Brooks Marks Quotes

But, mark my words; someday she'll get what's coming to her. Karma's a bigger bitch than she is,

and a most curious country it was. There were a number of tiny little brooks running straight across it from side to side, and the ground between was divided up into squares by a number of little green hedges, that reached from brook to brook. I declare it's marked out just like a large chessboard!' Alice said at last. 'There ought to be some men moving about somewhere--and so there are!' she added in a tone of delight, and her heart began to beat quick with excitement as she went on. 'It's a great huge game of chess that's being played--all over the world--if this is the world at all, you know. Oh, what fun it is!

He thought it probable that Miss Brooke liked him, and manners must be very marked indeed before they cease to be interpreted by preconceptions either confident or distrustful.

Danny, whose body made Miller forget the world and whose soul, even marked with shadows, made Miller believe in something beyond the stars.

To my surprise, Brooke smiled, and I realized that even though two of the other teams had managed to bug their marks' cell phones, the information Tara and I had received might just prove it self to be even more useful. Take that Chloe!

If you scream, you're marked "insane." But silence is a place in which to scream!

You came." His gaze held hers. "And I knew that you are not useful to me, Ash. Not anymore. Except as a reason to get up in the morning --" "You don't sleep anymore," she reminded him, smiling. "Except as a reason to keep breathing --" "You don't need air." He narrowed his eyes at her. "I'm still new at this Guardian thing. So just shut up, and let me tell you that I love you.

When I looked at my hands and wrists, marred by the marks of small burns from cook pots and flying embers, every red weal or white pucker brings to my mind's eye that eternal fire, and the writhing masses of the damned, among whom I must expect to spend eternity.

She may not look like much of a princess, but she sure shoots like one.

My life, this is,” she said. “I know every mark on this and how it came there. I know the heft of every blessed knife in here. And now I’m to turn me back and walk away with nothing.

Back out of all this now too much for us, Back in a time made simple by the loss Of detail, burned, dissolved, and broken off Like graveyard marble sculpture in the weather, There is a house that is no more a house Upon a farm that is no more a farm And in a town that is no more a town. The road there, if you’ll let a guide direct you Who only has at heart your getting lost, May seem as if it should have been a quarry— Great monolithic knees the former town Long since gave up pretense of keeping covered. And there’s a story in a book about it: Besides the wear of iron wagon wheels The ledges show lines ruled southeast-northwest, The chisel work of an enormous Glacier That braced his feet against the Arctic Pole. You must not mind a certain coolness from him Still said to haunt this side of Panther Mountain. Nor need you mind the serial ordeal Of being watched from forty cellar holes As if by eye pairs out of forty firkins. As for the woods’ excitement over you That sends light rustle rushes to their leaves, Charge that to upstart inexperience. Where were they all not twenty years ago? They think too much of having shaded out A few old pecker-fretted apple trees. Make yourself up a cheering song of how Someone’s road home from work this once was, Who may be just ahead of you on foot Or creaking with a buggy load of grain. The height of the adventure is the height Of country where two village cultures faded Into each other. Both of them are lost. And if you’re lost enough to find yourself By now, pull in your ladder road behind you And put a sign up CLOSED to all but me. Then make yourself at home. The only field Now left’s no bigger than a harness gall. First there’s the children’s house of make-believe, Some shattered dishes underneath a pine, The playthings in the playhouse of the children. Weep for what little things could make them glad. Then for the house that is no more a house, But only a belilaced cellar hole, Now slowly closing like a dent in dough. This was no playhouse but a house in earnest. Your destination and your destiny’s A brook that was the water of the house, Cold as a spring as yet so near its source, Too lofty and original to rage. (We know the valley streams that when aroused Will leave their tatters hung on barb and thorn.) I have kept hidden in the instep arch Of an old cedar at the waterside A broken drinking goblet like the Grail Under a spell so the wrong ones can’t find it, So can’t get saved, as Saint Mark says they mustn’t. (I stole the goblet from the children’s playhouse.) Here are your waters and your watering place. Drink and be whole again beyond confusion.

I am not afraid, and I have never been. Even when my physical being is in danger My soul fears not. You can mangle my body, break my heart I am relentless, running free like a brook till my soul find the sea.

The Wampanoag, in ways which are not plain to me, in concert decided upon their own observance of father’s passing. They marked it in a most singular manner. As soon as father’s loss became known to them, each one, when traveling up or down the island, would fetch from the shore a smooth white stone such as can oft be found there. These they carried until they passed the place where father had taken farewell of them. There they deposited them. Within days, there was a cairn. In the weeks that followed, you could say, a monument, each stone of it placed with the care of an artisan. The last I saw, it had grown higher than a man, and still the Wampanoag came, one by one, placing a stone upon a stone.

You see,” Brooking said, “I was raised in the Church of England. Baptized and as a boy learned the catechism and all of that, and I became rather knowledgeable about all of the Christian doctrines of the faith, you know. But never felt, well, transformed by any of it, you might say. It stayed in my head. But never went any further.” “It’s good to have it in your head,” Zhang said with a smile. “But it’s very, very necessary to have it in your heart too. That’s where the transformation comes.

Now a witness was called who testified that he found Muff Potter washing in the brook, at an early hour of the morning that the murder was discovered, and that he immediately sneaked away. After some further questioning, counsel for the prosecution said: "Take the witness." The prisoner raised his eyes for a moment, but dropped them again when his own counsel said: "I have no questions to ask him." The next witness proved the finding of the knife near the corpse. Counsel for the prosecution said: "Take the witness." "I have no questions to ask him," Potter's lawyer replied. A third witness swore he had often seen the knife in Potter's possession. "Take the witness." Counsel for Potter declined to question him. The faces of the audience began to betray annoyance. Did this attorney mean to throw away his client's life without an effort?

Anton Brookes: I think I was within my right to accuse him of selling out a little bit, if you think about what Nirvana was supposed to be about and what they stood for; they did antirape benefits for Bosnia and stuff like that. Nirvana were supposedly right-on, weren't they? They were the voice of a generation, the conscience of a generation. And for all intents and purposes, Kurt mutated into everything he was against. He became your attitudinal rock star, with the tantrums and the plush hotels and everything. And then, for all intents and purposes, Kurt was sucking corporation cock.

