Catch And Release Quotes

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Chin up. There are other fish in the sea. It's a big ocean. Sometimes we need to catch and release a few before we find the keeper.
Kasie West (The Fill-In Boyfriend)
His feelings for Adam were an oil spill; he’d let them overflow and now there wasn’t a damn place in the ocean that wouldn’t catch fire if he dropped a match. <...> “Headlights? That’s hardcore, Parrish.” Ronan held out his hand; Adam took it. Ronan hauled him up, his mind all palm against palm, thumb crossed over thumb, fingers pressed into wrist bone – and then Adam was facing him and he released his hand. The ocean burned.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Open yourself to an encounter with heaven, be as a little child. Release your desire to the winds of the universe. Trust your angels to catch your wish and bring it to you in a delightfully surprising way.” - Doreen Virtue
Doreen Virtue
If you fishin' for a friend you just gon' catch and release, then I ain't got no desire to be your friend... "But if you is lookin' for a real friend, then I'll be one. Forever.
Ron Hall (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
This afternoon, burn down the house. Tomorrow, pour critical water upon the simmering coals. Time enough to think and cut and rewrite tomorrow. But today-explode-fly-apart-disintegrate! The other six or seven drafts are going to be pure torture. So why not enjoy the first draft, in the hope that your joy will seek and find others in the world who, by reading your story, will catch fire, too?
Ray Bradbury (Zen in the Art of Writing: Releasing the Creative Genius Within You)
I am not the girl you want to sleep with every week. I’m the chase. The one you catch and then release.
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
Read poetry every day of your life. Poetry is good because it flexes muscles you don’t use often enough. Poetry expands the senses and keeps them in prime condition. It keeps you aware of your nose, your eye, your ear, your tongue, your hand. And, above all, poetry is compacted metaphor or simile. Such metaphors, like Japanese paper flowers, may expand outward into gigantic shapes. Ideas lie everywhere through the poetry books, yet how rarely have I heard short story teachers recommending them for browsing. What poetry? Any poetry that makes your hair stand up along your arms. Don’t force yourself too hard. Take it easy. Over the years you may catch up to, move even with, and pass T. S. Eliot on your way to other pastures. You say you don’t understand Dylan Thomas? Yes, but your ganglion does, and your secret wits, and all your unborn children. Read him, as you can read a horse with your eyes, set free and charging over an endless green meadow on a windy day.
Ray Bradbury (Zen in the Art of Writing: Releasing the Creative Genius Within You)
I heard that when white folks go fishin they do somethin called 'catch and release.' Catch and release? I nodded solemnly, suddenly nervous and curious at the same time. 'That really bothers me', Denver went on. 'I just can't figure it out. 'Cause when colored folks go fishin, we really proud of what we catch, and we take it and show it off to everybody that'll look. Then we eat what we catch...in other words, we use it to SUSTAIN us. So it really bothers me that white folks would go to all the trouble to catch a fish, when when they done caught it, just throw it back in the water.' He paused again, and the silence between us stretched a full minute. Then: 'Did you hear what I said?' I nodded, afraid to speak, afraid to offend. Denver looked away, searching the blue autumn sky, then locked onto me again with that drill-bit start. 'So, Mr. Ron, it occurred to me: If you is fishin for a friend you just gon' catch and release, then I ain't got no desire to be your friend.' I returned Denver's gaze with what I hoped was a receptive expression and hung on. Suddenly his eyes gentled and he spoke more softly than before: 'But if you is lookin for a REAL friend, then I'll be one. Forever.
Ron Hall (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
The magic of boy meets girl, the angst of catch and release, the serendipity of meant-to-be, It doesn't matter if a romantic comedy follows a predictable course, we respond because it's rooted in truth. In magic.
Victoria Van Tiem (Love Like the Movies)
That peace did not come easily. I spent two years enumerating my father’s flaws, constantly updating the tally, as if reciting every resentment, every real and imagined act of cruelty, of neglect, would justify my decision to cut him from my life. Once justified, I thought the strangling guilt would release me and I could catch my breath. But vindication has no power over guilt. No amount of anger or rage directed at others can subdue it, because guilt is never about them. Guilt is the fear of one’s own wretchedness. It has nothing to do with other people. I shed my guilt when I accepted my decision on its own terms, without endlessly prosecuting old grievances, without weighing his sins against mine. Without thinking of my father at all. I learned to accept my decision for my own sake, because of me, not because of him. Because I needed it, not because he deserved it.
Tara Westover (Educated)
Gwynn, she was always talking about wanting to be drunk and honestly I did want to encourage that, I wanted to go to a bar with her and let all the stuff sobriety pushed down be released so I could catch it in my palms and finally kiss her. She was just so sad. Melancholy was a fleshy wave permanently cresting on her face, she had to speak through it when she talked.
Michelle Tea (Valencia)
A monster always has a vulnerability
Blythe Woolston (Catch & Release)
The other six or seven drafts are going to be pure torture. So why not enjoy the first draft, in the hope that your joy will seek and find others in the world who, reading your story, will catch fire, too?
Ray Bradbury (Zen in the Art of Writing: Releasing the Creative Genius Within You)
It may be a slow release but when she lets go, I’ll be there; she will fall and when she does... I'll be there to catch her.
Suzanne Steele (Slow Release (Ebony and Ivory #1))
Love is all tangled up with worry, but you can't cast out into the world until the line is untangled.
Blythe Woolston (Catch & Release)
Have fun,” she yells as I shut the door. That’s my plan - a night of fun with a game of catch and release.
C.M. Owens (Daughter Trilogy Bundle (Daughter Trilogy, #1-3))
64. Surprising and Distressing Things While one is cleaning a decorative comb, something catches in the teeth and the comb breaks. A carriage overturns. One would have imagined that such a solid, bulky object would remain forever on its wheels. It all seems like a dream -- astonishing and senseless. A child or grown-up blurts out something that is bound to make people uncomfortable. All night long one has been waiting for a man who one thought was sure to arrive. At dawn, just when one has forgotten about him for a moment and dozed off, a crow caws loudly. One wakes up with a start and sees that it is daytime -- most astonishing. One of the bowmen in an archery contest stands trembling for a long time before shooting; when finally he does release his arrow, it goes in the wrong direction.
Sei Shōnagon (The Pillow Book)
The earlier you catch defects, the cheaper they are to fix.
David Farley (Continuous Delivery: Reliable Software Releases through Build, Test, and Deployment Automation)
She went to get to her feet and stumbled a bit, still off balance, and I caught her in my arms. She gave me a broken smile. "You're good at that." "At what?" "Catching me." "Well, it would be best if you'd stop falling." "Trust me"--she released a weighted breath--I'm trying.
Brittainy C. Cherry (The Wreckage of Us)
I didn’t know I was swearing fealty to a lunatic.’ For a moment Artt can’t catch his breath. ‘I see now you won’t rest till you’ve made this island a hell on earth,’ Cormac says. ‘I release myself from my vows.
Emma Donoghue (Haven)
In your life, you will inevitably: misspeak, trust the wrong person, underreact, overreact, hurt the people who didn't deserve it, overthink, not think at all, self sabotage, create a reality where only your experience exists, ruin perfectly good moments for yourself and others, deny any wrongdoing, not take the steps to make it right, feel very guilty, let the guilt eat at you, hit rock bottom, finally address the pain you caused, try to do better next time, rinse, repeat. These mistakes will cause you to lose things. But, losing things doesn't just mean losing. A lot of the time, when we lose things, we gain things too. Life can be heavy, especially if you try to carry it all at once. Part of growing up and moving into new chapters of your life is about catch and release; you can't carry all things, decide what is yours to hold and let the rest go. Oftentimes, the good things in your life are lighter anyway, so there's more room for them. NEVER BE ASHAMED OF TRYING.
Taylor Swift
Growing up, I was the champion of spiders and moths in my house, catching and releasing them for my mother at great personal risk.
John L. Monk (Kick (Jenkins Cycle, #1))
Zane liked his love life simple: catch and release, and then move on. The problem was, Missy wasn't anything like his usual prey.
Cat Johnson (Saved by a SEAL (Hot SEALs, #2))
My own reasoning was certainly complicated, so much so that I can’t fully explain it. At some level, I’m sure I viewed the act of releasing fish as a form of contrition. There was definitely a connection in my mind—or reverse connection, as it were—between killing upward of a thousand furbearing mammals for money and then spending money in order to let other creatures live. And while one might argue that you can do a better job of letting things live by not catching them in the first place, you can’t actively let them live until you’ve had a chance to kill them.
Steven Rinella (Meat Eater: Adventures from the Life of an American Hunter)
The whole skin has this delightful sensitivity; it feels the sun, it feels the wind running inside one's garment, it feels water closing on it as one slips under - the catch in the breath, like a wave held back, the glow that releases one's entire cosmos, running to the ends of the body as the spent wave runs out upon the sand. This plunge into the cold water of a mountain pool seems for a brief moment to disintegrate the very self; it is not to be borne: one is lost: stricken: annihilated. Then life pours back.
Nan Shepherd (The Living Mountain)
Why, I . . . I still like you.” Nerves fluttered in her chest, but she kept her tone light. “Do you like me?” A few moments passed in silence. She would have counted them in heartbeats, but her foolish heart had become a most unreliable timepiece. It gave three pounding beats in a flurry, then none at all. Just when she’d begun to despair, he turned his head, catching her in a passionate, openmouthed kiss. He put both arms around her, fisting his hands in the fabric of her dress, lifting her up and against his chest. So that her body recalled every inch of his, every second of their blissful lovemaking. The now-familiar ache returned—that sweet, hollow pang of desire that only deepened as his tongue flickered over hers. In a matter of seconds, he had her gasping. Needing. Damp. Then he set her back on her toes. Pressed his brow to hers and released a deep, resonant sigh. And just before turning to leave, he spoke a single word. He said, “No.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
On top of his grudge holding, he had a reputation for impatience. Like so many brilliant people, Calvin just couldn’t understand how no one else got it. He was also an introvert, which isn’t really a flaw but often manifests itself as standoffishness. Worst of all, he was a rower. As any non-rower can tell you, rowers are not fun. This is because rowers only ever want to talk about rowing. Get two or more rowers in a room and the conversation goes from normal topics like work or weather to long, pointless stories about boats, blisters, oars, grips, ergs, feathers, workouts, catches, releases, recoveries, splits, seats, strokes, slides, starts, settles, sprints, and whether the water was really “flat” or not. From there, it usually progresses to what went wrong on the last row, what might go wrong on the next row, and whose fault it was and/or will be. At some point the rowers will hold out their hands and compare calluses. If you’re really unlucky, this could be followed by several minutes of head-bowing reverence as one of them recounts the perfect row where it all felt easy.
Bonnie Garmus (Lessons in Chemistry)
By the time the day to be released arrived, I was grateful that my father had passed on. If he had raised me on his own, it was almost certain that we were close, and that he loved me a great deal. For all I knew, I had been his whole world. How would it be to have a son who couldn't remember playing catch with you, who couldn't remember all the scrapes you'd got him out of as a kid, and who didn't love you anymore because he didn't know you? I was saddened he was dead, but glad I didn't have to hurt him.
