Catching Frogs Quotes

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The frog is almost five hundred million years old. Could you really say with much certainty that America, with all its strength and prosperity, with its fighting man that is second to none, and with its standard of living that is highest in the world, will last as long as...the frog?
Joseph Heller (Catch-22)
There is a kidney-shaped fish pool outside the picture window. I cleaned it out and put in some large goldfish I bought in a bait store. The cats are always trying to catch the fish, with no success. One time the white cat leapt for a frog across the pool. The frog dove in and the cat fell in. He is trouble-prone.
William S. Burroughs (The Cat Inside)
What is serious to men is often very trivial in the sight of God. What in God might appear to us as "play" is perhaps what he Himself takes most seriously. At any rate, the Lord plays and diverts Himself in the garden of His creation, and if we could let go of our own obsession with what we think is the meaning of it all, we might be able to hear His call and follow Him in His mysterious, cosmic dance. We do not have to go very far to catch echoes of that game, and of that dancing. When we are alone on a starlit night; when by chance we see the migrating birds in autumn descending on a grove of junipers to rest and eat; when we see children in a moment when they are really children; when we know love in our own hearts; or when, like the Japanese poet Bashō we hear an old frog land in a quiet pond with a solitary splash--at such times the awakening, the turning inside out of all values, the "newness," the emptiness and the purity of vision that make themselves evident, provide a glimpse of the cosmic dance. For the world and time are the dance of the Lord in emptiness. The silence of the spheres is the music of a wedding feast. The more we persist in misunderstanding the phenomena of life, the more we analyze them out into strange finalities and complex purposes of our own, the more we involve ourselves in sadness, absurdity and despair. But it does not matter much, because no despair of ours can alter the reality of things; or stain the joy of the cosmic dance which is always there. Indeed, we are in the midst of it, and it is in the midst of us, for it beats in our very blood, whether we want it to or not. Yet the fact remains that we are invited to forget ourselves on purpose, cast our awful solemnity to the winds and join in the general dance.
Thomas Merton (New Seeds of Contemplation)
I hurried out to the pond to catch polywogs in a jar. I leaned on my elbow and looked up close at the little frogs that climbed up on the sun-baked rocks. "Caw, caw!" A huge black crow circled above me in the air and landed on a rock nearby. We looked at each other in silence. "Crow, are you a boy or a girl?" "Caw, caw!" I laughed and rolled over on my back. The sky was crayon blue. I pretended I was lying on the white cotton clouds. The earth was damp against my back. The sun was hot, the breeze was cool. I felt happy. Nature held me close and seemed to find no fault with me.
Leslie Feinberg (Stone Butch Blues)
We have more patience for girls who act like boys than boys who act like girls. A tomboy is considered cute. One day she’ll shuck her muddy jeans and put on a dress, and everyone will gasp at her beauty. They’ll all laugh about her tree-climbing, frog-catching days. But there’s no such tolerance for the boy who puts on a dress, who wants a toy kitchen or a baby doll to love. Jung would say that this is because, even culturally, our anima is repressed, hated, derided. We hate our female selves. A boyish girl is perfectly acceptable. A girlish boy? Not so much. In certain places, you’d get your ass kicked, find yourself "gay-bashed." You might even get yourself killed. That's how much we hate our anima.
Lisa Unger (In the Blood)
First, I spit out a mouthful of dirt. Then, I screamed at the sky. “That’s it! I’ve had it! Everything is trying to kill me! All I did was make one stupid wish. Aladdin made three. I’m the hero of this story, so where’s my happy ending, already? It’s not fair.” Rexi bent over, trying to catch her breath. “You know what’s not fair? Spending Muse Day as a toad just because the kitchen ran out of frog legs. Or being volunteered for this little journey. So build a bridge, then make like a billy goat and get over it already because no one is listening.
Betsy Schow (Spelled (The Storymakers, #1))
Love is beautiful and frightening, Ariane. It’s not a tame thing, and it often catches you unaware. But you cannot fear love or consider yourself a lesser person because of it. You are not a fool—you are brave. Loving another person takes great strength, and it’s never easy. Something will always stand in the way. But that is because it is worth it.
K.M. Shea (The Frog Prince (Timeless Fairy Tales, #9))
The girls cannot contain their joy. They must start rehearsing immediately. They teach Saluni a new song that they have composed at the swamps. It is about croaking frogs in their green and brown colours and how the girls caught them and pierced their eyes with sharp sticks and set them free to hop about in wonderful blindness. It is a haunting melody. They tell Saluni that the song is all about the fun they had at the swamps today. The blinded frogs will live peacefully because now they won't be bothered by the bright rays of the sun. They won't have to run from danger, because they won't see it. They will therefore be safe since danger only catches those who run away from it.
Zakes Mda (The Whale Caller)
If you were a RiverClan cat, you wouldn’t mind getting your paws wet!” “And I wouldn’t mind catching a frog or a toad to eat,” mewed Littlecloud. When the other cats glanced at him in surprise, he added defensively, “They don’t taste that bad!
Erin Hunter (Starlight (Warriors: The New Prophecy, #4))
Papa, ain’t it a caution that we can only eat two legs off a frog, ’stead of four.” And he said: “Rob, here’s what you do. You catch a real big bullfrog and make friends with him. And teach him to jump backwards. That’ll make his front legs big as the hind.
Robert Newton Peck (A Day No Pigs Would Die)
Fishes never fly, and cats never catch frogs. These are the difficulties into which we are led ; and they arise simply and solely from our using words for their sound rather than for their meaning. We begin by playing with words, but in the end the words will play with us.
