Casting Blame Quotes

We've searched our database for all the quotes and captions related to Casting Blame. Here they are! All 100 of them:

Clary, Despite everything, I can't bear the thought of this ring being lost forever, any more then I can bear the thought of leaving you forever. And though I have no choice about the one, at least I can choose about the other. I'm leaving you our family ring because you have as much right to it as I do. I'm writing this watching the sun come up. You're asleep, dreams moving behind your restless eyelids. I wish I knew what you were thinking. I wish I could slip into your head and see the world the way you do. I wish I could see myself the way you do. But maybe I dont want to see that. Maybe it would make me feel even more than I already do that I'm perpetuating some kind of Great Lie on you, and I couldn't stand that. I belong to you. You could do anything you wanted with me and I would let you. You could ask anything of me and I'd break myself trying to make you happy. My heart tells me this is the best and greatest feeling I have ever had. But my mind knows the difference between wanting what you can't have and wanting what you shouldn't want. And I shouldn't want you. All night I've watched you sleeping, watched the moonlight come and go, casting its shadows across your face in black and white. I've never seen anything more beautiful. I think of the life we could have had if things were different, a life where this night is not a singular event, separate from everything else that's real, but every night. But things aren't different, and I can't look at you without feeling like I've tricked you into loving me. The truth no one is willing to say out loud is that no one has a shot against Valentine but me. I can get close to him like no one else can. I can pretend I want to join him and he'll believe me, up until that last moment where I end it all, one way or another. I have something of Sebastian's; I can track him to where my father's hiding, and that's what I'm going to do. So I lied to you last night. I said I just wanted one night with you. But I want every night with you. And that's why I have to slip out of your window now, like a coward. Because if I had to tell you this to your face, I couldn't make myself go. I don't blame you if you hate me, I wish you would. As long as I can still dream, I will dream of you. _Jace
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
You have been told that, even like a chain, you are as weak as your weakest link. This is but half the truth. You are also as strong as your strongest link. To measure you by your smallest deed is to reckon the power of the ocean by the frailty of its foam. To judge you by your failures is to cast blame upon the seasons for their inconstancy.
Kahlil Gibran (The Prophet)
To measure you by your smallest deed is to reckon the ocean by the frailty of its foam. To judge you by your failures is to cast blame upon the seasons for their inconsistencies.
Kahlil Gibran
She thought she had been saved by his love for her, and in part she had been. It had cleansed her, never casting blame. But that had been only the beginning. It was loving him in return that had brought her up out of the darkness.
Francine Rivers (Redeeming Love)
She’s way too old to be acting a fool because she has a screwed-up mommy.” “Please. Just please with the blame-my-mommy-’cause-I’m-a-bitch crap,
P.C. Cast (Betrayed (House of Night, #2))
We are all guilty of sin, error, and moments of sheer stupidity; none of us should be casting stones. The occasional arced pebble might be overlooked.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
During your struggle society is not a bunch of flowers, it is a bunch of cactus.
Amit Kalantri (Wealth of Words)
The English judged a person so that they'd be justified in casting her out. The Amish judged a person so that they'd be justified in welcoming her back. Where I'm from, if someone is accused of sinning, it's not so that others can place blame. It's so that the person can make amends and move on.
Jodi Picoult (Plain Truth)
Love cleanses, beloved. It doesn’t beat you down. It doesn’t cast blame.
Francine Rivers (Redeeming Love)
Feminists don’t single out rape jokes because rape is “worse” than other crimes—we single them out because we live in a culture that actively strives to shrink the definition of sexual assault; that casts stalking behaviors as romance; blames victims for wearing the wrong clothes, walking through the wrong neighborhood, or flirting with the wrong person; bends over backwards to excuse boys-will-be-boys misogyny; makes the emotional and social costs of reporting a rape prohibitively high; pretends that false accusations are a more dire problem than actual assaults; elects officials who tell rape victims that their sexual violation was “god’s plan”; and convicts in less than 5 percent of rape cases that go to trial.
Lindy West (Shrill: Notes from a Loud Woman)
As a captain whose vessel is about to crash on the rocks empties its souls of doubt, so are the hesitant useful for throwing off of an enterprise nearing its end: blame must be cast in failure, profits divided easily in success.
