Catering. Boys. Quotes

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They said growing up was watching your breasts grow, your waist widen and hairs sprout on your erogenous ones. You became aware of the warmness that spread in circles in your stomach when that fine boy smiled at you. But that was not growing to me. Growing up was watching Papa drift away from us, and Mama grow drastically older from frying Akara balls just to cater for our home.
Ukamaka Olisakwe (Eyes of a Goddess)
next week we have a bunch of horror writers coming from all over the world. That'll be one whole week, fully catered, and pre-paid bar. Those horror writers drink like fshes. Just their beer bill's gonna pay for the upkeep of this place for six months. Motel business is a great business to be in, my boy.
Richard Laymon (The Glory Bus)
I have to go get ready. Come on, Rory. Come back in an hour, Toby." I expected Toby to pop up and cater to Merri's order, but instead he tilted his head and looked at me while spinning a red checker between his fingers. "You good with this, Roar?" and my heart hurt with how perfect that question was and how okay that made this moment.
Tiffany Schmidt (The Boy Next Story (Bookish Boyfriends, #2))
If we had some enthusiasm,” Frank recalled, “my parents would cater to it.” In high school, when Frank showed an interest in reading Chaucer, Julius promptly went out and bought him a 1721 edition of the poet’s works. When Frank expressed a desire to play the flute, his parents hired one of America’s greatest flutists, George Barère, to give him private lessons. Both boys were excessively pampered—but as the firstborn, only Robert acquired a certain conceit. “I repaid my parents’ confidence in me by developing an unpleasant ego,” Robert later confessed, “which I am sure must have affronted both children and adults who were unfortunate enough to come into contact with me.
Kai Bird (American Prometheus)
So, those women told me witnessing my mother’s weakness drove my own, and her watching my grandfather beat my grandmother was what drove hers. They told me I was raised thinking it was okay for a man to do that to a woman. I was raised thinking self-worth was gained by catering to a man’s needs at whatever cost. Even if it meant degrading myself time and time again. “But the apple can fall far from the tree. Fifty percent of children who grow up seeing that will never walk in their parents’ footsteps, whether it’s a boy watching his father beat his mother or a young girl watching her mother get hit. But this apple landed on the tree’s stump, Gavin. This apple took the same path as her mother.
Gail McHugh (Pulse (Collide, #2))
Nesta, it should not have come out as it did.' 'Did Cassian tell you that?' He'd gone to Feyre, rather than here? 'No, but I can guess as much. He didn't want to keep anything from you.' 'My issue isn't with Cassian.' Nesta levelled her stare at Amren. 'I trusted you to have my back.' 'I stopped having your back the moment you decided to use that loyalty as a shield against everyone else.' Nesta snarled, but Feyre stepped between them, hands raised. 'This conversation ends now. Nesta, go back to the House. Amren, you...' She hesitated, as if considering the wisdom of ordering Amren around. Feyre finished carefully, 'You stay here.' Nesta let out a low laugh. 'You are her High Lady. You don't need to cater to her. Not when she now has less power than any of you.' Feyre's eyes blazed. 'Amren is my friend, and has been a member of this court for centuries. I offer her respect.' 'Is it respect that she offers you?' Nesta spat. 'It is respect that your mate offers you?' Feyre went still. Amren warned, 'Don't you say one more fucking word, Nesta Archeron.' Feyre asked, 'What do you mean?' And Nesta didn't care. Couldn't think around the roaring. 'Have any of them told you, their respected High lady, that the babe in your womb will kill you?' Amren barked, 'Shut your mouth!' But her order was confirmation enough. Face paling, Feyre whispered again, 'What do you mean?' 'The wings,' Nesta seethed. 'The boy's Illyrian wings will get stuck in your Fae body during the labour, and it will kill you both.' Silence rippled through the room, the world. Feyre breathed, 'Madja just said that the labour would be risky. But the Bone Carver... The son he showed me didn't have wings.' Her voice broke. 'Did he only show me what I wanted to see.' 'I don't know,' Nesta said. 'But I do know that your mate ordered everyone not to inform you of the truth.' She turned to Amren. 'Did you all vote on that, too? Did you talk about her, judge her, and deem her unworthy of the truth? What was your vote, Amren? To let Feyre die in ignorance?' Before Amren could reply, Nesta turned back to her sister. 'Didn't you question why your precious, perfect Rhysand has been a moody bastard for weeks? Because he knows you will die. He knows, and yet he still didn't tell you.' Feyre began shaking. 'If I die...' Her gaze drifted to one of her tattooed arms. She lifted her head, eyes bright with tears as she asked Amren, 'You... all of you knew this?' Amren threw a withering glare in Nesta's direction, but said, 'We did not wish to alarm you. Fear can be as deadly as any physical threat.' 'Rhys knew?' Tears spilled down Feyre's cheeks, smearing the paint splattered there. 