Bobby Underwood (Dark Corridor)
Another sob came, harder than the first, but she couldn't cover her face and her mastectomy scars at the same time when he raised his head. When she tried, Luke merely caught her wrists and lightly pinned them on either side of her head. "It's all right, Em. Tears are part of this," he whispered, bending to kiss them away. He moved gently within her, another tender caress that soothed as much as it stimulated. It broke the seal on the dam of her tears. They came out in a quiet rush while he stayed above her, eyes on her face as he murmured soothing things she didn't quite catch. And when the tears slowed, she looked up into his handsome face with a sniffle and the smile he gave her filled her heart to overflowing. Dear God she loved him. Had always loved him and would never love another man but him. Her heart had known it all along. And so had her body. Still, she tensed when he released one of her wrists to touch the skin beneath her right collarbone. Luke shook his dark head, those liquid eyes looking right into her soul. "I won't let you hide from me. Or from yourself." Embedded deep inside her, he raised his upper body to gaze at her, and all she could do was close her eyes in resistance. "Look at me." After a long hesitation, she did. He stared down at her with a powerful mixture of tenderness and hunger. "You think a scar's going to change how I see you? Feel about you?" She swallowed and struggled to find her voice. "It's ugly." "You're beautiful to me, Em. Always." She opened her mouth to say something but he leaned down to kiss her again. "Give me your hand," he coaxed, his voice a seductive whisper. She did, tentatively, and his fingers closed around hers in a warm grip. Strong and reassuring. "Accept who you are. Be proud of your body. It's fighting a war for you.
Kaylea Cross
When you travel you become invisible if you want. I do want. I like to be the observer. What makes these people who they are Could I feel at home here No one expects you to have the stack of papers back by Tuesday or to check messages or to fertilize the geraniums or to sit full of dread in the waiting room at the protologist’s office. When travelling you have the delectable possibility of not understanding a word of what is said to you. Language becomes simply a musical background for watching bicycles zoom along a canal calling for nothing from you. Even better if you speak the language you catch nuances and make more contact with people. Travel releases spontaneity. You become a godlike creature full of choice free to visit the stately pleasure domes make love in the morning sketch a bell tower read a history of Byzantium stare for one hour at the face of Leonardo da Vinci’s Madonna dei fusi. You open as in childhood and – for a time – receive this world. There’s the visceral aspect too – the huntress who is free. Free to go Free to return home bringing memories to lay on the hearth.
Frances Mayes (A Year in the World: Journeys of a Passionate Traveller)
There is no necessity for nervousness," said the turbaned man, the light catching like sequins in the moon craters of his cheeks. "Your hand shows a calm and sanguine life. You will never want. You will never suffer any serious illness or misfortune. You will marry where you wish and where it is auspicious. You will have one child, a boy, easily and without peril. You will live into a long and comfortable old age." He released her hand and, rather astonishing her, it dropped down limp and cold. "You will," he said, "Be very unhappy.
Tanith Lee (Heart-Beast)
Hate will cause you to "catch a case". Release yourself from your own personal jail before you are put in the real one for life! It ain't worth it!!
Anita R. Sneed-Carter
Prayer is the “oil” with which we fuel our spiritual lives, that we might be ready for whatever the Lord sends our way. Remember, nothing catches a praying person by surprise!
Kynan Bridges (The Power of Prophetic Prayer: Release Your Destiny)
Faith,” she says, “is a catch-and-release sport. And standing at the altar receiving the bread and wine is the release part.
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
I do my best, thinking of them one by one, releasing them like birds from the protective cages inside me, locking the doors against their return.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
believe me when I say that if it released its grip on the districts for even a short time, the entire system would collapse.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
It's a good moment, which is all you can count on or hope for, I think. Tiny little good moments that you catch like a firefly, and just life fireflies, you have to release them, because the whole point is that they're tiny and little and need to be with other fireflies. They aren't a pet. They aren't yours to keep. They're just moments. They're just fireflies.
Tim Federle (The Great American Whatever)
Why didn't you escape?" "Because," she panted, releasing the boy's arm, "no one tells me what to do, not even you. And besides, if you didn't catch it before, I 'm awfully fond of you.
Joe DeRouen (Small Things (Small Things #1))
My life will never be extravagant; it will be simple, but I promise it will be filled with love, laughter, and stars released from jars, when I catch enough fireflies. ~Elijah Dirk "Epitaphs from the Afterlife
Autumn Rosen
All of these are signs “that our societal structures are failing to keep pace with the rate of change,” he said. Everything feels like it’s in constant catch-up mode. What to do? We certainly don’t want to slow down technological progress or abandon regulation. The only adequate response, said Teller, “is that we try to increase our society’s ability to adapt.” That is the only way to release us from the society-wide anxiety around tech. “We can either push back against technological advances,” argued Teller, “or we can acknowledge that humanity has a new challenge: we must rewire our societal tools and institutions so that they will enable us to keep pace.
Thomas L. Friedman (Thank You for Being Late: An Optimist's Guide to Thriving in the Age of Accelerations)
Six express tracks and twelve locals pass through Palimpsest. The six Greater Lines are: Stylus, Sgraffito, Decretal, Foolscap, Bookhand, and Missal. Collectively, in the prayers of those gathered prostrate in the brass turnstiles of its hidden, voluptuous shrines, these are referred to as the Marginalia Line. They do not run on time: rather, the commuters of Palimpsest have learned their habits, the times of day and night when they prefer to eat and drink, their mating seasons, their gathering places. In days of old, great safaris were held to catch the great trains in their inexorable passage from place to place, and women grappled with them with hooks and tridents in order to arrive punctually at a desk in the depth, of the city. As if to impress a distracted parent on their birthday, the folk of Palimpsest built great edifices where the trains liked to congregate to drink oil from the earth and exchange gossip. They laid black track along the carriages’ migratory patterns. Trains are creatures of routine, though they are also peevish and curmudgeonly. Thus the transit system of Palimpsest was raised up around the huffing behemoths that traversed its heart, and the trains have not yet expressed displeasure. To ride them is still an exercise in hunterly passion and exactitude, for they are unpredictable, and must be observed for many weeks before patterns can be discerned. The sport of commuting is attempted by only the bravest and the wildest of Palimpsest. Many have achieved such a level of aptitude that they are able to catch a train more mornings than they do not. The wise arrive early with a neat coil of hooked rope at their waist, so that if a train is in a very great hurry, they may catch it still, and ride behind on the pauper’s terrace with the rest of those who were not favored, or fast enough, or precise in their calculations. Woe betide them in the infrequent mating seasons! No train may be asked to make its regular stops when she is in heat! A man was once caught on board when an express caught the scent of a local. The poor banker was released to a platform only eight months later, when the two white leviathans had relinquished each other with regret and tears.
Catherynne M. Valente (Palimpsest)
Josh released my lips and kissed my temples, my forehead, and the tip of my nose. “Soon, right? We can do everything soon?” I nodded, resting my head against his shoulder. “Yes. Soon.” I willed my mind to catch up with my body.
Catou Martine (Heartless)
Hester, in the dark conclusion of Hawthorne's brooding novel, reassumes the Puritan mantle….Hawthorne thus captures the catch-22 of feminism: the very woman who is able to envision a new order of living is, by the same token, unable, since the passion that enables her also adulterates her in the eyes of the Puritans. Released from goodness, she is imprisoned in badness, within the framework of the puritanical order. But her mind is free to question the order.
Carol Gilligan (Joining the Resistance)
talk about rowing. Get two or more rowers in a room and the conversation goes from normal topics like work or weather to long, pointless stories about boats, blisters, oars, grips, ergs, feathers, workouts, catches, releases, recoveries, splits, seats, strokes, slides, starts, settles, sprints, and whether the water was really “flat” or not. From there, it usually progresses to what went wrong on the last row, what might go wrong on the next row, and whose fault it was and/or will be. At some point the rowers will hold out their hands and compare calluses. If you’re really unlucky, this could be followed by several minutes of head-bowing reverence as one of them recounts the perfect row where it all felt easy.
Bonnie Garmus (Lessons in Chemistry)
Evie…” His whisper stirred the tiny wisps at her hairline. “I want to make love to you.” Her blood turned to boiling honey. Eventually she managed a stammering reply. “I-I thought y-you never called it that.” His hands lifted to her face, his fingertips exploring delicately. She remained docile beneath his caress while the scent of his skin, fresh and clove-like, drugged her like some narcotic incense. Reaching to his own throat, Sebastian fumbled beneath his shirt and extracted the wedding band on the fine chain. He tugged it, breaking the fragile links, and let the chain drop to the floor. Evie’s breathing hastened as he reached for her left hand and slid the gold band onto her fourth finger. Their hands matched together, palm to palm, wrist to wrist, just as they had been bound during their wedding ceremony. His forehead lowered to hers, and he whispered, “I want to fill every part of you…breathe the air from your lungs…leave my handprints on your soul. I want to give you more pleasure than you can bear. I want to make love to you, Evie, as I have never done with anyone before.” She was now trembling so violently that she could hardly stand. “Your w-wound—we have to be careful—” “You let me worry about that.” His mouth took hers in a soft, smoldering kiss. Releasing her hand, he gathered her body closer, applying explicit pressure against her shoulders, back, hips, until she was molded completely against him. Evie wanted him with a desperation that almost frightened her. She tried to catch his gently shifting mouth with her own, and pulled at his clothes with a fumbling urgency that made him laugh softly. “Slowly,” he murmured. “The night is just beginning…and I’m going to love you for a long time.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
There is a possibly apocryphal story that in Southeast Asia, people catch monkeys by placing a banana in a box with a hole in the bottom and hanging the box from a tree. The monkey reaches in and grabs the banana but is unable to withdraw its hand. The clenched fist holding the banana is too big to fit through the hole. To escape, all the monkey has to do is release the banana. Sometimes, the monkeys hold on for a long time and are then captured. People, too, often give up their freedom by holding on to things too long.
Carl Greer (Change Your Story, Change Your Life: Using Shamanic and Jungian Tools to Achieve Personal Transformation)
Hey! Let my little sister go!” This almost stupefies Don into releasing the rope a second time, but good ole Dad catches it and pulls. “Get it together, Don! Do you know how rich we are right now? Pull her in! I’ll get the other one.” Nice. The Syrena thinks I’m human and the humans think I’m Syrena. “Let her go or I’m calling the coast guard,” I say with more confidence than I feel. After all, this young girl and I look nothing alike. She has the beautiful Syrena coloring, while I probably look like a cadaver floating in the water. But it’s worth a shot, right? “And our parents prosecute.” This is enough to season their enthusiasm with a pinch of doubt. It all unfolds in their expressions: Do mermaids talk? Do they know how to call the coast guard? Do they prosecute offenders? Did that really just happen? Don shakes his head as if he’s come out of a trance. “Don’t listen to her, Paw. That’s what mermaids do, remember? They sing fishermen to their death! Haven’t you heard the stories? And don’t look her in the eye, neither, Paw. They hypnotize you with their eyes.” Well, crap.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Do you not believe that you deserve to die painfully?” “By the revolutionary,” I said, hoping that if I asked that death as a favor it would not be granted. “Yes, that would be fitting. But …” And here he paused. The moment passed, then two. The first brass-backed fly of the new summer buzzed against the port. I wanted to crush it, to catch and release it, to shout at Master Palaemon to speak, to flee from the room; but I could do none of these things. I sat, instead, in the old wooden chair beside his table, feeling that I was already dead but still must die.
Gene Wolfe (Shadow & Claw (The Book of the New Sun, #1-2))
An hour later my porpoises are back. Two of them start spinning in the air like corkscrews. I rush to get the camera, stowed in its locker—too late; they are leaving already. I am as disgusted as if I had dropped an anchor without shackling it to its chain. After missing the terrific shot of the barracuda catching the flying fish in mid-air, I had sworn to leave the Beaulieu in the cockpit during fair weather, all set to go, with a cloth to protect it from the sun. But that is not enough. I am starting to realize that I too need to be protected from the camera. In the beginning, I thought that you just set the lens and released the shutter. It is not like that at all. You have to give the camera something more. And now it is trying to suck my blood. It would be easy to stuff the camera in a waterproof tank and forget it exists, but it is too late—and in any case I am not sorry.