Bauvard (Morsels)
her. “Love cleanses, beloved. It doesn’t beat you down. It doesn’t cast blame.” He kissed her again, wishing he had the right words to say what he felt. Words would never be enough to show her what he meant. “My love isn’t a weapon. It’s a lifeline. Reach out and take hold, and don’t let go.
Francine Rivers (Redeeming Love)
Here sighs and cries and shrieks of lamentation echoed throughout the starless air of Hell; at first these sounds resounding made me weep: tongues confused, a language strained in anguish with cadences of anger, shrill outcries and raucous groans that joined with sounds of hands, raising a whirling storm that turns itself forever through that air of endless black, like grains of sand swirling when a whirlwind blows. And I, in the midst of all this circling horror, began, "Teacher, what are these sounds I hear? What souls are these so overwhelmed by grief?" And he to me: "This wretched state of being is the fate of those sad souls who lived a life but lived it with no blame and with no praise. They are mixed with that repulsive choir of angels neither faithful nor unfaithful to their God, who undecided stood but for themselves. Heaven, to keep its beauty, cast them out, but even Hell itself would not receive them, for fear the damned might glory over them." And I. "Master, what torments do they suffer that force them to lament so bitterly?" He answered: "I will tell you in few words: these wretches have no hope of truly dying, and this blind life they lead is so abject it makes them envy every other fate. The world will not record their having been there; Heaven's mercy and its justice turn from them. Let's not discuss them; look and pass them by...
Dante Alighieri
After the fog lifts and you awaken to the truth about abuse, the narcissist and flying monkeys will minimize the facts about what took place. They will discredit you. They will undermine your own perception. They will accuse you of being insane. Even if you took the time to explain yourself, they will cast all blame onto you.
Dana Arcuri (Soul Rescue: How to Break Free From Narcissistic Abuse & Heal Trauma)
If you wish it, you are free; if you wish it, you’ll find fault with no one, you’ll cast blame on no one, and everything that comes about will do so in accordance with your own will and that of God.
Epictetus (Discourses, Fragments, Handbook)
He remembered the pride-filled glow that had swamped Gyoko's face and he wondered again at the bewildering gullibility of people. How baffling it was that even the most cunning and clever people would frequently see only what they wanted to see, and would rarely look beyond the thinnest of facades. Or they would ignore reality, dismissing it as the facade. And then, when their whole world fell to pieces and they were on their knees slitting their bellies or cutting their throats, or cast out into the freezing world, they would tear their topknots or rend their clothes and bewail their karma, blaming gods or kami or luck or their lords or husbands or vassals -- anything or anything -- but never themselves.
James Clavell (Shōgun (Asian Saga, #1))
Now is the time And here is the place, 'Cause we lose these hours and casting blame When we should be saying grace. We can find a better way. We can stand on common ground. We can work this out between us before the sun goes down. We come together.
Newsboys
It is not enough to say you are sorry. You must utterly own the terrible thing you have done. You must cast no blame on the one you have injured. Rather, accept every molecule of the responsibility, even if reason and self-preservation scream against it. Then, and only then, will the words 'I am sorry' have meaning.
Carmen Agra Deedy (The Cheshire Cheese Cat: A Dickens of a Tale)
We human beings seem always to have found it comforting to have someone to look down on—a bottom level of fellow creatures who are very vulnerable, but who can somehow be blamed and punished for all or any troubles. We need this lowest class as much as we need equals to team with and to compete against and superiors to look to for direction and help.
Octavia E. Butler (Parable of the Talents (Earthseed, #2))
[Scapegoating] blames societal ills on the groups with the least power and the least say in how the country operates while allowing the larger framework and those who control and reap the dividends of these divisions to go unchecked.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
Their father blamed me! And RiverClan cast me out, too. Can you imagine what that feels like? To be rejected twice? To be a loner when all you tried to do was to love?
Erin Hunter (Crookedstar's Promise (Warriors Super Edition, #4))
If the body were to take the soul to court for the pains and suffering it had endured throughout its life, then if he were to be on the jury for the case he would gladly cast his vote against the soul inasmuch as it had destroyed some parts of the body by negligence or dissipated them by drunkenness, and had ruined and ravaged other parts by its pursuit of pleasures - just as he would blame the careless user if a tool or utensil were in a bad condition.
