“
He f**ks even better than he looks”, I settled on saying. Several heads turned. I didn’t care; I was pissed. “And that beautiful face is going to be clamped between my legs as soon as we get home, don’t you worry.
”
”
Jeaniene Frost (Destined for an Early Grave (Night Huntress, #4))
“
I hate cats."
Death's face became a little stiffer, if that were possible. The blue glow in his eye sockets flickered red for an instant.
"I SEE," he said. The tone suggested that death was too good for cat haters.
”
”
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
“
She smiled. Her skin looked whiter than he recalled, and dark spidery veins were beginning to show beneath its surface. Her hair was still the color of spun silver and her eyes were still green as a cat’s. She was still beautiful. Looking at her, he was in London again. He saw the gaslight and smelled the smoke and dirt and horses, the metallic tang of fog, the flowers in Kew Gardens. He saw a boy with black hair and blue eyes like Alec’s, heard violin music like the sound of silver water. He saw a girl with long brown hair and a serious face. In a world where everything went away from him eventually, she was one of the few remaining constants.
And then there was Camille.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
This cat is looking at me with judgment.”“He’s not,” said Jules. “That’s just his face.”“You look at me the same way,” Mark said, glancing at Julian. “Judgy face.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
Old lovers go the way of old photographs, bleaching out gradually as in a slow bath of acid: first the moles and pimples, then the shadings. Then the faces themselves, until nothing remains but the general outlines.
”
”
Margaret Atwood (Cat’s Eye)
“
He gave the body a final kick and then turned to face me.
“You and I need to talk, Kitten.”
“Now?” I asked in disbelief, gesturing to the dead vampire near his feet.
“It’s not like he’s going anywhere, so yeah. Now.
”
”
Jeaniene Frost
“
You know, people ask me. They say 'Dan, three years later do you really want to be drawing cat whiskers on your face?' but they don't understand. The cat whiskers, they come from within.
”
”
Daniel Howell
“
Are you having performance issues?” I asked in surprise. “Bite your tongue,” Vlad said, with a snort. “I was seeing if Dermot understood sign language, but from the look on his face, it seems not.
”
”
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
“
They're still looking at him," she said to Magnus under her breath. "At Will, I mean."
"Of course they are," said Magnus. His eyes reflected light like a cat's as they surveyed the room. "Look at him. The face of a bad angel and eyes like the night sky in Hell. He's very pretty, and vampires like that. I can't say I mind either." Magnus grinned. "Black hair and blue eyes are my favorite combination."
Tessa reached up to pat Camille's pale blond curls.
Magnus shrugged. "Nobody's perfect.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
Even though he was inside the house, I could still hear Vlad’s sardonic mutter of “Where’s a tissue when I need one?”
I turned my face away from Bones after a long moment, ending our kiss, and called out,
“If you’re not too busy watching Hitman, I hear Dracula 2000 is a good movie.”
“Vicious,” came Vlad’s reply, amusement clear in his tone.
”
”
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
“
If you could just see your face,” she told me. “You look like a cat in a bathtub.
”
”
Patricia Briggs (Iron Kissed (Mercy Thompson, #3))
“
But to yell at your creativity, saying, “You must earn money for me!” is sort of like yelling at a cat; it has no idea what you’re talking about, and all you’re doing is scaring it away, because you’re making really loud noises and your face looks weird when you do that.
”
”
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
“
The front door shut, leaving Alec sitting in the half-lit garden, alone. He closed his eyes for a moment, the image of a face hovering behind his lids. Not Jace's face, for a change. The eyes set in the face were green, slit-pupiled. Cat eyes.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
The world is being run by people my age, men my age, with falling-out hair and health worries, and it frightens me. When the leaders were older than me I could believe in their wisdom, I could believe they had transcended rage and malice and the need to be loved. Now I know better. I look at the faces in newspapers, in magazines, and wonder: what greeds, what furies drive them on?
”
”
Margaret Atwood (Cat’s Eye)
“
She sighed, annoyed at her restlessness. “So,” she said, disrupting Wolf in another backward glance.
“Who would win in a fight—you or a pack of wolves?”
He frowned at her, all seriousness. “Depends,” he said, slowly, like he was trying to figure out her motive for asking. “How big is the pack?”
“I don’t know, what’s normal? Six?”
“I could win against six,” he said. “Any more than that and it could be a close call.”
Scarlet smirked. “You’re not in danger of low self-esteem, at least.”
“What do you mean?”
“Nothing at all.” She kicked a stone from their path. “How about you and … a lion?”
“A cat? Don’t insult me.”
She laughed, the sound sharp and surprising. “How about a bear?”
“Why, do you see one out there?”
“Not yet, but I want to be prepared in case I have to rescue you.”
The smile she’d been waiting for warmed his face, a glint of white teeth flashing. “I’m not sure. I’ve never had to fight a bear before.
”
”
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
“
She arches her body like a cat on a stretch. She nuzzles her cunt into my face like a filly at the gate. She smells of the sea. She smells of rockpools when I was a child. She keeps a starfish in there. I crouch down to taste the salt, to run my fingers around the rim. She opens and shuts like a sea anemone. She's refilled each day with fresh tides of longing.
”
”
Jeanette Winterson (Written on the Body)
“
I see that there will be no end to imperfection, or to doing things the wrong way. Even if you grow up, no matter how hard you scrub, whatever you do, there will always be some other stain or spot on your face or stupid act, somebody frowning.
”
”
Margaret Atwood (Cat’s Eye)
“
Loyalty is for the dogs. Count me among the cats. And count me twice—once for each of my faces.
”
”
Jarod Kintz (This Book Has No Title)
“
When she bought the cats her mother asked her straight out if they were 'baby substitutes'. 'No,' Ruth had answered, straight-faced. 'They're kittens. If I had a baby it would be a cat substitute.
”
”
Elly Griffiths (The Crossing Places (Ruth Galloway, #1))
“
I admire your tenacity, young prince. Grimalkin is not easy to find in the best of times. You must have come far to seek him out.... And this is not the first place you have searched. I can see it on your face. Why, I wonder? Why does he come so far? What is it that he desires so badly, to risk the ire of the Bone Witch? What is it you want, Ash of the Winter Court?'
'Would you believe the cat owes him money?' Puck's voice came from behind my shoulder, making me wince.
”
”
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
“
Chapter 1.
He adored New York City. He idolized it all out of proportion...no, make that: he - he romanticized it all out of proportion. Yeah. To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin.'
Uh, no let me start this over.
'Chapter 1.
He was too romantic about Manhattan, as he was about everything else. He thrived on the hustle bustle of the crowds and the traffic. To him, New York meant beautiful women and street-smart guys who seemed to know all the angles...'.
Ah, corny, too corny for my taste. Can we ... can we try and make it more profound?
'Chapter 1.
He adored New York City. For him, it was a metaphor for the decay of contemporary culture. The same lack of individual integrity that caused so many people to take the easy way out was rapidly turning the town of his dreams in...'
No, that's going to be too preachy. I mean, you know, let's face it, I want to sell some books here.
'Chapter 1.
He adored New York City, although to him it was a metaphor for the decay of contemporary culture. How hard it was to exist in a society desensitized by drugs, loud music, television, crime, garbage...'
Too angry, I don't want to be angry.
'Chapter 1.
He was as tough and romantic as the city he loved. Behind his black-rimmed glasses was the coiled sexual power of a jungle cat.'
I love this.
'New York was his town, and it always would be.
”
”
Woody Allen (Manhattan)
“
But there was a kitten on my pillow, and it was purring in my face and vibrating gently with every purr, and, very soon, I slept.
”
”
Neil Gaiman (The Ocean at the End of the Lane)
“
Spade-“If you’d refrain from slamming my face any more into this dirty rock floor, I’ll do whatever you like,” was his even reply. “Fancy
letting my head go?”
Cat-“Sure,” I said with an unpleasant snicker, not relinquishing an ounce of pressure. “How about I let you floss with my jugular as
well? I don’t think so.
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
After scolding one's cat one looks into its face and is seized by the ugly suspicion that it understood every word. And has filed it for reference.
”
”
Charlotte Gray
“
A moment later, Cat hurtled back into the room as if chased by demons. She stationed herself in front of Raisa, a knife in either hand, all of her genteel patina swept away. "Cuffs! Look sharp! It's him, the whey-faced, gutter-swiving, prig-napping bastard! He's here!"
Han looked as mystified as Raisa. "Who's here?
”
”
Cinda Williams Chima (The Gray Wolf Throne (Seven Realms, #3))
“
Sunsets are loved because they vanish.
Flowers are loved because they go.
The dogs of the field and the cats of the kitchen are loved because soon they must depart.
