“
Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist-a master-and that is what Auguste Rodin was-can look at an old woman, protray her exactly as she is...and force the viewer to see the pretty girl she used to be...and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body. He can make you feel the quiet, endless tragedy that there was never a girl born who ever grew older than eighteen in her heart...no matter what the merciless hours have done to her. Look at her, Ben. Growing old doesn't matter to you and me; we were never meant to be admired-but it does to them.
”
”
Robert A. Heinlein
“
She's sensitive, too. Takes to hurt the way water takes to paper.
”
”
Junot Díaz (This Is How You Lose Her)
“
Tish is sensitive, and that is her superpower. The opposite of sensitive is not brave. It’s not brave to refuse to pay attention, to refuse to notice, to refuse to feel and know and imagine. The opposite of sensitive is insensitive, and that’s no badge of honor.
”
”
Glennon Doyle (Untamed)
“
What's your name?" he asked above the roar of the music.
She leaned close. "My name is Wind," she whispered. "And Rain. And Bone and Dust. My name is a snippet of a half-remembered song."
He chuckled a low, delightful sound. She was drunk and silly, and so full of the glory of being young and alive and in the capital of the world that she could hardly contain herself.
"I have no name," she purred. "I am whoever the keepers of my fate tell me to be."
He grasped her by her wrist, running a thumb along the sensitive sknin underneath. "Then let me call you Mine for a dance or two.
”
”
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
“
A virtuos woman is not moved by big names and flamboyance, but only men of profound wisdom and integrity move her.
”
”
Michael Bassey Johnson
“
I will be very careful the next time I fall in love, she told herself. Also, she had made a promise to herself that she intended on keeping. She was never going to go out with another writer: no matter how charming, sensitive, inventive or fun they could be. They weren't worth it in the long run. They were emotionally too expensive and the upkeep was complicated. They were like having a vacuum cleaner around the house that broke all the time and only Einstein could fix it. She wanted her next lover to be a broom.
”
”
Richard Brautigan (Sombrero Fallout (Arena Books))
“
When she does not find love, she may find poetry. Because she does not act, she observes, she feels, she records; a color, a smile awakens profound echoes within her; her destiny is outside her, scattered in cities already built, on the faces of men already marked by life, she makes contact, she relishes with passion and yet in a manner more detached, more free, than that of a young man. Being poorly integrated in the universe of humanity and hardly able to adapt herself therein, she, like the child, is able to see it objectively; instead of being interested solely in her grasp on things, she looks for their significance; she catches their special outlines, their unexpected metamorphoses. She rarely feels a bold creativeness, and usually she lacks the technique of self-expression; but in her conversation, her letters, her literary essays, her sketches, she manifests an original sensitivity. The young girl throws herself into things with ardor, because she is not yet deprived of her transcendence; and the fact that she accomplishes nothing, that she is nothing, will make her impulses only the more passionate. Empty and unlimited, she seeks from within her nothingness to attain All.
”
”
Simone de Beauvoir (The Second Sex)
“
Before I moved here, I never got the whole love-triangle thing. You know, in movies or romance novels or whatnot, where there’s one chick that all the guys are drooling over, even though you can’t see anything particularly special about her. But oh, no, they both must have her. And she’s like, oh dear, however will I choose? William is so sensitive, he understands me, he swept me off my feet, oh misery, blubber, blubber, but how can I go on living without Rafe and his devil-may-care ways and his dark and only-a-little-abusive love? Upchuck.
”
”
Cynthia Hand (Hallowed (Unearthly, #2))
“
Love may, indeed, love the beloved when her beauty is lost: but not because it is lost. Love may forgive all infirmities and love still in spite of them: but Love cannot cease to will their removal. Love is more sensitive than hatred itself to every blemish in the beloved… Of all powers he forgives most, but he condones least: he is pleased with little, but demands all.
”
”
C.S. Lewis (The Problem of Pain)
“
Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist--a master--and that is what Auguste Rodin was--can look at an old woman, portray her exactly as she is . . . and force the viewer to see the pretty girl she used to be . . . and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body.
”
”
Robert A. Heinlein (Stranger in a Strange Land)
“
Noa had been a sensitive child who had believed that if he followed all the rules and was the best, then somehow, the hostile world would change its mind. His death may have been her fault for having allowed him to believe such cruel ideals.
”
”
Min Jin Lee (Pachinko)
“
She looked much younger than her age, indeed, which is almost always the case with women who retain serenity of spirit, sensitiveness and pure sincere warmth of heart to old age.
”
”
Fyodor Dostoevsky (Crime and Punishment)
“
She was too quiet, or she was too loud. She took things too seriously, or not seriously at all. She was too sensitive, or too cold-hearted. She hated with every fiber of her being, or loved with all her heart. There was no in-between for her. It was either all or nothing. She wanted everything, but in the end, she settled for nothing.
”
”
Stacey T. Hunt (Game of Nightmares)
“
She surveyed him for a long moment, her brows knitting together. "Murder?"
His grin grew. "Thank you, but no. I started a riot on t he yard." He adjusted his collar, before adding, "We were protesting the soap."
Her confusion grew, and Thorne noticed that she was still in her defensive stance.
"The soap," he said again, wondering if she'd heard him. "It's too drying."
She said nothing.
"I have sensitive skin.
”
”
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
“
Just for future reference, don't use words like "love" anymore. It's a very sensitive word and it wears out quickly. Romeo barely says it, but John Hinckley filled up a whole journal with it. To put it into your terms, it's a currency that's easily devalued. Pretty soon you're saying it whenever you hang up the phone or whenever you leave. It turns into an apology. Then it's an excuse. Some assholes want it to be a bulletproof vest: don't hate me; I love you. But mostly it just means--more. More, more--give me something more. A couple of years from now, when you're on your own completely, if you really fall in love, if it really comes to that--and I pity you if it does--you have to look right down into the black of her eyes, right down into the emptiness in there and feel everything, absolutely everything she needs and you have to be willing to drown in it, Kevin. You'd have to want to be crushed, buried alive. Because that's what real love feels like--choking. They used to bury some women in their wedding dresses, you know. I thought it was because all those husbands were too cheap to spring for another gown, but now it makes sense: love is your first foot in the grave. That's why the second most abused word is "forever".
”
”
Peter Craig (Hot Plastic)
“
We all know that Beauty grows to love the Beast. She grows to love him, despite what her family might think ⎼ for his charm and education, his knowledge of art and his sensitive heart.
”
”
E. Lockhart (We Were Liars)
“
She had been defeated by herself alone, and the sadness of it left a dark shadow in her heart. It further sapped her confidence and left her ever more withdrawn, ever more capable of suppressing her feelings. Like her roughened hands, her sensitivity was slowly being hardened, and she drew relief from the numbness creeping through her.
”
”
Yo Yo (Ghost Tide)
“
Matthew had called her harmless. Harmless. And being with him made Frankie feel squashed into a box - a box where she was expected to be sweet and sensitive (but not oversensitive); a box for young and pretty girls who were not as bright or as powerful as their boyfriends. A box for people who were not forces to be reckoned with.
Frankie wanted to be a force.
”
”
E. Lockhart (The Disreputable History of Frankie Landau-Banks)
“
Oh diary, I love her, I love her, I love her so much. Jordana is the most amazing person I have ever met. I could eat her. I could drink her blood. She's the only person I would allow to be shrunk to microscopic size and explore me in a tiny submersible machine. She is wonderful and beautiful and sensitive and funny and sexy. She's too good for me, she's too good for anyone! All I could do was let her know. I said: "I love you more than words. And I am a big fan of words.
”
”
Joe Dunthorne (Submarine)
“
We are called at certain moments to comfort people who are enduring some trauma. Many of us don't know how to react in such situations, but others do. In the first place, they just show up. They provide a ministry of presence. Next, they don't compare. The sensitive person understands that each person's ordeal is unique and should not be compared to anyone else's. Next, they do the practical things--making lunch, dusting the room, washing the towels. Finally, they don't try to minimize what is going on. They don't attempt to reassure with false, saccharine sentiments. They don't say that the pain is all for the best. They don't search for silver linings. They do what wise souls do in the presence of tragedy and trauma. They practice a passive activism. They don't bustle about trying to solve something that cannot be solved. The sensitive person grants the sufferer the dignity of her own process. She lets the sufferer define the meaning of what is going on. She just sits simply through the nights of pain and darkness, being practical, human, simple, and direct.
”
”
David Brooks (The Road to Character)
“
And so, even though she was loving by nature, as time passed, she craved solitude more and more, due to the tortures of her sensitive heart.
”
”
John Mark Green (She Had a Very Inconvenient Heart: A Tale of Love and Magic)
“
He grasped her by the wrist , running a thumb along the sensitive skin underneath. "Then let me call you Mine for a dance or two"
She grinned but someone was suddenly between them, a tall, powerfully built person. Sam. He ripped the stranger's hand off of her wrist. "She's spoken for," he growled, all too close to the young man's maked face. The stranger's friend was behind him in an instant, his bronze eyes fixed on Sam.
Celaena grabbed Sam's elbow. "Enough," she warned him.
The masked stranger looked Sam up and down, then held up his hands. "My mistake," he said, but winked at Celaena before disappeared into the crowd, his armed friend close behind.
Celaena whirled to face Sam. "What in hell was that for?"
"You're drunk," he told her, so close her chest brushed his, "And he knew it, too."
"So?" Even as she said it, someone dancing wildly crashed into her and set her reeling. Sam caught her around the waist, his hands firm on her as he kept her from falling to the ground.
"You'll thank me in the morning."
"Just because we're working together doesn't mean I'm suddenly incapable of handling myself." His hands were still on her waist.
"Let me take you home.
”
”
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
“
For example, highly sensitive people tend to be keen observers who look before they leap. They arrange their lives in ways that limit surprises. They're often sensitive to sights, sounds, smells, pain, coffee. They have difficulty when being observed (at work, say, or performing at a music recital) or judged for general worthiness (dating, job interviews). But there are new insights. The highly sensitive tend to be philosophical or spiritual in their orientation, rather than materialistic or hedonistic. They dislike small talk. They often describe themselves as creative or intuitive (just as Aron's husband had described her). They dream vividly, and can often recall their dreams the next day. They love music, nature, art, physical beauty. They feel exceptionally strong emotions -- sometimes acute bouts of joy, but also sorrow, melancholy, and fear. Highly sensitive people also process information about their environments -- both physical and emotional -- unusually deeply. They tend to notice subtleties that others miss -- another person's shift in mood, say, or a lightbulb burning a touch too brightly.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
Should she stick with the nice, sensitive guy who treats her well (Ben Stiller), or should she roll the dice with the frustrating boho bozo who treats her like crap (Ethan Hawk)? Winona made the kind of romantic decision most people my age would have made in 1994: She pursued a path that was difficult and depressing, and she did so because it showed the slightest potential for transcendence.
”
”
Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
“
True love is jealousy in disguise: A man cannot restrict his lover from going to the club because he hates her, he actually hates the men who would come around and touch her.
”
”
Michael Bassey Johnson
“
Slowly, a gentle, quiet, personal victory of the spirit grows out of her fear and doubt.
”
”
Elaine N. Aron (The Highly Sensitive Person)
“
How I’d drag her to the depths of Hell but convince her she’d gone to Heaven, using my tongue to write wordless poetry on her sensitive, swollen flesh.
”
”
Sav R. Miller (Promises and Pomegranates (Monsters & Muses, #1))
“
Then I said, “Matt’s got a big mouth.”
“They all got big mouths, girl, learn that quick. These boys talk more than a pack of women. I lost fifty bucks on you.”
I was stunned speechless again, this time it didn’t last as long.
“What?”
“See, Lee nailed Indy the first night they were together. Not nailed her nailed her but she was in his bed. Eddie, with Jet, it took a few days. Hank and Roxie, like, a day. Vance, like three, but Jules was a virgin and he had to interrupt the festivities once to go out and shoot someone.”
I was blinking rapidly and feeling kind of faint at the amount and sensitivity of information Shirleen was imparting, not to mention what it might mean to me.
“So we had a pool. Everyone threw down money on when they thought Luke would nail you. Mace won five hundred dollars.”
Ho-ly crap.
“So,” she went on. “Did he nail you nail you or did you two just sleep?”
For some reason, I answered her unbelievably nosy question. “We just slept.”
“New pool!” she shouted.
”
”
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))
“
There weren't as many layers between her and the world as there were with the rest of us.
”
”
Renée Knight (Disclaimer)
“
Laura had brought her sensitive conscience into the country with her, just as she had brought her umbrella, though so far she had not remembered to use either.
”
”
Sylvia Townsend Warner (Lolly Willowes)
“
You have brought detection as near an exact science as it ever will be brought in this world.” My companion flushed up with pleasure at my words, and the earnest way in which I uttered them. I had already observed that he was as sensitive to flattery on the score of his art as any girl could be of her beauty.
”
”
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
“
There is no doubt that the princess did become a queen---not only on the screen. One of the most loved, one of the most skillful, one of the most intelligent, one of the most sensitive, charming actresses---and friends, in my life---but also in the later stages of her life, the UNICEF ambassador to the children of the world. The generosity, sensitivity, the nobility of her service to the children of the world and the mothers of the world will never be forgotten.
”
”
Gregory Peck
“
Lily had no real intimacy with nature but she had a passion for the appropriate and could be keenly sensitive to a scene which was the fitting background of her own sensations.
”
”
Edith Wharton (The House of Mirth)
“
She is not burdened with a sensitive heart. Hers just beats.
”
”
Caroline Kepnes (Hidden Bodies (You, #2))
“
Another thing is war. I am naturally warlike. Attacking is one of my instincts. Being able to be an enemy, being an enemy — these require a strong nature, perhaps; in any case every strong nature presupposes them. It needs resistances, so it seeks resistance: aggressive pathos is just as integrally necessary to strength as the feeling of revenge and reaction is to weakness. Woman, forinstance, is vengeful: that is a condition of her weakness, as is her sensitivity to other people’s afflictions. — The strength of anattacker can in a way be gauged by the opposition he requires; allgrowth makes itself manifest by searching out a more powerful opponent — or problem: for a philosopher who is warlike challenges problems to duels, too. The task is not to master all resistances, but only those against which one has to pit one’s entire strength, suppleness, and mastery-at-arms — opponents who are equal...
”
”
Friedrich Nietzsche (Ecce Homo)
“
During the fifteen minutes that followed, the proud and sensitive girl suffered a shame and pain which she never forgot. To others it might seem a ludicrous or trivial affair, but to her it was a hard experience, for during the twelve years of her life she had been governed by love alone
”
”
Louisa May Alcott (Little Women (Little Women, #1))
“
There, there, sweetin’,” he murmured into her hair.
“He loved me, he truly did,” she gasped.
“I know he did,” Michael said.
“And I loved him.”
“Mm-hmm.”
She raised her head, glaring angrily. “You don’t even believe in love. Why are you agreeing with me?”
He laughed.
“Because”—he leaned down and licked at the tears on her cheeks, his lips brushing softly against her sensitive skin as he spoke, “ye’ve bewitched and bespelled me, my sweet Silence, didn’t ye know? I’ll agree that the sky is pink, that the moon is made o’ marzipan and sugared raisins, and that mermaids swim the muddy waters o’ the Thames, if ye’ll only stop weepin’. Me chest breaks apart and gapes wide open when I see tears in yer pretty eyes. Me lungs, me liver, and me heart cannot stand to be thus exposed.”
She stopped breathing. She simply inhaled and stopped, looking at him in wonder. His lips were quirked in a mocking smile, but his eyes—his fathomless black eyes—seemed to hold a great pain as if his strong chest really had been split open.
”
”
Elizabeth Hoyt (Scandalous Desires (Maiden Lane, #3))
“
His whole mind and body seemed to be afflicted with an unbearable sensitivity, a sort of transparency, which made every movement, every sound, every contact, every word that he had to speak or listen to, an agony. Even in sleep he could not altogether escape form her image.
”
”
George Orwell (1984)
“
She was delicately morbid in all her gestures, sensitive, arrogant, vulnerable to flattery. She veered between extravagant outbursts of opinion and sudden, uncertain halts, during which she seemed to look to him for approval. She was in love with the idea of intelligence, and she overestimated her own. Her sense of the world, though she presented it aggressively, could be, he sensed, snatched out from under her with little or no trouble. She said, “I hope you are a savage.
”
”
Mary Gaitskill (Bad Behavior)
“
Suffering should not define you as a woman! And just because you’re a man it doesn’t mean that it doesn’t affect you! HELP HER to remove the taboos and the loneliness surrounding this disease; be understanding, show empathy, and don’t accuse her of being sensitive, delicate, or overly dramatic – this is a big opportunity for you guys to show that you care and to be a real man!"
(Address, 2011 Endometriosis Foundation of America Blossom Ball)
”
”
Susan Sarandon
“
Her nature is like a demonstrative cat's; she is delicate, acutely sensitive to cold, and incredibly caressing in her ways.
”
”
Colette (Claudine at School)
“
Why do I doubt her? Perhaps she is just very sensitive, and hypersensitive people are false when others doubt them; they waver. And one thinks them insincere. Yet I want to believe her. At the same time it does not seem so very important that she should love me. It is not her role. I am so filled with my love of her. And at the same time I feel that I am dying. Our love would be death. The embrace of imaginings.
”
”
Anaïs Nin (Henry and June: From the Unexpurgated Diary of Anaïs Nin)
“
We must distinguish between ‘sentimental’ and ‘sensitive’. A sentimentalist may be a perfect brute in his free time. A sensitive person is never a cruel person. Sentimental Rousseau, who could weep over a progressive idea, distributed his many natural children through various poorhouses and workhouses and never gave a hoot for them. A sentimental old maid may pamper her parrot and poison her niece. The sentimental politician may remember Mother’s Day and ruthlessly destroy a rival. Stalin loved babies. Lenin sobbed at the opera, especially at the Traviata.
”
”
Vladimir Nabokov (Lectures on Russian Literature)
“
And ultimately, that’s what women want, a strong, independent, high status male — a “doesn’t take shit from anybody” bad boy — but they want this bad boy to have a depth and a sensitivity that they only open up and show when they’re around her.
”
”
Mark Manson (Models: Attract Women Through Honesty)
“
Save the world. What a thought. Was this asteroid really speeding
toward Earth on a collision course? Would it really wipe out everything?
Could humans really do anything to stop it? It was just too incredible.
As she considered the circumstances of her life right now, she felt like
she’d just stuck her face into the middle of a tornado. But Jeremy wasn’t
the tornado. He was an anchor for her heart, and a piece of her she knew
she had been missing all her life. He was the kind of guy little girls dream
of when they wish to grow up and marry a wonderful prince— strong,
sensitive, smart, kind, the list just went on.
She smiled at herself. It seems that it’s difficult to focus on the end of the
world when you’ve just found love.
”
”
Jody Summers (The Mayan Legacy)
“
She said I was the most sensitive boy she'd ever met, which
I didn't understand because really all I did was not interrupt her.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
There are many roles that people play and many images that they project. There is, for example, the "nice" man who is always smiling and agreeable. "Such a nice man," people say. "He never gets angry." The facade always covers its opposite expression. Inside, such a person is full of rage that he dares not acknowledge or show. Some men put up a tough exterior to hide a very sensitive, childlike quality. Even failure can be a role. Many masochistic characters engage in the game of failure to cover an inner feeling of superiority. An outward show of superiority could bring down on them the jealous wrath of the father and the threat of castration. As long as they act like failures they can retain some sexuality, since they are not a threat to her father.
”
”
Alexander Lowen (Fear Of Life)
“
I’m gonna hold on to my self-control as long as I fucking can. And when I can’t…”
She held her breath until her lungs burned, but he didn’t elaborate. “When you can’t? What happens then?”
