Catherine The Great Quotes

We've searched our database for all the quotes and captions related to Catherine The Great. Here they are! All 100 of them:

Let me say to you what I said once, in an entirely different context to Catherine the Great," Magnus declared. "My dear lady, you cannot afford me,and also, please leave that horse alone. Good night.
Cassandra Clare (The Midnight Heir (The Bane Chronicles, #4))
Nothing great is ever achieved without much enduring.
Catherine of Siena
I wish you had sincerity enough to tell me whether Catherine would suffer greatly from his loss: the fear that she would restrains me. And there you see the distinction between our feelings: had he been in my place and I in his, though I hated him with a hatred that turned my life to gall, I never would have raised a hand against him. You may look incredulous, if you please! I never would have banished him from her society as long as she desired his. The moment her regard ceased, I could have torn his heart out, and drunk his blood! But, till then - if you don't believe me, you don't know me - till then, I would have died by inches before I touched a single hair of his head!
Emily Brontë (Wuthering Heights)
Well? I've had a great birthday so far. Are you going to make it the most memorable one of my life by telling me you love me back?" ~Isaiah Coulter
Catherine Anderson (My Sunshine (Kendrick/Coulter/Harrigan, #6))
The world is a chessboard, Madam, on which we play out our ploys and follies. You are the Queen, of course. Your moves are the strongest. For myself, I claim only to be a knight, advancing in a crooked progress. Do we move ourselves, do you think, or does a great gloved hand place on our squares
Catherine Fisher (Incarceron (Incarceron, #1))
If you want more people to come to the theatre, don't put the prices at £50. You have to make theatre inclusive, and at the moment the prices are exclusive. Putting TV stars in plays just to get people in is wrong. You have to have the right people in the right parts. Stunt casting and being gimmicky does the theatre a great disservice. You have to lure people by getting them excited about a theatrical experience.
Catherine Tate
I still don't understand anything- exept that somehow I know that You are love. And that in my heart has been so great a love for Christy as I did not know could exist on this earth. You, God, must be responsible. You must have put it there. So what do I do with it now?
Catherine Marshall (Christy)
The love of power and the power to attract love were not easy to reconcile.
Robert K. Massie (Catherine The Great (Thorndike Press Large Print Basic))
He sang his last song. And the words of that have never been written down. But it was sweet and of great beauty, and those that heard it were changed utterly. Some say it was the song that moves the stars.
Catherine Fisher (Sapphique (Incarceron, #2))
A great wind is blowing and that either gives you imagination...or a headache.
Catherine II
It kind of struck me how great it would be to go out with a guy that size. And if you, you know, got tired of dating him, you could always use him as a house or something.
Catherine Gilbert Murdock (Dairy Queen (Dairy Queen, #1))
I’m not— Lady Macbeth Lucrezia Borgia Catherine the Great. I am —a woman doing what she has to do. I am —the woman you made me. Elena is at war.
Don Winslow
So what if Brian made me feel like fireworks were going off inside me. He could also make me feel like a big fat clod of heartsick dirt. It was like he could take any emotion I had and make it ten times stronger. Which is great when it's happiness but pretty darn awful if it's anything sad.
Catherine Gilbert Murdock (Front and Center (Dairy Queen, #3))
The great reward given to intelligent people is that they can invent all the rules and equate any dissent with stupidity.
Catherine Lowell (The Madwoman Upstairs)
Now I must give one smirk, and then we may be rational again." Catherine turned away her head, not knowing whether she might venture to laugh. "I see what you think of me," said he gravely -- "I shall make but a poor figure in your journal tomorrow." My journal!" Yes, I know exactly what you will say: Friday, went to the Lower Rooms; wore my sprigged muslin robe with blue trimmings -- plain black shoes -- appeared to much advantage; but was strangely harassed by a queer, half-witted man, who would make me dance with him, and distressed me by his nonsense." Indeed I shall say no such thing." Shall I tell you what you ought to say?" If you please." I danced with a very agreeable young man, introduced by Mr. King; had a great deal of conversation with him -- seems a most extraordinary genius -- hope I may know more of him. That, madam, is what I wish you to say." But, perhaps, I keep no journal." Perhaps you are not sitting in this room, and I am not sitting by you. These are points in which a doubt is equally possible. Not keep a journal! How are your absent cousins to understand the tenour of your life in Bath without one? How are the civilities and compliments of every day to be related as they ought to be, unless noted down every evening in a journal? How are your various dresses to be remembered, and the particular state of your complexion, and curl of your hair to be described in all their diversities, without having constant recourse to a journal? My dear madam, I am not so ignorant of young ladies' ways as you wish to believe me; it is this delightful habit of journaling which largely contributes to form the easy style of writing for which ladies are so generally celebrated. Everybody allows that the talent of writing agreeable letters is peculiarly female. Nature may have done something, but I am sure it must be essentially assisted by the practice of keeping a journal.
Jane Austen (Northanger Abbey)
The bottle of whiskey - the second one - was now in constant demand by all present, excepting Catherine, who 'felt just as good on nothing at all.
F. Scott Fitzgerald (The Great Gatsby)
I like to praise and reward in a loud voice and to scold in a whisper.
Catherine II
It is a great, a pleasant thing to have a friend with whom to walk, untroubled, through the woods, by the stream, saying nothing, at peace--the heart all clean and quiet and empty, ready for the spirit that may choose to be its guest.
Catherine Drinker Bowen (Friends and Fiddlers: Memoirs)
The duty of the moment is what you should be doing at any given time, in whatever place God has put you. You may not have Christ in a homeless person at your door, but you may have a little child. If you have a child, your duty of the moment may be to change a dirty diaper. So you do it. But you don't just change that diaper, you change it to the best of your ability, with great love for both God and that child.... There are all kinds of good Catholic things you can do, but whatever they are, you have to realize that there is always the duty of the moment to be done. And it must be done, because the duty of the moment is the duty of God.
