Cat Lady Quotes

We've searched our database for all the quotes and captions related to Cat Lady. Here they are! All 100 of them:

If cats looked like frogs we'd realize what nasty, cruel little bastards they are. Style. That's what people remember.
Terry Pratchett (Lords and Ladies (Discworld, #14; Witches, #4))
In fact, the mere act of opening the box will determine the state of the cat, although in this case there were three determinate states the cat could be in: these being Alive, Dead, and Bloody Furious.
Terry Pratchett (Lords and Ladies (Discworld, #14; Witches, #4))
Is that vodka?" Margarita asked weakly. The cat jumped up in his seat with indignation. "I beg pardon, my queen," he rasped, "Would I ever allow myself to offer vodka to a lady? This is pure alcohol!
Mikhail Bulgakov (The Master and Margarita)
You speak rabbit?” asked Princess Sophie. “Of course,” said Lady Ariana. “And cat, dog, mouse, pig, and chicken. Fish, too. I am a magician, after all.
Mike Martin (Princess Sophie and the Christmas Elixir)
This cat is looking at me with judgment.”“He’s not,” said Jules. “That’s just his face.”“You look at me the same way,” Mark said, glancing at Julian. “Judgy face.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
My hobbies include rubbing my nipples across a cheese grater, meeting cat ladies on Tinder, and voting for either Democrat or Republican every four years. You could say I am a torture enthusiast.
Jarod Kintz (This Book is Not for Sale)
A girl nearby muttered,"If that's a lady, I'm a cat." Reaching out, Sandry lifted the pitcher of milk from the table. Cradling it in both hands, she walked over to the mutterer. I am Sandrilene fa Toren, daughter of Count Mattin fer Toren and his countess, Amiliane fa Landreg. I am the great-niece of his grace, Duke Vedris of this realm of Emelan, and cousin of her Imperial Highness, Empress Berenene of the Namorn Empire. You are Esmelle ei Pragin, daughter of Baron Witten en Pragin and his lady Colledia of House Wheelwright, a merchant house. If I tell you my friend is a lady, then you"- carefully she poured milk into Esmelle's plate-"you had best start lapping, kitty." She set the pitcher down and returned to her chair.
Tamora Pierce (Sandry's Book (Circle of Magic, #1))
It was a Friday night, she was at a club, and a good-looking man was currently giving her the I-want-to-take-you-home-and-I-hope-I-last-longer-than-five-minutes look… and she was thinking about pie, a young adult book, and feeding her cat. She was so turning into the cat lady at twenty-seven. Sweet.
J. Lynn (Tempting the Player (Gamble Brothers, #2))
You're like a crazy cat lady, but you collect killers instead of fluffy cats." "I don't collect killers." "Yes, you do, and those who aren't killers turn into killers by the time you're done. You made Julie into a maniac. That child has more knives on her than a squad of the PAD.
Ilona Andrews (Magic Binds (Kate Daniels, #9))
If she could only find a well-educated, Shakespeare-quoting bad boy who still had a thing for sexy tatoos and maybe a mild leather fetish, she might at least have a shot at avoiding her probable future as a crazy old cat lady.
Kendra Leigh Castle (Dark Awakening (Dark Dynasties #1))
I was done with men. Totally and completely. I was looking forward to a life as a cat lady. I was going to get a dozen cats and a fucking great vibrator, maybe one of those rabbits I heard about, and that was it.
Kristen Ashley (Rock Chick Redemption (Rock Chick, #3))
LADY LAZARUS I have done it again. One year in every ten I manage it-- A sort of walking miracle, my skin Bright as a Nazi lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel off the napkin O my enemy. Do I terrify?-- The nose, the eye pits, the full set of teeth? The sour breath Will vanish in a day. Soon, soon the flesh The grave cave ate will be At home on me And I a smiling woman. I am only thirty. And like the cat I have nine times to die. This is Number Three. What a trash To annihilate each decade. What a million filaments. The peanut-crunching crowd Shoves in to see Them unwrap me hand and foot-- The big strip tease. Gentlemen, ladies These are my hands My knees. I may be skin and bone, Nevertheless, I am the same, identical woman. The first time it happened I was ten. It was an accident. The second time I meant To last it out and not come back at all. I rocked shut As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call. It's easy enough to do it in a cell. It's easy enough to do it and stay put. It's the theatrical Comeback in broad day To the same place, the same face, the same brute Amused shout: 'A miracle!' That knocks me out. There is a charge For the eyeing of my scars, there is a charge For the hearing of my heart-- It really goes. And there is a charge, a very large charge For a word or a touch Or a bit of blood Or a piece of my hair or my clothes. So, so, Herr Doktor. So, Herr Enemy. I am your opus, I am your valuable, The pure gold baby That melts to a shriek. I turn and burn. Do not think I underestimate your great concern. Ash, ash-- You poke and stir. Flesh, bone, there is nothing there-- A cake of soap, A wedding ring, A gold filling. Herr God, Herr Lucifer Beware Beware. Out of the ash I rise with my red hair And I eat men like air. -- written 23-29 October 1962
Sylvia Plath (Ariel)
A woman who feared being a cat lady had obviously never owned a cat.
Jacqueline Frost (Twelve Slays of Christmas (Christmas Tree Farm Mystery, #1))
Hello? This is Clary Fairchild.” “Clary? It’s me, Emma.” “Oh, Emma, hi! I haven’t heard from you in ages. My mom says thanks for the wedding flowers, by the way. She wanted to send a note but Luke whisked her away on a honeymoon to Tahiti.” “Tahiti sounds nice.” “It probably is — Jace, what are you doing with that thing? There is no way it’ll fit.” “Is this a bad time?” “What? No! Jace is trying to drag a trebuchet into the training room. Alec, stop helping him.” “What’s a trebuchet?” “It’s a huge catapult.” “What are they going to use it for?” “I have no idea. Alec, you’re enabling! You’re an enabler!” “Maybe it is a bad time.” “I doubt there’ll be a better one. Is something wrong? Is there anything I can do?” “I think we have your cat.” “What?” “Your cat. Big fuzzy Blue Persian? Always looks angry? Julian says it’s your cat. He says he saw it at the New York Institute. Well, saw him. It’s a boy cat.” “Church? You have Church? But I thought — well, we knew he was gone. We thought Brother Zachariah took him. Isabelle was annoyed, but they seemed to know each other. I’ve never seen Church actually likeanyone like that.” “I don’t know if he likes anyone here. He bit Julian twice. Oh, wait. Julian says he likes Ty. He’s asleep on Ty’s bed.” “How did you wind up with him?” “Someone rang our front doorbell. Diana, she’s our tutor, went down to see what it was. Church was in a cage on the front step with a note tied to it. It said For Emma. This is Church, a longtime friend of the Carstairs. Take care of this cat and he will take care of you. —J.” “Brother Zachariah left you a cat.” “But I don’t even really know him. And he’s not a Silent Brother any more.” “You may not know him, but he clearly knows you.” “What do you think the J stands for?” “His real name. Look, Emma, if he wants you to have Church, and you want Church, you should keep him.” “Are you sure? The Lightwoods —“ ‘They’re both standing here nodding. Well, Alec is partially trapped under a trebuchet, but he seems to be nodding.” “Jules says we’d like to keep him. We used to have a cat named Oscar, but he died, and, well, Church seems to be good for Ty’s nightmares.” “Oh, honey. I think, really, he’s Brother Zachariah’s cat. And if he wants you to have him, then you should.” “Why does Brother Zachariah want to protect me? It’s like he knows me, but I don’t know why he knows me.” “I don’t exactly know … But I know Tessa. She’s his — well, girlfriend seems not the right word for it. They’ve known each other a long, long time. I have a feeling they’re both watching over you.” “That’s good. I have a feeling we’re going to need it.” “Emma — oh my God. The trebuchet just crashed through the floor. I have to go. Call me later.” “But we can keep the cat?” “You can keep the cat.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
Very nice lady served us drinks in hotel and was followed in by a cat. We all crooned at it. Alan [Rickman] to cat (very low and meaning it): 'Fuck off.' The nice lady didn't turn a hair. The cat looked slightly embarrassed but stayed.
