Casting Forward Book Quotes

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Cast light to all you would touch.
Jessica Edouard (Send Sunshine: Dreams of Light & Laughter (Fall Forward Book 3))
This book is a love letter. I want you to look past the carnage and pain, my talk of trauma and its aftermath. Listen, pain is inevitable. You may be hurting right now, maybe you’re dealing with some pain from your past. Know this, pain, both physical and emotional, is unavoidable in life. But you are alive right now, here reading this, and you have the chance to move forward. Stay alive.
Daniel Geraghty (Cast Away Stones: An Eyewitness Account of 9/11 and Memoir of a Survivor, Soldier, Citizen)
He wouldn’t let himself be imprisoned by fear; fear of failing, fear of rejection. That was no way to live; frozen in place, unable to move forward or backward. He would choose instead to step out in faith and rely on the One whose love had the power to cast out his fears – even the darkest of them.
Onyih Odunze (Who Are You? (MOTS Series Collection Book 1))
I want to be clear that when I used terms such as “pretense” and “intellectual dishonesty” when we first met, I wasn’t casting judgment on you personally. Simply living with the moderate’s dilemma may be the only way forward, because the alternative would be to radically edit these books. I’m not such an idealist as to imagine that will happen. We can’t say, “Listen, you barbarians: These holy books of yours are filled with murderous nonsense. In the interests of getting you to behave like civilized human beings, we’re going to redact them and give you back something that reads like Kahlil Gibran. There you go … Don’t you feel better now that you no longer hate homosexuals?” However, that’s really what one should be able to do in any intellectual tradition in the twenty-first century. Again, this problem confronts religious moderates everywhere, but it’s an excruciating problem for Muslims.
Sam Harris (Islam and the Future of Tolerance: A Dialogue)
So when you say that no religion is intrinsically peaceful or warlike, and that every scripture must be interpreted, I think you run into problems, because many of these texts aren’t all that elastic. They aren’t susceptible to just any interpretation, and they commit their adherents to specific beliefs and practices. You can’t say, for instance, that Islam recommends eating bacon and drinking alcohol. And even if you could find some way of reading the Qur’an that would permit those things, you can’t say that its central message is that a devout Muslim should consume as much bacon and alcohol as humanly possible. Nor can one say that the central message of Islam is pacifism. (However, one can say that about Jainism. All religions are not the same.) One simply cannot say that the central message of the Qur’an is respect for women as the moral and political equals of men. To the contrary, one can say that under Islam, the central message is that women are second-class citizens and the property of the men in their lives. I want to be clear that when I used terms such as “pretense” and “intellectual dishonesty” when we first met, I wasn’t casting judgment on you personally. Simply living with the moderate’s dilemma may be the only way forward, because the alternative would be to radically edit these books. I’m not such an idealist as to imagine that will happen.
Sam Harris (Islam and the Future of Tolerance: A Dialogue)
Dawn was casting spun-gold threads across a rosy sky over Sawubona Game Reserve as Martine Allen took a last look around to ensure there weren’t any witnesses, leaned forward like a jockey on the track, wound her fingers through a tangle of silver mane, and cried, ‘Go, Jemmy, go!’ The white giraffe sprang forward so suddenly that she was almost unseated, but she recovered and, wrapping her arms around his neck, quickly adjusted to the familiar rhythm of Jemmy’s rocking-horse stride.
Lauren St. John (The White Giraffe Series: The Last Leopard: Book 4)
Writers allow us to see ourselves more clearly, they express spiritual signposts that assist us find ourselves. Writers’ self-revelations allow us to grasp personal reflections that remain unrealized and indistinct within ourselves. Nuggets of personal perception remain veiled, until we read carefully chosen words sharing the author’s crystallized perceptions. Provocative authors resolutely tap into that robust vein of common yearning and assiduously engineer their way through humankind’s rampant library of collective neurosis. Reading a master’s scintillating prose allows our own inchoate thoughts to shape up under the splendid beam of sunlight that they cast onto pages bearing their soul’s freshly minted words. Their astutely crafted pages conveying everlasting imagery immunizes their work from the harshness of time’s relentless march forward.
