The Space Merchants Quotes

You can't trust reason. We threw it out of the ad profession long ago and have never missed it.

There are only so many people capable of putting together words that stir and move and sing. When it became possible to earn a very good living in advertising by exercising this capability, lyric poetry was left to untalented screwballs who had to shriek for attention and compete by eccentricity.

[…] I began to see Algiers as one of the most fascinating and dramatic places on earth. In the small space of this beautiful but congested city intersected two great conflicts of the contemporary world. The first was the one between Christianity and Islam (expressed here in the clash between colonizing France and colonized Algeria). The second, which acquired a sharpness of focus immediately after the independence and departure of the French, was a conflict at the very heart of Islam, between its open, dialectical — I would even say “Mediterranean” — current and its other, inward-looking one, born of a sense of uncertainty and confusion vis-à-vis the contemporary world, guided by fundamentalists who take advantage of modern technology and organizational principles yet at the same time deem the defense of faith and custom against modernity as the condition of their own existence, their sole identity. […] In Algiers one speaks simply of the existence of two varieties of Islam — one, which is called the Islam of the desert, and a second, which is defined as the Islam of the river (or of the sea). The first is the religion practiced by warlike nomadic tribes struggling to survive in one of the world's most hostile environments, the Sahara. The second Islam is the faith of merchants, itinerant peddlers, people of the road and of the bazaar, for whom openness, compromise, and exchange are not only beneficial to trade, but necessary to life itself.

merchants who financed this expedition viewed it as a reconnaissance mission rather than a trading venture and little cargo was loaded on board the ships. Instead, all available space was converted into living space for the large number of men on board, a necessary feature of long voyages into the unknown. Many would die on the outward trip and for those that survived there was a cornucopia of tropical diseases awaiting them on their arrival in the East

Two crucial developments during the presidential campaign year of 1988 changed climate science forever. The first was the creation of the Intergovernmental Panel on Climate Change. The second was the announcement by climate modeler James E. Hansen, director of the Goddard Institute for Space Studies, that anthropogenic global warming had begun. An organized campaign of denial began the following year, and soon ensnared the entire climate science community.

It is shocking how little it has been necessary to defend the sheer reach of the attention merchant into the entirety of our lived experience. Formerly the state of technology imposed its own limits, but at a time when these limits have been effectively eliminated, it is for us to ask some fundamental questions: Do we draw any lines between the private and the commercial? If so, what times and spaces should we consider as too valuable, personal, or sacrosanct for the usual onslaught?

Being captain of such a vessel was not a stressful job, despite the sheer size of the thing. Everything was automated, and this meant that this behemoth could be efficiently handled by a far less seasoned captain. Besides, hiring mature skippers with actual experience would cost real money. And hey, the computers ran everything anyway – and that’s how Bran Johannsen enters this story – as a fine young inexperienced graduate of the Merchant Space Academy in Mars City, who only got his Executive Officer’s ticket four short years ago.

Mi sentido de la iniciativa, la cualidad que me había llevado a ser lo que era, estaba agonizando poco a poco. Las dosis mínimas de alcaloides me paralizaban la voluntad, pero peor aún era esa sensación de impotencia y desesperanza. Pensaba ya que así era el mundo, que nunca cambiaría, que al fin y al cabo esto no era tan terrible, que uno siempre podía entrar en trance ante una hermosa pantalla o emborracharse con Gaseosa, o probar una de esas cápsulas verdes que pasaban de mano en mano con diversas consignas. Los muchachos esperarían con agrado el día de cobro.

And as we stood there, a curious thing happened: a kind of window opened in the rain, just as if a cloud had been hitched aside like a curtain, and in the space between we saw a landscape that took our breath away. The high ground along which the road ran fell away through a black, woody belt, and beyond it, for more miles than you can imagine, lay the whole basin of the Black Country, clear, amazingly clear, with innumerable smokestacks rising out of it like the merchant shipping of the world laid up in an estuary at low tide, each chimney flying a great pennant of smoke that blew away eastward by the wind, and the whole scene bleared by the light of a sulphurous sunset. No one need ever tell me again that the Black Country isn't beautiful. In all Shrophire and Radnor we'd seen nothing to touch it for vastness and savagery. And then this apocalyptic light! It was like a landscape of the end of the world, and, curiously enough, though men had built the chimneys and fired the furnaces that fed the smoke, you felt that the magnificence of the scene owed nothing to them. Its beauty was singularly inhuman and its terror – for it was terrible, you know – elemental. It made me wonder why you people who were born and bred there ever write about anything else.