Emma Thompson (The Sense and Sensibility Screenplay and Diaries: Bringing Jane Austen's Novel to Film)
I need to talk to you. I had a weird dream." "Let me guess. You got tied up by lady ninjas. With big hooters." "Uh, no." I take a sip of coffee and wince. It was ridiculously strong. My grandfather shoves a strip of bacon in his mouth with a grin. "Guess it would have been kind of weird if we'd had the same dream." I roll my eyes. "Well, you'd better not tell me anything else. Don't ruin the surprise in case I have it tonight.
Holly Black (White Cat (Curse Workers, #1))
I felt like I was well on my way to becoming the neighborhood cat lady. All I needed were the cats.
J. Lynn (Wait for You (Wait for You, #1))
You can’t tell a little kid that you swear to God over something and then not do it. You may effectively ruin my childhood.” He looks off into nothing, a wistful expression on his face. “Gosh, think of the therapy bills. Not to mention how I’ll probably never be able to have a normal relationship when I’m an adult. I’ll live with you forever and become a cat lady.” I cock an eyebrow at him. “You hate cats.” He rolls his eyes. “Well, yeah, now I do. But I won’t have a choice. It’ll be inevitable. And I’ll probably have to throw birthday parties for my feline companions where I bake them cakes out of Fancy Feast. All because you went back on your God swear.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
It was sometimes inconvenient to have the gold-green, slit-pupilled eyes of a cat, but this was usually easily hidden with a small glamour, and if not, well, there were quite a few ladies-and men-who didn't find it a drawback.
Cassandra Clare (What Really Happened in Peru (The Bane Chronicles, #1))
Greebo had spent an irritating two minutes in that box. Technically, a cat locked in a box may be alive or it may be dead. You never know until you look. In fact, the mere act of opening the box will determine the state of the cat, although in this case there were three determinate states the cat could be in: these being Alive, Dead, and Bloody Furious.
Terry Pratchett (Lords and Ladies (Discworld, #14))
Kind old ladies assure us that cats are often the best judges of character. A cat will always go to a good man, they say[.]
Virginia Woolf (Jacob's Room)
You’ve got sex hair … or crazy cat lady hair. They’re remarkably similar.
Molly Harper (The Care and Feeding of Stray Vampires (Half-Moon Hollow, #1))
Besides, if you ever did eat some bad food, I could still find a use for you. I've always wanted a cat-drawn carriage." Cheshire opened one eye, his pupil slitted and unamused. "I would dangle balls of yarn and fish bones out in front to keep you moving." He stopped purring long enough to say, "You are not as cute as you think you are, Lady Pinkerton.
Marissa Meyer (Heartless)
The cat, covered in dust and standing on its hind legs, bowed to Margarita. Round its neck it was now wearing a made-up white bow tie on an elastic band, with a pair of ladies’ mother-of-pearl binoculars hanging on a cord. It had also gilded its whiskers.
Mikhail Bulgakov (The Master and Margarita)
Don't let the cat out or the concierge in: this is the first principle of socialist ladies.
Muriel Barbery (The Elegance of the Hedgehog)
Mister, when I see my first lady angel, if God ever sees fit to show me one, it’ll be her wings not her face that’ll make my mouth fall open. I’ve already seen the prettiest face that ever could be.
Kurt Vonnegut Jr. (Cat’s Cradle)
The Lady Amalthea beckoned, and the cat wriggled all over, like a dog, but he would not come near... She was offering her open palm to the crook-eared cat, but he stayed where he was, shivering with the desire to go to her"...[later, Molly asked the cat] "Why were you afraid to let her touch you? I saw you. You were afraid of her." "If she had touched me," he said very softly, "I would have been hers and not my own, not ever again. I wanted her to touch me but I could not let her. No cat will... The price is more than a cat can pay.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
I shall sit down,' replied the cat, sitting down, 'but I shall enter an objection with regard to your last. My speeches in no way resemble verbal muck, as you have been pleased to put it in the presence of a lady, but rather a sequence of tightly packed syllogisms, the merit of which would be appreciated by such connoisseurs as Sextus Empiricus, Martianus Capella, and, for all I know, Aristotle himself.' Your king is in check,' said Woland. Very well, very well,' responded the cat, and he began studying the chessboard through his opera glasses. And so, donna,' Woland addressed Margarita, 'I present to you my retinue. This one who is playing the fool is the cat Behemoth...
Mikhail Bulgakov (The Master and Margarita)
I don't think he was knowable. I mean, when most people talk about knowing somebody a lot or a little, they're talking about the secrets they've been told or haven't been told. They're talking about intimate things, family things, love things," that nice old lady said to me. "Mr. Hoenikker had all those things in his life, the way every living person has to, but they weren't the main things with him.
Kurt Vonnegut Jr. (Cat’s Cradle)
Who shall tell the lady's grief When her Cat was past relief? Who shall number the hot tears Shed o'er her, beloved for years? Who shall say the dark dismay Which her dying caused that day?
Christina Rossetti
Ladies and Gentlemen, I stand before you now because I never stopped dawdling like an eight-year-old on a spring morning on his way to school. Anything can make me stop and look and wonder, and sometimes learn. I am a very happy man. Thank you. - Dr. Hoenikker's Nobel Prize acceptance speech (in its entirety); chapter 5
Kurt Vonnegut Jr. (Cat’s Cradle)
The winged lady was Princess Cat’s friend, a kind fairy who had ensured that the spell would one day be broken by a prince who loved her dearly.
Margery Williams Bianco (The Velveteen Rabbit & Other Stories)
You have more baggage than United Airlines. Cross that out. You have more issues than Medusa, and that woman makes the inside of a cat lady's thoughts seem like a calming place.
Jennifer L. Armentrout (The Return (Titan, #1))
Jokes about Crazy Cat Ladies seem harmless enough, but at their core is a disturbing echo of the hysterical witch superstitions of the Middle Age.
Tom Cox (The Good, the Bad and the Furry: Life with the World's Most Melancholy Cat and Other Whiskery Friends)
Shall I compare thee to a really large rat? Thou art more longer, with less disease. One would never mistake you for a listless cat . . . Nor a filthy dog, because my dog has fleas.
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
Can I have this?" Iris asked in her honeydew voice, holding up one of the novels I'd brought her so that Amy could see the cover. "Sorry, hot man is all out at the moment. We have some corpulent taxi driver and a slice of crazy cat-lady left, but we ran out of hot man hours ago.
