Cats Best Quotes

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If you are allergic to a thing, it is best not to put that thing in your mouth, particularly if the thing is cats.
Lemony Snicket (The Wide Window (A Series of Unfortunate Events, #3))
It is good to be a cynic — it is better to be a contented cat — and it is best not to exist at all.
H.P. Lovecraft (Collected Essays 5: Philosophy, Autobiography and Miscellany)
Magnus rolled onto his back and put his feet up on the arm of the sofa. “What do you care if Alec’s miserable?” “What do I care?” Jace said, so loudly that Chairman Meow rolled off the couch and landed on the floor. “Of course I care about Alec; he’s my best friend, my parabatai. And he’s unhappy. And so are you, by the look of things. Takeout containers everywhere, you haven’t done anything to fix up the place, your cat looks dead —“ “He’s not dead.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Kitten, this is my best mate, Charles, but you can call him Spade. Charles, this is Cat, the woman I’ve been telling you about. You can see for yourself that everything I’ve said is…an understatement.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
To err is human, to purr is feline.
Robert Byrne (The 2,548 Best Things Anybody Ever Said)
No animal has more liberty than the cat, but it buries the mess it makes. The cat is the best anarchist.
Ernest Hemingway (For Whom the Bell Tolls)
There’s more to being a warrior than killing. A true warrior — the best warrior — isn’t cruel or mean. He doesn’t claw an enemy who can’t fight back. Where’s the honor in that?
Erin Hunter (Forest of Secrets (Warriors, #3))
My ears are too beeg for my head. My head ees too beeg for my body. I am not a Siamese cat ... I AM A CHIHUAHUA!" -- Skippyjon Jones (In his very best Spanish accent)
Judy Schachner
There is no such thing as pure good or pure evil, least of all in people. In the best of us there are thoughts or deeds that are wicked, and in the worst of us, at least some virtue. An adversary is not one who does loathsome acts for their own sake. He always has a reason that to him is justification. My cat eats mice. Does that make him bad? I don't think so, and the cat doesn't think so, but I would bet the mice have a different opinion.
Terry Goodkind (Wizard's First Rule (Sword of Truth, #1))
A girl nearby muttered,"If that's a lady, I'm a cat." Reaching out, Sandry lifted the pitcher of milk from the table. Cradling it in both hands, she walked over to the mutterer. I am Sandrilene fa Toren, daughter of Count Mattin fer Toren and his countess, Amiliane fa Landreg. I am the great-niece of his grace, Duke Vedris of this realm of Emelan, and cousin of her Imperial Highness, Empress Berenene of the Namorn Empire. You are Esmelle ei Pragin, daughter of Baron Witten en Pragin and his lady Colledia of House Wheelwright, a merchant house. If I tell you my friend is a lady, then you"- carefully she poured milk into Esmelle's plate-"you had best start lapping, kitty." She set the pitcher down and returned to her chair.
Tamora Pierce (Sandry's Book (Circle of Magic, #1))
Who has not, a hundred times, found himself committing a vile or silly action for no other reason than because he knows he should not? Have we not a perpetual inclination, in the teeth of our best judgement, to violate that which is Law, merely because we understand it to be such?
Edgar Allan Poe (The Black Cat)
A great library doesn't have to be big or beautiful. It doesn't have to have the best facilities or the most efficient staff or the most users. A great library provides. It is enmeshed in the life of a community in a way that makes it indispensable. A great library is one nobody notices because it is always there, and always has what people need.
Vicki Myron (Dewey: The Small-Town Library Cat Who Touched the World)
To remind me, pain is the best teacher
Holly Black (White Cat (Curse Workers, #1))
I have found it is surprisingly difficult to remain sad when a cat is doing its level best to sandpaper one's cheeks.
R.L. LaFevers (Theodosia and the Last Pharaoh (Theodosia Throckmorton, #4))
The best reason for a knitter to marry is that you can't teach the cat to be impressed when you finish a lace scarf.
Stephanie Pearl-McPhee (At Knit's End)
Everyone who tells a story tells it differently, just to remind us that everybody sees it differently. Some people say there are true things to be found, some people say all kinds of things can be proved. I don't believe them. The only thing for certain is how complicated it all is, like string full of knots. It's all there but hard to find the beginning and impossible to fathom the end. The best you can do is admire the cat's cradle, and maybe knot it up a bit more.
Jeanette Winterson (Oranges Are Not the Only Fruit)
I admire your tenacity, young prince. Grimalkin is not easy to find in the best of times. You must have come far to seek him out.... And this is not the first place you have searched. I can see it on your face. Why, I wonder? Why does he come so far? What is it that he desires so badly, to risk the ire of the Bone Witch? What is it you want, Ash of the Winter Court?' 'Would you believe the cat owes him money?' Puck's voice came from behind my shoulder, making me wince.
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
Actually, writers have no business writing about their own works. They either wax conceited, saying things like: 'My brilliance is possibly most apparent in my dazzling short story, "The Cookiepants Hypotenuse."' Or else they get unbearably cutesy: 'My cat Ootsywootums has given me all my best ideas, hasn't oo, squeezums?
Connie Willis (The Winds of Marble Arch and Other Stories)
The gremlin stopped, blinking up at me with an almost hurt expression. 'Master punish bad kitty?' he said in a pitiful voice. 'No I'm not going to punish the bad kitty,' I said and Grimalkin snorted. 'And you aren't either. I want to talk to you. Will you stay and not run off if we let you go?' He bobbed his head, as best as he could while his ears were gripped tightly by Puck. 'Master wants Razor stay, Razor stay. Not move until told. Promise.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
I like dogs better than men and cats better than dogs and myself best of all, drunk in my underwear looking out the window.
Bukowski, Charles
Every time you look up at the stars, it’s like opening a door. You could be anyone, anywhere. You could be yourself at any moment in your life. You open that door and you realize you’re the same person under the same stars. Camping out in the backyard with your best friend, eleven years old. Sixteen, driving alone, stopping at the edge of the city, looking up at the same stars. Walking a wooded path, kissing in the moonlight, look up and you’re eleven again. Chasing cats in a tiny town, you’re eleven again, you’re sixteen again. You’re in a rowboat. You’re staring out the back of a car. Out here where the world begins and ends, it’s like nothing ever stops happening.
Bryan Lee O'Malley (Lost at Sea)
Magnus rolled onto his back and put his feet up on the arm of the sofa. “What do you care if Alec’s miserable?” “What do I care?” Jace said, so loudly that Chairman Meow rolled off the couch and landed on the floor. “Of course I care about Alec; he’s my best friend, my parabatai. And he’s unhappy. And so are you, by the look of things. Takeout containers everywhere, you haven’t done anything to fix up the place, your cat looks dead—“ “He’s not dead.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
She is like a cat in the dark And then she is the darkness She rules her life like a fine skylark And when the sky is starless All your life you've never seen a woman Taken by the wind Would you stay if she promised you heaven? Will you ever win?