These are not the sole reasons, but at the heart of morning welcomes and afternoon laughters is the promise of farewell. In the gray muzzle of an old dog we see goodbye. In the tired face of an old friend we read long journeys beyond returns.
”
”
Ray Bradbury (From the Dust Returned)
“
A minute later, Jace landed where I’d fallen, and I helped him up.
“You okay?”
“Hell, no.” He actually wobbled on his feet and clung to me, his face whiter than a sun-bleached Texas sidewalk. “There’s a reason cats don’t have wings.”
“Yeah, but at least we always land on our feet.”
“Then why did I land on my ass?
”
”
Rachel Vincent (Alpha (Shifters, #6))
“
LADY LAZARUS
I have done it again.
One year in every ten
I manage it--
A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot
A paperweight,
My face a featureless, fine
Jew linen.
Peel off the napkin
O my enemy.
Do I terrify?--
The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.
Soon, soon the flesh
The grave cave ate will be
At home on me
And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.
This is Number Three.
What a trash
To annihilate each decade.
What a million filaments.
The peanut-crunching crowd
Shoves in to see
Them unwrap me hand and foot--
The big strip tease.
Gentlemen, ladies
These are my hands
My knees.
I may be skin and bone,
Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.
The second time I meant
To last it out and not come back at all.
I rocked shut
As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.
Dying
Is an art, like everything else.
I do it exceptionally well.
I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call.
It's easy enough to do it in a cell.
It's easy enough to do it and stay put.
It's the theatrical
Comeback in broad day
To the same place, the same face, the same brute
Amused shout:
'A miracle!'
That knocks me out.
There is a charge
For the eyeing of my scars, there is a charge
For the hearing of my heart--
It really goes.
And there is a charge, a very large charge
For a word or a touch
Or a bit of blood
Or a piece of my hair or my clothes.
So, so, Herr Doktor.
So, Herr Enemy.
I am your opus,
I am your valuable,
The pure gold baby
That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.
Ash, ash--
You poke and stir.
Flesh, bone, there is nothing there--
A cake of soap,
A wedding ring,
A gold filling.
Herr God, Herr Lucifer
Beware
Beware.
Out of the ash
I rise with my red hair
And I eat men like air.
-- written 23-29 October 1962
”
”
Sylvia Plath (Ariel)
“
You can’t have an animal in here, Sheen.”
“I’m in a wheelchair, man. You gonna tell me I can’t have my seeing-eye cat with me? Actually, it can be your seeing-eye cat, since you’re blind and all. One of the perks to being a pathetic figure is that I tend to get what I want.
”
”
Amy Harmon (Making Faces)
“
People who’ve never read fairy tales, the professor said, have a harder time coping in life than the people who have. They don’t have access to all the lessons that can be learned from the journeys through the dark woods and the kindness of strangers treated decently, the knowledge that can be gained from the company and example of Donkeyskins and cats wearing boots and steadfast tin soldiers. I’m not talking about in-your-face lessons, but more subtle ones. The kind that seep up from your sub¬conscious and give you moral and humane structures for your life. That teach you how to prevail, and trust. And maybe even love.
”
”
Charles de Lint (The Onion Girl (Newford, #8))
“
We're going to investigate," Fireheart meowed. "We can't decide how to get rid of these dogs until we know exactly what we have to face. We're not going to attack them, not yet-have you got that, Cloudtail?"
Cloudtail's blue eyes burned into his, and he did not reply.
"I won't take you, Cloudtail, unless you promise to do as you're told without question."
"Oh, all right." The tip of Cloudtail's tail flicked irritably. "I want every last dog turned into crowfood, but I'll do it you're way, Fireheart."
"Good." Fireheart's gaze swept over the rest of the patrol. "Any questions?"
"What if we come across Tigerstar?" asked Sandstorm.
"A cat from another Clan on our territory?" Fireheart bared his teeth. "Yes, you can attack him.
Cloudtil let out a growl of satisfaction.
”
”
Erin Hunter (A Dangerous Path (Warriors, #5))
“
Walter had never liked cats. They'd seemed to him the sociopaths of the pet world, a species domesticated as an evil necessary for the control of rodents and subsequently fetishized the way unhappy countries fetishize their militaries, saluting the uniforms of killers as cat owners stroke their animals' lovely fur and forgive their claws and fangs. He'd never seen anything in a cat's face but simpering incuriosity and self-interest; you only had to tease one with a mouse-toy to see where it's true heart lay...cats were all about using people
”
”
Jonathan Franzen (Freedom)
“
Fenestra was silent for a while, and Morrigan thought she’d fallen asleep standing up. Then she felt something warm, wet, and sandpapery lick the entire right side of her face. She sniffled again, and Fen’s big gray head rubbed her shoulder affectionately. “Thanks, Fen,” Morrigan said quietly. She heard Fenestra padding softly to the door. “Fen?” “Mmm?” “Your saliva smells like sardines.” “Yeah, well. I’m a cat.” “Now my face smells like sardines.” “I don’t care. I’m a cat.” “Night, Fen.
”
”
Jessica Townsend (Nevermoor: The Trials of Morrigan Crow (Nevermoor, #1))
“
Laws of silence don't work....
When something is festering in your memory or your imagination, laws of silence don't work, it's just like shutting a door and locking it on a house on fire in hope of forgetting that the house is burning. But not facing a fire doesn't put it out. Silence about a thing just magnifies it. It grows and festers in silence, becomes malignant....
”
”
Tennessee Williams (Cat on a Hot Tin Roof)
“
…any cat he spoke to would stay quite still with an expression of faint surprise on its face as if it had never heard such good sense in all its life nor ever expected to again.
”
”
Susanna Clarke (Jonathan Strange & Mr Norrell)
“
In all your Amours you should prefer old Women to young ones. You call this a Paradox, and demand my Reasons. They are these:
1. Because as they have more Knowledge of the World and their Minds are better stor’d with Observations, their Conversation is more improving and more lastingly agreable.
2. Because when Women cease to be handsome, they study to be good. To maintain their Influence over Men, they supply the Diminution of Beauty by an Augmentation of Utility. They learn to do a 1000 Services small and great, and are the most tender and useful of all Friends when you are sick. Thus they continue amiable. And hence there is hardly such a thing to be found as an old Woman who is not a good Woman.
3. Because there is no hazard of Children, which irregularly produc’d may be attended with much Inconvenience.
4. Because thro’ more Experience, they are more prudent and discreet in conducting an Intrigue to prevent Suspicion. The Commerce with them is therefore safer with regard to your Reputation. And with regard to theirs, if the Affair should happen to be known, considerate People might be rather inclin’d to excuse an old Woman who would kindly take care of a young Man, form his Manners by her good Counsels, and prevent his ruining his Health and Fortune among mercenary Prostitutes.
5. Because in every Animal that walks upright, the Deficiency of the Fluids that fill the Muscles appears first in the highest Part: The Face first grows lank and wrinkled; then the Neck; then the Breast and Arms; the lower Parts continuing to the last as plump as ever: So that covering all above with a Basket, and regarding only what is below the Girdle, it is impossible of two Women to know an old from a young one. And as in the dark all Cats are grey, the Pleasure of corporal Enjoyment with an old Woman is at least equal, and frequently superior, every Knack being by Practice capable of Improvement.
6. Because the Sin is less. The debauching a Virgin may be her Ruin, and make her for Life unhappy.
7. Because the Compunction is less. The having made a young Girl miserable may give you frequent bitter Reflections; none of which can attend the making an old Woman happy.
8thly and Lastly They are so grateful!!
”
”
Benjamin Franklin
“
Pleasantness was the machismo of the Midwest. There was something athletic about it. You flexed your face into a smile and let it hover there like the dare of a cat.
”
”
Lorrie Moore (Like Life)
“
Let me get this straight… you didn’t have a cat? Did you get a cat just so that you wouldn’t have to tell me you were a virgin?”
I pressed my lips together to keep them from trembling. I nodded. The look on his face was somewhere between shock and amusement. He
was flabbergasted. That was the best word. His flabber had been thoroughly gasted.
”
”
Cora Carmack (Losing It (Losing It, #1))
“
Fireheart dashed to the warrior's side. Cloudtail was standing stiff-legged, every hair in his pelt on end as if he were facing an enemy. His eyes were fixed on the limp heap of tabby fur huddled at his paws.
"Why, Fireheart?" Cloudtail wailed. "Why her?"
Fireheart knew, but rage and grief made it hard to speak. "Because Tigerstar wants the pack to get a taste of cat blood," he rasped.
The dead cat lying in front of them was Brindleface.