Nicole Peeler (Tracking the Tempest (Jane True, #2))
Is that vodka?' Margarita asked weakly. The cat jumped up from its chair in indignation. 'Excuse me, your majesty,' he squeaked, 'do you think I would give vodka to a lady? That is pure spirit!
Mihail Bulhakov
Emma rose to her feet, facing the faerie across the fleeing crowd. Gleaming from his weathered, barklike face, his eyes were yellow as a cat's. "Shadowhunter," he hissed. Emma reached back over her shoulder and closed her hand around the hilt of her sword, Cortana. The blade made a golden blur in the air as she drew it and pointed the tip at the fey. "No," she said. "I'm a candygram. This is my costume." The faerie looked puzzled. Emma sighed. "It's so hard to be sassy to the Fair Folk. You people never get jokes." "We are well known for our jests, japes, and ballads," the faerie said, clearly offended. "Some of our ballads last for weeks." "I don't have that kind of time," Emma said. "I'm a Shadowhunter. Quip fast, die young." She wiggled Cortana's tip impatiently. "Now turn out your pockets." "I have done nothing to break the Cold Peace," said the fey. "Technically true, but we do frown on stealing from mundanes," Emma said. "Turn out your pockets or I'll rip off one of your horns and shove it where the sun doesn't shine." The fey looked puzzled. "Where does the sun not shine? Is this a riddle?" Emma gave a martyred sigh and raised Cortana. "Turn them out, or I'll start peeling your bark off. My boyfriend and I just broke up, and I'm not in the best mood." The faerie began slowly to empty his pockets onto the ground, glaring at her all the while. "So you're single," he said. "I never would have guessed.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
8. The Cat Who Lived in the Palace The cat who lived in the Palace had been awarded the head-dress of nobility and was called Lady Myobu.
Sei Shōnagon (The Pillow Book)
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
If the old lady who’s been giving me tea and biscuits for twenty-five years is a trained assassin, I suppose I might like assassins after all. I might have very positive and warm associations with assassins.
Cat Sebastian (Hither, Page (Page & Sommers, #1))
First came bright Spirits, not the Spirits of men, who danced and scattered flowers. Then, on the left and right, at each side of the forest avenue, came youthful shapes, boys upon one hand, and girls upon the other. If I could remember their singing and write down the notes, no man who read that score would ever grow sick or old. Between them went musicians: and after these a lady in whose honour all this was being done. I cannot now remember whether she was naked or clothed. If she were naked, then it must have been the almost visible penumbra of her courtesy and joy which produces in my memory the illusion of a great and shining train that followed her across the happy grass. If she were clothed, then the illusion of nakedness is doubtless due to the clarity with which her inmost spirit shone through the clothes. For clothes in that country are not a disguise: the spiritual body lives along each thread and turns them into living organs. A robe or a crown is there as much one of the wearer's features as a lip or an eye. But I have forgotten. And only partly do I remember the unbearable beauty of her face. “Is it?...is it?” I whispered to my guide. “Not at all,” said he. “It's someone ye'll never have heard of. Her name on earth was Sarah Smith and she lived at Golders Green.” “She seems to be...well, a person of particular importance?” “Aye. She is one of the great ones. Ye have heard that fame in this country and fame on Earth are two quite different things.” “And who are these gigantic people...look! They're like emeralds...who are dancing and throwing flowers before here?” “Haven't ye read your Milton? A thousand liveried angels lackey her.” “And who are all these young men and women on each side?” “They are her sons and daughters.” “She must have had a very large family, Sir.” “Every young man or boy that met her became her son – even if it was only the boy that brought the meat to her back door. Every girl that met her was her daughter.” “Isn't that a bit hard on their own parents?” “No. There are those that steal other people's children. But her motherhood was of a different kind. Those on whom it fell went back to their natural parents loving them more. Few men looked on her without becoming, in a certain fashion, her lovers. But it was the kind of love that made them not less true, but truer, to their own wives.” “And how...but hullo! What are all these animals? A cat-two cats-dozens of cats. And all those dogs...why, I can't count them. And the birds. And the horses.” “They are her beasts.” “Did she keep a sort of zoo? I mean, this is a bit too much.” “Every beast and bird that came near her had its place in her love. In her they became themselves. And now the abundance of life she has in Christ from the Father flows over into them.” I looked at my Teacher in amazement. “Yes,” he said. “It is like when you throw a stone into a pool, and the concentric waves spread out further and further. Who knows where it will end? Redeemed humanity is still young, it has hardly come to its full strength. But already there is joy enough int the little finger of a great saint such as yonder lady to waken all the dead things of the universe into life.
C.S. Lewis (The Great Divorce)
The tree in the field is to be treated with respect. It is not to be romanticized as the old lady romanticizes her cat (that is, she reads human reactions into it). . . . But while we should not romanticize the tree, we must realize that God made it and it deserves respect because he made it as a tree. Christians who do not believe in the complete evolutionary scale have reason to respect nature as the total evolutionist never can, because we believe that God made these things specifically in their own areas. So if we are going to argue against evolutionists intellectually, we should show the results of our beliefs in our attitudes. The Christian is a man who has a reason for dealing with each created thing on a high level of respect.
Francis A. Schaeffer (Pollution and the Death of Man)
This is until you’re forty-five, ladies, after which you vanish into thin air like the smile of the Cheshire cat leaving behind only a disgusting grossness and a subtle poison that automatically infects every man under twenty-one.
Joanna Russ (The Female Man)
The cat required far less attendance than a human child, which is one of the reasons why spinster ladies prefer felines to babies.
Elizabeth Peters (The Mummy Case (Amelia Peabody, #3))
The lady obviously spent her days reading, napping, and eating biscuits. He didn’t know whether to be disgusted or jealous.
Cat Sebastian (The Soldier's Scoundrel (The Turners, #1))
Pretty, was she?" "Pretty?" he echoed. "Mister, when I see my first lady angel, if God ever sees fit to show me one, it'll be her wings and not her face that'll make my mouth fall open. I've already seen the prettiest face that ever could be.
Kurt Vonnegut Jr. (Cat’s Cradle)
I once knew an Episcopalian lady in Newport, Rhode Island who asked me to design and build a doghouse for her Great Dane. The lady claimed to understand God and His Ways of Working perfectly. She could not understand why anyone should be puzzled about what had been or about what was going to be. And yet, when I showed her a blueprint of the doghouse I proposed to build, she said to me, "I'm sorry, but I never could read one of those things." Give it to your husband or your minister to pass on to God," I said, "and, when God finds a minute, I'm sure he'll explain this doghouse of mine in a way that even YOU can understand.
Kurt Vonnegut Jr. (Cat’s Cradle)
He wrapped his hand around the back of her neck and massaged gently. “Listen to me, Cat, because I’ll only say this once. You’re the finest Lady I’ve ever met and the dearest friend I’ve ever had. Besides that, I love you like a brother, and any bastard who hurts my little sister is going to answer to me.