Greta's cedar hope chest Is full of pamphlets Glass shelves of romantic vignettes A journal laced with sedimentary prose Norma gathers and collects vintage photoplays Hair combs valentines Lillian allows the animals to scratch And the leather crack And the mail collect in the box as coatings peel Agnes veiled cathedral dweller Smiles with benevolent pain But it's Katrina's fair Tuesday morning As she with caution unlatches the flat door She alone cascades to the basement Careful not to spoil her Calico printed pinafore Composite traits and mannerists All others dissipate Marguerite vigilant She dwells upon frigid casements Sarah's thoughts in high velocity Accusations always pierce and pass Clara abandons her passions for distastes A Miss Lenora P. Sinclair Early for coffee in the pool "I'm resituating all your words" Capital Space Colon Paragraph Sylvia keeps beasts in jars labeled by Kingdom Phylum Class Order Family Genus Species But it's Katrina's fair Tuesday morning As she with caution unlatches the flat door She alone cascades to the basement Careful not to spoil her Calico printed pinafore Composite traits and mannerists All others dissipate Down the way a silk design This face is mine Tis I, Katrina! Katrina, I.

Isabelle heard another voice: the old merchant’s voice. He had done the same thing to her. He’d called her ugly. Defined her before she ever had a chance to define herself. In the space of a moment, he’d decided everything she was and ever would be. But now Isabelle saw something she’d never seen before—that the merchant hadn’t acted alone. He’d had an accomplice—she, herself. She’d listened to him. She’d believed him. She’d let him tell her who she was. And after him, Maman, suitors, the grand duke, Cecile, the baker’s wife, the villagers of Saint-Michel. “They cut away pieces of me,” she whispered in the darkness. “But I handed them the knife.

wide open falsehood the clandestine truths rival till the end in a series of duels pardon the drapery language I choose Waltz in Vienna has taught me to use every tall room a fiction leatherbound treasure books up to the ceiling gold spine upon spine the guile and the treason the faith and allegiance wide open falsehood the clandestine truths rival till the end in a series of duels pardon the drapery language I choose the author grew fat to imagine his lead pen careening gave voice to the scheming an Aryan cabale to dethrone the guile and the treason the faith and allegiance to the empire unknown the baron and his mistress dine in a fine banquet hall as rebel insurgents plot in the attic space crawl the guile and the treason the faith and allegiance now lie in my hand

Me habían vuelto a pagar y mi deuda había aumentado en ocho dólares. Me atormentaba a mí mismo preguntándome adónde iba a parar ese dinero, aunque yo lo sabía muy bien. Salía deshidratado del trabajo, como lo esperaba la compañía. Marcaba entonces mi combinación en la fuente y obtenía un chorro de Gaseosa; veinticinco centavos que volaban de mi sueldo. Como el chorro era escaso pedía otro; cincuenta centavos. La cena era insulsa, como siempre, y yo no podía pasar más de dos mordiscos de Gallina. En seguida sentía hambre y me iba a la cantina donde me daban a crédito algunas Crocantes. Las Crocantes me secaban la garganta y tenía que volver a la Gaseosa. Y la Gaseosa me daba ganas de comer. Comía otra Crocante... ¿Había pensado en todo esto Fowler Schocken cuando organizó Astromejor Verdadero, el primer trust esférico? ¿De la Gaseosa a las Crocantes, de las Crocantes a los Astro de los Astro a la Gaseosa? Y el dinero adelantado se pagaba con un interés del seis por ciento.