”
”
Erin Hunter (A Dangerous Path (Warriors, #5))
“
Every morning I sit at the kitchen table over a tall glass of water swallowing pills. (So my hands won’t shake.) (So my heart won’t race.) (So my face won’t thaw.) (So my blood won’t mold.) (So the voices won’t scream.) (So I don’t reach for knives.) (So I keep out of the oven.) (So I eat every morsel.) (So the wine goes bitter.) (So I remember the laundry.) (So I remember to call.) (So I remember the name of each pill.) (So I remember the name of each sickness.) (So I keep my hands inside my hands.) (So the city won’t rattle.) (So I don’t weep on the bus.) (So I don’t wander the guardrail.) (So the flashbacks go quiet.) (So the insomnia sleeps.) (So I don’t jump at car horns.) (So I don’t jump at cat-calls.) (So I don’t jump a bridge.) (So I don’t twitch.) (So I don’t riot.) (So I don’t slit a strange man’s throat.)
”
”
Jeanann Verlee
“
Lovers are not at their best when it matters. Mouths dry up, palms sweat, conversation flags and all the time the heart is threatening to fly from the body once and for all. Lovers have been known to have heart attacks. Lovers drink too much from nervousness and cannot perform. They eat too little and faint during their fervently wished consummation. They do not stroke the favoured cat and their face-paint comes loose. This is not all. Whatever you have set store by, your dress, your dinner, your poetry, will go wrong.
”
”
Jeanette Winterson
“
Instantly, her eyes widen into caramel marbles, and her face pales about five shades lighter. I’m ready to squirt some spray tan lotion on her if it means she doesn’t make it so damn obvious that she’s not happy to see me.
”
”
H.D. Carlton (Haunting Adeline (Cat and Mouse, #1))
“
I looked up at him. His green eyes glittered in the dark, reflecting the moonlight like a cat's. His scowl had vanished. The defiance was gone, too, replaced by a tightness around his mouth, a worry that clouded his eyes; and seeing that quicksilver change, I wanted to...
I don't know what I wanted to do. Kick him in the shins seemed like a good option. Unfortunately, bursting into tears seemed more likely, because here lay the root of the problem, the contradiction in Derek that I couldn't seem to work out, no matter how hard I tried.
One second he was in my face, making me feel stupid and useless. The next he was like this: hovering, concerned, worried. I told myself it was just his wolf instinct, that he had to protect me whether he wanted to or not, but when he looked like this, like he'd pushed me too far and regretted it . . . That look said he genuinely cared.
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
Then he strode right over and, in one smooth motion, insinuated himself into the bed next to me, facing me, under the covers, with the bold and unselfconscious vanity of a cat sitting down on an open book.
”
”
Margaret Rogerson (An Enchantment of Ravens)
“
Grimalkin sighed loudly, causing me to look back and Razor to hiss at him. “Am I the only one here who has any insight at all?” he said, looking to each of our faces. We stared at him, and he shook his head. “Drawing a blank, are you? Think about what you just said, human. Repeat that last phrase, if you would.”
I frowned. “Isn’t that where you want to be?”
He closed his eyes. “The next phrase, human.”
“With all the other gremlins.” He stared at me expectantly, and I raised my hands. “What? What are you getting at, Grim?”
Grimalkin thumped his tail. “It is times like these I am ever more grateful that I am a cat,” he sighed. “Why do you think I brought you that creature, human? To keep up my stalking skills? I assure you, they are quite adequate already. Please attempt to use the brain I know is hidden somewhere in that head.
”
”
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
“
Do you practice the laugh, or is it a natural talent? Naw, I’m betting you practice.”
Jean-Claude’s face twisted. I couldn’t decide if he was trying not to laugh, or not to frown. Maybe both. I affected some people that way.
The laughter seeped out of her face, very human, until only her eyes sparkled. There was nothing funny about the look in those twinkling eyes. It was the sort of look a cat gives a small bird.
Her voice lifted at the end of each word, a Shirley Temple affectation. “You are either very brave, or very stupid.”
“You really need at least one dimple to go with the laugh.”
Jean-Claude said softly, “I’m betting on stupid.
”
”
Laurell K. Hamilton (Guilty Pleasures (Anita Blake, Vampire Hunter, #1))
“
But—let me tell you my cat joke. It's very short and simple. A hostess is giving a dinner party and she's got a lovely five-pound T-bone steak sitting on the sideboard in the kitchen waiting to be cooked while she chats with the guests in the living room—has a few drinks and whatnot. But then she excuses herself to go into the kitchen to cook the steak—and it's gone. And there's the family cat, in the corner, sedately washing it's face."
"The cat got the steak," Barney said.
"Did it? The guests are called in; they argue about it. The steak is gone, all five pounds of it; there sits the cat, looking well-fed and cheerful. "Weigh the cat," someone says. They've had a few drinks; it looks like a good idea. So they go into the bathroom and weigh the cat on the scales. It reads exactly five pounds. They all perceive this reading and a guest says, "okay, that's it. There's the steak." They're satisfied that they know what happened, now; they've got empirical proof. Then a qualm comes to one of them and he says, puzzled, "But where's the cat?
”
”
Philip K. Dick (The Three Stigmata of Palmer Eldritch)
“
Beati bellicosi. Blessed are the warriors.”
“Good organization,” said Magnus. “I knew the man who founded it, back in the 1800s. Woolsey Scott. Respectable old werewolf family.”
Alec made an ugly sound in the back of his throat. “Did you sleep with him, too?”
Magnus’s cat eyes widened. “Alexander!”
“Well, I don’t know anything about your past, do I?” Alec demanded. “You won’t tell me anything; you just say it doesn’t matter.”
Magnus’s face was expressionless, but there was a dark tinge of anger to his voice. “Does this mean every time I mention anyone I’ve ever met, you’re going to ask me if I had an affair with them?”
Alec’s expression was stubborn, but Simon couldn’t help having a flash of sympathy; the hurt behind his blue eyes was clear. “Maybe.”
“I met Napoleon once,” said Magnus. “We didn’t have an affair, though. He was shockingly prudish for a Frenchman.”
“You met Napoleon?” Jordan, who appeared to be missing most of the conversation, looked impressed. “So it’s true what they said about warlocks, then?”
Alec gave him a very unpleasant look. “What’s true?”
“Alexander,” said Magnus coldly, and Clary met Simon’s eyes across the table. Hers were wide, green, and full of an expression that said Uh-oh. “You can’t be rude to everyone who talks to me.”
Alec made a wide, sweeping gesture. “And why not? Cramping your style, am I? I mean, maybe you were hoping to flirt with werewolf boy here. He’s pretty attractive, if you like the messy-haired, broad-shouldered, chiseled-good looks type.”
“Hey, now,” said Jordan mildly.
Magnus put his head in his hands.
“Or there are plenty of pretty girls here, since apparently your taste goes both ways. Is there anything you aren’t into?”
“Mermaids,” said Magnus into his fingers. “They always smell like seaweed.”
“It’s not funny,” Alec said savagely, and kicking back his chair, he got up from the table and stalked off into the crowd.
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
Then I asked her if she wanted to to the funeral, and my God, the look on her face. You'd think I'd asked her to drown the neighbor's cat."
Admittedly, drowning the neighbor's cat didn't really clue me in as much as I would've liked. "So, she was angry?"
He blinked back to me and stared. Like a long time.
”
”
Darynda Jones (Second Grave on the Left (Charley Davidson, #2))
“
I have known some horses and a good many more pigs who I believe harbored evil intent in their hearts. I will go further and say all cats are wicked, though often useful. Who has not seen Satan in their sly faces?
”
”
Charles Portis
“
Obviously the whole Wayward thing hasn't been explained to you properly. You don't have any superpowers. You can't leap over tall buildings in a single bound or fight Dark Casters with your magic cat. Basically, you're a glorified tour guide who's no better equipped to face a bunch of Dark Casters than Mary P. over here
-Ridley
”
”
Kami Garcia (Beautiful Darkness (Caster Chronicles, #2))
“
I have noticed that what cats most appreciate in a human being is not the ability to produce food - which they take for granted - but his or her entertainment value. Asmodeus took to his toy enthusiastically. In another week he permitted me to stroke him, producing a raucous purr, but, in order to save his face, pretending to be asleep.
”
”
Geoffrey Household (Rogue Male (Rogue Male, #1))
“
Well, he is her brother, lad," Gibsie offered. "He was obviously going to come back for her." "I don’t give a shite," I snapped, thinking about her bruised face. "I didn’t want her to leave, Gibs, and he just took her away from me. And I let him!" "You do know that you're not allowed to keep humans as pets, don’t you?" he asked in a wry tone. "You know that's just dogs and cats, right?
”
”
Chloe Walsh (Binding 13 (Boys of Tommen, #1))
“
That cat doesn't have a lick of sense,' I said, sighing.