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
The witch grunted. "Love gone wrong. The worst." Jace made a soft, almost inaudible noise at that—a chuckle. Dorothea's ears pricked like a cat's. "What's so funny, boy?" "What would you know about it?" he said. "Love, I mean." Dorothea folded her soft white hands in her lap. "More than you might think," she said. "Didn't I read your tea leaves, Shadowhunter? Have you fallen in love with the wrong person yet?" Jace said, "Unfortunately, Lady of the Haven, my one true love remains myself." Dorothea roared at that. "At least," she said, "you don't have to worry about rejection, Jace Wayland." "Not necessarily. I turn myself down occasionally, just to keep it interesting.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
He had once found himself in a room with Lady Bessborough's long-haired white cat. He happened to be dressed in an immaculate black coat and trousers, and was there thoroughly alarmed by the cat's stalking round and round and making motions as if it proposed to sit upon him. He waited until he believed himself to be unobserved, then he picked it up, opened a window, and tossed it out. Despite falling three storeys to the ground, the cat survived, but one of its legs was never quite right afterward and it always evinced the greatest dislike of gentlemen in black clothes.
Susanna Clarke (Jonathan Strange & Mr Norrell)
And the Lady's mate. Despite having only two legs and small fangs, there was much that was feline in that one, and he approved.
Anne Bishop (Queen of the Darkness (The Black Jewels, #3))
Soon, soon the flesh The grave cave ate will be At home on me And I a smiling woman. I am only thirty. And like the cat I have nine times to die. This is Number Three. What a trash To annihilate each decade. --from "Lady Lazarus", written 23-29 October 1962
Sylvia Plath (Ariel)
Last week I placed a hand-written sign in front of my neighborhood that read, “Lost Mustache. Please do not feed. If found, contact Mouth,” and I left my phone number. Nobody’s called. Perhaps the neighborhood cat lady took it in and is petting it on her lap at this very moment. Ah, but that’s life, no?

Jarod Kintz (Ah, but that's life, no?)
Rachel hadn’t invented the dangers of toxoplasmosis; she’d gone online and built an airtight case. This wasn’t crazy talk. Neurobiologists had linked T. gondii to suicide and the onset of schizophrenia. All caused by exposure to cat poop. Some studies even suggested that the toxo brain parasites chemically coerced people to adopt more cats. Those crazy cat ladies were actually being controlled by an infection of single-cell invaders.
Chuck Palahniuk (Phoenix)
Oh bats, oh bats, oh snacks with wings– Come and hear how Taggle sings! Oh squirm, oh squeak, my wriggly bats– You'll make a gift for lady cats!
Erin Bow (Plain Kate)
It is natural for our unamiable sex to dislike the creatures, for you ladies lavish so many caresses upon them.
Anne Brontë (The Tenant of Wildfell Hall)
Save their world. But... come back to mine." "That's rather forward of you, Mr. Cat." He grinned. But it wasn't just like the Cheshire Cat's smile. There was warmth in it, and even love. "I'm not the single young lady who goes knocking on strange barristers' doors," he pointed out. "Hmmph," Alice said, sniffing. "Excellent point.
Liz Braswell (Unbirthday)
And there’s nothing wrong with spinsters, anyway. They have nice cats and little bowls full of candy. Mrs. Bailey and Mrs. Newitz are the kindest ladies you’ll ever meet, and they have nips of whiskey in their tea like cowboys.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
In front of her the cat Greebo, glad to be home again, lay on his back with all four paws in the air, doing his celebrated something-found-in-the-gutter impersonation.
Terry Pratchett (Lords and Ladies (Discworld, #14; Witches, #4))
There’s a distinct bitter aftertaste of Lady’s Gown in the tea, and I welcome it. Anything to sleep without dreaming.
Cat Hellisen (When the Sea Is Rising Red (Hobverse #1))
She was, quite simply, a nice lady who'd raised a family and now lived quietly with her cats and grew vegetables. This was both nothing and everything.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
If I only had a kettle and a cat here, she said to herself, I'd be a perfect picture of a useless old lady.
Gwen Bristow
She grabbed all her clothes from her wardrobe and flung them across the room, screaming her head off until she finally felt sane again. Perhaps tomorrow she would buy those cats. (Holly)
Cecelia Ahern (P.S. I Love You (P.S. I Love You, #1))
They have a certain gaiety to them, a power of invention, they don't care what people think. They have escaped, though what it is they've escaped from isn't clear to us. We think that their bizarre costumes, their verbal tics, are chosen, and that when the time comes we also will be free to choose. "That's what I'm going to be like,
Margaret Atwood (Cat’s Eye)
Rachel hadn’t invented the dangers of toxoplasmosis; she’d gone online and built an airtight case. This wasn’t crazy talk. Neurobiologists had linked T. gondii to suicide and the onset of schizophrenia. All caused by exposure to cat poop. Some studies even suggested that the toxo brain parasites chemically coerced people to adopt more cats. Those crazy cat ladies were actually being controlled by an infection of single-cell invaders. The
Chuck Palahniuk (Make Something Up: Stories You Can't Unread)
I thought of that old gentleman, who is dead now, but was a bishop, I think, who declared that it was impossible for any woman, past, present, or to come, to have the genius of Shakespeare. He also told a lady who applied to him for information that cats do not as a matter of fact go to heaven, though they have, he added, souls of a sort. How much thinking those old gentlemen used to save one! How the borders of ignorance shrank back at their approach! Cats do not go to heaven. Women cannot write the plays of Shakespeare.
Virginia Woolf (A Room of One’s Own)
Women need to be in a couple, for a single woman doesn’t have as much value in the eyes of the world as a woman who belongs to a man. We imagine single women who don’t have children to be selfish and bitter, while their sisters who are married and mothers have the freedom to bestow their generosity and natural kindness. A great deal of energy is deployed in persuading a woman that being in a relationship with a man is the most advantageous thing available to her – and much of the time she allows herself to be convinced, for the spectre of the crazy cat lady looms ominously over the life a single woman.
Pauline Harmange (I Hate Men)
Brisbane put one in mind of wolves and lithe jungle cats, while Edward conjured images of seraphim and slim young saints. It required an entirely different aesthetic altogether to appreciate Brisbane, one that I lacked. Entirely.
Deanna Raybourn (Silent in the Grave (Lady Julia Grey, #1))
But Charlie and I have a very special relationship and I wanted to let her know I was home. Don't worry, I'm not one of those crazy cat ladies. I just like my favorite cat to know I'm home so we can talk, have dinner together, and watch Hoarders. I assumed she was in our master bathroom because that's where the cats like to hang out when we're not home. They record most of their "cute kitty with loofah" YouTube videos in there. Now, in order to let her know I was home I could have walked to the bathroom or yelled for her, which is what I usually do. But for some reason in that day I did something else. We have an intercom where I can push a button and talk to someone in another room. Sometimes it's fun to use when we have company. I'll get on it from a different part of the house and whisper stuff like, "Is there anything you ever really wanted to tell God? I'm listening." Oh, we have fun. Anyway, I got on the intercom and I said, "Charlie, I'm home! Charlie!" and I hung up and I waited for Charlie to come running. I didn't think anything of it until I looked over and Portia was staring at me. She said, "Did you just intercom the cat?" And I looked at her and I had no choice but to say, "Yes. I did just intercom the cat." In my defense, I was very tired and if I wanted to walk all the way to the bathroom to find Charlie I would have had to get on my Segway, ride it to the escalator, take the escalator to the third floor, cross the champagne fountain, get my retina scanned, and deactivate dozens of laser beams. Okay, that isn't true. I would have had to walk down the hall.