The rise of loneliness as a health hazard tracks with the entrenchment of values and practices that supersede any notion of "individual choices." The dynamics include reduced social programs, less available "common" spaces such as public libraries, cuts in services for the vulnerable and the elderly, stress, poverty, and the inexorable monopolization of economic life that shreds local communities. By way of illustration, let's take a familiar scenario: Walmart or some other megastore decides to open one of its facilities in a municipality. Developers are happy, politicians welcome the new investment, and consumers are pleased at finding a wide variety of goods at lower prices. But what are the social impacts? Locally owned and operated small businesses cannot compete with the marketing behemoth and must close. People lose their jobs or must find new work for lower pay. Neighborhoods are stripped of the familiar hardware store, pharmacy, butcher, baker, candlestick maker. People no longer walk to their local establishment, where they meet and greet one another and familiar merchants they have known, but drive, each isolated in their car, to a windowless, aesthetically bereft warehouse, miles away from home. They might not even leave home at all — why bother, when you can order online? No wonder international surveys show a rise in loneliness. The percentage of Americans identifying themselves as lonely has doubled from 20 to 40 percent since the 1980s, the New York Times reported in 2016. Alarmed by the health ravages, Britain has even found it necessary to appoint a minister of loneliness. Describing the systemic founts of loneliness, the U.S. surgeon general Vivek Murthy wrote: "Our twenty-first-century world demands that we focus on pursuits that seem to be in constant competition for our time, attention, energy, and commitment. Many of these pursuits are themselves competitions. We compete for jobs and status. We compete over possessions, money, and reputations. We strive to stay afloat and to get ahead. Meanwhile, the relationships we prize often get neglected in the chase." It is easy to miss the point that what Dr. Murthy calls "our twenty-first-century world" is no abstract entity, but the concrete manifestation of a particular socioeconomic system, a distinct worldview, and a way of life.

Below us was a frozen lake. It was perfectly round, a great gleaming eye in which the moon and stars were mirrored. Lanterns glowing the same cold white as the aurora dangled from the lake's edge to a scattering of benches and merchant-stands, draped in bright awnings of opal and blue. Delicious smells floated on the wind---smoked fish; fire-roasted nuts and candies; spiced cakes. A winter fair.* * Outside of Russia, almost all known species of courtly fae, and many common fae also, are fond of fairs and markets; indeed, such gatherings appear in stories as the interstitial spaces between their worlds and ours, and thus it is not particularly surprising that they feature in so many encounters with the Folk. The character of such markets, however, varies widely, from sinister to benign. The following features are universal: 1) Dancing, which the mortal visitor may be invited to partake in; 2) A variety of vendors selling foods and goods which the visitor is unable to recall afterwards. More often than not, the markets take place at night. Numerous scholars have attempted to document these gatherings; the most widely referenced accounts are by Baltasar Lenz, who successfully visited two fairs in Bavaria before his disappearance in 1899.

The Agricultural Revolution was history’s biggest fraud.2 Who was responsible? Neither kings, nor priests, nor merchants. The culprits were a handful of plant species, including wheat, rice and potatoes. These plants domesticated Homo sapiens, rather than vice versa. Think for a moment about the Agricultural Revolution from the viewpoint of wheat. Ten thousand years ago wheat was just a wild grass, one of many, confined to a small range in the Middle East. Suddenly, within just a few short millennia, it was growing all over the world. According to the basic evolutionary criteria of survival and reproduction, wheat has become one of the most successful plants in the history of the earth. In areas such as the Great Plains of North America, where not a single wheat stalk grew 10,000 years ago, you can today walk for hundreds upon hundreds of kilometres without encountering any other plant. Worldwide, wheat covers about 2.25 million square kilometres of the globe’s surface, almost ten times the size of Britain. How did this grass turn from insignificant to ubiquitous? Wheat did it by manipulating Homo sapiens to its advantage. This ape had been living a fairly comfortable life hunting and gathering until about 10,000 years ago, but then began to invest more and more effort in cultivating wheat. Within a couple of millennia, humans in many parts of the world were doing little from dawn to dusk other than taking care of wheat plants. It wasn’t easy. Wheat demanded a lot of them. Wheat didn’t like rocks and pebbles, so Sapiens broke their backs clearing fields. Wheat didn’t like sharing its space, water and nutrients with other plants, so men and women laboured long days weeding under the scorching sun. Wheat got sick, so Sapiens had to keep a watch out for worms and blight. Wheat was attacked by rabbits and locust swarms, so the farmers built fences and stood guard over the fields. Wheat was thirsty, so humans dug irrigation canals or lugged heavy buckets from the well to water it. Sapiens even collected animal faeces to nourish the ground in which wheat grew. The body of Homo sapiens had not evolved for such tasks. It was adapted to climbing apple trees and running after gazelles, not to clearing rocks and carrying water buckets. Human spines, knees, necks and arches paid the price. Studies of ancient skeletons indicate that the transition to agriculture brought about a plethora of ailments, such as slipped discs, arthritis and hernias. Moreover, the new agricultural tasks demanded so much time that people were forced to settle permanently next to their wheat fields. This completely changed their way of life. We did not domesticate wheat. It domesticated us. The word ‘domesticate’ comes from the Latin ‘domus’, which means ‘house’. Who’s the one living in a house? Not the wheat. It’s the Sapiens.