Well, honey, he's not right in the head,' Dad said, flipping his cigarette into the front yard.
I glared at him. 'And just what do you mean by that?'
Dad counted on his fingers. 'He's cross-eyed; he jumps out of trees after birds and then doesn't land on his feet; he sleeps with his head smashed up against the wall, and the tip of his tail is crooked.'
Oh yeah? Well, how about this: he once got locked in a basement by evil Petey Scroggs in the middle of January and survived on snow and little frozen mice. When I'm cold at night he sleeps right on my face. Of that whole litter of kittens he came out of he's the only one left. One of his brothers didn't even have a butthole.'
I stand corrected. PeeDink is a survivor.
”
”
Haven Kimmel (A Girl Named Zippy: Growing Up Small In Mooreland, Indiana)
“
Home is a desk. The amalgamation of a dream. Home is the cats, my books, and my work never done. All the lost things that may one day call to me, the faces of my children who will one day call to me. Maybe we can't draw flesh from reverie nor retrieve a dusty spur, but we can gather the dream itself and bring it back uniquely whole.
”
”
Patti Smith (M Train)
“
Imprinting."
I heard the smile disappear from Cat's face. "Next."
I repeated myself.
"Are you referring to Stephenie Meyer's books?"
"Yes," I said. A little unwillingly.
Cat chuckled. "There's no shame in reading enjoyable books. But this topic is better discussed later."
"Got it.
”
”
Shannon Delany (Secrets and Shadows (13 to Life, #2))
“
I'm just saying that I don't want to go through any of this anymore. With anyone. I want to buy a cat, or lease one, or do whatever it is that lonely people do these days. Call it quits. And that's what I don't get, because no matter how much I tell myself it's all useless and it's all a waste of time and energy, there just doesn't seem to be a way to stop myself from looking for the right person. You know? From looking at every face on every escalator that's going up while I'm going down and wondering whether the right guy for me just went by... Why isn't there a fuse box somewhere that I can go peer at with a flashlight until I find the fuse with 'Heart' written underneath it and then throw that switch and let the rest of them keep humming merrily along and just, I don't know, opt out of the whole thing?
”
”
Paul Schmidtberger (Design Flaws of the Human Condition)
“
For the eternity that Lux Lisbon looked at him, Trip Fontaine looked back, and the love he felt at that moment, truer than all subsequent loves because it never had to survive real life, still plagued him, even now in the desert, with his looks and health wasted. 'You never know what'll set the memory off,' he told us. 'A baby's face. A bell on a cat's collar. Anything.'
They didn't exchange a single word. But in the weeks that followed, Trip spent his days wandering the halls, hoping for Lux to appear, the most naked person with clothes on he had ever seen.
”
”
Jeffrey Eugenides (The Virgin Suicides)
“
I think it was the beginning of Mrs. Bond's unquestioning faith in me when she saw me quickly enveloping the cat till all you could see of him was a small black and white head protruding from an immovable cocoon of cloth. He and i were now facing each other, more or less eyeball to eyeball, and George couldn't do a thing about it. As i say, I rather pride myself on this little expertise, and even today my veterinary colleagues have been known to remark, "Old Herriot may be limited in many respects, but by God he can wrap a cat.
”
”
James Herriot (James Herriot's Cat Stories)
“
You can’t tell a little kid that you swear to God over something and then not do it. You may effectively ruin my childhood.” He looks off into nothing, a wistful expression on his face. “Gosh, think of the therapy bills. Not to mention how I’ll probably never be able to have a normal relationship when I’m an adult. I’ll live with you forever and become a cat lady.”
I cock an eyebrow at him. “You hate cats.” He rolls his eyes. “Well, yeah, now I do. But I won’t have a choice. It’ll be inevitable. And I’ll probably have to throw birthday parties for my feline companions where I bake them cakes out of
Fancy Feast. All because you went back on your God swear.
”
”
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
“
Just shut up and start sucking each other's faces already," Vida grumbled, leaning awkwardly against the stump. She would never admit it aloud, but I knew the burns on her back her eating her alive with pain. "I'm trying to make up for the sleep I lost when you started screeching at each other like cats in heat."
"Miss Vida," Liam said, "has anyone ever told you that you are positively the whipped cream on the sundae of life?"
She glared at him. "Anyone ever told you your head is shaped like a pencil?"
"That is physically impossible," Chubs groused. "He'd be--"
"Actually," Liam began, "Cole once did try to-- What?"
"Oh, I'm sorry," Chub said, "apparently the middle of my sentence interrupted the beginning of yours. Do continue."
"I'm going to guess you probably don't want to hear about the time he pushed my head through the neighbours fence..."
"Was there a lot of blood?" Vida asked, suddenly interested. "Did you lose an ear?"
Liam held his hands up next to his ears, indicating both were firmly attached to his skull.
"Then, no" she said. "No one wants to hear your boring-ass story.
”
”
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
“
The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock.
But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else.
The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side.
Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As though the clock is falling apart, slowly and gracefully.
All of this takes hours.
The face of the clock becomes a darker grey, and then black, with twinkling stars where numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actual paper pages that turn. There is a silver dragon that curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress, awaiting an absent prince. Teapots that pour into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played.
At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dress in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the clock chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern.
After midnight, the clock begins once more to fold in upon itself. The face lightens and the cloud returns. The number of juggled balls decreases until the juggler himself vanishes.
By noon it is a clock again, and no longer a dream.
”
”
Erin Morgenstern (The Night Circus)
“
Emma rose to her feet, facing the faerie across the fleeing crowd. Gleaming from his weathered, barklike face, his eyes were yellow as a cat's. "Shadowhunter," he hissed.
Emma reached back over her shoulder and closed her hand around the hilt of her sword, Cortana. The blade made a golden blur in the air as she drew it and pointed the tip at the fey. "No," she said. "I'm a candygram. This is my costume."
The faerie looked puzzled.
Emma sighed. "It's so hard to be sassy to the Fair Folk. You people never get jokes."
"We are well known for our jests, japes, and ballads," the faerie said, clearly offended. "Some of our ballads last for weeks."
"I don't have that kind of time," Emma said. "I'm a Shadowhunter. Quip fast, die young." She wiggled Cortana's tip impatiently. "Now turn out your pockets."
"I have done nothing to break the Cold Peace," said the fey.
"Technically true, but we do frown on stealing from mundanes," Emma said. "Turn out your pockets or I'll rip off one of your horns and shove it where the sun doesn't shine."
The fey looked puzzled. "Where does the sun not shine? Is this a riddle?"
Emma gave a martyred sigh and raised Cortana. "Turn them out, or I'll start peeling your bark off. My boyfriend and I just broke up, and I'm not in the best mood."
The faerie began slowly to empty his pockets onto the ground, glaring at her all the while. "So you're single," he said. "I never would have guessed.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
We wanted to blast the world free of history.... picture yourself planting radishes and seed potatoes on the fifteenth green of a forgotten golf course. You'll hunt elk through the damp canyon forests around the ruins of Rockefeller Center, and dig clams next to the skeleton of the Space Needle leaning at a forty-five degree angle. We'll paint the skyscrapers with huge totem faces and goblin tikis, and every evening what's left of mankind will retreat to empty zoos and lock itself in cages as protection against the bears and big cats and wolves that pace and watch us from outside the cage bars at night.
”
”
Chuck Palahniuk (Fight Club)
“
A few minutes?" Feeling suddenly shy, she crossed her arms over her chest. The smile on his face widened, becoming touched with the feral wildness of the cat. It made thinking difficult. "I believed males needed a longer recovery time to mate."
"Not this kitty cat." Rising to his feet, he said, "Get ready to play.
”
”
Nalini Singh (Hostage to Pleasure (Psy-Changeling, #5))
“
Her eyes pleaded with him to understand, to try. Under that gaze, Eanrin had no option but to sit and stare at the scribbles in the dust, stare with all the intensity a cat can muster. His pupils dilated until the golden irises were like rings of eclipsed sunfire. Imraldera watched him, chewing her bottom lip and waiting.
At last the cat lashed his tail and raised his whiskered face to her. "I'm sorry, my girl. It looks to me like the Greater Stick Bug pursues the Lesser Stick Bug over the back of a giant alligator. Can't make a thing of it otherwise.
”
”
Anne Elisabeth Stengl (Starflower (Tales of Goldstone Wood, #4))
“
Cormac smiled at her, but it was Finn who spoke. "Can I ask you a question?"
"Sure."
He leaned forward conspiratorially. "So, if I gave you some catnip would you act all weird and stoned?"
"I don't know. If I throw a stick, will you fetch?" She smiled sweetly at Cormac's cousin.