Ellen DeGeneres (Seriously... I'm Kidding)
What amazed me as much as anything were the fat calm tabby cats of London some of whom slept peacefully right in the doorway of butcher shops as people stepped over them carefully, right there in the sawdust sun but a nose away from the roaring traffic of trams and buses and cars. England must be the land of cats, they abide peacefully all over the back fences of St John's Wood. Edlerly ladies feed them lovingly just like Ma feeds my cats. In Tangiers or Mexico City you hardly ever see a cat, if so late at night, because the poor often catch them and eat them. I felt London was blessed by its kind regard for cats. If Paris is a woman who was penetrated by the Nazi invasion, London is man who was never penetrated but only smoked his pipe, dranks his stout or half n half, and blessed his cat on his purring head.
Jack Kerouac (Desolation Angels)
If her death wakes something in the deep, then she will bring more shame down on her House with that one act than she could have accomplished in a lifetime of disobedience. They will hate her for it. I wonder if Lady Malker has already struck her daughter’s name from the family tree.
Cat Hellisen (When the Sea Is Rising Red (Hobverse #1))
on the continent I'm soft. I dream too. I let myself dream. I dream of being famous. I dream of walking the streets of London and Paris. I dream of sitting in cafes drinking fine wines and taking a taxi back to a good hotel. I dream of meeting beautiful ladies in the hall and turning them away because I have a sonnet in mind that I want to write before sunrise. at sunrise I will be asleep and there will be a strange cat curled up on the windowsill. I think we all feel like this now and then. I'd even like to visit Andernach, Germany, the place where I began, then I'd like to fly on to Moscow to check out their mass transit system so I'd have something faintly lewd to whisper into the ear of the mayor of Los Angeles upon to my return to this fucking place. it could happen. I'm ready. I've watched snails crawl over ten foot walls and vanish. you mustn't confuse this with ambition. I would be able to laugh at my good turn of the cards - and I won't forget you. I'll send postcards and snapshots, and the finished sonnet.
Charles Bukowski (Love Is a Dog from Hell)
Let me explain it to you, my dear lady. Loving to be admired by a man, loving to be petted by him, loving to be caressed by him, and loving to be praised by him, is not loving a man. All these may be when a woman has no power of loving at all, — they may all be simply because she loves herself, and loves to be flattered, praised, caressed, coaxed; as a cat likes to be coaxed and stroked, and fed with cream, and have a warm corner. But all this is not love. It may exist, to be sure, where there is love; it generally does. But it may also exist where there is no love. Love, my dear ladies, is self-sacrifice; it is a life out of self and in another.
Harriet Beecher Stowe (Harriet Beecher Stowe: The Complete Novels (The Greatest Writers of All Time Book 26))
you've probably noticed that after the first half-century practically everybody gets leaky, they can't keep it in ... hence the cruelty of long drawn-out meals and drinking sessions ... ships and apartment houses are the same ... everything starts to leak ... sphincters, bladders, drain pipes, bowels ... the half-century is merciless for ladies and gentlemen ... worse for dogs and cats! ... with them it comes sooner! ... five ... six years ...
Louis-Ferdinand Céline (North (French Literature))
We were talking about cats and dogs the other day and decided that both have consciences but the dog, being an honest, humble person, always has a bad one, but the cat is a Pharisee and always has a good one. When he sits and stares you out of countenance he is thanking God that he is not as these dogs, or these humans, or even as these other cats!
C.S. Lewis (Letters to an American Lady)
Over her years of caring for unwanted animals, Lady Penelope Campion had learned a few things. Dogs barked; rabbits hopped. Hedgehogs curled up into pincushions. Cats plopped in the middle of the drawing room carpet and licked themselves in indelicate places. Confused parrots flew out open windows and settled on ledges just out of reach. And Penny leaned over window sashes in her nightdress to rescue them- even if it meant risking her own neck. She couldn't change her nature, any more than the lost, lonely, wounded, and abandoned creatures filling her house could change theirs.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
means that of all God's creatures a cat is at all times himself. When in the presence of a king, mere mortal man must bow and lady, curtsy. A dog, well trained, will grovel and beg. Horses wait patiently in the rain upon his pleasure. But a cat cares but for himself. He will walk into any room and stare you in the eye, be you king or clown and he will hold his own opinion of you. He will turn his back on you if you displease him, stand, sit, or walk away as is his will. And a king will tolerate this from a cat, but from no one else, since to protest would be the veriest waste of time.” “How
D.L. Carter (Ridiculous!)
I pulled the dress out of the bag and held it in front of me. Ella sat up straighter and squinted her eyes, while Michael and Paco made the noises men make when a woman says, “What do you think?” Fathers probably teach those noises to their sons when they’re young—“Stand up when you’re introduced to a lady, use your napkin instead of your sleeve, and make admiring noises when a woman shows you anything, no matter what it is, and asks you what you think about it. Never, never, never say you have no opinion.
Blaize Clement (Cat Sitter on a Hot Tin Roof (A Dixie Hemingway Mystery, #4))
I'm grotesque." "You are pink and rather hairless. Like a baby, and people love babies." Actually, she looked more like the hairless cat his aunt Ludmilla had favoured more than any of her children, but that seemed an impolite thing to say to a lady. Ehri did not wish to be charmed. "Must you make a joke of everything?" "I must. By royal mandate and the curse of my own disposition. I find life quite unbearable without laughter.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
I get it. Having had Satoru take me in as his cat, I think I felt as lucky as he did. Strays, by definition, have been abandoned or left behind, but Satoru rescued me when I broke my leg. He made me the happiest cat on earth. I'll always remember those five years we had together. And I'll forever go by the name Nana, the name that - let's face it - is pretty unusual for a male cat. The town where Satoru grew up, too, I would remember that. And the green seedlings swaying in the fields. The sea, with its frighteningly loud roar. Mount Fuji, looming over us. How cosy it felt on top of that boxy TV. That wonderful lady cat, Momo. That nervy but earnest hound, Toramaru. That huge white ferry, which swallowed up cars into its stomach. The dogs in the pet holding area, wagging their tails at Satoru. That foul-mouthed chinchilla telling me Guddo rakku! The land in Hokkaido stretching out forever. Those vibrant purple and yellow flowers by the side of the road. The field of pampas grass like an ocean. The horses chomping on grass. The bright-red berries on the mountain-ash trees. The shades of red on the mountain ash that Satoru taught me. The stands of slender white birch. The graveyard, with its wide-open vista. The bouquet of flowers in rainbow colours. The white heart-shaped bottom of the deer. That huge, huge, huge double rainbow growing out of the ground. I would remember these for the rest of my life. And Kosuke, and Yoshimine, and Sugi and Chikako. And above all, the one who brought up Satoru and made it possible for us to meet - Noriko. Could anyone be happier than this?
Hiro Arikawa (Nana Du Ký)
You were a wonderful lover... Such a wonderful person to go to bed with, and I think mostly because you were really indifferent to it. Isn't that right? Never had any anxiety about it, did it naturally, easily, slowly, with absolute confidence and perfect calm, more like opening a door for a lady or seating her at a table than giving expression to any longing for her. Your indifference made you wonderful at lovemaking - strange? - but true...