F. Max Müller (Selected Essays on Language, Mythology, and Religion V2)
This garden was peaceful and calm. Pink cherry blossoms and violet plum blossoms graced the sweeping trees. The petals fell like snowflakes, dancing and swirling until they touched the soft, verdant grass. There was something familiar about this place. Her eyes traveled down the flat stone steps. She knew this path, knew those stones. The third one from the bottom had a crack in the middle- from when she was five and the neighbor's boy convinced her there were worms on the other side of the stones. She'd hammered the stone in half, eager to catch a few worms to play with. There weren't any, of course, but her mother had helped her find some dragonflies by the pond instead, and they'd spent an afternoon counting them in the garden. Mulan smiled wistfully at the memory. This can't be the same garden. I'm in Diyu. Yet no painter could have re-created what she saw more convincingly. Every detail was as she remembered. At the bottom of the stone-cobbled path was a pond with rose-flushed lilies, and a marble bench under the cherry tree. She used to play by the pond when she was a little girl, catching frogs and fireflies in wine jugs and feeding the fish leftover rice husks and sesame seeds until her mother scolded her. And beyond the moon gate was- Mulan's hand jumped to her mouth. Home. That smell of home- of Baba's incense from the family temple, sharp with amber and cedar; of noodles in Grandmother Fa's special pork broth; of jasmine flowers that Mama used to scent her skin.
Elizabeth Lim (Reflection)
The forager economy provided most people with more interesting lives than agriculture or industry do. Today, a Chinese factory hand leaves home around seven in the morning, makes her way through polluted streets to a sweatshop, and there operates the same machine, in the same way, day in, day out, for ten long and mind-numbing hours, returning home around seven in the evening in order to wash dishes and do the laundry. Thirty thousand years ago, a Chinese forager might leave camp with her companions at, say, eight in the morning. They’d roam the nearby forests and meadows, gathering mushrooms, digging up edible roots, catching frogs and occasionally running away from tigers. By early afternoon, they were back at the camp to make lunch. That left them
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Catching frogs can take a toll on your body. I have repeatedly been battered and actually was knocked out cold when I dove headfirst into a cypress tree. One time, I jumped out of a boat to catch a frog in a thicket, and as I lunged to grab the frog, a purple poisonous thorn stuck me behind the ear. I vomited for three days and my face was badly swollen. If it had stuck me in the temple, I probably would have died. My greatest frog catch occurred after our boat ran aground. I saw the biggest bullfrog I’ve ever seen! The problem was, there were three snakes in between the frog and me: a cottonmouth water moccasin, a nonvenomous water snake, and then a bigger fish snake. Undeterred, I triple-jumped the three snakes and grabbed the frog in one swoop. Then I triple-jumped back the other way without getting bit. It probably wasn’t the smartest thing I’ve ever done, but, hey, I got the frog!
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
I must say I’ve often wondered about that sort of thing myself,’ said the Lecturer in Recent Runes. ‘Take frogs. Now, if I was a lady frog looking for a husband, I’d want to know about, well, size of legs, competence at catching flies—’ ‘Length of tongue,’ said Ridcully. ‘Dean, will you please take something for that cough?’ ‘Quite so,’ said the Lecturer in Recent Runes. ‘Has he got a good pond, and so on. I can’t say I’d base my choice on his ability to inflate his throat to the same size as his stomach and go rabbit, rabbit.
Terry Pratchett (The Last Continent (Discworld, #22))
Late in the evening I heard the distant rumbling of wagons over bridges — a sound heard farther than almost any other at night — the baying of dogs, and sometimes again the lowing of some disconsolate cow in a distant barn-yard. In the mean-while all the shore rang with the trump of bullfrogs, the sturdy spirits of ancient wine-bibbers and wassailers, still unrepentant, trying to sing a catch in their Stygian lake — if the Walden nymphs will pardon the comparison, for though there are almost no weeds, there are frogs there — who would fain keep up the hilarious rules of their old festal tables, though their voices have waxed hoarse and solemnly grave, mocking at mirth, and the wine has lost its flavor, and become only liquor to distend their paunches, and sweet intoxication never comes to drown the memory of the past, but mere saturation and waterloggedness and distention.