HOW TO USE THIS BOOK WHAT TO DO FIRST 1. Find the MAP. It will be there. No Tour of Fantasyland is complete without one. It will be found in the front part of your brochure, quite near the page that says For Mom and Dad for having me and for Jeannie (or Jack or Debra or Donnie or …) for putting up with me so supportively and for my nine children for not interrupting me and for my Publisher for not discouraging me and for my Writers’ Circle for listening to me and for Barbie and Greta and Albert Einstein and Aunty May and so on. Ignore this, even if you are wondering if Albert Einstein is Albert Einstein or in fact the dog. This will be followed by a short piece of prose that says When the night of the wolf waxes strong in the morning, the wise man is wary of a false dawn. Ka’a Orto’o, Gnomic Utterances Ignore this too (or, if really puzzled, look up GNOMIC UTTERANCES in the Toughpick section). Find the Map. 2. Examine the Map. It will show most of a continent (and sometimes part of another) with a large number of BAYS, OFFSHORE ISLANDS, an INLAND SEA or so and a sprinkle of TOWNS. There will be scribbly snakes that are probably RIVERS, and names made of CAPITAL LETTERS in curved lines that are not quite upside down. By bending your neck sideways you will be able to see that they say things like “Ca’ea Purt’wydyn” and “Om Ce’falos.” These may be names of COUNTRIES, but since most of the Map is bare it is hard to tell. These empty inland parts will be sporadically peppered with little molehills, invitingly labeled “Megamort Hills,” “Death Mountains, ”Hurt Range” and such, with a whole line of molehills near the top called “Great Northern Barrier.” Above this will be various warnings of danger. The rest of the Map’s space will be sparingly devoted to little tiny feathers called “Wretched Wood” and “Forest of Doom,” except for one space that appears to be growing minute hairs. This will be tersely labeled “Marshes.” This is mostly it. No, wait. If you are lucky, the Map will carry an arrow or compass-heading somewhere in the bit labeled “Outer Ocean” and this will show you which way up to hold it. But you will look in vain for INNS, reststops, or VILLAGES, or even ROADS. No – wait another minute – on closer examination, you will find the empty interior crossed by a few bird tracks. If you peer at these you will see they are (somewhere) labeled “Old Trade Road – Disused” and “Imperial Way – Mostly Long Gone.” Some of these routes appear to lead (or have lead) to small edifices enticingly titled “Ruin,” “Tower of Sorcery,” or “Dark Citadel,” but there is no scale of miles and no way of telling how long you might take on the way to see these places. In short, the Map is useless, but you are advised to keep consulting it, because it is the only one you will get. And, be warned. If you take this Tour, you are going to have to visit every single place on this Map, whether it is marked or not. This is a Rule. 3. Find your STARTING POINT. Let us say it is the town of Gna’ash. You will find it down in one corner on the coast, as far away from anywhere as possible. 4. Having found Gna’ash, you must at once set about finding an INN, Tour COMPANIONS, a meal of STEW, a CHAMBER for the night, and then the necessary TAVERN BRAWL. (If you look all these things up in the Toughpick section, you will know what you are in for.) The following morning, you must locate the MARKET and attempt to acquire CLOTHING (which absolutely must include a CLOAK), a SADDLE ROLL, WAYBREAD, WATERBOTTLES, a DAGGER, a SWORD, a HORSE, and a MERCHANT to take you along in his CARAVAN. You must resign yourself to being cheated over most prices and you are advised to consult a local MAGICIAN about your Sword. 5. You set off. Now you are on your own. You should turn to the Toughpick section of this brochure and select your Tour on a pick-and-mix basis, remembering only that you will have to take in all of it.

