Cathy Until Then Quotes

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I laughed until my fat hurt.
Cathy Lamb
It was Cathy who taught me the true meaning of the word “risk.” Whenever I see that word written or hear it spoken, I see her face. I see her faith. I see her love and her youth when she took on this challenge. She perceived a need and didn’t wait for everything to fall into place before doing something about it. She did not wait until someone wrote the manual on How to be a Mother to a 19-Year-Old African Orphan When You’re Only 23.
Maria Nhambu (America's Daughter (Dancing Soul Trilogy, #2))
When I hear the phrase “Asians are next in line to be white,” I replace the word “white” with “disappear.” Asians are next in line to disappear. We are reputed to be so accomplished, and so law-abiding, we will disappear into this country’s amnesiac fog. We will not be the power but become absorbed by power, not share the power of whites but be stooges to a white ideology that exploited our ancestors. This country insists that our racial identity is beside the point, that it has nothing to do with being bullied, or passed over for promotion, or cut off every time we talk. Our race has nothing to do with this country, even, which is why we’re often listed as “Other” in polls and why we’re hard to find in racial breakdowns on reported rape or workplace discrimination or domestic abuse. It’s like being ghosted, I suppose, where, deprived of all social cues, I have no relational gauge for my own behavior. I ransack my mind for what I could have done, could have said. I stop trusting what I see, what I hear. My ego is in free fall while my superego is boundless, railing that my existence is not enough, never enough, so I become compulsive in my efforts to do better, be better, blindly following this country’s gospel of self-interest, proving my individual worth by expanding my net worth, until I vanish.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
Mightn’t it be, Cathy, that, until you’ve seen the dark, you don’t really know the light?
Robert Dinsdale (The Toymakers)
On any sea voyage, even one as mundane as a cross-channel car ferry, it is difficult to focus on your destination until you have lost sight of the land.
Cathy Dobson (The Devil's Missal)
The avant-garde genealogy could be tracked through stories of bad-boy white artists who “got away with it,” beginning with Duchamp signing a urinal and calling it art. It’s about defying standards and initiating a precedent that ultimately liberates art from itself. The artist liberates the art object from the rules of mastery, then from content, then frees the art object from what Martin Heidegger calls its very thingliness, until it becomes enfolded into life itself. Stripped of the artwork, all we are left with is the artist’s activities. The problem is that history has to recognize the artist’s transgressions as “art,” which is then dependent on the artist’s access to power. A female artist rarely “gets away with it.” A black artist rarely “gets away with it.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
If he were to wait for her to ask for his protection, he would be waiting until the whole of Scotland sank into the seas.
Cathy MacRae (Highland Escape (Hardy Heroines #1))
Without us, the world is just things, Cathy. It's our seeing that fills them with meaning. To pay attention is a painter's scared duty. That's what real prayer is. real meditation: to hold your attention to the world like a match, until it catches with the fire of meaning.
Jordan K. Weisman (Cathy's Book (Cathy Vickers Trilogy, #1))
What Cathy took from her rejection experience was self-doubt. Until this current traumatic hospitalization, Cathy hadn’t realized the fear she was carrying around, how burdened she was by it, and how that fear kept her in a mode where she had to continuously prove her value to others and herself.
Robert Kegan (Immunity to Change: How to Overcome It and Unlock the Potential in Yourself and Your Organization (Leadership for the Common Good))
You go out into your world, and try and find the things that will be useful to you. Your weapons. Your tools. Your charms. You find a record, or a poem, or a picture of a girl that you pin to the wall and go, "Her. I'll try and be her. I'll try and be her - but here." You observe the way others walk, and talk, and you steal little bits of them - you collage yourself out of whatever you can get your hands on. You are like the robot Johnny 5 in Short Circuit, crying, "More input! More input for Johnny 5! as you rifle through books and watch films and sit in front of the television, trying to guess which of these things that you are watching - Alexis Carrington Colby walking down a marble staircase; Anne of Green Gables holding her shoddy suitcase; Cathy wailing on the moors; Courtney Love wailing in her petticoat; Dorothy Parker gunning people down; Grace Jones singing "Slave to the Rhythm" - you will need when you get out there. What will be useful. What will be, eventually, you? And you will be quite on your own when you do all this. There is no academy where you can learn to be yourself; there is no line manager slowly urging you toward the correct answer. You are midwife to yourself, and will give birth to yourself, over and over, in dark rooms, alone. And some versions of you will end in dismal failure - many prototypes won't even get out the front door, as you suddenly realize that no, you can't style-out an all-in-one gold bodysuit and a massive attitude problem in Wolverhampton. Others will achieve temporary success - hitting new land-speed records, and amazing all around you, and then suddenly, unexpectedly exploding, like the Bluebird on Coniston Water. But one day you'll find a version of you that will get you kissed, or befriended, or inspired, and you will make your notes accordingly, staying up all night to hone and improvise upon a tiny snatch of melody that worked. Until - slowly, slowly - you make a viable version of you, one you can hum every day. You'll find the tiny, right piece of grit you can pearl around, until nature kicks in, and your shell will just quietly fill with magic, even while you're busy doing other things. What your nature began, nature will take over, and start completing, until you stop having to think about who you'll be entirely - as you're too busy doing, now. And ten years will pass without you even noticing. And later, over a glass of wine - because you drink wine now, because you are grown - you will marvel over what you did. Marvel that, at the time, you kept so many secrets. Tried to keep the secret of yourself. Tried to metamorphose in the dark. The loud, drunken, fucking, eyeliner-smeared, laughing, cutting, panicking, unbearably present secret of yourself. When really you were about as secret as the moon. And as luminous, under all those clothes.