Burke made a choking noise, covering a laugh with his hand. Finn screwed up his face, as if in disgust. "Dude. I am NOT a dog."
"And I’m not a pampered house cat.
”
”
Jeanette Battista (Leopard Moon (Moon, #1))
“
The kitten was six weeks old. It was enchanting, a delicate fairy-tale cat, whose Siamese genes showed in the shape of the face, ears, tail, and the subtle lines of its body. [...] She sat, a tiny thing, in the middle of a yellow carpet, surrounded by five worshipppers, not at all afraid of us. Then she stalked around that floor of the house, inspecting every inch of it, climbed up on to my bed, crept under the fold of a sheet, and was at home.
”
”
Doris Lessing (On Cats)
“
First came bright Spirits, not the Spirits of men, who danced and scattered flowers. Then, on the left and right, at each side of the forest avenue, came youthful shapes, boys upon one hand, and girls upon the other. If I could remember their singing and write down the notes, no man who read that score would ever grow sick or old. Between them went musicians: and after these a lady in whose honour all this was being done.
I cannot now remember whether she was naked or clothed. If she were naked, then it must have been the almost visible penumbra of her courtesy and joy which produces in my memory the illusion of a great and shining train that followed her across the happy grass. If she were clothed, then the illusion of nakedness is doubtless due to the clarity with which her inmost spirit shone through the clothes. For clothes in that country are not a disguise: the spiritual body lives along each thread and turns them into living organs. A robe or a crown is there as much one of the wearer's features as a lip or an eye.
But I have forgotten. And only partly do I remember the unbearable beauty of her face.
“Is it?...is it?” I whispered to my guide.
“Not at all,” said he. “It's someone ye'll never have heard of. Her name on earth was Sarah Smith and she lived at Golders Green.”
“She seems to be...well, a person of particular importance?”
“Aye. She is one of the great ones. Ye have heard that fame in this country and fame on Earth are two quite different things.”
“And who are these gigantic people...look! They're like emeralds...who are dancing and throwing flowers before here?”
“Haven't ye read your Milton? A thousand liveried angels lackey her.”
“And who are all these young men and women on each side?”
“They are her sons and daughters.”
“She must have had a very large family, Sir.”
“Every young man or boy that met her became her son – even if it was only the boy that brought the meat to her back door. Every girl that met her was her daughter.”
“Isn't that a bit hard on their own parents?”
“No. There are those that steal other people's children. But her motherhood was of a different kind. Those on whom it fell went back to their natural parents loving them more. Few men looked on her without becoming, in a certain fashion, her lovers. But it was the kind of love that made them not less true, but truer, to their own wives.”
“And how...but hullo! What are all these animals? A cat-two cats-dozens of cats. And all those dogs...why, I can't count them. And the birds. And the horses.”
“They are her beasts.”
“Did she keep a sort of zoo? I mean, this is a bit too much.”
“Every beast and bird that came near her had its place in her love. In her they became themselves. And now the abundance of life she has in Christ from the Father flows over into them.”
I looked at my Teacher in amazement.
“Yes,” he said. “It is like when you throw a stone into a pool, and the concentric waves spread out further and further. Who knows where it will end? Redeemed humanity is still young, it has hardly come to its full strength. But already there is joy enough int the little finger of a great saint such as yonder lady to waken all the dead things of the universe into life.
”
”
C.S. Lewis (The Great Divorce)
“
--- What is the victory of a cat on a hot tin roof? --- I wish I knew ...
Just staying on it, I guess, as long as she can ...
[More croquet sounds]
Later tonight I'm going to tell you I love you an' maybe by that time you'll be drunk enough to believe me. Yes, they're playing croquet ...
Big Daddy is dying of cancer ...
What were you thinking of when I caught you looking at me like that? Were you thinking of Skipper?
[Brick crosses to the bar, takes a quick drink, and rubs his head with a towel]
Laws of silence don't work ...
When something is festering in your memory or your imagination, laws of silence don't work, it's like shutting a door and locking it on a house on fire in hope of forgetting that the house is burning. But not facing a fire doesn't put it out. Silence about a thing just magnifies it. It grows and festers in silence, becomes malignant ....
Get dressed, Brick.
”
”
Tennessee Williams (Cat on a Hot Tin Roof and Other Plays)
“
...that left Francesca to slink into the chair opposite us. My feeling of superiority was short-lived, however, when she settled herself down and then crossed her legs.
I didn't need a mirror to know my whole face had just turned red. With a hemline up to her thighs that gesture didn't leave anything to the imagination. Bones curled his fingers around mine and squeezed. His hand was still warmed from our contact moments ago. That's how fast he had to grab me again to keep me sitting where I was instead of yanking off my jacket to make her a pair of panties.
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
I must have bitten Angus Young too, because his brother Malcolm walked up to me in a rage. I was wearing platform boots, and Malcolm's face was eye level with my belly button. "You fucking bastard," he roared at my navel. "You can bite my brother, fine! But if you fucking bite me, I'll bite your fucking nose off, you dog-faced faggot."
I think I said something like "you and what stepladder," because before I knew it, he was attacking me, climbing up my leg and clawing at my face like a crazed cat.
”
”
Nikki Sixx
“
I want to kiss you," I say, "but I seem to be holding this cat."
Skunk lifts his hand and touches it to the side of my face. His fingers are warm from carrying the hot skillet to the table. He regards me very seriously, and for a moment I wonder if he's about to tell me we should Focus on Bicycle Repair. Instead he just looks at me for a very long time.
"You're beautiful," says Skunk, "and completely batshit.
”
”
Hilary T. Smith (Wild Awake)
“
2. Alice Ereldon was in her late twenties, unmarried, and she had a reputation. She was an attractive twenty-eight-year-old. Her long brown hair hung down over her shoulders and she could conveniently sweep it over her face, partially hiding her dazzling amber eyes. The eyes were her secret weapon; she could look like a cat lining up its prey, and her prey was usually young male courtiers.
”
”
Robert Reid (The Empress (The Emperor, The Son and The Thief #4))
“
But loyalty isn't rooted in friendship. It's much stronger than that. It comes from being born and raised under the same sky, from walking the same path as our ancestors, and from sharing the warrior code. With this life I commit you to upholding the warrior code, whatever challenges you might face. This is the wisdom of our ancestors, all our traditions distilled. Trust the code to lead you along the right path.
”
”
Erin Hunter (Tallstar's Revenge (Warriors Super Edition, #6))
“
Zade is quiet for a beat. “Happiness is fleeting. All that matters is that they’re living their life the way they want to.” “You believe that?” I ask, facing him. “That happiness is fleeting?” He shrugs, tossing the last bite of his cone into his mouth, and chews as he contemplates something. “Absolutely,” he says finally. “It’s not something solid you can hold on to. It’s vapor in the wind, and all you can do is inhale it when it’s near and hope it comes around again when it blows away.
”
”
H.D. Carlton (Hunting Adeline (Cat and Mouse, #2))
“
Rory's not my pet dog!' I [Amy] yelled at the Doctor.
'Well, that would be better.' He was truly angry. 'Dogs I can live with.' He paused, suddenly hopeful. 'Quite sure you're not a cat person?'
'This isn't getting him back,' I said.
He pulled a face. 'Who said I wanted him back? I was just suggesting a few alternatives. Nice little ginger tom. Have to get it neutered, of course.' He smiled winningly. 'I'd let you name him.'
'We'll find Rory.' I was firm. 'And then neuter him.
”
”
James Goss (Doctor Who: Dead of Winter)
“
On the edge of a laughing teacup
Did Kubla Kat decree
The the corn fritter festooned with medals
Shall make the brownies free
And so the walls turned to water
To let our sorrows drown
As the chairs burned themselves for warmth
So they need not face the clown
Then the spoons burst into song
And all the forks they understood
As I stared at my talking claws
Becasue this catnip is just that good
”
”
Francesco Marciuliano (I Could Pee on This: and Other Poems by Cats)
“
I remember hearing you scream, Cat, and seeing your face. But I don’t remember dying. And how can I go on if I’m dead?”
Tat answered fiercely, “Dead is stuffed inside that box, not what you are now. You’re my friend. Always will be. No matter what the fuck you eat. I didn’t believe that pale prick when he said he could wake you up, but you’re here. And don’t you dare think about covering yourself back up with dirt. I need you, buddy. It’s been hell without you.”
“I missed you, amigo,” Juan said in almost incoherently accented English. “You can’t leave me again! Tat’s boring, and Copper only wants to train. You stay!”
Dave stared at us.