Democritus
In the end, blame didn't shine on an individual. It was a floodlight cast on all of us. And all because we longed for healing and happiness- as if happiness is a state of being. But it's not. Happiness is a vector. It's movement. Like my own momentum across the pool, joy can only be defined by the speed at which you're moving away from pain.
Neal Shusterman (Bruiser)
Art sees things in close-up, focusing our attention, teaching us to not cast blame so freely. Art doesn't make judgements, it informs and teaches. The camera allows truth to circulate in places it might not otherwise go.
Abbas Kiarostami (Lessons with Kiarostami)
Indeed, isn’t the whole business of ascribing responsibility kind of a cop-out? We want to blame an individual so that everyone else is exculpated. Or we blame a historical process as a way of exonerating individuals. Or it’s all anarchic chaos, with the same consequence. It seems to me that there is—was—a chain of individual responsibilities, all of which were necessary, but not so long a chain that everybody can simply blame everyone else. But, of course, my desire to ascribe responsibility might be more a reflection of my own cast of mind than a fair analysis of what happened. That’s one of the central problems of history, isn’t it, sir? The question of subjective versus objective interpretation, the fact that we need to know the history of the historian in order to understand the version that is being put in front of us.
Julian Barnes (The Sense of an Ending)
You have been told that, even like a chain, you are as weak as your weakest link. This is but half the truth. You are also as strong as your strongest link. To measure you by your smallest deed is to reckon the power of ocean by the frailty of its foam. To judge you by your failures is to cast blame upon the seasons for their inconstancy. Ay, you are like an ocean, And though heavy-grounded ships await the tide upon your shores, yet, even like an ocean, you cannot hasten your tides.
Kahlil Gibran (Sand and Foam)
Fear, Aristotle observed, does not strike those who are “in the midst of great prosperity.” Those who are frightened of losing what they have are the most vulnerable, and it is difficult to be clear-headed when you believe that you are teetering on a precipice. “No passion,” Edmund Burke wrote, “so effectually robs the mind of all its powers of acting and reasoning as fear.” The opposite of fear is hope, defined as the expectation of good fortune not only for ourselves but for the group to which we belong. Fear feeds anxiety and produces anger; hope, particularly in a political sense, breeds optimism and feelings of well-being. Fear is about limits; hope is about growth. Fear casts its eyes warily, even shiftily, across the landscape; hope looks forward, toward the horizon. Fear points at others, assigning blame; hope points ahead, working for a common good. Fear pushes away; hope pulls others closer. Fear divides; hope unifies.
Jon Meacham (The Soul of America: The Battle for Our Better Angels)
It was the sixties, exactly, all we wanted to do was to smoke a lot of dope and ball a lot of chicks. Vietnam, excuse me? Why would I wanna go get my ass shot off in some stinking rice paddy just so Nixon can have his four more years? Screw that, and I wasn't the only one who felt that way. All the big warmongers these days who took a pass on Vietnam, look, I'd be the last person on earth to start casting blame. Bush, Cheney, Rove, all those guys, they just did what everybody else was doing and I was right there with 'em, chicken as anybody. My problem now is how tough and gung-ho they are, all that bring it on crap, I mean, Jesus, show a little humility, people. They ought to be just as careful of your young lives as they were with their own.
Ben Fountain (Billy Lynn's Long Halftime Walk)
You have been told that, even like a chain, you are as weak as your weakest link. This is but half the truth. You are also as strong as your strongest link. To measure you by your smallest deed is to reckon the power of ocean by the frailty of its foam. To judge you by your failures is to cast blame upon the seasons for their inconstancy. Aye, you are like an ocean, And though heavy-grounded ships await the tide upon your shores, yet, even like an ocean, you cannot hasten your tides. And like the seasons you are also, And though in your winter you deny your spring, Yet spring, reposing within you, smiles in her drowsiness and is not offended.
Kahlil Gibran (The Prophet)
The intellectual as ideologist, having had a leading role in purveying to the country each innovation and having frequently hastened the country into the acceptance of change, is naturally felt to have played an important part in breaking the mold in which America was cast and in consequence he gets more than his share of the blame.