Henry David Thoreau (Complete Works of Henry David Thoreau)
While Missy has acquired a taste for frog legs, she still doesn’t understand my fascination with catching them. One night after church, we were stopped at an intersection while driving home. Our two sons, Reed and Cole, and our daughter, Mia, were in Missy’s car with us. It was raining, and I saw one of the biggest bullfrogs I’ve ever seen sitting in the middle of the road. I put her car in park. “What are you about to do, Jason?” Missy asked me. “I’m going to catch that frog,” I said. “Y’all want to flag traffic for me?” “Don’t you dare get out of this car,” she said. Before she could finish her sentence, I’d jumped out of the driver’s seat and was maneuvering my way to the frog. I moved toward the back of it, assumed the frog position, and then leaped on him! Missy and Mia were screaming in the car, and my boys were laughing. As I got back in the car, I explained to everyone that I probably saved that frog’s life by catching him at a busy intersection. I held the frog in one hand and drove with the other the entire way home. When I walked into the kitchen, Missy asked me, “What are you fixing to do?” I cleaned the frog on the kitchen table and fried its legs in a frying pan. “I can’t believe you just did that,” Missy said. “I thought you saved his life.” Hey, but I gave him a noble death.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Drat. Daisy pulled back with a frown. She felt guilty that she had enjoyed the kiss so little. And it made her feel even worse when it appeared Llandrindon had enjoyed it quite a lot. “My dear Miss Bowman,” Llandrindon murmured flirtatiously. “You didn’t tell me you tasted so sweet.” He reached for her again, and Daisy danced backward with a little yelp. “My lord, control yourself!” “I cannot.” He pursued her slowly around the fountain until they resembled a pair of circling cats. Suddenly he made a dash for her, catching at the sleeve of her gown. Daisy pushed hard at him and twisted away, feeling the soft white muslin rip an inch or two at the shoulder seam. There was a loud splash and a splatter of water drops. Daisy stood blinking at the empty spot where Llandrindon had been, and then covered her eyes with her hands as if that would somehow make the entire situation go away. “My lord?” she asked gingerly. “Did you… did you just fall into the fountain?” “No,” came his sour reply. “You pushed me into the fountain.” “It was entirely unintentional, I assure you.” Daisy forced herself to look at him. Llandrindon rose to his feet, water streaming from his hair and clothes, his coat pockets filled to the brim. It appeared the dip in the fountain had cooled his passions considerably. He glowered at her in affronted silence. Suddenly his eyes widened, and he reached into one of his water-laden coat pockets. A tiny frog leaped from the pocket and returned to the fountain with a quiet plunk. Daisy tried to choke back her amusement, but the harder she tried the worse it became, until she finally burst out laughing. “I’m sorry,” she gasped, clapping her hands over her mouth, while irrepressible giggles slipped out. “I’m so— oh dear—” And she bent over laughing until tears came to her eyes. The tension between them disappeared as Llandrin don began to smile reluctantly. He stepped from the fountain, dripping from every surface. “I believe when you kiss the toad,” he said dryly, “he is supposed to turn into a prince. Unfortunately in my case it doesn’t seem to have worked.” Daisy felt a rush of sympathy and kindness, even as she snorted with a few last giggles. Approaching him carefully, she placed her small hands on either side of his wet face and pressed a friendly, fleeting kiss on his lips. His eyes widened at the gesture. “You are someone’s handsome prince,” Daisy said, smiling at him apologetically. “Just not mine. But when the right woman finds you… how lucky she’ll be.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Knock, knock. Who's there? A: Lettuce Q: Lettuce who? A: Lettuce in, it's freezing out here.. . 2. Q: What do elves learn in school? A: The elf-abet . 3. Q: Why was 6 afraid of 7? A: Because: 7 8 9 . . 4. Q. how do you make seven an even number? A. Take out the s! . 5. Q: Which dog can jump higher than a building? A: Anydog – Buildings can’t jump! . 6. Q: Why do bananas have to put on sunscreen before they go to the beach? A: Because they might peel! . 7. Q. How do you make a tissue dance? A. You put a little boogie in it. . 8. Q: Which flower talks the most? A: Tulips, of course, 'cause they have two lips! . 9. Q: Where do pencils go for vacation? A: Pencil-vania . 10. Q: What did the mushroom say to the fungus? A: You're a fun guy [fungi]. . 11. Q: Why did the girl smear peanut butter on the road? A: To go with the traffic jam! . 11. Q: What do you call cheese that’s not yours? A: Nacho cheese! . 12. Q: Why are ghosts bad liars? A: Because you can see right through them. . 13. Q: Why did the boy bring a ladder to school? A: He wanted to go to high school. . 14. Q: How do you catch a unique animal? A: You neak up on it. Q: How do you catch a tame one? A: Tame way. . 15. Q: Why is the math book always mad? A: Because it has so many problems. . 16. Q. What animal would you not want to pay cards with? A. Cheetah . 17. Q: What was the broom late for school? A: Because it over swept. . 18. Q: What music do balloons hate? A: Pop music. . 19. Q: Why did the baseball player take his bat to the library? A: Because his teacher told him to hit the books. . 20. Q: What did the judge say when the skunk walked in the court room? A: Odor in the court! . 21. Q: Why are fish so smart? A: Because they live in schools. . 22. Q: What happened when the lion ate the comedian? A: He felt funny! . 23. Q: What animal has more lives than a cat? A: Frogs, they croak every night! . 24. Q: What do you get when you cross a snake and a pie? A: A pie-thon! . 25. Q: Why is a fish easy to weigh? A: Because it has its own scales! . 26. Q: Why aren’t elephants allowed on beaches? A:They can’t keep their trunks up! . 27. Q: How did the barber win the race? A: He knew a shortcut! . 28. Q: Why was the man running around his bed? A: He wanted to catch up on his sleep. . 29. Q: Why is 6 afraid of 7? A: Because 7 8 9! . 30. Q: What is a butterfly's favorite subject at school? A: Mothematics. Jokes by Categories 20 Mixed Animal Jokes Animal jokes are some of the funniest jokes around. Here are a few jokes about different animals. Specific groups will have a fun fact that be shared before going into the jokes. 1. Q: What do you call a sleeping bull? A: A bull-dozer. . 2. Q: What to polar bears eat for lunch? A: Ice berg-ers! . 3. Q: What do you get from a pampered cow? A: Spoiled milk.