Bernard Moitessier (The Long Way)
In 1959 Corrie was part of a group that visited Ravensbruck, which was then in East Germany, to honor Betsie and the 96,000 other women who died there. There Corrie learned that her own release had been part of a clerical error; one week later all women her age were taken to the gas chamber. When I heard Corrie speak in Darmstadt in 1968, she was 76, still traveling ceaselessly in obedience to Betsie’s certainty that they must “tell people.” Her work took her to 61 countries, including many “unreachable” ones on the other side of the Iron Curtain. To whomever she spoke—African students on the shores of Lake Victoria, farmers in a Cuban sugar field, prisoners in an English penitentiary, factory workers in Uzbekistan—she brought the truth the sisters learned in Ravensbruck: Jesus can turn loss into glory. John and I made some of those trips with her, the only way to catch this indefatigable woman long enough to
Corrie ten Boom (The Hiding Place)
Once the spark catches, once the prepared, courageous combination of camp, melody, enigma, fantasy, paranoia, electric guitars, shock, male make-up and flirtation took hold, and he found himself at last in the right place at the right time, nothing can stop the momentum from growing. Repressed fantasies, forbidden pleasures, rule-breaking spirit and highly suggestive erotic discrepancies are released with tremendous force into the mainstream. They make it there mostly through Bowie’s insatiable mind and body, which has adopted the perfect disguise of an ambiguously sexy, deadly smart and attractively damaged pop star.
Paul Morley (The Age of Bowie: How David Bowie Made a World of Difference)
Even with the questions and worries that flooded her, Lillian was overcome with sudden exhaustion. The waking nightmare had come to a precipitate end, and it seemed that for now there was nothing more she could do. She waited docilely, her cheek resting against the steady support of Marcus’s shoulder, only half hearing the conversation that ensued. “… have to find St. Vincent…” Marcus was saying. “No,” Simon Hunt said emphatically, “I’ll find St. Vincent. You take care of Miss Bowman.” “We need privacy.” “I believe there is a small room nearby— more of a vestibule, actually…” But Hunt’s voice trailed away, and Lillian became aware of a new, ferocious tension in Marcus’s body. With a lethal shift of his muscles, he turned to glance in the direction of the staircase. St. Vincent was descending, having entered the rented room from the other side of the inn and found it empty. Stopping midway down the stairs, St. Vincent took in the curious tableau before him… the clusters of bewildered onlookers, the affronted innkeeper… and the Earl of Westcliff, who stared at him with avid bloodlust. The entire inn fell silent during that chilling moment, so that Westcliff’s quiet snarl was clearly audible. “By God, I’m going to butcher you.” Dazedly Lillian murmured, “Marcus, wait—” She was shoved unceremoniously at Simon Hunt, who caught her reflexively as Marcus ran full-bore toward the stairs. Instead of skirting around the banister, Marcus vaulted the railings and landed on the steps like a cat. There was a blur of movement as St. Vincent attempted a strategic retreat, but Marcus flung himself upward, catching his legs and dragging him down. They grappled, cursed, and exchanged punishing blows, until St. Vincent aimed a kick at Marcus’s head. Rolling to avoid the blow of his heavy boot, Marcus was forced to release him temporarily. The viscount lurched up the stairs, and Marcus sprang after him. Soon they were both out of sight. A crowd of enthusiastic men followed, shouting advice, exchanging odds, and exclaiming in excitement over the spectacle of a pair of noblemen fighting like spurred roosters. White-faced, Lillian glanced at Simon Hunt, who wore a faint smile. “Aren’t you going to help him?” she demanded. “Oh no. Westcliff would never forgive me for interrupting. It’s his first tavern brawl.” Hunt’s gaze flickered over Lillian in friendly assessment. She swayed a little, and he placed a large hand on the center of her back and guided her to the nearby grouping of chairs. A cacophony of noise drifted from upstairs. There were heavy thudding sounds that caused the entire building to shake, followed by the noises of furniture breaking and glass shattering. “Now,” Hunt said, ignoring the tumult, “if I may have a look at that remaining handcuff, I may be able to do something about it.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
This is the part they don’t tell you about in the movies. Or in On the Road. This is not rock ’n’ roll. You are not William Burroughs, and it doesn’t make a damn bit of difference if Kurt Cobain was slumped over in an alleyway in Seattle the day Bleach came out. There is no junkie chic. This is not Soho and you are not Sid Vicious. You are not a drugstore cowboy and you are not spotting trains. You are not a part of anything—no underground sect, no counter-culture movement, no music scene, nothing. You have just been released from jail and are walking down Mission Street, alternating between taking a hit off a cigarette and puking, looking for coins on the ground so you can catch a bus as you shit yourself.
Joe Clifford (Junkie Love)
[Daughter], I want to release you. IF you hate me or want to reject me, I understand. If you curse me, then want to atone, I also understand. I expect to be your home plate: kicked, scuffed, but always returned to. I expect to be the earth from which you spring. But if I release you too much, what will you have to fight against? You need my acceptance, but you may need my resistance more. I promise to stand firm while you come and go. I promise unwavering live while you experiment with hate. Hate is energy too -- sometimes brighter-burning energy than love. Hate is often the precondition for freedom. No matter how I try to disappear, I fear I cast too big a shadow. I would erase that shadow if I could. but if I erased it, how would you know your own shadow? And with no shadow, how would you ever fly? I want to release you from the fears that bound me, yet I know you can only release yourself. I stand here wearing my catcher's padding. I pray you won't need me to catch you if you fall. But I'm here waiting anyway. Freedom is full of fear. But fear isn't the worst thing we face. Paralysis is.
Erica Jong (Fear of Fifty: A Midlife Memoir)
Entranced. She lifts up a trembling hand and paints what I think might be a flower on Peeta’s cheek. “Thank you,” he whispers. “That looks beautiful.” For a moment, the morphling’s face lights up in a grin and she makes a small squeaking sound. Then her blood-dappled hand falls back onto her chest, she gives one last huff of air, and the cannon fires. The grip on my hand releases.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
As any non-rower can tell you, rowers are not fun. This is because rowers only ever want to talk about rowing. Get two or more rowers in a room and the conversation goes from normal topics like work or weather to long, pointless stories about boats, blisters, oars, grips, ergs, feathers, workouts, catches, releases, recoveries, splits, seas, strokes, slides, starts, settles, sprints, and whether the water was really “flat” or not. From there, it usually progresses to what went wrong on the last row, what might go wrong on the next row, and whose fault it was and/or will be. At some point the rowers will hold their hands and compare calluses. If you’re really unlucky, this could be followed by several minutes of head-bowing reverence as one of them recounts the perfect row where it all felt so easy.
Bonnie Garmus
In the middle of a busy workday, or after a particularly trying morning of childcare, it’s tempting to crave the release of having nothing to do—whole blocks of time with no schedule, no expectations, and no activity beyond whatever seems to catch your attention in the moment. These decompression sessions have their place, but their rewards are muted, as they tend to devolve toward low-quality activities like mindless phone swiping and half-hearted binge-watching.
Cal Newport (Digital Minimalism: Choosing a Focused Life in a Noisy World)
I find you too charming by half." "And I find you too annoying by far. If you do not release me, I cannot be held responsible for your well-being." He chuckled at that. "A fiery little bundle,aren't you? I'll wager you like-" She brought her foot down hard on his instep. He yelped and released her, his face contorted in pain. Sophia stepped past him, but he grabbed her arm and yanked her back toward him. "You tease!" he gasped. She used her forward motion to shove him back against the settee. One moment, he was standing before her; the next, he was lying upside down on the rug behind the setee, his legs in the air. Sophia gathered her skirts and ran for the door. She was only steps away when it flew open and Dougal stood in the opening. He was dressed in his riding clothes, and she couldn't help but compare his elegance with Sir Reginald's flashy attire, with his exaggerated riding coat and gaudy gold-tassled boots-which were sill waving in the air.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
She asked, “Are you well?” “Yes.” His voice was a deep rasp. “Are you?” She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint. He replied, “You’re soft.” Good Lord. Who was this man? Where had he come from? And how was he still atop her? “You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips. “Ah. That’s nice.” Her face blazed with heat. “Are you seeing double?” “Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.” She stared at him. “Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.” And before she could even catch her breath, he pressed his lips to hers. A kiss. His mouth, touching hers. It was warm and firm, and then…it was over. Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat. Just a memory now, save for the faint bite of whiskey on her lips. And the heat. She still tasted his scorching, masculine heat. Belatedly, she closed her eyes. “There, now,” he murmured. “All better.” Better? Worse? The darkness behind her eyelids held no answers, so she opened them again. Different. This strange, strong man held her in his protective embrace, and she was lost in his intriguing green stare, and his kiss reverberated in her bones with more force than a powder blast. And now she felt different. The heat and weight of him…they were like an answer. The answer to a question Susanna hadn’t even been aware her body was asking. So this was how it would be, to lie beneath a man. To feel shaped by him, her flesh giving in some places and resisting in others. Heat building between two bodies; dueling heartbeats pounding both sides of the same drum. Maybe…just maybe…this was what she’d been waiting to feel all her life. Not swept her off her feet-but flung across the lane and sent tumbling head over heels while the world exploded around her. He rolled onto his side, giving her room to breathe. “Where did you come from?” “I think I should ask you that.” She struggled up on one elbow. “Who are you? What on earth are you doing here?” “Isn’t it obvious?” His tone was grave. “We’re bombing the sheep.” “Oh. Oh dear. Of course you are.” Inside her, empathy twined with despair. Of course, he was cracked in the head. One of those poor soldiers addled by war. She ought to have known it. No sane man had ever looked at her this way. She pushed aside her disappointment. At least he had come to the right place. And landed on the right woman. She was far more skilled in treating head wounds than fielding gentlemen’s advances. The key here was to stop thinking of him as an immense, virile man and simply regard him as a person who needed her help. An unattractive, poxy, eunuch sort of person. Reaching out to him, she traced one fingertip over his brow. “Don’t be frightened,” she said in a calm, even tone. “All is well. You’re going to be just fine.” She cupped his cheek and met his gaze directly. “The sheep can’t hurt you here.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Claray started to turn away, but then stopped and whirled back to give him a quick kiss, then promptly blushed at the spontaneous action when his eyebrows flew up. "Wives kiss husbands when they part," she muttered to cover her embarrassment, and headed away, only to have him catch her arm and draw her back. "That was no' a proper kiss," he announced solemnly, and then commenced to show her his version, which left her breathless and flushed when he released her and walked back to the men.
Lynsay Sands (Highland Wolf (Highland Brides, #10))
That peace did not come easily. I spent two years enumerating my father's flaws, constantly updating the tally as if reciting every resentment, every real and imagined act of cruelty, of neglect, would justify my decision to cut him from my life. Once justified I thought the strangling guilt would release me, and I could catch my breath. But vindication has no power over guilt. No amount of anger or rage directed at others can subdue it, because guilt is never about them. Guilt is the fear of ones own retchedness. It has nothing to do with other people. I shed my guilt when I accepted my decision on my own terms, without endlessly prosecuting old greviences, without weighing his sins against mine. Without thinking of my father at all. I learned to accept my decision for my own sake. Because of me, not because of him. Because I needed it, not because he deserved it. It was the only way I could love him. When my father was in my life, wrestling me for control of that life, I percieved him with the eyes of a soldier, through a fog of conflict. I could not make out his tender qualities. When he was before me towering, indignant, I could not remember how when I was young his laugh used to shake his gut and make his glasses shine. In his stern presence I could never recall the pleasant way his lips used to twitch, before they were burned away, when a memory tugged tears from his eyes. I can only remember those things now, with a span of miles and years between us. But what has come between me and my father is more than time or distance. It is a change in the self. I am not the child my father raised but he is the father who raised her.