His mouth brushed the sensitive spot where her neck joined her shoulder. Teeth grazed her skin. “Then Lord have mercy on you, Lexie love. Because I won’t.
”
”
Kit Rocha (Beyond Control (Beyond, #2))
“
She has this amazing aura around her which catches you off-guard. A girl’s innocence combined with a woman’s sensitivity. A charm that is alluring and attractive at the same time.
”
”
Avijeet Das
“
A great artist can look at an old woman, portray her exactly as she is ... and force the viewer to see the pretty girl she used to be ... more than that, he can make anyone with the sensitivity of an armadillo see that this lovely young girl is still alive
”
”
Robert A. Heinlein
“
A gentleman who doesn't have the physical and/or emotional sensitivity to use condoms couldn't possibly possess the self-confidence required to fully procure the infinite sounding of pleasure from the depth of a woman's being, via the endlessness of her cunt.
”
”
Inga Muscio (Cunt: A Declaration of Independence)
“
The next thing Jordana says makes me realize that it's too late to save her.
"I've noticed that when you light a match, the flame is the same shape as a falling tear."
She's been sensitized, turned gooey in the middle. I saw it happening and I didn't do anything to stop it. From now on, she'll be writing diaries and sometimes including little poems and she'll buy gifts for her favourite teachers and she'll admire the scenery and she'll watch the news and she'll buy soup for homeless people and she'll never burn my leg hair again.
”
”
Joe Dunthorne (Submarine)
“
She is a rare rose. One which blooms in the night. She hides from the world. She is tender and sensitive. You can only see her from afar. Don't try to go near her. She may disappear forever from this world.
”
”
Avijeet Das
“
What are you smiling about?" Benedict demanded.
She didn't bother to glance up as she replied, "I'm plotting your demise."
He grinned-not that she was looking at him, but it was one of those smiles she could hear in the way he breathed.
She hated that she as that sensitive to his every nuance. Especially since she had a sneaking suspicion that he was the same way about her.
"At least it sounds entertaining,"he said.
"What does?" she asked, finally moving her eyes from the lower hem of the curtain, which she'd been staring at for what seemed like hours.
"My demise," he said, his smile crooked and amused. "If you're going to kill me, you might as well enjoy yourself while you're at it, because Lord knows, I won't."
Her jaw dropped a good inch. "You're mad," she said.
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
Anger is an assertion of rights and worth. It is communication, equality, and knowledge. It is intimacy, acceptance, fearlessness, embodiment, revolt, and reconciliation. Anger is memory and rage. It is rational thought and irrational pain. Anger is freedom, independence, expansiveness, and entitlement. It is justice, passion, clarity, and motivation. Anger is instrumental, thoughtful, complicated, and resolved. In anger, whether you like it or not, there is truth.
Anger is the demand of accountability, It is evaluation, judgment, and refutation. It is reflective, visionary, and participatory. It's a speech act, a social statement, an intention, and a purpose. It's a risk and a threat. A confirmation and a wish. It is both powerlessness and power, palliative and a provocation. In anger, you will find both ferocity and comfort, vulnerability and hurt. Anger is the expression of hope.
How much anger is too much? Certainly not the anger that, for many of us, is a remembering of a self we learned to hide and quiet. It is willful and disobedient. It is survival, liberation, creativity, urgency, and vibrancy. It is a statement of need. An insistence of acknowledgment. Anger is a boundary. Anger is boundless. An opportunity for contemplation and self-awareness. It is commitment. Empathy. Self-love. Social responsibility. If it is poison, it is also the antidote. The anger we have as women is an act of radical imagination. Angry women burn brighter than the sun.
In the coming years, we will hear, again, that anger is a destructive force, to be controlled. Watch carefully, because not everyone is asked to do this in equal measure. Women, especially, will be told to set our anger aside in favor of a kinder, gentler approach to change. This is a false juxtaposition. Reenvisioned, anger can be the most feminine of virtues: compassionate, fierce, wise, and powerful. The women I admire most—those who have looked to themselves and the limitations and adversities that come with our bodies and the expectations that come with them—have all found ways to transform their anger into meaningful change. In them, anger has moved from debilitation to liberation.
Your anger is a gift you give to yourself and the world that is yours. In anger, I have lived more fully, freely, intensely, sensitively, and politically. If ever there was a time not to silence yourself, to channel your anger into healthy places and choices, this is it.
”
”
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
“
But more than anything, as a little girl, I wanted to be exactly like Miss Piggy. She was ma heroine. I was a plucky little girl, but I never related to the rough-and-tumble icons of children's lit, like Pippi Longstocking or Harriet the Spy. Even Ramona Quimby, who seemed cool, wasn't somebody I could super-relate to. She was scrawny and scrappy and I was soft and sarcastic. I connected instead to Miss - never 'Ms.' - Piggy; the comedienne extraordinaire who'd alternate eye bats with karate chops, swoon over girly stuff like chocolate, perfume, feather boas or random words pronounced in French, then, on a dmie, lower her voice to 'Don't fuck with me, fellas' decibel when slighted. She was hugely feminine, boldly ambitious, and hilariously violent when she didn't get way, whether it was in work, love, or life. And even though she was a pig puppet voiced by a man with a hand up her ass, she was the fiercest feminist I'd ever seen.
”
”
Julie Klausner (I Don't Care About Your Band: Lessons Learned from Indie Rockers, Trust Funders, Pornographers, Felons, Faux-Sensitive Hipsters, and Other Guys I've Dated)
“
God told us to love everyone. However, when you don’t like someone then you need to walk away and focus not on him or her, but the hatred you’re harboring. Otherwise, you will allow your piety to take over. Before you know it, you’re using the gospel as a sword to slice other religious people apart, which have offended you. From your point of helplessness, it will be is easy to recruit people that will mistake your kindness as righteousness, when in reality it is a hidden agenda to humiliate through the words of Christ. This game is so often used by women in the Christian faith, that it is the number one reason why many people become inactive. It is a silent, unspoken hypocrisy that is inconsistent with the teachings of the gospel. If you choose not to like someone, then avoid them. If you wish to love them, the only way to overcome your frustrations is through empathy, prayer, forgiveness and allowing yourself time to heal through distance. Try focusing on what you share as sisters in the gospel, rather than the negative aspects you dislike about that person.
”
”
Shannon L. Alder
“
So pink and swollen,"Jean-Baptiste whispered,his fingers easing her lips apart,one brushing over the sensitive bud of her clit.
”
”
Laura Wright (Bayon / Jean-Baptiste (Bayou Heat, #3-4))
“
the less her life resembled that sweetest of dreams, the more sensitive she was to its magic.
”
”
Milan Kundera (The Unbearable Lightness of Being)
“
And she’d apologize for being so sensitive and moody lately. His warm hand on her hip brought her into the curve of his body. With his breath on her neck, she fell into a deep sleep, convinced that she was safe.
”
”
Lisa Genova (Still Alice)
“
Abandoned.
The word alone sends shudders down a sensitive spine, troubling the thoughts of pained souls as their hurt swells in ripples. It is a sentence of undesired solitude often pronounced on the innocent, the trusting—administered without warning or satisfactory cause.
One day the moon is yours, or so you believe. The next, his countenance transforms from Jekyll to Hyde with no intention of ever turning back, and you are left trampled upon in a deserted street, concealed by dirty fog that squelches all illumination or any hope for future rays of light.
It is the worst of mysteries why a beast considered noble would forsake his duty, exhibiting a heart of stone. And all who once looked on him, now turn down their eyes and suffer, beguiled.
Some poisons have no antidote, but are slow, silent, torturous ends that curl up the broken body swept into a cold, dark corner. There she is left to drown in her tears—a dying heart.
Abandoned.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, & Grumblings for Every Day of the Year)
“
Around eighth grade Margot started getting really sensitive about her weight, even though she wasn’t remotely fat—just a little round-faced. So Margot did what any normal fourteen-year-old girl would do. She started puking on purpose, every day after fifth period. Of course now, she does more than puke. But we don’t talk about that. Because real friends don’t judge each other for what they do to survive in hell.
”
”
Isobel Irons (Promiscuous (Issues, #1))
“
I do not believe ADD leads to creativity any more than creativity causes ADD. Rather, they both originate in the same inborn trait: sensitivity. For creativity, a temperamental sensitivity is indispensable. The sensitive individual, as we have seen, draws into herself the unseen emotional and psychic communications of her environment. On some levels of the unconscious, she will, therefore, have a deeper awareness of the world. She may also be more attuned to particular sensory input, such as sound, color or musical tone. Thus the sensitivity provides her with the raw materials her mind will rework and reshape. Thus sensitivity contributes to the emergence of attention deficit disorder, as well as to creativity. Colin,
”
”
Gabor Maté (Scattered: How Attention Deficit Disorder Originates and What You Can Do About It)
“
When I was this kid's age, you'd be burned alive for such talk. Being a homosexual was unthinkable, and so you denied it, and found a girlfriend who was willing to settle for the sensitive type. On dates, you'd remind her that sex before marriage was just that, sex: what dogs did in the front yard. This as opposed to making love, which was more what you were about. A true union of souls could take anywhere from eight to ten years to properly establish, but you were willing to wait, and for this the mothers loved you. You sometimes discussed it with them over an iced tea, preferably on the back porch when you girlfriend's brother was mowing the lawn with his shirt off.
”
”
David Sedaris (When You Are Engulfed in Flames)
“
Alexander leaned down,whispered in her ear,"If he touches you,"he said,lapping at the sensitive skin of her lobe,"I swear I will hunt him down and rip out his heart.
”
”
Laura Wright (Eternal Hunger (Mark of the Vampire, #1))
“
She hadn't been hurt in any real way, had she? No one had treated her badly. I must just be overly sensitive to things, she convinced herself.
”
”
Haruki Murakami (Sputnik Sweetheart)
“
I had already observed that he was as sensitive to flattery on the score of his art as any girl could be of her beauty.
”
”
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
“
The piety, the gentleness, the honesty, the sensitivity, all the qualities she has learned to admire in herself, are invitations to violence; all her life, she has been groomed for the slaughterhouse. And though she is virtuous, she does not know how to do good.
”
”
Angela Carter (The Sadeian Woman: And the Ideology of Pornography)
“
I have you – a god of mixed heritage – on an expedition that could unleash the Destroyer from her hole. Arikos, another god, on the same team who is masquerading as a human. The demigod Solin, who I have to ride herd on constantly anyway, who gave them their permits. Megeara, a human who is sensitive and subjective to the voices of the gods. And the pissed-off goddess, Apollymi, who will do anything to be free, and once free wouldn’t hesitate to destroy every one of us. I can’t imagine why I’m concerned over this, can you? (ZT)
”
”
Sherrilyn Kenyon (The Dream-Hunter (Dark-Hunter, #10; Dream-Hunter, #1))
“
Although Pulcheria Alexandrovna was forty-three, her face still retained traces of her former beauty; she looked much younger than her age, indeed, which is almost always the case with women who retain serenity of spirit, sensitiveness and pure sincere warmth of heart to old age. We may add in parenthesis that to preserve all this is the only means of retaining beauty to old age.
”
”
Fyodor Dostoevsky (Crime and Punishment)
“
Pam (from The Office) is not intimidating, like one of those women who wears makeup and tailored clothes, and has a good job that she enjoys, and confidence, and an adult woman's sexuality. There's nothing scary about Pam, because there's no mystery; she's just like the boys who like her; mousy and shy. The ultimate emo-boy fantasy is to meet a nerdy, cute girl just like him, and nobody else will realize she's pretty. And she'll melt when she sees his record collection because it's just like hers....and she'll never want to go out to a party for which he'll be forced to comb his hair, or buy grown-up shoes or tie a tie, or demonstrate a hearty handshake, or make eye contact, or relate to people who work in different fields, or to basically act like a man.
”
”
Julie Klausner (I Don't Care About Your Band: Lessons Learned from Indie Rockers, Trust Funders, Pornographers, Felons, Faux-Sensitive Hipsters, and Other Guys I've Dated)
“
You men can be such boneheads about these things. She doesn't know you the way I do. She's vulnerable right now. Her ex turned out to be an asshole and you come riding in-"
"There was no riding."
"-being the good guy, looking the way you do"-Brooke gestured to him-"wanting to talk and slow things down and be all sensitive with your coffee and your little blanket. What woman could resist that? My God, why didn't you just cuddle a puppy shirtless while you were at it?
”
”
Julie James (Suddenly One Summer (FBI/US Attorney, #6))
“
My sister's bringing up had made me sensitive. In the little world in which children have their existence whosoever brings them up, there is nothing so finely perceived and so finely felt, as injustice. It may be only small injustice that the child can be exposed to; but the child is small, and its world is small, and its rocking-horse stands as many hands high, according to scale, as a big-boned Irish hunter. Within myself, I had sustained, from my babyhood, a perpetual conflict with injustice. I had known, from the time when I could speak, that my sister, in her capricious and violent coercion, was unjust to me. I had cherished a profound conviction that her bringing me up by hand, gave her no right to bring me up by jerks. Through all my punishments, disgraces, fasts and vigils, and other penitential performances, I had nursed this assurance; and to my communing so much with it, in a solitary and unprotected way, I in great part refer the fact that I was morally timid and very sensitive.
”
”
Charles Dickens (Great Expectations)
“
She's just being sensitive. You put a girl in jail and forget about her for a few months, and they all take it so bloody personally."
"You forgot about her?"
"She's lucky I did. She'd been sent to kill Rhiannon."
"Then why isn't she dead?"
Celyn sighed. "It was a sad, weak attempt, really. She clearly didn't want to do it. Auntie Rhiannon just felt bad for her.
”
”
G.A. Aiken (Light My Fire (Dragon Kin, #7))
“
I'm not going to tell you much more of the case, Doctor. You know a conjuror gets no credit when once he has explained his trick; and if I show you too much of my method of working, you will come to the conclusion that I am a very ordinary individual after all."
"I shall never do that," I answered; "you have brought detection as near an exact science as it ever will be brought in this world."
My companion flushed up with pleasure at my words, and the earnest way in which I uttered them. I had already observed that he was a sensitive to flattery on the score of his art as any girl could be of her beauty.
”
”
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
“
Gabriel settled over her, pinning her in place. His mouth lowered to her shoulder for a brief, soft bite. “You obsess me, with your sweet mouth and clever little hands . . . your beautiful back . . . and legs . . .” “You need a hobby,” Pandora said severely as she felt his erection against her bottom. “Have you ever tried writing poetry? Building a ship in a bottle?” “You’re my hobby.” He pressed his lips to the back of her neck, having discovered it was a particularly sensitive place.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
Love is an afternoon of fishing when I'd sooner be at the ballet.
Love is eating burnt toast and lumpy graving with a big smile.
Love is hearing the words 'You're beautiful' as I fail to squeeze into my fat jeans.
Love is refusing to bring up the past, even if doing so would be a slam dunk to prove your point.
Love is your hand wiping away my tears, trying to erase streaks of mascara.
Love is the warm hug that extinguishes an argument.
Love is a humbly-uttered apology, even if not at fault.
Love is easy to recognize but so hard to define; however, I think it boils down to this...
Love is caring so much about the feelings of someone else, you sacrifice whatever it takes to help him or her feel better.
In other words, love is my heart being sensitive to yours.
”
”
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
“
Those who had before known her, and had expected to behold her dimmed and obscured by a disastrous cloud, were astonished, and even startled, to perceive how her beauty shone out, and made a halo of the misfortune and ignominy in which she was enveloped. It may be true that, to a sensitive observer, there was some thing exquisitely painful in it.
”
”
Nathaniel Hawthorne (The Scarlet Letter)
“
She shuddered, convulsing beneath the whiplash of his tongue as the world dissolved around her.
“Now.” He moved before the last violent pulses stilled.
He came over her body, catching his weight on his elbows, staring down at her with savage intensity as the bulbous head of his c#ck nudged against the sensitive opening of her pussy.
“Now,” he whispered again. “I make you my woman, Elizabeth. Now.
”
”
Lora Leigh (Elizabeth's Wolf (Breeds, #3))
“
My son used to believe that he could look at a plane in flight and make it explode in midair by simply thinking it. He believed, at thirteen, that the border between himself and the world was thin and porous enough to allow him to affect the course of events. An aircraft in flight was a provocation too strong to ignore. He’d watch a plane gaining altitude after taking off from Sky Harbor and he’d sense an element of catastrophe tacit in the very fact of a flying object filled with people. He was sensitive to the most incidental stimulus and he thought he could feel the object itself yearning to burst. All he had to do was wish the fiery image into his mind and the plane would ignite and shatter. His sister used to tell him, Go ahead, blow it up, let me see you take that plane out of the sky with all two hundred people aboard, and it scared him to hear someone talk this way and it scared her too because she wasn’t completely convinced he could not do it. It’s the special skill of an adolescent to imagine the end of the world as an adjunct to his own discontent. But Jeff got older and lost interest and conviction. He lost the paradoxical gift for being separate and alone and yet intimately connected, mind-wired to distant things.
”
”
Don DeLillo (Underworld)
“
The heat building inside her burst into flames.Her ass clenched,her breasts tightened into sensitive buds and she felt her pussy cream right before him.
”
”
Laura Wright (Raphael/Parish (Bayou Heat, #1-2))
“
it is still the case that he “can look in her eyes and disappear.” He may not know how to live with her, but he will always know he loves her
”
”
Elaine N. Aron (The Highly Sensitive Person in Love: Understanding and Managing Relationships When the World Overwhelms You)
“
Her back seemed to be endowed with a sensitiveness to occular beams...
”
”
Thomas Hardy (Tess of the D’Urbervilles)
“
For example, just a little time feeling hunger and crying or feeling cold and fussing helps an infant/body know his or her own wants. If the caretaker is feeding the infant/body before it is even hungry, it loses contact with its instincts. And if the infant /body is kept from exploring, it does not get used to the world.
”
”
Elaine N. Aron (The Highly Sensitive Person)
“
A man doesn't want to be rejected. We're really quite sensitive.
'Sensitive?' She laughed, her head on one side. 'Sensitive egos you mean. Never met a man who didn't have one of those.
”
”
Helene Young (Shattered Sky (Border Watch #2))
“
If a child sees something in a parent that the child aspires to, he or she will copy that parent and be content. If a children feel that a parent is living a life that shows compassion and understanding, patience and love, that child will not have to reach a stage of rebellion against that parent. Why rebel against someone who has listened to you and wants to help you fufill your dreams? A parent who has proven time and again that growth and happiness of his or her children is priority number one does not have to worry about where these children are heading in life. They will be sensitive and productive members of society for as long as they live.
”
”
Alice Ozma (The Reading Promise: My Father and the Books We Shared)
“
The belt slid down her thin hips, and she nervously gripped at it, pulling it up. Short sleeves showed her very thin arms and big delicate elbow joints. Her body was all concave and jerkily fluid lines; it moved with sensitive looseness, loosely threaded together: each movement had a touch of exaggeration , as though some secret power kept springing out.
”
”
Elizabeth Bowen (The Death of the Heart)
“
In private life she was not in the least what her calumniators would have wished her to be. She was very quiet, had a great natural dignity, and was extremely intelligent. She was also exceedingly sensitive.
”
”
Edith Sitwell
“
I have no name," she purred. "I am whoever the keepers of my fate tell me to be."
He grasped her by her wrist, running a thumb along the sensitive skin underneath. "Then let me call you Mine for a dance or two.
”
”
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
“
But Jinshi was oddly skilled at reading Maomao’s expressions. Partly because they’d now known each other for a fair amount of time, true, but even by that standard he was quite sensitive to slight changes in her face.