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))
Mightn't it be, Cathy, that, until you've seen the dark, you don't really know the light?
Robert Dinsdale (The Toymakers)
In short, WMDs are targeting us all. And they’ll continue to multiply, sowing injustice, until we take steps to stop them.
Cathy O'Neil (Weapons of Math Destruction: How Big Data Increases Inequality and Threatens Democracy)
Just think of Emily Bronte, for example: psychotically bookish - but was there ever a woman screaming out so loudly for a good f***ing? I even suspect that's why Wuthering Heights carries on decades too long rather than sensibly drawing the curtains a little after Cathy's death. It was Bronte saying, 'Look - I'm simply going to keep on writing this stuff until someone comes and shags me raw.
Mil Millington (Love and Other Near-Death Experiences)
My ninth-grade teacher told us that we would all fall in love with Catcher in the Rye. The elusive maroon cover added to its mystique. I kept waiting to fall in love with Salinger’s cramped, desultory writing until I was annoyed.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
Something creaked beneath me! A soft step on rotting wood! I jumped startled, scared, and turned, expecting to see-God knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than usual? Was it the moonlight, shining through my airy clothes? All random doubts were cleared when he said in a voice gritty and low, "You look beautiful sitting there like that." He cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through your clothes." Then, bewilderingly, he seized me by the shoulders, digging in his fingers, hard! They hurt. "Damn you, Cathy! You kissed that man! He could have awakened and seen you, and demanded to know who you were! And not thought you only a part of his dream!" Scary the way he acted, the fright I felt for no reason at all. "How do you know what I did? You weren't there; you were sick that night." He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!" "He saw me?" I cried, disbelieving. It wasn't possible . . . wasn't! "Yes!" he yelled. This was Chris, who was usually in such control of his emotions. "He thought you a part of his dream! But don't you know Momma can guess who it was, just by putting two and two together-just as I have? Damn you and your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's counting, and we don't have enough-not yet!" He yanked me down from the widow sill! He appeared wild and furious enough to slap my face-and not once in all our lives had he ever struck me, though I'd given him reason to when I was younger. But he shook me until my eyes rolled, until I was dizzy and crying out: "Stop! Momma knows we can't pass through a looked door!" This wasn't Chris . . . this was someone I'd never seen before . . . primitive, savage. He yelled out something like, "You're mine, Cathy! Mine! You'll always be mine! No matter who comes into your future, you'll always belong to me! I'll make you mine . . . tonight . . . now!" I didn't believe it, not Chris! And I did not fully understand what he had in mind, nor, if I am to give him credit, do I think he really meant what he said, but passion has a way of taking over. We fell to the floor, both of us. I tried to fight him off. We wrestled, turning over and over, writhing, silent, a frantic strug- gle of his strength against mine. It wasn't much of a battle. I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him. And I loved him. I wanted what he wanted-if he wanted it that much, right and wrong. Somehow we ended up on that old mattress-that filthy, smelly, stained mattress that must have known lovers long before this night. And that is where he took me, and forced in that swollen, rigid male sex part of him that had to be satisfied. It drove into my tight and resisting flesh which tore and bled. Now we had done what we both swore we'd never do.
V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))
With a glance over her shoulder to ensure no one saw them, she charged up the stairs. Mr. Aldercy fell into step behind her, and they hurried like schoolchildren afraid of being caught in a prank. However, at the top of the stairs, games stopped. He whisked her up the last step, twirled her around until her back was against the wall, and kissed her.