”
”
Jeaniene Frost (One Foot in the Grave (Night Huntress, #2))
“
Lovers are not at their best when it matters. Mouths dry up, palms sweat, conversation flags and all the time the heart is threatening to fly from the body once and for all. Lovers have been known to have heart attacks. Lovers drink too much from nervousness and cannot perform. They eat too little and faint during their fervently wished consummation. They do not stroke the favoured cat and their face-paint comes loose. This is not all. Whatever you have set store by, your dress, your dinner, your poetry, will go wrong.
How is it that one day life is orderly and you are content, a little cynical perhaps, but on the whole just so, and then without warning you find the solid floor is a trapdoor and you are now in another place whose geography is uncertain and whose customs are strange?
Travellers at least have a choice. Those who set sail know that things will not be the same as at home. Explorers are prepared. But for us, who travel along the blood vessels, who come to the cities of the interior by chance, there is no preparation. We who were fluent find life is a foreign language. Somewhere between the swamp and the mountains. Somewhere between fear and sex. Somewhere between God and the Devil passion is and the way there is sudden and the way back is worse.
”
”
Jeanette Winterson (The Passion)
“
The night following the reading, Gansey woke up to a completely unfamiliar sound and fumbled for his glasses. It sounded a little like one of his roommates was being killed by a possum, or possibly the final moments of a fatal cat fight. He wasn’t certain of the specifics, but he was sure death was involved.
Noah stood in the doorway to his room, his face pathetic and long-suffering. “Make it stop,” he said.
Ronan’s room was sacred, and yet here Gansey was, twice in the same weak, pushing the door open. He found the lamp on and Ronan hunched on the bed, wearing only boxers. Six months before, Ronan had gotten the intricate black tattoo that covered most of his back and snaked up his neck, and now the monochromatic lines of it were stark in the claustrophobic lamplight, more real than anything else in the room. It was a peculiar tattoo, both vicious and lovely, and every time Gansey saw it, he saw something different in the pattern. Tonight, nestled in an inked glen of wicked, beautiful flowers, was a beak where before he’d seen a scythe.
The ragged sound cut through the apartment again.
“What fresh hell is this?” Gansey asked pleasantly. Ronan was wearing headphones as usual, so Gansey stretched forward far enough to tug them down around his neck. Music wailed faintly into the air.
Ronan lifted his head. As he did, the wicked flowers on his back shifted and hid behind his sharp shoulder blades. In his lap was the half-formed raven, its head tilted back, beak agape.
“I thought we were clear on what a closed door meant,” Ronan said. He held a pair of tweezers in one hand.
“I thought we were clear that night was for sleeping.”
Ronan shrugged. “Perhaps for you.”
“Not tonight. Your pterodactyl woke me. Why is it making that sound?”
In response, Ronan dipped the tweezers into a plastic baggy on the blanket in front of him. Gansey wasn’t certain he wanted to know what the gray substance was in the tweezers’ grasp. As soon as the raven heard the rustle of the bag, it made the ghastly sound again—a rasping squeal that became a gurgle as it slurped down the offering. At once, it inspired both Gansey’s compassion and his gag reflex.
“Well, this is not going to do,” he said. “You’re going to have to make it stop.”
“She has to be fed,” Ronan replied. The ravel gargled down another bite. This time it sounded a lot like vacuuming potato salad. “It’s only every two hours for the first six weeks.”
“Can’t you keep her downstairs?”
In reply, Ronan half-lifted the little bird toward him. “You tell me.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
Nothing but the sight of blood upon his dark face would ease the pain in her heart. She lunged for him, swift as a cat, but with a light startled movement, he sidestepped, throwing up his arm to ward her off. She was standing on the edge of the freshly waxed top step, and as her arm with the whole weight of her body behind it, struck his out-thrust arm, she lost her balance. She made a wild clutch for the newel post and missed it. She went down the stairs backwards, feeling a sickening dart of pain in her ribs as she landed. And, too dazed to catch herself she rolled over and over to the bottom of the flight.
”
”
Margaret Mitchell (Gone with the Wind)
“
It was Gideon who finally broke the silence, which gave me a certain satisfaction. “What’s the matter? Cat got your tongue?” The way he asked, he sounded almost embarrassed.
“What?”
“It’s what my mother always used to when I was little. If I was looking straight ahead and saying nothing, like you right at this moment.”
“You have a mother?” Only when I’d said it did I realize what a silly question it was! Oh, for heaven’s sake!
Gideon raised one eyebrow. “What did you expect?” he asked, amused. “You thought I was an android put together by Uncle Falk and Mr. George?”
“Well, it’s not such an outlandish idea. Do you have photos of yourself as a baby?” Trying to imagine a baby Gideon with a round, soft plump-cheeked face and a bald head made me grin.
”
”
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
“
Did this mean he was about to tell her something he wouldn’t normally? Her ears perked—figuratively, since her ears were now feather-covered holes in the sides of her head.
He laughed softly. “You know, you are almost enjoyable to talk to, when you do not say anything back.”
She willed the water in the tub to strike him in the face.
There was a loud splash. “Hey!” He sounded surprised, but not unpleasantly so. “Interesting. You are still capable of elemental powers. But stop—or I will feed you to the castle cats.”
She struck him again.
”
”
Sherry Thomas (The Burning Sky (The Elemental Trilogy, #1))
“
What was so important that I had to risk my friends' safety to sneak out here?" I demanded. "Huh? What was so -"
"I had to see you." He closed the space between us. His hands were warm from his pockets as they closed around my fingers. "I had to know that you were okay. I had to see you and touch you and... know."
He brushed my hair away from my face, his fingers light against my skin. "In London..." He trailed off. "After D.C. ..."
"I'm fine," I said, easing away. "CAT scans and X-rays were normal. No lasting damage."
Most people believe me when I lie. I've learned how to say the words just right.I have a trusting kind of face. But the boy in front of me was a trained operative, so Zach knew better. And besides, Zach knew me.
"Really?" He touched my face again. "Cause I'm not.
”
”
Ally Carter (Only the Good Spy Young (Gallagher Girls, #4))
“
You're in trouble. Do you expect me to just walk away?"
"I wouldn't hold it against you if you did."
"In know you wouldn't. That's only one of the reasons I'm crazy about you. I've got a million more."
"Just a million?"
"Okay, a million plus one—your cat."
She giggled. "You're bonding with Saladin?"
"Somebody has to protect that cat from your cousin Ian. And I feed him. The cat. Not Ian. He's on his own. Anyway, if that doesn't get me Perfect Boyfriend status, I don't know what will."
"Emptying the litter box?"
"Hey. I have my limits."
Amy laughed. She had the phone pressed to her ear so tightly it burned. She closed her eyes, picturing his face...
Ian's crisp voice broke in. "All right, lovebirds, let's move on. No offense, but I believe Amy and Dan might need a short course in style and class."
"Is this the nonoffensive part?" Dan asked. "I can't wait until you really insult us."
"Let's deal with reality, shall we? You don't just walk into an auction house in your jeans and backpacks. You have to blend in. And that's going to be hard." Ian sniffed. "Considering that you're Americans."
"What are you talking about, dude?" Dan asked. "This is my best SpongeBob T-shirt.
”
”
Jude Watson (A King's Ransom (The 39 Clues: Cahills vs. Vespers, #2))
“
I had hated these ponies for the part they played in my father's death but now I realized the notion was fanciful, that it was wrong to charge blame to these pretty beasts who knew neither good nor evil but only innocence. I say that of these ponies. I have known some horses and a good many more pigs who I believe harbored evil intent in their hearts. I will go further and say all cats are wicked, though often useful. Who has not seen Satan in their sly faces? Some preachers will say, well, that is superstitious "claptrap." My answer is this: Preacher, go to your Bible and read Luke 8: 26-33
”
”
Charles Portis (True Grit)
“
Jace had disappeared under the table. He appeared a moment later, holding Church, the Institute's part-time cat. Church had his paws stuck straight out and a look of satisfaction on his face. "We thought the same thing," said Jace, settling the cat on his lap. "But apparently, according to Magnus, there are spells that can be constructed to be activated by a warlock's death."
Emma glared at Church. She knew the cat had once lived in the New York Institute, but it seemed rude to show preference so blatantly. The cat was lying on his back on Jace's lap, purring and ignoring her.
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
Has she accepted you?"
"Not yet.She wants to discuss it with you first."
"Thank God.Because I'll tell her that it's the worst idea I've ever heard."
Leo arched a brow."You doubt I could protect her?"
"I doubt you could keep from murdering each other!I doubt she could ever be happy in such volatile circumstances.I doubt...no,I won't bother listing all my concerns,it would take too bloody long." Harry's eyes were ice-cold. "The answer is no,Ramsay.I'll do what is necessary to take care of Cat.You can return to Hampshire."
"I'm afraid it won't be that easy to get rid of me," Leo said."Perhaps you didn't notice that I haven't asked for your permission.There is no choice.Certain things have happened that can't be undone.Do you understand?"