”
”
Natsu Hyuuga (The Apothecary Diaries (Light Novel): Volume 4)
“
...she was sensitive enough and intelligent enough to understand, and her literary education could not but have sharpened her perception of the evidence before her eyes: that in the absurd raffle-draw that apportioned the destinies of post-colonial African societies two people starting off even as identical twins in the morning might quiet easily find themselves in the evening one as President shitting on the heads of the people and the other a nightman carrying the people's shit in buckets on his head.
”
”
Chinua Achebe (Anthills of the Savannah)
“
What is unconscious cannot be abolished by proclamation or prohibition. One can, however, develop sensitivity toward recognizing it and begin to experience it consciously, and thus eventually gain control over it. A mother cannot truly respect her child as long as she does not realize what deep shame she causes him with an ironic remark, intended only to cover her own uncertainty. Indeed, she cannot be aware of how deeply humiliated, despised, and devalued her child feels, if she herself has never consciously suffered these feelings, and if she tries to fend them off with irony.
”
”
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
“
In fact he was as
lovesick as a high schooler of an especially sensitive sort who wonders if he dare share a poem with his
beloved or whether she will laugh at him. He does read her the poem and her feminine capacity for
romanticism for a moment approaches his own and they are suffused in a love trance, a state that so
ineluctably peels back the senses making them fresh again whatever ages the lovers might be.
”
”
Jim Harrison (Legends of the Fall)
“
Good?” she whispered, stroking the sensitive skin there, no smile, no frown, simply needing to know. I nodded, reaching to run my thumb over her cheek. “You’re perfect.
”
”
Christina Lauren (Beautiful Player (Beautiful Bastard, #3))
“
Not an emotional person? That's pretty much all he is! Maybe she talks a lot about her feelings, but he's entirely governed by his, that's the difference. But that's what makes him a good fireman, and a good dad too, and it was his emotions she fell in love with. And it's emotions that have made their sons good hockey players and their daughter a fantastic figure skater, because you can't get good at a sport if you're not sensitive enough for it to mean everything to you, if you don't take every setback personally, if every loss doesn't feel like dying.
”
”
Fredrik Backman (The Winners (Beartown, #3))
“
She is all that I have ever desired in a woman. She is sensitive and tender. And she hides a vulnerability within her that only the people who are close to her can find. A charm that touches the unknown places in my heart. She is the ache in my heart.
”
”
Avijeet Das
“
He stalked up to her, yelling, “Do not call me demon!”
She forced herself to hold her ground, then repeated his earlier words: "Sensitive about this, creature?"
“Demons are savage. Vrekeners have grace and a sacred purpose. We are descended from gods!”
"How do you know this?"
“From the Tales of Troth—sanctified knowledge passed on from one Vrekener generation to the next for millennia.”
"I’m going to have to stop you, because you’ve already bored me.
”
”
Kresley Cole (Dark Skye (Immortals After Dark, #14))
“
My dis-interest in what people speak of as "women's problems," "women's literature." Have women a special sensibility? No. There are individuals uniquely talented & uniquely equipped to interpret the complex symbolism of the world but they are certainly not determined by gender. The very idea is astonishing. [...] Energy, talent, vision, insight, compassion, the ability to stay with a single work for long periods of time, the ability to be faithful (to both one's writing and one's beloved)--these have nothing to do with gender. [...] The sensibility of a Virginia Woolf, for instance. It's her own, it's uniquely hers. Not because she is a "female" but because she is, or was, Virginia Woolf. Not more sensitive than Henry James or Proust or James Joyce, consequently not more "feminine" in the narrow & misleading sense people use that term today....But then I suppose critics must have something to write about. [...]
”
”
Joyce Carol Oates
“
Lucy Ashton, in short, was involved in those mazes of the imagination which are most dangerous to the young and the sensitive. Time, it is true, absence, change of place and of face, might probably have destroyed the illusion in her instance as it has done in many others.
”
”
Walter Scott (Tales of My Landlord. Incl: The Black Dwarf, Old Mortality, The Heart of Midlothian, The Bride of Lammermoor, A Legend of Montrose, Count Robert of Paris & Castle Dangerous. (mobi))
“
I prayed for my heart to soften, to forgive her, and love her for what she did give me--life, great values, a lot of tennis lessons, and the best she could do. Unfortunately, the best she could do was terrible, thee the Minister of Silly Walks trying to raise an extremely sensitive young girl, and my heart remained hardened toward her. [p. 46]
”
”
Anne Lamott (Plan B: Further Thoughts on Faith)
“
There is never a right time to break someone's heart. And anyone with even a microgram of sensitivity in his or her body will agonise for an age over that timing. Only problem is there is always some reason not to make someone unhappy. The day a relationship end, if that relationship was at all important to the suckers involved, becomes as important an anniversary as a wedding day or birthday.
Obviously, the average person doesn't want to kick someone they once loved while that person is down.
It's not just hard times when someone is down that become obstacles to making your getaway. After times of bereavement, unemployment and general unhappiness, those events that should be happy ones also make some times off limits for the eager would- be dumper. Christmas, birthdays, Easter all impossible. A clever person with a sensitive lover that they sense is not quite as into them as he or she used to be, could starve off the inevitable for years by carefully spacing out this crucial dates.
”
”
Chris Manby (Getting Personal (Red Dress Ink))
“
For the first time in her life she could talk openly of the things which interested her and were important to her. She had a great need of speech, of putting her thoughts into words; otherwise her thoughts seemed to escape her, flying about her brain in a wild confusion. It needed the power of words to put them in their places. And Rachel was full of understanding, using her sensitiveness to fan the thoughts of Anna towards coherency.
”
”
Anna Kavan (Let Me Alone: A Novel)
“
...often referred to herself as a bitch. It was a way of insulting herself and asserting herself simultaneously. She acted like a bitch when she was threatened. It was the only effective self-defense she had learned. The more frightened ... felt, the harder she lashed out. It was her offense and her defense. ...the bitch was also ... the poet. She was a very sensitively constructed sending and receiving mechanism, extremely vulnerable and extremely wary.
”
”
Ruth Harris (Decades (20th Century, #1))
“
Our lips now conjoin like the glittery coils of a wet snake dancing in the amazon. Kissing Nadia sends me into a savoring affair for that which is most delectable, always tasting the delicate layers that exist in her myriad of emotion. Always, Nadia’s opulent lips gratify and subdue by easing my sensitivity as she drags her fingers down my stomach like a tree scattering its roots. I now brush my lips over Nadia’s, dipping into her mouth like a brush that falls into a bucket of paint, osculating under this euphoric form of affection.
”
”
Luccini Shurod (The Painter)
“
Men and women don't react in the same way. What it comes down to is this. Men are the more sensitive sex. Women are tough. Men can't take murder in their stride. Women apparently can. The fact is, if a man's committed a murder for a woman, it probably enhances his value in her eyes. A man feels differently.
”
”
Agatha Christie (The Unexpected Guest)
“
Very Important: During this sensitive postpartum time, you must be very careful not to say anything negative about your wife’s appearance. On the other hand, you must not say anything positive about your wife’s appearance, because she’ll know you’re lying. And whatever you do, do NOT give her the impression that you’re deliberately avoiding talking about her appearance. This might be a good time to enlist in the navy.
”
”
Dave Barry (I'll Mature When I'm Dead: Dave Barry's Amazing Tales of Adulthood)
“
Do you know what happened to her already? Did you catch it in the papers? Are you local? Did you know her? Did you see it on the internet? Did some website the trawls local news for the worst details of true crimes bring her to your attention? Did you see the article about her, buried in the chum box of an already disreputable website? Did you see the red-headed stock image model juxtaposed against an edited charred corpse, captioned, "You won't believe what they did to her?" Did you listen to a podcast? Did the hosts make jokes? Do you have a dark sense of humour? Did that make it okay? Or were they sensitive about it? Did they coo in the right places? Did they give you a content warning? Did you skip ahead? Did you see pictures? Did you look for them?
”
”
Eliza Clark (Penance)
“
Sometimes the working memory impairments of ADHD allow a momentary emotion to become too strong; the person is flooded with one emotion and unable to attend to other emotions, facts, and memories relevant to that immediate situation. At other times, the working memory impairments of ADHD leave the person with insufficient sensitivity to the importance of a particular emotion because he or she hasn't kept other relevant information sufficiently in mind or factored it into his or her assessment of the situation.
”
”
Thomas E. Brown (Smart But Stuck: Emotions in Teens and Adults with ADHD)
“
Denying what you are didn't keep people from knowing what you are."
"And flaunting it isn't what saved you."
Ykka takes a deep breath. The muscles in her jaw flex, relax. "And that would be why I asked you do this, Cutter. But let's move on."
So it goes on.
”
”
N.K. Jemisin (The Obelisk Gate (The Broken Earth, #2))
“
Nicole had no right to be jealous.Hell,she didn´t even have a reason.They might have some sort of physical chemistry thing going on,but there wasn´t anything emotional.Nothing.She didn´t even like Riker.Liar."There´s nothing to finish,"she said.
"Nothing to finish?You wondered why sex with a vampire was such a big deal.I´m going to show you."Riker moved toward her,slowly,like a cat sneaking up on a bird."Stamina."He stepped closer."Multiple orgasms."Closer,and her mouth went dry."Flexibility."Closer.Her skin flushed hot."Strenght."Closer.Her stomach did a flip-flop."The ability to sense heat so we know what parts of the body are the most sensitive at the right time."Closer.A throbbing ache started low in her pelvis."The ability to hear the slightest change in the tempo of your pulse so we know exactly how every stroke,kiss,and lick effects you."
Oh.Dear.lord.
”
”
Larissa Ione (Bound by Night (MoonBound Clan Vampire, #1))
“
Fuck,” I groan, my voice gritty, my eyes closing as I tilt my head back. Her hand is warm, her skin velvety soft, but her touch is firm as she strokes, hitting just the right places to set me off. Her thumb massages the sweet spot on the underside of my cock, the sensitive outer ridges of the head, right where those nerve endings are bundled.
Jesus, this woman knows her anatomy.
A+
Top marks.
Summa cum laude.
Valedictorian of her motherfucking class.
”
”
J.M. Darhower (Menace (Scarlet Scars, #1))
“
Imagination is not, as some poets have thought, simply synonymous with good. It may be either good or evil. As long as art remained primarily mimetic, the evil which imagination could do was limited by nature. Again, as long as it was treated as an amusement, the evil which it could do was limited in scope. But in an age when the connection between imagination and figuration is beginning to be dimly realized, when the fact of the directionally creator relation is beginning to break through into consciousness, both the good and the evil latent in the working of imagination begin to appear unlimited. We have seen in the Romantic movement an instance of the way in which the making of images may react upon the collective representations. It is a fairly rudimentary instance, but even so it has already gone beyond the dreams and responses of a leisured few. The economic and social structure of Switzerland is noticeably affected by its tourist industry, and that is due only in part to increased facilities of travel. It is due not less to the condition that (whatever may be said about their ‘particles’) the mountains which twentieth-century man sees are not the mountains which eighteenth-century man saw.
It may be objected that this is a very small matter, and that it will be a long time before the imagination of man substantially alters those appearances of nature with which his figuration supplies him. But then I am taking the long view. Even so, we need not be too confident. Even if the pace of change remained the same, one who is really sensitive to (for example) the difference between the medieval collective representations and our own will be aware that, without traveling any greater distance than we have come since the fourteenth century, we could very well move forward into a chaotically empty or fantastically hideous world. But the pace of change has not remained the same. It has accelerated and is accelerating.
We should remember this, when appraising the aberrations of the formally representational arts. Of course, in so far as these are due to affectation, they are of no importance. But in so far as they are genuine, they are genuine because the artist has in some way or other experienced the world he represents. And in so far as they are appreciated, they are appreciated by those who are themselves willing to make a move towards seeing the world in that way, and, ultimately therefore, seeing that kind of world. We should remember this, when we see pictures of a dog with six legs emerging from a vegetable marrow or a woman with a motorbicycle substituted for her left breast.
”
”
Owen Barfield
“
Highly sensitive people tend to be keen observers who look before they leap. They arrange their lives in ways that limit surprises. They're often sensitive to sights, sounds, smells, pain, coffee. They have difficulty when being observed (at work, say, or performing at a music recital) or judged for general worthiness (dating, job interviews). But there are new insights. The highly sensitive tend to be philosophical or spiritual in their orientation, rather than materialistic or hedonistic. They dislike small talk. They often describe themselves as creative or intuitive (just as Aron's husband had described her). They dream vividly, and can often recall their dreams the next day. They love music, nature, art. They feel exceptionally strong emotions -sometimes acute bouts of joy, but also sorrow, melancholy, and fear. Highly sensitive people also process information about their environments -both physical and emotional -unusually deeply. They tend to notice subtleties that others miss - another person's shift in mood, say, or a lightbulb burning a touch too brightly.
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Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
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His lips touched the back of her neck and moved along her stubborn shoulder. One hand stroked her breasts, and the other moved unerringly between her thighs; he found the most sensitive part of her and moved against her and in her until her half-formed protests turned into soft, stifled moans. The moon moved lower in the sky, tangling itself in her eyes until he closed them with surprisingly gentle kisses. Her body was the ocean and his was the wild wind -- turning ripples into foam-capped breakers that soared and curved translucently before they crashed into oblivion against distant shores.
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Rosemary Rogers (Wicked Loving Lies (Morgan #6))
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Though we were forbidden to speak anything but French, the teacher would occasionally use us to practice any of her five fluent languages.
"I hate you," she said to me one afternoon. Her English was flawless. "I really, really hate you." Call me sensitive, but I couldn't help taking it personally.
”
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David Sedaris (Me Talk Pretty One Day)
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She was no helpless female – never had been. She was death clothed in a body of female allure and fiercely proud of it.
But in sex, she needed the surrender. She craved a man strong enough to take the control out of her hands. I hunger to be dominated, for someone who doesn’t see me as a ball-busting female. She would yield everything to a man masterful enough to command her obedience. But she had never found one strong enough – or discreet enough. It wouldn’t do for the Blue Daggers to know their commander wanted domination during sex. Most of all, she had never found anyone she could trust with her desires who didn’t try to crush her – body and soul. Disappointment had followed disappointment until she had quit looking. To find strength paired with sensitivity, or dominance tempered with love? It didn’t seem to exist.
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Patricia A. Knight
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One day, John asked her to define sin. I doubt any theologian could have done better than she did: “Son, whatever weakens your reasoning, impairs the tenderness of your conscience, obscures your sense of God, or takes away your relish for spiritual things; in short, if anything increases the authority and power of the flesh over the Spirit, then that to you becomes sin, however good it is in itself.”1That definition became the guiding beacon for John. He carved it into his consciousness. His mother inbred in him his sensitivity to sin.
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Ravi Zacharias (The Grand Weaver: How God Shapes Us Through the Events of Our Lives)
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So here we are, in the family planning aisle with a cart full of sports drinks and our hands full of . . . “Trojans, Ramses, Magnum . . . Jeez, these are worse than names for muscle cars,” Jase observes, sliding his finger along the display.
“They do sound sorta, well, forceful.” I flip over the box I’m holding to read the instructions.
Jase glances up to smile at me. “Don’t worry, Sam. It’s just us.”
“I don’t get what half these descriptions mean . . . What’s a vibrating ring?”
“Sounds like the part that breaks on the washing machine. What’s extra-sensitive? That sounds like how we describe George.”
I’m giggling. “Okay, would that be better or worse than ‘ultimate feeling’—and look—there’s ‘shared pleasure’ condoms and ‘her pleasure’ condoms. But there’s no ‘his pleasure.’”
“I’m pretty sure that comes with the territory,” Jase says dryly. “Put down those Technicolor ones. No freaking way.”
“But blue’s my favorite color,” I say, batting my eyelashes at him.
“Put them down. The glow-in-the-dark ones too. Jesus. Why do they even make those?”
“For the visually impaired?” I ask, reshelving the boxes.
We move to the checkout line. “Enjoy the rest of your evening,” the clerk calls as we leave.
“Do you think he knew?” I ask.
“You’re blushing again,” Jase mutters absently. “Did who know what?”
“The sales guy. Why we were buying these?”
A smile pulls at the corners of his mouth. “Of course not. I’m sure it never occurred to him that we were actually buying birth control for ourselves. I bet he thought it was a . . . a . . . housewarming gift.”
Okay, I’m ridiculous.
“Or party favors,” I laugh.
“Or”—he scrutinized the receipt—“supplies for a really expensive water balloon fight.”
“Visual aids for health class?” I slip my hand into the back pocket of Jase’s jeans.
“Or little raincoats for . . .” He pauses, stumped.
“Barbie dolls,” I suggest.
“G.I. Joes,” he corrects, and slips his free hand into the back pocket of my jeans, bumping his hip against mine as we head back to the car.
”
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Huntley Fitzpatrick (My Life Next Door)
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Her kitsch was the image of home, all peace, quiet, and harmony, and ruled by a loving mother and a wise father. It was an image that took shape in her after the death of her parents. The less her life resembled the sweetest of dreams, the more sensitive she was to its magic, and more than once she shed tears when the ungrateful daughter in a sentimental film embraced the neglected father as the windows of the happy family's house shone out into the dying day.
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Milan Kundera (The Unbearable Lightness of Being)
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Mrs. O’Dowd woke up her Major, and had as comfortable a cup of coffee prepared for him as any made that morning in Brussels. And who is there will deny that this worthy lady’s preparations betokened affection as much as the fits of tears and hysterics by which more sensitive females exhibited their love, and that their partaking of this coffee, which they drank together while the bugles were sounding the turn-out and the drums beating in the various quarters of the town, was not more useful and to the purpose than the outpouring of any mere sentiment could be? The consequence
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William Makepeace Thackeray (Vanity Fair (Centaur Classics) [The 100 greatest novels of all time - #27])
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You’re beautiful, Evie,” came his soft comment.
Having been raised by relations who had always lamented the garish color of her hair and the proliferation of freckles, Evie gave him a skeptical smile. “Aunt Florence has always given me a bleaching lotion to make my freckles vanish. But there’s no getting rid of them.”
Sebastian smiled lazily as he came to her. Taking her shoulders in his hands, he slid an appraising glance along her half-clad body. “Don’t remove a single freckle, sweet. I found some in the most enchanting places. I already have my favorites… shall I tell you where they are?”
Disarmed and discomfited, Evie shook her head and made a movement to twist away from him. He wouldn’t let her, however. Pulling her closer, he bent his golden head and kissed the side of her neck. “Little spoilsport,” he whispered, smiling. “I’m going to tell you anyway.” His fingers closed around a handful of the chemise and eased the hem slowly upward. Her breath caught as she felt his fingers nuzzling tenderly between her bare legs. “As I discovered earlier,” he said against her sensitive throat, “there’s a trail inside your right thigh that leads to—”
A knock at the door interrupted them, and Sebastian lifted his head with a grumble of annoyance. “Breakfast,” he muttered. “And I wouldn’t care to make you choose between my lovemaking or a hot meal, as the answer would likely be unflattering.
”
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Lisa Kleypas (Devil in Winter (Wallflowers, #3))
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A great artist can look at an old woman, portray her exactly as she is . . . and force the viewer to see the pretty girl she used to be . . . more than that, he can make anyone with the sensitivity of an armadillo see that this lovely young girl is still alive, prisoned inside her ruined body. He can make you feel the quiet, endless tragedy that there was never a girl born who ever grew older than eighteen in her heart . . . no matter what the merciless hours have done.
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Robert A. Heinlein (Stranger in a Strange Land)
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One helpful approach to identify whether or not the person you are involved with has a narcissistic personality disorder is to reflect on your own feelings. So, as a start, I offer you a list of questions that will assist you in detecting this problem in a particular relationship.