Catherine de Hueck Doherty
I praise loudly. I blame softly.
Catherine II
A holiday would be a poor thing indeed without a great deal of game playing!
Catherine Marshall (A Man Called Peter)
Happiness and unhappiness are in the heart and spirit of each one of us: If you feel unhappy, then place yourself above that and act so that your happiness does not get to be dependent on anything.
Catherine II
If you are speaking of music...it is of all subjects my delight. There are few people in England I suppose, who have more true enjoyment of music than myself, or a better natural taste. If I had ever learnt, I should have been a great proficient. And so would Anne, if her health would have allowed her to apply. I am confident that she would have performed delightfully. - Lady Catherine de Bourgh in Pride and Prejudice
Jane Austen
If Russians knew how to read they would write me off.
Catherine II
You were in a mood to quarrel. Please inform me when this inclination passes. (Catherine, in a letter to Grigory Potemkin).
Robert K. Massie (Catherine the Great: Portrait of a Woman)
Books were her refuge. Having set herself to learn the Russian language, she read every Russian book she could find. But French was the language she preferred, and she read French books indiscriminately, picking up whatever her ladies-in-waiting happened to be reading. She always kept a book in her room and carried another in her pocket.
Robert K. Massie (Catherine the Great: Portrait of a Woman)
For to tempt and to be tempted are things very nearly allied.
Robert K. Massie (Catherine the Great: Portrait of a Woman)
I have no way to defend my borders but to extend them.
Catherine II
Rebellion even in its smallest forms can eventually birth great change. With change comes hope.
Catherine Adel West (Saving Ruby King)
And Jane all her life would be interested in ordinary, unexceptional girls and what might happen to them. Her quietest heroine of all, Fanny Price, had ‘no glow of complexion, nor any other striking beauty’, while Catherine Morland had ‘nothing heroic’ about her, and was ‘occasionally stupid’. Jane’s great achievement would be to let even the ordinary, flawed, human girls who read her books think that they might be heroines too.
Lucy Worsley (Jane Austen at Home: A Biography)
In great ceremony they entered the prison. They were never to be seen again.
Catherine Fisher (Incarceron (Incarceron, #1))
You can be a murderous tyrant and the world will remember you fondly but fuck one horse and you will be a horse fucker for all eternity.
Catherine II
I beg you take courage; the brave soul can mend even disaster.
Catherine II
This marriage had resulted from impulse: he had seen her on a high-flying swing at Tsarkoe Selo and her skirt, flared by the breeze, had exposed her ankles; he had proposed the following day.
Robert K. Massie (Catherine the Great: Portrait of a Woman)
Madame, you must be gay; only thus can life be endured. I speak from experience for I have had to endure much, and have only been able to endure it because I have always laughed whenever I had the chance.
Catherine II
My dear lady, you cannot afford me, and also, please leave that horse alone. - Magnus Bane, The Midnight Heir (The Bane Chronicles, 4) by Cassandra Clare and Sarah Rees Brennan
Cassandra Clare (The Bane Chronicles)
I didn’t have a drinking problem as such. I was great at drinking! It was the stopping. I had a stopping problem.
Catherine Gray (The Unexpected Joy of Being Sober)
I used to say to myself that happiness and misery depend on ourselves. If you feel unhappy, rise above it and act so that your happiness may be independent of all outside events.
Robert K. Massie (Catherine the Great: Portrait of a Woman)
One cannot always know what children are thinking. Children are hard to understand, especially when careful training has accustomed them to obedience, and experience has made them cautious in their conversation with their teachers. Will you not draw from this the fine maxim that one should not scold children too much, but should make them trustful, so that they will not conceal their stupidities from us?
Catherine II
I have listened with the greatest pleasure to all the inspirations of your brilliant mind. But all your grand principles, which I understand very well, would do splendidly in books and very badly in practice. In your plans for reform, you are forgetting the difference between our two positions: you work only on paper which accepts anything, is smooth and flexible and offers no obstacles either to your imagination or your pen, while I, poor empress, work on human skin, which is far more sensitive and touchy.
Robert K. Massie (Catherine the Great: Portrait of a Woman)
I will not raise you up and give you a gun. I will not take you shooting and fawn over how great your aim is. I won’t tell you how brilliant you can be or how many Marinos you can murder if you really put your mind to it. I won’t walk you into danger and clap as you shoot to kill. I will take the gun from you and tell you you’re a thousand times better without it. I will always take the gun from you, Sophie. I will always tell you that you don’t need it. I will always support you, but I will never support that. Never.
Catherine Doyle (Mafiosa (Blood for Blood, #3))
It may happen that in a matrilineal system she has a very high position: but—beware—the presence of a woman chief or a queen at the head of a tribe absolutely does not mean that women are sovereign: the reign of Catherine the Great changed nothing in the fate of Russian peasant women; and they lived no less frequently in a state of abjection.
Simone de Beauvoir (The Second Sex)
We are all bound to work in the vineyard where God is the husbandman. We have all been given our little vineyard, but the way in which we cultivate it is of great importance for the prosperity of our neighbour's vineyard... In fact all our vineyards are a part of the Lord's great vineyard, the Holy Church, and we are all bound to work here too.
Sigrid Undset (Catherine of Siena)
To prove to [her friend, Swedish diplomat Count] Gyllenborg that she was not superficial, Catherine composed an essay about herself, "so that he would see whether I knew myself or not." The next day, she wrote and handed to Gyllenborg an essay titled 'Portrait of a Fifteen-Year-Old Philosopher.' He was impressed and returned it with a dozen pages of comments, mostly favorable. "I read his remarks again and again, many times [Catherine later recalled in her memoirs]. I impressed them on my consciousness and resolved to follow his advice. In addition, there was something else surprising: one day, while conversing with me, he allowed the following sentence to slip out: 'What a pity that you will marry! I wanted to find out what he meant, but he would not tell me.