Tara Westover (Educated)
Calvin was a brilliant man, but if he had one flaw, it was his ability to hold a grudge. On top of his grudge holding, he had a reputation for impatience. Like so many brilliant people, Calvin just couldn’t understand how no one else got it. He was also an introvert, which isn’t really a flaw but often manifests itself as standoffishness. Worst of all, he was a rower. As any non-rower can tell you, rowers are not fun. This is because rowers only ever want to talk about rowing. Get two or more rowers in a room and the conversation goes from normal topics like work or weather to long, pointless stories about boats, blisters, oars, grips, ergs, feathers, workouts, catches, releases, recoveries, splits, seats, strokes, slides, starts, settles, sprints, and whether the water was really “flat” or not. From there, it usually progresses to what went wrong on the last row, what might go wrong on the next row, and whose fault it was and/or will be. At some point the rowers will hold out their hands and compare calluses. If you’re really unlucky, this could be followed by several minutes of head-bowing reverence as one of them recounts the perfect row where it all felt easy.
Bonnie Garmus (Lessons in Chemistry)
As any non-rower can tell you, rowers are not fun. This is because rowers only ever want to talk about rowing. Get two or more rowers in a room and the conversation goes from normal topics like work or weather to long, pointless stories about boats, blisters, oars, grips, ergs, feathers, workouts, catches, releases, recoveries, splits, seats, strokes, slides, starts, settles, sprints, and whether the water was really “flat” or not. From there, it usually progresses to what went wrong on the last row, what might go wrong on the next row, and whose fault it was and/or will be. At some point
Bonnie Garmus (Lessons in Chemistry)
Soon thereafter, a maid brought Poppy a tray of neat boxes tied with ribbons. Opening them, Poppy discovered that one was filled with toffee, another with boiled sweets, and another with Turkish delight. Best of all, one box was filled with a new confection called "eating-chocolates" that had been all the rage at the London Exhibition. "Where did these come from?" Poppy asked Harry when he returned to her room after a brief visit to the front offices. "From the sweet shop." "No, these," Poppy showed him the eating-chocolates. "No one can get them. The makers, Fellows and Son, have closed their shop while they moved to a new location. The ladies at the philanthropic luncheon were talking about it." "I sent Valentine to the Fellows residence to ask them to make a special batch for you." Harry smiled as he saw the paper twists scattered across the counterpane. "I see you've sampled them." "Have one," Poppy said generously. Harry shook his head. "I don't like sweets." But he bent down obligingly as she gestured for him to come closer. She reached out to him, her fingers catching the knot of his necktie. Harry's smile faded as Poppy exerted gentle tension, drawing him down. He was suspended over her, an impending weight of muscle and masculine drive. As her sugared breath blew against his lips, she sensed the deep tremor within him. And she was aware of a new equilibrium between them, a balance of will and curiosity. Harry held still, letting her do as she wished. She tugged him closer until her mouth brushed his. The contact was brief but vital, striking a glow of heat. Poppy released him carefully, and Harry drew back. "You won't kiss me for diamonds," he said, his voice slightly raspy, "but you will for chocolates?" Poppy nodded. As Harry turned his face away, she saw his cheek tauten with a smile. "I'll put in a daily order, then.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
She whirled, intending to head back down the stairs. Carter caught her wrist. “You can ride down with me.” More heat flooded her face, and the afternoon sun seemed to pour down with greater intensity. She considered walking away, but the pain in her backside predicted a less than ladylike gait. He’d see her waddle, and her humiliation would double. But riding down the toboggan run with him? “Carter, I’m not sure.” His eyes darkened. “Is it because of earlier?” “Aw, ease up on her, Stockton.” Ducky stepped forward. “It’s not her fault if she doesn’t want to be around a cad like you. Walking into ladies’ bathhouses and all.” Comfortable teasing laced his voice. “She can take my toboggan, and I’ll ride down with you.” He flopped the toboggan down on the deck and held out his hand. “Will that work, Miss Graham?” “Yes, thank you very much.” She took his hand and gingerly seated herself. Picking up the reins on the toboggan, she turned to nod to Ducky to release her. Instead, she found Carter. Her eyes widened. “Hold on.” The smile had crept back into his voice. “You’re about to go on the ride of your life.” The sled lunged forward and her stomach lodged in her throat—not from the ride as much as the unspoken promise Carter’s words seemed to hold.
Lorna Seilstad (A Great Catch)
I stared at the little white agates in my hand, delicate as moon drops. The mystery of God's love as I understand it is that God loves the man who was being mean to his dog just as much as he loves babies; God loves Susan Smith, who drowned her two sons, as much as he loves Desmond Tutu. And he loved her just as much when she was releasing the handbrake of her car that sent her boys into the river as he did when she first nursed them. So of course, he loves old ordinary me, even or especially at my most scared and petty and mean and obsessive. Loves me; chooses me. Remembering this helped, but here is what in fact saved me: Sam came over to see what I held in my palm, glared contemptuously at my small white pebbles, and then without missing a beat slapped the bottom of my hand so that the agates scattered. He ran off down the beach, laughing with glee. It surprised me so, this small meanness, that it made me catch my breath. Boy, I thought, is he going to be hard to place. When I was young I would have felt, What’s the point of trying to be good if the people who aren’t even trying get to be equally loved? Now I just picked up my pace and tried to catch up with that rotten Sam, because I don’t know much of anything for sure. Only that I am loved – as is
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
When they rolled to a stop, she found herself pinned by a tremendous, huffing weight. And pierced by an intense green gaze. “Wh-?” Her breath rushed out in question. Boom, the world answered. Susanna ducked her head, burrowing into the protection of what she’d recognized to be an officer’s coat. The knob of a brass button pressed into her cheek. The man’s bulk formed a comforting shield as a shower of dirt clods rained down on them both. He smelled of whiskey and gunpowder. After the dust cleared, she brushed the hair from his brow, searching his gaze for signs of confusion or pain. His eyes were alert and intelligent, and still that startling shade of green-as hard and richly hued as jade. She asked, “Are you well?” “Yes.” His voice was a deep rasp. “Are you?” She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint. He replied, “You’re soft.” Good Lord. Who was this man? Where had he come from? And how was he still atop her? “You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips. “Ah. That’s nice.” Her face blazed with heat. “Are you seeing double?” “Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.” She stared at him. “Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.” And before she could even catch her breath, he pressed his lips to hers. A kiss. His mouth, touching hers. It was warm and firm, and then…it was over. Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Mmm,” I hum. “Did you plead for him like this?” I whisper in her ear, my free hand grasping her throat. My eyes glance at the royal guards lining the entrance gates and the bystanders gathering around them. A few people’s gazes skim over us but just as quickly leave. They all know better than to interfere. “Do not make the mistake of confusing me with my brother,” I continue, my fingers flexing in her strands. “And don’t forget your place again, or I’ll take great pleasure in reminding you.” I release her, pushing her head until she collapses onto the ground, her hands reaching out to catch her fall. “And unlike him, I won’t care how much you beg.
Emily McIntire (Scarred (Never After, #2))
Everything that is wrong with the inner cities of America that policy can affect, Democrats are responsible for: every killing field; every school that year in and year out fails to teach its children the basic skills they need to get ahead; every school that fails to graduate 30 to 40 percent of its charges while those who do get degrees are often functionally illiterate; every welfare system that promotes dependency, condemning its recipients to lifetimes of destitution; every gun-control law that disarms law-abiding citizens in high-crime areas and leaves them defenseless against predators; every catch-and-release policy that puts violent criminals back on the streets; every regulation that ties the hands of police; every material and moral support provided to antipolice agitators like Black Lives Matter, who incite violence against the only protection inner-city families have; every onerous regulation and corporate tax that drives businesses and jobs out of inner-city neighborhoods; every rhetorical assault that tars Democrats’ opponents as “racists” and “race traitors,” perpetuating a one-party system that denies inner-city inhabitants the leverage and influence of a two-party system. Democrats are responsible for every one of the shackles on inner-city communities, and they have been for 50 to 100 years. What
David Horowitz (Big Agenda: President Trump's Plan to Save America)
Damn, he was gorgeous. Ethan felt his orgasm building inside him. His hips lost their rhythm, and his thrusts became short and hard, his muscles straining and the sweat dripping down the side of his face as he chased after his release. It slammed into him, and Ethan folded himself over Calvin, slipping his arms under Calvin’s shoulders and taking hold of him. He brought Calvin down hard against him as he thrust in, Calvin’s sharp cry sending Ethan over the edge. He gasped as he came inside Calvin, thrusting deep a couple of more times before slowing down. His muscles relaxed, and a heavenly haze washed over him as he gently pulled out. He collapsed onto his side as he tried to catch his breath. Calvin
Charlie Cochet (Catch a Tiger by the Tail (THIRDS, #6))
What is there about me that makes me the least bit desirable?” She wasn’t fishing, she truly wanted to know. Right now she didn’t feel very attractive There was no joy in the laugh that seemed to catch in his throat. He closed the scant distance between them, taking her face between the warm hollows of his palms. “Foolish girl. You are everything that is good in life. Don’t you know that?” She would have shaken her head were she not afraid that he would release her. “No. I’m manipulative and spoiled. And I think only of my own happiness.” “You are good and sweet and true.” His thumbs brushed the apples of her cheeks. “Everything I am not. Everything. I want you so badly I may go mad before the Season ends.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Anyway,” Beau—clearly eager to change the subject—pointed down the hall, “let’s talk about the color Jethro decided to paint the second bedroom.” “What’s wrong with green?” Jethro grinned slyly. His poker face had always sucked. “Nothing is wrong with green, but that’s a very odd shade of green. What was it called again?” “Sweet pea,” Duane supplied flatly for his twin. “It was called sweet pea and I believe it was labeled as nursery paint.” “Nursery paint, huh? You have something to tell us, Jethro?” Beau teased, mirroring Jethro’s grin. “No news to share? No big bombshell to drop?” Jethro glanced at me. “I can’t believe you didn’t tell them yet.” “Why would I? I’m good at keeping secrets.” I shoved my hands in my pockets, making sure I looked innocent. “And I’m not the one who’s pregnant.” “I knew it!” Beau attacked Jethro, pulling him into a quick man-hug. Jethro’s grin widened to as large as I’ve ever seen it. “How could you possibly know?” Duane clapped Jethro on the back as soon as Beau released him. “Because you’ve always wanted kids, and weren’t one to futz around once you made up your mind.” “You should have painted it vomit green, to disguise all the baby vomit you’re going to have to deal with,” Beau suggested. “And shit brown,” Duane added. “Don’t forget about the shit.” “Y’all are the best.” Jethro placed his hands over his chest. “You warm my heart.” “Make sure the floor is waterproof.” Beau grabbed a beer and uncapped it. “Don’t tell me, to catch the vomit and poop?” “No,” Beau wagged his eyebrows, “because of all the crying you’re going to do when you can’t sleep through the night or make love to your woman anymore.” “Ah, yes. Infant-interuptus is a real condition. No cure for it either.” Duane nodded and it was a fairly good imitation of my somber nod. In fact, how he sounded was a fairly good imitation of me. You sound like Cletus.” Drew laughed, obviously catching on. Duane slid his eyes to mine and gave me a small smile. I lifted an eyebrow at my brother to disguise the fact that I thought his impression was funny. “Y’all need to lay off. Babies are the best. Think of all the cuddling. This is great news.