Richard Hofstadter (Anti-Intellectualism in American Life)
The opposite of fear is hope, defined as the expectation of good fortune not only for ourselves but for a group to which we belong. Fear feeds anxiety and produces anger; hope, particularly in a political sense, breeds optimism and feelings of well-being. Fear is about limits; hope is about growth. Fear casts its eyes warily, even shiftily, across the landscape; hope looks forward, toward the horizon. Fear points at others, assigning blame; hope points ahead, working for a common good. Fear pushes away; hope pulls others closer. Fear divides; hope unifies.
Jon Meacham (The Soul of America: The Battle for Our Better Angels)
For the ancients, the scapegoat served as the healing agent for the larger whole. In modern times, the concept of the scapegoat has mutated from merely the bearer of misfortune to the person or group blamed for bringing misfortune.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
Perhaps our supercilious disgust with existence is a cover for a secret disgust with ourselves: we have botched and bungled our lives, and we cast the blame upon the "environment," or the "world," which have no tongues to utter a defense.
Will Durant (The Story of Philosophy)
Resolution doesn’t mean that everyone is happy, but it does mean that perhaps fewer people are being blamed for pain they have not caused, or being cast as the receptacle of other people’s anxieties, so that fewer people are dehumanized by false accusation.
Sarah Schulman (Conflict is Not Abuse: Overstating Harm, Community Responsibility, and the Duty of Repair)
...and yet again, I was beginning the long process of coming undone in the hundred vestibules of my own soul. Breakdowns were common to me by then, and I attributed them to that sour Irish gene. But I could cast plenty of blame on my washed in the blood of the lamb Southern roots also. Taken together, it looked like a wicked combination of destinies, Irish and Southern, forming a comfortable birthplace for lunatics, nutcases, borderlines, and psychos. I could not blame everything on a bar fight in Galway when I also had these smoldering fires of white lightning smoking in a copper coil...
Pat Conroy (The Death of Santini: The Story of a Father and His Son)
Sometimes when a person is not being heard, it is appropriate to blame him or her. Perhaps he or she is speaking obscurely; perhaps he is claiming too much; perhaps she is speaking rather too personally. And one can, perhaps, charge Spielrein on all three counts. But, on balance, her inability to win recognition for her insight into repression was not her fault; it was Freud’s and Jung’s. Preoccupied with their own theories, and with each other, the two men simply did not pause even to take in the ideas of this junior colleague let alone to lend a helping hand in finding a more felicitous expression for her thought. More ominously still, both men privately justified their disregard by implicitly casting her once more into the role of patient, as though that role somehow precluded a person from having a voice or a vision of his or her own. It was and remains a damning comment on how psychoanalysis was evolving that so unfair a rhetorical maneuver, one so at odds with the essential genius of the new therapeutic method, came so easily to hand. In the great race between Freud and Jung to systematize psychoanalytic theory, to codify it once and for all, a simpler truth was lost sight of: Sometimes a person is not heard because she is not listened to.
John Kerr (A Most Dangerous Method: The Story of Jung, Freud & Sabina Spielrein)
Hunger, poverty, environmental degradation, economic instability, unemployment, chronic disease, drug addiction, and war, for example, persist in spite of the analytical ability and technical brilliance that have been directed toward eradicating them. No one deliberately creates those problems, no one wants them to persist, but they persist nonetheless. That is because they are intrinsically systems problems—undesirable behaviors characteristic of the system structures that produce them. They will yield only as we reclaim our intuition, stop casting blame, see the system as the source of its own problems, and find the courage and wisdom to restructure it.