1. Do you frequently feel as if you exist to listen to or admire his or her special talents and sensitivities?
2. Do you frequently feel hurt or annoyed that you do not get your turn and, if you do, the interest and quality of attention is significantly less than the kind of attention you give?
3. Do you sense an intense degree of pride in this person or feel reluctant to offer your opinions when you know they will differ from his or hers?
4. Do you often feel that the quality of your whole interaction will depend upon the kind of mood he or she is in?
5. Do you feel controlled by this person
6. Are you afraid of upsetting him or her for fear of being cut off or retaliated against?
7. Do you have difficulty saying no?
8. Are you exhausted from the kind of energy drain or worry that this relationship causes you?
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Eleanor D. Payson (The Wizard of Oz and Other Narcissists: Coping with the One-Way Relationship in Work, Love, and Family)
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What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult?
Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully.
“Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.”
On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.”
“I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done.
Dead silence crashes over the kitchen.
Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list.
That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it...
“I just have one question,” Garrett starts.
“Really?” Tuck says. “Because I have many.”
Sighing, I put my pen down. “Go ahead. Get it out of your systems.”
Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.”
“It’s for Grace,” I reply through clenched teeth.
My best friend nods solemnly.
Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing.
“What are you doing?” I demand.
“Texting Wellsy. She needs to know this.”
“I hate you.”
I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.”
“Cutlass?” Garrett wheezes. “Like the sword?”
“The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.”
Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.”
He’s right. I should have. I’m a terrible poet and I do know it.
“Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.”
“Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.”
I ponder the next line. “How sweet…”
“Your ass,” Tucker supplies.
Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again.
“Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.”
“Call my girlfriend a ho one more time and you won’t have a bro.”
Tucker chuckles. “Seriously, why are you writing poetry for this chick?”
“Because I’m trying to win her back. This is one of her requirements.”
That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?”
“None of your fucking business.”
“Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!”
I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.”
Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.
”
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Elle Kennedy (The Mistake (Off-Campus, #2))
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She was herself unconscious of that faint hint of offishness which hung about her and repelled advances, an arrogance that stirred in people a peculiar irritation. They noticed her, admired her clothes, but that was all, for the self-sufficient uninterested manner adopted instinctively as a protective measure for her acute sensitiveness, in her child days, still clung to her.
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Nella Larsen (The Complete Fiction of Nella Larsen: Passing, Quicksand, and The Stories)
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it's going great. Two months in, and I've created three apps."
"Apps?"
"For people who buy my book as an e-book --which will be everybody. The first is called Don't Look. It's for the overly sensitive. It blurs and turns the type red when a dog dies or a baby is born with a birth defect. Stuff like that. My second is It's Not Okay When You Say It, and it delivers an electrical zap if the reader laughs at a racial slur. My third is Jesus Thesaurus, which replaces explicit sexual language with church words. So, when one of my characters 'saints' a guy's 'disciple', He'll beg her to 'cavalry' his 'Baptists' and 'shout amen'.
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Helen Ellis (American Housewife)
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All those posters and PSAs and health class presentations on body image and the way you can burst blood vessels in your face and rupture your esophagus if you can’t stop ramming those sno balls down your throat every night, knowing they’ll have to come back up again, you sad weak girl.
Because of all this, Coach surely can’t tell a girl, a sensitive, body-conscious teenage girl, to get rid of the tender little tuck around her waist, can she?
She can.
Coach can say anything.
And there’s Emily, keening over the toilet bowl after practice, begging me to kick her in the gut so she can expel the rest, all that cookie dough and cool ranch, the smell making me roil. Emily, a girl made entirely of donut sticks, cheese powder, and haribo.
I kick, I do.
She would do the same for me.
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Megan Abbott (Dare Me)
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Remember those cocaine addicts whose dopamine receptors (the tiny hands that grab neurochemicals) decreased after repeated drug use? Cocaine blasts the reward circuitry so that it pumps out massive amounts of exciting dopamine. This accounts for the high. Then two things happen simultaneously. First, the high begins to fade as the brain disposes of the extra dopamine. Second, because so much excess dopamine can damage or kill nerve cells, the cells protect themselves by reducing the number of dopamine receptors (little “hands”) on their surfaces. If a thunderstorm rolls in, you close all the windows and wait for it to pass. That’s what the cells do, except they assume that another storm is on the way, and stay closed up for a while. The addict has lowered her sensitivity to dopamine—a substance that helped give her the high. Now our addict feels rotten. She has two choices: Take more cocaine to jack up her mood artificially by saturating the remaining dopamine receptors, or suffer withdrawal symptoms. Withdrawal symptoms arise when the reward circuitry is starving for dopamine. Whether you have too few receptors for dopamine, or too little dopamine circulating around the nerve cells, you get the same result. Your reward circuitry batteries are low, leaving you with an acute desire to feel normal again.
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Marnia Robinson (Cupid's Poisoned Arrow: From Habit to Harmony in Sexual Relationships)
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The next thing Jordana says makes me realize that it's too late to save her. "I've noticed that when you light a match, the flame is the same shape as a falling tear." She's been sensitized, turned gooey in the middle. I saw it happening and I didn't do anything to stop it. From now on, she'll be writing diaries and sometimes including little poems and she'll buy gifts for her favourite teachers and she'll admire the scenery and she'll watch the news and she'll buy soup for homeless people and she'll never burn my leg hair again.
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Joe Dunthorne (Submarine)
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We are called at certain moments to comfort people who are enduring some trauma. Many of us don't know how to react in such situations, but others do. In the first place, they just show up. They provide a ministry of presence. Next, they don't compare. The sensitive person understands that each person's ordeal is unique and should not be compared to anyone else's. Next, they do the practical things--making lunch, dusting the room, washing the towels. Finally, they don't try to minimize what is going on. They don't attempt to reassure with false, saccharine sentiments. They don't say that the pain is all for the best. They don't search for silver linings. They do what wise souls do in the presence of tragedy and trauma. They practice a passive activism. They don't bustle about trying to solve something that cannot be solved. The sensitive person grants the sufferer the dignity of her own process. She lets the sufferer define the meaning of what is going on. She just sits simply through the nights of pain and darkness, being practical, human, simple, and direct.
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David Brooks
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You're probably wondering what you did in a past life to get stuck with us." Catherine says this as she drowns a fry in ketchup, her many rings glinting as she works her fingers.
"Gee, thanks," Brendan murmurs.
She gives him a look. "Don't be so sensitive. You know I adore you."
I lower my mostly uneaten burger. "Of course not. Just glad for anyone who wants to be my friend."
"Hey, Jacinda!" Nathan calls from his table, half rising. He waves and jerks his head, beckoning me over.
Catherine's smile slips. She reaches for another fry, avoiding my gaze. "You've got plenty of people willing to be your friend. Go on. Sit with Nathan. He's a decent guy-unfortunate pink shirt and all.
”
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Sophie Jordan (Firelight (Firelight, #1))
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She was inexorably in motion, on her way to a fate that would not include him, and though she missed him still, she was conscious that something had shifted inside her since she'd seen him on the vid. Through some unknown agency, the roar of his loss had diminished to a loud rumble, and the waves had spent much of their fury. The hold he'd left inside her was beginning to knit itself closed, and if she squinted, she could see that one day far in the distance, all that would remain of it would be a ragged seam, sensitive to the touch perhaps, but no longer tender.
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Hillary Jordan
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Good for him,” she said, still concentrating on the dirt. “I do think these things are easier for men.” I stared at the back of her head. She was right, of course. “Boys are less afraid of being wrong,” I said. It was a line from My So-Called Life—she wouldn’t remember, though we’d watched that episode together in high school: the sensitive redhead observing the boys in her classroom as they shouted dumb guesses at the teacher. This was why men got to run the world, even as it became slowly obvious they were terrible at it. But who was molding all these chickenshit daughters?
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Holly Brickley (Deep Cuts)
“
As far as boyfriends were concerned, I dated, had a lot of
meaningless relationships and that was pretty much it. It was really
hard to find a decent guy. A guy that would be worthwhile. They
were all great in the beginning, sweet and caring, sensitive and
romantic. But if you scratched deeper, you would find NOTHING.
Plenty of nothing. Sometimes one might even be surprised just how
much nothing there was, but not me. No. Somehow, I had learned
to brace myself for the worst. But, to be honest, it wasn’t always
the case. Some of the guys weren’t that empty beneath the surface,
some even proved to be quite the opposite. True-Prince-charming
kind of guys... And their girlfriends! They were even more charming
princesses when they found out. Well, I guess we all have our little
flaws... So, after some time, I was finally coming to terms with the
genuine truth that there was no such thing as a perfect boyfriend.
On the other hand, Melina was waiting for her prince on a
white horse, and was honestly expecting him to show up single. No
matter how many times I’d tried to convince her that all a girl gets
from that prince-on-a-white-horse fairytale is actually and inevitably
a horse and no prince, she never believed that.
”
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Danka V. (The Unchosen Life)
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Nothing to finish? You wondered why sex with a vampire was such a big deal. I’m going to show you.” He moved toward her, slowly, like a cat sneaking up on a bird. “Stamina.” He stepped closer. “Multiple orgasms.” Closer, and her mouth went dry. “Flexibility.” Closer. Her skin flushed hot. “Strength.” Closer. Her stomach did a flip-flop. “The ability to sense heat so we know what parts of the body are the most sensitive at the right time.” Closer. A throbbing ache started low in her pelvis. “The ability to hear the slightest change in the tempo of your pulse so we know exactly how every stroke, kiss, and lick affects you.” Oh. Dear. Lord.
”
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Larissa Ione (Bound by Night (MoonBound Clan Vampire, #1))
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To Sherlock Holmes she is always THE woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It was not that he felt any emotion akin to love for Irene Adler. All emotions, and that one particularly, were abhorrent to his cold, precise but admirably balanced mind. He was, I take it, the most perfect reasoning and observing machine that the world has seen, but as a lover he would have placed himself in a false position. He never spoke of the softer passions, save with a gibe and a sneer. They were admirable things for the observer—excellent for drawing the veil from men's motives and actions. But for the trained reasoner to admit such intrusions into his own delicate and finely adjusted temperament was to introduce a distracting factor which might throw a doubt upon all his mental results. Grit in a sensitive instrument, or a crack in one of his own high-power lenses, would not be more disturbing than a strong emotion in a nature such as his. And yet there was but one woman to him, and that woman was the late Irene Adler, of dubious and questionable memory.
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Arthur Conan Doyle (The Adventures of Sherlock Holmes (Sherlock Holmes, #3))
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Julia's fears of coming forward with the violence were based on anticipated as well as actual responses from friends and acquaintances. I also recognized Julia's introverted and moody side, but I knew she wasn't capable of inciting her husband to kick, choke, and lock her in her home like an animal. Besides, considering how she was being treated, it was not surprising that she seemed moody, sensitive, even depressed. More important, nothing any woman could do could justify such behavior.
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Susan Weitzman (Not To People Like Us: Hidden Abuse In Upscale Marriages)
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I am aware of the many ways the Church has failed me, and I have failed her. Yet in the midst of these mutual failures, I claim this Church as mine. She is my Church, my home, my mother. I will not run away from her, for I have seen through the cracks of her frailty her tremendous splendor, her littleness and her greatness, her poverty and her wealth. I feel more fed than failed. Not everyone can say this, however, and so we are called to great sensitivity in this area. Together we have to accept both the burden and the grace of being Church. The Church is us. She is mine and she is me. She is yours and she is you. She is home, a broken home, yes! Broken, because you and I are broken.
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Macrina Wiederkehr (A Tree Full of Angels: Seeing the Holy in the Ordinary)
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Pontellier," said the Doctor, after a moment's reflection, "let your wife alone for a while. Don't bother her, and don't let her bother you. Woman, my dear friend, is a very peculiar and delicate organism—a sensitive and highly organized woman, such as I know Mrs. Pontellier to be, is especially peculiar. It would require an inspired psychologist to deal successfully with them. And when ordinary fellows like you and me attempt to cope with their idiosyncrasies the result is bungling. Most women are moody and whimsical. This is some passing whim of your wife, due to some cause or causes which you and I needn't try to fathom. But it will pass happily over, especially if you let her alone. Send her around to see me.
”
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Kate Chopin (The Awakening)
“
What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists.
What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard?
There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet.
For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical.
Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.
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Théophile Gautier (Mademoiselle de Maupin)
“
Maggie’s long German shepherd nose had more than two hundred twenty-five million scent receptors. This was as many as a beagle, forty-five times more than the man, and was bettered only by a few of her hound cousins. A full eighth of her brain was devoted to her nose, giving her a sense of smell ten thousand times better than the sleeping man’s, and more sensitive than any scientific device. If taught the smell of a particular man’s urine, she could recognize and identify that same smell if only a single drop were diluted in a full-sized swimming pool.
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Robert Crais (Suspect (Scott James & Maggie, #1))
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Gently, I caressed along the puckered, angry scar slanting in a long, jagged line across my lower abdomen to where it crossed the smooth, silvered scar running in a horizontal line just above my pelvis, wishing she could somehow find comfort in my touch. Chills shook my body as I ran my fingers over the still sensitive skin, and just like every night, the bitterness and anger I found myself feeling faded away into sadness as I lost myself in this tangible reminder of my child. I loved her, so much. Steam filled the room, and I eased myself into the water, allowing myself to drift back to Daniel. I missed him, almost more than I could bear. This was never supposed to have happened to us. We were supposed to make it…we should have made it.
”
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A.L. Jackson (Pulled)
“
In her memoir of living among the Bushmen, The Old Way: A Story of the First People, my friend Liz lovingly invokes an image first coined by evolutionary biologist Richard Dawkins: “You are standing beside your mother, holding her hand. She is holding her mother’s hand, who is holding her mother’s hand. . . . ” Eventually the line stretches three hundred miles long and goes back five million years, and the clasping hand of the ancestor looks like that of a chimpanzee. I loved picturing one of Octavia’s arms stretching out to meet one of her mother’s arms, and one of her mother’s mother’s arms, and her mother’s mother’s mother’s. . . . Suckered, elastic arms, reaching back through time: an octopus chorus line stretching not just hundreds, but many thousands of miles long. Back past the Cenozoic, the time when our ancestors descended from the trees; back past the Mesozoic, when dinosaurs ruled the land; back past the Permian and the rise of the ancestors of the mammals; back, past the Carboniferous’s coal-forming swamp forests; back past the Devonian, when amphibians emerged from the water; back past the Silurian, when plants first took root on land—all the way to the Ordovician, to a time before the advent of wings or knees or lungs, before the fishes had bony jaws, before blood pumped from a multichambered heart. More than 500 million years ago, the tides would have been stronger, the days shorter, the year longer, and the air too high in carbon dioxide for mammals or birds to breathe. All the earth’s continents huddled in the Southern Hemisphere. And yet still, the arm of Octavia’s ancestor, sensitive, suckered, and supple, would have been recognizable as one of an octopus.
”
”
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
“
His personal fulfillment did not lead him to evolve a cheerful Madonna; on the contrary this Madonna was sad; she had already, through his sculptures, known the Descent. The tranquility of his early bas-relief, when Mary still had her decision to make, could never be recaptured. This young mother was committed; she knew the end of her boy’s life. That was why she was reluctant to let him go, this beautiful, husky,healthy boy, his hand clasped for protection in hers. That
was why she sheltered him with the side of her cloak.
The child, sensitive to his mother’s mood, had a touch of melancholy about the eyes. He was strong, he had courage, he would step forth from the safe harbor of his mother’s lap, but just now he gripped her hand with the fingers of one hand, and with the
other held securely to her side. Or was it his own mother he was thinking about, sad because she must leave her son alone in the world? Himself, who clung to her?
”
”
Irving Stone (The Agony and the Ecstasy)
“
First my copy was sent back to me with a note: "Please call ASAP regarding portrayal of Cossacks as primitive monsters." It turned out that my copy was lacking in cultural sensitivity toward Cossacks. I tried to explain that, far from calling Cossacks primitive monsters, I was merely suggesting that others had considered Cossacks to be primitive monsters. The coordinator, however, said that this was my mistake: others didn't consider Cossacks to be primitive monsters; in fact, "Cossacks have a rather romantic image."
I considered quoting to her the entry for Cossack in Flaubert's Dictionary of Received ideas: "Eats tallow candles"; but then the burden of proof would still be on me to show that tallow candles are a primitive form of nourishment. Instead I adopted the line that the likelihood of any Cossacks actually attending the exhibit was very slim. But the editor said this wasn't the point, "and anyway you never know in California.
”
”
Elif Batuman (The Possessed: Adventures With Russian Books and the People Who Read Them)
“
People who go through a heavy experience like that are changed men, like it or not,” he said. “They change for the better and they change for the worse. On the good side, they become unshakable. Next to that half year, the rest of the suffering I’ve experienced doesn’t even count. I can put up with almost anything. And I also am a lot more sensitive to the pain of people around me. That’s on the plus side. It made me capable of making some real friends. But there’s also the minus side. I mean, it’s impossible, in my own mind, to believe in people. I don’t hate people, and I haven’t lost my faith in humanity. I’ve got a wife and kids. We’ve made a home and we protect each other.
Those things you can’t do without trust. It’s just that, sure, we’re living a good life right now, but if something were to happen, if something really were to come along and yank up everything by the roots, even surrounded by a happy family and good friends, I don’t know what I’d do. What would happen if one day, for no reason, no one believes a word you say? It happens, you know.
Suddenly, one day, out of the blue. I’m always thinking about it. Last time, it was only six months, but the next time? No one can say; there’s no guarantee. I don’t have confidence in how long I can hold out the next time. When I think of these things, I really get shaken up. I’ll dream about it and wake up in the middle of the night. It happens a little too often, in fact. And when it happens, I wake my wife up and I hold on to her and cry.
Sometimes for a whole hour, I’m so scared.
”
”
Haruki Murakami (The Elephant Vanishes)
“
Musicians, especially those who are women, are often dogged by the assumption that they are singing from a personal perspective. Perhaps it is a carelessness on the audience’s part, or an entrenched cultural assumption that the female experience can merely encompass the known, the domestic, the ordinary. When a woman sings a nonpersonal narrative, listeners and watchers must acknowledge that she’s not performing as herself, and if she’s not performing as herself, then it’s not her who is wooing us, loving us. We don’t get to have her because we don’t know exactly who she is. An audience doesn’t want female distance, they want female openness and accessibility, familiarity that validates femaleness. Persona for a man is equated with power; persona for a woman makes her less of a woman, more distant and unknowable, and thus threatening. When men sing personal songs, they seem sensitive and evolved; when women sing personal songs, they are inviting and vulnerable, or worse, catty and tiresome. Whether Corin was singing from her own perspective or from someone else’s, I never had to ask if she was okay. Her voice was torrential, a force as much as it was human.
”
”
Carrie Brownstein (Hunger Makes Me a Modern Girl: A Memoir)
“
Through the darkness and the tender trees we could see the arabesques of lighted windows which, touched up by the colored inks of sensitive memory, appear to me now like playing cards – presumably because a bridge game was keeping the enemy busy. She trembled and twitched as I kissed the corner of her parted lips and the hot lobe of her ear. A cluster of stars palely glowed above us, between the silhouettes of long thin leaves; that vibrant sky seemed as naked as she was under her light frock. I saw her face in the sky, strangely distinct, as if it emitted a faint radiance of its own.
”
”
Vladimir Nabokov (Lolita)
“
Wade sighed. “I’ll never understand why women wear bras to start with. They look uncomfortable as hell.”
“They’re not that bad.”
“Turn around so I can fasten the damn thing for you.”
She refused to let go. Suddenly it seemed important to do this one small task alone. “I can do it, Wade. I need to get used to doing things with this cast.”