He saw from Harry's expression that only a few fragile constraints stood between him and certain death.
"You seduced her deliberately," Harry managed to say.
"Would you be happier if I claimed it was an accident?"
"The only thing that would make me happy is to weight you with rocks and toss you into the Thames."
"I understand.I even sympathize.I can't imagine what it would be like to face a man who's compromised your sister,how difficult it would be to keep from murdering him on the spot.Oh, but wait.." Leo tapped a forefinger thoughtfully on his chin. "I can imagine.Because I went through it two bloody months ago."
Harry's eyes narrowed."That wasn't the same.Your sister was still a virgin when I married her."
Leo gave him an unrepenting glance. "When I compromise a woman,I do it properly."
"That does it," Harry muttered, leaping for his throat.
”
”
Lisa Kleypas (Married by Morning (The Hathaways, #4))
“
A short while later, as I stare down at the bodies of the six men I have just killed, I cannot help but wonder: Do I love killing? Of a certainty, I love the way my body and weapons move as one; I revel in the knowledge of where to strike for maximum impact. And of a certainty, I am good at it.
But so is Beast. He is perhaps even better at it than I am, and yet for all that, he feels as bright and golden as a lion who roars in the face of his enemies and stalks them in broad daylight.
Whereas I—I am a dark panther, slinking unseen among the shadows, silent and deadly.
But we are both great cats, are we not? And do not even bright things cast a shadow?
”
”
R.L. LaFevers (Dark Triumph (His Fair Assassin, #2))
“
The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep.
They could see how love might control you, from your head to your toes, not to mention every single part of you in between.
A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes.
She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly.
What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake.
She refused to believe in superstition, she wouldn’t; yet it was claiming her.
Some fates are guaranteed, no matter who tries to intervene.
After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well.
She was bad luck, ill-fated and unfortunate as the plague.
She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire.
Love is worth the sum of itself and nothing more.
But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself.
He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly.
It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop.
What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind.
The greatest portion of grief is the one you dish out for yourself.
She preferred cats to human beings and turned down every offer from the men who fell in love with her.
They told her how sticks and stones could break bones, but taunting and name-calling were only for fools.
— & now here she is, all used up.
Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside.
She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind.
If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do.
You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like.
She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with.
Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
”
”
Alice Hoffman (Practical Magic (Practical Magic, #1))
“
Why bother with clubs?
"Because you might get a shag," is the usual response. Really? If that's the only way you can find a partner - preening and jigging about like a desperate animal - you shouldn't be attempting to breed in the first place. What's your next trick? Inventing fire? People like you are going to spin civilisation into reverse. You're a moron, and so is that haircut you're trying to impress. Any offspring you eventually blast out should be drowned in a pan before they can do any harm. Or open any more nightclubs.
Even if you somehow avoid reproducing, isn't it a lot of hard work for very little reward? Seven hours hopping about in a hellish, reverberating bunker in exchange for sharing 64 febrile, panting pelvic thrusts with someone who'll snore and dribble into your pillow till 11 o'clock in the morning, before waking up beside you with their hair in a mess, blinking like a dizzy cat and smelling vaguely like a ham baguette? Really, why bother? Why not just stay at home punching yourself in the face? Invite a few friends round and make a night of it. It'll be more fun than a club.
”
”
Charlie Brooker
“
Suddenly gator was framed in the doorway, grinning at them, his black unruly hair tumbling into his face and his piercing blue eyes bright with laughter. "Oh, I see you are most friendly with each other. And Lily was so worried." He turned his head. "Ian Tucker, come look at this. Our man has found himself a little kitty cat."
"Shut up, Gator, or I'm going to shoot you." Nicholas put the gun away and looked down at dahlia. She had the covers pulled up to her chin. Here eyes were enormous and getting bigger by the moment as more Ghost Walkers crowded into the doorway to gape at the sight of Nicholas, the loner, in bed with Dahlia.
"And you said he didn't know what to do with a woman," Tucker Addison accused the tallest of the group, Ian McGillicuddy.
"I stand corrected." Ian gave Nicholas a small salute.
Dahlia made a small distressed squeak. Nicholas picked up the gun. "I'm going to start shooting if the lot of you don't get out and close the door."
"What a poor sport," Gator groused. "And this is my house.
”
”
Christine Feehan (Mind Game (GhostWalkers, #2))
“
What - what - what are you doing?" he demanded.
"I am almost six hundred years old," Magnus claimed, and Ragnor snorted, since Magnus changed his age to suit himself every few weeks. Magnus swept on. "It does seem about time to learn a musical instrument." He flourished his new prize, a little stringed instrument that looked like a cousin of the lute that the lute was embarrassed to be related to. "It's called a charango. I am planning to become a charanguista!"
"I wouldn't call that an instrument of music," Ragnor observed sourly. "An instrument of torture, perhaps."
Magnus cradled the charango in his arms as if it were an easily offended baby. "It's a beautiful and very unique instrument! The sound box is made from an armadillo. Well, a dried armadillo shell."
"That explains the sound you're making," said Ragnor. "Like a lost, hungry armadillo."
"You are just jealous," Magnus remarked calmly. "Because you do not have the soul of a true artiste like myself."
"Oh, I am positively green with envy," Ragnor snapped.
"Come now, Ragnor. That's not fair," said Magnus. "You know I love it when you make jokes about your complexion."
Magnus refused to be affected by Ragnor's cruel judgments. He regarded his fellow warlock with a lofty stare of superb indifference, raised his charango, and began to play again his defiant, beautiful tune.
They both heard the staccato thump of frantically running feet from within the house, the swish of skirts, and then Catarina came rushing out into the courtyard. Her white hair was falling loose about her shoulders, and her face was the picture of alarm.
"Magnus, Ragnor, I heard a cat making a most unearthly noise," she exclaimed. "From the sound of it, the poor creature must be direly sick. You have to help me find it!"
Ragnor immediately collapsed with hysterical laughter on his windowsill. Magnus stared at Catarina for a moment, until he saw her lips twitch.
"You are conspiring against me and my art," he declared. "You are a pack of conspirators."
He began to play again. Catarina stopped him by putting a hand on his arm.
"No, but seriously, Magnus," she said. "That noise is appalling."
Magnus sighed. "Every warlock's a critic."
"Why are you doing this?"
"I have already explained myself to Ragnor. I wish to become proficient with a musical instrument. I have decided to devote myself to the art of the charanguista, and I wish to hear no more petty objections."
"If we are all making lists of things we wish to hear no more . . . ," Ragnor murmured.
Catarina, however, was smiling.
"I see," she said.
"Madam, you do not see."
"I do. I see it all most clearly," Catarina assured him. "What is her name?"
"I resent your implication," Magnus said. "There is no woman in the case. I am married to my music!"
"Oh, all right," Catarina said. "What's his name, then?"
His name was Imasu Morales, and he was gorgeous.
”
”
Cassandra Clare (The Bane Chronicles)
“
We believe in the wrong things. That's what frustrates me the most. Not the lack of belief, but the belief in the wrong things. You want meaning? Well, the meanings are out there. We're just so damn good at reading them wrong.
I don't think meaning is something that can be explained. You have to understand it on your own. It's like when you're starting to read. First, you learn the letters. Then, once you know what sounds the letters make, you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the "cat" is connected to an actual cat , and that "dog" is connected to an actual dog. It's that leap, that understanding, that leads to meaning. And a lot of the time in life, we're still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. But that's only spelling"
It's much harder to lie to someone's face. But. It is also much harder to tell the truth to someone's face.
The indefatigable pursuit of an unattainable perfection, even though it consist in nothing more than in the pounding of an old piano, is what alone gives a meaning to our life on this unavailing star. (Logan Pearsall Smith)
Being alone has nothing to do with how many people are around. (J.R. Moehringer)
You could be standing a few feet away...I could have sat next to you on the subway, or brushed beside you as we went through the turnstiles. But whether or not you are here, you are here- because these words are for you, and they wouldn't exist is you weren't here in some way.
At last I had it--the Christmas present I'd wanted all along, but hadn't realized. His words.
The dream was obviously a sign: he was too enticing to resist.
Wow. You must have a lot of faith in me. Which I appreciate. Even if I'm not sure I share it.
I could do this on my own, and not freak out that I had no idea what waited for me on the other side of this night.
Hope and belief. I'd always wanted hope, but never believed that I could have such an adventure on my own. That I could own it. And love it. But it happened.
Because I'm So uncool and so afraid.
If there was a clue, that meant the mystery was still intact
I fear you may have outmatched me, because not I find these words have nowhere to go. It's hard to answer a question you haven't been asked. It's hard to show that you tried unless you end up succeeding.