Cathy Maxwell (The Lady Is Tempted)
In Panama, I knew Noriega himself was the object of controversy. The "arms deal" was the final stage of Operation Carrier Pigeon where the planes were to wait in Saudi Arabia until all bank transactions were cleared and the load was ready for disbursement. Saudi Arabian King Fahd would then fund the Contras via Noriega for Reagan after all evidences had been properly covered up -- just as he had done in Afghanistan. After the shipment, there would be no further deals through Noriega involving Fahd, because Noriega could no longer be trusted. Besides, Fahd had increased diplomatic relations with Mexico for covert operations, and Iran-Contra was just beginning to heat up. Noriega did not seem to be upset by the news of losing Saudi Arabian business, although he was somber and took some time to respond. His translator was working over some complex computer equipment after I delivered the message. I left Noriega's yacht with John and a brief message for Dick Cheney at the Pentagon.
Cathy O'Brien (TRANCE Formation of America: True life story of a mind control slave)
I know a lot of other reporters who are dedicated to this cause. They’ve covered numerous stories on satanism, missing children, corrupt judges, and CIA cocaine operations only to have them censored before they could be aired. We have archives of pertinent information to which these tapes we made today will undoubtedly be added. At least until censorship is overcome these videos will be educating other reporters.” He gestured toward the annoying helicopters still circling. “And we’re all tired of this nonsense!
Cathy O'Brien (ACCESS DENIED For Reasons Of National Security: Documented Journey From CIA Mind Control Slave To U.S. Government Whistleblower)
He caught my hand and drew me closer to his side. “Well, should I begin to list them one by one, and by name? If I did it would take several hours. If there had been someone special, all I would do is name one—and I can’t do that. I liked them all . . . but I didn’t like any well enough to love, if that’s what you want to know.” Yes, that was exactly what I wanted to know. “I’m sure you didn’t live a celibate life, even though you didn’t fall in love . . . ?” “That’s none of your business,” he said lightly. “I think it is. It would give me peace to know you had a girl you loved.” “I do have a girl I love,” he answered. “I’ve known her all my life. When I go to sleep at night, I dream of her, dancing overhead, calling my name, kissing my cheek, screaming when she has nightmares, and I wake up to take the tar from her hair. There are times when I wake up to ache all over, as she aches all over, and I dream I kiss the marks the whip made . . . and I dream of a certain night when she and I went out on the cold slate roof and stared up at the sky, and she said the moon was the eye of God looking down and condemning us for what we were. So there, Cathy, is the girl who haunts me and rules me, and fills me with frustrations, and darkens all the hours I spend with other girls who just can’t live up to the standards she set. And I hope to God you’re satisfied.” I turned to move as in a dream, and in that dream I put my arms about him and stared up into his face, his beautiful face that haunted me too. “Don’t love me, Chris. Forget about me. Do as I do, take whomever knocks first on your door, and let her in.” He smiled ironically and put me quickly from him. “I did exactly what you did, Catherine Doll, the first who knocked on my door was let in—and now I can’t drive her out. But that’s my problem—not yours.” “I don’t deserve to be there. I’m not an angel, not a saint . . . you should know that.” “Angel, saint, Devil’s spawn, good or evil, you’ve got me pinned to the wall and labeled as yours until the day I die. And if you die first, then it won’t be long before I follow.
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
Through a series of connections, it was arranged for us to pick up boxes of documents detailing George Bush, Sr.’s Watchtower cocaine and heroin routes. Retired Brigadier General Russell Bowen was once an integral part of this operation. He worked directly under Bush until he turned whistleblower through his 1991 book The Immaculate Deception, The Bush Crime Family Exposed4. It was widely known that the Mexican and Caribbean drug ops I had worked under MK Ultra mind control tied directly in with Watchtower. These documents and evidences could prove invaluable to us since General Bowen was leaving the country in disgust and frustration with the lack of justice. Bush, Sr. had locked him up in a Federal Prison until he agreed to leave the country.