'About the threat to our lives?' She peered down at herself, at the tattooed hand cradling her abdomen. And Nesta knew then that she had not once in her life been loved by her mother as much as Feyre already loved the boy growing within her. It broke something in Nesta- broke that rage, that roaring- seeing those tears begin to fall, the fear crumpling Feyre's paint-smeared face. She had gone too far. She... Oh, gods. Amren said, 'I think it is best, girl, if you speak to Rhysand about this.' Nesta couldn't bear it- the pain and fear and love on Feyre's face as she caressed her stomach. Amren growled at Nesta, 'I hope you're content now.' Nesta didn't respond. Didn't know what to say or do with herself. She simply turned on her heel and ran from the apartment.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Foreign locations often presented problems to the caterers. The British crews rarely ate any local foods ‘Call this proper food?’ you’d hear the cry go up, ‘We want steak pudding, sausage and mash and treacle sponge with custard.’There was one day when something went wrong in Egypt and word reached us mid-morning that there wouldn’t be any lunch. Cubby knew he’d have a revolt on his hands, and so – somehow – gathered together huge great cooking pots, bundles of pasta and meat, and made a wonderful pasta with meatballs and sauce. He served it up to the boys and girls himself too. Cubby liked nothing better than to cook, and the crew liked nothing better than to eat. You can see why everyone loved Cubby so much – and he was ‘Cubby’ to everyone. There was no ‘Mr Broccoli’ on his set.
Roger Moore (My Word is My Bond: The Autobiography)
We do a great disservice to boys in how we raise them. We stifle the humanity of boys. We define masculinity in a very narrow way. Masculinity is a hard, small cage, and we put boys inside this cage. We teach boys to be afraid of fear, of weakness, of vulnerability. We teach them to mask their true selves, because they have to be, in Nigerian-speak, a hard man. In secondary school, a boy and a girl go out, both of them teenagers with meagre pocket money. Yet the boy is expected to pay the bills, always, to prove his masculinity. (And we wonder why boys are more likely to steal money from their parents.) What if both boys and girls were raised not to link masculinity and money? What if their attitude was not ‘the boy has to pay’, but rather, ‘whoever has more should pay’? Of course, because of their historical advantage, it is mostly men who will have more today. But if we start raising children differently, then in fifty years, in a hundred years, boys will no longer have the pressure of proving their masculinity by material means. But by far the worst thing we do to males – by making them feel they have to be hard – is that we leave them with very fragile egos. The harder a man feels compelled to be, the weaker his ego is. And then we do a much greater disservice to girls, because we raise them to cater to the fragile egos of males. We teach girls to shrink themselves, to make themselves smaller. We say to girls, ‘You can have ambition, but not too much. You should aim to be successful but not too successful, otherwise you will threaten the man. If you are the breadwinner in your relationship with a man, pretend that you are not, especially in public, otherwise you will emasculate him.
Chimamanda Ngozi Adichie (We Should All Be Feminists)
Noble born,” Roc fills in, as if he can read the questions on my face.  He spins us and I melt into his movements.  “Our family founded a society known as the Bone Society. Keepers of Time. Creators of Time. It was necessary, considering what we are. But beyond the beasts, we were the elite.” He laughs and the sound rumbles deeply through his chest. “Vane and I grew up in manor houses and castles, every whim catered to.”  I can’t imagine Vane being one of those wealthy spoiled assholes I came to know so well in my world. The kind of men who believed everything belonged to them, and if it didn’t, they would take it.
Nikki St. Crowe (The Fae Princes (Vicious Lost Boys, #4))
Would you like me to crawl to you, bella? Bow at your feet and find a home beneath you? Or would you like to climb onto my back, where I will serve you and take you to places with a point of your finger?” “Would you?” she volleys back. “Would you cater to my every need, no matter what I ask of you?” “You will need for nothing, amore mio. Ti daró tutto.” “Good boy,” she whispers, her voice sultry and teasing.
H.D. Carlton (Does It Hurt?)
When everything gets to be too much—when that insatiable beast inside each one of us demands to be fed—we have no choice but to drop everything and listen to it. Cater to its demands until we’ve successfully sweated it out. Purged what ails us in messy scrawls and broken melodies, until we’re left bleary-eyed and chest-ravaged. It’s the only way to quiet the voices. Our demons.
Jessie Walker (Where There's a Will (Lost Boys, #1))
The distinction, which was immediately felt in those first days, is between the mechanistic and the organic. Due to its nature, public schooling must be mechanistic to be effective. It must cater to the whole and in so doing, it often caters to no one. Home education can be organic. Rather than obeying the arbitrary demands of an external system, we discovered freedom in the personalized demands of our parents, demands that reflected a sensitivity to our individual personhood.