Peter MacDonald (Best Joke Book for Kids: Best Funny Jokes and Knock Knock Jokes (200+ Jokes) : Over 200 Good Clean Jokes For Kids)
These Claudines, then…they want to know because they believe they already do know, the way one who loves fruit knows, when offered a mango from the moon, what to expect; and they expect the loyal tender teasing affection of the schoolgirl crush to continue: the close and confiding companionship, the pleasure of the undemanding caress, the cuddle which consummates only closeness; yet in addition they want motherly putting right, fatherly forgiveness and almost papal indulgence; they expect that the sights and sounds, the glorious affairs of the world which their husbands will now bring before them gleaming like bolts of silk, will belong to the same happy activities as catching toads, peeling back tree bark, or powdering the cheeks with dandelions and oranging the nose; that music will ravish the ear the way the trill of the blackbird does; that literature will hold the mind in sweet suspense the way fairy tales once did; that paintings will crowd the eye with the delights of a colorful garden, and the city streets will be filled with the same cool dew-moist country morning air they fed on as children. But they shall not receive what they expect; the tongue will be about other business; one will hear in masterpieces only pride and bitter contention; buildings will have grandeur but no flowerpots or chickens; and these Claudines will exchange the flushed cheek for the swollen vein, and instead of companionship, they will get sex and absurd games composed of pinch, leer, and giggle—that’s what will happen to “let’s pretend.” 'The great male will disappear into the jungle like the back of an elusive ape, and Claudine shall see little of his strength again, his intelligence or industry, his heroics on the Bourse like Horatio at the bridge (didn’t Colette see Henri de Jouvenel, editor and diplomat and duelist and hero of the war, away to work each day, and didn’t he often bring his mistress home with him, as Willy had when he was husband number one?); the great affairs of the world will turn into tawdry liaisons, important meetings into assignations, deals into vulgar dealings, and the en famille hero will be weary and whining and weak, reminding her of all those dumb boys she knew as a child, selfish, full of fat and vanity like patrons waiting to be served and humored, admired and not observed. 'Is the occasional orgasm sufficient compensation? Is it the prize of pure surrender, what’s gained from all that giving up? There’ll be silk stockings and velvet sofas maybe, the customary caviar, tasting at first of frog water but later of money and the secretions of sex, then divine champagne, the supreme soda, and rubber-tired rides through the Bois de Boulogne; perhaps there’ll be rich ugly friends, ritzy at homes, a few young men with whom one may flirt, a homosexual confidant with long fingers, soft skin, and a beautiful cravat, perfumes and powders of an unimaginable subtlety with which to dust and wet the body, many deep baths, bonbons filled with sweet liqueurs, a procession of mildly salacious and sentimental books by Paul de Kock and company—good heavens, what’s the problem?—new uses for the limbs, a tantalizing glimpse of the abyss, the latest sins, envy certainly, a little spite, jealousy like a vaginal itch, and perfect boredom. 'And the mirror, like justice, is your aid but never your friend.' -- From "Three Photos of Colette," The World Within the Word, reprinted from NYRB April 1977
William H. Gass (The World Within the Word)
Morning breath” is hydrogen sulfide released by bacteria consuming shed tongue cells while you mouth-breathe for eight hours; saliva normally washes the debris away. The stench is a warning: this item contains a lot of bacteria and could (depending on which bacteria they are) make you sick. The scariest, stinkiest cuisines are in countries where both food and refrigeration are scarce. Rural Sudanese eat fermented (that is, decomposing) caterpillar, frog, and, less proteinaceously, heifer urine. Yet one more reason tourism has been slow to catch on in the Sudan.
Anonymous
Dannon was there, thirty feet away, pinned by the dazzling light like a frog on a tenth-grader’s dissection tray. Unlike those frogs . . . Jenkins shouted, “Freeze, freeze or we’ll shoot.” . . . Unlike those frogs, Dannon leaped sideways back into the swamp reeds and then, scrambling on his hands and knees, still clinging to his pistol, began running mindlessly through the brush. The cops all turned on their lights and played them through the brush, and caught flashes of Dannon, the movement of the swamp weeds and brush as he tore through them, and Lucas shouted, “Jenkins, Shrake, Del, go after him, take care, take care . . .” Lucas turned and in the light of his own flash, ran back up the dirt track toward the gravel road, pulled his handset and said, “Sarah, Jane, he’s coming right at you. Watch out, watch out, he’s on foot, I think he’s coming for the road. . . .” •   •   • NOTHING AT ALL WENT through Dannon’s head. He’d had some escape and evasion classes, and one of the basics was simply to put distance between yourself and your pursuer. Distance was always good; distance gave you options. He didn’t think about it, though, he just ran, fast and as hard as he could, and he was in good shape. Good shape or not, he fell three or four times—he wasn’t counting—and the small shrub and grasses tore at him and tried to catch his feet; he went knee-deep into a watery hole, pulled free, and ran on, looking back once. He was out of the light, now, he was gaining on them, he was almost there . . . And he broke free into the road. He couldn’t see it, except as a kind of dark channel in front of him. The lights were now a hundred yards back, but still coming, and he ran down the dark channel. When he got far enough out front, he’d cut across country again, and then maybe turn down toward the river. . . . He ran a hundred yards down the channel, heedless of the sounds of his footfalls, breathing hard. . . . •   •   • LUCAS WAS ON THE ROAD, moving faster than Dannon, but at the wrong angle—Dannon, though in the swamp, was cutting diagonally across the right angle of the gravel road and the dirt track. Lucas could tell more or less where he was because of the brilliant lights of the cops behind him, and the sound of Dannon’s thrashing in the brush. Then the thrashing stopped, and Lucas stopped, trying to figure out where he’d gone.