After that they had the presents. Those from the guests to the hosts were chiefly a disguised dole: tins or pots of more or less luxurious food, bottles of hard liquor, wide-spectrum gift tokens. Hosts showered guests with diversely unwearable articles of clothing: to Keith from Adela, a striped necktie useful for garroting underbred rivals in his trade; to Tracy from George, a liberation-front lesbian's plastic apron. Under a largely unspoken kind of non-aggression pact, the guests gave one another things like small boxes of chocolates or very large boxes of matches with (say) aerial panoramas of Manhattan on their outsides and containing actual matches each long enough, once struck, to kindle the cigarettes of (say) the entire crew of a fair-sized merchant vessel, given the assembly of that crew in some relatively confined space. Intramural gifts included a bathroom sponge, a set of saucepans, a cushion in a lop-sided cover, a photograph-frame wrought by some vanished hand and with no photographs in it, an embroidered knitting bag. Keith watched carefully what Bernard gave, half expecting a chestnut-coloured wig destined for Adela, or a lavishly-illustrated book on karate for George, but was disappointed, although he savored Bernard's impersonation of a man going all out to hide his despondency as he took the wrappings off present after useless, insultingly cheap, no doubt intended to be facetious, present.

Like many other merchant vessels, the Sea Venture was armed. Though England and Spain had signed a peace treaty in 1604, soon after James took the English throne, there were still scores of Spanish vessels sailing the Atlantic and the Caribbean just waiting to fall on ships like the Sea Venture. And since the Spanish continued their claim to the lands the English knew as Virginia, the company had every reason to fear Spanish attempts to keep it from resupplying Jamestown. The “admiral” herself carried sixteen cannon and at least one small swivel gun that could be used to repel boarders. To save space below, where passengers and stores would be jam-packed for the voyage, these heavy guns were mounted on the Sea Venture’s upper deck instead of on the main deck, or in the ’tween deck area, their usual location. As Newport and Somers looked at the heavy cannon—minions that weighed 1,500 pounds each, sakers that weighed 3,500 pounds, and demi-culverins that tipped the scales at 4,500 pounds each, as well as the smallest of the guns, falconers, that weighed as much as two large men—their eyes would have narrowed with concern as they imagined how all that weight topside would unbalance the vessel in strong seas and high winds.

only reason that the three of them were there, that Molly was there, instead of just him and his mom, was because of the space station. Jack wondered how many people could have been saved if they’d invested in a colony on the moon, or even Mars. Hell, even a proper orbital station would have been better than this. He

The merchant's success depends on his or her ability to tell a story. What people see or hear or smell or do when they enter a space guides their feelings, enticing them to celebrate whatever the seller has to offer.