Kilroy J. Oldster (Dead Toad Scrolls)
Although Daisy was the mildest-tempered of all the Bowmans, she was by no means a coward. And she would not accept defeat without a fight. “You’re forcing me to take desperate measures,” she said. His reply was very soft. “There’s nothing you can do.” He had left her no choice. Daisy turned the key in the lock and carefully withdrew it. The decisive click was abnormally loud in the silence of the room. Calmly Daisy tugged the top edge of her bodice away from her chest. She held the key above the narrow gap. Matthew’s eyes widened as he understood what she intended. “You wouldn’t.” As he started around the dresser, Daisy dropped the key into her bodice, making certain it slipped beneath her corset. She sucked in her stomach and midriff until she felt the cold metal slide to her navel. “Damn it!” Matthew reached her with startling speed. He reached out to touch her, then jerked his hands back as if he had just encountered open flame. “Take it out,” he commanded, his face dark with outrage. “I can’t.” “I mean it, Daisy!” “It’s fallen too far down. I’ll have to take my dress off.” It was obvious he wanted to kill her. But she could also feel the force of his longing. His lungs were working like bellows, and scorching heat radiated from his body. His whisper contained the ferocity of a roar. “Don’t do this to me.” Daisy waited patiently. The next move was his. He turned his back to her, the seams of his coat straining over bunched muscles. His fists clenched as he struggled to master himself. He took a shuddering breath, and another, and when he spoke his voice sounded thick, as if he had just awakened from a heavy sleep. “Take off your gown.” Trying not to antagonize him any more than was necessary, Daisy replied in an apologetic tone. “I can’t do it by myself. It buttons up the back.” Matthew said something in a muffled voice that sounded very foul. After an eternity of silence he turned to face her. His jaw could have been cast in iron. “I’m not going to fall apart that easily. I can resist you, Daisy. I’ve had years of practice. Turn around.” Daisy obeyed. As she bent her head forward, she could actually feel his gaze travel over the endless row of pearl buttons. “How do you ever get undressed?” he muttered. “I’ve never seen so many blasted buttons on one garment.” “It’s fashionable.” “It’s ridiculous.” “You can send a letter of protest to Godey’s Lady’s Book,” she suggested. Giving a scornful snort, Matthew began on the top button. He tried to unfasten it while avoiding contact with her body. “It helps if you slide your fingers beneath the placket,” Daisy said. “And then you can pop the button through the—” “Quiet,” he snapped. She closed her mouth.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
It may be conjectured that a soul in which the type of 'free spirit' can attain maturity and completeness had its decisive and deciding event in the form of a great emancipation or unbinding, and that prior to that event it seemed only the more firmly and forever chained to its place and pillar. What binds strongest? What cords seem almost unbreakable? In the case of mortals of a choice and lofty nature they will be those of duty: that reverence, which in youth is most typical, that timidity and tenderness in the presence of the traditionally honored and the worthy, that gratitude to the soil from which we sprung, for the hand that guided us, for the relic before which we were taught to pray — their sublimest moments will themselves bind these souls most strongly. The great liberation comes suddenly to such prisoners, like an earthquake: the young soul is all at once shaken, torn apart, cast forth — it comprehends not itself what is taking place. An involuntary onward impulse rules them with the mastery of command; a will, a wish are developed to go forward, anywhere, at any price; a strong, dangerous curiosity regarding an undiscovered world flames and flashes in all their being. 'Better to die than live here'— so sounds the tempting voice: and this 'here,' this 'at home' constitutes all they have hitherto loved. A sudden dread and distrust of that which they loved, a flash of contempt for that which is called their 'duty,' a mutinous, wilful, volcanic-like longing for a far away journey, strange scenes and people, annihilation, petrifaction, a hatred surmounting love, perhaps a sacrilegious impulse and look backwards, to where they so long prayed and loved, perhaps a flush of shame for what they did and at the same time an exultation at having done it, an inner, intoxicating, delightful tremor in which is betrayed the sense of victory—
Friedrich Nietzsche (Human, All Too Human: A Book for Free Spirits)
How has Mark’s fear about what happened to him during college governed his life? How will the events of the book change the way he lives going forward, if at all? Why do you think Nancy kept Pupkin? Do you think she understood the danger he posed to her children? Do you think even understanding that danger would have made her give up her last link to her brother? Did you see the twist about Freddie coming? Haunted house novels and movies often revolve around family issues (family secrets, family curses, family dysfunction). Do you think that’s the case here? And can you think of any books and movies about hauntings where that’s not the case? Which actors would you cast in a tv show or movie based on the book?