Cathy O'Brien (ACCESS DENIED For Reasons Of National Security: Documented Journey From CIA Mind Control Slave To U.S. Government Whistleblower)
For the last twenty years, until recently, Jhumpa Lahiri's stories were the template of ethnic fiction that supports the fantasy of Asian American immigrants as compliant strivers. The fault lies not in Lahiri herself, who I think is an absorbing storyteller, but in the publishing industry that used to position her books as the "single story" on immigrant life. Using just enough comforting ethnic props to satisfy white reader's taste for cultural difference, Lahiri writes in a flat, restrained prose, where her characters never think or feel but just do: "I...opened a bank account, rented a post office box, and bought a plastic bowl and a spoon at Woolworth's." Her characters are always understated and avoid any interiority, which, as Jane Hu writes in The New Yorker, has become a fairly typical literary affect that signals Asianness (in fact, more East Asianness than South Asianness) to readers.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
Bill Clinton’s Mena Airport drug operation spawned more deaths than just the infamous murder of drug dealer Barry Seal1. Two teenage boys, Kevin Ives and Don Henry, were murdered after apparently stumbling onto the Mena drug operation2. Their remains were found on the railroad tracks in accordance with Wayne Cox’s m.o.3 At least six people investigating or attempting to expose this horrendous crime were murdered, still in accordance with Cox’s m.o.4 I had already reported to law enforcement that I had witnessed Cox murdering people on the same pivotal stretch of railroad tracks in the course of Bill Clinton’s Mena CIA drug ops. At great risk to his life, Arkansas Deputy Sheriff John Brown confirmed those murders and more around Mena. Few survived the Mena massacres until pertinent documentation circulated among the people5 thanks to the efforts of concerned civil servants like John Brown. Since then, John Brown has become an elected Sheriff.
Cathy O'Brien (ACCESS DENIED For Reasons Of National Security: Documented Journey From CIA Mind Control Slave To U.S. Government Whistleblower)
Mr. Haverstrom closes the door, leaving Patrick and me alone in the hallway. Pat smiles slickly, leaning in toward me. I step back until I press against the wall. It’s uncomfortable—but not threatening. Mostly because in addition to racquetball I’ve practiced aikido for years. So if Patrick tries anything funny, he’s in for a very painful surprise. “Let’s be honest, Sarah: you know and I know the last thing you want to do is give a presentation in front of hundreds of people—your colleagues.” My heart tries to crawl into my throat. “So, how about this? You do the research portion, slides and such that I don’t really have time for, and I’ll take care of the presentation, giving you half the credit of course.” Of course. I’ve heard this song before—in school “group projects” where I, the quiet girl, did all the work, but the smoothest, loudest talker took all the glory. “I’ll get Haverstrom to agree on Saturday—I’m like a son to him,” Pat explains before leaning close enough that I can smell the garlic on his breath. “Let Big Pat take care of it. What do you say?” I say there’s a special place in hell for people who refer to themselves in the third person. But before I can respond, Willard’s firm, sure voice travels down the hall. “I think you should back off, Nolan. Sarah’s not just ‘up for it,’ she’ll be fantastic at it.” Pat waves his hand. “Quiet, midge—the adults are talking.” And the adrenaline comes rushing back, but this time it’s not anxiety-induced—it’s anger. Indignation. I push off the wall. “Don’t call him that.” “He doesn’t mind.” “I mind.” He stares at me with something akin to surprise. Then scoffs and turns to Willard. “You always let a woman fight your battles?” I take another step forward, forcing him to move back. “You think I can’t fight a battle because I’m a woman?” “No, I think you can’t fight a battle because you’re a woman who can barely string three words together if more than two people are in the room.” I’m not hurt by the observation. For the most part, it’s true. But not this time. I smile slowly, devilishly. Suddenly, I’m Cathy Linton come to life—headstrong and proud. “There are more than two people standing here right now. And I’ve got more than three words for you: fuck off, you arrogant, self-righteous swamp donkey.” His expression is almost funny. Like he can’t decide if he’s more shocked that I know the word fuck or that I said it out loud to him—and not in the good way. Then his face hardens and he points at me. “That’s what I get for trying to help your mute arse? Have fun making a fool of yourself.” I don’t blink until he’s down the stairs and gone. Willard slow-claps as he walks down the hall to me. “Swamp donkey?” I shrug. “It just came to me.” “Impressive.” Then he bows and kisses the back of my hand. “You were magnificent.” “Not half bad, right? It felt good.” “And you didn’t blush once.” I push my dark hair out of my face, laughing self-consciously. “Seems like I forget all about being nervous when I’m defending someone else.” Willard nods. “Good. And though I hate to be the twat who points it out, there’s something else you should probably start thinking about straight away.” “What’s that?” “The presentation in front of hundreds of people.” And just like that, the tight, sickly feeling washes back over me. So this is what doomed feels like. I lean against the wall. “Oh, broccoli balls.