No alien land in all the world has any deep strong charm for me but one, no other land could so longingly and so beseechingly haunt me, sleeping and waking, through half a lifetime, as that one has done. Other things leave me, but it abides me; other things change, but it remains the same. For me its balmy airs are always blowing, its summer seas flashing in the sun; the pulsing of it surfbeat is in my ear; I can see its garland crags, its leaping cascades, its plumy palms drowsing by the shore, its remote summits floating like islands above the cloud wrack; I can feel the woodland solitudes, I can hear the splash of its brooks; in my nostrils still lives the breath of flowers that perished twenty years ago.

In 2011, Mark Brooks, a consultant to online-dating companies, published the results of an industry survey titled “How Has Internet Dating Changed Society?” The survey responses, from 39 executives, produced the following conclusions: “Internet dating has made people more disposable.” “Internet dating may be partly responsible for a rise in the divorce rates.” “Low quality, unhappy and unsatisfying marriages are being destroyed as people drift to Internet dating sites.” “The market is hugely more efficient … People expect to—and this will be increasingly the case over time—access people anywhere, anytime, based on complex search requests … Such a feeling of access affects our pursuit of love … the whole world (versus, say, the city we live in) will, increasingly, feel like the market for our partner(s). Our pickiness will probably increase.” “Above all, Internet dating has helped people of all ages realize that there’s no need to settle for a mediocre relationship.” From "A Million First Dates How online romance is threatening monogamy" in January/February 2013

Second-mountain organizations touch people at their depths and leave a permanent mark. You always know when you meet a Marine, a Morehouse man, a Juilliard pianist, a NASA scientist. These institutions have a collective purpose, a shared set of rituals, a common origin story. They nurture thick relationships and demand full commitment. They don’t merely educate; they transform.

Megan wanted to groan. "You guys are smothering me." Braden leaned against the wall, watching it all, never speaking. Sexy and silent. Okay, so he had a few things going for him. "Get used to it," Her father's voice brooked no refusal. "Until I leave this world, you are still my daughter and still under my protection." "Protect Lance." She waved her hand at her smirking cousin. "He's in more danger than I am if he keeps pissing me off. Share the love, Dad.

It has now been many months, at the present writing, since I have had a nourishing meal, but I shall soon have one—a modest, private affair, all to myself. I have selected a few dishes, and made out a little bill of fare, which will go home in the steamer that precedes me, and be hot when I arrive—as follows: Radishes. Baked apples, with cream Fried oysters; stewed oysters. Frogs. American coffee, with real cream. American butter. Fried chicken, Southern style. Porter-house steak. Saratoga potatoes. Broiled chicken, American style. Hot biscuits, Southern style. Hot wheat-bread, Southern style. Hot buckwheat cakes. American toast. Clear maple syrup. Virginia bacon, broiled. Blue points, on the half shell. Cherry-stone clams. San Francisco mussels, steamed. Oyster soup. Clam Soup. Philadelphia Terapin soup. Oysters roasted in shell-Northern style. Soft-shell crabs. Connecticut shad. Baltimore perch. Brook trout, from Sierra Nevadas. Lake trout, from Tahoe. Sheep-head and croakers, from New Orleans. Black bass from the Mississippi. American roast beef. Roast turkey, Thanksgiving style. Cranberry sauce. Celery. Roast wild turkey. Woodcock. Canvas-back-duck, from Baltimore. Prairie liens, from Illinois. Missouri partridges, broiled. 'Possum. Coon. Boston bacon and beans. Bacon and greens, Southern style. Hominy. Boiled onions. Turnips. Pumpkin. Squash. Asparagus. Butter beans. Sweet potatoes. Lettuce. Succotash. String beans. Mashed potatoes. Catsup. Boiled potatoes, in their skins. New potatoes, minus the skins. Early rose potatoes, roasted in the ashes, Southern style, served hot. Sliced tomatoes, with sugar or vinegar. Stewed tomatoes. Green corn, cut from the ear and served with butter and pepper. Green corn, on the ear. Hot corn-pone, with chitlings, Southern style. Hot hoe-cake, Southern style. Hot egg-bread, Southern style. Hot light-bread, Southern style. Buttermilk. Iced sweet milk. Apple dumplings, with real cream. Apple pie. Apple fritters. Apple puffs, Southern style. Peach cobbler, Southern style Peach pie. American mince pie. Pumpkin pie. Squash pie. All sorts of American pastry. Fresh American fruits of all sorts, including strawberries which are not to be doled out as if they were jewelry, but in a more liberal way. Ice-water—not prepared in the ineffectual goblet, but in the sincere and capable refrigerator.

People feel ashamed of being depressed, they feel they should snap out of it, they feel weak and inadequate. Of course, these feelings are symptoms of the disease. Depression is a grave and life-threatening illness, much more common than we recognize. As far as the depressive being weak or inadequate, let me drop some names of famous depressives: Abraham Lincoln, Winston Churchill, Eleanor Roosevelt, Sigmund Freud. Terry Bradshaw, Drew Carey, Billy Joel, T. Boone Pickens, J. K. Rowling, Brooke Shields, Mike Wallace. Charles Dickens, Joseph Conrad, Graham Greene, Ernest Hemingway, Herman Melville, Mark Twain.

Picking up his own gun, he checked the ammo, and then lined up the shot with one hand. He turned his head toward her and pulled the trigger, watching her eyes go wide when he hit his mark. “Holy shit,” she said. “You hit him.” He lowered the gun and put it back in his waistband. “You told me to.” “Yeah, but…you hit his neck without looking.” He glanced up. “And?” She was still shaking her head in apparent disbelief. “And you’re kind of a badass.” “What the hell do you think I get paid for?” … She laughed. “You’re not even modest about it either, are you? Hell, I wouldn’t be. I’d get badass tattooed on my forehead if I could make a shot like that.

