “Oh, shit,” Zane said before she could continue. Phoebe looked toward the bus and immediately saw why Zane’s face had gone a little ashen. The two crazy old women who had cornered her at his truck in town had just gotten off the bus. Eddie and Gladys, if she remembered right. The skinny one was wearing stiff, dark blue jeans and a plaid Western shirt with pearly snaps along the front. The plump one, who still looked as if she had asked for one of everything at the cosmetic counter, was wearing jeans, too, and leather chaps with fringe along the sides. They both had cowboy hats perched atop their white curls. Besides her Zane muttered under his breath. She caught a handful of words. Something about being old, broken bones and a reference to hanging Chase from the lightning rod in the middle of a storm.
Susan Mallery (Kiss Me (Fool's Gold, #17))
I breathed in a deep dose of night air, trying to calm my schoolgirl nervousness. “I, umm…” I began. “I decided to stick around here a little while.” There. I’d said it. This was all officially real. Without a moment of hesitation, Marlboro Man wrapped his ample arms around my waist. Then, in what seemed to be less than a second, he hoisted me from my horizontal position on the bed of his pickup until we were both standing in front of each other. Scooping me off my feet, he raised me up to his height so his icy blue eyes were level with mine. “Wait…are you serious?” he asked, taking my face in his hands. Squaring it in front of his. Looking me in the eye. “You’re not going?” “Nope,” I answered. “Whoa,” he said, smiling and moving in for a long, impassioned kiss on the back of his Ford F250. “I can’t believe it,” he continued, squeezing me tightly. Our knees buckled under the heat, and before I knew it we were back where we’d been before, rolling around and kissing manically in the bed of his diesel pickup. Occasionally my arm would hit a crowbar and my head would slam against a spare tire or a cattle prod or a jack; I didn’t care, of course. I’d said what I wanted to say that night. Everything else--even minor head injuries--was a piece of cake. We stayed there a long, long time, the balmy night air giving us no good reason to leave. Under the innumerable stars, amidst all the embraces and kisses and sounds from the surrounding livestock, I suddenly felt more at peace in my decision than I had since my phone call with Rhonda the Realtor that morning. I felt at home, comfortable, nestled in, wonderful. My life had changed that day, changed in a way I never, ever, could have predicted. My big-city plans--plans many months in the making--had all at once been smashed to smithereens by a six-foot cowboy with manure on his boots. A cowboy I’d known, essentially, for less than three weeks. It was the craziest thing I’d ever done, deciding to take an impulsive walk down this new and unexpected path. And while I secretly wondered how long it would take for me to regret my decision, I rested easily, at least for that night, in the knowledge that I’d had the courage to step out on such an enormous limb. It was late. Time to go. “Want me to drive you home now?” Marlboro Man asked, lacing our fingers together, kissing the back of my hand. “Or, do you…” He paused, considering his words. “Do you want to come stay at my place?
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
We needed to drive down the road a couple of miles to meet the rest of the cowboys and gather the cattle from there. “Mom, why don’t you and Ree go ahead in her car and we’ll be right behind you,” Marlboro Man directed. His mother and I walked outside, climbed in the car, and headed down the road. We exchanged pleasant small talk. She was poised and genuine, and I chattered away, relieved that she was so approachable. Then, about a mile into our journey, she casually mentioned, “You might watch that turn up ahead; it’s a little sharp.” “Oh, okay,” I replied, not really listening. Clearly she didn’t know I’d been an L.A. driver for years. Driving was not a problem for me. Almost immediately, I saw a ninety-degree turn right in front of my face, pointing its finger at me and laughing--cackling--at my predicament. I whipped the steering wheel to the left as quickly as I could, skidding on the gravel and stirring up dust. But it was no use--the turn got the better of me, and my car came to rest awkwardly in the ditch, the passenger side a good four feet lower than mine. Marlboro Man’s mother was fine. Lucky for her, there’s really nothing with which to collide on an isolated cattle ranch--no overpasses or concrete dividers or retaining walls or other vehicles. I was fine, too--physically, anyway. My hands were trembling violently. My armpits began to gush perspiration. My car was stuck, the right two tires wedged inextricably in a deep crevice of earth on the side of the road. On the list of the Top Ten Things I’d Want Not to Happen on the First Meeting Between My Boyfriend’s Mother and Me, this would rate about number four. “Oh my word,” I said. “I’m sorry about that.” “Oh, don’t worry about it,” she reassured, looking out the window. “I just hope your car’s okay.” Marlboro Man and his dad pulled up beside us, and they both hopped out of the pickup. Opening my door, Marlboro Man said, “You guys okay?” “We’re fine,” his mother said. “We just got a little busy talking.” I was Lucille Ball. Lucille Ball on steroids and speed and vodka. I was a joke, a caricature, a freak. This couldn’t possibly be happening to me. Not today. Not now. “Okay, I’ll just go home now,” I said, covering my face with my hands. I wanted to be someone else. A normal person, maybe. A good driver, perhaps. Marlboro Man examined my tires, which were completely torn up. “You’re not goin’ anywhere, actually. You guys hop in the pickup.” My car was down for the count.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
But then the cowboy standing in front of you smiles gently and says, “You sure?” Those two simple words opened up the Floodgates of Hell. I smiled and laughed, embarrassed, even as two big, thick tears rolled down both my cheeks. Then I laughed again and blew a nice, clear explosion of snot from my nose. Of all the things that had happened that day, that single moment might have been the worst. “Oh my gosh, I can’t believe I’m doing this,” I insisted as another pair of tears spilled out. I scrambled around the kitchen counter and found a paper towel, using it to dab the salty wetness on my face and the copious slime under my nose. “I am so, so sorry.” I inhaled deeply, my chest beginning to contract and convulse. This was an ugly cry. I was absolutely horrified. “Hey…what’s wrong?” Marlboro Man asked. Bless his heart, he had to have been as uncomfortable as I was. He’d grown up on a cattle ranch, after all, with two brothers, no sisters, and a mother who was likely as lacking in histrionics as I wished I was at that moment. He led a quiet life out here on the ranch, isolated from the drama of city life. Judging from what he’d told me so far, he hadn’t invited many women over to his house for dinner. And now he had one blubbering uncontrollably in his kitchen. I’d better hurry up and enjoy this evening, I told myself. He won’t be inviting me to any more dinners after this. I blew my nose on the paper towel. I wanted to go hide in the bathroom. Then he took my arm, in a much softer grip than the one he’d used on our first date when he’d kept me from biting the dust. “No, c’mon,” he said, pulling me closer to him and securing his arms around my waist. I died a thousand deaths as he whispered softly, “What’s wrong?” What could I possibly say? Oh, nothing, it’s just that I’ve been slowly breaking up with my boyfriend from California and I uninvited him to my brother’s wedding last week and I thought everything was fine and then he called last night after I got home from cooking you that Linguine and Clam Sauce you loved so much and he said he was flying here today and I told him not to because there really wasn’t anything else we could possibly talk about and I thought he understood and while I was driving out here just now he called me and it just so happens he’s at the airport right now but I decided not to go because I didn’t want to have a big emotional drama (you mean like the one you’re playing out in Marlboro Man’s kitchen right now?) and I’m finding myself vacillating between sadness over the end of our four-year relationship, regret over not going to see him in person, and confusion over how to feel about my upcoming move to Chicago. And where that will leave you and me, you big hunk of burning love.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I can believe that things are true and I can believe things that aren’t true and I can believe things where nobody knows if they’re true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen – I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone’s ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we’ll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind’s destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it’s aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there’s a cat in a box somewhere who’s alive and dead at the same time (although if they don’t ever open the box to feed it it’ll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn’t even know that I’m alive. I believe in an empty and godless universe of casual chaos, background noise, and sheer blind luck. I believe that anyone who says that sex is overrated just hasn’t done it properly. I believe that anyone claims to know what’s going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman’s right to choose, a baby’s right to live, that while all human life is sacred there’s nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe life is a game, that life is a cruel joke, and that life is what happens when you’re alive and that you might as well lie back and enjoy it.