Stevie Nicks (Best of Fleetwood Mac)
Marriage is about finding that person you know best in the world. Not how they take their coffee or what their favourite film is or the name of their first cat. It's knowing on a deeper level. It's knowing their soul.
Lucy Foley (The Guest List)
I'm the best kind of thief, the kind that leaves behind items equal in value to those he's stolen.
Holly Black (White Cat (Curse Workers, #1))
I am no warrior, but I am a ThunderClan cat. I stay in the nursery rather than hunt and fight because that is what I do best. I care for our young as though they were my own. This is my gift to the Clan, but I do it in my own chosen name.
Erin Hunter (Dark River (Warriors: Power of Three, #2))
A pissant is somebody who thinks he’s so damn smart, he can never keep his mouth shut. No matter what anybody says, he’s got to argue with it. You say you like something, and, by God, he’ll tell you why you’re wrong to like it. A pissant does his best to make you feel like a boob all the time. No matter what you say, he knows better.
Kurt Vonnegut Jr.
Frozen yogurt is tastier than ice cream; nobody is too old for cartoons; bald men are sexy; chocolate is the best medicine; BIG books are better; cats secretly rule the planet; and everything should be available in the color pink, including monster trucks.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
You know, maybe we don't need enemies." "Yeah, best friends aree about all I can take.
Bill Watterson (Homicidal Psycho Jungle Cat (Calvin and Hobbes, #9))
...the best things in science are both beautiful and simple, a fact that all too many teacher conceal from their students, by accident or design.
John Gribbin (In Search of Schrödinger's Cat: Quantum Physics and Reality)
Logic and reason are never the best weapons in an irrational world.
Sōsuke Natsukawa (The Cat Who Saved Books (The Cat Who..., #1))
God does not exist, God is not good. All that awaits us is the cat who will urinate on our grave.
Alejandro Jodorowsky (Where the Bird Sings Best)
The best thing we can do for the dead is to do their share of living with a smile. ~Train Heartnet
Kentaro Yabuki (Black Cat, Volume 03)
Because I’m a cat. A big one, the Panther of Rough Storms, in fact. But still a cat. If there’s a saucer of milk to spill, I’d rather spill it than let it lie. If my mistress grows absent-minded and leaves a ball of yarn about, I’ll bat it between my paws, and unravel it. Because it’s fun. Because it’s what cats do best.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
A cat won't curry favor even if it's in their best interests to do so. A cat can't be a hypocrite. If more preachers were like cats, this would be a more religious country.
Stephen King (Everything's Eventual)
The best reason for disbelieving in God is that he never gave us enough time in life to pursue enough knowledge to find sufficient truth.
Alexander Theroux (Darconville's Cat)
Auri hopped down from the chimney and skipped over to where I stood, her hair streaming behind her. "Hello Kvothe." She took a half-step back. "You reek." I smiled my best smile of the day. "Hello Auri," I said. "You smell like a pretty young girl." "I do," she agreed happily. She stepped sideways a little, then forward again, moving lightly on the balls of her bare feet. "What did you bring me?" she asked. "What did you bring me?" I countered. She grinned. "I have an apple that thinks it is a pear," she said, holding it up. "And a bun that thinks it is a cat. And a lettuce that thinks it is a lettuce." "It's a clever lettuce then." "Hardly," she said with a delicate snort. "Why would anything clever think it was a lettuce?" "Even if it is a lettuce?" I asked. "Especially then," she said. "Bad enough to be a lettuce. How awful to think you are a lettuce too." She shook her head sadly, her hair following the motion as if she were underwater. I unwrapped my bundle. "I brought you some potatoes, half a squash, and a bottle of beer that thinks it is a loaf of bread." "What does the squash think it is?" she asked curiously, looking down at it. She held her hands clasped behind her back "It knows it's a squash," I said. "But it's pretending to be the setting sun." "And the potatoes?" she asked. "They're sleeping," I said. "And cold, I'm afraid." She looked up at me, her eyes gentle. "Don't be afraid," she said, and reached out and rested her fingers on my cheek for the space of a heartbeat, her touch lighter than the stroke of a feather. "I'm here. You're safe.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
It was hard to imagine feeling that magical tingling sensation in the pit of her belly anytime soon. Best not to worry about it, she thought. She didn't need it. Well. She didn't want to need it. Yearning for love made her feel like a cat that was always twining around ankles, meowing Pet me, pet me, look at me, love me. Better to be the cat gazing coolly down from a high wall, its expression inscrutable. The cat that shunned petting, that needed no one. Why couldn't she be that cat? Be that cat!!! she wrote, drawing it into the corner of her page, cool and aloof.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
Kind old ladies assure us that cats are often the best judges of character. A cat will always go to a good man, they say[.]
Virginia Woolf (Jacob's Room)
Even though Liz might have been at the bottom of our class in P&E, she is the best person I've ever seen at getting me out of bed, which is saying something, considering the woman who raised me. Macey was asleep in her headphones, so Liz felt free to yell, "We're doing this for you!" as she pulled on my left leg and Bex went in search of breakfast. Liz put her foot against the mattress for leverage as she tugged. "Come on, Cam. GET. UP. " "No!" I said, burrowing deeper into the covers. "Five more minutes. " Then she grabbed my hair, which is totally a low blow, since everyone knows I'm tender-headed. "He's a honeypot. " "He'll still be one in an hour, " I pleaded. Then Liz dropped down beside me. She leaned close. She whispered, "Tell Suzie she's a lucky cat. " I threw the covers aside. "I'm up!
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
Let me get this straight… you didn’t have a cat? Did you get a cat just so that you wouldn’t have to tell me you were a virgin?” I pressed my lips together to keep them from trembling. I nodded. The look on his face was somewhere between shock and amusement. He was flabbergasted. That was the best word. His flabber had been thoroughly gasted.
Cora Carmack (Losing It (Losing It, #1))
A pissant does his best to make you feel like a boob all the time.
Kurt Vonnegut Jr. (Cat’s Cradle)
This is the end to my Saturday night. My cat has watched me whack off to a vision of my best friend. “Don’t say a word,” I hiss. He looks away, lifting his chin haughtily. But he’ll keep my secret. I’ll keep his, too, the fucking little voyeur.
Lauren Blakely (Big Rock (Big Rock, #1))
Lovers are not at their best when it matters. Mouths dry up, palms sweat, conversation flags and all the time the heart is threatening to fly from the body once and for all. Lovers have been known to have heart attacks. Lovers drink too much from nervousness and cannot perform. They eat too little and faint during their fervently wished consummation. They do not stroke the favoured cat and their face-paint comes loose. This is not all. Whatever you have set store by, your dress, your dinner, your poetry, will go wrong.