John Sandford (Silken Prey (Lucas Davenport #23))
There is about our house a need. The running, pulsating restlessness of the four boys as they struggle to learn and grow; the world embraces them….All this wonder needs a counterpart. We need some starched crisp frocks to go with all our torn-kneed blue jeans and helmets. We need some soft blond hair to off-set those crew cuts. We need a doll house to stand firm against our forts and rackets and thousand baseball cards. We need a cut-out star to play alone while the others battle to see who’s ‘family champ.’ We even need someone…who could sing the descant to “Alouette,” while outside they scramble to catch the elusive ball aimed ever roofward, but usually thudding against the screens. We need a legitimate Christmas angel—one who doesn’t have cuffs beneath the dress. We need someone who’s afraid of frogs. We need someone to cry when I get mad—not argue. We need a little one who can kiss without leaving egg or jam or gum. We need a girl. We had one once—she’d fight and cry and play and make her way just like the rest. But there was about her a certain softness. She was patient—her hugs were just a little less wiggly. Like them, she’d climb in to sleep with me, but somehow she’d fit. She didn’t boot and flip and wake me up with pug nose and mischievous eyes a challenging quarter-inch from my sleeping face. No—she’d stand beside our bed till I felt her there. Silently and comfortable, she’d put those precious, fragrant locks against my chest and fall asleep. Her peace made me feel strong, and so very important. “My Daddy” had a caress, a certain ownership which touched a slightly different spot than the “Hi Dad” I love so much. But she is still with us. We need her and yet we have her. We can’t touch her, and yet we can feel her. We hope she’ll stay in our house for a long, long time. Love Pop
Jon Meacham (Destiny and Power: The American Odyssey of George Herbert Walker Bush)
The Tragedy of Happiness Happiness can only occur without premeditation; it is the salamander revealed curling under an upturned rock; the early morning dew beading on your Hydrangeas; the scent of night jasmine halting your hurried walk; a shaft of sunlight illuminating dust swirling from a book of poetry; a recovered childhood memory when you touch a family photo; an undulating crescendo of frogs serenading the night; that summer sun shower that catches you without an umbrella; the clarity of the country night sky when you stop your car to pee. The tragedy of happiness is that you can only feel it the very moment it's vanished and resides solely in memory.
Beryl Dov
There were eight of us, but since me and Jamie were so close in age, we stuck together. Strength in numbers. Anyway, one night we kept finding all these frogs roaming around the campground. It was like someone sent out a signal and frogs were everywhere. So we got one of those big five-gallon buckets and started tossing them in. No plan. We just kept catching them and tossing them in the bucket. Eventually, we caught so many frogs we had to drape a towel over the top to keep them from escaping. The bucket became so overloaded we could hardly carry it anymore, so we put it down. Some people walked by, coming from the communal showers. It was nighttime,” Reisman said, frowning. “Not sure if I mentioned that or not. Me and Jamie looked up at the bathrooms and then back at our bucket of frogs at the same time.” Reisman started laughing. “We knew better than to head directly toward it, so we circled around, using the woods for cover, and ended up on the women’s side of the bathroom. We waited until the coast was clear and bolted to the door. We could hear the girls in the stalls and showers, but no one saw us in the doorway. We each took a side of the bucket and heaved it back like a battering ram. My little brother Jamie pulled the towel off at the last second and we must have sent hundreds of frogs into the bathroom,” Reisman said, breaking off in fits of laughter, and Connor joined in. “We hauled ass out of there so fast I think we lost the bucket. Within a minute or two we heard shrieking from the women’s bathroom and then the park ranger came driving up to investigate. God, that was so much fun,” Reisman said and sighed. “Did they ever figure out it was you guys?” Connor asked. Reisman shook his head. “Well, the next morning my dad asked us about the bucket that had gone missing, but before Jamie or I could make something up, he said something about hearing raccoons coming through the campsite the night before. He winked at us and kept whipping up some eggs for breakfast. We got some extra bacon that morning.” Connor snorted.
Ken Lozito (Nemesis (First Colony, #2))
He smiles. I sit a few feet away and watch as he unpacks the linen bag. “Torin packed this, not Rayna, so who knows what we’ll find.” “Eye of newt and toe of frog,” I mutter. “Wool of bat and tongue of dog.” He smiles, waiting for me to pick up the next verse. “Sorry. That’s all I know.” He props his arms on his knees. “‘Adder’s fork and blind worm’s sting,’” he continues, affecting a macabre tone, “‘lizard’s leg and howlet’s wing, for a charm of powerful trouble, like a hell-broth, boil and bubble.’” “Yum. Breakfast of champions. Is howlet an owl?” “It is indeed.” “And blind worm must be a snake?” “No. Blind worms are lizards with no legs.” “That makes sense. That’s why those were added separately—the lizard legs.” “No respectable brew is complete without them.” “There should be some soft ingredients in there for flavor balance, like butterfly wings and dove’s feathers.” His eyebrows rise. “You’d eat butterfly wings?” “Never. I don’t know why I said that. I love butterflies.” “A symbol of rebirth and resurrection, I might add.” “Subtle, Samrael. Real subtle.” I catch myself smiling. But if he’s good—if he’s really changed—then smiling is fine. Right?
Veronica Rossi (Seeker (Riders, #2))
Do you know I ate frog legs once?” Jonah asks. Uh-oh. “You what?” screams a horrified Frederic. “It’s true!” Jonah says, clearly not catching the stop talking look I’m shooting him. “We went to a French restaurant for our dad’s birthday and he ordered an appetizer of frog legs. Remember, Abby? We tried them! Both of us did!” “It was before I knew you,” I tell Frederic apologetically. “They tasted like chicken!” Jonah exclaims. He’s right. They did taste like chicken. “I think I’m going to throw up,” Frederic moans.