Robert K. Massie (Catherine the Great: Portrait of a Woman)
What had been acceptable under Tsar Aleksei Mikhailovich in the seventeenth century, what had already been regarded as barbarism under Peter the Great, what might have been used against ten or twenty people in all during the time of Biron in the mid-eighteenth century, what had already become totally impossible under Catherine the Great, was all being practiced during the flowering of the glorious twentieth century—in a society based on socialist principles, and at a time when airplanes were flying and the radio and talking films had already appeared—not by one scoundrel alone in one secret place only, but by tens of thousands of specially trained human beasts standing over millions of defenseless victims.
Aleksandr Solzhenitsyn (The Gulag Archipelago [Volume 1]: An Experiment in Literary Investigation)
This,” Catherine wrote later, “is the effect that can be produced by a stupid, carelessly spoken word—it is never forgotten.
Robert K. Massie (Catherine the Great: Portrait of a Woman)
We human beings often see only what is before our eyes. But God in His infinite justice searches the heart and our secret motives and manifests accordingly to us His mercy.
Robert K. Massie (Catherine the Great: Portrait of a Woman)
The more a man knows, the more he forgives.
Catherine II
I cannot be a monk, nor a crusader, nor a tumbler. I must stay here and hem sheets until I die. My humors are greatly out of balance. I prescribe for myself wormwood and spiced wine and some of the custard left from supper, and I will let all of the dogs sleep in my bed.
Karen Cushman (Catherine, Called Birdy)
It's easy to look back and think how we could make only the good things happen to us,' counseled Catherine, still swishing her mop to and fro, spreading dirty water instead of soaking it up. 'But that's not how we become ourselves. You are mad who you are by the bad stuff, the little things, as much as the great triumphs and big decisions.
Kate Jacobs (Knit Two (Friday Night Knitting Club, #2))
There was a great deal of good sense in all this; but there are some situations of human mind in which good sense has very little power; and Catherine's feelings contradicted almost every position her mother advanced.
Jane Austen (Northanger Abbey)
To her mind there was nothing of the infinite about Mrs. Penniman; Catherine saw her all at once, as it were, and was not dazzled by the apparition; whereas her father's great faculties seemed, as they stretched away, to lose themselves in a sort of luminous vagueness, which indicated, not that they stopped, but that Catherine's own mind ceased to follow them.
Henry James (Washington Square)
Perceptive people like you wound more easily than others. But if we’re going to work on God’s side, we have to decide to open our hearts to the griefs and pain all around us. It’s not an easy decision. A dangerous one too. And a tiny narrow door to enter into a whole new world. But in that world a great experience waits for us: meeting the One who’s entered there before us. He suffers more than any of us could because His is the deepest emotion and the highest perception…He doesn’t just leave us and Himself in the anguish. At the point where His ultimate in love meets His total capacity to absorb and feel all our agony, there the miracle happens and the exterior situation changes. I’ve seen that miracle
Catherine Marshall
I love your beard,” Catherine said. “It’s a great success. It looks so stiff and fierce and it’s very soft and a great pleasure.
Ernest Hemingway (A FAREWELL TO ARMS)
there’s something about standing on the top of a mountain you personally climbed at great sacrifice.
Catherine Ryan Hyde (Becoming Chloe)
You do not reason with a flood. You look for anything useful that might float your way. On
Eva Stachniak (The Winter Palace: A Novel of Catherine the Great)
Very early it was noticed that I had a good memory; therefore I was insistently tormented with learning everything by heart.
Catherine II (The Memoirs of Catherine the Great (Modern Library Classics))
She had dealt with her pregnancy by wrapping herself in dreams.
Robert K. Massie (Catherine the Great: Portrait of a Woman)
But victory is not everything. It’s just as crucial to consider what has been won.
Eva Stachniak (The Winter Palace: A Novel of Catherine the Great)
If you act long enough, acting becomes part of you.
Eva Stachniak (The Winter Palace: A Novel of Catherine the Great)
We're looking into each other's eyes, and I think we're both a little stunned by how great that kiss was.
Catherine Rider (Kiss Me in New York (Kiss Me, #1))
HUMAN BEINGS TEND to regard the conventions of their own societies as natural, often as sacred. One of the great steps forward in history was learning to regard those who spoke odd-sounding languages and had different smells and habits as fully human, as similar to oneself. The next step from this realization, the step which we have still not fully made, is the willingness to question and purposefully alter one’s own conditions and habits, to learn by observing others. If a particular arrangement is not necessary, it might be possible to choose to change it.
Mary Catherine Bateson (Composing a Life)
If we are like God, we can only be God. Is that what you mean?" "Oh, I think it is more than that. A robin is like a hawk, but it is also different. The Goddess Mother created us as reflections of herself. God to me is the Great Mother. God to me is the Old One. But it does not really matter; God is God. Life force is life force. God is the creator, the Great Spirit that permeates all of us. Once you truly understand that, Catherine, you realize that we are all part of one another, that we are in agreement on this wonderful, green earth, and that we live in a state of duality, a state of separateness that is not real. We are separated by an agreement called space and time.
Lynn V. Andrews
The more the woman shows herself submissive, the quicker the man becomes bored and overbearing; but the crueler and more faithless she is, the more she mistreats him, the more frivolously she plays with him and the less mercy she shows, the more she excites the lust of the man and is loved and worshiped by him. It was like that in all eras – from Helen and Delilah to Catherine the Great and Lola Montez
Leopold von Sacher-Masoch (Venus in Furs)
Novorossiya or the New Russia of Catherine the Great and some of the Donetsk Republic of 1918. Hardly anyone in the Donbass noticed these people or what they were doing on the far fringes of political life.