Donella H. Meadows (Thinking in Systems: A Primer)
My Last Duchess That’s my last Duchess painted on the wall, Looking as if she were alive. I call That piece a wonder, now: Fra Pandolf’s hands Worked busily a day, and there she stands. Will’t please you sit and look at her? I said “Fra Pandolf” by design, for never read Strangers like you that pictured countenance, The depth and passion of its earnest glance, But to myself they turned (since none puts by The curtain I have drawn for you, but I) And seemed as they would ask me, if they durst, How such a glance came there; so, not the first Are you to turn and ask thus. Sir, ’twas not Her husband’s presence only, called that spot Of joy into the Duchess’ cheek: perhaps Fra Pandolf chanced to say “Her mantle laps Over my lady’s wrist too much,” or “Paint Must never hope to reproduce the faint Half-flush that dies along her throat”: such stuff Was courtesy, she thought, and cause enough For calling up that spot of joy. She had A heart—how shall I say?—too soon made glad, Too easily impressed; she liked whate’er She looked on, and her looks went everywhere. Sir, ’twas all one! My favour at her breast, The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace—all and each Would draw from her alike the approving speech, Or blush, at least. She thanked men,—good! but thanked Somehow—I know not how—as if she ranked My gift of a nine-hundred-years-old name With anybody’s gift. Who’d stoop to blame This sort of trifling? Even had you skill In speech—(which I have not)—to make your will Quite clear to such an one, and say, “Just this Or that in you disgusts me; here you miss, Or there exceed the mark”—and if she let Herself be lessoned so, nor plainly set Her wits to yours, forsooth, and made excuse, —E’en then would be some stooping; and I choose Never to stoop. Oh sir, she smiled, no doubt, Whene’er I passed her; but who passed without Much the same smile? This grew; I gave commands; Then all smiles stopped together. There she stands As if alive. Will’t please you rise? We’ll meet The company below, then. I repeat, The Count your master’s known munificence Is ample warrant that no just pretence Of mine for dowry will be disallowed; Though his fair daughter’s self, as I avowed At starting, is my object. Nay, we’ll go Together down, sir. Notice Neptune, though, Taming a sea-horse, thought a rarity, Which Claus of Innsbruck cast in bronze for me!
Robert Browning (My Last Duchess and Other Poems (Dover Thrift Editions: Poetry))
When people fail to follow these bizarre, secret rules, and the machine does the wrong thing, its operators are blamed for not understanding the machine, for not following its rigid specifications. With everyday objects, the result is frustration. With complex devices and commercial and industrial processes, the resulting difficulties can lead to accidents, injuries, and even deaths. It is time to reverse the situation: to cast the blame upon the machines and their design. It is the machine and its design that are at fault. It is the duty of machines and those who design them to understand people. It is not our duty to understand the arbitrary, meaningless dictates of machines.
Donald A. Norman (The Design of Everyday Things)
We aren't the only girls with fathers like these. They're more common than you might think. He told me the stories like different fathers might spin tales of love and happiness. Nycteus, who threatened his lovely daughter with fearful punishments when she was raped by Zeus. Danaë, another of Zeus's victims, another whose father blamed her and cast her and her baby off to sea inside a sealed chest, hoping it would be her tomb. Echetus, who blinded his daughter for the crime of looking at a man. That was the kind of husband my father would have chosen for me, if he had the chance.
Jennifer Saint (Atalanta)
It is easy to look backward and cast blame on others, but more difficult to gaze ahead and take responsibility for your own decisions and your own future. —GRIFFIN HARKONNEN, final dispatch from Arrakis It
Brian Herbert (Sisterhood of Dune (Schools of Dune, #1))
If there is blame to be cast for the Army of the Potomac’s failure to destroy Lee’s Army of Northern Virginia on the north side of the Potomac River, much of that blame should be cast on Alfred Pleasonton.
Eric J. Wittenberg (One Continuous Fight: The Retreat from Gettysburg and the Pursuit of Lee's Army of Northern Virginia, July 4–14, 1863)
Love rarely comes up; why would it? But it comes up here, in this for-profit exhibition. Here it is the ultimate message, the final solution. That the Holocaust drives home the importance of love is an idea, like the idea that Holocaust education prevents antisemitism, that seems entirely unobjectionable. It is entirely objectionable. The Holocaust didn’t happen because of a lack of love. It happened because entire societies abdicated responsibility for their own problems, and instead blamed them on the people who represented—have always represented, since they first introduced the idea of commandedness to the world—the thing they were most afraid of: responsibility. Then as now, Jews were cast in the role of civilization’s nagging mothers, loathed in life, and loved only once they are safely dead. In the years since I walked through Auschwitz at fifteen, I have become a nagging mother. And I find myself furious, being lectured by this exhibition about love—as if the murder of millions of people was actually a morality play, a bumper sticker, a metaphor. I do not want my children to be someone else’s metaphor. (Of course, they already are.) My husband’s grandfather once owned a bus company in Poland. Like my husband
Dara Horn (People Love Dead Jews: Reports from a Haunted Present)
I look at the knife again, sitting there on the moss like a thing without properties, a thing made of metal as separate from a boy as can be, a thing which casts all blame from itself to the boy who uses it.