This was no coincidence. The best short stories and the most successful jokes have a lot in common. Each form relies on suggestion and economy. Characters have to be drawn in a few deft strokes. There's generally a setup, a reveal, a reversal, and a release. The structure is delicate. If one element fails, the edifice crumbles. In a novel you might get away with a loose line or two, a saggy paragraph, even a limp chapter. But in the joke and in the short story, the beginning and end are precisely anchored tent poles, and what lies between must pull so taut it twangs. I'm not sure if there is any pattern to these selections. I did not spend a lot of time with those that seemed afraid to tell stories, that handled plot as if it were a hair in the soup, unwelcome and embarrassing. I also tended not to revisit stories that seemed bleak without having earned it, where the emotional notes were false, or where the writing was tricked out or primped up with fashionable devices stressing form over content. I do know that the easiest and the first choices were the stories to which I had a physical response. I read Jennifer Egan's "Out of Body" clenched from head to toe by tension as her suicidal, drug-addled protagonist moves through the Manhattan night toward an unforgivable betrayal. I shed tears over two stories of childhood shadowed by unbearable memory: "The Hare's Mask," by Mark Slouka, with its piercing ending, and Claire Keegan's Irishinflected tale of neglect and rescue, "Foster." Elizabeth McCracken's "Property" also moved me, with its sudden perception shift along the wavering sightlines of loss and grief. Nathan Englander's "Free Fruit for Young Widows" opened with a gasp-inducing act of unexpected violence and evolved into an ethical Rubik's cube. A couple of stories made me laugh: Tom Bissell's "A Bridge Under Water," even as it foreshadows the dissolution of a marriage and probes what religion does for us, and to us; and Richard Powers's "To the Measures Fall," a deftly comic meditation on the uses of literature in the course of a life, and a lifetime. Some stories didn't call forth such a strong immediate response but had instead a lingering resonance. Of these, many dealt with love and its costs, leaving behind indelible images. In Megan Mayhew Bergman's "Housewifely Arts," a bereaved daughter drives miles to visit her dead mother's parrot because she yearns to hear the bird mimic her mother's voice. In Allegra Goodman's "La Vita Nuova," a jilted fiancée lets her art class paint all over her wedding dress. In Ehud Havazelet's spare and tender story, "Gurov in Manhattan," an ailing man and his aging dog must confront life's necessary losses. A complicated, only partly welcome romance blossoms between a Korean woman and her demented

No alien land in all the world has any deep strong charm for me but that one, no other land could so longingly and so beseechingly haunt me, sleeping and walking, through half a lifetime, as that one has done. Other things leave me, but it abides; other things change, but it remains the same. For me its balmy airs are always blowing, its summer seas flashing in the sun; the pulsing of its surfbeat is in my ear, I can see its garlanded crags, its leaping cascades, its plumy palms drowsing by the shore, its remote summits floating like islands above the cloud wrack; I can fell the spirit of its woodland solitudes, I can hear the splash of its brooks; in my nostrils still lives the breath of flowers that perished twenty years ago.

she enjoyed her continued glimpses into the inner workings of world affairs. She often would sit back in the middle of some long meeting and wonder how it was that these men and women had risen to the top of the global elite. They weren't marked by exceptional genius. The did not have extraordinarily deep knowledge or creative opinions. If there was one trait the best of them possessed, it was a talent for simplification. They had the ability to take a complex situation and capture the heart of the matter in simple terms. A second after they located the core fact of any problem, their observation seemed blindingly obvious, but somehow nobody had simplified the issue in quite those terms beforehand. They took reality and made it manageable for busy people. p338

The core flaw of hyper-individualism is that it leads to a degradation and a pulverization of the human person. It is a system built upon the egoistic drives within each of us. These are the self-interested drives—the desire to excel; to make a mark in the world; to rise in wealth, power, and status; to win victories and be better than others. Hyper-individualism does not emphasize and eventually does not even see the other drives—the deeper and more elusive motivations that seek connection, fusion, service, and care. These are not the desires of the ego, but the longings of the heart and soul: the desire to live in loving interdependence with others, the yearning to live in service of some ideal, the yearning to surrender to a greater good. Hyper-individualism numbs these deepest longings. Eventually, hyper-individualism creates isolated, self-interested monads who sense that something is missing in their lives but cannot even name what it is.

That stream, Arthur,’ said the elder traveller, as with one consent they stopped to gaze on such a scene as I have described, ‘resembles the life of a good and a happy man.’ ‘And the brook, which hurries itself headlong down yon distant hill, marking its course by a streak of white foam,’ answered Arthur,—‘what does that resemble?’ ‘That of a brave and unfortunate one,’ replied his father. ‘The torrent for me,’ said Arthur; ‘a headlong course which no human force can oppose, and then let it be as brief as it is glorious’.... This stream, by a devious and gentle course, which seemed to indicate a reluctance to leave this quiet region, found its way at length out of the sequestered domain, and, like a youth hurrying from the gay and tranquil sports of boyhood into the wild career of active life, finally united itself with the boisterous torrent, which, breaking down tumultuously from the mountains, shook the ancient Tower of Geierstein as it rolled down the adjacent rock, and then rushed howling through the defile in which our youthful traveller had well-nigh lost his life.

A few years ago my friend Jon Brooks supplied this great illustration of skewed interpretation at work. Here’s how investors react to events when they’re feeling good about life (which usually means the market has been rising): Strong data: economy strengthening—stocks rally Weak data: Fed likely to ease—stocks rally Data as expected: low volatility—stocks rally Banks make $4 billion: business conditions favorable—stocks rally Banks lose $4 billion: bad news out of the way—stocks rally Oil spikes: growing global economy contributing to demand—stocks rally Oil drops: more purchasing power for the consumer—stocks rally Dollar plunges: great for exporters—stocks rally Dollar strengthens: great for companies that buy from abroad—stocks rally Inflation spikes: will cause assets to appreciate—stocks rally Inflation drops: improves quality of earnings—stocks rally Of course, the same behavior also applies in the opposite direction. When psychology is negative and markets have been falling for a while, everything is capable of being interpreted negatively. Strong economic data is seen as likely to make the Fed withdraw stimulus by raising interest rates, and weak data is taken to mean companies will have trouble meeting earnings forecasts. In other words, it’s not the data or events; it’s the interpretation. And that fluctuates with swings in psychology.