Jordan Almanzar (When The Earth Was Flat: One Boy's Life at the Edge of the Millennium)
With my high heels that I couldn’t properly walk in on and my dress that was so snug that one wrong move might mean I would moon all of Catering, I felt so unnatural and unlike myself as I stood around awkwardly making sure I introduced myself to everyone, with dry hands this time. To my shock, someone actually came up to me and started a conversation. And not just anyone: he was Seth Rollins (real name Colby Lopez), one of WWE’s biggest stars, one-third of its hottest faction, The Shield, i.e., the Backstreet Boys of wrestling, along with Roman Reigns and Dean Ambrose. Colby had a plate of food in one hand and a sheet of paper in another. “Hey, I’m Colby.” “Nice to meet you, I’m Rebecca.” “What’s your story? Why are you here?” he asked, genuinely interested. An avalanche of words fell out of my mouth, and I divulged my whole life story up until that very moment, with my very short dress and my poorly done hair. By the time I was finished, his plate of food was gone. He had an ease about him. A familiar feeling, like we had been friends for years. As if I could tell him anything and everything and he’d understand. He was a megastar and held himself as such but was also personable and down-to-earth. We talked for forty-five minutes until he was summoned to work. “Good talk,” he said calmly and coolly as he walked away. “You too!” I yelled after him, nearly falling over in my high heels, not at all calm. Or cool. I liked it up here. I had even just made a new friend.
Rebecca Quin (Becky Lynch: The Man: Not Your Average Average Girl)
wandered through Stratford, waiting to hear back. The main downtown area was small and pedestrian, centered on the local tourist industry. Most of the buildings were in the half-timbered Tudor style, lending an air of Renaissance authenticity to the town. Quaint street signs helpfully funneled bumbling tourists toward the attractions: “Shakespeare’s Birthplace” or “Holy Trinity Church and Shakespeare’s Grave.” On High Street, I passed the Hathaway Tea Rooms and a pub called the Garrick Inn. Farther along, a greasy-looking cafe called the Food of Love, a cutesy name taken from Twelfth Night (“ If music be the food of love, play on”). The town was Elizabethan kitsch—plus souvenir shops, a Subway, a Starbucks, a cluster of high-end boutiques catering to moneyed out-of-towners, more souvenir shops. Shakespeare’s face was everywhere, staring down from signs and storefronts like a benevolent big brother. The entrance to the “Old Bank estab. 1810” was gilded ornately with an image of Shakespeare holding a quill, as though he functioned as a guarantee of the bank’s credibility. Confusingly, there were several Harry Potter–themed shops (House of Spells, the Creaky Cauldron, Magic Alley). You could almost feel the poor locals scheming how best to squeeze a few more dollars out of the tourists. Stratford and Hogwarts, quills and wands, poems and spells. Then again, maybe the confusion was apt: Wasn’t Shakespeare the quintessential boy wizard, magically endowed with inexplicable powers?
Elizabeth Winkler (Shakespeare Was a Woman and Other Heresies: How Doubting the Bard Became the Biggest Taboo in Literature)
You speak like a man who has lived all his young life blissfully unaware of the chiffon-laden, flower-infused, complexities that will now be introduced to our existence. I can only liken the prospect of planning a wedding for women to the unholy glee experienced by sailors on leave or shipwreck survivors returning at long last to civilization. My pocketbook and your mental processes are about to take a flogging and no mistake. My only advice to you is to nod an affirmative to all questions posed to you on any subject remotely connected to the event, to smile enthusiastically when presented with something to view and to never, under any circumstances, ever forget any number of upcoming social obligations which are about to be rolled out before us like a vast, uncomfortable tapestry of parties and teas. All of which will be in your honor, by the way. It will be the subject of every dinner, carriage ride and romantic evening out until the thing is finished. You will come to loath the vicar, caterer, florist and a host of other tradesmen that, up until now, you never knew existed. And you must never complain, act bored or appear in any way to suggest that it is anything but a pleasure. Yes, my boy, I only hope you’re up to it. Very soon, you’ll be thinking of your time in the trenches with fondness and sentimental tenderness. Your only source of comfort will be in knowing that I, too, shall be sharing your unhappy condition.
R.S. Rowland (Portrait of a Bitter Spy)
Boys, overwhelmingly, go into jobs with a mechanical or theoretical bias, girls into jobs which, for the most part, involve some form of human interaction, like catering, social, or secretarial work, or teaching.
Anne Moir (Brain Sex: The Real Difference Between Men and Women)
A massive, reversible toll lane cut through the center of the interstate, catering to all the pickup-driving John Boys who drove down to Atlanta every day to make money, then drove back at night and railed against the godless liberals who lined their pockets and subsidized their utilities, their healthcare, their children’s lunches and their schools.
Karin Slaughter (The Good Daughter (The Good Daughter, #1))