Sarah Mlynowski (Once Upon a Frog (Whatever After, #8))
You Loved a Woman Once" She told you of childhood summers, mayflies trembling beside the bridge of her nose, hunting frogs. Skinning them on a brick, the house smelling like their small, fried legs. All she wanted was for you to carry her home in a canoe with paddles, life vests, a flare. You promised to teach her how to swim when she was in your arms. Your own body, broken into so many times, became a clear lake for her to bathe in. Remember pulling the one tiny, suckering leech from below her neck, the pale collarbone Braille it left. You said the boat was her shoulder in your mouth, even when you couldn’t bear her epaulets of freckles, even when nothing but a body would do and there was no body but her own. Below her—lily pads, dragonflies, the worms dug up last summer and thrown from the dock to see fish rise in a boil—now all snapped raw in the frozen pond. And speaker, coded “you”—what about the light straining through her dampened hair, will you catch it in your jaws? There’s the smell of paper on her skin and you pressing her body like a flower in a book.
Keetje Kuipers (Beautiful in the Mouth)
The forager economy provided most people with more interesting lives than agriculture or industry do. Today, a Chinese factory hand leaves home around seven in the morning, makes her way through polluted streets to a sweatshop, and there operates the same machine, in the same way, day in, day out, for ten long and mind-numbing hours, returning home around seven in the evening in order to wash dishes and do the laundry. Thirty thousand years ago, a Chinese forager might leave camp with her companions at, say, eight in the morning. They’d roam the nearby forests and meadows, gathering mushrooms, digging up edible roots, catching frogs and occasionally running away from tigers. By early afternoon, they were back at the camp to make lunch. That left them plenty of time to gossip, tell stories, play with the children and just hang out. Of course the tigers sometimes caught them, or a snake bit them, but on the other hand they didn’t have to deal with automobile accidents and industrial pollution.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
After I took Lisa's braces off, we climbed out of my bedroom window onto the roof of the porch below, smoked cigarettes in our nightgowns, and talked about boys. If I had tried that summer to imagine what my future would look like, it would have been as much a mystery to me then as my own reflection in those cutoff shorts. This is what I understand now that I could not have seen then: When you grow up in a home where nobody goes to work, where nobody is married, in a place where there are few jobs and few opportunities, you do not stay up late whispering about weddings and college and careers. You live in that moment, or maybe in the next; you do not make decisions that will impact a future that you do not let yourself imagine; you do not make a plan beyond your next pack of cigarettes.
Heather Ross (How to Catch a Frog: And Other Stories of Family, Love, Dysfunction, Survival, and DIY)
I waited until I was five months pregnant to tell my mother that I was having a baby. "I'm calling with some news," I said. "God, what?" she responded, sounding hopeful for something juicy and terrible. She could be counted on to be sober and in good spirits until late afternoon, and I timed my calls accordingly but always braced myself. The death of her parents and of her brother, my uncle Mike, who had been gone for almost five years now, and the sale of the land had left her in a raw and scattered state that I still hoped she would recover from, eventually. She seemed to want to talk only about tragedies and bad news and would complain to me that my sister never called her and that nobody ever told her anything, or included her in any of their lives. I cut her off as she began to tell me something I did not want to hear. "I'm calling with good news," I said, starting again as though she might not recognize it as such. "What?" she said, her tone urgent, almost desperate. "I'm going to have a baby," I told her. She let out an exhale, then, sounding exhausted from the three seconds of suspense and relived but not happy, she said, "Well, it's nice to hear some good news, because I've been following this massacre? In Arizona? With the congresswoman who was shot in the head by that lunatic? It's just god-awful." I forced myself to give her a few details calmly, including the due date, then got off the phone as quickly as I could. She sent me an email the next day that said, simply, "I don't have any advice for you. Everything is different now than when I had you. I hope that you'll let me see my grandchild sometime. Your sister won't let me see her kids." I spent that whole day in bed, with a hand on my stomach, terrified.
Heather Ross (How to Catch a Frog: And Other Stories of Family, Love, Dysfunction, Survival, and DIY)
He ain’t a Coot not really,” said Bill. “He ain’t got a head on him no better’n a squashed frog. I see him all right but he don’t know nothing. Fishing he were on the gravel reach.” “Catching anything?” asked Pete, who, detective or no detective, was still a fisherman. “Perch,” said Bill. “Oh, never mind the fish,” said Dorothea. “Had any boats been cast off?” “He tell me to keep my shadow off the water,” said Bill. “So I creep up and give him one of my sandwiches and when I ask if any boats been cast off, why Tommy he say ‘How do you know?’ “ “Go on. Go on,” said Dorothea, reaching out for one of the little black paper flags all ready on its pin. “I say I don’t know but I want to know and Tommy he say it weren’t his fault and I say when were it and what boat and Tommy he said it were his Dad’s row-boat and he give it Tommy to tie up and Tommy he tie it to a stick what broke and he have to go in swimming to catch it.
Arthur Ransome (The Big Six (Swallows and Amazons, #9))
He was known through all that country. He had no kin, no ties, and he antedated everyone; nobody knew how old he was—a tall thin man in a filthy frock coat and no shirt beneath it and a long, perfectly white beard reaching below his waist, who lived in a mud-daubed hut in the river bottom five or six miles from any road. He made and sold nostrums and charms, and it was said of him that ate not only frogs and snakes but bugs as well—anything that he could catch.