Neil Gaiman (American Gods)
I kept driving for a while, then stopped on the side of the road. Shining my brights on the road in front of me, I watched out for Leatherface while dialing Marlboro Man on my car phone. My pulse was rapid out of sheer terror and embarrassment; my face was hot. Lost and helpless on a county road the same night I’d emotionally decompensated in his kitchen--this was not exactly the image I was dying to project to this new man in my life. But I had no other option, short of continuing to drive aimlessly down one generic road after another or parking on the side of the road and going to sleep, which really wasn’t an option at all, considering Norman Bates was likely wandering around the area. With Ted Bundy. And Charles Manson. And Grendel. Marlboro Man answered, “Hello?” He must have been almost asleep. “Um…um…hi,” I said, squinting in shame. “Hey there,” he replied. “This is Ree,” I said. I just wanted to make sure he knew. “Yeah…I know,” he said. “Um, funniest thing happened,” I continued, my hands in a death grip on the steering wheel. “Seems I got a little turned around and I’m kinda sorta maybe perhaps a little tiny bit lost.” He chuckled. “Where are you?” “Um, well, that’s just it,” I replied, looking around the utter darkness for any ounce of remaining pride. “I don’t really know.” Marlboro Man assumed control, telling me to drive until I found an intersection, then read him the numbers on the small green county road sign, numbers that meant absolutely nothing to me, considering I’d never even heard the term “county road” before, but that would help Marlboro Man pinpoint exactly where on earth I was. “Okay, here we go,” I called out. “It says, um…CR 4521.” “Hang tight,” he said. “I’ll be right there.” Marlboro Man was right there, in less than five minutes. Once I determined the white pickup pulling beside my car was his and not that of Jason Voorhees, I rolled down my window. Marlboro Man did the same and said, with a huge smile, “Having trouble?” He was enjoying this, in the exact same way he’d enjoyed waking me from a sound sleep when he’d called at seven a few days earlier. I was having no trouble establishing myself as the clueless pansy-ass of our rapidly developing relationship. “Follow me,” he said. I did. I’ll follow you anywhere, I thought as I drove in the dust trail behind his pickup. Within minutes we were back at the highway and I heaved a sigh of relief that I was going to survive. Humiliated and wanting to get out of his hair, I intended to give him a nice, simple wave and drive away in shame. Instead, I saw Marlboro Man walking toward my car. Staring at his Wranglers, I rolled down my window again so I could hear what he had to say. He didn’t say anything at all. He opened my car door, pulled me out of the car, and kissed me as I’d never been kissed before. And there we were. Making out wildly at the intersection of a county road and a rural highway, dust particles in the air mixing with the glow of my headlights to create a cattle ranch version of London fog. It would have made the perfect cover of a romance novel had it not been for the fact that my car phone, suddenly, began ringing loudly.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I," she told him, "can believe anything. You have no idea what I can believe." "Really?" "I can believe things that are true and I can believe things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen - I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theatres from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in this universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of casual chaos, background noise and sheer blind luck. I believe that anyone who says that sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, life is a cruel joke and that life is what happens when you're alive and that you might as well lie back and enjoy it." She stopped, out of breath. Shadow almost took his hands off the wheel to applaud.
Neil Gaiman (American Gods)
Permanent Revolution THE INDUSTRIAL REVOLUTION OPENED up new ways to convert energy and to produce goods, largely liberating humankind from its dependence on the surrounding ecosystem. Humans cut down forests, drained swamps, dammed rivers, flooded plains, laid down hundreds of thousands of miles of railroad tracks, and built skyscraping metropolises. As the world was moulded to fit the needs of Homo sapiens, habitats were destroyed and species went extinct. Our once green and blue planet is becoming a concrete and plastic shopping centre. Today, the earth’s continents are home to billions of Sapiens. If you took all these people and put them on a large set of scales, their combined mass would be about 300 million tons. If you then took all our domesticated farmyard animals – cows, pigs, sheep and chickens – and placed them on an even larger set of scales, their mass would amount to about 700 million tons. In contrast, the combined mass of all surviving large wild animals – from porcupines and penguins to elephants and whales – is less than 100 million tons. Our children’s books, our iconography and our TV screens are still full of giraffes, wolves and chimpanzees, but the real world has very few of them left. There are about 80,000 giraffes in the world, compared to 1.5 billion cattle; only 200,000 wolves, compared to 400 million domesticated dogs; only 250,000 chimpanzees – in contrast to billions of humans. Humankind really has taken over the world.1 Ecological degradation is not the same as resource scarcity. As we saw in the previous chapter, the resources available to humankind are constantly increasing, and are likely to continue to do so. That’s why doomsday prophesies of resource scarcity are probably misplaced. In contrast, the fear of ecological degradation is only too well founded. The future may see Sapiens gaining control of a cornucopia of new materials and energy sources, while simultaneously destroying what remains of the natural habitat and driving most other species to extinction. In fact, ecological turmoil might endanger the survival of Homo sapiens itself. Global warming, rising oceans and widespread pollution could make the earth less hospitable to our kind, and the future might consequently see a spiralling race between human power and human-induced natural disasters. As humans use their power to counter the forces of nature and subjugate the ecosystem to their needs and whims, they might cause more and more unanticipated and dangerous side effects. These are likely to be controllable only by even more drastic manipulations of the ecosystem, which would result in even worse chaos. Many call this process ‘the destruction of nature’. But it’s not really destruction, it’s change. Nature cannot be destroyed. Sixty-five million years ago, an asteroid wiped out the dinosaurs, but in so doing opened the way forward for mammals. Today, humankind is driving many species into extinction and might even annihilate itself. But other organisms are doing quite well. Rats and cockroaches, for example, are in their heyday. These tenacious creatures would probably creep out from beneath the smoking rubble of a nuclear Armageddon, ready and able to spread their DNA. Perhaps 65 million years from now, intelligent rats will look back gratefully on the decimation wrought by humankind, just as we today can thank that dinosaur-busting asteroid. Still, the rumours of our own extinction are premature. Since the Industrial Revolution, the world’s human population has burgeoned as never before. In 1700 the world was home to some 700 million humans. In 1800 there were 950 million of us. By 1900 we almost doubled our numbers to 1.6 billion. And by 2000 that quadrupled to 6 billion. Today there are just shy of 7 billion Sapiens.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Yup, we'll start driving these ill-tempered, longhorn cattle through wild and desolate country. There's coyotes and rattle snakes. There's the blistering sun, blinding dust storms, and wild rivers to cross. Then sometimes, just sometimes, there's a double-crossing, thieving cowboy riding right along beside you. And you don't know it until it's too late.