Penny Reid (Beard Science (Winston Brothers, #3))
Tate sprang from the log and called to her, “See how many leaves you can catch before they hit the ground!” Kya jumped up, and the two of them leapt and skipped through curtains of falling leaves, reaching their arms wide, snatching them before they fell to the earth. Laughing, Tate dived toward a leaf only inches from the ground, caught it, and rolled over, holding his trophy in the air. Kya threw her hands up, releasing all the leaves she had rescued back into the wind. As she ran back through them, they caught like gold in her hair. Then, as she whirled around, she bumped into Tate, who had stood, and they froze, staring into each other’s eyes. They stopped laughing. He took her shoulders, hesitated an instant, then kissed her lips, as the leaves rained and danced around them as silently as snow.
Delia Owens (Where the Crawdads Sing)
As any non-rower can tell you, rowers are not fun. This is because rowers only ever want to talk about rowing. Get two or more rowers in a room and the conversation goes from normal topics like work or weather to long, pointless stories about boats, blisters, oars, grips, ergs, feathers, workouts, catches, releases, recoveries, splits, seats, strokes, slides, starts, settles, sprints, and whether the water was really “flat” or not. From there, it usually progresses to what went wrong on the last row, what might go wrong on the next row, and whose fault it was and/or will be. At some point the rowers will hold out their hands and compare calluses. If you’re really unlucky, this could be followed by several minutes of head-bowing reverence as one of them recounts the perfect row where it all felt easy.
Bonnie Garmus (Lessons in Chemistry)
There was, of course, one other option. Two years earlier Macworld magazine columnist (and former Apple software evangelist) Guy Kawasaki had published a parody press release joking that Apple was buying NeXT and making Jobs its CEO. In the spoof Mike Markkula asked Jobs, “Do you want to spend the rest of your life selling UNIX with a sugarcoating, or change the world?” Jobs responded, “Because I’m now a father, I needed a steadier source of income.” The release noted that “because of his experience at Next, he is expected to bring a newfound sense of humility back to Apple.” It also quoted Bill Gates as saying there would now be more innovations from Jobs that Microsoft could copy. Everything in the press release was meant as a joke, of course. But reality has an odd habit of catching up with satire.
Walter Isaacson (Steve Jobs)
We have to stop and get lift tickets and sign a release today. Yesterday it was pre-arranged as part of the wedding. I grab a form and dash off a signature then turn towards the counter to pay when I realize Chloe is still reading the form. Line by line. She catches me staring at her and glances at my form. “You already signed it? Without reading it?” She’s appalled. “This is a legal document, Boyd,” she says, jabbing a finger onto the paper in front of her. “It’s just a slide, Chloe. Not a death trap.” She glares at me and then goes back to carefully reading the form while I watch, amused as hell. Finally she frowns and, with a tiny shake of her head and a small sigh, signs the form. “Are you satisfied now, safety girl? Are you fully prepared for the slide of death?” “At least one of us is,” she retorts
Jana Aston (Trust (Cafe, #3))
We need a new direction, and we need it soon. Instead of death by food pyramid, we can have life by educated freedom—a freedom in which we’re released from the rules of the federal government, the dogma of the fad diet du jour, the smooth words of a health guru, the marionetting of powerful industries, the misinterpretation of science, and the mass confusion that keeps us incapacitated. As we demolish the walls of the pyramids, plates, and other shapes that ultimately lock us inside a dietary dictatorship, we’re left with a horizon-wide landscape to explore—and with it, the opportunity to pursue what works for us and guiltlessly leave behind what doesn’t. But there’s just one catch. In order to reach that point of liberation, we can’t keep doing what we’ve been doing—or else we’ll keep getting what we’ve been getting.
Denise Minger
Worst of all, he was a rower. As any non-rower can tell you, rowers are not fun. This is because rowers only ever want to talk about rowing. Get two or more rowers in a room and the conversation goes from normal topics like work or weather to long, pointless stories about boats, blisters, oars, grips, ergs, feathers, workouts, catches, releases, recoveries, splits, seats, strokes, slides, starts, settles, sprints, and whether the water was really “flat” or not. From there, it usually progresses to what went wrong on the last row, what might go wrong on the next row, and whose fault it was and/or will be. At some point the rowers will hold out their hands and compare calluses. If you’re really unlucky, this could be followed by several minutes of head-bowing reverence as one of them recounts the perfect row where it all felt easy.
Bonnie Garmus (Lessons in Chemistry)
Destiny rarely follows the pattern we would choose for it and the legacy of death often shapes our lives in ways we could not imagine. Death comes to everyone in their time - to some a parting, to some a release. We who are nearest go with them up the long golden stairs - up, up. A trumpet shrills - a gate clangs and we are left standing without. Then down the long stairs we retrace our steps to earth - an earth that is all numb and still - so still that one hears strange sounds - catches strange vagrant notes on one's heightened senses. But small hands are tugging and voices are insistent. "Will he ever come back from that other place?" "Oh no, he doesn't want to come back!" "Does he like it there?" "Oh yes, he loves it." "Well then, that's good." And happy laughter rings through the tall green pines and along the rocks and sandy beaches by the sea. No one grudges him his place in the sun.
M. Wylie Blanchet
Tell me something, Your Grace. Do you find me at all...appealing as a woman?" He appeared startled. "Forgive me. I suppose my offer sounds rather cold-blooded." "A bit, yes." That brought a glint to his eye. "Then perhaps this will set your mind at ease." He reached up to catch her by the chin, then lowered his mouth to hers. She held her breath. A kiss would certainly soothe her misgivings. But as his lips touched hers, soft, coaxing...cool, she felt a stab of disappointment. It wasn't that there was anything wrong with his kiss. It was just too... Careful. Reserved. As if he were testing the waters. She didn't ant a man to test the waters with her. She wanted him to seize her in an impassioned embrace and show her in no uncertain terms that he found her desirable. That he wanted- "I suggest you release the lady, sir," growled a familiar voice, jerking her up short. "Or you won't like the consequences.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Ethan sucked on Calvin’s neck, leaving his mark before moving his lips up to Calvin’s jaw. He nipped at his stubble, then Calvin’s ear. He fucked Calvin hard, the bed rocking beneath them and Calvin’s wrists tight in his grip. “Ethan, please. I need you to touch me.” Ethan obliged. He released Calvin’s wrists and took hold of his cock, his other hand buried in Calvin’s hair and holding on. Ethan’s stroke matched his pace as he fucked Calvin. Nothing had ever felt so damn good. He could feel himself tumbling down the abyss, falling into this addiction, and he welcomed it. He grabbed one of Calvin’s hands so he could take over the task of getting himself off. Ethan took a pillow and stuffed it under Calvin’s hips before pushing both of Calvin’s legs up against his chest. Calvin let out a soft cry as Ethan held his legs in place and pounded into him. He rotated his hips and changed his angle. Calvin cried out, ribbons of come shooting out onto his stomach. Damn,
Charlie Cochet (Catch a Tiger by the Tail (THIRDS, #6))
The court is my escape and my paradise. I love basketball. I love the way you can be exhausted and sweaty and running with nine other guys, and yet, at the risk of sounding overly Zen, you are still so wonderfully alone. On the court, nothing bothers me. I see things a few seconds before they actually happen. I love anticipating a teammate’s cut and then throwing a bounce pass between two defenders. I love the rebound, boxing out, figuring angles and positioning myself, willing the ball into my hands. I love dribbling without looking down, the feel, the sense of trust, of control, almost as though the ball were on a leash. I love catching the pass, locking my eyes on the front rim, sliding my fingers into the grooves, raising the ball above my head, cocking my wrist as I begin to leap. I love the feel as I release the shot at the apex of the jump, the way my fingertips stay on the leather until the last possible moment, the way I slowly come back to the ground, the way the ball moves in an arc toward the rim, the way the bottom of the net dances when the ball goes swish. I
Harlan Coben (Shelter (Micky Bolitar, #1))
Truce,” she managed to say. “I can’t bear any more.” “But you will.” Reaching up to her, he drew her down and kissed her. “Please. Finish it.” “Not yet.” He trailed his hands down her back. “You’re so beautiful,” he whispered. “So sensitive. I could make love to you forever.” “Christopher--” “Let me bring you to pleasure one more time.” “No, I’m exhausted.” She took his lower lip between her teeth in a gentle nip. “Finish it now,” she said. “Not yet.” “I’ll make you.” “How?” Beatrix considered him, the arrogantly handsome features, the glitter of challenge in his eyes. Lowering herself over him, her body gently rocked by his ceaseless thrusts, she put her mouth near his ear. “I love you,” she whispered, catching his rhythm, riding it. “I love you.” Nothing more was needed. His breath stopped on a groan, and he drove into her and held, his powerful body trembling with the force of his release. Sliding his arms around her, he poured the years of anguished longing into her. And she continued to murmur to him, promising love, safety, new dreams to replace the broken ones. Promising forever.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Many potential readers will skip the shopping cart or cash-out clerk because they have seen so many disasters reported in the news that they’ve acquired a panic mentality when they think of them. “Disasters scare me to death!” they cry. “I don’t want to read about them!” But really, how can a picture hurt you? Better that each serve as a Hallmark card that greets your fitful fevers with reason and uncurtains your valor. Then, so gospeled, you may see that defeating a disaster is as innocently easy as deciding to go out to dinner. Remove the dread that bars your doors of perception, and you will enjoy a banquet of treats that will make the difference between suffering and safety. You will enter a brave new world that will erase your panic, and release you from the grip of terror, and relieve you of the deadening effects of indifference —and you will find that switch of initiative that will energize your intelligence, empower your imagination, and rouse your sense of vigilance in ways that will tilt the odds of danger from being forever against you to being always in your favor. Indeed, just thinking about a disaster is one of the best things you can do —because it allows you to imagine how you would respond in a way that is free of pain and destruction. Another reason why disasters seem so scary is that many victims tend to see them as a whole rather than divide them into much smaller and more manageable problems. A disaster can seem overwhelming when confronted with everything at once —but if you dice it into its tiny parts and knock them off one at a time, the whole thing can seem as easy as eating a lavish dinner one bite at a time. In a disaster you must also plan for disruption as well as destruction. Death and damage may make the news, but in almost every disaster far more lives are disrupted than destroyed. Wit­ness the tornado that struck Joplin, Missouri, in May 2011 and killed 158 people. The path of death and destruction was less than a mile wide and only 22 miles long —but within thirty miles 160,000 citizens whose property didn’t suffer a dime of damage were profoundly disrupted by the carnage, loss of power and water, suspension of civic services, and inability to buy food, gas, and other necessities. You may rightfully believe your chances of dying in a disaster in your lifetime may be nearly nil, but the chances of your life being disrupted by a disaster in the next decade is nearly a sure thing. Not only should you prepare for disasters, you should learn to premeditate them. Prepare concerns the body; premeditate concerns the mind. Everywhere you go, think what could happen and how you might/could/would/should respond. Use your imagination. Fill your brain with these visualizations —run mind-movies in your head —develop a repertoire —until when you walk into a building/room/situation you’ll automatically know what to do. If a disaster does ambush you —sure you’re apt to panic, but in seconds your memory will load the proper video into your mobile disk drive and you’ll feel like you’re watching a scary movie for the second time and you’ll know what to expect and how to react. That’s why this book is important: its manner of vivifying disasters kickstarts and streamlines your acquiring these premeditations, which lays the foundation for satisfying your needs when a disaster catches you by surprise.