William Faulkner
When I was ten we moved seven miles outside the city, out past the Christmas-tree farms and the hiking trails of Spencer Butte Park to a house in the woods. It sat on nearly five acres of land, where flocks of wild turkeys roamed picking for insects in the grass and my dad could drive his riding mower in the nude if he wanted to, shielded by thousands of ponderosa pines, no neighbors for miles. Out back, there was a clearing where my mother grew rhododendrons and kept the lawn kempt. Beyond it the land gave way to sloping hills of stiff grass and red clay. There was a man-made pond filled with muddy water and soft silt, and salamanders and frogs to chase after, catch, and release. Blackberry bramble grew wild and in the early summer, during the burning season, my father would take to it with a large pair of gardening shears and clear new pathways between the trees to form a circuit he could round on his dirt bike. Once a month he’d ignite the burn piles he’d gathered, letting me squeeze the lighter fluid onto their bases, and we’d admire his handiwork as the six-foot bonfires went up in flames.
Michelle Zauner (Crying in H Mart)
We have more patience for girls who act like boys than boys who act like girls. A tomboy is considered cute. One day she’ll shuck her muddy jeans and put on a dress, and everyone will gasp at her beauty. They’ll all laugh about her tree-climbing, frog-catching days. But there’s no such tolerance for the boy who puts on a dress, who wants a toy kitchen or a baby doll to love.
Lisa Unger (In the Blood)
The Later Tokudaiji Minister once had rope strung over the roof of the main house to stop the kites from roosting on it. ‘What could be wrong with having kites on your roof? This shows what manner of man he is!’ exclaimed the poet-monk Saigyō, and it is said he never called there again. I was reminded of this story when I noticed once that Prince Ayanokōji had laid rope over his Kosaka residence. Someone told me, however, that it was because he pitied the frogs in his pond when he observed how crows gathered on the roof to catch them. I was most impressed. Perhaps the Tokudaiji Minister too might have had some such reason for acting as he did?
Yoshida Kenkō (A Cup of Sake Beneath the Cherry Trees)
Today you’re a boy catching frogs in the marsh. Tomorrow you’re an old man listening to stories told by other old men. Life. It happens just like that. —Cornelius Traegar
Terri-Lynne DeFino (The Bar Harbor Retirement Home for Famous Writers (And Their Muses))
I used to catch frogs in my backyard in Long Island. I don’t know, maybe they were toads. It doesn’t matter.
Aesop Rock
I find the act of searching for, catching and releasing frogs to be awesomely rewarding, and really one of my favorite activities to do since I was young, scouring my backyard with my brothers. They make for fascinating creatures, and I think catching frogs will always be something I find relaxing.
Aesop Rock
If a frog turns right and catches a fly, and then turns left and catches a fly, and then turns around backward and catches a fly, the purpose of the frog has to do not with turning left or right or backward but with catching flies. If a government proclaims its interest in protecting the environment but allocates little money or effort toward that goal, environmental protection is not, in fact, the government’s purpose. Purposes are deduced from behavior, not from rhetoric or stated goals. A
Donella H. Meadows (Thinking in Systems: A Primer)
If a frog turns right and catches a fly, and then turns left and catches a fly, and then turns around backward and catches a fly, the purpose of the frog has to do not with turning left or right or backward but with catching flies. If a government proclaims its interest in protecting the environment but allocates little money or effort toward that goal, environmental protection is not, in fact, the government’s purpose. Purposes are deduced from behavior, not from rhetoric or stated goals.
Donella H. Meadows (Thinking in Systems: A Primer)
So when the man was only a few steps away, Robert did his best to imitate the yellow bird’s call. When the notes came out, they were not the same sound as the yellow bird’s – after all, they were sung in a frog’s voice. But whatever differences there were between his and the yellow bird’s sound, there was also an obvious likeness that was easy for the man to catch. For, by fate or good fortune, Robert had stumbled across a man who had a deep passion for music. And for a moment, the man froze in surprise at what he had just heard this small frog do.
Steve B McGlaughlin
There were nearly as many frogs in the shallows, where lily pads floated. Some water lily flowers were white and some were yellow and some were the palest pink. Dragonflies darted above the water, their iridescent wings catching the glint of the sunlight.
Alice Hoffman (Nightbird)
Alric looked at Reuben. “Is he telling the truth? I can have him ripped apart by dogs, you know. I love dogs. We use them to hunt, but they aren’t allowed to actually take down or eat their quarry. Always thought that was a shame, you know? I think they would appreciate the opportunity. It could be fun too. We could just let these fools run and bet on how far they can get before the dogs catch them.” “I bet Horace doesn’t make it to the gate,” Mauvin said; then all heads turned to Reuben. Ellison looked at him, too, his face frozen in a tense, wide-eyed stare. “I wasn’t aware of any threat from Squire Ellison, Your Highness,” Reuben replied. “Are you sure?” Alric pressed, and flicked a small yellow leaf off Ellison’s shoulder. “We don’t have to use the dogs.” He smiled and tilted his head toward the Pickerings. “They’d love to teach them a lesson, you know. In a way they’re a lot like hunting dogs—they never get the chance to kill anyone either. Ever since they reached their tenth birthday, no one has been stupid enough to challenge them.” “I was, Your Highness,” Reuben said. That got a laugh from the Pickerings and the prince, although Reuben didn’t know why. “Yes, you did, didn’t you?” “That’s why you’re our friend,” Mauvin explained. “He didn’t know who we were,” Fanen pointed out. “He had no idea about the skill of a Pickering blade.” “It wouldn’t have mattered,” Reuben said. His blood was still up from the fight, and his mouth ran away with him. “If I thought you were there to harm the princess, I would still have fought you.” A moment of silence followed this and Reuben watched as Alric smiled; then he glanced at Mauvin and they laughed again. “Tell me, Hilfred, how are you at catching frogs?