Although father was a very precious man and the loss of him is very great to me, as it is to all honest folk who knew him, it is Solace's death that is the harder for me to bear. All the world mourns father, whose labors God blessed while he lived. Many will remember him. Not so my Solace, who made no mark upon the world. Nights I can barely sleep for the loss of her weight against my body. In dark of night, I hear her cry, and start awake. But it is a voice of my dream only, and it wakes me to an aching loneliness. Now, all these months since her death, I think of her, and how she would have grown and changed. I see her walking beside me with a rolling gait, reaching out a plump hand to clasp my fingers. I see her hair lengthened and curling about her face. I imagine the sound of her voice as she says her first words, the small frown at her brow as she puzzles at something, a glimpse of her milk teeth as she smiles. It will be so, always. As the years pass, she will live and grow in my mind's eye, from infancy through sweet girlhood, and when I am old I will see her still, coming herself into womanhood, her sky-blue eyes expressing a kindly wisdom, her laugh as she lifts up her own babe. Yet all that time, she will lie in the ground, an infant always, her life ended just a little after the world had turned a full year. In my dreams, she comes to me. But always, in the end, frightfully. For I see her in her grave. Frail little finger bones, bleached white, curl around a crumbling parchment, a rotting peg doll, and a scatter of wampum beads fallen loose from a decaying shred of deer hide.

It seems to me that, whether it is recognized or not, there is a terrific frustration which increases in intensity and harmfulness as time goes on, when people are always daydreaming of the kind of place in which they would like to live, yet never making the place where they do live into anything artistically satisfying to them. Always to dream of a cottage by a brook, while never doing anything original to the stuffy boarding-house room in a city; always to dream of a rock, glass, and timber house on the cliffs above the sea, while never putting anything of yourself into the small village brick house; or to dream of what you could do with a hut in the jungle yet never to think of your inherited family mansion as anything but a place to mark time, is to waste creativity by not allowing it to grow and develop through use. Trying out all the ideas that come to you, within the limits of your present place, money, talents, materials and so forth, will not use up everything you want to save for the future, but will rather generate and develop more ideas.

Ritual characterizes every aspect of life here, and even mundane, daily activities take on an ageless quality. The daily rhythm begins at dawn, as the fishermen launch boats from countless harbors, an event that has taken place for centuries. The women go to market, exchanging greetings and comments. Ritual rules the care and time taken with every detail of the midday meal, from the hearty seafood appetizers to the strong, syrupy coffee that marks the end of the feast. The day winds down with the evening stroll, a tradition thoroughly ingrained in the culture of the Greek Isles. In villages and towns throughout the islands, sunset brings cooler air and draws people from their homes and the beaches for an enjoyable evening walk through town squares, portside promenades, and narrow streets. Ancient crafts still flourish in the artisans’ studios and in tidy homes of countless mountain villages and ports. Embroidery--traditionally the province of Greek women--is created by hand to adorn the regional costumes worn during festivals. Artists craft delicate silver utensils, engraved gems, blown glass, and gold jewelry. Potters create ceramic pieces featuring some of the same decorative patterns and mythological subjects that captured their ancestors’ imagination. Weddings, festivals, saints’ days. And other celebrations with family and friends provide a backdrop for grave and energetic Greek dancing. For centuries--probably ever since people have lived on the islands--Greek islanders have seized every opportunity to play music, sing, and dance. Dancing in Greece is always a group activity, a way to create and reinforce bonds among families, friends, and communities, and island men have been dancing circle dances like the Kalamatianos and the Tsamikos since antiquity. Musicians accompany revelers on stringed instruments like the bouzouki--the modern equivalent of the lyre. While traditional attire is reserved mainly for festive occasions, on some islands people still sport these garments daily. On Lefkada and Crete, it is not unusual to find men wearing vraka, or baggy trousers, and vests, along with the high boots known as stivania. Women wear long, dark, pleated skirts woven on a traditional loom, and long silk scarves or kerchiefs adorn their heads. All the garments are ornamented by hand with rich brocades and elaborate embroidery. All over the Greek Isles, Orthodox priests dress in long black robes, their shadowy figures contrasting with the bright whites, blues, and greens of Greek village architecture.

But for all the colour of his character, his reputation was earned and maintained through his genius. There is a lovely story published in a 1965 issue of Life magazine that suggests just how highly respected he was. Henry Ford's fledgling car manufacturing company was once having trouble with one of the generators that powered the production line. They called Steinmetz in to consult on the problem and he solved it by lying down in the room where the generator was housed. For two days and nights he listened to its operation, scribbling calculations on a notepad. Eventually he got up, climbed up on the giant machine, and marked a point on the side with a chalk cross. He descended and told the engineers to replace sixteen of the generator's wire coils, the ones behind his chalk mark. They did what they were told, turned the generator back on, and discovered to their utter astonishment that it now worked perfectly. That story alone would be alone would be enough, but it gets better. From their headquarters in Schenectady, New York, General Electric sent forth a $10,000 dollar invoice for Steinmetz's services. Ford queried the astronomical sum, asking for a breakdown of the costs. Steinmetz replied personally. His itemized bill said, "Making chalk mark on generator: $1.00. Knowing where to make mark: $9,999.00" Apparently the bill was paid without further delay.

How many, many years, how many cycles of years, how many bundles of cycles of years, had the sun glowed down thus on that hollow? Since it was formed how long? Since it was worn and shaped, groove-like, in the flanks of the hills by mighty forces which had ebbed. Alone with the sun which glowed on the work when it was done, I saw back through space to the old time of tree-ferns, of the lizard flying through the air, the lizard-dragon wallowing in sea foam, the mountainous creatures, twice-elephantine, feeding on land; all the crooked sequence of life. The dragon-fly which passed me traced a continuous descent from the fly marked on stone in those days. The immense time lifted me like a wave rolling under a boat; my mind seemed to raise itself as the swell of the cycles came; it felt strong with the power of the ages. With all that time and power I prayed: that I might have in my soul the intellectual part of it; the idea, the thought. Like a shuttle the mind shot to and fro the past and the present, in an instant.

Everything is impermanent—your body’s going to get old; your best friend is going to graduate and move to another city; that tree you used to climb in front of Stacey Brooks’s house is going to crash down in a storm. Your parents are going to die. Everything changes; it rises, and it falls. Nothing and no one is immune to the entropy of the universe.