Emma Chase (Royally Matched (Royally, #2))
English Gingerbread Cake Serves: 12 to 16 Baking Time: 50 to 60 minutes Kyle Cathie, editor for the British version of The Cake Bible (and now a publisher), informed me in no uncertain terms that a book could not be called a cake "bible" in England if it did not contain the beloved gingerbread cake. When I went to England to retest all the cakes using British flour and ingredients, I developed this gingerbread recipe. Now that I have tasted it, I quite agree with Kyle. It is a moist spicy cake with an intriguing blend of buttery, lemony, wheaty, and treacly flavors. Cut into squares and decorated with pumpkin faces, it makes a delightful "treat" for Halloween. Batter Volume Ounce Gram unsalted butter (65° to 75°F/19° to 23°C) 8 tablespoons (1 stick) 4 113 golden syrup or light corn syrup 1¼ cups (10 fluid ounces) 15 425 dark brown sugar, preferably Muscovado ¼ cup, firmly packed 2 60 orange marmalade 1 heaping tablespoon 1.5 40 2 large eggs, at room temperature ¼ cup plus 2 tablespoons (3 fluid ounces) 3.5 100 milk 2/3 cup (5.3 fluid ounces) 5.6 160 cake flour (or bleached all-purpose flour) 1 cup plus 2 tablespoons (or 1 cup), sifted into the cup and leveled off 4 115 whole wheat flour 1 cup minus 1 tablespoon (lightly spooned into the cup) 4 115 baking powder 1½ teaspoons . . cinnamon 1 teaspoon . . ground ginger 1 teaspoon . . baking soda ½ teaspoon . . salt pinch . . Special Equipment One 8 by 2-inch square cake pan or 9 by 2-inch round pan (see Note), wrapped with a cake strip, bottom coated with shortening, topped with a parchment square (or round), then coated with baking spray with flour Preheat the Oven Twenty minutes or more before baking, set an oven rack in the lower third of the oven and preheat the oven to 325°F/160°C. Mix the Liquid Ingredients In a small heavy saucepan, stir together the butter, golden syrup, sugar, and marmalade over medium-low heat until melted and uniform in color. Set aside uncovered until just barely warm, about 10 minutes. Whisk in the eggs and milk. Make the Batter In a large bowl, whisk together the cake flour, whole wheat flour, baking powder, cinnamon, ginger, baking soda, and salt. Add the butter mixture, stirring with a large silicone spatula or spoon just until smooth and the consistency of thick soup. Using the silicone spatula, scrape the batter into the prepared pan. Bake the Cake Bake for 50 to 60 minutes, or until a wire cake tester inserted in the center comes out clean and the cake springs back when pressed lightly in the center. The cake should start to shrink from the sides of the pan only after removal from the oven. Cool the Cake Let the cake cool in the pan on a wire rack for 10 minutes. While the cake is cooling, make the syrup.
Rose Levy Beranbaum (Rose's Heavenly Cakes)
It's a stupendous day for Dr. Seuss fans, with the announcement of a new, previously unpublished picture book, What Pet Should I Get? , to be released on July 28th.  When Dr. Seuss (aka Ted Geisel) passed away in 1991 he left behind pages of text and sketches for book ideas and projects he had worked on over the years but hadn't completed before his death. Where were these hidden gems, you might ask?  Locked away in a safe? Buried in the backyard? Hidden behind a secret wall in his hat closet?  No.  Like many utterly ordinary people, Seuss had a box in his office filled with a paper trail of ideas and bursts of creativity--only in this case, it was a veryspecial box of creative bits and pieces... Who knew, when his wife, Audrey Geisel, packed away that box shortly after Seuss' death, that when she opened it up over two decades later, she would discover the complete manuscript and illustrations for What Pet Should I Get? . I'm envisioning a ray of bright green and blue and red sunshine beaming down on that moment...  In point of fact, the brilliant colors of Seuss' stories came later in the evolution of his books, so color is being added to the black and white sketches of What Pet Should I Get? by Seuss' former art director, Cathy Goldsmith, who worked with him on the last book he published before his death, Oh, The Places You'll Go!   I can't even imagine the goosebumps Goldsmith must have felt to see and hold never-before-seen Seuss artwork... So while we have to wait until the sun is beating down and summer vacation is nearing an end before we can get our hands on a brand new Dr. Seuss story, can also look forward to hearing about what else was found in that treasure trove of Seussy goodness--two more stories are promised as a result of the findings.