Patrick Ness (The Knife of Never Letting Go (Chaos Walking, #1))
Look upon friend and foe with equal regard, be not lifted up by praise or cast down by blame, regard heat and cold, pleasure and pain, honor and dishonor with the same quiet inner eye in harmony with all creation.
G.J. Berger (Four Nails)
It’s the nature of people who are guilty to find others with blame.  It’s the nature of humanity, all of us fallen and evil to some degree, that we seek a sinner upon whom we may cast the stones otherwise destined for us. 
Michaelbrent Collings (Strangers)
All peoples think they are forever," he growled softly. "They do not believe they will ever not be. The Sinnissippi were that way. They did not think they would be eradicated. But that is what happened. Your people, Nest, believe this of themselves. They will survive forever, they think. Nothing can destroy them, can wipe them so completely from the earth and from history that all that will remain is their name and not even that will be known with certainty. They have such faith in their invulnerability. Yet already their destruction begins. It comes upon them gradually, in little ways. Bit by bit their belief in themselves erodes. A growing cynicism pervades their lives. Small acts of kindness and charity are abandoned as pointless and somehow indicative of weakness. Little failures of behavior lead to bigger ones. It is not enough to ignore the discourtesies of others; discourtesies must be repaid in kind. Men are intolerant and judgmental . They are without grace. If one man proclaims that God has spoken to him, another quickly proclaims that his God is false. If the homeless cannot find shelter, then surely they are to blame for their condition. If the poor do not have jobs, then surely it is because they will not work. If sickness strikes down those whose lifestyle differs from our own, then surely they have brought it on themselves. Look at your people, Nest Freemark. They abandon their old. They shun their sick. They cast off their children. They decry any who are different. They commit acts of unfaithfulness, betrayal, and depravity every day. They foster lies that undermine beliefs. Each small darkness breeds another. Each small incident of anger, bitterness, pettiness, and greed breeds others. A sense of futility consumes them. They feel helpless to effect even the smallest change. Their madness is of their own making, and yet they are powerless against it because they refuse to acknowledge its source. They are at war with themselves, but they do not begin to understand the nature of the battle being fought." -pages 96-97
Terry Brooks (Running with the Demon (Word & Void, #1))
Not even to herself dare she blame Helen. She could not assess her trespass by any moral code; it was everything or nothing. Morality can tell us that murder is worse than stealing, and group most sins in an order all must approve, but it cannot group Helen. The surer its pronouncements on this point, the surer may we be that morality is not speaking. Christ was evasive when they questioned Him. It is those that cannot connect who hasten to cast the first stone.
E.M. Forster
His deepest detestation was often reserved for the nicest of liberal academics, as if their lives were his own life but a step escaped. Like the scent of the void which comes off the pages of a Xerox copy, so was he always depressed in such homes by their hint of oversecurity. If the republic was now managing to convert the citizenry to a plastic mass, ready to be attached to any manipulative gung ho, the author was ready to cast much of the blame for such success into the undernourished lap, the overpsychologized loins, of the liberal academic intelligentsia. They were of course politically opposed to the present programs and movements of the republic in Asian foreign policy, but this political difference seemed no more than a quarrel among engineers. Liberal academics had no root of a real war with technology land itself, no, in all likelihood, they were the natural managers of that future air-conditioned vault where the last of human life would still exist.
Norman Mailer (The Armies of the Night: History as a Novel, the Novel as History)
Narcissists are chronic blamers, deflecting responsibility and casting themselves as perpetual victims. In their preferred arena, the courtroom, they wield pointed accusations and manipulate the system as a weapon in their ongoing battle against their victims.
Tracy Malone
Scapegoating, as it is currently practiced,” Perera wrote, “means finding the one or ones who can be identified with evil or wrongdoing, blamed for it and cast out of the community in order to leave the remaining members with a feeling of guiltlessness, atoned (at one).
Isabel Wilkerson (Caste: The Origins of Our Discontents)
These leaders cast no blame. They made no excuses. Instead of complaining about challenges or setbacks, they developed solutions and solved problems. They leveraged assets, relationships, and resources to get the job done. Their own egos took a back seat to the mission and their troops. These leaders truly led.