Michael J. Sullivan (The Rose and the Thorn (The Riyria Chronicles, #2))
I was put in the cage, and Mother sniffed disapprovingly at the woman’s smell, which had been pressed into my fur. With a lurch, the truck started up again, and I was quickly distracted by the wonderful odors flowing through the cage as we moved down the road. I was riding in a truck! I barked in delight, Fast and Mother jerking their heads in surprise at my outburst. I couldn’t help myself; it was the most exciting thing that had ever happened in my whole life, including almost catching the frog. Fast seemed overcome with sadness, and it took me a moment to understand: Sister, his favorite companion, was gone, as lost to us as was Hungry. There was, I reflected, much more complexity to the world than I had supposed. It wasn’t just about Mother and my siblings hiding from people, hunting, and playing in the culvert. Larger events had the ability to change everything—events that were controlled by human beings.
W. Bruce Cameron (A Dog's Purpose Boxed Set)
Today, a Chinese factory hand leaves home around seven in the morning, makes her way through polluted streets to a sweatshop, and there operates the same machine, in the same way, day in, day out, for ten long and mind-numbing hours, returning home around seven in the evening in order to wash dishes and do the laundry. Thirty thousand years ago, a Chinese forager might leave camp with her companions at, say, eight in the morning. They’d roam the nearby forests and meadows, gathering mushrooms, digging up edible roots, catching frogs and occasionally running away from tigers. By early afternoon, they were back at the camp to make lunch. That left them plenty of time to gossip, tell stories, play with the children and just hang out. Of course the tigers sometimes caught them, or a snake bit them, but on the other hand they didn’t have to deal with automobile accidents and industrial pollution.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Willie, you better take Booboo for a long walk, a long, long walk,” Mom said immediately. “How come you’re out here?” “To catch you before your father does. He’s waiting for you in the kitchen.” She pursed her lipsticked lips for the kiss Willie gave her. “But what’d I do now? I mean, he doesn’t know what I did because I didn’t get home yet, did I?” Mom laughed her musical scale laugh. Willie often made her laugh. “It isn’t what you did; it’s Booboo.” “Oh-oh,” Willie said. “Booboo’s in trouble, too?
C.S. Adler (Willie, the Frog Prince)
One Day Eight Years Ago - Poem by Jibanananda Das It was heard: to the post-mortem cell he had been taken; last night—in the darkness of Falgoon-night When the five-night-old moon went down— he was longing for death. His wife lay beside—the child therewith; hope and love abundant__in the moonlight—what ghost did he see? Why his sleep broke? Or having no sleep at all since long—he now has fallen asleep in the post-mortem cell. Is this the sleep he’d longed for! Like a plagued rat, mouth filled with crimson froth now asleep in the nook of darkness; And will not ever awake anymore. ‘Never again will wake up, never again will bear the endless—endless burden of painful waking—’ It was told to him when the moon sank down—in the strange darkness by a silence like the neck of a camel that might have shown up at his window side. Nevertheless, the owl stays wide awake; The rotten still frog begs two more moments in the hope for another dawn in conceivable warmth. We feel in the deep tracelessness of flocking darkness The unforgiving enmity of the mosquito-net all around; The mosquito loves the stream of life awake in its monastery of darkness. From sitting in blood and filth, flies fly back into the sun; How often we watched moths and flies hovering in the waves of golden sun. The close-knit sky, as if—as it were, some scattered lives, possessed their hearts; The wavering dragonflies in the grasp of wanton kids Fought for life; As the moon went down, in the impending gloom With a noose in hand you approached the aswattha, alone, by yourself, For you’d learnt a human would ne’er live the life of a locust or a robin The branch of aswattha Had it not raged in protest? And the flock of fireflies Hadn’t they come and mingled with the comely bunch of daffodils? Hadn’t the senile blind owl come over and said: ‘the age-old moon seems to have been washed away by the surging waters? Splendid that! Let’s catch now rats and mouse! ’ Hadn’t the owl hooted out this cherished affair? Taste of life—the fragrance of golden corn of winter evening— seemed intolerable to you; — Content now in the morgue In the morgue—sultry with the bloodied mouth of a battered rat! Listen yet, tale of this dead; — Was not refused by the girl of love, Didn’t miss any joy of conjugal life, the bride went ahead of time and let him know honey and the honey of reflection; His life ne’er shivered in demeaning hunger or painful cold; So now in the morgue he lies flat on the dissection table. Know—I know woman’s heart—love—offspring—home—not all there is to things; Wealth, achievement, affluence apart there is some other baffling surprise that whirls in our veins; It tires and tires, and tires us out; but there is no tiring in the post mortem cell and so, there he rests, in the post mortem cell flat on the dissection table. Still I see the age-old owl, ah, Nightly sat on the aswattha bough Winks and echoes: ‘The olden moon seems to be carried away by the flooding waters? That’s splendid! Let’s catch now rats and mouse—’ Hi, granny dear, splendid even today? Let me age like you—and see off the olden moon in the whirlpool at the Kalidaha; Then the two of us will desert life’s abundant reserve.
Jibanananda Das (Selected Poems (English and Bengali Edition))