Anonymous
That dog’s smarter than I am.” She winked at Ash, and Ashley giggled. Then she left the house. Kristin gazed through the window and in the near distance, saw Rick, Madison, Danny and Quincy on their boat coming into dock. She immediately understood what her daughter hadn’t voiced. The dog’s real family was here now. Ashley would be left out. “The hordes will want lunch, so I’ve got to leave,” said Cathy. “I came over to invite you guys to supper. We’ll grill outside - very informal. I hope you can make it.” Kristin did not have a social calendar, but neither was she sure about having Rick’s “hands-on” family in her personal life. Still, after last night’s get together, it was probably too late for keeping many secrets. “What can we bring to the party?” “Oh, goody!” Cathy was back in form. “Rick will be happy.” The two women walked outside in time to see Quincy race toward Ashley and cover her with kisses. “Ugh!” Ashley protested. “You’re all wet and yucky, Quince.” She stepped back. “You would be too if you kept jumping in the lake for a swim.” Rick joined them, tee shirt soaked, hair standing on end. Eyes bright. He jerked his head toward his sister. “From now on, it’s either the hound or your monsters. Not both.” She punched him lightly on the arm. “Sure, sure, sure. When I see it, I’ll believe it. Ricky, the kids play you the way you play a fish - pulling in the line, letting it out, pulling it in until they catch you. And they always catch you.” She grinned at Kristin. “A real fish might escape, but this fish doesn’t have a chance with the kids. He
Linda Barrett (Summer at the Lake (Flying Solo #1))
They sat like that, neither of them talking, both of them incapable of expressing how they felt, until Cathy stood at the top of the stairs and called them up for dinner.
Karin Slaughter (Kisscut (Grant County, #2))
You can push all that past aside if you want to, but until you understand where people around here came from and why they think the way they do, you won't be able to help them get beyond it. You can't just whisk a magic wand and make the past disappear or rewrite it because you don't like it. You'll never change the present if you do that. You have to learn from what's gone on and work hard if you want to make the future better.
Cathy Gohlke (A Hundred Crickets Singing)
Even though Jäger tastes like if you put a gun to a licorice plant and threatened it until it peed.
Cathy Yardley (Gouda Friends (Ponto Beach Reunion, #2))
You don’t know how much you need a mother nagging over you until you don’t have it.
Cathy Lamb (What I Remember Most)
certainly before I’d even moved here. Benny had retired when the bank closed, but he’d remained the town’s unofficial banking advisor until he died during the summer. Both Nell and Olek had picked his brains about monetary matters and Daniel had asked him to look over the business plan for his greengrocer’s too. Every town needed someone like Benny. Someone to rally the troops, guilt-trip people into helping out for the good of the community, cajole people into selling raffle tickets and if you were a business, he was very persuasive when it came to buying advertising space in the town magazine, edited, of course, by Benny
Cathy Bramley (The Merry Christmas Project)
Well . . .” Enoch’s voice broke into his thoughts. “What do you think?” “I want Taylor to have the pick of the litter.” “In the long run, it wouldn’t be a bad idea for her to have a dog. Until things simmer down, I want to hire you to guard my sister.” “No need. I’m going to marry her.
Cathy Marie Hake (That Certain Spark (Only In Gooding, #4))
I am not defined by my body or what has happened to it. I am not defined by beatings or an arching whip or a dangerous man, or by the wreckage of prostitution. I am not defined by my age. I am not defined by what others think of me. I am defined by myself. I will define myself to me. I will live, I will laugh, I will love. I will not be silenced. I will not be invisible. I will be me until the very end. And I will look beautiful.
Cathy Lamb (If You Could See What I See)
All these dreams one day will be mine, they cross my mind! My time has yet to come; until then ...
Cathy Dennis
To my dear daughters, granddaughters, and all future brides, I thought it would be a wonderful tradition for each bride to write a little note and leave a legacy for those who come after her. How I wish my own mother had lived to see my wedding day and been present to share her wisdom! I make no pretense at being wise, but God is. The bible says we can ask for wisdom, and God will honor our request. As you consider marriage, first seek God's will and ask Him to direct your heart. Do not hasten to take your vows. Pause and reflect before you take such a momentous step, and be sure your mate honors God. A marriage is not just between a man and a woman--it is a holy union which must include the Lord to flourish. Ethan was God's gift to me. His patience, strength, and companionship were like a balm to my grief. We learned to work together and rely on one another until respect and affection sparked. Love came softly and grew in our hearts. How I thank God for bringing us together and blessing our union! Though hardships test us and extraordinary things thrill us, life is made up of mundane days. Love each other in the little, commonplace matters of life to strengthen your marriage, or it will wither from neglect. Appreciate what you have, and forgive as freely as you laugh. My darlings, my prayer is for you to make wise decisions of the heart--first in devoting your spirit to the Lord, then in giving your hand to a man. May each of you be blessed with a godly mate and know the joy of growing close together and growing old with him.