Connie Kingrey Anderson (Haunted Cattle Drive (Creepers Mysteries #1))
the Johnson County commissioners, who “talked very feelingly,” he said. “They resent the many slurs cast upon their county by the cattle barons who are trying to drive the smaller stockmen off the range.”10
John W. Davis (Wyoming Range War: The Infamous Invasion of Johnson County)
129. All tremble at violence; all fear death. Putting oneself in the place of another, one should not kill nor cause another to kill. 130. All tremble at violence; life is dear to all. Putting oneself in the place of another, one should not kill nor cause another to kill. 131. One who, while himself seeking happiness, oppresses with violence other beings who also desire happiness, will not attain happiness hereafter. 132. One who, while himself seeking happiness, does not oppress with violence other beings who also desire happiness, will find happiness hereafter. 133. Speak not harshly to anyone, for those thus spoken to might retort. Indeed, angry speech hurts, and retaliation may overtake you. 134. If, like a broken gong, you silence yourself, you have approached Nibbana, for vindictiveness is no longer in you. 135. Just as a cowherd drives the cattle to pasture with a staff, so do old age and death drive the life force of beings (from existence to existence). 136. When the fool commits evil deeds, he does not realize (their evil nature). The witless man is tormented by his own deeds, like one burnt by fire. 137. He who inflicts violence on those who are unarmed, and offends those who are inoffensive, will soon come upon one of these ten states: 138-140 Sharp pain, or disaster, bodily injury, serious illness, or derangement of mind, trouble from the government, or grave charges, loss of relatives, or loss of wealth, or houses destroyed by ravaging fire; upon dissolution of the body that ignorant man is born in hell. 141. Neither going about naked, nor matted locks, nor filth, nor fasting, nor lying on the ground, nor smearing oneself with ashes and dust, nor sitting on the heels (in penance) can purify a mortal who has not overcome doubt. 142. Even though he be well-attired, yet if he is poised, calm, controlled and established in the holy life, having set aside violence towards all beings — he, truly, is a holy man, a renunciate, a monk. 143. Only rarely is there a man in this world who, restrained by modesty, avoids reproach, as a thoroughbred horse avoids the whip. 144. Like a thoroughbred horse touched by the whip, be strenuous, be filled with spiritual yearning. By faith and moral purity, by effort and meditation, by investigation of the truth, by being rich in knowledge and virtue, and by being mindful, destroy this unlimited suffering. 145. Irrigators regulate the waters, fletchers straighten arrow shafts, carpenters shape wood, and the good control themselves.
Guatama Siddhartha
In spite of the death of the big croc, I felt that our time at Cattle Creek had been superb. Even before we got back to the zoo and saw the footage, there was a hint in the air that something special had been accomplished. We were elated at saving one crocodile and bitterly disappointed at the one that had been shot. Perhaps Steve felt the failure to save the Cattle Creek croc from poachers more strongly than I did. He was normally an action man, focused on his next project. I wasn’t used to him being gloomy or fixated on mortality. But he kept asking me to promise him that I’d keep the zoo going if something happened to him. “Promise me,” he said, wanting me to say it out loud. I solemnly promised him that I would keep the zoo going. “But nothing’s going to happen,” I said lightly, “because the secret to being a great conservationist is living a long time.” On the drive back to the zoo, we had talked for a long time, a marathon conversation. We didn’t know whether our Cattle Creek documentary would make a huge difference or not. But we agreed that through our zoo and our shared life together, we would try to change the world. I told him about my days at the vet hospital in Oregon, and the times I’d sit on the floor and weep, I’d be so overwhelmed by the pain and suffering visited upon innocent animals. But that burden seemed much easier to bear now, because I had someone to share it with. Steve truly understood how I felt. And I was someone who could sympathize with the depth of his dedication to wildlife. There was a big wide world out there. We were just a small wildlife park in Australia. It was absurd to think the two of us could change the world. But our love seemed to make the impossible appear not only possible, but inevitable. I look back on the talk we had during the ride to the zoo from Cattle Creek as helping to create the basis of our marriage. No matter what problems came along, we were determined to stay together, because side by side we could face anything.
Terri Irwin (Steve & Me)
This was a media beat-up at its very worst. All those officials reacting to what the media labeled “The Baby Bob Incident” failed to understand the Irwin family. This is what we did--teach our children about wildlife, from a very early age. It wasn’t unnatural and it wasn’t a stunt. It was, on the contrary, an old and valued family tradition, and one that I embraced wholeheartedly. It was who we were. To have the press fasten on the practice as irresponsible made us feel that our very ability as parents was being attacked. It didn’t make any sense. This is why Steve never publicly apologized. For him to say “I’m sorry” would mean that he was sorry that Bob and Lyn raised him the way they did, and that was simply impossible. The best he could do was to sincerely apologize if he had worried anyone. The reality was that he would have been remiss as a parent if he didn’t teach his kids how to coexist with wildlife. After all, his kids didn’t just have busy roads and hot stoves to contend with. They literally had to learn how to live with crocodiles and venomous snakes in their backyard. Through it all, the plight of the Tibetan nuns was completely and totally ignored. The world media had not a word to spare about a dry well that hundreds of people depended on. For months, any time Steve encountered the press, Tibetan nuns were about the furthest thing from the reporter’s mind. The questions would always be the same: “Hey, Stevo, what about the Baby Bob Incident?” “If I could relive Friday, mate, I’d go surfing,” Steve said on a hugely publicized national television appearance in the United States. “I can’t go back to Friday, but you know what, mate? Don’t think for one second I would ever endanger my children, mate, because they’re the most important thing in my life, just like I was with my mum and dad.” Steve and I struggled to get back to a point where we felt normal again. Sponsors spoke about terminating contracts. Members of our own documentary crew sought to distance themselves from us, and our relationship with Discovery was on shaky ground. But gradually we were able to tune out the static and hear what people were saying. Not the press, but the people. We read the e-mails that had been pouring in, as well as faxes, letters, and phone messages. Real people helped to get us back on track. Their kids were growing up with them on cattle ranches and could already drive tractors, or lived on horse farms and helped handle skittish stallions. Other children were learning to be gymnasts, a sport which was physically rigorous and held out the chance of injury. The parents had sent us messages of support. “Don’t feel bad, Steve,” wrote one eleven-year-old from Sydney. “It’s not the wildlife that’s dangerous.” A mother wrote us, “I have a new little baby, and if you want to take him in on the croc show it is okay with me.” So many parents employed the same phrase: “I’d trust my kids with Steve any day.