Robert Brown Butler (Architecture Laid Bare!: In Shades of Green)
When West returned, he was completely naked. Phoebe began to turn over, but he straddled her hips and pressed her back lightly to keep her facedown. She lay quietly, aware of the textures of him, the muscles and coarse hair of his thighs, and the silky weight of an erection that felt as long and hard as a raffling pole. There was the sound of a glass stopper in a flask. His warm, strong hands descended to her back, rubbing and massaging, while the scent of almond oil drifted to her nostrils. He squeezed the muscles of her shoulders and worked his way down on either side of her spine, releasing tension and sending ripples of pleasure through her. Phoebe moaned softly. No one had ever done this to her before; she would never have guessed it would feel so lovely. As his palms glided up to her shoulders, the length of his aroused flesh slid along the cleft of her bottom and partly up her back. Clearly he also took pleasure in the massage, making no effort to hide it. He kneaded her lower back and the full curves of her buttocks with increasing pressure until the clenched muscles relaxed. One hand reached down between her thighs to cup the soft pleats of flesh, his fingertips riding tenderly on either side of her swollen, half-hidden nub. A few exquisitely light and indirect strokes, back and forth, caused her breath to catch. He touched the opening of her body, circling into the wetness before one of his fingers- no, two- entered in a gradual but insistent thrust. Her body tried to close against the intrusion, but he was so gentle, his fingers undulating like the sway of water reeds in a slow current. Her legs spread a little, and soon she felt the need to push upward, to take more of him in. As she raised her hips, something inside her loosened and stretched to enclose him. He breathed her name raggedly, seeming to luxuriate in the feel of her, his fingers twisting and curling protean grace. Keeping her crimson face pressed against the cool linen sheets, she squirmed and gasped and arched tightly. As his fingers slid from her body, the opening felt oddly liquid, muscles clenching on emptiness. His weight lowered over her back, the hair of his chest tickling pleasantly as he bent to kiss and lick her shoulders and the nape of her neck.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
Her curious fingers paused before dipping below the soft hair. When she encountered the feminine folds, she gasped. Dorian stopped breathing. She tested that place lightly, finding a place that quivered and pulsed at the apex of that pliable skin. Awe speared Dorian as her feminine muscles clenched in the exact rhythm his own loins did. He could see them working through the skin unique to her sex. Her hips rolled with instinct little movements, her breaths catching on sighs of appreciation. If Dorian was a lesser man, unused to patience, torment, and agony, he would have released his seed then and there. But he grappled his orgasm back down, thinking of her hands on his repulsive flesh, letting the fear throw ice into the flames. Then she parted the inner cleft, dipped inside, and let out a moan that could have aroused Eros, himself. Her finger came away glistening as she pulled it back toward the nub that seemed to demand more attention than anywhere else. Where she swiped the moisture across it, her muscles all tensed, and she threw her head back onto the counterpane, letting loose a sound so visceral Dorian's will snapped.
Kerrigan Byrne (The Highwayman (Victorian Rebels, #1))
I want you to come for me,” he whispered. “Now. I want to feel your muscles contract around my fingers. I want to hear your breathing catch, and I want you to scream.” The erotic image of his words made her shiver, then tense. She opened her eyes and realized that, unlike the previous night in the tent, this time she could see him. All of him. And that he could see her. And that he was looking. Their gazes locked as he continued to touch her. He moved a little faster, pushed a little harder until she felt herself losing control. Then he kissed her, dipping into her mouth, mimicking the actions between her legs. It was just enough to send her over the edge. She felt her eyes flutter closed as her release claimed her. Pleasure rushed through her in waves of contractions. She arched her body toward him, sucked in her breath and maybe even screamed. Fortunately the sound was muffled by Zane’s kiss. He continued to touch her, gentling the contact, slowing, until every last shudder had stilled, and she could think again. “You’re so beautiful,” he told her when she looked at him. “All of you.” She made a leisurely, visual exploration of his muscled chest, his flat belly, his jutting erection. He was a man who worked hard, and it showed. “So are you.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Then Daniel stepped forward and a trumpet sounded, followed by a drum. The dance was beginning. He took her hand. When he spoke, he spoke to her, not to the audience,as the other players did. "The fairest hand I ever touched," Daniel said. "O Beauty, till now I never knew thee." As if the lines had been written for the two of them. They began to dance,and Daniel locked eyes with her the whole time. His eyes were crystal clear and violet, and the way they never strayed from hers chipped away at Luce's heart. She knew he'd loved her always,but until this moment,dancing with him on the stage in front of all these people,she had never really thought about what it meant. It meant that when she saw him for the first time in every life,Daniel was already in love with her. Every time. And always had been. And every time, she had to fall in love with him from scratch.He could never pressure her or push her into loving him. He had to win her anew each time. Daniel's love for her was one long, uninterrupted stream.It was the purest form of love there was,purer even than the love Luce returned. His love flowed without breaking,without stopping. Whereas Luce's love was wiped clean with every death, Daniel's grew over time, across all eternity. How powerfully strong must it be by now? Hundreds of love stacked one on top of the other? It was almost too massive for Luce to comprehend. He loved her that much,and yet in every lifetime,over and over again,he had to wait for her to catch up. All this time,they had been dancing with the rest of the troupe, bounding in and out of the wings at breaks in the music,coming back onstage for more gallantry,for longer sets with more ornate steps,until the whole company was dancing. At the close of the scene,even though it wasn't in the script,even though Cam was standing right there watching,Luce held fast to Daniel's hand and pulled him to her,up against the potted orange trees.He looked at her like she was crazy and tried to tug her to the mark dictated by her stage directions. "What are you doing?" he murmured. He had doubted her before,backstage when she'd tried to speak freely about her feelings.She had to make him believe her.Especially if Lucinda died tonight,understanding the depth of her love would mean everything to him. It would help him to carry on,to keep loving her for hundreds more years, through all the pain and hardship she'd witnessed,right up to the present. Luce knew that it wasn't in the script, but she couldn't stop herself: She grabbed Daniel and she kissed him. She expected him to stop her,but instead he swooped her into his arms and kissed her back.Hard and passionately, responding with such intensity that she felt the way she did when they were flying,though she knew her feet were planted on the ground. For a moment, the audience was silent. Then they began to holler and jeer.Someone threw a shoe at Daniel, but he ignored it. His kisses told Luce that he believed her,that he understood the depth of her love,but she wanted to be absolutely sure. "I will always love you,Daniel." Only, that didn't seem quite right-or not quite enough. She had to make him understand,and damn the consequences-if she changed history,so be it. "I'll always choose you." Yes, that was the word. "Every single lifetime, I'll choose you.Just as you have always chosen me.Forever." His lips parted.Did he believe her? Did he already know? It was a choice, a long-standing, deep-seated choice that reached beyond anything else Luce was capable of.Something powerful was behind it.Something beautiful and- Shadows began to swirl in the rigging overhead. Heat quaked through her body, making her convulse,desperate for the fiery release she knew was coming. Daniel's eyes flashed with pain. "No," he whispered. "Please don't go yet." Somehow,it always took both of them by surprise.
Lauren Kate (Passion (Fallen, #3))
I told him he must carry it thus. It was evident the sagacious little creature, having lost its mother, had adopted him for a father. I succeeded, at last, in quietly releasing him, and took the little orphan, which was no bigger than a cat, in my arms, pitying its helplessness. The mother appeared as tall as Fritz. I was reluctant to add another mouth to the number we had to feed; but Fritz earnestly begged to keep it, offering to divide his share of cocoa-nut milk with it till we had our cows. I consented, on condition that he took care of it, and taught it to be obedient to him. Turk, in the mean time, was feasting on the remains of the unfortunate mother. Fritz would have driven him off, but I saw we had not food sufficient to satisfy this voracious animal, and we might ourselves be in danger from his appetite. We left him, therefore, with his prey, the little orphan sitting on the shoulder of his protector, while I carried the canes. Turk soon overtook us, and was received very coldly; we reproached him with his cruelty, but he was quite unconcerned, and continued to walk after Fritz. The little monkey seemed uneasy at the sight of him, and crept into Fritz's bosom, much to his inconvenience. But a thought struck him; he tied the monkey with a cord to Turk's back, leading the dog by another cord, as he was very rebellious at first; but our threats and caresses at last induced him to submit to his burden. We proceeded slowly, and I could not help anticipating the mirth of my little ones, when they saw us approach like a pair of show-men. I advised Fritz not to correct the dogs for attacking and killing unknown animals. Heaven bestows the dog on man, as well as the horse, for a friend and protector. Fritz thought we were very fortunate, then, in having two such faithful dogs; he only regretted that our horses had died on the passage, and only left us the ass. "Let us not disdain the ass," said I; "I wish we had him here; he is of a very fine breed, and would be as useful as a horse to us." In such conversations, we arrived at the banks of our river before we were aware. Flora barked to announce our approach, and Turk answered so loudly, that the terrified little monkey leaped from his back to the shoulder of its protector, and would not come down. Turk ran off to meet his companion, and our dear family soon appeared on the opposite shore, shouting with joy at our happy return. We crossed at the same place as we had done in the morning, and embraced each other. Then began such a noise of exclamations. "A monkey! a real, live monkey! Ah! how delightful! How glad we are! How did you catch him?
Johann David Wyss (The Swiss Family Robinson; or Adventures in a Desert Island)
Even if I hadn’t a gag of magic in my mouth, I wouldn’t have dared spoken. Tristan peered at me as though I were a curious insect. “She isn’t mute, is she? That would be dreadful.” He leaned back against the chair, his strange eyes fixed on me. “On second thought, perhaps it wouldn’t be dreadful at all. I hardly need another woman in my life telling me what to do, and it would mean I could do all the talking and she the listening.” “Perhaps our mistake was in not finding you a deaf one,” Marc said. “And her name is Cécile de Troyes, which you very well know, so quit pretending otherwise.” “Thank you, cousin. It was on the tip of my tongue. Now Mademoiselle de Troyes, tell us your thoughts. Astound us with your wit.” “Mmmmm hmmmm,” I mumbled around the gag. “Could you repeat that?” he said, coming closer. “Afraid I didn’t quite catch the punch line.” A slender finger caught me under the chin, lifting my face. He frowned. “Release her, Aunty.” “She tried to run.” A noise of exasperation passed his lips. “To where? There is nowhere for her to go, nowhere to hide. Binding her is unnecessary.” His flippancy made my heart sink – the very idea of my escape was so improbable to him that it was little more than a jest. I felt power brush over my skin, and I dropped to numb feet. If not for Marc taking hold of my arm, I’d have sprawled across the carpets in front of them all.