Cathy Marie Hake (The Bartered Bride Collection)
More alone than she had ever been, separated from Heathcliff who had left her at Penistone Crag, Cathy had been wandering lost on the moor until at last she saw a light winking in the distance.
N.J. Dorrian (Heathcliff: Wuthering Heights Retelling (Wuthering Heights Variations Book 1))
Nonna told us about growing up in the pretty town of Sorrento: diving off the rocks and swimming in an emerald Mediterranean Sea, watching the fishermen bring in their fresh catch at the Marina Grande, playing in the narrow streets around the Piazza Tasso when the square filled up with people dancing and drinking during festivals throughout the year. And, of course, the lemon groves which she had always hinted at but had never wanted to discuss until now.
Cathy Bramley (The Lemon Tree Café)
You look . . . so divine,” I said in a tight voice. “I see candy in your eyes and the crown jewels of England too.” “No—that’s what I am seeing in your eyes, Cathy. You’re so very beautiful in that white nightgown. I love you in white nightgowns with blue satin ribbons. I love the way your hair spreads like a fan, and you turn your cheek so it rests on a satin pillow.” He moved closer, so his head was on my hair too. Even closer he inclined his head until our foreheads met. His warm breath was on my face. I moved so my head tilted backward and my neck arched. I didn’t feel quite real when his warm lips kissed the hollow of my throat and stayed there. My breath caught. For long, long moments I waited for him to move away. I wanted to pull back myself, but somehow I couldn’t. A sweet peace stole over me, quivering my flesh with a tingling sensation. “Don’t kiss me again,” I whispered, clinging harder to him and pressing his head to my throat. “I love you,” he choked. “There will never be anyone for me but you. When I’m an old, old man, I’ll look back to this night with you under the Christmas tree, and remember how sweet it was of you to let me hold you like this.
V.C. Andrews
My heart jumped. “Yes. Yes I do. Chris, go on to the Mayo Clinic without me. I’ll make out fine, and I swear not to marry anyone until you are back and give your approval. Worry about finding someone yourself. After all, I’m not the only woman who resembles our mother.” He flared. “Why the hell do you put it like that? It’s you, not her! It’s everything about you that’s not like her that makes me need and want you so! “Chris, I want a man I can sleep with, who will hold me when I feel afraid, and kiss me, and make me believe I am not evil or unworthy.” My voice broke as tears came. “I wanted to show Momma what I could do, and be the best prima ballerina, but now that Julian’s gone all I want to do is cry when I hear ballet music. I miss him so, Chris.” I put my head on his chest and sobbed. “I could have been nicer to him—then he wouldn’t have struck out in anger. He needed me and I failed him. You don’t need me. You’re stronger than he was. Paul doesn’t really need me either, or he would insist on marrying me right away. . . .” “We could live together, and, and . . .” And here he faltered as his face turned red. I finished for him, “No! Can’t you see it just wouldn’t work?” “No, I guess it wouldn’t work for you,” he said stiffly. “But I’m a fool; I’ve always been a fool, wanting the impossible. I’m even fool enough to want us locked up again, the way we were—with me the only male available to you!” “You don’t mean that!” He seized me in his arms. “Don’t I? God help me but I do mean it! You belonged to me then, and in its own peculiar way our life together made me better than I would have been . . . and you made me want you, Cathy. You could have made me hate you, instead you made me love you.” I shook my head, denying this; I’d only done what came naturally from watching my mother with men. I stared at him, trembling as he released me. I stumbled as I turned to run toward the house. Before me Paul loomed up! Startled I faltered guiltily and stared at him as he turned abruptly and strode in the opposite direction. Oh! He’d been watching and listening! I pivoted about, then raced back to where Chris had his head resting against the trunk of the oldest oak. “See what you’ve done!” I cried out. “Forget me, Chris! I’m not the one and only woman alive!” He appeared blind as he turned his head and he said, “You are for me the only woman alive.