Tim Judah (In Wartime: Stories from Ukraine)
There was, however, one group of people who even the great Galen found himself unable to convince. This was a group who did not form their beliefs by basing them on experiments or on observations, but on faith alone—and who, worse still, were actually proud of this fact. These peculiar people were for Galen the epitome of intellectual dogmatism. When he wished to adequately convey the blockheadedness of another group of physicians, Galen used these people as an analogy to express the depths of his irritation. They were the Christians.
Catherine Nixey (The Darkening Age: The Christian Destruction of the Classical World)
I also wish you to look at the Bridge of My only-begotten Son, and see the greatness thereof, for it reaches from Heaven to earth, that is, that the earth of your humanity is joined to the greatness of the Deity thereby.
Catherine of Siena (The Dialogue of Saint Catherine of Siena)
Besides,'' she said, "it was not a hero I was thinking of. If anybody, it was Catherine Vernon." "Whom you don't like. These women, who step out of their sphere, they may do much to be respected, they may be of great use; but " "You mean that men don't like them," said Hester, with a smile; " but then women do; and, after all, we are the half of creation — or more.
Mrs. Oliphant (Hester)
The bottle of whiskey--a second one--was now in constant demand by all present, excepting Catherine who 'felt just as good on nothing at all.' Tom rang for the janitor and sent him for some celebrated sandwiches, which were a complete supper in themselves. I wanted to get out and walk eastward toward the park through the soft twilight but each time I tried to go I became entangled in some wild strident argument which pulled me back, as if with ropes, into my chair. Yet high over the city our line of yellow windows must have contributed their share of human secrecy to the casual watcher in the darkening streets, and I was him too, looking up and wondering. I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life.
F. Scott Fitzgerald (The Great Gatsby)
We found time for less serious things that summer, such as long hours spent playing games like Monopoly, Parcheesi, and Yacht. Peter came honestly by his honorary title of GGP—abbreviation for Great Game Player, bestowed on him by my young brother and sister. My family thought it would look impressive on his church bulletin—thus, “Peter Marshall, DD, GGP.” The day of our wedding saw a cold rain falling, “an ideal day for staying home and playing games,” Peter said. It was indeed. During the morning, I put the finishing touches to my veil and wrestled with a new influx of wedding gifts swathed in tons of tissue paper and excelsior. I gathered the impression that Peter was rollicking through successive games of Yacht, Parcheesi, and Rummy with anyone who had sufficient leisure to indulge him. That was all right, but I thought he was carrying it a bit too far when, thirty minutes before the ceremony, he was so busy pushing his initial advantage in a game of Chinese Checkers with my little sister Em that he still had not dressed.
Catherine Marshall (A Man Called Peter)
Your letter has drawn me from the solitude in which I had shut myself up for nearly nine months, and from which I found it hard to stir. You will not guess what I have been about. I will tell you for such things do not happen every day. I have been making a list of from two to three hundred radical words of the Russian language, and have had them translated into as many languages and jargons as I could find. Their number exceeds already the second hundred. Every day I took one of these words and wrote it out in all the languages which I could collect. This has taught me that Celtic is like the Ostiakian: that what means sky in one language means cloud, fog, vault, in others; that the word God in certain dialects means Good, the Highest, in others, sun or fire...I asked Professor Pallas to come to me, and after making an honest confession of my sin, we agreed to publish these collections, and thus make them useful to those who like to occupy themselves with the forsaken toys of others. - Letter from Catherine the Great, dated 9 May 1785, from Curious Versions of Modernity, D.l. Martin, MIT Press 2011
Catherine II
In January in Northern Russia, everything vanishes beneath a deep blanket of whiteness. Rivers, fields, trees, roads, and houses disappear, and the landscape becomes a white sea of mounds and hollows. On days when the sky is gray, it is hard to see where earth merges with air. On brilliant days when the sky is a rich blue, the sunlight is blinding, as if millions of diamonds were scattered on the snow, refracting light. In Catherine's time, the log roads of summer were covered with a smooth coating of snow and ice that enabled the sledges to glide smoothly at startling speeds; on some days, her procession covered a hundred miles.
Robert K. Massie (Catherine the Great: Portrait of a Woman)
Ukraine, in contrast, had deep ethnic, cultural, and economic ties to Russia—and to Putin. It was the historical root of Russia itself: Kievan Rus, the medieval fief whose leader, Vladimir the Great, adopted Christianity in 988, and the frontier of the tsarist empires that followed—its name translated literally as the Ukraine, or “the border.” Its borders had shifted over time: Parts of its western territory had belonged to Poland or the Austro-Hungarian Empire; Stalin seized some of it with his secret pact with Hitler in 1939 and the rest after the end of the Great Patriotic War. Ukraine’s modern shape took form, but it seemed ephemeral, subject to the larger forces of geopolitics, as most borderlands have been throughout history. In 1954, Nikita Khrushchev decreed that Crimea, conquered by Catherine the Great in the eighteenth century and heroically defended against the Nazis, would be governed by the Ukrainian Soviet Socialist Republic from Kiev, not from Moscow. No
Steven Lee Myers (The New Tsar: The Rise and Reign of Vladimir Putin)
The fine purple cloaks, the holiday garments, elsewhere signs of gayety of mind, are stained with blood and bordered with black. Throughout a stern discipline, the axe ready for every suspicion of treason; “great men, bishops, a chancellor, princes, the king’s relations, queens, a protector kneeling in the straw, sprinkled the Tower with their blood; one after the other they marched past, stretched out their necks; the Duke of Buckingham, Queen Anne Boleyn, Queen Catherine Howard, the Earl of Surrey, Admiral Seymour, the Duke of Somerset, Lady Jane Grey and her husband, the Duke of Northumberland, the Earl of Essex, all on the throne, or on the steps of the throne, in the highest ranks of honor, beauty, youth, genius; of the bright procession nothing is left but senseless trunks, marred by the tender mercies of the executioner.