Jeanette Winterson
I drive him to school, then I break back into Barron's house. I'm the best kind of thief, the kind that leaves behind items equal in value to those he's stolen. Then I go home and shave until my skin is as slick as any slickster's.
Holly Black (White Cat (Curse Workers, #1))
Women and cats do as they damned well please, and men and dogs had best learn to live with it.
Robert A. Heinlein
When someone tells me they don’t read, I like to walk up to them and stroke their hair, pet it really, because you know who also doesn’t read? My cat. In essence, these people are pitiful, and no better than pets.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
I like how cats’ ears can flip inside out. It’s as if they’re saying, Keep talking, human, but I’m not even listening.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
And when things get tough, this is what you should do. Make good art. I'm serious. Husband runs off with a politician? Make good art. Leg crushed and then eaten by mutated boa constrictor? Make good art. IRS on your trail? Make good art. Cat exploded? Make good art. Somebody on the Internet thinks what you do is stupid or evil or it's all been done before? Make good art. Probably things will work out somehow, and eventually time will take the sting away, but that doesn't matter. Do what only you do best. Make good art. Make it on the good days too.
Neil Gaiman (Make Good Art)
It's just the way things are. Take a moment to consider this statement. Really think about it. We send one species to the butcher and give our love and kindness to another apparently for no reason other than because it's the way things are. When our attitudes and behaviors towards animals are so inconsistent, and this inconsistency is so unexamined, we can safely say we have been fed absurdities. It is absurd that we eat pigs and love dogs and don't even know why. Many of us spend long minutes in the aisle of the drugstore mulling over what toothpaste to buy. Yet most of don't spend any time at all thinking about what species of animal we eat and why. Our choices as consumers drive an industry that kills ten billion animals per year in the United States alone. If we choose to support this industry and the best reason we can come up with is because it's the way things are, clearly something is amiss. What could cause an entire society of people to check their thinking caps at the door--and to not even realize they're doing so? Though this question is quite complex, the answer is quite simple: carnism.
Melanie Joy (Why We Love Dogs, Eat Pigs, and Wear Cows: An Introduction to Carnism)
They might have been all-right people doing the best they could, but I got to tell you, you got a dead cat lying in your yard you ought to bury it. That’s my motto.
Joe R. Lansdale (Devil Red (Hap and Leonard, #8))
Someday I will stop being young and wanting stupid tattoos. There are 7 people in my house. We each have different genders. I cut my hair over the bathroom sink and everything I own has a hole in it. There is a banner in our living room that says “Love Cats Hate Capitalism.” We sit around the kitchen table and argue about the compost pile and Karl Marx and the necessity of violence when The Rev comes. Whatever the fuck The Rev means. Every time my best friend laughs I want to grab him by the shoulders and shout “Grow old with me and never kiss me on the mouth!” I want us to spend the next 80 years together eating Doritos and riding bikes. I want to be Oscar the Grouch. I want him and his girlfriend to be Bert and Ernie. I want us to live on Sesame Street and I will park my trash can on their front stoop and we will be friends every day. If I ever seem grouchy it’s just because I am a little afraid of all that fun. There is a river running through this city I know as well as my own name. It’s the first place I’ve ever called home. I don’t think its poetry to say I’m in love with the water. I don’t think it’s poetry to say I’m in love with the train tracks. I don’t think it’s blasphemy to say I see God in the skyline. There is always cold beer asking to be slurped on back porches. There are always crushed packs of Marlboro’s in my back pockets. I have been wearing the same patched-up shorts for 10 days. Someday I will stop being young and wanting stupid tattoos.
Clementine von Radics
Despite what we knitters know to be true, the non-knitting world somehow persists in thinking that a "knitter" looks a certain way. Most likely, this picture is one of an elderly woman, grandmotherly and polite, sitting in her rocking chair surrounded by homemade cookies and accompanied by a certain number of cats. In reality, a knitter today is just as likely to be young, hip, male, and sitting at a "Stitch and Bitch" in a local bar. Several of today's best knitting designers are men, and a knitter is as likely to have body piercings as homemade cookies. Despite our diversity, the tendency to be accompanied by a cat is an oddity among knitters that cannot be explained.
Stephanie Pearl-McPhee (At Knit's End)
I listen to the wind, to the wind of my soul Where I end up, well, I think only God really knows
Yusuf Islam (The Very Best Of Cat Stevens (PVG) Piano, Vocal and Guitar Chords)
I’m at a point in my life where I feel like I can’t go anywhere. Maybe I’ll try to coax my cat off my lap so I can get up and move.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
Sorry, Book," she mutters, lifting the cat gingerly onto the back of the old chair, where he does his best impression of an inconvenienced bread loaf.
Victoria E. Schwab (The Invisible Life of Addie LaRue)
I'm glad you're still upright, Charles, and the only reason you are is because she didn't have any silver. She'd have staked you right and proper otherwise. She has a tendency to shrivel someone first and then introduce herself afterwards." "That's uncalled for!" I said, insulted at the suggestion that I was homicidal. "Right." Bones let that go. "Kitten, this is my best mate, Charles, but you can call him Spade. Charles, this is Cat, the woman I've been telling you about. You can see for yourself that everything I've said is... an understatement.
Jeaniene Frost
Emma rose to her feet, facing the faerie across the fleeing crowd. Gleaming from his weathered, barklike face, his eyes were yellow as a cat's. "Shadowhunter," he hissed. Emma reached back over her shoulder and closed her hand around the hilt of her sword, Cortana. The blade made a golden blur in the air as she drew it and pointed the tip at the fey. "No," she said. "I'm a candygram. This is my costume." The faerie looked puzzled. Emma sighed. "It's so hard to be sassy to the Fair Folk. You people never get jokes." "We are well known for our jests, japes, and ballads," the faerie said, clearly offended. "Some of our ballads last for weeks." "I don't have that kind of time," Emma said. "I'm a Shadowhunter. Quip fast, die young." She wiggled Cortana's tip impatiently. "Now turn out your pockets." "I have done nothing to break the Cold Peace," said the fey. "Technically true, but we do frown on stealing from mundanes," Emma said. "Turn out your pockets or I'll rip off one of your horns and shove it where the sun doesn't shine." The fey looked puzzled. "Where does the sun not shine? Is this a riddle?" Emma gave a martyred sigh and raised Cortana. "Turn them out, or I'll start peeling your bark off. My boyfriend and I just broke up, and I'm not in the best mood." The faerie began slowly to empty his pockets onto the ground, glaring at her all the while. "So you're single," he said. "I never would have guessed.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
When the man was disgraced and told to go away, he was allowed to ask all the animals whether any of them would come with him and share his fortunes and his life. There were only two who agreed to come entirely of their own accord, and they were the dog and the cat. And ever since then, those two have been jealous of each other, and each is for ever trying to make man choose which one he likes best. Every man prefers one or the other.