Terri Irwin (Steve & Me)
We got back on the road, heading west. I remember my thoughts as we ventured into the Simpson Desert. There’s nothing out here. The landscape was flat and lifeless. Except for the occasional jump-up--a small mesa that rose twenty or thirty feet above the desert floor-it just looked like dirt, sticks, and dead trees. The Simpson Desert is one of the hottest places on earth. But Steve brought the desert to life, pointing out lizards, echidnas, and all kinds of wildlife. He made it into a fantastic journey. In the middle of this vast landscape were the two of us, the only people for miles. Steve had become adept at eluding the film crew from time to time so we could be alone. There was a local cattle station about an hour-and-a-half drive from where we were filming, a small homestead in the middle of nowhere. The owners invited the whole crew over for a home-cooked meal. Steve and I stayed in the bush, and Bob and Lyn headed to one of their favorite camping spots. After having dinner, the crew couldn’t locate us. They searched in the desert for a while before deciding to sleep in the car. What was an uncomfortable night for them turned out to be a brilliant night for us! Steve made it romantic without being traditional. His idea of a beautiful evening was building a roaring campfire, watching a spectacular sunset, and cooking a curry dinner for me in a camp oven. Then we headed out spotlighting, looking for wildlife for hours on end. It was fantastic, like the ultimate Easter egg hunt. I never knew what we’d find. When Steve did discover something that night--the tracks of a huge goanna, or a tiny gecko hiding under a bush--he reveled in his discovery. His excitement was contagious, and I couldn’t help but become excited too. The best times in my life were out in the bush with Steve.
Terri Irwin (Steve & Me)
She drove, not thinking about where she was going. There were fields to her right, a fence and a tree on a hill. One Tree Hill Farm, she knew. Brilliantly original name. As a rule the bucolic setting calmed her spirit, made her happy. They raised cattle, and normally had two sets of calves a year, one in the spring and again in the fall. She loved to drive by and see the babies trotting after their mothers, lowing for milk. It was one of the reasons they’d bought off of this road, because for a brief moment, Taylor felt like she was in the country driving to and from work. There were three vultures sitting on the fence posts, leering at a grouping of cattle. Taylor slowed, watching them, so out of place in her mind and her pastoral getaway. Vultures meant death. She glanced at the bulk of black and realized that it was a grouping of cows, each facing outward, protecting something at the center of their circle. She looked closer, trying to figure out what was happening. Her mind filled in the details. A
J.T. Ellison (14 (Taylor Jackson, #2))
the morning of April 1, 1882, our Circle Dot herd started on its long tramp to the Blackfoot Agency in Montana. With six men on each side, and the herd strung out for three quarters of a mile, it could only be compared to some mythical serpent or Chinese dragon, as it moved forward on its sinuous, snail-like course. Two riders, known as point men, rode out and well back from the lead cattle, and by riding forward and closing in as occasion required, directed the course of the herd. The main body of the herd trailed along behind the leaders like an army in loose marching order, guarded by outriders, known as swing men, who rode well out from the advancing column, warding off range cattle and seeing that none of the herd wandered away or dropped out. There was no driving to do; the cattle moved of their own free will as in ordinary travel.
Andy Adams (10 Masterpieces of Western Stories)
The gods muttered among themselves and nodded. The baby might be a thief, but at least he was a respectful thief. “This is ridiculous!” Apollo cried. “Father Zeus, he stole from me. Put him in juvie! Put him on the chain gang!” Zeus suppressed a smile. He knew he had to be just, but he also couldn’t help admiring Hermes’s audacity. “Hermes, you will immediately show Apollo where you’ve hidden his cows. Then you will pay Apollo whatever price he demands for the two cows you killed.” “I’ll throw him into Tartarus!” Apollo yelled. “That’ll be my price!” Zeus shrugged. “You’ll have to work that out between yourselves. Now, off with you.” Hermes sighed. “As you wish, Father. Apollo, you drive. I’ll navigate.” Apollo picked up the cradle and flew off with Hermes. The baby god directed him to the secret cave where he’d hidden the cattle, but he took a roundabout route. He was furiously thinking about how he could avoid punishment. When Apollo saw his missing cows, he calmed down a little bit, but he was still angry with Hermes. “It’s
Rick Riordan (Percy Jackson's Greek Gods)
I want you to give me a straight answer," Declan said. "Are you even thinking about going to college?" "No." It was satisfying and terrible to say it out loud, a trigger pulled, the explosion over within a second. Ronan looked around for bodies. Declan swayed; the bullet have clearly at least grazed him near a vital organ. With effort, he got the arterial spray under control. "Yeah, I figured. So the endgame is making this a career for you, isn't it?" This was not, in fact, what Ronan wanted. Although he wanted to be free to dream, and free to live at the Barns, he did not want to dream in order to be able to live at the Barns. He wanted to be left alone to repair all of the buildings, to raise his father's cattle from their supernatural sleep, to populate the fields with new animals to be eaten and sold, and to turn the very rearmost field into a giant mudslick suitable for driving cars around in circles. This, to Ronan, represented a romantic ideal that he would do much to achieve. He wasn't sure how to tell his brother this in a persuasive, unembarrassing way, though, so he'd said, in an unfriendly way, "I was actually thinkin' of being a farmer." "Ronan, for fuck's sake," Declan said. "Can we have a serious conversation for one?" Ronan flipped him the bird with swift proficiency.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
I want you to give me a straight answer," Declan said. "Are you even thinking about going to college?" "No." It was satisfying and terrible to say it out loud, a trigger pulled, the explosion over within a second. Ronan looked around for bodies. Declan swayed; the bullet have clearly at least grazed him near a vital organ. With effort, he got the arterial spray under control. "Yeah, I figured. So the endgame is making this a career for you, isn't it?" This was not, in fact, what Ronan wanted. Although he wanted to be free to dream, and free to live at the Barns, he did not want to dream in order to be able to live at the Barns. He wanted to be left alone to repair all of the buildings, to raise his father's cattle from their supernatural sleep, to populate the fields with new animals to be eaten and sold, and to turn the very rearmost field into a giant mudslick suitable for driving cars around in circles. This, to Ronan, represented a romantic ideal that he would do much to achieve. He wasn't sure how to tell his brother this in a persuasive, unembarrassing way, though, so he'd said, in an unfriendly way, "I was actually thinkin' of being a farmer." "Ronan, for fuck's sake," Declan said. "Can we have a serious conversation for once?" Ronan flipped him the bird with swift proficiency.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
A fifteen-minute walk later I'm aboard the Long Island Rail Road, just another head in the morning cattle drive to New York City......On reaching the station, the cattle rise to their feet, driven toward the exits by instinct and caffeine. I drift along for the ride, floating on a wave of group dynamics toward Seventh Avenue.
Hank Moody (God Hates Us All)
Popular holidays are still associated with the ideas of former heathen festivals. May-day in some parts of Ireland has its female mummers, who dance and hurl, wearing a holly-bush. A masked blown carries a pail of water with a mop for spreading its contents abroad. Boys then sing carols, as in France. In the south-east of Ireland a girl is chosen as May Queen, presiding at all May-makings till she is married. May Eve, having its dangers from fairies, etc., is spent in making cattle safe from the milk-thieving little people, by causing the cows to leap over fires. Dairymaids prudently drive their cows along with the mystical rowan stick.