William Shakespeare (Complete Works of William Shakespeare)
I have great belief in the fact that whenever there is chaos, it creates wonderful thinking. I consider chaos a gift. (96)
College of St. Catherine Staff (The Global Search for Justice)
BEATRICE: Do you truly not know who he was? Mr. Dorian Gray, the lover of Mr. Oscar Wilde, who was sent to Reading Gaol for—well, for holding opinions that society does not approve of! For believing in beauty, and art, and love. What guilt and remorse he must feel, for causing the downfall of the greatest playwright of the age! It was Mr. Gray’s dissolute parties, the antics of his hedonistic friends, that exposed Mr. Wilde to scandal and opprobrium. No wonder he has fallen prey to the narcotic. MARY: Or he could just like opium. He didn’t seem particularly remorseful, Bea. JUSTINE: Mr. Gray is not what society deems him to be. He has been greatly misunderstood. He assures me that he had no intention of harming Mr. Wilde. MARY: He would say that. CATHERINE: Can we not discuss the Wilde scandal in the middle of my book? You’re going to get it banned in Boston, and such other puritanical places.
Theodora Goss (The Sinister Mystery of the Mesmerizing Girl (The Extraordinary Adventures of the Athena Club, #3))
Motion is the enduring principle of Eastern Europe. Motion of people, motion of faiths, motion of ideas. This is the reason why population maps of Eastern Europe, especially old ones, look so disorderly, like slabs of marbled beef or a cup of coffee before the cream has settled. The migrations leading to the creation of Western European nations happened in the very distant past. In Eastern Europe, they never stopped. Long after the Visigoths and Franks, Saxons and Jutes of the West were a distant memory, nomadic Cumans and Pechenegs were still arriving from the steppes. Tatars were still conducting great slave raids in the territory around Lviv in Mozart's day, and only ceased when Catherine the Great finally put a stop to them.
Jacob Mikanowski (Goodbye, Eastern Europe: An Intimate History of a Divided Land)
I do not know whether as a child I was really ugly, but I remember well that I was often told that I was and that I must therefore strive to show inward virtues and intelligence. Up to the age of fourteen or fifteen, I was firmly convinced of my ugliness and was therefore more concerned with acquiring inward accomplishments and was less mindful of my outward appearance.
Robert K. Massie (Catherine the Great: Portrait of a Woman)
I would say about myself that I was a true gentleman with a mind more male than female, but, together with this, I was anything but masculine and, combined with the mind and character of a man, I possessed the attractions of a loveable woman. May I be pardoned for offering this candid expression of my feelings instead of trying to cover them a veil of false modesty. This
Robert K. Massie (Catherine the Great: Portrait of a Woman)
Catherine had to treat the church hierarchy carefully. She had always exercised a rational flexibility in matters of religious dogma and policy. Brought up in an atmosphere of strict Lutheranism, she had as a child expressed enough skepticism about religion to worry her deeply conventional father. As a fourteen-year-old in Russia, she had been required to change her religion to Orthodoxy. In public, she scrupulously observed all forms of this faith, attending church services, observing religious holidays, and making pilgrimages. Throughout her reign, she never underestimated the importance of religion. She knew that the name of the autocrat and the power of the throne were embodied in the daily prayers of the faithful, and that the views of the clergy and the piety of the masses were a power to be reckoned with. She understood that the sovereign, whatever his or her private views of religion, must find a way to make this work. When Voltaire was asked how he, who denied God, could take Holy Communion, he replied that he “breakfasted according to the custom of the country.” Having observed the disastrous effect of her husband’s contemptuous public rejection of the Orthodox Church, Catherine chose to emulate Voltaire.
Robert K. Massie (Catherine the Great: Portrait of a Woman)
Linton did not appear to remember what she talked of and he had evidently great difficulty in sustaining any kind of conversation. His lack of interest in the subjects she started, and his equal incapacity to contribute to her entertainment, were so obvious that she could not conceal her disappointment. An indefinite alteration had come over his whole person and manner. The pettishness that might be caressed into fondness, had yielded to a listless apathy; there was less of the peevish temper of a child which frets and teases on purpose to be soothed, and more of the self-absorbed moroseness of a confirmed invalid, repelling consolation, and ready to regard the good-humoured mirth of others as an insult. Catherine perceived, as well as I did, that he held it rather a punishment, than a gratification, to endure our company.
Emily Brontë (Wuthering Heights)
My friend,” he said, “there is no worse traitor than a small lapdog. The first thing I always do when I am in love with a woman is to give her one of these little dogs. This way, I can always discover whether there is someone more favored than myself. The test is infallible. As you saw just now, the dog wanted to bite me because I am a stranger, but when it saw you, it went mad with joy.” Two days after this visit, Poniatowski left Russia.
Robert K. Massie (Catherine the Great: Portrait of a Woman)
You can talk to me, too." "I do!" "But you say so little." "Women talk a great deal to one another. All this gossip and such. I am not a woman." "What do you do when you have to command your men?" She inquired, exasperated. "Grunt?
Catherine Asaro (The Fire Opal (Lost Continent, #4))
I was thinking about watching a movie or something," said Catherine. "That sounds great," said Ted. "Penelope, do you still have that TV?" "Yes," said Penelope. Was he inviting her? She would make it clear that she was not attending. "You can use it. I think there is a parade in Boston that I wanted to go to." Ted started laughing. "Penelope, don't be ridiculous. If we are watching TV in your room, then you have to come! I don't think there is a parade happening anywhere.