Tennessee Williams (Cat on a Hot Tin Roof)
...then a human arose amongst them. a golden-furred male, bred and raised in the pleasure gardens of one of the sybaritic feline ladies. and the human had a dream. and it walked amongst its fellows and it told them "dream! dreams shape the world."[...] and the word spread amongst the humans. [...] one night, enough of them dreamed. a thousand perhaps, no more. they dreamed... and the next day, things changed. humans were huge, and cats were tiny.
Neil Gaiman (The Sandman, Vol. 3: Dream Country)
Tom felt that it was time to wake up; this sort of life might be romantic enough, in his blighted condition, but it was getting to have too little sentiment and too much distracting variety about it. So he thought over various plans for relief, and finally hit pon that of professing to be fond of Pain-killer. He asked for it so often that he became a nuisance, and his aunt ended by telling him to help himself and quit bothering her. If it had been Sid, she would have had no misgivings to alloy her delight; but since it was Tom, she watched the bottle clandestinely. She found that the medicine did really diminish, but it did not occur to her that the boy was mending the health of a crack in the sitting-room floor with it. One day Tom was in the act of dosing the crack when his aunt's yellow cat came along, purring, eying the teaspoon avariciously, and begging for a taste. Tom said: "Don't ask for it unless you want it, Peter." But Peter signified that he did want it. "You better make sure." Peter was sure. "Now you've asked for it, and I'll give it to you, because there ain't anything mean about me; but if you find you don't like it, you mustn't blame anybody but your own self." Peter was agreeable. So Tom pried his mouth open and poured down the Pain-killer. Peter sprang a couple of yards in the air, and then delivered a war-whoop and set off round and round the room, banging against furniture, upsetting flower-pots, and making general havoc. Next he rose on his hind feet and pranced around, in a frenzy of enjoyment, with his head over his shoulder and his voice proclaiming his unappeasable happiness. Then he went tearing around the house again spreading chaos and destruction in his path. Aunt Polly entered in time to see him throw a few double summersets, deliver a final mighty hurrah, and sail through the open window, carrying the rest of the flower-pots with him. The old lady stood petrified with astonishment, peering over her glasses; Tom lay on the floor expiring with laughter.
Mark Twain (The Adventures of Tom Sawyer)
In the writings of many contemporary psychics and mystics (e.g., Gopi Krishna, Shri Rajneesh, Frannie Steiger, John White, Hal Lindsay, and several dozen others whose names I have mercifully forgotten) there is a repeated prediction that the Earth is about to be afflicted with unprecedented calamities, including every possible type of natural catastrophe from Earthquakes to pole shifts. Most of humanity will be destroyed, these seers inform us cheerfully. This cataclysm is referred to, by many of them, as "the Great Purification" or "the Great Cleansing," and is supposed to be a punishment for our sins. I find the morality and theology of this Doomsday Brigade highly questionable. A large part of the Native American population was exterminated in the 19th century; I cannot regard that as a "Great Cleansing" or believe that the Indians were being punished for their sins. Nor can I think of Hitler's death camps, or Hiroshima or Nagasaki, as "Great Purifications." And I can't make myself believe that the millions killed by plagues, cancers, natural catastrophes, etc., throughout history were all singled out by some Cosmic Intelligence for punishment, while the survivors were preserved due to their virtues. To accept the idea of "God" implicit in such views is logically to hold that everybody hit by a car deserved it, and we should not try to get him to a hospital and save his life, since "God" wants him dead. I don't know who are the worst sinners on this planet, but I am quite sure that if a Higher Intelligence wanted to exterminate them, It would find a very precise method of locating each one separately. After all, even Lee Harvey Oswald -- assuming the official version of the Kennedy assassination -- only hit one innocent bystander while aiming at JFK. To assume that Divinity would employ earthquakes and pole shifts to "get" (say) Richard Nixon, carelessly murdering millions of innocent children and harmless old ladies and dogs and cats in the process, is absolutely and ineluctably to state that your idea of God is of a cosmic imbecile.
Robert Anton Wilson
The Red Keep was full of cats: lazy old cats dozing in the sun, cold-eyed mousers twitching their tails, quick little kittens with claws like needles, ladies’ cats all combed and trusting, ragged shadows prowling the midden heaps. One by one Arya had chased them down and snatched them up and brought them proudly to Syrio Forel … all but this one, this one-eared black devil of a tomcat. “That’s the real king of this castle right there,” one of the gold cloaks had told her. “Older than sin and twice as mean. One time, the king was feasting the queen’s father, and that black bastard hopped up on the table and snatched a roast quail right out of Lord Tywin’s fingers. Robert laughed so hard he like to burst. You stay away from that one, child.” He had run her halfway across the castle; twice around the Tower of the Hand, across the inner bailey, through the stables, down the serpentine steps, past the small kitchen and the pig yard and the barracks of the gold cloaks, along the base of the river wall and up more steps and back and forth over Traitor’s Walk, and then down again and through a gate and around a well and in and out of strange buildings until Arya didn’t know where she was. Now at last she had him. High walls pressed close on either side, and ahead was a blank windowless mass of stone. Quiet as a shadow, she repeated, sliding forward, light as a feather. When she was three steps away from him, the tomcat bolted. Left, then right, he went; and right, then left, went Arya, cutting off his escape. He hissed again and tried to dart between her legs. Quick as a snake, she thought.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
The road looked as if no one had traveled on it in months. "It's not much farther," the grandmother said and just as she said it, a horrible thought came to her. The thought was so embarrassing that she turned red in the face and her eyes dilated and her feet jumped up, upsetting her valise in the corner. The instant the valise moved, the newspaper top she had over the basket under it rose with a snarl and Pitty Sing, the cat, sprang onto Bailey's shoulder. The children were thrown to the floor and their mother, clutching the baby, was thrown out the door onto the ground; the old lady was thrown into the front seat. The car turned over once and landed right-side-up in a gulch off the side of the road. Bailey remained in the driver's seat with the cat gray-striped with a broad white face and an orange nose clinging to his neck like a caterpillar. As soon as the children saw they could move their arms and legs, they scrambled out of the car, shouting, "We've had an ACCIDENT!" The grandmother was curled up under the dashboard, hoping she was injured so that Bailey's wrath would not come down on her all at once. The horrible thought she had had before the accident was that the house she had remembered so vividly was not in Georgia but in Tennessee.
Flannery O'Connor (A Good Man Is Hard to Find and Other Stories)
In the early summer of 1846 he moved his family to a cottage in Fordham, which was then far out in the country. He was ill and Virginia was dying, so that he was in no condition to do much work. As a result, their meagre income vanished; when winter game they even lacked money to buy fuel. A friend who visited the cottage wrote a description of Virginia's plight: There was no clothing on the bed... but a snow white spread and sheets. The weather was cold, and the sick lady had the dreadful chills that accompany the hectic fever of consumption. She lay on the straw bed, wrapped in her husband's great-coat, with a large tortoise-shell cat on her bosom. The wonderful cat seemed conscious of her great usefulness. The coat and the cat were the sufferer's only means of warmth... A public appeal for funds was made in the newspapers -- an act which Poe, of course, resented. But Virginia was beyond all human aid. She died on January 30, 1847, and her death marked the end of the sanest period in her husband's life. He plunged into the writing of a book-length mystical and pseudo-scientific work entitled Eureka, in which he set forth his theories of the universe. He intended it as a prose poem, and as such is should be judged, rather than as a scientific explanation of matters beyond it's author's ken.