Richard Adams (The Plague Dogs)
Every time I see my cat licking its asshole I think about my ex wife. But that’s how nostalgia works, right? We only remember the best of the available memories.
Jarod Kintz (Seriously delirious, but not at all serious)
It is the wonderful paradox,” he continued, “that the best way to achieve happiness for oneself is to give happiness to others.
David Michie (The Dalai Lama's Cat)
I suppose the fundamental distinction between Shakespeare and myself is one of treatment. We get our effects differently. Take the familiar farcical situation of someone who suddenly discovers that something unpleasant is standing behind them. Here is how Shakespeare handles it in "The Winter's Tale," Act 3, Scene 3: ANTIGONUS: Farewell! A lullaby too rough. I never saw the heavens so dim by day. A savage clamour! Well may I get aboard! This is the chase: I am gone for ever. And then comes literature's most famous stage direction, "Exit pursued by a bear." All well and good, but here's the way I would handle it: BERTIE: Touch of indigestion, Jeeves? JEEVES: No, Sir. BERTIE: Then why is your tummy rumbling? JEEVES: Pardon me, Sir, the noise to which you allude does not emanate from my interior but from that of that animal that has just joined us. BERTIE: Animal? What animal? JEEVES: A bear, Sir. If you will turn your head, you will observe that a bear is standing in your immediate rear inspecting you in a somewhat menacing manner. BERTIE (as narrator): I pivoted the loaf. The honest fellow was perfectly correct. It was a bear. And not a small bear, either. One of the large economy size. Its eye was bleak and it gnashed a tooth or two, and I could see at a g. that it was going to be difficult for me to find a formula. "Advise me, Jeeves," I yipped. "What do I do for the best?" JEEVES: I fancy it might be judicious if you were to make an exit, Sir. BERTIE (narrator): No sooner s. than d. I streaked for the horizon, closely followed across country by the dumb chum. And that, boys and girls, is how your grandfather clipped six seconds off Roger Bannister's mile. Who can say which method is superior?" (As reproduced in Plum, Shakespeare and the Cat Chap )
P.G. Wodehouse (Over Seventy: An Autobiography with Digressions)
I’ll be honest, Chancellor – revenge is the motivation for over half the decrees I’ve made.” – Dread Empress Sanguinia II, best known for outlawing cats and being taller than her
ErraticErrata (So You Want to Be a Villain? (A Practical Guide to Evil, #1))
CUSTOMER: These books are really stupid, aren’t they? BOOKSELLER: Which ones? CUSTOMER: You know, the ones where animals like cats and mice are best friends. BOOKSELLER: I suppose they’re not very realistic, but then that’s fiction. CUSTOMER: They’re more than unrealistic; they’re really stupid. BOOKSELLER: Well, writers use that kind of thing to teach kids about accepting people different to themselves, you know? CUSTOMER: Yeah, well, books shouldn’t pretend that different people get on like that and that everything is ‘la de da’ and wonderful, should they? Kids should learn that life’s a bitch, and the sooner the better.
Jen Campbell (Weird Things Customers Say in Bookshops)
Lovers are not at their best when it matters. Mouths dry up, palms sweat, conversation flags and all the time the heart is threatening to fly from the body once and for all. Lovers have been known to have heart attacks. Lovers drink too much from nervousness and cannot perform. They eat too little and faint during their fervently wished consummation. They do not stroke the favoured cat and their face-paint comes loose. This is not all. Whatever you have set store by, your dress, your dinner, your poetry, will go wrong. How is it that one day life is orderly and you are content, a little cynical perhaps, but on the whole just so, and then without warning you find the solid floor is a trapdoor and you are now in another place whose geography is uncertain and whose customs are strange? Travellers at least have a choice. Those who set sail know that things will not be the same as at home. Explorers are prepared. But for us, who travel along the blood vessels, who come to the cities of the interior by chance, there is no preparation. We who were fluent find life is a foreign language. Somewhere between the swamp and the mountains. Somewhere between fear and sex. Somewhere between God and the Devil passion is and the way there is sudden and the way back is worse.
Jeanette Winterson (The Passion)
I mean, they're only the best punk band out there right now, named for the fucking apathy of a xenophobic fucking nation oblivious to the fucking terror its leaders wreak on the rest of the world because they're too busy worrying if their cat might be stuck up a tree or something.
Rachel Cohn (Nick & Norah's Infinite Playlist)
The Latin word for sausage was botulus, from which English gets two words. One of them is the lovely botuliform, which means sausage-shaped and is a more useful word than you might think. The other word is botulism. Sausages may taste lovely, but it's usually best not to ask what's actually in them. Curiosity may have killed the cat, but it was a sausage-maker who disposed of the body.
Mark Forsyth (The Etymologicon: A Circular Stroll through the Hidden Connections of the English Language)
The bad psychological material is not a sin but a disease. It does not need to be repented of, but to be cured. And by the way, that is very important. Human beings judge one another by their external actions. God judges them by their moral choices. When a neurotic who has a pathological horror of cats forces himself to pick up a cat for some good reason, it is quite possible that in God's eyes he has shown more courage than a healthy man may have shown in winning the V.C. When a man who has been perverted from his youth and taught that cruelty is the right thing does dome tiny little kindness, or refrains from some cruelty he might have committed, and thereby, perhaps, risks being sneered at by his companions, he may, in God's eyes, be doing more than you and I would do if we gave up life itself for a friend. It is as well to put this the other way round. Some of us who seem quite nice people may, in fact, have made so little use of a good heredity and good upbringing that we are really worse than those whom we regard as fiends. Can we be quite certain how we should have behaved if we had been saddled with the psychological outfit, and then with the bad upbringing, and then with the power, say, of Himmler? That is why Christians are told not to judge. We see only the results which a man's choices make out of his raw material. But God does not judge him on the raw material at all, but on what he has done with it. Most of the man's psychological makeup is probably due to his body: when his body dies all that will fall off him, and the real central man, the thing that chose, that made the best or worst out of this material, will stand naked. All sorts of nice things which we thought our own, but which were really due to a good digestion, will fall off some of us: all sorts of nasty things which were due to complexes or bad health will fall off others. We shall then, for the first time, see every one as he really was. There will be surprises.
C.S. Lewis (Mere Christianity)
One thing I have learned from many years of watching my father is that some people, the best ones, are motivated more by the chance to prove themselves than by a command to serve. It is the work itself that calls them onward, especially if they believe they are the only ones who can do it.