Grady Hendrix (How to Sell a Haunted House)
This year Britain has become our last stronghold. A fortress defended with small aircraft flown by these strange, unknown young men.’ His glance flicked over Andrew and Bryan. ‘But are they unknown? Look at them and you will realise you do know them. They are our sons, our nephews, friends of our sons and daughters. Each a vibrant spark of God’s beloved humanity. All of them welcome in our houses and at our tables. ‘Cast your mind back a few short years. We watched them in those summer days when our stronghold was nothing but their playground. They picnicked on the village greens amongst the sweet bird-chatter. They laughed and played on the beaches, kicking the water with bare toes. And later they watched and then loved the young girls dressed in coloured frocks like the most wonderful of God’s flowers. ‘Now the flowers have faded to khaki and the bird-chatter is stilled under the clattering machines of war. These young men have stepped forward, separated in their blue, to become the winged warriors at the end of the trails that track the vaults above our heads. ‘George has gone, but he is not so far away that he cannot still see England’s face. The woods he played in, the fields he crossed, the town where he grew up and the prettiest flowers that remain unpicked. ‘He has flown on English air to a new world. But he can still see the world he knew just a few days past. And, in our hearts, we may yet see his frozen trail looped white across the heavens. For the air was his kingdom and he was a shield for those who lived under his wings. ‘His brief life has been given up as a ransom, that we might one day be free again. He has given up the richness of days not yet lived, the chance to hear his child’s voice and the solace of true love to ease his years of frailty. All this lost in a moment of willing sacrifice. ‘No thanks we may give him can weigh sufficiently against what he gave. But the clouds in our English skies can entwine with our eternal remembrance and together we may bind a wreath of honour that is worthy for his grave.’ ◆◆◆
Melvyn Fickling (Bluebirds: A Battle of Britain Novel (The Bluebird Series Book 1))
I cursed, raising my hand and hating myself as I cast ice across her arms and hands, a freezing, biting cold cutting into her. Pain flared in her eyes and Orion shot forward with the book, taking her hand and pressing it to the page. I watched in agony as the seconds ticked by, but suddenly the text unmasked itself, visible to us all.
Caroline Peckham (Warrior Fae (Ruthless Boys of the Zodiac, #5))
Ron and R.J. cast two fat actors for characters not originally specified as fat in the books,” Ivarsson explains. “That never happens, and the showrunners deserve an enormous amount of credit for their decision. It’s a real step forward for body diversity in Hollywood. I’m especially delighted because fat acceptance is a passion of mine, as followers of my social media accounts can attest.
Olivia Dade (Ship Wrecked (Spoiler Alert, #3))
Tis to rebuke a vicious taste, which has crept into thousands besides herself, — of reading straight forwards, more in quest of the adventures, than of the deep erudition and knowledge which a book of this cast, if read over as it should be, would infallibly impart with them — The mind should be accustomed to make wise reflections, and draw curious conclusions as it goes along;
Anonymous
Luca leans forward, propping his elbows on the bar table, and I think he’s going to ask me something, maybe what some particularly nonsensical Coldplay lyrics mean: but instead he starts to speak in Italian, so smoothly, the words so soft and liquid, that I swiftly realize he’s quoting some lyrics. The words flow over me, winding around me like velvet: “‘Ci sono trenta modi per salvare il mondo, ma uno solo perche il mondo salvi me--che io voglia star con te, e tu voglia star con me.’” I gaze at him, and now I do feel hypnotized. I have no idea what he’s saying--he could be reading the phone book in Italian and I’d stare at him across the little bar table, unable to take my eyes from him. “That is from a song by Jovanotti. Shall I translate for you?” he asks gently. All at once, I panic. What if the words are so lovely I can’t bear them? It’s as if he’s casting a spell over me, and I need to break free before it settles so tightly around me that I’m completely in his power.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
When I went into the attic to find the veil for Rose, I discovered this painting,” she began. “This is your great-grandfather, the third Earl of Ashton.” He wasn’t certain what to make of it, but then the weight of her words struck him. She’d said it was his great-grandfather. “He had green eyes,” Moira whispered. “You can see it for yourself.” Iain accepted the portrait, and when he took a closer look at the man, his blood ran cold. It was like looking into a mirror. There was no doubt at all that he was a blood relation to this man. He set down the portrait, and the hair stood up on his arms. Moira spoke first. “You have to understand how broken I was after I was violated by a man who was not my husband. And because Aidan sought revenge, he died. I found myself with a living reminder of that night.” Tears rolled down her cheeks. “Every time I looked at you, I could only think of the violence. I couldn’t see that you were a gift that Aidan left to me, so I wouldn’t be alone.” Moira turned away, her shoulders slumped forward. He couldn’t answer her, though he knew what she was saying. She finished with, “There is nothing I can say to undo the years I mistreated you. I neglected the only son remaining to me. The last piece of my husband, because I was too blind to see the truth.” For a time, he was frozen, not knowing how to respond. He was the Earl of Ashton in truth. By blood and by birthright. “I will leave, if you ask it of me,” she whispered. “I deserve to be cast out for what I did.” A part of him wanted to lash out at her, for the years she’d made him feel like a shadow worth nothing at all. But what good would it do? She had aged into a fragile shell of a woman who had based her life upon misery and bitterness. He had Rose now, the woman he loved more than life itself. He had brought her here to help him rebuild Ashton . . . but perhaps she could help him rebuild more than the estate. With a heavy sigh, he placed his hand upon his mother’s shoulder. “Will you walk with me when I meet my bride?” Moira took his hand and pressed it to her forehead. Against his fingers, he felt the wetness of her tears. “I will, yes. Thank you.” It would take time to let go of the past. But it would begin with a single step.