Years passed—or was it just a moment? Hard to say. Phyllis’s cognitive mind slipped farther and farther away and a different kind of awareness bloomed. The swamp breathed and she breathed with it. She saw everything: the creatures, the flowers, the tender shoots of green and the towering trees, the depths of the water. All that was dead and dying. All that was bursting with life. Her notebooks, tucked away in their plastic container, were gradually forgotten. The urge to record, to quantify, left her. Instead, she returned to the inclination that had guided her through all the years when her mind was sharp. The root of her curiosity: a simple and enduring desire to notice. There were moments during this last stretch when she occupied herself so completely that she forgot there had been any other time than now, any other way to exist but this. And there were also moments when she fought against the ebbing of logic and analysis, feeling adrift and upset, as if something precious had been taken from her that she would never have again. All of this was true. All of it was right. Memories of childhood dusted her skin like pollen. All it took was a brisk gust of wind to send it all scattering. She remembered learning—the crispness of a washed blackboard, a good mark on her paper, the perfect loneliness of a library; she remembered men she’d known and she remembered intimacy; she remembered her parents, having them and losing them; she remembered her sister, pretty and harsh and unwilling to imagine the future Phyllis had foreseen; she remembered teaching—the way her hands shook at the start of every term, her students and their litany of excuses; she remembered her research—working in the field, working at her desk, the minutiae of life glimpsed through a microscope; she remembered every forest she’d ever walked through; she remembered every city she’d ever visited; she remembered preparing, preparing, preparing. And then all of this was gone. Piece by piece, Phyllis said goodbye to each part of her life that had come before. She held on to Wanda the longest. As long as she could. She replayed every moment they had spent together. She repeated Wanda’s name to herself when Wanda left her alone in the tree house, reciting it like a chant, a prayer, so that when she came home, it would already be on her tongue. This didn’t always work. Sometimes Phyllis arrived in a moment she hadn’t been aware of—like time travel, hopping from one place to another with smooth, easy leaps. It was only when she saw the exhaustion on Wanda’s face that she realized she had missed something in between. “I’m sorry,” Phyllis said. “I think I…was somewhere else.” “That’s all right.” “What are we doing?” “We’re weaving nets. Do you want to help?” “Yes. Yes, please.” They sat

A face in the window, she thought suddenly. Perhaps not just from somewhere in this world, but from another plane of existence altogether. She probed harder with her magic, trying to break through to whatever was out there, to generate a response that would reveal something more. Her efforts were rewarded almost at once. Something small and dark appeared at the edges of the light, like a wraith come out of the netherworld, not altogether shapeless, but lacking any clear definition. It slid in and out of the light like a child playing hide and seek, first here, then there, never quite revealing itself altogether, never quite showing what it was. Kermadec was whispering hurriedly, anxiously, telling her to back away, to give herself more space. It wasn’t safe to be so close, he was saying. She ignored him; she was caught up in the link she had established between the foreign magic and her own. Something was there, quick and insubstantial, just out of reach. And then all at once it wasn’t hiding anymore. It was there, right in front of her, it’s face turned full into hers, edges and angles caught in the light. She caught her breath in spite of herself. The face was vaguely human, but in no other way recognizable. Malevolence marked it’s features in a way she had not thought possible, so darkly threatening, so hate-filled and remorseless, that even in her time as the Ilse Witch, she had not experienced its like. Dark shadows draped it like strands of thick hair, shifting with the light, changing the look of it from instant to instant. Eyes glimmered like blue ice, cool and appraising. There was recognition in those eyes; whoever was there, hiding in the light, knew who she was. Grianne lashed out at the face with ferocious intent, surprising even herself with her vehemence. She felt such loathing, such rage, that she could not stop herself from reacting, and the deed was done before she could think the better of it. Her magic exploded into the face, which disappeared instantly, taking with it the flashes and the burning air, leaving only darkness and the lingering smell of expended magic. She compressed her lips tightly, fighting back the snarl forming on them, consumed by the feelings this thing had generated. It was all she could do to pull herself together and turn back to an obviously unnerved Kermadec. ‘Are you all right?’ he asked at once. She nodded. ‘But I wasn’t for a moment, old bear. That thing radiated such evil that I think letting it come even that near was a serious mistake. If I didn’t know better, I would say it lured me here.

Do you hear something?” Portia asked, after they’d been walking some time. “No,” said Brooke. “Wait!” Portia signaled the men to halt, then put a finger to her lips for silence. Luke shifted his feet impatiently, anxious to move on. If they stood here too long, Cecily and Denny might catch them. “There,” Portia said, cupping one hand around her ear. “Do you hear it? That rustling sound, like dry leaves.” “Dry leaves, in a forest,” Brooke replied. “Imagine.” Luke forged ahead, and the pair followed, bickering in agitated whispers. The cottage couldn’t be much farther. Perhaps he could simply barricade the two of them in it and leave. The sooner these two shared a bed, the sooner everyone else could get some peace. “Wait!” she called again. Luke pivoted on his heel. “What now?” “Look at these marks.” Portia pointed to a narrow stripe of depressions in the soil. “Why, they look like deer tracks.” Brooke rubbed his eyes. “Deer tracks, in a forest. Imagine.” “But we don’t know they belong to a deer! They could belong to him.” With a self-conscious hunch of her shoulders, she lowered her voice to a murmur. “You know, the werestag.” “Why are you whispering? Afraid the man-deer might overhear you?” Brooke gave a caustic laugh. “My dear Mrs. Yardley, your fancies grow more amusing by the moment. What on earth would lead you to believe these simple deer tracks are the marks of a vicious werestag?” “I am not your ‘dear Mrs. Yardley’. And how do you know these tracks do not belong to him?” In a clear expression of annoyance, Brooke held up his hands. “Very well. I give up.” “I don’t,” she replied, her eyes narrowing. “That is the difference between us.

Tall and lissome, Dr. Brooks moved with the assertive gait of an athlete. Even in shapeless scrubs, she had a willowy elegance about her. Despite the absence of any makeup that Langdon could see, her complexion appeared unusually smooth, the only blemish a tiny beauty mark just above her lips. Her eyes, though a gentle brown, seemed unusually penetrating, as if they had witnessed a profundity of experience rarely encountered by a person her age.