There are many stories about seagoing cats. My research indicates that cats were domesticated about 9,500 years ago. I really don’t know anyone who was around at that time to verify this, but I also don’t have any reason to doubt this little bit of trivia. It is documented that the Egyptians who kept cats around to bring the good luck, also used them to catch thicket birds that lived in the tall grass along the riverbanks. I guess that these small birds were a treat and a welcome substitute for the usual river fish that the sailors would catch with hooks fashioned from bones. In time it was the Phoenicians who inadvertently brought cats from the middle east to Europe. It seems that sailors had cats with them on their ships from the beginning of recorded history. They successfully used the excuse that the cats would keep the rat population under control. I don’t believe that this was really true since there are stories of where the cat befriended the rats, but in most cases the cats did keep the rats from invading their living spaces. Six-toed cats were thought to be better hunters and to this day many islands in remote areas are overrun by these cats and rats that managed to get ashore from ships that foundered along the island’s shore. Sailors are notoriously superstitious and have always believed that cats can predict the weather and bring luck. There are many accounts concerning this and there may be some truth to this but you’ll have to be the judge. Because of their sensitive inner ears cats can sense barometric pressure drops, indicating foul weather and being warned frequently crawl into their safe hidey-hole prior to a storm. A cat named Oscar, or Oskar in German, was the mascot on the German Battle Cruiser Bismarck when she was sunk by the British. Found floating on a wooden plank, Oskar was rescued by the crew of the British ship the HMS Cossack. No sooner recued and with Oskar renamed Oscar, the HMS Cossack was sunk by the Germans. This time Oscar was rescued by the crew of the HMS Arc Royal, which was then also sunk by the German navy. Not believing their bad luck the Brit’s blamed poor Oscar and renamed the cat to the German Oskar. Thinking Oskar to be the harbinger of bad luck they contacted the German Navy and offered to return their cat. The Germans refused the offer, so the British retired Oskar to a home in Plymouth, England. This time they banned poor Oskar from ever sailing on a British Naval Vessel again and changed his name to Sam. The British Navy banned cats from sailing on British war ships in 1975. Even though the British Navy has banned cats from their ships, other countries and merchant ships still have cats aboard.

Blood vessels, from aorta to capillaries, form another kind of continuum. They branch and divide and branch again until they become so narrow that blood cells are forced to slide through single file. The nature of their branching is fractal. Their structure resembles one o f the monstrous imaginary objects conceived by Mandelbrot's turn-of-the-century mathematicians. As a matter of physiological necessity, blood vessels must perform a bit of dimensionless magic. Just as the Koch curve, for example, squeezes a line of infinite length into a small area, the circulatory system must squeeze a huge surface area into a limited volume. In terms of the body's resources, blood is expensive and space is at a premium. The fractal structure nature has devised works so efficiently that, in most tissue, no cell is ever more than three or four cells away from a blood vessel. Yet the vessels and blood take up little space, no more than about five percent of the body. It is, as Mandelbrot put it, the Merchant of Venice Syndrome-not only can't you take a pound of flesh without spilling blood, you can't take a milligram.

The American presidential election is a drawn-out, byzantine process that involves precinct meetings, regional caucuses, state primaries and national conventions, all to give citizens the impression that their participation matters, for in the end, the lying buffoon who gets to stride into the White House has long been vetted and preselected by the banks, death merchants and brainwashing media that run our infernally corrupt and murderous country. It's foolish to expect a system to allow anyone who threatens it to the least degree to rise to the very top, for all those who benefit from this system will do all they can to snuff out such a pest each step of the way. He'd be lucky to get a job teaching freshmen English at the community college, and is as out of place in this bloody scheme as an Iowa beaver trapper at a Hamptons pool party. As for dissidents who get print space or airtime, they are but harmless, distracting foils or court jesters. Since voting cannot change the system but legitimizes it, voters become collaborators in all of the system's crimes, as well as their own destruction, for the system works against nearly all of them.

In those paintings, angels clustered around the living and the dead who sit peaceably on thrones, making signs with their hands. Just outside the garden walls is regular life, there are normal streets with dogs and puddles, and merchants and money changers go about their business, and farmers are working in the fields, but inside those hidden, holy spaces, these solemn people are outside of time. They are beyond hurt, beyond wounding.

Another great resource is podcasts, but these generally take time to sift through. I think the best all-around podcast comes from the heavyweights at Andreessen Horowitz (stylized as “a16z”). The a16z podcast has become a true force in understanding any given sector through interviews with thought leaders and great entrepreneurs in their space. I began to develop an interest in the bitcoin blockchain protocol, how it works, and if a blockchain network independent of bitcoin (or any other currency) could really exist in the long-term. Aside from the incredible reporting and research coming out of the CoinDesk news site, there seems to be no better resource than a16z’s interview with the CEO of Chain, Adam Ludwin. In a16z’s “Blockchain vs./ and Bitcoin,” Adam explained what bitcoin is, its limitations, and how blockchain can prosper and create decentralized networks for other financial instruments and stores of value like merchant-issued currency (gift card transfer), airtime on a mobile phone, energy credits on a grid and even tokens for machine-to-machine communication as we enter into the internet-of-things (IoT) and the autonomous vehicle era. The Product Hunt, Rocketship.fm and Accidental Creative podcasts are also not bad places to start.