This was not a haystack. We were people, and people had ways of finding eachother.
It was one of those moments when you feel the future so much that is humbles the present.
Don't worry. It's your embarrassment at not having the thought that counts.
You think fairy tales are only for girls? Here's ahint- ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy- all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know--this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtship. They want to know immediately.
Be careful what you;re doing, because no one is ever who you want them to be. And the less you really know them, the more likely you are to confuse them with the girl or boy in your head
You should never wish for wishful thinking
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
The love that I believe in is something that goes beyond the physical aspects of this world. The love that I believe is one that extends its energy and power through the beautiful souls that I encounter along the way, a love that can be seen in the eyes of a little dog or in the confusion of a cute lost cat who wants to be worshiped like a Goddess. This kind of love goes through a divine crafting of a person's inner self, through personal experience and thousands of years of tears and strength, that can only be seen in the familiar eyes of old souls, the eyes that recognize each other even after long times of separation, the eyes that find themselves familiar with places they have probably been to before, but that nevertheless bring great memories with every visit. This kind of love sees hope in the eyes of new-born children that know way much more than they are capable of putting into words and that bring with their innocence a smile on each person's face who'd wish they could start again. The love that I see when I look at you is a love which has roots deep inside each of us, but that needs care and light to grow and unfold its branches so that they can reach outside of ourselves and even further beyond the skies.
”
”
Virgil Kalyana Mittata Iordache
“
When animals make a stupid mistake, you laugh at them. A cat misjudges a leap. A dog looks overly quizzical about a simple object. These are funny things. But when a person doesn’t understand something, if they miscalculate and hit the brakes too late, blame is assigned. They are stupid. They are wrong. Teachers and cops are there to sort it out, with a trail of paperwork to illustrate the stupidity. The faults. The evidence and incidents of these things. We have entire systems in place to help decide who is what. Sometimes the systems don’t work. Families spend their weekend afternoons at animal shelters, even when they’re not looking for a pet. They come to see the unwanted and unloved. The cats and dogs who don’t understand why they are these things. They are petted and combed, walked and fed, cooed over and kissed. Then they go back in their cages and sometimes tears are shed. Fuzzy faces peering through bars can be unbearable for many. Change the face to a human one and the reaction changes. The reason why is because people should know better. But our logic is skewed in this respect. A dog that bites is a dead dog. First day at the shelter and I already saw one put to sleep, which in itself is a misleading phrase. Sleep implies that you have the option of waking up. Once their bodies pass unconsciousness to something deeper where systems start to fail, they revolt a little bit, put up a fight on a molecular level. They kick. They cry. They don’t want to go. And this happens because their jaws closed over a human hand, ever so briefly. Maybe even just the once. But people, they get chances. They get the benefit of the doubt. Even though they have the higher logic functioning and they knew when they did it THEY KNEW it was a bad thing.
”
”
Mindy McGinnis (The Female of the Species)
“
quiet clean girls in gingham dresses ...
all I've ever known are whores, ex-prostitutes,
madwomen. I see men with quiet,
gentle women – I see them in the supermarkets,
I see them walking down the streets together,
I see them in their apartments: people at
peace, living together. I know that their
peace is only partial, but there is
peace, often hours and days of peace.
all I've ever known are pill freaks, alcoholics,
whores, ex-prostitutes, madwomen.
when one leaves
another arrives
worse than her predecessor.
I see so many men with quiet clean girls in
gingham dresses
girls with faces that are not wolverine or
predatory.
"don't ever bring a whore around," I tell my
few friends, "I'll fall in love with her."
"you couldn't stand a good woman, Bukowski."
I need a good woman. I need a good woman
more than I need this typewriter, more than
I need my automobile, more than I need
Mozart; I need a good woman so badly that I
can taste her in the air, I can feel her
at my fingertips, I can see sidewalks built
for her feet to walk upon,
I can see pillows for her head,
I can feel my waiting laughter,
I can see her petting a cat,
I can see her sleeping,
I can see her slippers on the floor.
I know that she exists
but where is she upon this earth
as the whores keep finding me?
”
”
Charles Bukowski (Love Is a Dog from Hell)
“
One day, as Sarita tended to the wash, Gemma played in the garden. She was a knight, you see, with a sword fashioned out of wood. Most formidable, she was, though I didn't quite know how formidable. As I sat in my study, I heard screaming from outside. I ran to see what the commotion was. Sarita called to me, wide-eyed with fear, "Oh, Mr. Doyle, look- over there!" The tiger had entered the garden and was making his way toward where our Gemma frolicked with her wooden sword. Beside me, our house servant, Raj, drew his blade so stealthily it seemed to simply appear in his hand by magic. But Sarita stayed his hand. "If you run for him with your life, you will provoke the tiger," she advised. "We must wait."...
I must tell you that it was the longest moment of my life. No one dared move. No one dared draw a breath. And all the while, Gemma played on, taking no notice until the great cat was upon her. She stood and faced him. They stared at one another as if each wondered what to make of the other, as if they sensed a kindred spirit. At last, Gemma placed her sword upon the ground. "Dear tiger," she said. "You may pass if you are peaceful." The tiger looked at the sword and back at Gemma, and without a sound, it passed on, dissappearing into the jungle."
...
"The tiger had gone. He did not come around a gain. But I was a man possessed. The tiger had come too close, you see. I no longer felt safe. I hired the best tracker in Bombay. We hunted for days, tracking the tiger to the mountains there. We found him taking water from a small watering hole. He looked up but he did not charge. He took no notice of us at all but continued to drink. "Sahib, let us go," the boy said. "This tiger means you no harm." He was right, of course. But we had come all that way. The gun was in my hand. The tiger was before us. I took aim and shot it dead on the spot. I sold the tiger's skin for a fortune to a man in Bombay, and he called me brave for it. But it was not courage that brought me to that; it was fear..."But you," he says, smiling with a mix of sadness and pride, "you faced the tiger and survived."
...
"The time has come for me to face my tiger, to look him in the eye and see which of us survives." - Mr. Doyle
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
In one hallway, the floor gleaming parquet and the ceiling festooned with golden cherubs, there was a boy in a grumpy cat mask and biker boots, not involved in any sexual activity, legs crossed and leaning against the wall. As a bevy of faeries passed the boy, giggling and groping, the boy scooted away.
Alec remembered being younger, and how overwhelming large groups of people had seemed. He came over and leaned against the wall beside the boy. He saw the boy texting, PARTIES WERE INVENTED TO ANNOY ME. THEY FEATURE MY LEAST FAVORITE THING: PEOPLE, ALL INTENT ON MY LEAST FAVORITE ACTIVITY: SOCIAL INTERACTION.
“I don’t really like parties either,” Alec said sympathetically.
“No hablo italiano,” the boy mumbled without looking up.
“Er,” said Alec. “This conversation is happening in English.”
“No hablo ingles,” he said without missing a beat.
“Oh, come on. Really?”
“Worth a shot,” said the boy.
Alec considered going away. The boy wrote another text to a contact he had saved as RF. Alec could not help but notice that the conversation was entirely one-sided, the boy sending text after text with no response. The last text read VENICE SMELLS LIKE A TOILET. AS A NEW YORKER, I DO NOT SAY THIS LIGHTLY.
The weird coincidence emboldened Alec to try again.
“I get shy when there are strangers too,” Alec told the kid.
“I’m not shy,” the boy sneered. “I just hate everyone around me and everything that is happening.”
“Well.” Alec shrugged. “Those feel like similar things sometimes.”
The boy lifted his curly head, pushing the grumpy cat mask off his face, and froze. Alec froze too, at the twin shock of fangs and familiarity. This was a vampire, and Alec knew him.
“Raphael?” he asked. “Raphael Santiago?”
He wondered what the second-in-command of the New York clan was doing here. Downworlders might be flooding in from all over the world, but Raphael had never struck Alec as a party animal.
Of course, he was not exactly coming off as a party animal now.
“Oh no, it’s you,” said Raphael. “The twelve-year-old idiot.”
Alec was not keen on vampires. They were, after all, people who had died. Alec had seen too much death to want reminders of it.
He understood that they were immortal, but there was no need to show off about it.
“We just fought a war together. I was with you in the graveyard when Simon came back as a vampire. You’ve seen me multiple times since I was twelve.”
“The thought of you at twelve haunts me,” Raphael said darkly.
“Okay,” Alec said, humoring him. “So have you seen a guy called Mori Shu anywhere around here?”
“I am trying not to make eye contact with anyone here,” said Raphael. “And I’m not a snitch for Shadowhunters. Or a fan of talking to people, of any kind, in any place.”
Alec rolled his eyes.
”
”
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))