Jocko Willink (Extreme Ownership: How U.S. Navy SEALs Lead and Win)
Jack’s main priority was making sure he couldn’t be accused of having made a decision. His obsession with remaining impartial has made him impotent to act, even on the side of decency. He wants to be able to cast blame on an algorithm, rather than his own actions. That way he wouldn’t have any blood on his hands.
Mike Monteiro (Ruined by Design: How Designers Destroyed the World, and What We Can Do to Fix It)
Well, my stroll is of precisely this nature, though the irresponsibility is compounded in my case by the fact that I do not pray to God. Sterne managed very neatly to avoid responsibility by blaming it all on the Lord, while I, who have no God to take the blame on my behalf, simply cast mine into a passing ditch.
Natsume Sōseki (The Three-Cornered World)
While it’s certainly true that life presents many difficulties, and undeniable the pain and suffering they often cause, to blame others as the reason for one’s unhappiness is to cast oneself in the role of the victim. For all those years I condemned myself to victimhood I lost so much of myself and so much of what I stood for.
Thabo Katlholo (Blame Less: A Grim Journey Into the Life of a Chronic Blamer)
You have been told that, even like a chain, you are as weak as your weakest link. This is but a half truth. You are also as strong as your strongest link. To measure you by your smallest deed is to reckon the power of the ocean by the failty of its foam. To judge you by your failures is to cast blame upon the seasons for their inconsistency.
Kahlil Gibran (The Prophet)
Methinks, Oh! vain ill-judging Book, I see thee cast a wishful look, Where reputations won and lost are In famous row called Paternoster. Incensed to find your precious olio Buried in unexplored port-folio, You scorn the prudent lock and key, And pant well bound and gilt to see Your Volume in the window set Of Stockdale, Hookham, or Debrett. Go then, and pass that dangerous bourn Whence never Book can back return: And when you find, condemned, despised, Neglected, blamed, and criticised, Abuse from All who read you fall, (If haply you be read at all Sorely will you your folly sigh at, And wish for me, and home, and quiet. Assuming now a conjuror’s office, I Thus on your future Fortune prophesy: — Soon as your novelty is o’er, And you are young and new no more, In some dark dirty corner thrown, Mouldy with damps, with cobwebs strown, Your leaves shall be the Book-worm’s prey; Or sent to Chandler–Shop away, And doomed to suffer public scandal, Shall line the trunk, or wrap the candle! But should you meet with approbation, And some one find an inclination To ask, by natural transition Respecting me and my condition; That I am one, the enquirer teach, Nor very poor, nor very rich; Of passions strong, of hasty nature, Of graceless form and dwarfish stature; By few approved, and few approving; Extreme in hating and in loving; Abhorring all whom I dislike, Adoring who my fancy strike; In forming judgements never long, And for the most part judging wrong; In friendship firm, but still believing Others are treacherous and deceiving, And thinking in the present aera That Friendship is a pure chimaera: More passionate no creature living, Proud, obstinate, and unforgiving, But yet for those who kindness show, Ready through fire and smoke to go. Again, should it be asked your page, ‘Pray, what may be the author’s age?’ Your faults, no doubt, will make it clear, I scarce have seen my twentieth year, Which passed, kind Reader, on my word, While England’s Throne held George the Third. Now then your venturous course pursue: Go, my delight! Dear Book, adieu!
Matthew Gregory Lewis (The Monk)
What can one do but go on? She miscarries again. When she recovers, she looks to cast blame: might this be the doing of the spirit in the cellar? Could it be that spiteful? She descends to the cellar and sits on an empty urn, sniffing the air, taking her soundings. To her surprise she feels the spirit commiserate with her. She comes away mollified.
Abraham Verghese (The Covenant of Water)
It is to say that one of the more disturbing aspects of a caste system, and of the unequal justice it produces, is that it makes for a less safe society, allowing the guilty to shift blame and often to go free. A caste system gives us false comfort, makes us feel that the world is in order, that we automatically know the good guys from the bad guys.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
JAMES. Same thing. He’s gone to work in the most cold-blooded way to defraud his employers, and cast the blame on an innocent man. If that’s not a case for the law to take its course, I don’t know what is. WALTER. For the sake of his future, though. JAMES. [Sarcastically] According to you, no one would ever prosecute. WALTER. [Nettled] I hate the idea of it.