Rae Carson (The Shadow Cats (Fire and Thorns, #0.5))
Sir Arthur Eddington summed up the situation brilliantly in his book The Nature of the Physical World, published in 1929. "No familiar conceptions can be woven around the electron," he said, and our best description of the atom boils down to "something unknown is doing we don't know what".
John Gribbin (In Search of Schrödinger's Cat: Quantum Physics and Reality)
My parents are like younger, urchinlike brothers and sisters whose faces are dirty and who blurt out humiliating things that can neither be anticipated nor controlled. I sigh and make the best of it. I feel I’m older than they are, much older. I feel ancient.
Margaret Atwood (Cat’s Eye)
It is good to be a cynic--it is better to be a contented cat--and it is best not to exist at all. Universal suicide is the most logical thing in the world--we reject it only because of our primitive cowardice and childish fear of the dark. If we were sensible we would seek death--the same blissful blank which we enjoyed before we existed.
H.P. Lovecraft (Collected Essays 5: Philosophy, Autobiography and Miscellany)
She had time to make room for him in her closet. The cat had time to get used to him. They had all the time they needed, because he'd told her he was hers, and he was a man of his word. "I've got all I need," she told him. He leaned down and kissed her again, then stroked a finger over her temple, tucking a loose strand of hair behind her ear. "I want you to know," he said. "That you're the best choice I ever made." "No regrets?" "No regrets.
Jill Shalvis (Lucky in Love (Lucky Harbor, #4))
Yet I am not more sure that my soul lives, than I am that perverseness is one of the primitive impulses of the human heart - one of the indivisible primary faculties, or sentiments, which give direction to the character of Man. Who has not, a hundred times, found himself committing a vile or a silly action, for no other reason than because he knows he should not? Have we not a perpetual inclination, in the teeth of our best judgment, to violate that which is Law, merely because we understand it to be such?
Edgar Allan Poe (The Black Cat)
There are times when even I, a mere cat, can put two thoughts together. "Teachers have it easy. If you are born a human, it's best to become a teacher. For if it's possible to sleep this much and still to be a teacher, why, even a cat could teach" However, according to the master, there's nothing harder than a teacher's life...
Natsume Sōseki (I Am a Cat)
You see four guys bunched on a corner waiting for you, you either run like hell in the opposite direction without hesitation, or you keep on walking without slowing down or speeding up or breaking stride...Truth is, it's smarter to run. The best fight is the one you don't have. But I have never claimed to be smart. Just obstinate, and occasionally bad-tempered. Some guys kick cats. I keep walking. - Jack Reacher
Lee Child (Gone Tomorrow (Jack Reacher, #13))
Because whatever has happened to humanity, whatever is currently happening to humanity, it is happening to all of us. No matter how hidden the cruelty, no matter how far off the screams of pain and terror, we live in one world. We are one people. My illness proved that. As well as my understanding that Generose's lost daughter belongs to all of us. It is up to all of us to find her; it is up to us to do our best to make her whole again. There is only one daughter, one father, one mother, one son, one aunt or uncle, one dog, one cat, donkey, monkey, or goat in the universe, after all: the one right in front of you.
Alice Walker (Overcoming Speechlessness: A Poet Encounters the Horror in Rwanda, Eastern Congo, and Palestine/Israel)
As the statistician George E. P. Box wrote, "All models are wrong, but some models are useful." What he meant by that is that all models are simplifications of the universe, as they must necessarily be. As another mathematician said, "The best model of a cat is a cat." ... The key is in remembering that a model is a tool to help us understand the complexities of the universe, and never a substitute for the universe itself.
Nate Silver (The Signal and the Noise: Why So Many Predictions Fail—But Some Don't)
My husband claims I have an unhealthy obsession with secondhand bookshops. That I spend too much time daydreaming altogether. But either you intrinsically understand the attraction of searching for hidden treasure amongst rows of dusty shelves or you don't; it's a passion, bordering on a spiritual illness, which cannot be explained to the unaffected. True, they're not for the faint of heart. Wild and chaotic, capricious and frustrating, there are certain physical laws that govern secondhand bookstores and like gravity, they're pretty much nonnegotiable. Paperback editions of D. H. Lawrence must constitute no less than 55 percent of all stock in any shop. Natural law also dictates that the remaining 45 percent consist of at least two shelves worth of literary criticism on Paradise Lost and there should always be an entire room in the basement devoted to military history which, by sheer coincidence, will be haunted by a man in his seventies. (Personal studies prove it's the same man. No matter how quickly you move from one bookshop to the next, he's always there. He's forgotten something about the war that no book can contain, but like a figure in Greek mythology, is doomed to spend his days wandering from basement room to basement room, searching through memoirs of the best/worst days of his life.) Modern booksellers can't really compare with these eccentric charms. They keep regular hours, have central heating, and are staffed by freshly scrubbed young people in black T-shirts. They're devoid of both basement rooms and fallen Greek heroes in smelly tweeds. You'll find no dogs or cats curled up next to ancient space heathers like familiars nor the intoxicating smell of mold and mildew that could emanate equally from the unevenly stacked volumes or from the owner himself. People visit Waterstone's and leave. But secondhand bookshops have pilgrims. The words out of print are a call to arms for those who seek a Holy Grail made of paper and ink.
Kathleen Tessaro (Elegance)
She had something Adam didn't. Curiosity. First step to growth -- and if it wasn't for Eve's Adam would still be sitting by the side of the pool picking his nose and scratching his scalp, bamboozled by his own reflection. Off in her part of Eden, Eve hadn't bothered naming the animals. On the other hand she'd discovered how to milk some of them and how best to eat the eggs of others. She'd decided she wasn't overly keen on torrential rain and had built a shelter from bamboo and banana leaves, into which she'd retire when the heavens opened, having set out coconut shells to catch the rainwater with a view to saving herself the schlep down to the spring every time she wanted a drink. The only thing you won't be surprised to hear about is that she'd already domesticated a cat and called it Misty.
Glen Duncan (I, Lucifer)
Opportunities pop up for everybody all of the time. It's the way that we progress. It's whether or not you're in the right frame of mind or in the right stage of your life or if you're even looking for them [that determines] whether or not you see them. [...] As you take more risks you see opportunities more easily. [Risks are] never the safe option, but for me the safe option is the worst option. [...] The riskiest life I can think of is letting yourself to be molded into this comfortable, same-as-everybody-else routine. For me, that is risking my whole life.
