Catcher In The Rye Cigarettes Quotes

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Then I’d throw my automatic down the elevator shaft-after I’d wiped off all the fingerprints and all. Then I’d crawl back up to my room and call up Jane and have her come over and bandage up my guts. I pictured her holding a cigarette for me to smoke while I was bleeding and all. The goddam movies. They can ruin you. I’m not kidding.
J.D. Salinger (The Catcher in the Rye)
All these angels start coming out of the boxes and everywhere, guys carrying crucifixes and stuff all over the place, and the whole bunch of them - thousands of them - singing “Come All Ye Faithful” like mad. Big deal. It’s supposed to be religious as hell, I know, and very pretty and all, but I can’t see anything religious or pretty, for God’s sake, about a bunch of actors carrying crucifixes all over the stage. When they all finished and started going out the boxes again, you could tell they could hardly wait to get a cigarette of something. I saw it with old Sally Hayes the year before, and she kept saying how beautiful it was, the costumes and all. I said old jesus probably would’ve puked if he could see it.
J.D. Salinger (The Catcher in the Rye)
Finally, though, I’d leave the room without even taking a sock at him. I’d probably go down to the can and sneak a cigarette and watch myself getting tough in the mirror. Anyway, that’s what I thought about the whole way back to the hotel. It’s no fun to be yellow. Maybe I’m not all yellow. I don’t know. i think maybe I’m just partly yellow and partly the type that doesn’t give much of a damn if they lose their gloves.
J.D. Salinger (The Catcher in the Rye)
I went to my room and put some water on my hair, but you can't really comb a crew cut or anything. Then I tested to see if my breath stank from so many cigarettes and the Scotch and sodas I drank at Ernie's. All you do is hold your hand under your mouth and blow your breath up toward the old nostrils. It didn't seem to stink much, but I brushed my teeth anyway. Then I put on another clean shirt. I knew I didn't have to get all dolled up for a prostitute or anything, but it sort of gave me something to do. I was a little nervous. I was starting to feel pretty sexy and all, but I was a little nervous anyway. If you want to know the truth, I'm a virgin. I really am. I've had quite a few opportunities to lose my virginity and all, but I've never got around to it yet. Something always happens. For instance, if you're at a girl's house, her parents always come home at the wrong time – or you're afraid they will. Or if you're in the back seat of somebody's car, there's always somebody's date in the front seat – some girl, I mean – that always wants to know what's going on all over the whole goddam car. I mean some girl in front keeps turning around to see what the hell's going on. Anyway, something always happens. I came quite close to doing it a couple of times, though. One time in particular, I remember. Something went wrong, though – I don't even remember what any more. The thing is, most of the time when you're coming pretty close to doing it with a girl – a girl that isn't a prostitute or anything, I mean – she keeps telling you to stop. The trouble with me is, I stop. Most guys don't. I can't help it. You never know whether they really want you to stop, or whether they're just scared as hell, or whether they're just telling you to stop so that if you do go through with it, the blame'll be on you not them. Anyway, I keep stopping. The trouble is, I get to feeling sorry for them. I mean most girls are so dumb and all. After you neck them for a while, you can really watch them losing their brains. You take a girl when she really gets passionate, she just hasn't any brains. I don't know. They tell me to stop, so I stop. I always wish I hadn't, after I take them home, but I keep doing it anyway.
J.D. Salinger (The Catcher in the Rye)
Reiko deepened the wrinkles at the corners of her eyes and looked at me for a time. “You’ve got this funny way of talking,” she said. “Don’t tell me you’re trying to imitate that boy in Catcher in the Rye?” “No way!” I said with a smile. Reiko smiled too, cigarette in mouth. “You are a good person, though. I can tell that much from looking at you. I can tell these things after seven years of watching people come and go here: there are people who can open their hearts and people who can’t. You’re one of the ones who can. Or, more precisely, you can if you want to.
Haruki Murakami (Norwegian Wood (Vintage International))
In what must surely be considered one of the great lost scripts of history (or a Saturday Night Live sketch), Chase brought his usual sensibility to a trial run, having Kevin discover The Catcher in the Rye and start smoking cigarettes, drinking coffee, and conversing with the shade of Holden Caulfield.
Brett Martin (Difficult Men: Behind the Scenes of a Creative Revolution: From The Sopranos and The Wire to Mad Men and Breaking Bad)