David Brooks’s The Social Animal. I recommend chapters 3 through 9, which give a far richer account than what I think about the subject.

Wait!” she called again. Luke pivoted on his heel. “What now?” “Look at these marks.” Portia pointed to a narrow stripe of depressions in the soil. “Why, they look like deer tracks.” Brooke rubbed his eyes. “Deer tracks, in a forest. Imagine.” “But we don’t know they belong to a deer! They could belong to him.” With a self-conscious hunch of her shoulders, she lowered her voice to a murmur. “You know, the werestag.” “Why are you whispering? Afraid the man-deer might overhear you?” Brooke gave a caustic laugh. “My dear Mrs. Yardley, your fancies grow more amusing by the moment. What on earth would lead you to believe these simple deer tracks are the marks of a vicious werestag?” “I am not your ‘dear Mrs. Yardley’. And how do you know these tracks do not belong to him?” In a clear expression of annoyance, Brooke held up his hands. “Very well. I give up.” “I don’t,” she replied, her eyes narrowing. “That is the difference between us.” Lifting her skirts, Portia made a quarter turn and stomped directly off into the woods. “Just

Ordinary” has to be one of the loneliest words in our vocabulary today. Who wants a bumper sticker that announces to the neighborhood, “My child is an ordinary student at Bubbling Brook Elementary”? Who wants to be that ordinary person who lives in an ordinary town, is a member of an ordinary church, and has ordinary friends and works an ordinary job? Our life has to count! We have to leave our mark, have a legacy, and make a difference. And all of this should be something that can be managed, measured, and maintained. We have to live up to our Facebook profile. It’s one of the newer versions of salvation by works.

Well, an evil person, like a serial killer for instance, can get a free pass to Heaven if they simply pray that Jesus will forgive their sins?” Brooks nodded. “That’s right.” “But then a law-abiding, kindhearted person never confesses their sins and goes to hell when they die, even though their sins are very minor in comparison,” Annie said. “Right again.” Annie shook her head. “That’s absurd.

There are no measurable dimensions to God’s mercy, Annie. He deeply loves every person he creates, and doesn’t want anyone to live apart from him.” “So, what you’re telling me is that anyone can be saved, but that salvation can only come from Jesus?” Brooks nodded. “Jesus said it himself in the Gospel of John. ‘I am the way and the truth and the life. No one comes to the Father except through me.

That’s why I hadn’t talked to you for a while. But man, did I miss hearing your sweet voice.” Sandy was surprised. Mark was never the type to talk about “missing” anything,

Over the past decade, everything has become politicized. Churches, universities, sports, food selection, movie awards shows, late-night comedy—they have all turned into political arenas. Except this was not politics as it is normally understood. Healthy societies produce the politics of distribution. How should the resources of the society be allocated? Unhappy societies produce the politics of recognition. Political movements these days are fueled largely by resentment, by a person or a group’s feelings that society does not respect or recognize them. The goal of political and media personalities is to produce episodes in which their side is emotionally validated and the other side is emotionally shamed. The person practicing the politics of recognition is not trying to formulate domestic policies or to address this or that social ill; he is trying to affirm his identity, to gain status and visibility, to find a way to admire himself. But, of course, the politics of recognition doesn’t actually give you community and connection. People join partisan tribes, but they are not in fact meeting together, serving one another, befriending one another. Politics doesn’t make you a better person; it’s about outer agitation, not inner formation. Politics doesn’t humanize. If you attempt to assuage your sadness, loneliness, or anomie through politics, it will do nothing more than land you in a world marked by a sadistic striving for domination. You may try to escape a world of isolation and moral meaninglessness, only to find yourself in the pulverizing destructiveness of the culture wars.

What if we could grasp the wisdom of a mockingbird, draw sustenance effortlessly from bees, or find solace in the murmurs of a brook?

As David Brooks put it in a New York Times op-ed, “Over the last half century, we’ve turned politics from a practical way to solve common problems into a cultural arena to display resentments.

Angle of Repose by Wallace Stegner; Some Horses: Essays by Thomas McGuane; Legends of the Fall by Jim Harrison; Lonesome Dove by Larry McMurtry; The Border Trilogy by Cormac McCarthy; The Wild Marsh: Four Seasons at Home in Montana by Rick Bass; The Solace of Open Spaces by Gretel Ehrlich; She Had Some Horses: Poems by Joy Harjo; The Meadow by James Galvin; The Whistling Season by Ivan Doig; The Last Stand: Custer, Sitting Bull, and the Battle of the Little Bighorn by Nathaniel Philbrick; The Cave Painters: Probing the Mysteries of the World’s First Artists by Gregory Curtis; From the Heart of the Crow Country: The Crow Indians’ Own Stories by Joseph Medicine Crow; The Basque History of the World: The Story of a Nation by Mark

But, of course, the politics of recognition doesn’t actually give you community and connection. People join partisan tribes, but they are not in fact meeting together, serving one another, befriending one another. Politics doesn’t make you a better person; it’s about outer agitation, not inner formation. Politics doesn’t humanize. If you attempt to assuage your sadness, loneliness, or anomie through politics, it will do nothing more than land you in a world marked by a sadistic striving for domination. You may try to escape a world of isolation and moral meaninglessness, only to find yourself in the pulverizing destructiveness of the culture wars.

the struggle to achieve integrity or endure despair. Integrity is the ability to come to terms with your life in the face of death. It’s a feeling of peace that you have used and are using your time well. You have a sense of accomplishment and acceptance. Despair, by contrast, is marked by a sense of regret. You didn’t lead your life as you believe you should have. Despair involves bitterness, ruminating over past mistakes, feeling unproductive.

Politics doesn’t humanize. If you attempt to assuage your sadness, loneliness, or anomie through politics, it will do nothing more than land you in a world marked by a sadistic striving for domination. You may try to escape a world of isolation and moral meaninglessness, only to find yourself in the pulverizing destructiveness of the culture wars.

And I also knew that Gavin had crossed the line from perceptive friend to possible stalker.