James Bonwick (Irish Druids And Old Irish Religions)
Borck recognized that as meatpackers consolidated, they needed bigger feed yards to meet their demand. Smaller operations like Ward Feed Yard were getting left behind, and they were getting paid several cents less for every pound of beef they delivered to the meatpackers. Those economics would eventually drive them all out of business. So Borck pitched an idea to some of his competitors. They could form a partnership and leave the cash market, delivering all their cattle to IBP’s new megaplants4. The feed yards agreed, and they formed a cooperative called the Beef Marketing Group. Together, the cooperative delivered the kind of tremendous volume that IBP, now Tyson, needed to stay profitable. The Beef Marketing Group now includes fourteen feedlots, which operate as one entity in concert with Tyson Foods. The company pays them according to a grid system. Tyson ranks the cattle BMG delivers based on a grid that charts their qualities. A copy of one of Tyson’s grid contracts shows the company pays premiums for cattle that are graded as choice beef and imposes discounts for cattle graded as select beef, for example. The grid also penalizes carcasses that weigh less than 500 pounds and more than 1,000 pounds. The critical part of this grid contract is that it bases its final price on the cash market. If cattle is selling for $1.20 a pound, for example, Tyson will apply all the discounts and premiums of its grid against that price. This means that cattle prices on the shrinking cash market determine the prices for the millions of cattle sold under contract. So people like Ken Winter, who negotiate their cattle, are essentially working to help contract feeders like Lee Borck derive a price for their animals. But as Lee Borck sells more animals through a closed contract system, it takes that much more oxygen out of the cash market and makes it all the harder to negotiate a higher price.
Christopher Leonard (The Meat Racket: The Secret Takeover of America's Food Business)
Gene Carson owns Maverick Feeders, LLC, outside of Dodge City, the feedlot where the cowboys Antonio, Christian, and Cachu were riding their circular cattle drive. There is something odious about the very word “contract” to a cattleman like Carson. He got into the business decades ago, straight out of college, and the first lesson he learned was that a cattle buyer’s word is his bond. A cattle trade is built on ethics, not contracts. Contracts were for lawyers, and lawyers were for city slickers.
Christopher Leonard (The Meat Racket: The Secret Takeover of America's Food Business)
In the cattle industry, a federal lawsuit, Pickett v. Tyson Foods, had revealed that the company was using its captive supplies of cattle to drive down the cash market price. When the cash price was high, Tyson could buy cattle under contract, which reduced demand on the open market and eventually brought the price down. A jury found that the tactic depressed prices Tyson paid to ranchers and feedlots by billions of dollars, even as the cost of beef in the grocery store continued to climb.
Christopher Leonard (The Meat Racket: The Secret Takeover of America's Food Business)
The main strip in Dodge City is called Wyatt Earp Boulevard, named after the legendary gambler and lawman. Earp was one of the first people ever able to impose a measure of discipline on the American cattle business, and he did this in part by killing people. Earp famously gunned down three outlaw cowboys at the OK Corral in Arizona in 1881, setting the standard by which he would govern the cattle towns springing up around the migration routes that cowboys used to drive herds to the packing houses.
Christopher Leonard (The Meat Racket: The Secret Takeover of America's Food Business)
This is the only story of mine whose moral I know. I don't think it's a marvelous moral, I simply happen to know what it is: We are what we pretend to be, so we must be careful about what we pretend to be. My personal experience with Nazi monkey business was limited. There were some vile and lively native American Fascists in my home town of Indianapolis during the thirties, and somebody slipped me a copy of The Protocols of the Elders of Zion, I remember, which was supposed to be the Jews' secret plan for taking over the world. And I remember some laughs about my aunt, too, who married a German German, and who had to write to Indianapolis for proofs that she had no Jewish blood. The Indianapolis mayor knew her from high school and dancing school, so he had fun putting ribbons and official seals all over the documents the Germans required, which made them look like eighteenth-century peace treaties. After a while the war came, and I was in it, and I was captured, so I got to see a little of Germany from the inside while the war was still going on. I was a private, a battalion scout, and, under the terms of the Geneva Convention, I had to work for my keep, which was good, not bad. I didn't have to stay in prison all the time, somewhere out in the countryside. I got to go to a city, which was Dresden, and to see the people and the things they did. There were about a hundred of us in our particular work group, and we were put out as contract labor to a factory that was making a vitamin-enriched malt syrup for pregnant women. It tasted like thin honey laced with hickory smoke. It was good. I wish I had some right now. And the city was lovely, highly ornamented, like Paris, and untouched by war. It was supposedly an 'open' city, not to be attacked since there were no troop concentrations or war industries there. But high explosives were dropped on Dresden by American and British planes on the night of February 13, 1945, just about twenty-one years ago, as I now write. There were no particular targets for the bombs. The hope was that they would create a lot of kindling and drive firemen underground. And then hundreds of thousands of tiny incendiaries were scattered over the kindling, like seeds on freshly turned loam. More bombs were dropped to keep firemen in their holes, and all the little fires grew, joined one another, and became one apocalyptic flame. Hey presto: fire storm. It was the largest massacre in European history, by the way. And so what? We didn't get to see the fire storm. We were in a cool meat-locker under a slaughterhouse with our six guards and ranks and ranks of dressed cadavers of cattle, pigs, horses, and sheep. We heard the bombs walking around up there. Now and then there would be a gentle shower of calcimine. If we had gone above to take a look, we would have been turned into artefacts characteristic of fire storms: seeming pieces of charred firewood two or three feet long - ridiculously small human beings, or jumbo fried grasshoppers, if you will. The malt syrup factory was gone. Everything was gone but the cellars where 135,000 Hansels and Gretels had been baked like gingerbread men. So we were put to work as corpse miners, breaking into shelters, bringing bodies out. And I got to see many German types of all ages as death had found them, usually with valuables in their laps. Sometimes relatives would come to watch us dig. They were interesting, too. So much for Nazis and me. If I'd been born in Germany, I suppose I would have been a Nazi, bopping Jews and gypsies and Poles around, leaving boots sticking out of snowbanks, warming myself with my secretly virtuous insides. So it goes. There's another clear moral to this tale, now that I think about it: When you're dead you're dead. And yet another moral occurs to me now: Make love when you can. It's good for you.
Kurt Vonnegut Jr. (Mother Night)
Seeking a contrast to the government action they called socialism, southern Democrats after the Civil War celebrated the American cowboy, who began to drive cattle from the border of Texas and Mexico north across the plains to army posts and railheads in 1866. In their view, cowboys were real Americans who wanted nothing from the government but to be left alone. The Democratic press mythologized these cowboys as white men (in fact, a third of the cowboys were men of color) who worked hard for a day’s pay independent of the government—although the government bought the cattle, funded the railroads, and fought Indigenous Americans who pushed back against the railroads—all the while fighting off warriors, Mexicans, and rustlers who were trying to stop them.[
Heather Cox Richardson (Democracy Awakening: Notes on the State of America)
In the only picture Brennan ever did for the legendary director John Ford, the character actor worked well beside Ford stalwarts such as Ward Bond, playing one of Earp’s brothers. Indeed, what is most remarkable about this film is the contrast between Clanton and his boys and Earp and his congenial brothers, the youngest of whom is killed when the Clanton gang rustles cattle the Earps have been driving to California. Brennan personifies the authority of evil, as he does in Brimstone (August 15, 1949), where he again bullies his boys into driving out homesteaders. It is almost as if in each subsequent film—especially in Westerns—Brennan is building a persona that is like a suit subjected to constant alteration without ever losing its basic contours. He would essay yet another version of the dominating father with sons in tow in Shoot Out at Big Sag (June 1, 1962), an independent production organized by his son Andy, in which Walter plays a pusillanimous preacher who has let down his wife and family by not defending them. But he ultimately redeems himself when he realizes he has lost the respect of everyone, including his daughter, who in the end proves to be his salvation owing to her unwillingness to accept her family’s defeatist mentality.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
What miffed Brennan about working with Ford was the director’s lack of respect for fellow professionals. Unlike Howard Hawks, Ford was not much of a collaborator. He never gave Brennan the feeling that they were in a project together. Hawks, on the other hand, treated Brennan as a crucial part of a film’s success. In Red River (September 17, 1948), Brennan gets nearly as much screen time as John Wayne and co-star Montgomery Clift, in the epic story of a cattle drive from Texas to Missouri that is diverted to Abilene during the lawless days following the Civil War. In one version of the film, Brennan actually narrates the story, making it his own by trading on what was now a character that transcended individual films and seemed, in effect, the voice of the West. In another less powerful version of the film, narration is delivered through the rather clumsy device of turning pages in a book. For the Lux Radio Theatre one-hour adaptation (March 7, 1949), not only was Brennan restored as narrator, he also becomes a dominant voice mediating between Dunson and the other characters.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
The first 10 days of a cattle drive were the most critical, as a stampede was most likely when the cattle were closest to their habitual home.