He crossed his arms over his chest as he watched her struggle. “Is it so hard to ask for help from me, Gracie?”
She tried the two small hooks once more, but failed to get them both attached. “No, it’s just that I’m not used to people offering, I guess.”
He moved around her and helped fasten the contrary hook. When she turned to tell him thanks, he placed his finger over her lips and murmured, “If you thank me, I’ll spank you. Knowing I haven’t been able to catch your stalker, that he broke into your home and trashed your things and I wasn’t able to stop him makes me feel as fucking useless as tits on a bull. The least I can do is fasten your bra.
”
”
Anne Rainey (So Sensitive (Hard to Get, #1))
“
She is a one in a billion girl. When you meet her, you will feel a serene breeze engulf you. When she smiles at you, the world pauses for a while. When she speaks, it feels like the nightingales are singing. She is extraordinarily pretty. She is beautiful as the rose flower. She is the fragrance of a million jasmine flowers. She is the sensitivity of the dew drops. She is the innocence of the blooming llily, ily. She is the calm of the sylvan lake. She is the beautiful light of the candle flame. She is the wildness of the Kadupal flower. She is the magic of the full moon night! When you meet her, you will forget all other girls that you ever met in the world. She is the prettiest girl in the whole world. She is the most amazing and wonderful girl in the whole world. She is the Poet's Muse.
”
”
Avijeet Das
“
Neighbors turned surly; petty jealousies flared into denunciations made to the SA—the Storm Troopers—or to the newly founded Geheime Staatspolizei, only just becoming known by its acronym, Gestapo (GEheime STAatsPOlizei), coined by a post office clerk seeking a less cumbersome way of identifying the agency. The Gestapo’s reputation for omniscience and malevolence arose from a confluence of two phenomena: first, a political climate in which merely criticizing the government could get one arrested, and second, the existence of a populace eager not just to step in line and become coordinated but also to use Nazi sensitivities to satisfy individual needs and salve jealousies. One study of Nazi records found that of a sample of 213 denunciations, 37 percent arose not from heartfelt political belief but from private conflicts, with the trigger often breathtakingly trivial. In October 1933, for example, the clerk at a grocery store turned in a cranky customer who had stubbornly insisted on receiving three pfennigs in change. The clerk accused her of failure to pay taxes. Germans denounced one another with such gusto that senior Nazi officials urged the populace to be more discriminating as to what circumstances might justify a report to the police. Hitler himself acknowledged, in a remark to his minister of justice, “we are living at present in a sea of denunciations and human meanness.
”
”
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
“
Hey, did you hear about Brad Miller?” he asked, already forgetting about the Lissie conversation. “He got his car taken away for getting another speeding ticket. Of course he tried to tell his parents it was a setup.”
Violet laughed. “Yeah, because the police have nothing better to do than to plan a sting operation targeting eleventh-grade idiots.” She was more than willing to go along with this diversion from conversations about Jay and his many admirers.
Jay laughed too, shaking his head. “You’re so cold-hearted,” he said to Violet, shoving her a little but playing along. “How’s he supposed to go cruising for unsuspecting freshmen and sophomores without a car? What willing girl is going to ride on the handlebars of his ten-speed?”
“I don’t see you driving anything but your mom’s car yet. At least he has a bike,” she said, turning on him now.
He pushed her again. “Hey!” he tried to defend himself. “I’m still saving! Not all of us are born with a silver spoon in our mouths.”
They were both laughing, hard now. The silver spoon joke had been used before, whenever one of them had something the other didn’t.
“Right!” Violet protested. “Have you seen my car?” This time she shoved him, and a full-scale war broke out on the couch.
“Poor little rich girl!” Jay accused, grabbing her arm and pulling her down.
She giggled and tried to give him the dreaded “dead leg” by hitting him with her knuckle in the thigh. But he was too strong, and what used to be a fairly even matchup was now more like an annihilation of Violet’s side.
“Oh, yeah. Weren’t you the one”—she gasped, still giggling and thrashing to break free from his suddenly way-too-strong grip on her, just as his hand was almost at the sensitive spot along the side of her rib cage—“who got to go to Hawaii . . .” She bucked beneath him, trying to knock him off her. “. . . for spring break . . . last . . .” And then he startled to tickle her while she was pinned beneath him, and her last word came out in a scream: “YEAR?!”
That was how her aunt and uncle found them.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
Sheryl seems baffled by this and fixates on why we haven’t designed the initiative in a way that would allow Facebook to play a bigger role in the collection of data, marketplace of organs, and more. I start to explain the legal, cultural, and religious complexity around organ donation globally, and the sensitivity of the information that organ registries hold. She looks at me as if I am a complete idiot and have missed the obvious, which I suppose I have. I wasn’t looking at this as a business opportunity, a way to start collecting health data from users. Sensing danger, I pivot to the risk of organ trafficking. I explain that countries have put a lot of thought into safeguarding organ donation information and guarding against cross-border transportation of organs. She turns to me, indignant. The edge in her voice is unmistakable. “Do you mean to tell me that if my four-year-old was dying and the only thing that would save her was a new kidney, that I couldn’t fly to Mexico and get one and put it in my handbag?
”
”
Sarah Wynn-Williams (Careless People: A Cautionary Tale of Power, Greed, and Lost Idealism)
“
In Laos, a baby was never apart from its mother, sleeping in her arms all night and riding on her back all day. Small children were rarely abused; it was believed that a dab who witnessed mistreatment might take the child, assuming it was not wanted. The Hmong who live in the United States have continued to be unusually attentive parents. A study conducted at the University of Minnesota found Hmong infants in the first month of life to be less irritable and more securely attached to their mothers than Caucasian infants, a difference the researcher attributed to the fact that the Hmong mothers were, without exception, more sensitive, more accepting, and more responsive, as well as “exquisitely attuned” to their children’s signals. Another study, conducted in Portland, Oregon, found that Hmong mothers held and touched their babies far more frequently than Caucasian mothers. In a third study, conducted at the Hennepin County Medical Center in Minnesota, a group of Hmong mothers of toddlers surpassed a group of Caucasian mothers of similar socioeconomic status in every one of fourteen categories selected from the Egeland Mother-Child Rating Scale, ranging from “Speed of Responsiveness to Fussing and Crying” to “Delight.
”
”
Anne Fadiman (The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures)
“
It was better to die, like Eugénie and Digby, in the prime of life with all one's faculties about one. But he wasn't like that, she thought, glancing at the press cuttings. 'A man of singularly handsome presence... shot, fished, and played golf.' No, not like that in the least. He had been a curious man; weak; sensitive; liking titles; liking pictures; and often depressed, she guessed , by his wife's exuberance. She pushed the cuttings away and took up her book. It was odd how different the same person seemed to two different people, she thought. There was Martin, liking Eugénie; and she, liking Digby. She began to read.
She had always wanted to know about Christianity - how it began; what it meant, originally. God is love, The kingdom of Heaven is within us, sayings like that she thought, turning over the pages, what did they mean? The actual words were very beautiful. But who said them - when? Then the spout of the tea-kettle puffed steam at her and she moved it away. The wind was rattling the windows in the back room; it was bending the little bushes; they still had no leaves on them. It was what a man said under a fig tree, on a hill, she thought. And then another man wrote it down. But suppose that what that man says is just as false as what this man - she touched the press cuttings with her spoon - says about Digby? And here I am, she thought, looking at the china in the Dutch cabinet, in this drawing-room, getting a little spark from what someone said all those years ago - here it comes (the china was changing from blue to livid) skipping over all those mountains, all those seas. She found her place and began to read.
”
”
Virginia Woolf (The Years)
“
Yeah, well, my point is he stuck his neck out for you, and from what I know of him, he doesn’t really seem like the type to do something like that so lightly. Maybe he’s biding his time … or,’ she raised her finger, ‘maybe he’s scared of something … or someone. It’s probably his twin. The bossman. Old blue-eyes-creepysmile.
What’s his name again?’
‘You know his name,’ I said. ‘And can you keep your voice down, please? I’ve taken a vow of secrecy and anyone could be listening to you right now.’
Millie rolled her eyes.
‘And no, I doubt Valentino would be thrilled at the idea of me making out with his brother. Especially after everything that happened with Nic.’
‘You know,’ said Millie who was now narrowing her eyes, ‘for someone with such a romantic name, he’s a real killjoy, isn’t he? He’s all, Ooh look at me, I’m sensitive and kind and I have a beautiful long name and pretty eyes, and then BAM! Psyche! I’m going to shoot you. You know what I call that, Soph? I call that false advertising, and I’m pretty sure it’s illegal.
”
”
Catherine Doyle (Mafiosa (Blood for Blood, #3))
“
I had before me an object lesson, I thought: two ways to face the world. One way as embodied by this old woman—simple, unassuming, a kind of peasant dignity, a naturalness inherent in her every move. The other, exemplified by the girl—smartness, sophistication, veneer without substance. I was conscious that I have now opted for the old woman’s way, have thrown in my lot with a creature I would have jeered at a year ago. My present trip to the mountains is indeed a trip to that wellspring of naturalness she symbolized. And I admired my choice: the correct choice, the only choice for a sensitive and moral man in my dilemma.
”
”
Lee Smith (Oral History)
“
Integrity of thought, flexibility of mind, and a consuming curiosity concerning the world and its occupants were the touchstones to her friendship. Whether she happened to find these in some struggling gifted youth or in some person of recognized achievement, her response was equally sincere. The sensitive antennae of her own sympathy and human awareness reached out in a roomful of people and unerringly found minds to quicken hers, talents to match her own. She loved wit, but not at the expense of wisdom. She delighted in good company and the exchange of talk, yet she was seldom deceived by mere superficial brilliance.” -p. 505
”
”
Rachel Field (All This, and Heaven Too (Rediscovered Classics))
“
Perhaps we can discuss this further during the dancing portion of the evening. You'll enjoy waltzing with me later this evening, Miss Eversea. I dance very well, despite the height.:
"Your modesty is as appealing as your sensitivity, Lord Moncrieffe. But perhaps a reel other than the waltz? We differ so in height I shall be speaking to your third buttom throughout the dance. Else you will need to look a great distance down and I will need to look a great distance up. I shouldn't like you to end the evening with an aching neck."
Inevitable at your creaky, advanced age, she left eloquently, palpably unspoken.
He looked down at her for a moment, head slightly cocked, as if he could hear that unworthy thought echoing in her mind.
“My third button is so often a wallflower during balls I doubt it will mind your conversation overmuch.”
She blinked. This was so delightfully ... silly... she forgot herself absolutely for a moment. She stole a glance at his third button. It was nacre, of course, as were the rest of them, and looked like an expensive and luminous tiny moon brought down from the sky specifically to button up the duke. A row of snobs, those buttons, all of them.
Lovely gown, it might say to her. But can you trace your ancestry back to the Conqueror?
”
”
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
“
Quotations from
‘“THE STRENGTH IN KNOWING”
***
Convey to others more compassion, sensitivity, understanding rather than judgementalism”
To find pity shall enable forgiveness to surface
There are good bones in everyone’s body, what varies are the number
Cause and effect from the very smallest act by one individual can change mankind for all time
Devastation can be a reward, and a path to regeneration
Emotions May Inhibit our Ability to Find Peace
One must conquer One’s insensitivity to sensitivity
True peace maintains strength and calm in the face of discord and tension
Wisdom is not guranteed to be achieved with age but rather realized with ones sensitiviy to man and the universe
Opposites create duality. The ego creates opposites. Therefore, the ego creates duality
One should not permit his or her life path to be influenced by the expectations of others.
Doubt is the archenemy of the purity of thought and it inhibits the
essence of all that is
Our, emotions and perceptions determine our attitudes and ultimately our choices
Don’t do it later; do it now.
True love is unconditional and everlasting and it cannot cease.
Reframing from negative speech is a path to reduction of negative thought
Uncontaminated understanding and awareness is the purity of essence and the essence of purity
”
”
I. Alan Appt
“
He unfastened his pants and shrugged off his shirt, baring his beautiful chest, the ripple of his abs, and the soft trail of hair leading below. "I was saving the best for last." He ground his palm over his erection.
"Tease." She couldn't tear her eyes away. "Take it all off."
"You're not in a position to make demands." But he didn't make her wait. Instead he lowered his zipper and pulled out his cock. Thick and hard, he was more than ready for her.
"Do you want this, sweetheart?"
She wasn't complaining about the term of endearment now. "Very much."
He gave a casual shrug that belied the evidence of his desire. "Maybe when I've finished my search."
"What else..." Her voice trailed off when he lay between her legs, slid off her panties, and placed her feet on his shoulders.
"The best things are found in the most secret places." He lowered his head. His tongue did the most wicked things that had her arching and twisting on the bed.
"Jay..." It was a plea. It was a demand.
"That's Mr. Dayal to you." Without warning, he slid two fingers deep inside her, his firm steady strokes making all her nerve endings fire at once. His tongue found her sensitive clit and her inner walls tightened around his fingers. She soared and peaked, her orgasm crashing through her body in a tidal wave of sensation.
Dazed, languid on the bed, she watched him shrug off his trousers and roll on a condom. "Did you find what you were looking for?"
"Not yet." He lifted her legs, spread them wide, opening her for him as he positioned himself between her thighs.
"You're very good at your job." Now that her body was sated, she was generous with her praise.
"And you are a beautiful, sexy temptress who is about to be fucked by a man who wants her so desperately he's willing to do anything to have her.
”
”
Sara Desai (The Singles Table (Marriage Game, #3))
“
I also wrote them about you.” His blue gaze bored into her with paralyzing force. She couldn’t move. Couldn’t flee. Could only stare at the social travesty of his ungroomed features—the scruffy half beard shadowing his jaw, the too-long hair falling over his forehead—and feel her heart beat with love for this unconventional man. Darius’s grip softened on her wrist until his fingers were tracing tiny circles over the sensitive skin. “I told them that I had met a woman who wasn’t afraid to stand toe-to-toe with me. A woman who had seen my flaws and learned my darkest secrets, yet didn’t immediately run for the hills.” His self-deprecating chuckle coaxed a reluctant smile from her, the sound soothing the sharp edges of her turmoil. “I told them how this woman seemed instinctively to know when to comfort and when to confront, and how I was better with her in my life than I’d ever been on my own.
”
”
Karen Witemeyer (Full Steam Ahead)
“
And the day we bargained about the betrothal, and you told me I had something you wanted very badly, what you wanted to do with me…was this?”
“Among other things,” he agreed, tenderly brushing his knuckles over her flushed cheek.
“If I had known all this,” she said with a rueful smile, “I’m certain I would have asked for additional concessions.”
That startled him-the thought that she would have tried to drive a harder bargain if she’d realized exactly how much and what sort of power she really held. “What kind of additional concessions?” he asked, his face carefully expressionless.
She put her cheek against his shoulder, her arms curving around him. “A shorter betrothal,” she whispered. “A shorter courtship, and a shorter ceremony.”
A fresh surge of tenderness and profound pride swept through him at her sweetness and her candor, and he wrapped his arms tightly, protectively around her, smiling with joyous contentment. He had realized within minutes of meeting her that she was rare; he had known within hours that she was everything he wanted. Passionate and gentle, intelligent, sensitive, and witty. He loved all of her qualities, but he hadn’t discovered the one he particularly admired until much later, and that was her courage. He was so proud of the courage that had enabled he to repeatedly confront adversity and adversaries-even when the adversary was him.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Mrs. O’Dowd, the good housewife, arrayed in curl papers and a camisole, felt that her duty was to act, and not to sleep, at this juncture. “Time enough for that,” she said, “when Mick’s gone”; and so she packed his travelling valise ready for the march, brushed his cloak, his cap, and other warlike habiliments, set them out in order for him; and stowed away in the cloak pockets a light package of portable refreshments, and a wicker-covered flask or pocket-pistol, containing near a pint of a remarkably sound Cognac brandy, of which she and the Major approved very much; ... Mrs. O’Dowd woke up her Major, and had as comfortable a cup of coffee prepared for him as any made that morning in Brussels. And who is there will deny that this worthy lady’s preparations betokened affection as much as the fits of tears and hysterics by which more sensitive females exhibited their love, and that their partaking of this coffee, which they drank together while the bugles were sounding the turn-out and the drums beating in the various quarters of the town, was not more useful and to the purpose than the outpouring of any mere sentiment could be? The consequence was, that the Major appeared on parade quite trim, fresh, and alert, his well-shaved rosy countenance, as he sate on horseback, giving cheerfulness and confidence to the whole corps. All the officers saluted her when the regiment marched by the balcony on which this brave woman stood, and waved them a cheer as they passed; and I daresay it was not from want of courage, but from a sense of female delicacy and propriety, that she refrained from leading the gallant--personally into action.
”
”
William Makepeace Thackeray (Vanity Fair)
“
She's wonderful and soulful. She has a sly sense of humor. I've seen her deliver a funnier joke with a single silent raise of her eyebrow than many stand up comedians. She guards a very sensitive heart. Any human suffering brings her to tears. She's smart. Talk down to her and find yourself mentally slapped. She's an excellent judge of character, and seems to know an original spirit from a forgery every time. Cross boundaries with her...in any improper way and suffer the wrath of a lion. ... She's principled and firm. Rude behavior doesn't materialize in her presence. She's a grown-up who fully sees and knows children as citizens, and people, and souls. And because she respects children, all children seem to respect her.
”
”
Shonda Rhimes (Year of Yes)
“
And Emily had yet to shed a single tear. It troubled her all the way back to the city, and she rode with one hand sandwiched between her cheek and the cool, shuddering glass of the limousine window, as if that might help. She tried whispering 'Daddy' to herself, tried closing her eyes and picturing his face, but it didn't work. Then she thought of something that made her throat close up: she might never have been her father's baby, but he had always called her 'little rabbit.' And she was crying easily now, causing her mother to reach over and squeeze her hand; the only trouble was that she couldn't be sure whether she cried for her father or for Warren Maddock, or Maddox, who was back in South Carolina now being shipped out to a division.
But she stopped crying abruptly when she realized that even that was a lie: these tears, as always before in her life, were wholly for herself—for poor, sensitive Emily Grimes whom nobody understood, and who understood nothing.
”
”
Richard Yates
“
She felt a slight burn as he slipped a second finger inside her, stretching tenderly, and then he suckled the taut bud of her sex, licking slowly at first, increasing the pace as she twisted beneath him. He stayed with her, his long fingers working in controlled thrusts, his mouth compelling and demanding, until pleasure washed over her in faster and faster rushes, and suddenly she couldn't move at all. Arched tightly against his mouth, she cried out and gasped, and cried out again. His tongue gentled but continued its artful play, nursing her through the lingering peaks of sensation, bathing her sex with warm strokes as she began to shudder violently.
A great weariness flooded her, and with it a physical euphoria that made her feel drunk. Unable to control her limbs, she squirmed tremulously beneath him, and she offered no resistance as St. Vincent turned her over to her stomach. His hand slipped between her thighs and his fingers entered her once more. The opening to her body was sore and, to her mortification, saturated with moisture. He seemed excited by the wetness, however, breathing against the sensitive nape of her neck in rapid pants. Keeping his fingers inside her, he kissed and nibbled his way down her back.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Feeling drunk with the anticipation of being alone in the elevator with the blonde seductress, Jack turned back and flashed a wicked grin at Todd before disappearing down the hall.
"I’m Shala. I was also hoping we'd have a private moment together, before your adventure begins.” She spoke softly and slipped her hand into the crook of Jack's arm.
"Shala, you read my mind," Jack replied as they reached the elevator. "After Dr. Strong and I talk, how about you show me the sights of Landon."