Philip van Doren Stern (The Portable Poe)
To look at Montmorency you would imagine that he was an angel sent upon the earth, for some reason withheld from mankind, in the shape of a small fox-terrier. There is a sort of Oh-what-a-wicked-world-this-is-and-how-I-wish-I-could-do-something-to-make-it-better-and-nobler expression about Montmorency that has been known to bring the tears into the eyes of pious old ladies and gentlemen. When first he came to live at my expense, I never thought I should be able to get him to stop long. I used to sit down and look at him, as he sat on the rug and looked up at me, and think: “Oh, that dog will never live. He will be snatched up to the bright skies in a chariot, that is what will happen to him.” But, when I had paid for about a dozen chickens that he had killed; and had dragged him, growling and kicking, by the scruff of his neck, out of a hundred and fourteen street fights; and had had a dead cat brought round for my inspection by an irate female, who called me a murderer; and had been summoned by the man next door but one for having a ferocious dog at large, that had kept him pinned up in his own tool-shed, afraid to venture his nose outside the door for over two hours on a cold night; and had learned that the gardener, unknown to myself, had won thirty shillings by backing him to kill rats against time, then I began to think that maybe they’d let him remain on earth for a bit longer, after all. To hang about a stable, and collect a gang of the most disreputable dogs to be found in the town, and lead them out to march round the slums to fight other disreputable dogs, is Montmorency’s idea of “life;” and so, as I before observed, he gave to the suggestion of inns, and pubs., and hotels his most emphatic approbation.
Jerome K. Jerome (Three Men in a Boat: To Say Nothing of the Dog)
That cop," Fonny says, "that cop." "What about that cop?" But I am suddenly, and I don't know why, as still and as dry as a stone: with fear. "He's going to try to get me," Fonny says. "How? You didn't do anything wrong. The Italian lady said so, and she said that she would swear to it." "That's why he's going to try to get me," Fonny says. "White men don't like it at all when a white lady tells them, You a boatful of motherfuckers, and the black cat was right, and you can kiss my ass." He grins. "Because that's what she told him. In front of a whole lot of people. And he couldn't do shit. And he ain't about to forget it.
James Baldwin (If Beale Street Could Talk)
People who hate cats are like atheists, they cannot get through a conversation without telling you their views. There is such a righteousness that comes with it. You tell someone you have a cat, and they tell you, to your face, that they hate the thing you love. There are so few instances in life where this is acceptable. But cat haters can't wait to unleash their claws. They like to make you sound strange for loving an animal they don't understand. They tell you cats are not loyal. They shake their heads while you explain the loyalty you have experienced from your own. The madder they can make you look, the more satisfaction they seem to gain. People who don't like cats are scared of them because they don't know how to touch them, and therefore they question themselves and their abilities to feel safe. Or they are dead on the inside. It's one or the other.
Dawn O'Porter (Cat Lady)
The deviation of man from the state in which he was originally placed by nature seems to have proved to him a prolific source of diseases. From the love of splendour, from the indulgences of luxury, and from his fondness for amusement he has familiarised himself with a great number of animals, which may not originally have been intended for his associates. The wolf, disarmed of ferocity, is now pillowed in the lady's lap. The cat, the little tiger of our island, whose natural home is the forest, is equally domesticated and caressed. The cow, the hog, the sheep, and the horse, are all, for a variety of purposes, brought under his care and dominion.
Edward Jenner (Vaccination Against Smallpox (Great Minds Series))
A pale, bored woman in white ankle-socks and a white tasselled beret was sitting on a bentwood chair at the corner entrance to the verandah of the writer's club, where there was an opening in the creeper-grown trellis. In front of her on a plain kitchen table lay a large book like a ledger, in which for no known reason the woman wrote the names of the people entering the restaurant. She stopped Koroviev and Behemoth. 'Your membership cards?' she said, staring in surprise at Koroviev's pince-nez, at Behemoth's Primus and grazed elbow. 'A thousand apologies, madam, but what membership cards?' asked Koroviev in astonishment. 'Are you writers?' asked the woman in return. 'Indubitably,' replied Koroviev with dignity. 'Where are your membership cards?' the woman repeated. 'Dear lady...' Koroviev began tenderly. 'I'm not a dear lady,' interrupted the woman. 'Oh, what a shame,' said Koroviev in a disappointed voice and went on: 'Well, if you don't want to be a dear lady, which would have been delightful, you have every right not to be. But look here - if you wanted to make sure that Dostoyevsky was a writer, would you really ask him for his membership card? Why, you only have to take any five pages of one of his novels and you won't need a membership card to convince you that the man's a writer. I don't suppose he ever had a membership card, anyway! What do you think?' said Koroviev, turning to Behemoth. 'I'll bet he never had one,' replied the cat, putting the Primus on the table and wiping the sweat from its brow with its paw. 'You're not Dostoyevsky,' said the woman to Koroviev. 'How do you know?' 'Dostoyevsky's dead,' said the woman, though not very confidently. 'I protest!' exclaimed Behemoth warmly. 'Dostoyevsky is immortal!' 'Your membership cards, please,' said the woman.
Mikhail Bulgakov (The Master and Margarita)
One day Tom was in the act of dosing the crack when his aunt's yellow cat came along, purring, eyeing the teaspoon avariciously, and begging for a taste. Tom said: "Don't ask for it unless you want it, Peter." But Peter signified that he did want it. "You better make sure." Peter was sure. "Now you've asked for it, and I'll give it to you, because there ain't anything mean about me; but if you find you don't like it, you mustn't blame anybody but your own self." Peter was agreeable. So Tom pried his mouth open and poured down the Pain-killer. Peter sprang a couple of yards in the air, and then delivered a war-whoop and set off round and round the room, banging against furniture, upsetting flower-pots, and making general havoc. Next he rose on his hind feet and pranced around, in a frenzy of enjoyment, with his head over his shoulder and his voice proclaiming his unappeasable happiness. Then he went tearing around the house again spreading chaos and destruction in his path. Aunt Polly entered in time to see him throw a few double summersets, deliver a final mighty hurrah, and sail through the open window, carrying the rest of the flower-pots with him. The old lady stood petrified with astonishment, peering over her glasses; Tom lay on the floor expiring with laughter. "Tom, what on earth ails that cat?" "I don't know, aunt," gasped the boy. "Why, I never see anything like it. What did make him act so?