Ben Brown
...DAMNATION!' No device of the printer's art, not even capital letters, can indicate the intensity of that shriek of rage. Emerson is known to his Egyptian workers by the admiring sobriquet of Father of Curses. The volume as well as the content of his remarks earned him the title; but this shout was extraordinary even by Emerson's standards, so much so that the cat Bastet, who had become more or less accustomed to him, started violently, and fell with a splash into the bathtub. The scene that followed is best not described in detail. My efforts to rescue the thrashing feline were met with hysterical resistance; water surged over the edge of the tub and onto the floor; Emerson rushed to the rescue; Bastet emerged in one mighty leap, like a whale broaching, and fled -- cursing, spitting, and streaming water. She and Emerson met in the doorway of the bathroom. The ensuing silence was broken by the quavering voice of the safragi, the servant on duty outside our room, inquiring if we required his assistance. Emerson, seated on the floor in a puddle of soapy water, took a long breath. Two of the buttons popped off his shirt and splashed into the water. In a voice of exquisite calm he reassured the servant, and then transferred his bulging stare to me. I trust you are not injured, Peabody. Those scratches...' The bleeding has almost stopped, Emerson. It was not Bastet's fault.' It was mine, I suppose,' Emerson said mildly. Now, my dear, I did not say that. Are you going to get up from the floor?' No,' said Emerson. He was still holding the newspaper. Slowly and deliberately he separated the soggy pages, searching for the item that had occasioned his outburst. In the silence I heard Bastet, who had retreated under the bed, carrying on a mumbling, profane monologue. (If you ask how I knew it was profane, I presume you have never owned a cat.)
Elizabeth Peters (The Deeds of the Disturber (Amelia Peabody, #5))
You'll be going back to Tokyo before much longer," Midorikawa quietly stated. "And you'll return to real life. You need to live life to the fullest. No matter how shallow and dull things might get, this life is worth living. I guarantee it. And I'm not being either ironic or paradoxical. It's just that, for me, what's worthwhile in life has become a burden, something I can't shoulder anymore. Maybe I'm just not cut out for it. So, like a dying cat, I've crawled into a quiet, dark place, silently waiting for my time to come. It's not so bad. But you're different. You should be able to handle what life sends your way. You need to use the thread of logic, as best as you can, to skillfully sew onto yourself everything that's worth living for.
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
His loss. I know a hell of a lot more about headstrong teenage girls than he does.” Colin gave her his most quelling look. “You’re baiting him again.” Ryan studied first one of them and then the other. “What’s going on with you two?” “Nothing.” Unfortunately, they spoke together, automatically making them look like liars. Sugar Beth recovered first and handled the situation in her own way. “Relax, Ryan. Colin’s done his best to get rid of me, but I’m blackmailing him with some unsavory facts I’ve unearthed about his past, which may or may not involve the ritual deaths of small animals, so if my body ends up in a ditch somewhere, tell the police to start their interrogations with him. Plus you might warn everybody to be careful with their cats.
Susan Elizabeth Phillips (Ain't She Sweet?)
I love that I am but one of millions of single girls hitting the road by themselves these days. A hateful little ex-boyfriend once said that a houseful of cats used to be the sign of a terminally single woman, but not it's a house full of souvenirs acquired on foreign adventures. He said it derogatorily: Look at all of this tragic overcompensating in the form of tribal masks and rain sticks. But I say that plane tickets replacing cats might be the best evidence of women's progress as a gender. I'm damn proud of us. Also, since I have both a cat and a lot of foreign souvenirs, I broke up with that dude and went on a really great trip.
Kristin Newman (What I Was Doing While You Were Breeding)
And I propose to you that if we are to pay our sincere respects to the hundred lost children of San Lorenzo, that we might best spend the day despising what killed them; which is to say, the stupidity and viciousness of all mankind. "Perhaps, when we remember wars, we should take off our clothes and paint ourselves blue and go on all fours all day long and grunt like pigs. That would surely be more appropriate than noble oratory and shows of flags and well-oiled guns.
Kurt Vonnegut Jr. (Cat’s Cradle)
You're in trouble. Do you expect me to just walk away?" "I wouldn't hold it against you if you did." "In know you wouldn't. That's only one of the reasons I'm crazy about you. I've got a million more." "Just a million?" "Okay, a million plus one—your cat." She giggled. "You're bonding with Saladin?" "Somebody has to protect that cat from your cousin Ian. And I feed him. The cat. Not Ian. He's on his own. Anyway, if that doesn't get me Perfect Boyfriend status, I don't know what will." "Emptying the litter box?" "Hey. I have my limits." Amy laughed. She had the phone pressed to her ear so tightly it burned. She closed her eyes, picturing his face... Ian's crisp voice broke in. "All right, lovebirds, let's move on. No offense, but I believe Amy and Dan might need a short course in style and class." "Is this the nonoffensive part?" Dan asked. "I can't wait until you really insult us." "Let's deal with reality, shall we? You don't just walk into an auction house in your jeans and backpacks. You have to blend in. And that's going to be hard." Ian sniffed. "Considering that you're Americans." "What are you talking about, dude?" Dan asked. "This is my best SpongeBob T-shirt.
Jude Watson (A King's Ransom (The 39 Clues: Cahills vs. Vespers, #2))
She’d never encountered any stories as intricate or compelling as the stories he gave her, nor anything that made her sigh when she read it. She liked best the stories about people becoming other things. Stories where women became swans or echoes. In the evenings, when Finn disappeared into the mysterious recesses of the laboratory, Cat went out to the garden or down to the river and wondered what it would be like to be a stream of water, a cypress tree, a star burning a million miles away.
Cassandra Rose Clarke (The Mad Scientist’s Daughter)
A reaper emerges from the crowd with glossy, black wings, and Akila takes off her headset and runs dizzily over. She puts her arms around me and says, I am so happy right now. I do my best to be cool about this contact, but it has never happened before, and I pat her awkwardly on the shoulder, terrified that a too-enthusiastic reciprocation will alert her to her error, like the way a white person might raise a jungle cat from birth and be pals for a time until the cat turns five and realizes it is, in fact, a carnivore. If I’m honest, all my relationships have been like this, parsing the intent of the jaws that lock around my head. Like, is he kidding, or is he hungry? In other words, all of it, even the love, is a violence.
Raven Leilani (Luster)
Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes. A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot. God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman. A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard. She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale. She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!
Alan Beck
Of course that is not the whole story, but that is the way with stories; we make them what we will. It’s a way of explaining the universe while leaving the universe unexplained, it’s a way of keeping it all alive, not boxing it into time. Everyone who tells a story tells it differently, just to remind us that everybody sees it differently. Some people say there are true things to be found, some people say all kinds of things can be proved. I don’t believe them. The only thing for certain is how complicated it all is, like string full of knots. It’s all there but hard to find the beginning and impossible to fathom the end. The best you can do is admire the cat’s cradle, and maybe knot it up a bit more. History should be a hammock for swinging and a game for playing, the way cats play. Claw it, chew it, rearrange it and at bedtime it’s still a ball of string full of knots. Nobody should mind. Some people make a lot of money out of it. Publishers do well, children, when bright, can come top. It’s an all-purpose rainy day pursuit, this reducing of stories called history.