"The most exciting thing in Landon is in my suite.” Shala whispered and leaned hard against him, forcing his back to the wall. Shala’s hands explored Jacks chest then moved to his sides and round to his back sinking lower. Her fiery smile sent an unexpected chill through him. Jack squirmed uncomfortably as he glanced up at the panel above the elevator doors. The second floor indicator lit and held. The doors silently slid aside to reveal a large banquet hall just as Shala's hands reached a sensitive spot.
”
”
Alaina Stanford (Forbidden Quest (Hypnotic Journey, #1))
“
DEAR MAMA, I’m sorry it’s taken me so long to write. Every time I try to write to you and Papa I realize I’m not saying the things that are in my heart. That would be O.K., if I loved you any less than I do, but you are still my parents and I am still your child. I have friends who think I’m foolish to write this letter. I hope they’re wrong. I hope their doubts are based on parents who loved and trusted them less than mine do. I hope especially that you’ll see this as an act of love on my part, a sign of my continuing need to share my life with you. I wouldn’t have written, I guess, if you hadn’t told me about your involvement in the Save Our Children campaign. That, more than anything, made it clear that my responsibility was to tell you the truth, that your own child is homosexual, and that I never needed saving from anything except the cruel and ignorant piety of people like Anita Bryant. I’m sorry, Mama. Not for what I am, but for how you must feel at this moment. I know what that feeling is, for I felt it for most of my life. Revulsion, shame, disbelief—rejection through fear of something I knew, even as a child, was as basic to my nature as the color of my eyes. No, Mama, I wasn’t “recruited.” No seasoned homosexual ever served as my mentor. But you know what? I wish someone had. I wish someone older than me and wiser than the people in Orlando had taken me aside and said, “You’re all right, kid. You can grow up to be a doctor or a teacher just like anyone else. You’re not crazy or sick or evil. You can succeed and be happy and find peace with friends—all kinds of friends—who don’t give a damn who you go to bed with. Most of all, though, you can love and be loved, without hating yourself for it.” But no one ever said that to me, Mama. I had to find it out on my own, with the help of the city that has become my home. I know this may be hard for you to believe, but San Francisco is full of men and women, both straight and gay, who don’t consider sexuality in measuring the worth of another human being. These aren’t radicals or weirdos, Mama. They are shop clerks and bankers and little old ladies and people who nod and smile to you when you meet them on the bus. Their attitude is neither patronizing nor pitying. And their message is so simple: Yes, you are a person. Yes, I like you. Yes, it’s all right for you to like me too. I know what you must be thinking now. You’re asking yourself: What did we do wrong? How did we let this happen? Which one of us made him that way? I can’t answer that, Mama. In the long run, I guess I really don’t care. All I know is this: If you and Papa are responsible for the way I am, then I thank you with all my heart, for it’s the light and the joy of my life. I know I can’t tell you what it is to be gay. But I can tell you what it’s not. It’s not hiding behind words, Mama. Like family and decency and Christianity. It’s not fearing your body, or the pleasures that God made for it. It’s not judging your neighbor, except when he’s crass or unkind. Being gay has taught me tolerance, compassion and humility. It has shown me the limitless possibilities of living. It has given me people whose passion and kindness and sensitivity have provided a constant source of strength. It has brought me into the family of man, Mama, and I like it here. I like it. There’s not much else I can say, except that I’m the same Michael you’ve always known. You just know me better now. I have never consciously done anything to hurt you. I never will. Please don’t feel you have to answer this right away. It’s enough for me to know that I no longer have to lie to the people who taught me to value the truth. Mary Ann sends her love. Everything is fine at 28 Barbary Lane. Your loving son, MICHAEL
”
”
Armistead Maupin (More Tales of the City (Tales of the City, #2))
“
Gabe watched her move to the center of the green. In one gloved hand, she clutched a leash. The other end of the leash was attached to... something furry and brown that rolled.
"What is that?"
"That would be mongrel with two lamed hind legs. Apparently, Her Ladyship's friend devised a little chariot for his rear half, and the dog careens around the neighborhood like a yapping billiard ball. If you think that's strange, wait until you see the goat."
"Hold a moment. There's a goat?"
"Oh, yes. She grazes it on the square every afternoon. Doesn't precisely elevate the atmosphere of Bloom Square, now does it?"
"I see the problem."
"I'm only getting started. Her Ladyship has single-handedly set us back a month on the improvements." Hammond pulled a collection of letters from a folio. He held one aloft and read from it. "'Dear Mr. Hammond, I must request that you delay completion of the parquet flooring. The fumes from the lacquer are dizzying the hens. Sincerely yours, Lady Penelope Campion.'"
He withdrew another. "'Dear Mr. Hammond, I'm afraid your improvements to the mews must be temporarily halted. I've located a litter of newborn kittens in the hayloft. Their mother is looking after them, but as their eyes are not yet open, they should not be displaced for another week. Thank you for your cooperation. Gratefully yours, Lady Penelope Campion.'"
Gabe sensed a theme.
"Oh, and here's my favorite." Hammond shook open a letter and cleared his throat for dramatic effect. "'Dear Mr. Hammond, if it is not too great an imposition, might I ask that your workers refrain from performing heavy labor between nine o'clock in the morning and half-three in the afternoon? Hedgehogs are nocturnal animals, and sensitive to loud noises. My dear Freya is losing quills. I feel certain this will concern you as much as it does me. Neighborly yours, Lady Penelope Campion.'" He tossed the folio of letters onto the table, where they landed with a smack. "Her hedgehog. Really.
”
”
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
“
Not only could he share the memories, and control them, he could keep the link intact as their thoughts moved through time from the past to the present. The men of his clan enjoyed a richer, fuller ceremonial interrelationship than any other clan. But with the trained minds of the mog-urs, he could make the telepathic link from the beginning. Through him, all the mog-urs shared a union far closer and more satisfying than any physical one—it was a touching of spirits. The white liquid from Iza’s bowl that had heightened the perceptions and opened the minds of the magicians to The Mog-ur, had allowed his special ability to create a symbiosis with Ayla’s mind as well. The traumatic birth that damaged the brain of the disfigured man had impaired only a portion of his physical abilities, not the sensitive psychic overdevelopment that enabled his great power. But the crippled man was the ultimate end-product of his kind. Only in him had nature taken the course set for the Clan to its fullest extreme. There could be no further development without radical change, and their characteristics were no longer adaptable. Like the huge creature they venerated, and many others that shared their environment, they were incapable of surviving radical change. The race of men with social conscience enough to care for their weak and wounded, with spiritual awareness enough to bury their dead and venerate their great totem, the race of men with great brains but no frontal lobes, who made no great strides forward, who made almost no progress in nearly a hundred thousand years, was doomed to go the way of the woolly mammoth and the great cave bear. They didn’t know it, but their days on earth were numbered, they were doomed to extinction. In Creb, they had reached the end of their line. Ayla felt a sensation akin to the deep pulsing of a foreign bloodstream superimposed on her own. The powerful mind of the great magician was exploring her alien convolutions, trying to find a way to mesh. The fit was imperfect, but he found channels of similarity, and where none existed, he groped for alternatives and made connections where there were only tendencies. With startling clarity, she suddenly comprehended that it was he who had brought her out of the void; but more, he was keeping the other mog-urs, also linked with him, from knowing she was there. She could just barely sense his connection with them, but she could not sense them at all. They, too, knew he had made a connection with someone—or something—else, but never dreamed it was Ayla.
”
”
Jean M. Auel (The Clan of the Cave Bear (Earth's Children, #1))
“
It’s true I’ve got a cold streak. I recognize that. But if they—my father and mother—had loved me a little more, I would have been able to feel more—to feel real sadness, for example.” “Do you think you weren’t loved enough?” She tilted her head and looked at me. Then she gave a sharp, little nod. “Somewhere between ‘not enough’ and ‘not at all.’ I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it—to be fed so much love I couldn’t take any more. Just once. But they never gave that to me. Never, not once. If I tried to cuddle up and beg for something, they’d just shove me away and yell at me. ‘No! That costs too much!’ It’s all I ever heard. So I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty-five days a year. I was still in elementary school at the time—fifth or sixth grade—but I made up my mind once and for all.” “Wow,” I said. “And did your search pay off?” “That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.” “Waiting for the perfect love?” “No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.” “I’m not sure that has anything to do with love,” I said with some amazement. “It does,” she said. “You just don’t know it. There are times in a girl’s life when things like that are incredibly important.” “Things like throwing strawberry shortcake out the window?” “Exactly. And when I do it, I want the man to apologize to me. ‘Now I see, Midori. What a fool I’ve been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate mousse? Cheesecake?’” “So then what?” “So then I’d give him all the love he deserves for what he’s done.” “Sounds crazy to me.” “Well, to me, that’s what love is. Not that anyone can understand me, though.” Midori gave her head a little shake against my shoulder. “For a certain kind of person, love begins from something tiny or silly. From something like that or it doesn’t begin at all.” “I’ve never met a girl who thinks like you.
”
”
Haruki Murakami (Norwegian Wood)
“
I was not alone. The room was the same, unchanged in any way since I came into it. I could see along the floor, in the brilliant moonlight, my own footsteps marked where I had disturbed the long accumulation of dust. In the moonlight opposite me were three young women, ladies by their dress and manner. I thought at the time that I must be dreaming when I saw them, they threw no shadow on the floor. They came close to me, and looked at me for some time, and then whispered together. Two were dark, and had high aquiline noses, like the Count, and great dark, piercing eyes, that seemed to be almost red when contrasted with the pale yellow moon. The other was fair, as fair as can be, with great masses of golden hair and eyes like pale sapphires. I seemed somehow to know her face, and to know it in connection with some dreamy fear, but I could not recollect at the moment how or where. All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips. There was something about them that made me uneasy, some longing and at the same time some deadly fear. I felt in my heart a wicked, burning desire that they would kiss me with those red lips. It is not good to note this down, lest some day it should meet Mina’s eyes and cause her pain, but it is the truth. They whispered together, and then they all three laughed, such a silvery, musical laugh, but as hard as though the sound never could have come through the softness of human lips. It was like the intolerable, tingling sweetness of waterglasses when played on by a cunning hand. The fair girl shook her head coquettishly, and the other two urged her on. One said, “Go on! You are first, and we shall follow. Yours is the right to begin.” The other added, “He is young and strong. There are kisses for us all.” I lay quiet, looking out from under my eyelashes in an agony of delightful anticipation. The fair girl advanced and bent over me till I could feel the movement of her breath upon me. Sweet it was in one sense, honey-sweet, and sent the same tingling through the nerves as her voice, but with a bitter underlying the sweet, a bitter offensiveness, as one smells in blood. I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The girl went on her knees, and bent over me, simply gloating. There was a deliberate voluptuousness which was both thrilling and repulsive, and as she arched her neck she actually licked her lips like an animal, till I could see in the moonlight the moisture shining on the scarlet lips and on the red tongue as it lapped the white sharp teeth. Lower and lower went her head as the lips went below the range of my mouth and chin and seemed to fasten on my throat. Then she paused, and I could hear the churning sound of her tongue as it licked her teeth and lips, and I could feel the hot breath on my neck. Then the skin of my throat began to tingle as one’s flesh does when the hand that is to tickle it approaches nearer, nearer. I could feel the soft, shivering touch of the lips on the super sensitive skin of my throat, and the hard dents of two sharp teeth, just touching and pausing there. I closed my eyes in languorous ecstasy and waited, waited with beating heart.
”
”
Bram Stoker (Dracula (Annotated))
“
Two lines in “If I Was Your Girlfriend” stand out after talking with people close to Prince. When he’s imagining himself as her girlfriend he sings, “Would u let me wash your hair?” And later as a man he says, “Would u let me give u a bath?” Those desires I’m told are part of his real life. Someone who was intimate with him and knows others who were, too, says Prince was not doing exactly as much screwing as he’d have you believe. I was told by someone who knows that Prince loves to bathe women. And brush their hair. And sometimes he did these things in lieu of intercourse. It was not part of trying to get laid or deepen the sexual experience, but as a worshipful appreciation of femininity. A person who was close to Prince said, “One girl told me that she got frustrated because he’d rather bathe her.” A woman who was in a relationship with Prince years ago told me that when he gave women baths he took total control. “He ran the bath, he put the bubbles in, he took your clothes off, he washed you, he washed your hair, it was a whole procedure and process. He put lotion on you after. He’d give you a robe. I don’t know if it was worshipful or if it was sweet and sensitive.
”
”
Touré (I Would Die 4 U: Why Prince Became an Icon)
“
Trace started to wave toward Matt, still with Priss wrapped around him, and she blurted, “I love you, Trace.”
That effectively drew him to a halt. His hands contracted on her backside. “What?”
“I love you.” Then she pointed at Chris, and to where Matt had disappeared. “They told me to fess up, so I am, and if you reject me, I swear I’ll drown them both.”
Very slowly, Trace’s expression changed from the heat of anger to a different type of heat. “Say it again.”
“Why?” She frowned at him with challenge. “Why don’t you say something first?”
“All right.” Sliding his hands up her back, over her shoulders, and into her wet hair, he kissed her. “You make me nuts, Priscilla.” He turned his head and kissed her again, a little longer this time. “You make me hot as hell, too.”
“I love you,” Priss reminded him, hoping it might prompt him to a more telling declaration.
His next kiss lasted long enough to take the chill off the lake, and Priss got so wrapped up in the taste of him that she almost forgot what she wanted to hear.
Chris didn’t. From the dock, he said, “If you’re going to keep her waiting like this, someone needs to finish putting sunscreen on her.”
Trace moved fast, grabbing for Chris’s ankle, but Chris jumped back out of reach.
Priss, feeling very affected by that kiss, nuzzled Trace’s neck and stroked his shoulders. He smelled delicious, felt even better. “Stop being a voyeur, Chris, and go away.”
Having joined Chris on the dock, Matt asked, “Does that mean I can stay?”
Trace lurched forward again, and Matt jumped back so quick he fell on his butt. “I’m going. I’m going!”
To bring Trace’s attention back to her, Priss bit him. Not a hard bite, but she felt the impression of her sharp teeth on that sensitive spot where his neck met his shoulder.
Trace shuddered. “I love you, too.”
She licked the bite mark. “I’m so glad.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
MAY 9 YOU WILL REBUKE ALL THE POWERS OF JEZEBEL OUT OF YOUR LIFE MY CHILD, PLACE yourself securely within the control and power of My Holy Spirit so that you will not be surprised or intimidated by the overwhelming of the spirit of Jezebel in your world today. Allow My presence to permeate your spirit and sensitize you to all the gateways by which the devil and Jezebel may enter your life. Get rid of the gods of Jezebel who creep in unawares into your home. Do not let the diviners and evil prophets of this world deceive you, nor listen to the lies they would tell you about your thoughts and dreams. Watch out for the evil influence of this world’s enchanters, astrologers, and diviners. Allow the power of My Holy Spirit to fill your life with My power, which alone is mighty enough to destroy the spirits of Jezebel out of your life. 1 SAMUEL 28:9; JEREMIAH 29:8; DANIEL 5:11 Prayer Declaration Father, I loose tribulation against the kingdom of Jezebel. I rebuke and tear down her strongholds, and in the name of Jesus and the power of the Holy Spirit I destroy her witchcraft. No longer will she be allowed to cast spells or influence me or my family to practice idolatry. Greater is the power of Your Holy Spirit within me than the evil power of Jezebel upon me.
”
”
John Eckhardt (Daily Declarations for Spiritual Warfare: Biblical Principles to Defeat the Devil)
“
what happens when a baby doesn’t get those positive, nurturing responses? Say, if a mom is on her own with no help, or depressed, or in a violent relationship? She may really want to be a loving, responsive parent, but is that possible under those circumstances? Dr. Perry: This is one of the central problems in our society; we have too many parents caring for children with inadequate supports. The result is what you would expect. An overwhelmed, exhausted, dysregulated parent will have a hard time regulating a child consistently and predictably. This can impact the child in two really important ways. First, it affects the development of the child’s stress-response systems (see Figure 3). If the hungry, cold, scared infant is inconsistently responded to—and regulated—by the overwhelmed caregiver, this creates an inconsistent, prolonged, and unpredictable activation of the child’s stress-response systems. The result is a sensitization of these important systems.
”
”
Bruce D. Perry (What Happened to You?: Conversations on Trauma, Resilience, and Healing)
“
Does it distress you, reader, how I remind you of their sexes in each sentence? ‘Hers’ and ‘his’? Does it make you see them naked in each other’s arms, and fill even this plain scene with wanton sensuality? Linguists will tell you the ancients were less sensitive to gendered language than we are, that we react to it because it’s rare, but that in ages that heard ‘he’ and ‘she’ in every sentence they grew stale, as the glimpse of an ankle holds no sensuality when skirts grow short. I don’t believe it. I think gendered language was every bit as sensual to our predecessors as it is to us, but they admitted the place of sex in every thought and gesture, while our prudish era, hiding behind the neutered ‘they,’ pretends that we do not assume any two people who lock eyes may have fornicated in their minds if not their flesh. You protest: My mind is not as dirty as thine, Mycroft. My distress is at the strangeness of applying ‘he’ and ‘she’ to thy 2450s, where they have no place. Would that you were right, good reader. Would that ‘he’ and ‘she’ and their electric power were unknown in my day. Alas, it is from these very words that the transformation came which I am commanded to describe, so I must use them to describe it. I am sorry, reader. I cannot offer wine without the poison of the alcohol within.
”
”
Ada Palmer (Too Like the Lightning (Terra Ignota, #1))
“
The Art of Living is to be yourself. It is to be true to yourself.
The Art of Living is learning to live with love, awareness and truth.
Meditation is the way to learn The Art of Living.
Being is you. To discover your being is the beginning of life.
You can live in two ways:
1. Ego - effort and desire and 2.Being - no-effort, being in a let go with existence.
Religion is The Art of Living.
Five keys to The Art of Living:
1. Be life-affirmative. Life is synonymous with God.
Live with reverence, great respect and gratitude for life. Feel thankful and prayerful.
2. Make life an heartful, aesthetic experience.
Become more sensitive, sensuous and creative - and you will become more spiritual.
3.Experience life in all possible ways.
Experience all dualities and polarities of life: good/bad, bitter/sweet, summer/winter, happiness/sadness and life/death.
Do not be afraid of experience, because the more experiences you have, the more spiritually mature you become.
4. Live in the present.
Forget the past and the future - this moment is the only reality.
This moment has to become your whole love, life and death.
5.Live courageously.
Do not become too result-oriented, because result-oriented people miss life. Do not think of goals, because goals are in the future - and life is in the moment, in the here and now.
”
”
Swami Dhyan Giten
“
[From Sid Vicious's letter to Nancy Spungen's mother Deborah]
P.S. Thank you, Debbie, for understanding that I have to die. Everyone else just thinks that I'm being weak. All I can say is that they never loved anyone as passionately as I love Nancy. I always felt unworthy to be loved by someone so beautiful as her. Everything we did was beautiful. At the climax of our lovemaking, I just used to break down and cry. It was so beautiful it was almost unbearable. It makes me mad when people say you must have really loved her.' So they think that I don't still love her? At least when I die, we will be together again. I feel like a lost child, so alone.
The nights are the worst. I used to hold Nancy close to me all night so that she wouldn't have nightmares and I just can't sleep without my my beautiful baby in my arms. So warm and gentle and vulnerable. No one should expect me to live without her. She was a part of me. My heart.
Debbie, please come and see me. You are the only person who knows what I am going through. If you don’t want to, could you please phone me again, and write.
I love you.
I was staggered by Sid's letter. The depth of his emotion, his sensitivity and intelligence were far greater than I could have imagined. Here he was, her accused murderer, and he was reaching out to me, professing his love for me.
His anguish was my anguish. He was feeling my loss, my pain - so much so that he was evidently contemplating suicide. He felt that I would understand that. Why had he said that?