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
So how much sleep is enough? Generally, sleep specialists recommend that adults get between seven and nine hours of sleep per night, though there is no perfect number for the amount of sleep you may need personally. Doctors and scientists agree on one thing overall, however: Getting too little sleep—five hours a night or less for most people—results in a wide range of cognitive and physical impairments. Neurons in the brain can’t consolidate the information you’ve taken in, so you don’t store memories and you lose the ability to use this information. Add to this the compromised motor control, lack of focus, and difficulty with decision making and problem solving that come with sleep deprivation, and you may think twice about catching The Tonight Show and choose to turn in earlier than usual. Stress When your brain is bombarded with stimuli that trigger anxiety, you experience stress—a series of biological and chemical processes throughout your body that initiates a fight-or-flight response. In a nutshell, here’s what happens: Your sympathetic nervous system, commanded by the hypothalamus—a small area at your brain’s base—releases stress hormones that ready you to deal with whatever threat has emerged. First, your adrenal glands (on top of your kidneys) release adrenaline, which causes increases in breathing rate, heart rate, and blood pressure. These glands also release cortisol, which increases
Calistoga Press (Memory Tips & Tricks: The Book of Proven Techniques for Lasting Memory Improvement)
But if her idiot suitors were staying at Halstead Hall with her, then by thunder, he'd be here, too. They wouldn't take advantage of her on his watch. "We're agreed that you won't do any of that foolish nonsense you mentioned, like spying on them, right?" "Of course not. That's what I have you for." Her private lackey to jump at her commands. He was already regretting this. "Surely the gentlemen will accept the invitation," she went on, blithely ignoring his disgruntlement. "It's hunting season, and the estate has some excellent coveys." "I wouldn't know." She cast him an easy smile. "Because you generally hunt men, not grouse. And apparently you do it very well." A compliment? From her "No need to flatter me, my lady," he said dryly. "I've already agreed to your scheme." Her smile vanished. "Really, Mr. Pinter, sometimes you can be so..." "Honest?" he prodded. "Irritating." She tipped up her chin. "It will be easier to work together if you're not always so prickly." He felt more than prickly, and for the most foolish reasons imaginable. Because he didn't like her trawling for suitors. Or using him to do it. And because he hated her "lady of the manor" role. It reminded him too forcibly of the difference in their stations. "I am who I am, madam," he bit out, as much a reminder for himself as for her. "You knew what you were purchasing when you set out to do this." She frowned. "Must you make it sound so sordid?" He stepped as close as he dared. "You want me to gather information you can use in playing a false role to catch s husband. I am not the one making it sordid." "Tell me, sir, will I have to endure your moralizing at every turn?" she said in a voice dripping with sugar. "Because I'd happily pay extra to have you keep your opinions to yourself." "There isn't enough money in all the world for that." Her eyes blazed up at him. Good. He much preferred her in a temper. At least then she was herself, not putting on some show. She seemed to catch herself, pasting an utterly false smile to her lips. "I see. Well then, can you manage to be civil for the house party? It does me no good to bring suitors here if you'll be skulking about, making them uncomfortable." He tamped down the urge to provoke her further. If he did she'd strike off on her own, and that would be disastrous. "I shall try to keep my 'skulking' to a minimum." "Thank you." She thrust out her hand. "Shall we shake on it?" The minute his fingers closed about hers, he wished he'd refused. Because having her soft hand in his roused everything he'd been trying to suppress during this interview. He couldn't seem to let go. For such a small-boned female, she had a surprisingly firm grip. Her hand was like her-fragility and strength all wrapped in beauty. He had a mad impulse to lift it to his lips and press a kiss to her creamy skin. But he was no Lancelot to her Guinevere. Only in legend did lowly knights dare to court queens. Releasing her hand before he could do something stupid, he sketched a bow. "Good day, my lady. I'll begin my investigation at once and report to you as soon as I learn something." He left her standing there, a goddess surrounded by the aging glories of an aristocrat's mansion. God save him-this had to be the worst mission he'd ever undertaken, one he was sure to regret.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
He slides my ruby ring off his finger. 'I, Cardan, son of Eldred, High King of Elfhame, take you, Jude Duarte, mortal ward of Madoc, to be my bride and my queen. Let us be wed until we wish for it to be otherwise and the crown has passed from our hands.' As he speaks, I begin to tremble with something between hope and fear. The words he's saying are so momentous that they're surreal, especially here, in Eldred's own rooms. Time seems to stretch out. Above us, the branches begin to bud, as though the land itself heard the words he spoke. Catching my hand, he slides the ring on. The exchange of rings is not a faerie ritual, and I am surprised by it. 'Your turn,' he says in to the silence. He gives me a grin. 'I'm trusting you to keep your word and release me from my bond of obedience after this.' I smile back, which maybe makes up for the way that I froze after he finished speaking. I still can't quite believe this is happening. My hand tightens on his as I speak. 'I, Jude Duarte, take Cardan, High King of Elfhame, to be my husband. Let us be wed until we don't want to be and the crown has passed from our hands.' He kisses the scar of my palm. I still have his brother's blood under my fingernails. I don't have a ring for him. Above us, the buds are blooming. The whole room smells of flowers. Drawing back, I speak again, pushing away all thoughts of Balekin, of the future in which I am going to have to tell him what I've done. 'Cardan, son of Eldred, High King of Elfhame, I forsake any command over you. You are free of your vow of obedience, for now and for always.' He lets out a breath and stands a bit unsteadily. I can't quite wrap my head around the idea that I am... I can't even think the words. Too much has happened tonight.
Holly Black (The Wicked King (The Folk of the Air, #2))
Taking the catcher’s place, he sank to his haunches and gestured to Arthur. “Throw some easy ones to begin with,” he called, and Arthur nodded, seeming to lose his apprehensiveness. “Yes, milord!” Arthur wound up and released a relaxed, straight pitch. Squinting in determination, Lilian gripped the bat hard, stepped into the swing, and turned her hips to lend more impetus to the motion. To her disgust, she missed the ball completely. Turning around, she gave Westcliff a pointed glance. “Well, your advice certainly helped,” she muttered sarcastically. “Elbows,” came his succinct reminder, and he tossed the ball to Arthur. “Try again.” Heaving a sigh, Lillian raised the bat and faced the pitcher once more. Arthur drew his arm back, and lunged forward as he delivered another fast ball. Lillian brought the bat around with a grunt of effort, finding an unexpected ease in adjusting the swing to just the right angle, and she received a jolt of visceral delight as she felt the solid connection between the bat and the leather ball. With a loud crack the ball was catapulted high into the air, over Arthur’s head, beyond the reach of those in the back field. Shrieking in triumph, Lillian dropped the bat and ran headlong toward the first sanctuary post, rounding it and heading toward second. Out of the corner of her eye, she saw Daisy hurtling across the field to scoop up the ball, and in nearly the same motion, throwing it to the nearest boy. Increasing her pace, her feet flying beneath her skirts, Lillian rounded third, while the ball was tossed to Arthur. Before her disbelieving eyes, she saw Westcliff standing at the last post, Castle Rock, with his hands held up in readiness to catch the ball. How could he? After showing her how to hit the ball, he was now going to tag her out? “Get out of my way!” Lillian shouted, running pellmell toward the post, determined to reach it before he caught the ball. “I’m not going to stop!” “Oh, I’ll stop you,” Westcliff assured her with a grin, standing right in front of the post. He called to the pitcher. “Throw it home, Arthur!” She would go through him, if necessary. Letting out a warlike cry, Lillian slammed full-length into him, causing him to stagger backward just as his fingers closed over the ball. Though he could have fought for balance, he chose not to, collapsing backward onto the soft earth with Lillian tumbling on top of him, burying him in a heap of skirts and wayward limbs. A cloud of fine beige dust enveloped them upon their descent. Lillian lifted herself on his chest and glared down at him. At first she thought that he had been winded, but it immediately became apparent that he was choking with laughter. “You cheated!” she accused, which only seemed to make him laugh harder. She struggled for breath, drawing in huge lungfuls of air. “You’re not supposed…to stand in front…of the post…you dirty cheater!” Gasping and snorting, Westcliff handed her the ball with the ginger reverence of someone yielding a priceless artifact to a museum curator. Lillian took the ball and hurled it aside. “I was not out,” she told him, jabbing her finger into his hard chest for emphasis. It felt as if she were poking a hearthstone. “I was safe, do you…hear me?” She heard Arthur’s amused voice as he approached them. “Actually, miss—” “Never argue with a lady, Arthur,” the earl interrupted, having managed to regain his powers of speech, and the boy grinned at him. “Yes, milord.” “Are there ladies here?” Daisy asked cheerfully, coming from the field. “I don’t see any.” Still smiling, the earl looked up at Lillian.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
The moment I put it in my mouth and bit down... ... an exquisite and entirely unexpected flavor exploded in my mouth! It burst across my tongue, rushed up through my nose... ... and rose all the way up to my brain!" "No! It can't be!" "How is that possible?! Anyone with eyes can see there's nothing special to that dish! Its fragrance was entirely inferior to Asahi's dish from the get-go!" "That there. That's what it is. I knew something wasn't right." "Asahi?" "Something felt off the instant the cloche was removed. His dish is fried rice. It uses tons of butter, soy sauce and spices. Yet it hardly had any aroma!" "Good catch. The secret is in one of the five grand cuisine dishes I melded together... A slightly atypical take on the French Oeuf Mayonnaise. ." "Ouef Mayonnaise, or eggs and mayonnaise, is an appetizer you can find in any French bistro. Hard-boiled eggs are sliced, coated with a house-blend mayo and garnished with vegetables. Though, in your dish, I can tell you chose very soft-boiled eggs instead. Hm. Very interesting, Soma Yukihira. He took those soft-boiled eggs and some homemade mayo and blended them into a sauce...... which he then poured over his steamed rice and tossed until each and every grain was coated, its flavor sealed inside! To cook them so that each individual grain is completely covered... ... takes incredibly fast and precise wok handling over extremely high heat! No average chef could manage that feat!" " Whaaa?! Ah! It's so thin I didn't notice it at first glance, but there it is, a very slight glaze! That makes each of these grains of rice a miniature, self-contained Omurice! The moment you bite into them, that eggy coating is broken... ... releasing all the flavors and aromas of the dish onto your palate in one explosive rush!" No wonder! That's what entranced the judges. That sudden, powerful explosion of flavor! "Yep! Even when it's served, my dish still hides its fangs. Only when you bite into it does it bite back with all it's got. I call it my Odorless Fried Rice.
Yūto Tsukuda (食戟のソーマ 36 [Shokugeki no Souma 36] (Food Wars: Shokugeki no Soma, #36))
Katie!” he yelled, gripping my shoulder and leaning in to look into my eyes. “Stay with me.” The distant sound of sirens filled the air, and I knew within minutes the place would be swarming with police officers and firefighters. It was minutes I wouldn’t have had. If Holt hadn’t gotten here when he did, I would likely be dead right now. That had me looking up. “What are you doing here?” I asked. “I came by to check on you. I was worried.” “How did you know where I was?” I said, suspicion leaking into my tone. He crouched down in front of me, my feet between his legs. “I saw your car in the lot,” he explained. “I knew you worked at the library nearby, so I thought you might pick somewhere close to stay.” My shoulders sagged. He put a hand under my chin and lifted my face. “Look at me,” he demanded. I looked up. “Do you think this was me?” “No,” I said, ashamed of the catch in my voice. I really didn’t think he did this, but I was scared and I was so very tired. “Can I touch you?” he asked, his voice calm. I looked up, surprised that he didn’t sound angry. I nodded. He yanked me forward, folding his arms around me and standing up, bringing me with him. My feet touched the ground, but they didn’t support me. His arms, his body kept me up. He wrapped himself around me like I was a hand and he was a glove. I clung to the front of his shirt, praying he wouldn’t let me go. When his grip tightened, I sighed in relief. His clean scent encompassed me, pushing away some of the smoke, and tears prickled my eyes. When the emergency trucks swerved into the lot, my muscles tensed at the thought he would release me, that he would push me away and deal with the fire. But he didn’t. He didn’t let go. Not once. Even when some of the men he must work with came running up—addressing him by his last name and exclaiming over what happened. He spoke calmly over my head, telling them everything he knew and telling them I wasn’t ready to talk. He didn’t seem embarrassed to be holding me so close in the center of a parking lot. He didn’t act like being seen in a vulnerable position like this wounded his pride at all.