Rebecca Harrington (Penelope)
I want you to know I have never loved anyone like I love you. More than Darcy loved Elizabeth or Heathcliff loved Cathy. I just don’t want to make you a widow.” “I never really understood why Brontë is considered to be a romance writer. We were required to read Wuthering Heights in high school and I always believed that her novel showcased the bleakest aspects of human nature. The story provided readers with a small yet unforgettable glimpse into the depths of human cruelty. Personally, I never considered the story romantic because the love shared between Cathy and Heathcliff was fatal, not just for themselves but for those around them. Their souls were incompatible, and they were a toxic pairing. Despite their love, passion, jealousy, and desire for connection, they were unable to recognize this fact.” “I was never a fan of Victorian romance novels.” “It was never one of my favorites. It’s often viewed as one of the great romance novels of all time, but I think it represents something darker: the fatal, selfish side of love, obsession, and abuse. To this day, I have not encountered a more accurate depiction of how love can become selfish.” “Why do you say that?” Xuan asked. “Because I think you have to love someone in the way that I love you to truly understand what love means... and to understand how wrong the story is. My soul and yours are the same in a way that Catherine and Heathcliff’s could never be. Widow or not, I will never stop loving you, Xuan. You have mesmerized me. My very soul has been entangled completely by you over these past three years. If Brontë or Austen could write the greatest love story of all time they’d write our story. And whether you marry me or not, how I feel about you will never change.
Kayla Cunningham (Fated to Love You (Chasing the Comet Book 1))
The Geek Girls Were we never robins? No, we never were. No one recognized spring in us, though great elms grew inside our rib cages. They pushed their spiny tips outward, so that we felt small stabbings daily, but they never broke through. So we were never spring, never foliage. We were the small and oddball beasts: anoles, silverfish, shrimp. We moved fast and sideways, upways, allways but straight. We heard of nights lit with lightning bugs and cigarettes. With rumflame and tonguefire. We needed none of it. The nights were black puzzleboxes and we solved them. It was easy— in the darkness, our minds sparked like flint.
Catherine Pierce
[The eighteenth century] was the century, as we are frequently told, of women - the intellectual life of women in salons, women wielding unseen influence, women as members of academies, theatrical productions whose success depended on the power of actresses to charm; in the economic sphere, financiers amassing great fortunes in order to marry their daughters into the aristocracy, and women ruling over whole peoples and empires: Maria Theresa, Catherine the Great, Queen Elisabeth Farnese of Spain, as well as the likes of Mme du Pompadour and Mme du Barry. It was as if some residual matriarchy - the oldest culture of the Mediterranean - was struggling to emerge from the blood and the collective unconscious; as if the time would one day return when, in every tribe, it was the women who possessed wealth and power and the men who 'married out', moving into the wife's extended family, where they became gentle, pampered, more or less superfluous drones. [...] In the century of women, it was inevitable that these erotic legends should attach themselves to the outstanding female figures of the time [...] and all this applied even more strongly in France. It was there that women reached the greatest positions of power, and there that this erotic momentum was at its strongest, by virtue of the traditions and nature of the French people.
Antal Szerb (The Queen's Necklace)
The silence of a convent at night is the silence of the grave. Too far removed from the busy world without for external sounds to penetrate the thick walls, whilst within no slamming door, nor wandering foot, nor sacrilegious voice breaks in upon the stillness, the slightest noise strikes upon the ear with a fearful distinctness. ("The Monk's Story")
Catherine Crowe (Reign of Terror: Great Victorian Horror Stories)
But look for a moment at the spread of Christianity from the other side and what emerges is a far less easy picture. It is neither triumphant, nor joyful. It is a story of forced conversion and government persecution. It is a story in which great works of art are destroyed, buildings are defaced and liberties are removed. It is a story in which those who refused to convert were outlawed and, as the persecution deepened, were hounded and even executed by zealous authorities. The brief and sporadic Roman persecutions of Christians would pale in comparison to what the Christians inflicted on others—not to mention on their own heretics. If this seems implausible, then consider one simple fact. In the world today, there are over two billion Christians. There is not one single, true “pagan.” Roman persecutions left a Christianity vigorous enough not only to survive but to thrive and to take control of an empire. By contrast, by the time the Christian persecutions had finally finished, an entire religious system had been all but wiped from the face of the earth.
Catherine Nixey (The Darkening Age: The Christian Destruction of the Classical World)
The very tall Monsieur Sievers, who was wearing a hoop skirt the empress had lent him, was dancing a Polonaise with me. Countess Hendrikova, who was dancing behind me, stumbled over the hoop skirt of Monsieur Sievers as he turned around with his hand in mine. In falling, she struck me so hard that I fell beneath the hoop skirt of Monsieur Sievers which had sprung upright beside me. Sievers himself became entangled in his own long skirts which were in great disorder and there we were, all three of us, sprawling on the floor with me entirely covered by his skirt. I was dying of laughter trying to get up, but people had to come and help us up because the three of us were so entangled in Monsieur Sievers’s clothing that no one could get up without causing the other two to fall down.
Robert K. Massie (Catherine the Great: Portrait of a Woman)
You're not paying attention to me, are you?" "Eh? What's that? Sorry, love, I didn't hear you. Wasn't paying attention. I had my eyes on your perfectly formed arse." Catherine fixed him with a glare worthy of a Scottish schoolmaster. "This is serious business Jamie. If you've to pass for a Highlander, you've got to get the kilt just so," "Bah! You're a hoydenish vixen. You just want to ogle my knees." "Nonsense. I'm sure you'll find the ah... freedom and... utility very appealing once you try it on." "You mean you think I'll like the feel of the family jewels waving free?" Blushing, she spread both great kilts on the ground. "One lays down on it like so. Oh stop grinning, Jamie, and do try." She was so earnest and eager in her lesson that he hadn't the heart to tell her he'd worn a kilt a time or two before.