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
Red Sister "We’re Giljohn’s children. The thought rolled across the smoothness of her mind as the Ancestor’s song grew louder. Sisters of the cage." Hessa had not feared dying. But Nona feared living without her. “The truth is a weapon and lies are a necessary shield.” "All the world and more has rushed eternity’s length to reach this beat of your heart, screaming down the years. And if you let it, the universe, without drawing breath, will press itself through this fractured second and race to the next, on into a new eternity. Everything that is, the echoes of everything that ever was, the roots of all that will ever be, must pass through this moment that you own. Your only task is to give it pause—to make it notice." "His older two were long grown, and little Sali would always be five." "It’s harder to forgive someone else your own sins than those uniquely theirs." “Those that burn short burn bright. The shortest lives can cast the longest shadows.” "The new picture didn’t erase the old—the bump was still a hole, but now it was a bump as well; the old lady was still a young one, but now she was old too. Clera was still her friend, and now an enemy also." “People always want to know things . . . until they hear them, and then it’s too late. Knowledge is a rug of a certain size, and the world is larger. It’s not what remains uncovered at the edges that should worry you, rather what is swept beneath.” Kettle sat with her head back against the bark, her face white as death, a tear running from the corner of her eye. “I can always reach her. A thousand miles wouldn’t matter.” She raised an arm, unsteady, and beneath it a shadow blacker than the night stretched out, reaching for infinity, as if the sun had fallen behind her. “It’s done. She knows I need her. She knows the direction.” “You swear it?” “I swear it.” “By the Ancestor?” “By the Ancestor.” The faintest echo of that grin. “And by the Hope, and the Missing Gods who echo in the tunnels, and by the gods too small for names who dance in buttercups and fall with the rain. Now go. For the love of all that’s holy, go. You wear me out, Nona. And I’ve got to concentrate on being alive. It would break her heart to get here and find me dead.” She drew a shallow breath. “They’re both in that direction. If you take it until you find some sort of trail there’s a good chance you’ll find Ara and the others on it. Try to travel with Ara and Zole. Tarkax may be able to protect you if the Noi-Guin track you from here.” Another shallow breath, snatched in over her pain. “Go! Now!” Nona came forward. She set her canteen in Kettle’s lap and kissed her icy forehead. Then she ran.
Mark Lawrence (Red Sister (Book of the Ancestor, #1))
Inventions cast moral shadows, she well knew, better than most, in fact. But... could simple convenience prove so perniciously evil? The action of doing things, laborious things, repetitive things, such actions invited ritual, and with ritual came meaning that expanded beyond the accomplishment of the deed itself. From such ritual self-identity emerged, and with it self-worth. Even so, to make life easier must possess some inherent value, mustn't it? Easier. Nothing earned, the language of recompense fading away until as lost as that ancient tribe's cherished tongue. Worth dimished, value transformed into arbitrariness, oh gods below, and I was so bold as to speak of freedom! She kicked her horse forward until she came alongside the Toblakai. "But is that all? Karsa Orlong! I ask you, is that all?" "Among my people," he said after a moment, "the day is filled, as is the night." "With what? Weaving baskets, trapping fish, sharpening swords, training horses, cooking, eating, sewing, fucking—" "Telling stories, mocking fools who do and say foolish things, yes, all that. You must have visited there, then?" "I have not." A faint smile, then gone. "There are things to do. And, always, witch, ways of cheating them. But no-one truly in their lives is naïve." "Truly in their lives?" "Exulting in the moment, witch, does not require wild dancing." "And so, without those rituals..." "The young warriors go looking for war.