Il n'y a qu'une chose qui puisse arrêter le cheminement d'un peintre et c'est le succès. Van Gogh a vu cela bien avant moi. La peinture est un cheminement dans l'espace - et non dans le temps. Le peintre cherche en permanence la couleur et le style. S'il rencontre le succès, il bloque son style, il le fige. Pourquoi ? Simplement parce que l'acheteur - le marchand - demande uniquement le style qui se vend, le style qui a du succès. Voyez Pablo Picasso, Salvador Dali ou Bernard Buffet...etc, etc. L'artiste connu et reconnu est condamné, à vie, à se copier lui-même ; à copier un moment de son cheminement. Alphonse Daudet disait que le succès (la gloire), c'était la même chose que de fumer un cigare par l'autre bout. Le bout de la braise; donc. Et il avait raison. Mais comme personne n'a le choix - s'agissant du destin - on se situe ici par-delà le bien et le mal et tout jugement moral n'a ici aucune portée *** There is only one thing that can stop the pathway of an artist and this thing is called : success. Van Gogh wrote it long before me. Painting is a pathway through space - and not through time. The painter is constantly looking for new color and new style. If he meets success, he blocks his style, he freezes it. Why ? Simply because the buyer - the merchant - asks only for the style that can be sold, the style that is successful. See Pablo Picasso, Salvador Dali, Bernard Buffet ... etc, etc. The successful artist is therefore condemned, for life, to copy himself; to copy a moment of his pathway. Alphonse Daudet said that success (glory) was the same as smoking a cigar on the other side. The side of the embers. And he was right. But since no one has the choice - when it comes about fate - we are here beyond good and evil and any moral judgment has no value.

Demand comes in two flavors: natural and artificial. The demand of the hungry to eat something is natural. The same is true for demands related to clothing, shelter, air, and not being murdered. All are as natural as interstellar radiation. The trouble with natural demand is that it can be easily sated. You can only eat or drink so much without rupturing your gastrointestinal system, after all. But artificial demand is different. It’s manufactured. Think of the last product you purchased for a reason other than survival. Was it related to entertainment? Late-night lust? Doesn’t matter. You could’ve bumbled through your existence just fine without it, yet you chose to purchase it because somebody, somewhere, wanted your money. And you forked it over without thinking of that, right? They wanted you to want it, and you played along. The merchants of the universe thank you for playing.

The day after Luke witnessed the orbital space battle through his macrobinoculars, a group of Jawa merchants sold two droids to Owen Lars. One of the droids, an astromech unit named R2-D2, carried a secret message for someone named Obi-Wan Kenobi. And Luke Skywalker’s life was forever changed.

I enjoy working in morally ambiguous spaces,” Peretti said in 2013, “I find that is where the most interesting stuff happens.” Distinctions between news, opinion, entertainment, and native ads continued to blur.

He did not know that he was only a neutron ambling toward events.

You, too, can be part of the Imperial family,” a recorded voice boomed from the speakers located above the spaceport’s Imperial security station. “Don’t just dream about applying for the Academy, make it come true! You can find a career in space: Exploration, Starfleet, or Merchant Service. Choose from navigation, engineering, space medicine, contact/liaison, and more! If you have the right stuff to take on the universe, and standardized examination scores that meet the requirements, dispatch your application to the Academy Screening Office, care of the Commandant, and join the ranks of the proud!

While her mother worked, Megara took care of their own life- cleaning their rented spaces, cooking so her mother wouldn't have to after a backbreaking day, and minding the money her mother brought home. If young Megara had learned anything from her time with her father, it was to hold on to her drachmas. She counted and recounted what her mother earned and learned to keep a budget for food so that they wouldn't go hungry if they could help it. And though girls weren't afforded school, Meg taught herself to read using the stone signs in the square, stealing Homer's works out of the school-aged boys' bags when she could. She watched the merchants in the market accept payment from shoppers, learning how to count coins and what each one meant.