Jeanette Winterson (Oranges Are Not the Only Fruit)
In my opinion, the best time to be alive is always right now. People are aways whining about how they were born in the wrong century, but they really haven't thought things through. They picture the old castle they wish they could live in, but they don't think about the drafts in the winter or the pitch darkness at night, or all the spiders and the lice. They can't imagine the everyday pain of a life without movies or recorded music or... or... Interet videos about cats. And don't even get me started on women who idealize the past. Do you have any idea what it was like to be a woman even a hundred years ago? Horrible! And a hundred years before that, the situation practically defies description. We might as well have been slaves. Trussed up in hoop skirts and corsets, married off like racehorses. Good riddance to history, I say!
Tommy Wallach (Thanks for the Trouble)
One day, as Sarita tended to the wash, Gemma played in the garden. She was a knight, you see, with a sword fashioned out of wood. Most formidable, she was, though I didn't quite know how formidable. As I sat in my study, I heard screaming from outside. I ran to see what the commotion was. Sarita called to me, wide-eyed with fear, "Oh, Mr. Doyle, look- over there!" The tiger had entered the garden and was making his way toward where our Gemma frolicked with her wooden sword. Beside me, our house servant, Raj, drew his blade so stealthily it seemed to simply appear in his hand by magic. But Sarita stayed his hand. "If you run for him with your life, you will provoke the tiger," she advised. "We must wait."... I must tell you that it was the longest moment of my life. No one dared move. No one dared draw a breath. And all the while, Gemma played on, taking no notice until the great cat was upon her. She stood and faced him. They stared at one another as if each wondered what to make of the other, as if they sensed a kindred spirit. At last, Gemma placed her sword upon the ground. "Dear tiger," she said. "You may pass if you are peaceful." The tiger looked at the sword and back at Gemma, and without a sound, it passed on, dissappearing into the jungle." ... "The tiger had gone. He did not come around a gain. But I was a man possessed. The tiger had come too close, you see. I no longer felt safe. I hired the best tracker in Bombay. We hunted for days, tracking the tiger to the mountains there. We found him taking water from a small watering hole. He looked up but he did not charge. He took no notice of us at all but continued to drink. "Sahib, let us go," the boy said. "This tiger means you no harm." He was right, of course. But we had come all that way. The gun was in my hand. The tiger was before us. I took aim and shot it dead on the spot. I sold the tiger's skin for a fortune to a man in Bombay, and he called me brave for it. But it was not courage that brought me to that; it was fear..."But you," he says, smiling with a mix of sadness and pride, "you faced the tiger and survived." ... "The time has come for me to face my tiger, to look him in the eye and see which of us survives." - Mr. Doyle
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
I think I can,” Lee answered Samuel. “I think this is the best-known story in the world because it is everybody’s story. I think it is the symbol story of the human soul. I’m feeling my way now—don’t jump on me if I’m not clear. The greatest terror a child can have is that he is not loved, and rejection is the hell he fears. I think everyone in the world to a large or small extent has felt rejection. And with rejection comes anger, and with anger some kind of crime in revenge for the rejection, and with the crime guilt—and there is the story of mankind. I think that if rejection could be amputated, the human would not be what he is. Maybe there would be fewer crazy people. I am sure in myself there would not be many jails. It is all there—the start, the beginning. One child, refused the love he craves, kicks the cat and hides his secret guilt; and another steals so that money will make him loved; and a third conquers the world—and always the guilt and revenge and more guilt. The human is the only guilty animal. Now wait! Therefore I think this old and terrible story is important because it is a chart of the soul—the secret, rejected, guilty soul. Mr. Trask, you said you did not kill your brother and then you remembered something. I don’t want to know what it was, but was it very far apart from Cain and Abel? And what do you think of my Oriental patter, Mr. Hamilton? You know I am no more Oriental than you are.
John Steinbeck (East of Eden)
His master plan to get them all out the door early met its first check of the day when he opened his closet door to discover that Zap the Cat, having penetrated the security of Vorkosigan House through Miles's quisling cook, had made a nest on the floor among his boots and fallen clothing to have kittens. Six of them. Zap ignored his threats about the dire consequences of attacking an Imperial Auditor, and purred and growled from the dimness in her usual schizophrenic fashion. Miles gathered his nerve and rescued his best boots and House uniform, at a cost of some high Vor blood, and sent them downstairs for a hasty cleaning by the overworked Armsman Pym. The Countess, delighted as ever to find her biological empire increasing, came in thoughtfully bearing a cat-gourmet tray prepared by Ma Kosti that Miles would have had no hesitation in eating for his own breakfast. In the general chaos of the morning, however, he had to go down to the kitchen and scrounge his meal. The Countess sat on the floor and cooed into his closet for a good half-hour, and not only escaped laceration, but managed to pick up, sex, and name the whole batch of little squirming furballs before tearing herself away to hurry and dress.
Lois McMaster Bujold (Memory (Vorkosigan Saga, #10))
One day, I wish to find a man like in my books. He has to be just like in one of my books. And he has to love me, love me more than anything in the world. Most important of all, he has to think I’m beautiful.” “Lily, I need to tell you something.” Fazire was going to tell her about Becky’s wish and his mistake and let her look forward to something, let her look forward to the incomparable beauty she was going to be. Most of all, he had to stop her wish now. He didn’t want her wasting it on some fool idea. He wanted it to be special, perfect, to make her world better like she had made Becky and Will’s and, indeed, his. But again she didn’t hear him. Her eyes were bright and they were steady on his. “He has to be tall, very tall and dark and broad-shouldered and narrow-hipped.” Fazire stared. He didn’t even know what “narrow-hipped” meant. “And he has to be handsome, unbelievably handsome, impossibly handsome with a strong, square jaw and powerful cheekbones and tanned skin and beautiful eyes with lush, thick lashes. He has to be clever and very wealthy but hardworking. He has to be virile, fierce, ruthless and rugged.” Now she was getting over his head. He didn’t think there was such a thing as impossibly handsome. How cheekbones could be powerful, Fazire didn’t know. He was even thinking he might have to look up “virile” in the dictionary Sarah had given him. “And he has to be hard and cold and maybe a little bit forbidding, a little bit bad with a broken heart I have to mend or one encased in ice I have to melt or better yet… both!” Fazire thought this was getting a bit ridiculous. It was the most complicated wish he’d ever heard. But she wasn’t yet finished. “We have to go through some trials and tribulations. Something to test our love, make it strong and worthy. And… and… he has to be daring and very masculine. Powerful. People must respect him, maybe even fear him. Graceful too and lithe, like a… like a cat! Or a lion. Or something like that.” She was losing steam and Fazire had to admit he was grateful for it. “And he has to be a good lover.” Lily shocked Fazire by saying. “The best, so good, he could almost make love to me just by using his eyes.” Fazire felt himself blush. Perhaps he should have a look at these books she was reading and show them to Becky. Lily was a very sharp girl, sharp as a tack (another one of Sarah’s sayings, although Fazire couldn’t imagine a tack ever being as clever as Lily) but she was too young to be reading about any man making love to her with his eyes. Fazire had never made love, never would, genies just didn’t. But he was pretty certain fourteen year old girls shouldn’t be thinking about it. Though, he was wrong about that, or at least Becky would tell him that later. Then Fazire realised she’d stopped talking. “Is that it?” he asked. She thought for a bit, clearly not wanting to leave anything out. Then she nodded.