H.W. Brands (American Colossus: The Triumph of Capitalism, 1865-1900)
We loved to light fires at night, to keep warm, to show the authorities in Mayo and Dublin that we were unafraid of lighting a big fire on the edge of the Main Dublin-Ballina road, or just to let the heavens above know that we, a few Mayo lads, were down here on earth and alive, despite the odds. We loved the joy of sitting around an open fire having the craic like they did on cattle drives across the American prairie ages ago.
Tom Gallagher (Tara's Halls: Growing Up in Hard Times in Ireland: An Inspiring Memoir)
There also has to be a lot of meditation. We ought to learn to live in our Bibles. Get one with print big enough to read so it does not punish your eyes. Look around until you find a good one, and then learn to love it. Begin with the Gospel of John, then read the Psalms. Isaiah is another great book to help you and lift you. When you feel you want to do it, go on to Romans and Hebrews and some of the deeper theological books. But get into the Bible. Do not just read the little passages you like, but in the course of a year or two see that you read it through. Your thoughts will one day come up before God’s judgment. We are responsible for our premeditative thoughts. They make our mind a temple where God can dwell with pleasure, or they make our mind a stable where Christ is angry, ties a rope and drives out the cattle. It is all up to us.
A.W. Tozer (Rut, Rot, or Revival: The Problem of Change and Breaking Out of the Status Quo)
I LIVE IN A part of the country that at one time a good farmer could take some pleasure in looking at. When I first became aware of it, in the 1940s, the better land, at least, was generally well farmed. The farms were mostly small and were highly diversified, producing cattle, sheep, and hogs, tobacco, corn, and the small grains; nearly all the farmers milked a few cows for home use and to market milk or cream. Nearly every farm household maintained a garden, kept a flock of poultry, and fattened its own meat hogs. There was also an extensive “support system” for agriculture: Every community had its blacksmith shop, shops that repaired harness and machinery, and stores that dealt in farm equipment and supplies. Now the country is not well farmed, and driving through it has become a depressing experience. Some good small farmers remain, and their farms stand out in the landscape like jewels. But they are few and far between, and they are getting fewer every year. The buildings and other improvements of the old farming are everywhere in decay or have vanished altogether. The produce of the country is increasingly specialized. The small dairies are gone. Most of the sheep flocks are gone, and so are most of the enterprises of the old household economy. There is less livestock and more cash-grain farming. When cash-grain farming comes in, the fences go, the livestock goes, erosion increases, and the fields become weedy. Like
Wendell Berry (Bringing it to the Table: Writings on Farming and Food)
Tom stood and cautiously walked over to where the thief lay. He kicked the Colt away from the dirty, lifeless fingers and muttered, “You made me waste a perfectly good breakfast, you manure-headed son of a bitch…
C.G. Faulkner (Undaunted (The Tom Fortner Trilogy #2))
It is in difficult times we must remember that whatever burden we carry, it can make us stronger and build more character in us. We don’t grow from an easy life. Ease makes us like cattle sitting in the field and grazing. Existing without purpose or drive or desire. When pain or complications come to us, that is when we must become ALIVE. Our intellects begin to function at full power. We have desire and drive and acquire the power to CREATE solutions to these complications. We are no longer cattle. We stand up and become MEN of action!
Levon Peter Poe
Harley Diekerhoff looked up from peeling potatoes to glance out the kitchen window. It was still snowing... even harder than it had been this morning. So much white, it dazzled. Hands still, breath catching, she watched the thick, white flakes blow past the ranch house at a dizzying pace, enthralled by the flurry of the lacy snowflakes. So beautiful. Magical A mysterious silent ballet in all white, the snow swirling, twirling just like it did in her favorite scene from the Nutcracker—the one with the Snow Queen and her breathtaking corps in their white tutus with their precision and speed—and then that dazzling snow at the end, the delicate flakes powdering the stage. Harley’s chest ached. She gripped the peeler more tightly, and focused on her breathing. She didn’t want to remember. She wasn’t going to remember. Wasn’t going to go there, not now, not today. Not when she had six hungry men to feed in a little over two hours. She picked up a potato, started peeling. She’d come to Montana to work. She’d taken the temporary job at Copper Mountain Ranch to get some distance from her family this Christmas, and working on the Paradise Valley cattle ranch would give her new memories. Like the snow piling up outside the window. She’d never lived in a place that snowed like this. Where she came from in Central California, they didn’t have snow, they had fog. Thick soupy Tule fog that blanketed the entire valley, socking in airports, making driving nearly impossible. And on the nights when the fog lifted and temperatures dropped beneath the cold clear sky, the citrus growers rushed to light smudge pots to protect their valuable, vulnerable orange crops. Her family didn’t grow oranges. Her family were Dutch dairy people. Harley had been raised on a big dairy farm in Visalia, and she’d marry a dairyman in college, and they’d had their own dairy, too. But that’s the part she needed to forget. That’s why she’d come to Montana, with its jagged mountains and rugged river valleys and long cold winters. She’d arrived here the Sunday following Thanksgiving and would work through mid-January, when Brock Sheenan’s housekeeper returned from a personal leave of absence. In January, Harley would either return to California or look for another job in Crawford County. Harley was tempted to stay, as the Bozeman employment agency assured her they’d have no problem finding her a permanent position if she wanted one.
Jane Porter (Christmas at Copper Mountain (Taming of the Sheenans Book 1))
ABACTOR  (ABA'CTOR)   n.s.[Lat. abactor, a driver away.] Those who drive away or steal cattle in herds, or great numbers at once, in distinction from those that steal only a sheep or two.Blount.
Samuel Johnson (A Dictionary of the English Language (Complete and Unabridged in Two Volumes), Volume One)
Why is this place named Burnt Boot?" Martin asked. "Back in the days of the cattle drives old Hiram Cleary got tired of lookin' at the back end of cattle all day. He sat down right out there and pulled off his boot, threw it in the fire so he couldn't go no further, and built a store to sell stuff to the people comin' up the trail. He was an ancestor to my husband," Gladys answered.