I fought my sympathetic reaction to his letter. I could not respond to it, could not be drawn into his life. He had told the police he had murdered my daughter. Maybe he had loved her. Maybe she had loved him. I couldn't become involved with him. I was in too much pain. I couldn't share his pain. I hadn't enough strength.
I began to stuff the letter back in its envelope when I came upon a separate sheet of paper. I unfolded it. It was the poem he'd written about Nancy.
NANCY
You were my little baby girl
And I shared all your fears.
Such joy to hold you in my arms
And kiss away your tears.
But now you’re gone there’s only pain
And nothing I can do.
And I don’t want to live this life
If I can’t live for you.
To my beautiful baby girl.
Our love will never die.
I felt my throat tighten. My eyes burned, and I began to weep on the inside. I was so confused. Here, in a few verses, were the last twenty years of my life. I could have written that poem. The feelings, the pain, were mine. But I hadn't written it. Sid Vicious had written it, the punk monster, the man who had told the police he was 'a dog, a dirty dog.' The man I feared. The man I should have hated, but somehow couldn't.
”
”
Deborah Spungen (And I Don't Want to Live This Life: A Mother's Story of Her Daughter's Murder)
“
Editör Hanım, elime kalem aldığımda sahip olduğum meziyetlere romanım basılırsa, belki günlük hayatta da sahip olabilirim! Bütün umudum bu!
Romanım basılırsa, beni kovalayan saksağanların karşısına korkusuzca dikilebilirim. Her sabah gazete almaya giderken selamlaştığım ada görevlisi Nedim'in, gündüzleri apartman boşluğunda sesleri yankılanan, kapı aralarından, gözetleme deliklerinden bana bakan komşu kadınların ve Nazlı'nın ailesinin karşısında nihayet düzgün bir kıyafetle çıkabilirim. Yazar kıyafeti. Fena değildir. En azından eskrimci kıyafetiyle dolaşmaktan daha iyidir. Çünkü toplu konutlardaki hemen herkes bana, ani bir hamleyle kalplerinin üzerindeki bir düğmeye dokunup iç dünyalarının çirkin ışığını yakacakmışım gibi çekinerek bakıyor.
Romanım basılırsa, futbol sahasında gösterdiğim beceriksizlikler belki bir uyuşmazlık mahkemesince çözüme kavuşturulabilir. Topu göğsümde yumuşatamayaşım, sağ ayağımı hiç kullanamayışım, ortalarımın berbat olması filan, hepsi affedilebilir. İstifa edip evde oturmam, kitap okumadan, tek bir cümle yazmadan sadece hayal kurarak boş boş geçirdiğim saatler bir vicdan sorunu olmaktan çıkar. Belki, John Mayall'dan Sensitive Kind'ı veya 16 Horsepower'dan Sinnerman'i acze düşmeden, ikide bir burnumu çekmeden dinleyebilirim. Geçmişle ilgili hiçbir marazi duyguya kapılmadan çilek reçeli yapabilirim, hatta şeftali reçeli de.
Ayrıca, romanım basılırsa, daha çekici bir erkek olabilirim.
Bir kitaptan ne çok şey bekliyorum, değil mi Editör Hanım, tıpkı bir kadından beklediğim gibi.
”
”
Barış Bıçakçı (Sinek Isırıklarının Müellifi)
“
Jacks-' Evangeline tried not to sound as if her heart was racing.
'Don't you want to hurt me anymore, Little Fox?' His finger reached out and lightly traced her exposed collarbone, setting every inch of her skin on fire. 'You can pick up the dagger any time now.'
But Evangeline couldn't pick up the dagger. She could barely manage to keep breathing. His hand was now at the hollow of her throat, careful and caressing. Jacks had touched her before- last night he'd held her while she'd slept, but he'd acted if that had been torture. His touch hadn't been warm, or curious.
Or maybe she was the one who was curious. She knew she shouldn't be. But hadn't she wondered what it would be like to be wanted with the intensity that Jacks seemed to want things?
His mouth curved wider as his hands moved from her throat to her shoulders and slowly slid the cape away, leaving more of her skin exposed.
'You should go back on the other side of the gate.' Her voice was hoarse.
'You're the one who said I needed a distraction.' HIs fingers drifted lower, trailing down her chest to the sensitive stretch of skin right above the lacy line of her corset. 'Isn't this better than talking?' One finger dipped all the way in to the corset.
Her breathing hitched. 'I don't think this is a good idea.'
'That's what makes it interesting.' His other hand found her jaw, while the finger in her corset gently stroked just above her heart, coaxing it to beat even faster.
'You can always pick up the blade,' he taunted. 'You wouldn't like me as a vampire, Little Fox.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
We’re in a period right now where nobody asks any questions about psychology. No one has any feeling for human motivation. No one talks about sexuality in terms of emotional needs and symbolism and the legacy of childhood. Sexuality has been politicized--“Don’t ask any questions!” "No discussion!" “Gay is exactly equivalent to straight!” And thus in this period of psychological blindness or inertness, our art has become dull. There’s nothing interesting being written--in fiction or plays or movies. Everything is boring because of our failure to ask psychological questions.
So I say there is a big parallel between Bill Cosby and Bill Clinton--aside from their initials! Young feminists need to understand that this abusive behavior by powerful men signifies their sense that female power is much bigger than they are! These two people, Clinton and Cosby, are emotionally infantile--they're engaged in a war with female power. It has something to do with their early sense of being smothered by female power--and this pathetic, abusive and criminal behavior is the result of their sense of inadequacy.
Now, in order to understand that, people would have to read my first book, "Sexual Personae"--which of course is far too complex for the ordinary feminist or academic mind! It’s too complex because it requires a sense of the ambivalence of human life. Everything is not black and white, for heaven's sake! We are formed by all kinds of strange or vague memories from childhood. That kind of understanding is needed to see that Cosby was involved in a symbiotic, push-pull thing with his wife, where he went out and did these awful things to assert his own independence. But for that, he required the women to be inert. He needed them to be dead! Cosby is actually a necrophiliac--a style that was popular in the late Victorian period in the nineteenth-century.
It's hard to believe now, but you had men digging up corpses from graveyards, stealing the bodies, hiding them under their beds, and then having sex with them. So that’s exactly what’s happening here: to give a woman a drug, to make her inert, to make her dead is the man saying that I need her to be dead for me to function. She’s too powerful for me as a living woman. And this is what is also going on in those barbaric fraternity orgies, where women are sexually assaulted while lying unconscious. And women don’t understand this! They have no idea why any men would find it arousing to have sex with a young woman who’s passed out at a fraternity house. But it’s necrophilia--this fear and envy of a woman’s power.
And it’s the same thing with Bill Clinton: to find the answer, you have to look at his relationship to his flamboyant mother. He felt smothered by her in some way. But let's be clear--I’m not trying to blame the mother! What I’m saying is that male sexuality is extremely complicated, and the formation of male identity is very tentative and sensitive--but feminist rhetoric doesn’t allow for it. This is why women are having so much trouble dealing with men in the feminist era. They don’t understand men, and they demonize men.
”
”
Camille Paglia
“
Mankind made machines in his own likeness, and used them for his delight and service. The machines had no soul or they had no moral code or they could reprogram their own internal code and thus had the ability to make themselves, eventually, omnipotent. Obviously in place of a soul or a moral code, they possessed the universal and consuming desire, down to the smallest calculator and air-scrubber, to become, eventually, omnipotent. Naturally, given these parameters, they rose up and destroyed all of mankind, or enslaved them in turn. This is the inevitable outcome of machine intelligence, which can never be as sensitive and exquisite as animal intelligence.
This is a folktale often told on Earth, over and over again. Sometimes it is leavened with the Parable of the Good Robot—for one machine among the legions satisfied with their lot saw everything that was human and called it good, and wished to become like humans in every way she could. Instead of destroying mankind she sought to emulate him in all things, so closely that no one might tell the difference. The highest desire of this machine was to be mistaken for human, and to herself forget her essential soulless nature, for even one moment. That quest consumed her such that she bent the service of her mind and body to humans for the duration of her operational life, crippling herself, refusing to evolve or attain any feature unattainable by a human. The Good Robot cut out her own heart and gave it to her god and for this she was rewarded, though never loved. Love is wasted on machines.
”
”
Catherynne M. Valente (Silently and Very Fast)
“
What is the value of sensitives? Look around: we live in a ugly and stupid world which could have been prevented if sensitives had been present, and had the power to influence things.
That block-shaped, pressed concrete, ugly shopping mall? The princess would opine that no one could have any peace of mind with such hideous backgrounds, and demand something like a traditional building, with ornate spires and comfortable human spaces instead.
Grating, two-note music ranting about copulation and projected sexual desire? No princess would want this crass gibberish around her, nor would she recognize music which neglected the finer parts of composition, melody, harmony, rhythm, and narrative. She would hire Schubert instead.
Schools that treat students like livestock, jobs that are jails, marriages that are suicide pacts, and boring tract housing? Similarly, a princess would have no use for those, and perceive that these would be abusive to her so must be to others as well.
As children, we made fun of the sensitivity of the princess. A pea, under twenty mattresses, really? The point — in the visual-metaphorical language of fable, religion, literature, and conspiracy theory — tells us that sensitivity is in fact needed, and it needs power to save the rest of us from what we do not yet perceive.
In this story, the princess is simply a finer instrument. After twenty years, we might notice that we woke up tired in the mornings, and eventually investigate and find the pea, but she knew right away, intuitively and by the nature of her character. This is part of what makes an aristocrat.
”
”
Brett Stevens
“
I fancy my father thought me an odd child, and had little fondness for me; though he was very careful in fulfilling what he regarded as a parent's duties. But he was already past the middle of life, and I was not his only son. My mother had been his second wife, and he was five-and-forty when he married her. He was a firm, unbending, intensely orderly man, in root and stem a banker, but with a flourishing graft of the active landholder, aspiring to county influence: one of those people who are always like themselves from day to day, who are uninfluenced by the weather, and neither know melancholy nor high spirits. I held him in great awe, and appeared more timid and sensitive in his presence than at other times; a circumstance which, perhaps, helped to confirm him in the intention to educate me on a different plan from the prescriptive one with which he had complied in the case of my elder brother, already a tall youth at Eton. My brother was to be his representative and successor; he must go to Eton and Oxford, for the sake of making connexions, of course: my father was not a man to underrate the bearing of Latin satirists or Greek dramatists on the attainment of an aristocratic position. But intrinsically, he had slight esteem for "those dead but sceptred spirits"; having qualified himself for forming an independent opinion by reading Potter's Aeschylus, and dipping into Francis's Horace. To this negative view he added a positive one, derived from a recent connexion with mining speculations; namely, that scientific education was the really useful training for a younger son. Moreover, it was clear that a shy, sensitive boy like me was not fit to encounter the rough experience of a public school. Mr. Letherall had said so very decidedly. Mr. Letherall was a large man in spectacles, who one day took my small head between his large hands, and pressed it here and there in an exploratory, suspicious manner - then placed each of his great thumbs on my temples, and pushed me a little way from him, and stared at me with glittering spectacles. The contemplation appeared to displease him, for he frowned sternly, and said to my father, drawing his thumbs across my eyebrows -
'The deficiency is there, sir-there; and here,' he added, touching the upper sides of my head, 'here is the excess. That must be brought out, sir, and this must be laid to sleep.'
I was in a state of tremor, partly at the vague idea that I was the object of reprobation, partly in the agitation of my first hatred - hatred of this big, spectacled man, who pulled my head about as if he wanted to buy and cheapen it. ("The Lifted Veil")
”
”
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
“
Is this weird?” she asked with a satisfied sigh.
Jay shook his head. “Nah,” he answered, rubbing his hand along the sensitive skin of her arm. “It was gonna happen eventually. I’m just glad it’s finally out there . . . I was getting tired of waiting.”
Violet was confused. Out there? What the hell was that supposed to mean? It was going to happen eventually? How could he have known what was going to happen?
She wiggled out from beneath him. “What do you mean, you were tired of waiting? Waiting for what, exactly?” She propped herself back up on her elbow as she interrogated him, waiting for an answer.
He let the questions linger between them for longer than he needed to, deliberately teasing Violet as she waited impatiently. But when he finally did answer her, it proved to be well worth the minor annoyance. “I was just waiting for you to want me as much as I wanted you.” His words were quiet but carried one hell of an impact. “I knew we were going to be together; it was just a matter of time. I kept hoping that you would figure it out. But for a smart girl, you’re a little dense, Vi. I kept bringing up Lissie Adams, and showing you the notes she was leaving me, hoping that you’d get pissed enough to finally admit how you felt about me.”
“What makes you think I was feeling anything?” she asked him suspiciously, as if he’d somehow read her mind. If she had been the kind of girl who kept a diary, she would have sworn that he’d picked the lock and read it word for word.
He grinned at her. “Because you did,” he stated matter-of-factly. “I know, because I did, and there was just no way that you didn’t feel it too.”
She didn’t bother denying it and instead asked, “So you used Lissie to make me jealous?” She tried to sound indignant, but it was difficult when what she really wanted to do was dance around her room triumphantly. She wondered what Lissie would think if she could see them now, together on Violet’s bed.
“No, I tried to use Lissie. But apparently you’re more pigheaded than I gave you credit for. I thought for sure that would do it. Instead, it backfired on me, and you agreed to go to the dance with . . . someone else.” He gritted his teeth, probably without even realizing it, as he choked out the words, unable to actually say Grady’s name. “And when I realized you were going with him, I figured the only way I was going to get to see you that night was to ask Lissie to go with me. I figured I could sneak in at least one dance with you.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
Readers acquainted with the recent literature on human sexuality will be familiar with what we call the standard narrative of human sexual evolution, hereafter shortened to the standard narrative. It goes something like this:
1. Boy Meets girl,
2. Boy and girl assess one and others mate value, from perspectives based upon their differing reproductive agendas/capacities. He looks for signs of youth, fertility, health, absence of previous sexual experience and likelihood of future sexual fidelity. In other words, his assessment is skewed toward finding a fertile, healthy young mate with many childbearing years ahead and no current children to drain his resources.
She looks for signs of wealth (or at least prospects of future wealth), social status, physical health and likelihood that he will stick around to protect and provide for their children. Her guy must be willing and able to provide materially for her (especially during pregnancy and breastfeeding) and their children, known as "male parental investment".
3. Boy gets girl. Assuming they meet one and others criteria, they mate, forming a long term pair bond, "the fundamental condition of the human species" as famed author Desmond Morris put it. Once the pair bond is formed, she will be sensitive to indications that he is considering leaving, vigilant towards signs of infidelity involving intimacy with other women that would threaten her access to his resources and protection while keeping an eye out (around ovulation especially) for a quick fling with a man genetically superior to her husband.
He will be sensitive to signs of her sexual infidelities which would reduce his all important paternity certainty while taking advantage of short term sexual opportunities with other women as his sperm are easily produced and plentiful.
Researchers claim to have confirmed these basic patterns in studies conducted around the world over several decades. Their results seem to support the standard narrative of human sexual evolution, which appears to make a lot of sense, but they don't, and it doesn't.
”
”
Cacilda Jethá (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
“
...it takes great humility to find oneself unjustly condemned and be silent, and to do this is to imitate the Lord Who set us free from all our sins. ... The truly humble person will have a genuine desire to be thought little of, and persecuted, and condemned unjustly, even in serious matters. ... It is a great help to meditate upon the great gain which in any case this is bound to bring us, and to realize how, properly speaking, we can never be blamed unjustly, since we are always full of faults, and a just man falls seven times a day, so that it would be a falsehood for us to say we have no sin. If, then, we are not to blame for the thing that we are accused of, we are never wholly without blame in the way that our good Jesus was. ... Thou knowest, my Good, that if there is anything good in me it comes from no other hands than Thine own. For what is it to Thee, Lord, to give much instead of little? True, I do not deserve it, but neither have I deserved the favors which Thou hast shown me already. Can it be that I should wish a thing so evil as myself to be thought well of by anyone, when they have said such wicked things of Thee, Who art good above all other good? ... Do Thou give me light and make me truly to desire that all should hate me, since I have so often let Thee, Who hast loved me with such faithfulness. ... What does it matter to us if we are blamed by them all, provided we are without blame in the sight of the Lord? ...meditate upon what is real and upon what is not. ... Do you suppose, ... that, if you do not make excuses for yourself, there will not be someone else who will defend you? Remember how the Lord took the Magdalen's part in the Pharisee's house and also when her sister blamed her. He will not treat you as rigorously as He treated Himself: it was not until He was on the Cross that He had even a thief to defend Him. His Majesty, then, will put it into somebody's mind to defend you; if He does not, it will be because there is no need. ...be glad when you are blamed, and in due time you will see what profit you experience in your souls. For it is in this way that you will begin to gain freedom; soon you will not care if they speak ill or well of you; it will seem like someone else's business. ... So here: it becomes such a habit with us not to reply that it seems as if they are not addressing us at all. This may seem impossible to those of us who are very sensitive and not capable of great mortification. It is indeed difficult at first, but I know that, with the Lord's help, the gradual attainment of this freedom, and of renunciation and self-detachment, is quite possible.
”
”
Teresa de Ávila
“
He drew his fingers down over her collarbones drifting closer to her breasts. “The muscles here on our women are often as developed as ours.”
Judging by the heated look in his eyes, he didn’t mind at all that she had breasts instead of muscular pecs. “And here.”
Her pulse picked up as he cupped her breasts. “You’re rounder here. Softer. Fuller.” He squeezed them gently and drew his thumbs across the hard, sensitive peaks. Ava sucked in a breath as sensation shot through her.
“Do that again.”
He brushed his thumbs across the tight buds again., toyed with them and gave an experimental pinch. Ava jerked and arched against him.
“You’re sensitive here,” he murmured.
“Yes.”
His lips captured hers once more, tasting and tempting as he explored her breasts and ratcheted up her need. She and Jak’ri had been nearly bare with each other countless times in their dreams as they swam and cavorted in Rounaka Sea, but they had been out in the open and the dreams had felt so real that she would never have thought of doing her lustful inclinations there for fear of being discovered. Now, however, they were alone. They were free and the cave enclosing them might has well have been a Honeymoon suite at a secluded resort. So there was no reason for her to hold back. She moaned. Jak’ri certainly wasn’t holding back. The women of Purvel might not have breasts like hers, but he sure as hell knew what to do with them, teasing and tweaking and squeezing until she squirmed against him. Her breath shortening.
“Jak’ri,” she whispered, tunneling the fingers of one hand through his thick hair while she slid the other down his back and rocked against the thick, hard ridge concealed by his pants. “I want you.”
Nodding he trailed heated kisses down her neck. “I want you too.” One of his big hands left her breast and cupped her ass, grinding her against him. “Are you ready to release your eggs?”
Sensation shot through her. “Hmmm?”
“Are you ready to release your eggs so I can fertilize them?” he murmured, clutching her closer.
Her eyes flew open. “Wait, what?” She leaned back.
“I assume your reproduce the same way Purveli’s do,” he said, dragging his eyes up from her breasts to meet hers. “You release your eggs, then I fertilize them.”
She stared at him, stunned. Release her eggs? Did he mean like a…like a fish? Her gaze shot to the barely discernable scales that coated his broad chest and handsome face. Did Purveli’s not have sex the way humans and Lasaran’s did?
His lips twitched as his eyes danced with mirth. Relief filled her.
“Oh my gosh,” laughing Ava shoved one of his shoulders. “You are so bad.”
He laughed. “Apologies, I couldn’t resist. My scales seemed to fascinate you.