Kristen Ashley (Three Wishes)
What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists. What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard? There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet. For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical. Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.
Théophile Gautier (Mademoiselle de Maupin)
Roark reached for the 'link again, cursed himself for a fool, then turned away from it. He wasn’t going to keep calling her, her friends, her haunts, hoping for a scrap. Bugger that. She’d be home when she came home. Or she wouldn’t. Christ Jesus, where was she? Why the hell was she putting him through this? He’d done nothing to earn it. God knew he’d done plenty along the way to earn her wrath, but not this time. Not this way. Still, that look on her face that morning had etched itself in his head, on his heart, into his guts. He couldn’t burn it out. He’d seen that look once or twice before, but not on his account. He’d seen it when they’d gone to that fucking room in Dallas where she’d once suffered beyond reason. He’d seen it when she tore out of a nightmare. Didn’t she know he’d cut off his own hand before he’d put that look on her face? She bloody well should know it. Should know him. This was her own doing, and she’d best get her stubborn ass home right quick so they could have this out as they were supposed to have things out. She could kick something. Punch something. Punch him if that would put an end to it. A good rage, that’s what was needed here, he told himself, then they’d be done with this nonsense once and for all. Where the fucking hell was she? He considered his own rage righteous, deserved—and struggled not to acknowledge it hid a sick panic that she didn’t mean to come back to him. She’d damn well come back, he thought furiously. If she thought she could do otherwise, he had a bulletin for her. He’d hunt her down, by Christ, he would, and he’d drag her back where she belonged. Goddamn it all, he needed her back where she belonged. He paced the parlor like a cat in a cage, praying as he rarely prayed, for the remote in his pocket to beep, signaling the gates had opened. And she was coming home.
J.D. Robb (Innocent in Death (In Death, #24))
The Dead Father was slaying, in a grove of music and musicians. First he slew a harpist and then a performer upon the serpent and also a banger upon the rattle and also a blower of the Persian trumpet and one upon the Indian trumpet and one upon the Hebrew trumpet and one upon the Roman trumpet and one upon the Chinese trumpet of copper-covered wood. Also a blower upon the marrow trumpet and one upon the slide trumpet and one who wearing upon his head the skin of a cat performed upon the menacing murmurous cornu and three blowers on the hunting horn and several blowers of the conch shell and a player of the double aulos and flautists of all descriptions and a Panpiper and a fagotto player and two virtuosos of the quail whistle and a zampogna player whose fingering of the chanters was sweet to the ear and by-the-bye and during the rest period he slew four buzzers and a shawmist and one blower upon the water jar and a clavicytheriumist who was before he slew her a woman, and a stroker of the theorbo and countless nervous-fingered drummers as well as an archlutist, and then whanging his sword this way and that the Dead Father slew a cittern plucker and five lyresmiters and various mandolinists, and slew too a violist and a player of the kit and a picker of the psaltery and a beater of the dulcimer and a hurdy-gurdier and a player of the spike fiddle and sundry kettledrummers and a triangulist and two-score finger cymbal clinkers and a xylophone artist and two gongers and a player of the small semantron who fell with his iron hammer still in his hand and a trictrac specialist and a marimbist and a maracist and a falcon drummer and a sheng blower and a sansa pusher and a manipulator of the gilded ball. The Dead Father resting with his two hands on the hilt of his sword, which was planted in the red and steaming earth. My anger, he said proudly. Then the Dead Father sheathing his sword pulled from his trousers his ancient prick and pissed upon the dead artists, severally and together, to the best of his ability-four minutes, or one pint. Impressive, said Julie, had they not been pure cardboard. My dear, said Thomas, you deal too harshly with him. I have the greatest possible respect for him and for what he represents, said Julie, let us proceed.
Donald Barthelme (The Dead Father)
There's not much to say about loneliness, for it's not a broad subject. Any child, alone in her room, can journey across its entire breadth, from border to border, in an hour. Though not broad, our subject is deep. Loneliness is deeper than the ocean. But here, too, there is no mystery. Our intrepid child is liable to fall quickly to the very bottom without even trying. And since the depths of loneliness cannot sustain human life, the child will swim to the surface again in short order, no worse for wear. Some of us, though, can bring breathing aids down with us for longer stays: imaginary friends, drugs and alcohol, mind-numbing entertainment, hobbies, ironclad routine, and pets. (Pets are some of the best enablers of loneliness, your own cuddlesome Murphy notwithstanding.) With the help of these aids, a poor sap can survive the airless depths of loneliness long enough to experience its true horror -- duration. Did you know, Myren Vole, that when presented with the same odor (even my own) for a duration of only several minutes, the olfactory nerves become habituated -- as my daughter used to say -- to it and cease transmitting its signal to the brain? Likewise, most pain loses its edge in time. Time heals all -- as they say. Even the loss of a loved one, perhaps life's most wrenching pain, is blunted in time. It recedes into the background where it can be borne with lesser pains. Not so our friend loneliness, which grows only more keen and insistent with each passing hour. Loneliness is as needle sharp now as it was an hour ago, or last week. But if loneliness is the wound, what's so secret about it? I submit to you, Myren Vole, that the most painful death of all is suffocation by loneliness. And by the time I started on my portrait of Jean, I was ten years into it (with another five to go). It is from that vantage point that I tell you that loneliness itself is the secret. It's a secret you cannot tell anyone. Why? Because to confess your loneliness is to confess your failure as a human being. To confess would only cause others to pity and avoid you, afraid that what you have is catching. Your condition is caused by a lack of human relationship, and yet to admit to it only drives your possible rescuers farther away (while attracting cats). So you attempt to hide your loneliness in public, to behave, in fact, as though you have too many friends already, and thus you hope to attract people who will unwittingly save you. But it never works that way. Your condition is written all over your face, in the hunch of your shoulders, in the hollowness of your laugh. You fool no one. Believe me in this; I've tried all the tricks of the lonely man.
David Marusek (Counting Heads (Counting Heads, #1))