V.C. Andrews
At a hotel. The Hyatt.” “For how long?” “I’ll give you the details later, I promise. But first you need to let me finish. If Spiderman knows about Richard, then that means he’s been watching him.” Cathy’s eyes widened in horror as the truth dawned on her. “That madman knows where we live?” “I believe so. It’s possible that he’s been watching all of you.” Cathy’s face paled as she pressed her hand over her mouth. After a moment Cathy said, “What am I going to do?” “There’s a federal agent parked across the street,” Jared cut in. “His name is Ronald Holt. He’ll remain parked outside the house twenty-four-seven. He won’t go anywhere unless he has a replacement.” “But I don’t think that’s enough,” Lizzy added. “I think you should take Brittany to Dad’s place and stay there until the feds catch him and put him behind bars.” Cathy’s face paled. “You don’t understand. Brittany has only recently begun to make friends. For the first time in her life she feels as if she’s starting to fit in. I know what it’s like to feel lost and out of place at school. I can’t uproot her now and take away what little bit of confidence she’s gained. I won’t do it.” “But you can’t take the added risk of keeping her in school or taking her to swim practice right now.” “She can’t stop living.” Cathy pointed a finger at Lizzy. “You said that yourself. You said you were miserable from all those years of hiding from your own shadow.” “But you were the one who was right when you said that hiding from my own shadow was better than the alternative.” Lizzy didn’t believe that for herself any longer, but Brittany had her whole life ahead of her, and Lizzy would say anything to make her sister understand that they needed to protect Brittany at all costs. Cathy shook her head. “I can’t do that to Brittany. She’s too young. She wouldn’t understand. I won’t have her life turned upside down because of that maniac. I won’t allow him to do this to me again.” “You must.” Lizzy lifted a hand to comfort her sister. Cathy backed away, her eyes feral. “Don’t touch me. I want you to get out of here. Stay away from
T.R. Ragan (Abducted (Lizzy Gardner, #1))
am an unreliable narrator, hypervigilant to the point of being paranoid, imposing all my own insecurities onto him. I can’t even recall if I actually felt that pain or imagined it, since I have rewritten this memory so many times I have mauled it down to nothing, erasing him down until he was a smudge of resentment while I was a smudge of entitlement until we both smudged into me.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
God saves the worst of us, Isabelle,” Janice said, fanning herself with her handkerchief. “I’m living proof of that. Now, up you go heavens! The teenagers are coming in!” She caught her breath. The tears gone, purpose behind those eyes. She got behind me and—I am not kidding you—she pushed me until I was up on that stage in a not-so-Christian way.
Cathy Lamb (Henry's Sisters)
Most white Americans can only understand racial trauma as a spectacle. Right after Trump's election, the media reported on the uptick in hate crimes, tending to focus on the obvious heretical displays of hate: the white high school students parading down the hallways wearing Confederate flag capes and the graffitied swastikas. What's harder to report is not the incident itself but the stress of its anticipation. The white reign of terror can be invisible and cumulative, chipping away at one's worth until there's nothing left but self-loathing.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
...the idea of this illness lying low in the shadows, ready to swallow us up, too, at the bend of the road. the disease that eats away memory is surely the most awful of all, because it erases our past day by day, making us disappear little by little, until we've never existed.
Cathy Bonidan (The Lost Manuscript)
I kept waiting to fall in love with Salinger’s cramped, desultory writing until I was annoyed.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
It’s like being ghosted, I suppose, where, deprived of all social cues, I have no relational gauge for my own behavior. I ransack my mind for what I could have done, could have said. I stop trusting what I see, what I hear. My ego is in free fall while my superego is boundless, railing that my existence is not enough, never enough, so I become compulsive in my efforts to do better, be better, blindly following this country’s gospel of self-interest, proving my individual worth by expanding my net worth, until I vanish.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
INSPIRED BY P.F. CHANG’S® HAND-FOLDED CRAB WONTONS CRISPY CRAB RANGOON My husband loved the appetizers we had at P.F. Chang’s so much, I was determined to make them at home. After several more trips to that restaurant to taste them again, I had them perfected. I often prepare the filling earlier in the day to save time later. —Cathy Blankman, Warroad, MN TAKES: 30 MIN. • MAKES: 16 APPETIZERS 3 oz. cream cheese, softened 2 green onions, finely chopped ¼ cup finely chopped imitation crabmeat 1 tsp. minced garlic 16 wonton wrappers Oil for frying Sweet-and-sour sauce 1. In a small bowl, beat cream cheese until smooth. Stir in onions, crab and garlic. 2. Place about 1 ½ tsp. in the center of a wonton wrapper. (Keep remaining wrappers covered with a damp paper towel until ready to use.) Moisten edges with water; fold opposite corners over filling and press to seal. Repeat. 3. In an electric skillet, heat 1 in. oil to 375°. Fry wontons, in batches, until golden brown, about 1 minute on each side. Drain on paper towels. Serve with sweet-and-sour sauce. 1 rangoon: 61 cal., 4g fat (1g sat. fat), 6mg chol., 77mg sod., 5g carb. (0 sugars, 0 fiber), 1g pro.
Taste of Home (Taste of Home Copycat Favorites Volume 2: Enjoy your favorite restaurant foods, snacks and more at home!)