Cambria Hebert (Torch (Take It Off, #1))
I thought we were meeting by the field house,” I call out as I make my way over. He doesn’t even turn around. “Nah, I’m pretty sure I said the parking lot.” “You definitely said the field house,” I argue. Why can’t he ever just admit that he’s wrong? “Geez, field house, parking lot. What difference does it make?” Mason asks. “Give it a rest, why don’t you.” I shoot him a glare. “Oh, hey, Mason. Remember when your hair was long and everyone thought you were a girl?” Ryder chuckles as he releases a perfect spiral in Mason’s direction. “She’s got you there.” “Hey, whose side are you on, anyway?” Mason catches the ball and cradles it against his chest, then launches it toward Ben. I just stand there watching as they continue to toss it back and forth between the three of them. Haven’t they had enough football for one day? I pull out my cell to check the time. “We should probably get going.” “I guess,” Ryder says with an exaggerated sigh, like I’m putting him out or something. Which is particularly annoying since he’s the one who insisted on going with me. Ben jogs up beside me, the football tucked beneath his arm. “Where are you two off to? Whoa, you’re sweaty.” I fold my arms across my damp chest. “Hey, southern girls don’t sweat. We glow.” Ben snorts at that. “Says who?” “Says Ryder’s mom,” I say with a grin. It’s one of Laura Grace’s favorite sayings--one that always makes Ryder wince. “The hardware store,” Ryder answers, snatching the ball back from Ben. “Gotta pick up some things for the storm--sandbags and stuff like that. Y’all want to come?” “Nah, I think I’ll pass.” Mason wrinkles his nose. “Pretty sure I don’t want to be cooped up in the truck with Jemma glowing like she is right now.” “Everybody thought you and Morgan were identical twin girls,” I say with a smirk. “Remember, Mason? Isn’t that just so cute?” “I’ll go,” Ben chimes in. “If you’re getting sandbags, you’ll need some help carrying them out to the truck.” “Thanks, Ben. See, someone’s a gentleman.” “Don’t look now, Ryder, but your one-woman fan club is over there.” Mason tips his head toward the school building in the distance. “I think she’s scented you out. Quick. You better run.” I glance over my shoulder to find Rosie standing on the sidewalk by the building’s double doors, looking around hopefully. “Hey!” Mason calls out, waving both arms above his head. “He’s over here.” Ryder’s cheeks turn beet-red. He just stares at the ground, his jaw working furiously. “C’mon, man,” Ben says, throwing an elbow into Mason’s side. “Don’t be a dick.” He grabs the football and heads toward Ryder’s Durango. “We better get going. The hardware store probably closes at six.” Silently, Ryder and I hurry after him and hop inside the truck--Ben up front, me in the backseat. We don’t look back to see if Rosie’s following.
Kristi Cook (Magnolia (Magnolia Branch, #1))
At least tell me the truth about Blakeborough,” he said hoarsely. “Do you love him?” “Why does it matter?” His eyes ate her up. “If you do, I’ll keep my distance. I’ll stay out of your life from now on.” “You’ve been doing that easily enough for the past twelve years,” she snapped. “I don’t see why my feelings for Edwin should change anything.” “Easily? It was never easy, I assure you.” His expression was stony. “And you’re avoiding the question. Are you in love with Blakeborough?” How she wished she could lie about it. Dom would take himself off, and she wouldn’t be tempted by him anymore. Unfortunately, he could always tell when she was lying. “And if I say I’m not?” “Then I won’t rest until you’re mine again.” The determination in his voice shocked her. Unsettled her. Thrilled her. No! “I don’t want that.” His fingers dug into her arm. “Because you love Blakeborough?” “Because love is a lie designed to make a woman desire what is only a figure of smoke in the wind. Love is too dangerous.” He released a heavy breath. “So you don’t love him.” His persistence sparked her temper, and she pushed free of him. “Oh, for pity’s sake, if you must know, I don’t.” She faced him down. “Not that it matters one whit. I don’t need love to have a good marriage, an amiable marriage. I don’t even want love.” It hurt too much when her heart was trampled upon. Dom had done that once before. How could she be sure he wouldn’t do it again? Eyes gleaming in the firelight, he said in a low voice, “You used to want love.” “I was practically a child. I didn’t know any better. But I do now.” “Do you? I wonder.” He circled her like a wolf assessing its prey’s weaknesses. “Very well, let’s forget about love for the moment. What about passion?” “What about it?” she asked unsteadily as he slipped behind her. Nervous, she edged nearer the impressively massive pianoforte that sat in the center of the room. “What part does passion play in your plan for a safe and loveless marriage?” She pivoted to face him, startled to find that he’d stepped to within a breath of her. “None at all.” He chuckled. “Does Blakeborough know that?” “Not that it’s any of your concern, but Edwin and I have an arrangement. He’ll give me children; I’ll help him make sure Yvette finds a good husband. We both agree that passion is…unimportant to our plans.” “Really?” He raised an eyebrow. “It certainly aids in the production of those children you’re hoping for. To quote a certain lady, ‘You can set a plan in motion, but as soon as it involves people, it will rarely commence exactly as you wish.’ You may not want passion to be important, sweeting, but it always is.” “Not to us,” she said, though with him standing so close her legs felt like rubber and her blood raced wildly through her veins. “Not to me.” With his gaze darkening, he lifted his hand to run his thumb over the pounding pulse at her throat. “Yes, I can tell how unimportant it is to you.” “That doesn’t mean…anything.” “Doesn’t it?” He backed her against the pianoforte. “So the way you trembled in my arms this morning means nothing.” It meant far too much. It meant her body was susceptible to him, even when her mind had the good sense to resist. And curse him to the devil, he knew it. He slipped his hand about her waist to pull her against him. “It means nothing that every time we’re together, we ignite.” “People do not…ignite,” she said shakily, though her entire body was on fire. “What an absurd idea.” She held her breath and waited for his attempt to kiss her, determined to refuse it this time. But he didn’t kiss her. Instead he fondled her breast through her gown, catching her so by surprise that she gasped, then moaned as the feel of his hand caressing her made liquid heat swirl in her belly. Devil take the man.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
flicker?" He points to the screen and pauses the vid. "That's when they switched the footage." I stare at the screen. "How do I know you're not the ones lying?" "You saw it yourself on the street," Meyer says. I glance up from the pad and lock eyes with Meyer. "What else are they lying about?" Jayson chuckles. "Well… that's going to take longer than we have." "Here's one," Meyer says. "Remember that last viral outbreak that killed a bunch of Level Ones?" "3005B?" My heart races. That's the virus that ultimately killed Ben thirteen years ago. "That's it. The one they use in all the broadcasts to remind citizens how important it is to get your MedVac updates? It wasn't an accident." We were always told a virus swept through Level One because they hadn't gotten their updated VacTech yet. Hundreds of people died in the day it took to get everyone up to date. "My brother died because of that." Everything I've found out over the last week suddenly grips me with fear. This can't be real. My breath shortens, and suddenly my head starts slowly spinning. Everything goes blurry. Then black. ~~~ "It's all right, kid," a distant voice, which must be Jayson's, echoes in the back of my mind. The room swirls around me. Their faces blur in and out of focus. "Meyer, get her." Blinking a couple of times, I try to sit up. I guess I fell. Meyer's warm hands rest on the back of my neck, my head in his lap. "Don't stand. You could pass out again," he says. He helps me sit up. "Are you okay?" "No, I'm not okay," I mumble. "This is too much." I feel like I should be crying, but I'm not. The reality is that the anger I feel is so much greater than any sadness. Neither Meyer nor Jayson speak, and let me mull over what I've just heard. "Why did they do that?" I eventually ask. "Two reasons, kid," Jayson says. "To cull the Level Ones, and to scare Elore into taking the VacTech. If viral outbreaks are still a threat, no one questions it, and continues believing inside the perimeter is the safest place for them." "I'm sorry about your brother," Meyer says as he stands, offering me his hand. His words are genuine, filled with the emotions of someone who has also experienced loss. "I hate to end this," Jayson interrupts, "but it's time to go." Meyer eyes Jayson, and then me. "I understand if you're not ready, but you need to choose soon. Within the next few days." I take his hand and pull myself to my feet. Words catch somewhere between my heart and throat. The old me wants to tell them to get lost and to never bother me again. It's so risky. Then again, I can't stand by while Manning and Direction kill people to keep us in the dark. Joining is the right thing to do. Feelings I've never experienced before well inside my chest, and I long to shout, When do we start? Instead, I stuff them down and stare at the ground. Subtle pressure squeezes my hand, bringing me back to the present. I never let go of Meyer's hand. How long have we been like that? He releases my hand as he mutters and steps back. The heat from his touch still flickers on my skin. You didn't have to go. I clear my throat and turn toward Meyer. Our eyes lock. "I've already decided," I tell him. "I'll do it. For Ben. Direction caused his death, and there's no way I'm standing by and letting them do this to more people." I barely recognize my own voice as I ask, "What do I do?" A slap hits my back and I choke. Jayson. "Atta girl. Meyer and I knew you had it in you." "Jayson, you have to give Avlyn some time." Meyer steps toward me and holds his handheld in the air toward Jayson. "I'll bring her up to speed." "Sure thing." Jayson throws his hands in the air and walks to the other side of the room. "Sorry," Meyer murmurs. "Jayson is pretty… overwhelming. At least until you know him. Even then…" "Oh, it's fine." A white lie. "He's a nice guy. Now, why don't you tell me the instructions
Jenetta Penner (Configured (Configured, #1))
The opponent seemed to shift slightly in the seat. His index finger tapped a card, just a couple strokes. There it was the card that ruined his hand. Her hazel eyes release the player across from her to steal a glance registering the emotion of observers around the table then to her best friend. Sophie looks like a Nervous Nelly-she, always worries. She knows the girl will put too much emphasis on a lost hand. The striking man with his lusty brown eyes tries to draw Sophie closer. Now that he has folded and left the game, he is unnecessary, and the seasoned flirt easily escapes his reach. He leaves with a scowl; Sophie turns and issues knowing wink. Ell’s focus is now unfettered, freeing her again to bring down the last player. When she wins this hand, she will smile sweetly, thank the boys for their indulgence, and walk away $700 ahead. The men never suspected her; she’s no high roller. She realizes she and Sophie will have to stay just a bit. Mill around and pay homage to the boy’s egos. The real trick will be leaving this joint alone without one of them trying to tag along. Her opponent is taking his time; he is still undecided as to what card to keep—tap, tap. He may not know, but she has an idea which one he will choose. He attempts to appear nonchalant, but she knows she has him cornered. She makes a quick glance for Mr. Lusty Brown-eyes; he has found a new dame who is much more receptive than Sophie had been. Good, that small problem resolved itself for them. She returns her focuses on the cards once more and notes, her opponent’s eyes have dilated a bit. She has him, but she cannot let the gathering of onlookers know. She wants them to believe this was just a lucky night for a pretty girl. Her mirth finds her eyes as she accepts his bid. From a back table, there is a ruckus indicating the crowd’s appreciation of a well-played game as it ends. Reggie knew a table was freeing up, and just in time, he did not want to waste this evening on the painted and perfumed blonde dish vying for his attention. He glances the way of the table that slowly broke up. He recognizes most of the players and searches out the winner amongst them. He likes to take on the victor, and through the crowd, he catches a glimpse of his goal, surprised that he had not noticed her before. The women who frequent the back poker rooms in speakeasies all dress to compete – loud colors, low bodices, jewelry which flashes in the low light. This dame faded into the backdrop nicely, wearing a deep gray understated yet flirty gown. The minx deliberately blended into the room filled with dark men’s suits. He chuckles, thinking she is just as unassuming as can be playing the room as she just played those patsies at the table. He bet she had sat down all wide-eyed with some story about how she always wanted to play cards. He imagined she offered up a stake that wouldn’t be large but at the same time, substantial enough. Gauging her demeanor, she would have been bold enough to have the money tucked in her bodice. Those boys would be eager after she teased them by retrieving her stake. He smiled a slow smile; he would not mind watching that himself. He knew gamblers; this one was careful not to call in the hard players, just a couple of marks, which would keep the pit bosses off her. He wants to play her; however, before he can reach his goal, the skirt slips away again, using her gray camouflage to aid her. Hell, it is just as well, Reggie considered she would only serve as a distraction and what he really needs is the mental challenge of the game not the hot release of some dame–good or not. Off in a corner, the pit boss takes out a worn notepad, his meaty hands deftly use a stub of a pencil to enter the notation. The date and short description of the two broads quickly jotted down for his boss Mr. Deluca. He has seen the pair before, and they are winning too often for it to be accidental or to be healthy.
Caroline Walken (Ell's Double Down (The Willows #1))