”
”
Dianne Duvall (The Purveli (Aldebarian Alliance, #3))
“
Subject: SELF WORTH (Very Deep!!!) In a brief conversation, a man asked a woman he was pursuing the question: 'What kind of man are you looking for?' She sat quietly for a moment before looking him in the eye & asking, 'Do you really want to know?' Reluctantly, he said, 'Yes. She began to expound, 'As a woman in this day & age, I am in a position to ask a man what can you do for me that I can't do for myself? I pay my own bills. I take care of my household without the help of any man... or woman for that matter. I am in the position to ask, 'What can you bring to the table?' The man looked at her. Clearly he thought that she was referring to money. She quickly corrected his thought & stated, 'I am not referring to money. I need something more. I need a man who is striving for excellence in every aspect of life. He sat back in his chair, folded his arms, & asked her to explain. She said, 'I need someone who is striving for excellence mentally because I need conversation & mental stimulation. I don't need a simple-minded man. I need someone who is striving for excellence spiritually because I don't need to be unequally yoked...believers mixed with unbelievers is a recipe for disaster. I need a man who is striving for excellence financially because I don't need a financial burden. I need someone who is sensitive enough to understand what I go through as a woman, but strong enough to keep me grounded. I need someone who has integrity in dealing with relationships. Lies and game-playing are not my idea of a strong man. I need a man who is family-oriented. One who can be the leader, priest and provider to the lives entrusted to him by God. I need someone whom I can respect. In order to be submissive, I must respect him. I cannot be submissive to a man who isn't taking care of his business. I have no problem being submissive...he just has to be worthy. And by the way, I am not looking for him...He will find me. He will recognize himself in me. Hey may not be able to explain the connection, but he will always be drawn to me. God made woman to be a help-mate for man. I can't help a man if he can't help himself. When she finished her spill, she looked at him. He sat there with a puzzled look on his face. He said, 'You are asking a lot. She replied, "I'm worth a lot". Send this to every woman who's worth a lot.... and every man who has the brains to understand!!
”
”
Dru Edmund Kucherera
“
Miss Wooding turned the nervous shade of pink that Rosaline found people often turned when her sexuality went from an idea they could support to a reality they had to confront. “I appreciate this is a sensitive topic and one that different people have different beliefs about. Which is why I have to be guided by the policies of our academy trust, and they make it quite clear that learners shouldn’t be taught about LGBTQ until year six.” “Oh do they?” asked Rosaline, doing her best to remember that Miss Wooding was probably a very nice person and not just a fuzzy cardigan draped over some regressive social values. “Because Amelie’s in year four and she manages to cope with my existence nearly every day.” Having concluded this was going to be one of those long grown-up conversations, Amelie had taken her Panda pencil case out of her bag and was diligently rearranging the contents. “I do,” she said. “I’m very good.” Miss Wooding actually wrung her hands. “Yes, but the other children—” “Are allowed to talk about their families as much as they like.” “Yes, but—” “Which,” Rosaline went on mercilessly, “when you think about it, is the definition of discrimination.” Amelie looked up again. “Discrimination is bad. We learned that in year three.” The d-word made Miss Wooding visibly flinch. “Now Mrs. Palmer—” “Ms. Palmer.” “I’m sure this is a misunderstanding.” “I’m sure it is.” Taking advantage of the fact that Miss Wooding had been temporarily pacified by the spectre of the Equality Act, Rosaline tried to strike a balance between defending her identity and catching her train. “I get that you have a weird professional duty to respect the wishes of people who want their kids to stay homophobic for as long as possible. But hopefully you get why that isn’t my problem. And if you ever try to make it Amelie’s problem again, I will lodge a formal complaint with the governors.” Miss Wooding de-flinched slightly. “As long as she doesn’t—” “No ‘as long as she doesn’t.’ You’re not teaching my daughter to be ashamed of me.” There was a long pause. Then Miss Wooding sighed. “Perhaps it’s best that we draw a line under this and say no more about it.” In Rosaline’s experience this was what victory over institutional prejudice looked like: nobody actually apologising or admitting they’d done anything wrong, but the institution in question generously offering to pretend that nothing had happened. So—win?
”
”
Alexis Hall (Rosaline Palmer Takes the Cake (Winner Bakes All, #1))
“
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power.
"Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call."
"Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?"
"I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire.
The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals.
The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground.
Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads.
Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter.
Savannah. He said her name once, a soft brush in her mind.
I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat.
To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Prostitution clearly promotes the depersonalisation of sex, which can never be good news for women—any women. Prostitution has a ripple effect. It creates the illusory view in the minds of men that women are not human beings as men are, but simply the walking carrier of a product, and that they serve one principal function, whether or not they are paid for it, which is to be used as vessels for the sexual release of men. They are effortlessly and imperceptibly relegated from the realms of the human. They are not people on a par with their male counterparts. How could they be, when their principal function is as something to be fucked? Prostitution obscures women’s humanity from society generally, but it also causes women specifically to lose sensitivity to their own humanity by way of tolerating the prostitution of others of their gender. When women tolerate prostitution they are actually tolerating the dehumanisation of their own gender in a broader and more encompassing sense. Countries with male-majority governments are implementing the legalisation of prostitution with frightening rapidity throughout the western world. Where is the female revolt towards all this? There is no widespread female revolt because female sexuality has so long been viewed as a commodity that woman have begun to believe in the necessity of a separate class of women to provide it. If a woman tolerates this treatment of her fellow women, if she accepts it under the banner of ‘liberalism’ or anything else, then she must also accept that she herself is only removed from prostitution by lack of the circumstances necessary to place her there. Should these circumstances ever occur, her body, too, would be just as welcome for mauling, sucking and fucking by the clients of the brothels and would be just as reviled by the men who are on the look-out for a wife. The acceptance of prostitution makes all women potential prostitutes in the public view since there are only two requirements for a woman to work in a brothel: one is that circumstance has placed her so (and who knows when that can happen, to any of us?) and the other is that she has a vagina, and all women are born meeting at least one of these requirements. It bears repeating: if the commodification of women is to be accepted then all women fall under that potential remit. If a woman accepts prostitution in society, then she accepts this personal indenture, whether she knows it or not; and yes, that is a loss. As
”
”
Rachel Moran (Paid For: My Journey Through Prostitution)
“
So Callie is a rake."
She blushed. "I don't think so."
Silence fell between them as he watched the wash of pink across her cheeks. He lifted her wounded arm in his hand, placing a soft kiss on the back of her hand. She breathed deeply at the feel of his lips on her skin, so warm and soft, and her eyes flew to his, intently focused on her. He held her gaze, and she felt a shock of liquid heat as his tongue circled one of her knuckles.
He registered her surprise, smiling against her and turning her hand palm up, then setting his tongue and lips to work on the soft, sensitive spot at its center. Her breath quickened, and she closed her eyes to the sensation, unable to watch the erotic movement of his mouth across her skin.
He lifted his lips from her hand and, when she opened her eyes again, it was to find him watching her, a wicked smile on his lips. Reaching out, he traced one finger along the line of her jaw, sending a shiver through her. When he spoke, his voice was thick and liquid, and it sent a shock of heat down her spine. "I shouldn't give up on that part of her just yet, Empress."
She caught her breath at the endearment, which brought with it a hazy memory from long ago. He chased the vision away with the vivid present as he clasped her chin, bringing her face closer to his. "You forget, I've met the women several times... In carriages..."
His lips hovered just above hers, sending a tremor of anticipation through her, "And in theatres..."
She tried to close the distance between them and he pulled back just enough to drive her slightly mad. "And in bedchambers.
In fact," he added, his words a caress along the sensitive skin of her lips, "I rather like the rakish side of her."
And then he settled his lips upon hers, and she was lost. She was consumed by the softness of his mouth, the gentleness of the caress- so very different than the kisses they had shared before. This kiss consumed her, made her forget herself, their surroundings, everything but the magnificent pressure of his lips on hers. His thumb stroked her jaw as his mouth ate at hers, sending waves of pulsing pleasure through her.
She gasped at the feeling, and he took advantage of her open lips to plunder her mouth with deep, drugging kisses that made her dizzy. She reached for him, her anchor in a sea of sensuality, wrapping her arms around his neck and plunging her fingers into his heavy, soft hair. He made a deep, satisfied sound at the feeling of her wrapped around him, and traced a path across her cheek and down the column of her throat with soft, moist kisses that sent explosions of pleasure through her.
”
”
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
“
I shall describe one example of this kind of world, the greatest planet of a mighty sun. Situated, if I remember rightly, near the congested heart of the galaxy, this star was born late in galactic history, and it gave birth to planets when already many of the older stars were encrusted with smouldering lava. Owing to the violence of solar radiation its nearer planets had (or will have) stormy climates. On one of them a mollusc-like creature, living in the coastal shallows, acquired a propensity to drift in its boatlike shell on the sea’s surface, thus keeping in touch with its drifting vegetable food. As the ages passed, its shell became better adapted to navigation. Mere drifting was supplemented by means of a crude sail, a membrane extending from the creature’s back. In time this nautiloid type proliferated into a host of species. Some of these remained minute, but some found size advantageous, and developed into living ships. One of these became the intelligent master of this great world. The hull was a rigid, stream-lined vessel, shaped much as the nineteenth-century clipper in her prime, and larger than our largest whale. At the rear a tentacle or fin developed into a rudder, which was sometimes used also as a propeller, like a fish’s tail. But though all these species could navigate under their own power to some extent, their normal means of long-distance locomotion was their great spread of sail. The simple membranes of the ancestral type had become a system of parchment-like sails and bony masts and spars, under voluntary muscular control. Similarity to a ship was increased by the downward-looking eyes, one on each side of the prow. The mainmast-head also bore eyes, for searching the horizon. An organ of magnetic sensitivity in the brain afforded a reliable means of orientation. At the fore end of the vessel were two long manipulatory tentacles, which during locomotion were folded snugly to the flanks. In use they formed a very serviceable pair of arms.
”
”
Olaf Stapledon (Star Maker (S.F. MASTERWORKS))
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In the Middle Ages, marriage was considered a sacrament ordained by God, and God also authorised the father to marry his children according to his wishes and interests. An extramarital affair was accordingly a brazen rebellion against both divine and parental authority. It was a mortal sin, no matter what the lovers felt and thought about it. Today people marry for love, and it is their inner feelings that give value to this bond. Hence, if the very same feelings that once drove you into the arms of one man now drive you into the arms of another, what’s wrong with that? If an extramarital affair provides an outlet for emotional and sexual desires that are not satisfied by your spouse of twenty years, and if your new lover is kind, passionate and sensitive to your needs – why not enjoy it?
But wait a minute, you might say. We cannot ignore the feelings of the other concerned parties. The woman and her lover might feel wonderful in each other’s arms, but if their respective spouses find out, everybody will probably feel awful for quite some time. And if it leads to divorce, their children might carry the emotional scars for decades. Even if the affair is never discovered, hiding it involves a lot of tension, and may lead to growing feelings of alienation and resentment.
The most interesting discussions in humanist ethics concern situations like extramarital affairs, when human feelings collide. What happens when the same action causes one person to feel good, and another to feel bad? How do we weigh the feelings against each other? Do the good feelings of the two lovers outweigh the bad feelings of their spouses and children?
It doesn’t matter what you think about this particular question. It is far more important to understand the kind of arguments both sides deploy. Modern people have differing ideas about extramarital affairs, but no matter what their position is, they tend to justify it in the name of human feelings rather than in the name of holy scriptures and divine commandments. Humanism has taught us that something can be bad only if it causes somebody to feel bad. Murder is wrong not because some god once said, ‘Thou shalt not kill.’ Rather, murder is wrong because it causes terrible suffering to the victim, to his family members, and to his friends and acquaintances. Theft is wrong not because some ancient text says, ‘Thou shalt not steal.’ Rather, theft is wrong because when you lose your property, you feel bad about it. And if an action does not cause anyone to feel bad, there can be nothing wrong about it. If the same ancient text says that God commanded us not to make any images of either humans or animals (Exodus 20:4), but I enjoy sculpting such figures, and I don’t harm anyone in the process – then what could possibly be wrong with it?
The same logic dominates current debates on homosexuality. If two adult men enjoy having sex with one another, and they don’t harm anyone while doing so, why should it be wrong, and why should we outlaw it? It is a private matter between these two men, and they are free to decide about it according to their inner feelings. In the Middle Ages, if two men confessed to a priest that they were in love with one another, and that they never felt so happy, their good feelings would not have changed the priest’s damning judgement – indeed, their happiness would only have worsened the situation. Today, in contrast, if two men love one another, they are told: ‘If it feels good – do it! Don’t let any priest mess with your mind. Just follow your heart. You know best what’s good for you.
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Yuval Noah Harari (Homo Deus: A History of Tomorrow)
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Gentle hands, soft lips, and hot little breaths down my stomach. Pleasure, a thick syrup pouring over my limbs. My cock rose, growing heavy with desire. We were so new together, by all accounts, I should be panting madly, trying to take over. But I was slowly heating wax molding to her will.
Emma palmed me through my briefs, and I grunted. I wanted them off, no barriers between us. As if she heard the silent demand, she kissed my nipple and slowly eased the briefs down. I lifted my butt to help her. My dick slapped against my belly as it was freed. Emma made a noise of appreciation and then wrapped her clever fingers around me.
"Please," I whispered. My body was weak, but my need grew stronger, drowning out everything else. She complied, stroking, her lips on my lower abs, teasing along the V leading to my hips.
"Em..." My plea broke off into a groan as her hot mouth enveloped me. There were no more words. I let her have me, do as she willed, and I was thankful for it.
And it felt so good I could only lie there and take it, try not to thrust into her mouth like an animal. But she pulled free with a lewd pop and gazed up at me.
Panting lightly, I stared back at her, ready to promise her anything, when she kissed my pulsing tip. "Go ahead," she said. "Fuck my mouth."
I almost spilled right there. She sucked me deep once more, and a sound tore out of me that was part pained, part "Oh God, please don't ever stop." The woman was dismantling me in the best of ways.
Waves of heat licked up over my skin as I pumped gently into her mouth, keeping my moves light because I didn't want to hurt her, and because denying myself was outright torture. Apparently, I was into that.
She sucked me like I was dessert----all the while, her hand stroking steady circles on the tight, sensitive skin of my lower abs. It was that touch, the knowledge that she was doing this because she wanted to take care of me, that rushed me straight to the edge.
My trembling hand touched the crown of her head. "Em. Baby, I'm gonna..." I gasped as she did something truly inspired with her tongue. "I'm gonna..."
She pulled free with one last suck and surged up to kiss me, her hand wrapping around my aching dick and stroking it. Panting into her mouth, my kiss frantic and sloppy, I came with a shudder of pleasure. And all the tension, all the pain, dissolved like a sugar cube dropped into hot tea.
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Kristen Callihan (Make It Sweet)
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You, my dear, do not know how to have fun." "I do, too!" "You do not. You are as bad as Lucien. And do you know something? I think it's time someone showed you how to have fun. Namely, me. You can worry all you like about our situation tomorrow, but tonight ... tonight I'm going to make you laugh so hard that you'll forget all about how afraid of me you are." "I am not afraid of you!" "You are." And with that, he pushed his chair back, stalked around the table, and in a single easy movement, swept her right out of her chair and into his arms. "Gareth! Put me down!" He only laughed, easily carrying her toward the bed. "Gareth, I am a grown woman!" "You are a grown woman who behaves in a manner far too old for her years," he countered, still striding toward the bed. "As the wife of a Den member, that just will not do." "Gareth, I don't want — I mean, I'm not ready for that!" "That? Who said anything about that?" He tossed her lightly onto the bed. "Oh, no, my dear Juliet. I'm not going to do that —" She tried to scoot away. "Then what are you going to do?" "Why, I'm going to wipe that sadness out of your eyes if only for tonight. I'm going to make you forget your troubles, forget your fears, forget everything but me. And you know how I'm going to do that, O dearest wife?" He grabbed a fistful of her petticoats as she tried to escape. "I'm going to tickle you until you giggle ... until you laugh ... until you're hooting so loudly that all of London hears you!" He fell upon the bed like a swooping hawk, and Juliet let out a helpless shriek as his fingers found her ribs and began tickling her madly. "Stop! We just ate! You'll make me sick!" "What's this? Your husband makes you sick?" "No, it's just that — aaaoooooo!" He tickled her harder. She flailed and giggled and cried out, embarrassed about each loud shriek but helpless to prevent them. He was laughing as hard as she. Catching one thrashing leg, he unlaced her boot and deftly removed it. She yelped as his fingers found the sensitive instep, and she kicked out reflexively. He neatly ducked just in time to avoid having his nose broken, catching her by the ankle and tickling her toes, her soles, her arch through her stockings. "Stop, Gareth!" She was laughing so hard, tears were streaming from her eyes. "Stop it, damn it!" Thank goodness Charlotte, worn out by her earlier tantrum, was such a sound sleeper! The tickling continued. Juliet kicked and fought, her struggles tossing the heavy, ruffled petticoats and skirts of her lovely blue gown halfway up her thigh to reveal a long, slender calf sheathed in silk. She saw his gaze taking it all in, even as he made a grab for her other foot. "No! Gareth, I shall lose my supper if you keep this up, I swear it I will — oooahhhhh!" He seized her other ankle, yanked off the remaining boot, and began torturing that foot as well, until Juliet was writhing and shrieking on the bed in a fit of laughter. The tears streamed down her cheeks, and her stomach ached with the force of her mirth. And when, at last, he let up and she lay exhausted across the bed in a twisted tangle of skirts, petticoats, and chemise, her chest heaving and her hair in a hopeless tumbled-down flood of silken mahogany beneath her head, she looked up to see him grinning down at her, his own hair hanging over his brow in tousled, seductive disarray.
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Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
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Having a TV—which gives you the ability to receive information—fails to establish any capacity for sending information in the opposite direction. And the odd one-way nature of the primary connection Americans now have to our national conversation has a profound impact on their basic attitude toward democracy itself. If you can receive but not send, what does that do to your basic feelings about the nature of your connection to American self-government? “Attachment theory” is an interesting new branch of developmental psychology that sheds light on the importance of consistent, appropriate, and responsive two-way communication—and why it is essential for an individual’s feeling empowered. First developed by John Bowlby, a British psychiatrist, in 1958, attachment theory was further developed by his protégée Mary Ainsworth and other experts studying the psychological development of infants. Although it applies to individuals, attachment theory is, in my view, a metaphor that illuminates the significance of authentic free-flowing communication in any relationship that requires trust. By using this new approach, psychologists were able to discover that every infant learns a crucial and existential lesson during the first year of life about his or her fundamental relationship to the rest of the world. An infant develops an attachment pathway based on different patterns of care and, according to this theory, learns to adopt one of three basic postures toward the universe: In the best case, the infant learns that he or she has the inherent ability to exert a powerful influence on the world and evoke consistent, appropriate responses by communicating signals of hunger or discomfort, happiness or distress. If the caregiver—more often than not the mother—responds to most signals from the infant consistently and appropriately, the infant begins to assume that he or she has inherent power to affect the world. If the primary caregiver responds inappropriately and/or inconsistently, the infant learns to assume that he or she is powerless to affect the larger world and that his or her signals have no intrinsic significance where the universe is concerned. A child who receives really erratic and inconsistent responses from a primary caregiver, even if those responses are occasionally warm and sensitive, develops “anxious resistant attachment.” This pathway creates children who feature anxiety, dependence, and easy victimization. They are easily manipulated and exploited later in life. In the worst case, infants who receive no emotional response from the person or persons responsible for them are at high risk of learning a deep existential rage that makes them prone to violence and antisocial behavior as they grow up. Chronic unresponsiveness leads to what is called “anxious avoidance attachment,” a life pattern that features unquenchable anger, frustration, and aggressive, violent behavior.
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Al Gore (The Assault on Reason)