Laszlo Bock, Work Rules (New York: Grand Central Publishing, 2015) David Brooks, The Social Animal (New York: Random House, 2011) Arie de Geus, The Living Company (Boston, MA: Harvard Business Review Press, 2002) Angela Duckworth, Grit: The Power of Perseverance and Passion (New York: Scribner, 2016) Charles Duhigg, The Power of Habit: Why We Do What We Do in Life and Business (New York: Random House, 2012) Amy Edmondson, Teaming: How Organizations Learn, Innovate, and Compete in the Knowledge Economy (San Francisco: Jossey-Bass Pfeiffer, 2012) Adam Grant, Give and Take (New York: Viking, 2013) Richard Hackman, Leading Teams (Boston, MA: Harvard Business Review Press, 2002) Chip and Dan Heath, Switch: How to Change Things When Change is Hard (New York: Broadway Books, 2010) Sebastian Junger, Tribe: On Homecoming and Belonging (New York: HarperCollins, 2016) James Kerr, Legacy (London: Constable & Robinson, 2013) Patrick Lencioni, The Five Dysfunctions of a Team: A Leadership Fable (San Francisco: Jossey-Bass, 2002) Stanley McChrystal, Team of Teams: New Rules of Engagement for a Complex World (New York: Portfolio, 2015). Mark Pagel, Wired for Culture (New York: W. W. Norton & Company, 2012) Daniel Pink, Drive: The Surprising Truth About What Motivates Us (New York: Riverhead Books, 2009) Amanda Ripley, The Smartest Kids in the World: And How They Got That Way (New York: Simon & Schuster, 2013) Edgar H. Schein, Helping (Oakland, CA: Berrett-Koehler Publishers, 2009) Edgar H. Schein, Humble Inquiry (Oakland, CA: Berrett-Koehler Publishers, 2013) Peter M. Senge, The Fifth Discipline (New York: Doubleday Business, 1990) Michael Tomasello, Why We Cooperate (Cambridge, MA: MIT Press, 2009)

Another important set of new ideas for designing the bugs out of programs derives largely from Dijkstra,[3] and is built on a theoretical structure by B öhm and Jacopini.[4] Basically the approach is to design programs whose control structures consist only of loops defined by a statement such as DO WHILE, and conditional portions delineated into groups of statements marked with brackets and conditioned by an IF . . . THEN . . . ELSE. B öhm and Jacopini show these structures to be theoretically sufficient; Dijkstra argues that the alternative, unrestrained branching via GO TO, produces structures that lend themselves to logical errors. The basic notion is surely sound.

The people and institutions who leave a mark provide you with better things to love, a new field of knowledge or a new form of carpentry or auto repair, or a new vision of social change. Leadership, Peter Drucker wrote, “is lifting a person’s vision to higher sights, raising of a person’s performance to a higher standard, of building a personality beyond its normal limitations.

Why do I always have to be the hero?

No one pilots the Falcon but me and Chewie.

A book? All this for a book?

In his brilliant book The Road to Character, David Brooks makes a distinction between résumé virtues and eulogy virtues. Résumé virtues are the skills you need to make a living, and those are often the most celebrated virtues in our culture. But when it comes to making a life, eulogy virtues win the day. These are the virtues that get talked about at your funeral.

Daniel belayed back down as I got into position. His feet hit the ground with a thump, then he looked over at me. “Ready?” “Always.” Nicole did the countdown from the top. I started fast, reaching the halfway mark head and shoulders above him. But that’s when things got tricky, the holds and grips a little farther apart, and he had the advantage. By the three-quarter mark, he’d caught up. “Better kick it up a notch,” he said, as he drew alongside me. “I know you really want those extra holds.” “And I’m sure you really don’t want to make them. But don’t forget the second part. You win, you gotta kiss me. Might be better to stick with the holds.” He laughed and heaved up to the next grip, pulling away now. I grabbed another and found toeholds first, shooting a couple inches above him, the advantage lost a second later when his longer arms found the next grips as I was still getting leverage. I kept my face forward now, climbing in earnest for the first time since we’d started. A hiss and boo from below told me I was in the lead. Then a grunt from beside me. A sharp intake of breath and I knew he was pulling up. The crowd cheered. I looked up to see Brooke leaning over the side, ropes in hand, urging me on. Only three feet to go. I could see Daniel out of the corner of my eye, his chin level with my nose, just a scant inch advantage, but I knew it was enough and as soon as he grabbed that top ledge and heaved himself up-- A grunt. Daniel wobbled and the grip slid out of his hand. He dropped only a few inches, but by the time he’d recovered, I was pulling myself over the top. Brooke and Nicole were cheering. The others below called up good-natured boos. I took a breather as I hung off the ledge. I could hear Daniel panting beside me, but I didn’t look over. There was no way he’d lost his hold on that grip. He’d let go. Given me the win at the last second as he realized what was coming if he’d won. A kiss he didn’t want.

There were many people who left a mark at Incarnation, but I’ll pick out just one, a counselor and unit director named Wes Wubbenhorst. He was a big, athletic, goofy man-child. His conversation was all overflowing enthusiasm, interspersed with whistles, pops, weird exclamations, sudden laughter, and good cheer. He was always interrupting himself mid-sentence as another thing that delighted him sprang into consciousness. He lived to be over sixty and walked through the darkest parts of the world, but I don’t think he ever learned to talk in that serious way adults do. Some piece of him always remained a Holy Child. I’ve come to recognize people who were formed by a camp, and they often had what Wes had: bubbling enthusiasm, a radiance, a wardrobe mostly of old sneakers, tattered shorts, and ripped T-shirts. Wes later became an Episcopal priest. He ministered to the poor in Honduras, comforted victims of domestic violence. His God was a God of love, and his life at camp was training for his mission of selfless love. He was, as the saying goes, a man for others: enthusiastically waking you up in the morning and singing you to bed each night, the best passer on the basketball court I’ve ever encountered. When someone did something extraordinarily stupid, he would just smile and sigh in wonder at the wackiness of life.