Mark Twain (The Adventures of Tom Sawyer)
Desperately trying to remember her manners, she curtseyed and murmured, "Your Grace." The smile lines at his eyes deepened subtly. "You appear to be in need of rescue. Why don't you come inside with me, away from this riffraff? The duchess is eager to meet you." As Pandora hesitated, thoroughly intimidated, he assured her. "I'm quite trustworthy. In fact, I'm very nearly an angel. You'll come to love me in no time." "Take heed," Lord St. Vincent advised Pandora sardonically, fastening the loose sides of his vest. "My father is the pied piper of gullible women." "That's not true," the duke said, "The non-gullible ones follow me as well." Pandora couldn't help chuckling. She looked up into silvery-blue eyes lit with sparks of humor and playfulness. There was something reassuring about his presence, the sense of a man who truly liked women. When she and Cassandra were children, they had fantasized about a handsome father who would lavish them with affection and advice, and spoil them just a little, but not too much. A father who might have let them stand on his feet to dance. This man looked very much like the one Pandora had imagined. She moved forward and took his arm. "How was your journey, my dear?" the duke asked as he escorted her into the house. Before Pandora could reply, Lord St. Vincent spoke from behind them. "Lady Pandora doesn't like small talk, Father. She would prefer to discuss topics such as Darwin, or women's suffrage." "Naturally an intelligent young woman would wish to skip over mundane chitchat," the duke said, giving Pandora such an approving glance that she fairly glowed. "However," he continued thoughtfully, "most people need to be guided into a feeling of safety before they dare reveal their opinions to someone they've only just met. There's a beginning to everything, after all. Every opera has its prelude, every sonnet its opening quatrain. Small talk is merely a way of helping a stranger to trust you, by first finding something you can both agree on." "No one's ever explained it that way before," Pandora said with a touch of wonder. "It actually makes sense. But why must it be so often about weather? Isn't there something else we all agree on? Runcible spoons- everyone likes those, don't they? And teatime, and feeding ducks." "Blue ink," the duke added. "And a cat's purr. And summer storms- although I suppose that brings us back to weather." "I wouldn't mind talking about weather with you, Your Grace," Pandora said ingenuously. The duke laughed gently. "What a delightful girl.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
I may not read tea leaves or palms, my lady, but it is easy enough to read faces. Yours is a questioning face, always looking for answers, always seeking the truth, for yourself and for others.” I smiled at her. “I think that is a very polite way of saying I am curious as a cat. And we all know what happened to the cat—curiosity killed her.” Rosalie took the last slice of cake onto her plate. “Yes, but you forget the most important thing about the little cat,” she said, giving me a wise nod. “She had eight lives left to live.
Deanna Raybourn (Silent on the Moor (Lady Julia Grey, #3))
Everything comes down to time in the end - to the passing of time, to changing. Ever thought of that? Anything that makes you happy or sad, isn't it all based on minutes going by? Isn't happiness expecting something time is going to bring you? Isn't sadness wishing time back again? Even big things - even mourning a death: aren't you really just wishing to have the time back when that person was alive? Or photos - ever notice old photographs? How wistful they make you feel? Long-ago people smiling, a child who would be an old lady now, a cat that died, a flowering plant that's long since withered away and the pot itself broken or misplaced...Isn't it just that time for once is stopped that makes you wistful? If only you could turn it back again, you think. If only you could change this or that, undo what you have done, if only you could roll the minutes the other way, for once.
Anne Tyler (Dinner at the Homesick Restaurant)
The minute Molly and Priss disappeared inside, Trace cursed. He actually wanted to hit something, but a tree would break his knuckles, he didn’t want to put another dent in the truck, and Dare would hit back. Chris Chapey, Dare’s longtime best friend and personal assistant, approached with the enormous cat draped over one shoulder so that he could keep an eye on the trailing dogs. The bottom half of Liger filled his arms, and the long tail hung down to the hem of Chris’s shorts. Without even thinking about it, Trace started petting the cat. After a few hours in the truck together, he and Liger had an understanding of sorts. Dare watched him, but said only, “That cat is a beast.” “He’s an armful, that’s for sure.” Chris hefted him a little higher, and got a sweet meow in return. Both dogs barked in excitement, but quited when Liger gave them a level stare. Chris laughed at that. “You want me to head in to keep an eye on things” “That’s why I pay you the big bucks, right?” Dare stared toward the house. “You can tell Trace’s lady—” “She’s not mine.” Both Chris and Dare gave him a certain male-inspired look, a look that said they understood his bullshit and would let it slide—for now.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
Ask Mrs. Pontellier what she would like to hear me play,” she requested of Robert. She sat perfectly still before the piano, not touching the keys, while Robert carried her message to Edna at the window. A general air of surprise and genuine satisfaction fell upon every one as they saw the pianist enter. There was a settling down, and a prevailing air of expectancy everywhere. Edna was a trifle embarrassed at being thus signaled out for the imperious little woman’s favor. She would not dare to choose, and begged that Mademoiselle Reisz would please herself in her selections. Edna was what she herself called very fond of music. Musical strains, well rendered, had a way of evoking pictures in her mind. She sometimes liked to sit in the room of mornings when Madame Ratignolle played or practiced. One piece which that lady played Edna had entitled “Solitude.” It was a short, plaintive, minor strain. The name of the piece was something else, but she called it “Solitude.” When she heard it there came before her imagination the figure of a man standing beside a desolate rock on the seashore. He was naked. His attitude was one of hopeless resignation as he looked toward a distant bird winging its flight away from him. Another piece called to her mind a dainty young woman clad in an Empire gown, taking mincing dancing steps as she came down a long avenue between tall hedges. Again, another reminded her of children at play, and still another of nothing on earth but a demure lady stroking a cat. The very first chords which Mademoiselle Reisz struck upon the piano sent a keen tremor down Mrs. Pontellier’s spinal column. It was not the first time she had heard an artist at the piano. Perhaps it was the first time she was ready, perhaps the first time her being was tempered to take an impress of the abiding truth.
Kate Chopin (The Awakening)
His tongue slid down the inner length of her finger, then traced the lines on her palm. “Such lovely hands,” he murmured, nibbling on the fleshy part of her thumb as his fingers entwined with hers. “Strong, and yet so graceful and delicate.” “You’re talking nonsense,” Kate said self-consciously. “My hands—” But he silenced her with a finger to her lips. “Shhh,” he admonished. “Haven’t you learned that you should never ever contradict your husband when he is admiring your form?” Kate shivered with delight. “For example,” he continued, the very devil in his voice, “if I want to spend an hour examining the inside of your wrist”— with lightning-quick movements, his teeth grazed the delicate thin skin on the inside of her wrist—“ it is certainly my prerogative, don’t you think?” Kate had no response, and he chuckled, the sound low and warm in her ears. “And don’t think I won’t,” he warned, using the pad of his finger to trace the blue veins that pulsed under her skin. “I may decide to spend two hours examining your wrist.” Kate watched with fascination as his fingers, touching her so softly that she tingled from the contact, made their way to the inside of her elbow, then stopped to twirl circles on her skin. “I can’t imagine,” he said softly, “that I could spend two hours examining your wrist and not find it lovely.” His hand made the jump to her torso, and he used his palm to lightly graze the tip of her puckered breast. “I should be most aggrieved were you to disagree.” He leaned down and captured her lips in a brief, yet searing kiss. Lifting his head just an inch, he murmured, “It is a wife’s place to agree with her husband in all things, hmmm?” His words were so absurd that Kate finally managed to find her voice. “If,” she said with an amused smile, “his opinions are agreeable, my lord.” One of his brows arched imperiously. “Are you arguing with me, my lady? And on my wedding night, no less.” “It’s my wedding night, too,” she pointed out. He made a clucking noise and shook his head. “I may have to punish you,” he said. “But how? By touching?” His hand skimmed over one breast, then the next. “Or not touching?” He lifted his hands from her skin, but he leaned down, and through pursed lips, blew a soft stream of air over her nipple. “Touching,” Kate gasped, arching off the bed. “Definitely touching.” “You think?” He smiled, slowly like a cat. “I never thought I’d say this, but not touching has its appeal.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))