Carolyn Brown (Cowboy Boots for Christmas: Cowboy Not Included (Burnt Boot, Texas, #1))
The first mile was torture. I passed beneath the massive stone arch at the entrance to the school, pulled off the road and threw up. I felt better and ran down the long palm-lined drive to the Old Quad. Lost somewhere in the thicket to my left was the mausoleum containing the remains of the family by whom the university had been founded. Directly ahead of me loomed a cluster of stone buildings, the Old Quad. I stumbled up the steps and beneath an archway into a dusty courtyard which, with its clumps of spindly bushes and cacti, resembled the garden of a desert monastery. All around me the turrets and dingy stone walls radiated an ominous silence, as if behind each window there stood a soldier with a musket waiting to repel any invader. I looked up at the glittering facade of the chapel across which there was a mosaic depicting a blond Jesus and four angels representing Hope, Faith, Charity, and, for architectural rather than scriptural symmetry, Love. In its gloomy magnificence, the Old Quad never failed to remind me of the presidential palace of a banana republic. Passing out of the quad I cut in front of the engineering school and headed for a back road that led up to the foothills. There was a radar installation at the summit of one of the hills called by the students the Dish. It sat among herds of cattle and the ruins of stables. It, too, was a ruin, shut down for many years, but when the wind whistled through it, the radar produced a strange trilling that could well be music from another planet. The radar was silent as I slowed to a stop at the top of the Dish and caught my breath from the upward climb. I was soaked with sweat, and my headache was gone, replaced by giddy disorientation. It was a clear, hot morning. Looking north and west I saw the white buildings, bridges and spires of the city of San Francisco beneath a crayoned blue sky. The city from this aspect appeared guileless and serene. Yet, when I walked in its streets what I noticed most was how the light seldom fell directly, but from angles, darkening the corners of things. You would look up at the eaves of a house expecting to see a gargoyle rather than the intricate but innocent woodwork. The city had this shadowy presence as if it was a living thing with secrets and memories. Its temperament was too much like my own for me to feel safe or comfortable there. I looked briefly to the south where San Jose sprawled beneath a polluted sky, ugly and raw but without secrets or deceit. Then I stretched and began the slow descent back into town.
Michael Nava (The Little Death (Henry Rios Mystery, #1))
She thought how she might describe it, the way they bobbed on the illuminated water’s gentle swell, and how their hair spread like tendrils and their clothed bodies softly collided and drifted apart. The dry night air slipped between the fabric of her dress and her skin, and she felt smooth and agile in the dark. There was nothing she could not describe: the gentle pad of a maniac’s tread moving sinuously along the drive, keeping to the verge to muffle his approach. But her brother was with Cecilia, and that was a burden lifted. She could describe this delicious air too, the grasses giving off their sweet cattle smell, the hard-fired earth which still held the embers of the day’s heat and exhaled the mineral odor of clay, and the faint breeze carrying from the lake a flavor of green and silver.
Anonymous
Couldn’t you stay?” she whispered. “Couldn’t someone else go on that cattle drive?” He shook his head, then bent to kiss her lightly on the mouth. “Be ready,” he told her, when it was over, “because when I get home, I plan to take you wherever I find you.” With that, he gave Emma a little pat on the bottom, put his hat on, and went whistling down the walk to the gate. Emma
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
These cumbersome vehicles were as convenient as if dinosaurs had survived to be used by cowboys for driving cattle
Barbara W. Tuchman (The First Salute : View of the American Revolution)
Are you sure you want to sign on for this cattle drive, jillaroo?” he asked her. “Oh, indeed I do.” She slipped her arms around his waist. “You just try to stop me.” He grinned. “Well, I tried that once and we see how well that worked out.” She tipped up on her toes and kissed him. “And aren’t you glad I didn’t listen to you?” “More than I can say, Starfish.” He pulled her up off her feet and kissed her, and it didn’t take any time for it to shift to something needier and far hungrier than a simple kiss on a side porch would fulfill. “Do you think they’d miss us in there?” Kerry murmured against his mouth. “If we, uh, went out and inspected the grounds? Or…something?” “You know, there’s a separate entrance to my quarters around the back. But it’s thumping rain out there, luv.” She nodded toward the window. “It’s stopped. Look. You can see the moon.” He looked out to discover she was right indeed. He pulled her over to the window, then looked down to find her eyes sparkling a particularly mischievous shade of emerald in the wash of the golden glow. “A starfish moon,” he said, thinking form now on the two would always go hand in hand.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
ABAC'TOR, noun [Latin from abigo, ab and ago, to drive.] In law, one that feloniously drives away or steals a herd or numbers of cattle at once, in distinction from one that steals a sheep or two.
Noah Webster (American Dictionary of the English Language (1828 Edition))
I’d always liked his house; it was rustic and unadorned, yet beautiful in its simplicity. I could live there. Or I could live in another house. Or I could live in his pickup, or in his barn, or in a teepee in a pasture…as long as he was there. But he wanted to drive and look together, so we drove. And we looked. And we held hands. And we talked. And somewhere along the way, in the bright morning sunshine, Marlboro Man stopped his pickup under the shade of a tree, crossed the great divide between our leather bucket seats, and grabbed me in a sexy, warm embrace. And we sat there and kissed, like two teenagers parked at a drive-in. A 1958 drive-in, though. Before the sexual revolution. Before Cinemax, though my mind remained very much in the 1990s. It was hard to practice restraint in the pickup that morning. There was nobody around to see us. We did practice restraint, though, ending our make-out fest within minutes instead of hours, which would have been my choice. But we had a lifetime ahead. Things to do. Cattle guards to cross.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The Last Ride of Grayson “Grady” Hale In the heart of the wild west, under the vast expanse of the azure sky, rode Grayson “Grady” Hale, a cowboy known for his unyielding spirit and his trusty steed, Bess. Grady’s life was woven into the fabric of the frontier, a tapestry of cattle drives, campfire tales, and the pursuit of freedom that only the open range could offer. Grady was born to the saddle, learning to ride before he could walk, and to rope not long after. His father, a seasoned rancher, had instilled in him the values of hard work and respect for the land. Grady’s mother, a woman of strength and grace, taught him the gentle touch needed to soothe a spooked calf or mend a broken wing. As the years passed, Grady’s reputation grew. He wasn’t the fastest gun nor the richest rancher, but he had something more valuable—integrity. Folks from miles around would seek his help when rustlers threatened or when a neighbor needed a hand. Grady never turned his back on those in need, and his word was as solid as the mountains framing the horizon. One fateful day, a telegram arrived, calling Grady to a distant town. A band of outlaws had taken over, and the people were desperate. Grady kissed his wife, Emma, goodbye, promising to return once peace was restored. With Bess beneath him, he rode out, the dust of the trail rising like a storm behind him. The confrontation was inevitable. Grady, with a handful of brave souls, stood against the outlaws. Words were exchanged, and then gunfire. When the smoke cleared, the outlaws were either captured or fled, and the town was saved. But victory came at a cost—Grady had taken a bullet. As he lay there, the townsfolk gathered, their faces etched with concern and gratitude. Grady knew his ride was coming to an end. With his last breath, he whispered a message to be given to Emma, a message of love and a promise kept. Back at the ranch, Emma received the news with a stoic heart. She knew the risks of loving a cowboy, the same risks that made her love him all the more. She gazed out at the sunset, the colors painting the sky like the wildflowers of their meadow. And in that moment, she felt Grady’s presence, like the gentle brush of a breeze, telling her he was home at last. Grady’s tale is one of courage, sacrifice, and the enduring legacy of a cowboy who lived by his own code. His story, like the trails he once rode, winds its way into the legend of the west, reminding us that some spirits are as untameable as the land they love.