Apparently someone spotted it inside the game area near the table hockey - is that a goldfish? Mark held up his plastic bag. Inside it, a small orange fish swam around in a circle. "This is the best patrol we've ever done," he said. "I've never been awarded a fish before." Emma sighed inwardly. Mark had spent the past few years of his life with the Wild Hunt, the most anarchic and feral of all faeries. They rose across the sky on all manner of enchanted beings - motorcycles, horses, deer, massive snarling dogs - and scavenged battlefields, taking valuables from the bodies of the dead and giving them in tribute to the Faerie Courts. He was adjusting well to being back among his Shadowhunter family, but there were still times when ordinary life seemed to take him by surprise. HE noticed now that everyone was looking at him with raised eyebrows. He looked alarmed and placed a tentative arm around Emma's shoulders, holding the bag in the other hand. "I have won for you a fish, my fair one," he said, and kissed her on the cheek. It was a sweet kiss, gentle and soft, and Mark smelled like he always did: like cold outside air and green growing things. And it made absolute sense, Emma thought, for Mark to assume that everyone was startled because they were waiting for him to give her his prize. She was, after all, his girlfriend. She exchanged a worried glance with Cristina, whose dark eyes had gotten very large. Julian looked as if he were about to throw up blood. It was only a brief look before he schooled his features back into indifference, but Emma drew away from Mark, smiling at him apologetically. "I couldn't keep a fish alive," she said. "I kill plants just by looking at them." "I suspect I would have the same problem," Mark said, eyeing the fish. "It is too bad - I was going to name it Magnus, because it has sparkly scales." At that, Christina giggled. Magnus Bane was the High Warlock of Brookly, and he had a penchant for glitter. "I suppose I had better let him go free," Mark said. Before anyone could say anything, he made his way to the railing of the pier and emptied the bag, fish and all, into the sea. "Does anyone want to tell him that goldfish are freshwater fish and can't survive in the ocean?" said Julian quietly. "Not really," said Christina. "Did he just kill Magnus?" Emma asked, but before Julian could answer, Mark whirled around.

It has often been said that atheism, in that negative aspect, places a question mark upon our problems.... If atheism places a question mark upon the problem of the universe, it does so in a constructive manner; for that mark points to the direction in which a logical solution may be possible. Such is the mental attitude of the scientist. He places an interrogation point upon his problems and that mark is the impetus, the mental stimulus, that leads him on to take infinite pains in his labors and, as time passes, each question mark is replaced by knowledge; it is knowledge and knowledge alone, reason not faith, that furnishes the period.

RECOMMENDED READING Brooks, David. The Road to Character. New York: Random House, 2015. Brown, Peter C., Henry L. Roediger III, and Mark A. McDaniel. Make It Stick: The Science of Successful Learning. Cambridge, MA: Belknap Press, 2014. Damon, William. The Path to Purpose: How Young People Find Their Calling in Life. New York: Free Press, 2009. Deci, Edward L. with Richard Flaste. Why We Do What We Do: Understanding Self-Motivation. New York: Penguin Group, 1995. Duhigg, Charles. The Power of Habit: Why We Do What We Do in Life and Business. New York: Random House, 2012. Dweck, Carol. Mindset: The New Psychology of Success. New York: Random House, 2006. Emmons, Robert A. Thanks!: How the New Science of Gratitude Can Make You Happier. New York: Houghton Mifflin Harcourt, 2007. Ericsson, Anders and Robert Pool. Peak: Secrets from the New Science of Expertise. New York: Houghton Mifflin Harcourt, 2016. Heckman, James J., John Eric Humphries, and Tim Kautz (eds.). The Myth of Achievement Tests: The GED and the Role of Character in American Life. Chicago: University of Chicago Press, 2014. Kaufman, Scott Barry and Carolyn Gregoire. Wired to Create: Unraveling the Mysteries of the Creative Mind. New York: Perigee, 2015. Lewis, Sarah. The Rise: Creativity, the Gift of Failure, and the Search for Mastery. New York: Simon and Schuster, 2014. Matthews, Michael D. Head Strong: How Psychology is Revolutionizing War. New York: Oxford University Press, 2013. McMahon, Darrin M. Divine Fury: A History of Genius. New York: Basic Books, 2013. Mischel, Walter. The Marshmallow Test: Mastering Self-Control. New York: Little, Brown, 2014. Oettingen, Gabriele. Rethinking Positive Thinking: Inside the New Science of Motivation. New York: Penguin Group, 2014. Pink, Daniel H. Drive: The Surprising Truth About What Motivates Us. New York: Riverhead Books, 2009. Renninger, K. Ann and Suzanne E. Hidi. The Power of Interest for Motivation and Engagement. New York: Routledge, 2015. Seligman, Martin E. P. Learned Optimism: How To Change Your Mind and Your Life. New York: Alfred A. Knopf, 1991. Steinberg, Laurence. Age of Opportunity: Lessons from the New Science of Adolescence. New York: Houghton Mifflin Harcourt, 2014. Tetlock, Philip E. and Dan Gardner. Superforecasting: The Art and Science of Prediction. New York: Crown, 2015. Tough, Paul. How Children Succeed: Grit, Curiosity, and the Hidden Power of Character. New York: Houghton Mifflin Harcourt, 2012. Willingham, Daniel T. Why Don’t Students Like School: A Cognitive Scientist Answers Questions About How the Mind Works and What It Means for the Classroom. San Francisco: Jossey-Bass, 2009.

No, wedded bliss demands a different kind of love. One that brooks no dispute. One that will not turn at a whim. A love that is a self-evident truth you cannot ignore whatever your head—and others—might tell you. In such cases, a marriage may succeed. It must succeed. True love begets happiness. And such a love I know to exist between the two of you.

The small cardboard sign said Spider ?-2011 in her best writing. Millie ran her fingers over the line in between the question mark and Spider's death-year. Back and forth, back and forth. It was strange, she thought, that this line - this long, straight line - was all there was to show of his whole life.

A patrol car was facing them as they turned into Madras Place, the reflective elements of its Met Police livery appearing to twinkle in greeting as the C-Max’s headlights played across the bodywork. Brook pulled over to the kerb and rolled to a halt in front of it. To his right, a low wall marked the edge of the church grounds beyond.

Quell, I’m fine. It isn’t anyone’s job but mine to keep me safe.” And if I said it a million times, with a bullhorn, had it skywritten, it wouldn’t have mattered to Quell. The pack, in his opinion, was to keep me safe. If I got a splinter, he would attribute it to their negligence. He