Judith James (Highland Rebel)
She was intelligent, well read, and a shrewd judge of character. During the coup, she had shown determination and courage; once on the throne, she displayed an open mind, willingness to forgive, and a political morality founded on rationality and practical efficiency. She softened imperial presence with a sense of humor and a quick tongue; indeed, with Catherine more than any other monarch of her day, there was always a wide latitude for humor. There was also a line not be crossed, even by close friends. She had come to the throne with the support of the army, the church, most of the nobility, and the people of St. Petersburg, all of whom assisted her because her personality and character offered stark contrasts to the domineering ineptitude of her husband. The coup itself created few enemies, and in the first weeks of her reign, she faced no opposition.
Robert K. Massie (Catherine the Great: Portrait of a Woman)
Let me be your big brother, Harry had told Catherine at their last meeting in Hampshire, making it clear that he wanted to attempt the kind of familial relationship they had never been capable of before. With no small amount of unease. Catherine reflected that she was about to test his claim far sooner than either of them could have expected. And they were still practically strangers. But Harry had altered greatly during the short time of his marriage to Poppy. He was far kinder and warmer now, and certainly willing to think of Catherine as something more than an inconvenient half sister who didn't belong anywhere.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
I figure, we used to be part of our mother’s body. I mean, we did. I don’t just figure we did. That part is a given, but this next part is what I figure. She breathed for us, and pumped blood through us. And there’s only one person in the entire world we can say that about. So we’re less separate from our mothers than anybody else on the planet. We’re not literally one body with them anymore, but I think we carry this really instinctive subconscious memory of the time when we were. Until we could breathe on our own there was no surviving without her. And even when we came out into the world we would have died without her care. Actually somebody else could have cared for us at that point, but we didn’t know it. We just knew she did. So when we lose our mother, it’s different. It’s just different from any other loss. And it isn’t all about what a great relationship it was. It isn’t necessarily a loss of all these wonderful things you shared. It’s not only with the best mother-child bonds. It’s all of them. If it was great, you miss that. If it was troublesome, you suddenly realize the door has been slammed on it ever being any better way. So no matter what it was, it’s really hard to lose. Anyway, that’s my observation from watching both my parents lose their mothers.
Catherine Ryan Hyde (Life, Loss, and Puffins)
Why do we trust men who have sought and attained high office by innumerable acts of vanity and self-will? When a work colleague makes a habit of insisting on his own competence and virtue, we may tolerate him, we may even admire his work, but his vanity is not an inducement to trust him. Why, then, do we trust the men who make careers of persuading us of their goodness and greatness, and who compete for our votes? Catherine Zuckert makes this point powerfully in an essay on Tom Sawyer. Tom, remember, is brave and clever and has a firm sense of the right thing to do, but he is animated mainly by a hunger for glory. He is, in short, the essence of an able politician. “People like Tom Sawyer serve others not for the sake of the others,” writes Zuckert. “They serve because they glory in receiving glory. . . . We should reward such people with the fame they so desire—if and when they perform real public services. But we should not trust them.”II I feel the force of that last sentence now: we go badly wrong when we trust them. Indeed much of the hand-wringing commentary about the loss of trust in government resulting from Vietnam and Watergate is simply, I now think, a failure to appreciate the simple truth that politicians should never have been trusted in the first place. They may be lauded when they’re right and venerated when they’re dead, but they should never be trusted.
Barton Swaim (The Speechwriter: A Brief Education in Politics)
I knew, of course, that I should be well paid for my services, but I would gladly have accepted half the sum I expected if I could have had it that night, for our little treasury was wholly exhausted, and we had not sixpence to purchase a breakfast for the following day. When the great hall door shut upon me, and I found myself on the pavement, with all the luxury and splendour on one side, and I and my desolation on the other, the contrast struck me cruelly, for I too, had been rich, and dwelt in illuminated palaces, and had a train of liveried servants at my command, and sweet music had echoed through my halls. I felt desperate, and drawing my hat over my eyes I began pacing the square, forming wild plans for the relief or escape from my misery. ("The Italian's Story")
Catherine Crowe (The Gentlewomen of Evil: An Anthology of Rare Supernatural Stories from the Pens of Victorian Ladies)
Absinthe, or wormwood, the liquorice-flavoured, plant-based liqueur, had been popular in France throughout the 19th century. Though the drink was of Swiss origin, heavy tax on import had encouraged H.L. Pernod to start producing it commercially in France at the end of the 18th century.12 It was a tremendous success, and as the 19th century unfolded, its popularity soared. Exceedingly potent, it was closer to a soft drug than a drink. ‘The drunkenness it gives does not resemble any known drunkenness,’ bemoaned Alfred Delvau. ‘It makes you lose your footing right away […] You think you are headed towards infinity, like all great dreamers, and you are only headed towards incoherence.’13 In excess, absinthe could have a fatal effect on the nervous system, and by the time Maria started attending the bars and cafés where it was served, it had become a national curse. A favourite drink among the working classes precisely because of its relative cheapness for the effect produced, absinthe became the scapegoat for a host of social ills, not least the Commune. (...) Absinthe found a dedicated following among artists, writers and poets (including Charles Baudelaire), for whom the liquor became the entrancing ‘green fairy’. Its popularity in these circles was due primarily to its intoxicating effect, but also because its consumption was accompanied by a curious ritual which appealed to quirky individuals with a taste for the extraordinary. To counteract the drink’s inherent bitterness, a sugar lump was placed on a special spoon with a hole in it, which was held above the glass while water was poured over it, with the effect of sweetening the absinthe. Not surprisingly, absinthe flowed freely through the bars and cafés of Montmartre.