James Hilton-Cowboy
as drought makes the land increasingly arid and unfit for grazing cattle and sheep, these nomadic people move into new urban and rural areas, where they’re seen as outsiders and their interests clash with others such as farmers, leading to violence on all sides. In this one of the major driving factors is climate change, and, just like terrorism, it has no regard for borders.
Tim Marshall (The Power of Geography: Ten Maps that Reveal the Future of Our World – the sequel to Prisoners of Geography)
That's right, fellows," roared Lovell from his commanding position, as he jingled a handful of gold coins, "turn to and help wait on these thirsty Texans; and remember that nothing's too rich for our blood to-day. This outfit has made one of the longest cattle drives on record, and the best is none too good for them. So set out your best, for they can't cut much hole in the profits in the short time we have to stay. The train leaves in twenty minutes, and see that every rascal is provided with an extra bottle for the journey. And drop down this way when you get time, as I want a couple of boxes of your best cigars to smoke on the way. Montana has treated us well, and we want to leave some of our coin with you.
Andy Adams (10 Masterpieces of Western Stories)
In the Amazon, the turn to swidden was unfortunate. Slash-and-burn cultivation has become one of the driving forces behind the loss of tropical forest. Although swidden does permit the forest to regrow, it is wildly inefficient and environmentally unsound. The burning sends up in smoke most of the nutrients in the vegetation—almost all of the nitrogen and half the phosphorus and potassium. At the same time, it pours huge amounts of carbon dioxide into the air, a factor in global warming. (Large cattle ranches are the major offenders in the Amazon, but small-scale farmers are responsible for up to a third of the clearing.)
Charles C. Mann (1491: New Revelations of the Americas Before Columbus)
According to the American Kennel Club committee currently appraising the breed's pending application, Miss Ruffles was a Texas cattle cur - a small but powerful dog with the speed and temperament for driving cows over a cliff, if need be. She stood about knee high, with a tough, brindle gray coat that bristled over her compact body. At one end, her tail was an ugly stub, at the other, her muzzle narrowed to a foxy point. The wide space between her pricked ears -one was floppy, the other constantly erect - made room for a quick, cunning brain. At home in Honeybell's mansion, she didn't match the Chinese porcelain or the silk-upholstered furniture. In fact, she was often caught chewing the chairs. But Miss Ruffles had a habit of grinning when she panted, and her intelligent eyes conveyed more personality than most people. She liked to have fun, and she didn't care who annoyed to get it.
Nancy Martin (Miss Ruffles Inherits Everything (Miss Ruffles Mysteries #1))
And she got the feeling that Boots Smith's relationship to this swiftly moving car was no ordinary one. He wasn't just a black man driving a car at a pell-mell pace. He had lost all sense of time and space as the car plunged forward into the cold, white night. The act of driving the car made him feel he was a powerful being who could conquer the world. Up over hills, fast down on the other side. It was like playing god and commanding everything within hearing to awaken and listen to him. The people sleeping in the white farmhouses were at the mercy of the sound of his engine roaring past in the night. It brought them half-awake—disturbed, uneasy. The cattle in the barns moved in protest, the chickens stirred on their roosts and before any of them could analyze the sound that had alarmed them, he was gone—on and on into the night. And she knew, too, that this was the reason white people turned scornfully to look at Negroes who swooped past them on the highways. 'Crazy niggers with autos' in the way they looked. Because they sensed that the black men had to roar past them, had for a brief moment to feel equal, feel superior; had to take reckless chances going around curves, passing on hills, so that they would be better able to face a world that took pains to make them feel that they didn't belong, that they were inferior. Because in that one moment of passing a white man in a car they could feel good and the good feeling would last long enough so that they could hold their heads up the next day and the day after that. And the white people in the cars hated it because—and her mind stumbled over the thought and then went on—because possibly they, too, needed to go on feeling superior. Because if they didn't, it upset the delicate balance of the world they moved in when they could see for themselves that a black man in a ratclap car could overtake and pass them on a hill. Because if there was nothing left for them but that business of feeling superior to black people, and that was taken away even for the split second of one car going ahead of another, it left them with nothing.
Ann Petry (The Street)
Two thousand Jews, for example, lived in and around the small town of Tykocin, northwest of Warsaw on the road to Bialystok in eastern Poland, worshiping in a square, fortified synagogue with a turreted tower and a red mansard roof, built in 1642, more than a century after Jewish settlement began in the region. Lush farm country surrounds Tykocin: wheat fields, prosperous villages, cattle in the fields, black-and-white storks brooding wide, flat nests on the chimneys of lucky houses. Each village maintains a forest, a dense oval stand of perhaps forty acres of red-barked pines harvested for firewood and house and barn construction. Inside the forests, even in the heat of summer, the air is cool and heady with pine; wild strawberries, small and sweet, strew the forest floor. Police Battalions 309 and 316, based in Bialystok, invaded Tykocin on 5 August 1941. They drove Jewish men, women and children screaming from their homes, killed laggards in the streets, loaded the living onto trucks and jarred them down a potholed, winding dirt road past the storks and the cattle to the Lopuchowo village forest two miles southwest. In the center of the Lopuchowo forest, men dug pits, piling up the sandy yellow soil, and then Police Battalions 309 and 316, out for the morning on excursion from Bialystok, murdered the Jews of Tykocin, man, woman and child. For months the forest buzzed and stank of death. (Twenty miles northwest of Tykocin in the village of Jedwabne, Polish villagers themselves, with German encouragement, had murdered their Jewish neighbors on 10 July 1941 by driving them into a barn and burning them alive, a massacre examined in Jan T. Gross’s book Neighbors.)
Richard Rhodes (Masters of Death: The SS-Einsatzgruppen and the Invention of the Holocaust)
If we can find a way to reduce cattle raising, for example, we’ll not only be able to bring more freshwater and food to the people who desperately need it, but also go a long way toward saving the environment. Indeed, if people really cared about the environment, instead of driving a Prius or a Tesla, all they’d have to do is stop eating beef!
Naveen Jain (Moonshots : Creating a World of Abundance)
If we can find a way to reduce cattle raising, for example, we’ll not only be able to bring more freshwater and food to the people who desperately need it, but also go a long way toward saving the environment. Indeed, if people really cared about the environment, instead of driving a Prius or a Tesla,
Naveen Jain (Moonshots : Creating a World of Abundance)
Up north, whenever I could get out of the store I’d go out on the desert–lots of big ranches up there–and ride after cattle. I liked it and it kept my blood running; but down here I didn’t even have a store to try to get out of. I’d sit in the cafe and rechew the newspapers, and when I couldn’t take any more of that I’d go out and drive my pickup around on these desert roads, which are all straight as strings and numbered A to Z in one direction (running east to west) and 1 to 100 in the other, with every tenth one laid right along the section line; easy to find your way wherever you wanted to go, but I didn’t know where that was. After a couple of weeks I began to think, “Well, if this is heaven I’ve had enough of it,” and I decided to go out and shop for a horse.
Max Schott