Steven Erikson (The Bonehunters (Malazan Book of the Fallen, #6))
23 And it came to pass after they had fasted and prayed for the space of two days and two nights, the limbs of Alma received their strength, and he stood up and began to speak unto them, bidding them to be of good comfort: 24 For, said he, I have repented of my sins, and have been redeemed of the Lord; behold I am born of the Spirit. 25 And the Lord said unto me: Marvel not that all mankind, yea, men and women, all nations, kindreds, tongues and people, must be born again; yea, born of God, changed from their carnal and fallen state, to a state of righteousness, being redeemed of God, becoming his sons and daughters; 26 And thus they become new creatures; and unless they do this, they can in nowise inherit the kingdom of God. 27 I say unto you, unless this be the case, they must be cast off; and this I know, because I was like to be cast off. 28 Nevertheless, after wading through much tribulation, repenting nigh unto death, the Lord in mercy hath seen fit to snatch me out of an everlasting burning, and I am born of God. 29 My soul hath been redeemed from the gall of bitterness and bonds of iniquity. I was in the darkest abyss; but now I behold the marvelous light of God. My soul was racked with eternal torment; but I am snatched, and my soul is pained no more. 30 I rejected my Redeemer, and denied that which had been spoken of by our fathers; but now that they may foresee that he will come, and that he remembereth every creature of his creating, he will make himself manifest unto all. 31 Yea, every knee shall bow, and every tongue confess before him. Yea, even at the last day, when all men shall stand to be judged of him, then shall they confess that he is God; then shall they confess, who live without God in the world, that the judgment of an everlasting punishment is just upon them; and they shall quake, and tremble, and shrink beneath the glance of his all-searching eye. 32 And now it came to pass that Alma began from this time forward to teach the people, and those who were with Alma at the time the angel appeared unto them, traveling round about through all the land, publishing to all the people the things which they had heard and seen, and preaching the word of God in much tribulation, being greatly persecuted by those who were unbelievers, being smitten by many of them. 33 But notwithstanding all this, they did impart much consolation to the church, confirming their faith, and exhorting them with long-suffering and much travail to keep the commandments of God. 34 And four of them were the sons of Mosiah; and their names were Ammon, and Aaron, and Omner, and Himni; these were the names of the sons of Mosiah. 35 And they traveled throughout all the land of Zarahemla, and among all the people who were under the reign of king Mosiah, zealously striving to repair all the injuries which they had done to the church, confessing all their sins, and publishing all the things which they had seen, and explaining the prophecies and the scriptures to all who desired to hear them. 36 And thus they were instruments in the hands of God in bringing many to the knowledge of the truth, yea, to the knowledge of their Redeemer. 37 And how blessed are they! For they did publish peace; they did publish good tidings of good; and they did declare unto the people that the Lord reigneth. Mosiah Chapter 28 The sons of Mosiah go to preach to the Lamanites—Using the two seer stones, Mosiah translates the Jaredite plates.
Joseph Smith Jr. (The Book of Mormon)
Most of us look forward to the day when our identity hardens, like a cast protecting against life's dings. When we're younger, we yearn for the moment when we'll be fully formed and have life figured out. Maybe it's when we find love, or have kids, or write that book, or retire. And then we get older and realize that moment never happens. You're never done figuring it out, but hopefully you're better equipped to tolerate not knowing.
Marisa G. Franco (Platonic: How the Science of Attachment Can Help You Make—and Keep—Friends)
Rouse thee, O believer, from thy low condition! Cast away thy sloth, thy lethargy, thy coldness, or whatever interferes with thy chaste and pure love to Christ, thy soul's Husband. Make him the source, the centre, and the circumference of all thy soul's range of delight. What enchants thee into such folly as to remain in a pit when thou mayst sit on a throne? Live not in the lowlands of bondage now that mountain liberty is conferred upon thee. Rest no longer satisfied with thy dwarfish attainments, but press forward to things more sublime and heavenly. Aspire to a higher, a nobler, a fuller life. Upward to heaven! Nearer to God!
Charles Haddon Spurgeon (Christian Classics: Six books by Charles Spurgeon in a single collection, with active table of contents)
Were it not the case that life stretches out in a straight line, she might at some point become aware of having rounded a bend. Bringing, perhaps, the realisation that nothing of that past could now be glimpsed were she to cast a quick glance over her shoulder. This road might be covered not with snow or frost but with the soft tenacity of pale green spring grasses. A white butterfly stuttering forwards might snatch at her gaze, tug her a few paces further in the wake of those wingbeats, like a soul's fretful palpitations. She might become aware only then of the surrounding trees, their slow reanimation as though in thrall to something, giving off a strange stifling scent, flaring up into a still more lush proliferation, into thin air, towards the light
Han Kang (The White Book)
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Peter (120 Easy Sudoku for Beginners Vol 8: Challenge Sudoku Puzzle Book)
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