Catherine Hewitt (Renoir's Dancer: The Secret Life of Suzanne Valadon)
No one who had ever seen Catherine Morland in her infancy would have supposed her born to be an heroine. Her situation in life, the character of her father and mother, her own person and disposition, were all equally against her. Her father was a clergyman, without being neglected, or poor, and a very respectable man, though his name was Richard — and he had never been handsome. He had a considerable independence besides two good livings — and he was not in the least addicted to locking up his daughters. Her mother was a woman of useful plain sense, with a good temper, and, what is more remarkable, with a good constitution. She had three sons before Catherine was born; and instead of dying in bringing the latter into the world, as anybody might expect, she still lived on — lived to have six children more — to see them growing up around her, and to enjoy excellent health herself. A family of ten children will be always called a fine family, where there are heads and arms and legs enough for the number; but the Morlands had little other right to the word, for they were in general very plain, and Catherine, for many years of her life, as plain as any. She had a thin awkward figure, a sallow skin without colour, dark lank hair, and strong features — so much for her person; and not less unpropitious for heroism seemed her mind. She was fond of all boy's plays, and greatly preferred cricket not merely to dolls, but to the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush. Indeed she had no taste for a garden; and if she gathered flowers at all, it was chiefly for the pleasure of mischief — at least so it was conjectured from her always preferring those which she was forbidden to take. Such were her propensities — her abilities were quite as extraordinary. She never could learn or understand anything before she was taught; and sometimes not even then, for she was often inattentive, and occasionally stupid. Her mother was three months in teaching her only to repeat the "Beggar's Petition"; and after all, her next sister, Sally, could say it better than she did. Not that Catherine was always stupid — by no means; she learnt the fable of "The Hare and Many Friends" as quickly as any girl in England. Her mother wished her to learn music; and Catherine was sure she should like it, for she was very fond of tinkling the keys of the old forlorn spinner; so, at eight years old she began. She learnt a year, and could not bear it; and Mrs. Morland, who did not insist on her daughters being accomplished in spite of incapacity or distaste, allowed her to leave off. The day which dismissed the music-master was one of the happiest of Catherine's life. Her taste for drawing was not superior; though whenever she could obtain the outside of a letter from her mother or seize upon any other odd piece of paper, she did what she could in that way, by drawing houses and trees, hens and chickens, all very much like one another. Writing and accounts she was taught by her father; French by her mother: her proficiency in either was not remarkable, and she shirked her lessons in both whenever she could. What a strange, unaccountable character! — for with all these symptoms of profligacy at ten years old, she had neither a bad heart nor a bad temper, was seldom stubborn, scarcely ever quarrelsome, and very kind to the little ones, with few interruptions of tyranny; she was moreover noisy and wild, hated confinement and cleanliness, and loved nothing so well in the world as rolling down the green slope at the back of the house.
Jane Austen (Northanger Abbey)
I here behold a Commander in Chief who looks idle and is always busy; who has no other desk than his knees, no other comb than his fingers; constantly reclined on his couch, yet sleeping neither in night nor in daytime. A cannon shot, to which he himself is not exposed, disturbs him with the idea that it costs the life of some of his soldiers. Trembling for others, brave himself, alarmed at the approach of danger, frolicsome when it surrounds him, dull in the midst of pleasure, surfeited with everything, easily disgusted, morose, inconstant, a profound philosopher, an able minister, a sublime politician, not revengeful, asking pardon for a pain he has inflicted, quickly repairing an injustice, thinking he loves God when he fears the Devil; waving one hand to the females that please him, and with the other making the sign of the cross; receiving numberless presents from his sovereign and distributing them immediately to others; preferring prodigality in giving, to regularity in paying; prodigiously rich and not worth a farthing; easily prejudiced in favor of or against anything; talking divinity to his generals and tactics to his bishops; never reading, but pumping everyone with whom he converses; uncommonly affable or extremely savage, the most attractive or most repulsive of manners; concealing under the appearance of harshness, the greatest benevolence of heart, like a child, wanting to have everything, or, like a great man, knowing how to do without; gnawing his fingers, or apples, or turnips; scolding or laughing; engaged in wantonness or in prayers, summoning twenty aides de camp and saying nothing to any of them, not caring for cold, though he appears unable to exist without furs; always in his shirt without pants, or in rich regimentals; barefoot or in slippers; almost bent double when he is at home, and tall, erect, proud, handsome, noble, majestic when he shows himself to his army like Agamemnon in the midst of the monarchs of Greece. What then is his magic? Genius, natural abilities, an excellent memory, artifice without craft, the art of conquering every heart; much generosity, graciousness, and justice in his rewards; and a consummate knowledge of mankind. There
Robert K. Massie (Catherine the Great: Portrait of a Woman)
The great mystics of all religions agree that in the very depths of the unconscious, in every one of us, there is a living presence that is not touched by time, place or circumstance. Life has only one purpose, they add, and that is to discover this presence. The men and women who have done this – Francis of Assisi, for example, Mahatma Gandhi, Teresa of Avila, the Compassionate Buddha – are living proof of the words of Jesus Christ, ‘The kingdom of heaven is within.' But they are quick to tell us — every one of them – that no one can enter that kingdom, and discover the Ruler who lives there, who has not brought the movement of the mind under control. And they do not pretend that our own efforts to tame the mind will suffice in themselves. Grace, they remind us, is all-important. ‘Increase in my grace,’ Thomas Kempis prays, ‘that I may be able to fulfill thy words, and to work out mine own salvation.’ “The hallmark of the man or woman of God is gratitude – endless, passionate gratitude for the previous gift of spiritual awareness…. it surrounds us always. Like a wind that is always blowing," said Francis de Sales; "like fire," said Catherine of Genoa, "that never stops burning...
Eknath Easwaran