Increase of population was always good news to us. More people, more sales.

His words were noble, even in such a cause. I hated the twisted minds who had done such a thing to a fine consumer like Gus. It was something like murder. He could have played his part in the world, buying and using and making work and profits for his brothers all around the globe, ever increasing his wants and needs, ever increasing everybody's work and profits in the circle of consumption, raising children to be consumers in turn. It hurt to see him perverted into a sterile zealot.

For cultivators and artisans the northern world was a smaller place in winter, and became intractably large for rulers, merchants, and anyone else whose business concerned the disposition of resources in space.

Now that the sit-in organizers had "the ball rolling," they had another trick up their sleeves. "As you know, black people like to dress," Richard Hall said. "So at Easter everybody would go out and buy an outfit generally, if they could afford it." In fact, according to Dr. Hereford, the Easter clothing splurge was the largest purchase most black Huntsvillians made all year (the second largest being for Christmas toys). On a visit to Nashville in the middle of the Huntsville protests, Hereford learned about a protest called "Blue Jean Easter" where African Americans, "instead of buying $100 suits and $100 dresses, they decided to spend five dollars on a pair of blue jeans for Easter, and I brought the idea back to Huntsville...The economic toll downtown was enormous. "There were twenty thousand black people in Madison County," Hereford said, "and ten thousand in the city, and if there are even ten thousand black people failing to buy $90 or $100 Easter outfits, that's a lot of money and losses for the merchants downtown. It could cost them a million dollars or more." As an extra, aded dig at the storeowners, Hereford said, people did not even buy their blue jeans in Huntsville...

At the time of the Blitz a plan was presented in all seriousness for the building of an enormous Anti-aircraft Mountain, thousands of feet high, in Kent. From this, its sponsor explained, gunners would be able to shoot down the highest-flying bombers raiding London! And at various times plans came to D.M.W.D. for a space-ship; a gun for merchant vessels which squirted columns of water at approaching aircraft, presumably with the object of drowning the pilot in mid-air; and a weird and wonderful machine for manufacturing artificial tidal waves in the Pacific. Its inventor claimed that this would disorganize the Japanese defence system by washing all their outlying garrisons off the smaller coral atolls!

America may be losing a competitive edge in many enterprises, from cars to space, riffed National Public Radio host Scott Simon in the summer of 2010, "but as long as we can devise a five-bladed, mineral-oil-saturated razor, we face the future well-shaved.

him leap now, bargain and knives forgotten. Fip fluted a farewell, and Blade absently lifted a hand in response, his attention focused on the leashed energy all but vibrating through Ichys. She said nothing while they cleared the maze of stalls and merchants, and still nothing as they made their way through the twisting halls of Whispering Fear’s den. Once they’d reached Ichys’s alcove, she shoved him down on their shared nest of cushions and fabric, and closed them inside. He was fairly sure this meant neither attack, nor that he’d been found out, nor that she’d simply needed to mate, and so he waited, watching the surge of nerves and emotions ripple through her. “The simplest way to join a clan is by being taken as a mate,” she said, pacing in the small space, her eyes fixed on his. “I would hardly call it simple, if done properly,” he demurred, wondering if she was about to ask him something formal. Wondering what he would say if she did. “No jokes.” She waved at him impatiently, paced two more paths through the alcove, then came to a stop and took a breath. “I’m pregnant.” Shock struck, his every claw briefly extended, ears flattened in confusion. He stared back at her for several long moments, not a single thought moving through his usually busy mind. Then he realized the import, and moved, launching across the room, stopping just short of her, and winding his body around hers. “I did it all to secure a life with Whispering Fear,” he said in her ear, taking the buffet of her front leg against his head as his due for such a ridiculous comment. He wanted, more than anything, to tell his dama, and to see Susa’s face brighten in that Human way it had when they had unbearably good news. The inability to do so, to not even discuss Susa with Ichys, made him want to leave the room, find Dirrys, and bury his claws

In this, he was fueled by a diet of liver paté on crackers, an artery-clogging repast sometimes served by a questionable new interest of his: an Irish merchant seaman with a room down the hall named Peter Arthurs.