John Galsworthy (Collected Works of John Galsworthy with the Foryste Saga (Delphi Classics))
He did not blame her; he blamed nothing, nobody; he saw the truth. He saw the dun-colored race of waters and the blank shore. But life is vigorous; the body lives, and the body, no doubt, dictated the reflection, which now urged him to movement, that one may cast away the forms of human beings, and yet retain the passion which seemed inseparable from their existence in the flesh.
Virginia Woolf (Night and Day)
Movements are led by Pioneering Leaders who can go into unreached fields, connect, share the gospel, make disciples, form new churches, and multiply leaders. But how do you grow Pioneering Leaders when your existing methods only produce pastor-teachers? Don’t begin with a denominational or church-wide restructuring. Don’t begin by blaming the leaders you have. Cast vision widely for making disciples.
Steve Addison (The Rise and Fall of Movements: A Roadmap for Leaders)
Now I understand what the Maudsley people mean when they say it’s not helpful to cast blame. Blame makes you sit alone in the dark and feel like your skin has been flayed. Blame takes away your power and makes you into a small scolded child, when what you need is to get bigger. So big that you can reach down and swat away what plagues you. Big enough to stare down the demon no matter what form it takes.
Harriet Brown, Brave Girl Eating: A Family's Struggle with Anorexia
For my part, I would believe in no God rather than in such a God as is generally offered for believing in. How far those may be to blame who, righteously disgusted, cast the idea from them, nor make inquiry whether something in it may not be true, though most must be false, neither grant it any claim to investigation on the chance that some that call themselves his prophets may have taken spiritual bribes
George MacDonald (Unspoken Sermons Series I, II, and III)
The scapegoats are blamed for a crime rate that they alone do not cause and for drugs that they are no more likely to use than the dominant caste, but for which they are incarcerated at six times the rate as whites accused of similar offenses. Thousands of African-Americans are behind bars for having been in possession of a substance that businessmen in the dominant caste are now converting to wealth in the marijuana and CBD industry.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
After the final victory, when the enemy is crushed—as crushed he will be—efforts will be made to enlist our sympathy, to move us to pity. We shall be told that the unfortunate German people were merely the victims of their monarch and their feudal caste; that no blame attaches to the Germany we know, which is so sympathetic and so cordial—the Germany of quaint old houses and open-hearted greeting, the Germany that sits under its lime-trees beneath the clear light of the moon—but only to Prussia, hateful, arrogant Prussia
Maurice Maeterlinck (The Wrack of the Storm)
How quick we are to reject what others tell us! How fast we are to cast the blame on others, saying they always criticize us and find fault with us, they are not satisfied with anything we do, they do not understand us. But if we cannot accept anything others tell us, we are proud. The humble want to hear what others tell them. They have the courage to hear the truth about themselves and to admit that they need to change. Whether it is a small matter or a big matter, they say, "Yes, it is true. I need to turn over a new leaf.
Basilea Schlink
Let all our employment be to know GOD: the more one knows Him, the more one desires to know Him. And as knowledge is commonly the measure of love, the deeper and more extensive our knowledge shall be, the greater will be our love: and if our love of GOD were great, we should love Him equally in pains and pleasures. Let us not content ourselves with loving GOD for the mere sensible favors, how elevated soever, which he has done, or may do us. Such favors, though never so great, cannot bring us so near to Him as faith does in one simple act. Let us seek Him often by faith. He is within us: seek Him not elsewhere. If we do love Him alone, are we not rude, and do we not deserve blame, if we busy ourselves about trifles which do not please and perhaps offend Him. It is to be feared these trifles will one day cost us dear. Let us begin to be devoted to Him in good earnest. Let us cast everything besides out of our hearts. He would possess them alone. Beg this favor of Him. If we do what we can on our parts, we shall soon see that change wrought in us which we aspire after.
Brother Lawrence (The Practice of the Presence of God the Best Rule of a Holy Life)
When the system of mass incarceration collapses (and if history is any guide, it will), historians will undoubtedly look back and marvel that such an extraordinarily comprehensive system of racialized social control existed in the United States. How fascinating, they will likely say, that a drug war was waged almost exclusively against poor people of color—people already trapped in ghettos that lacked jobs and decent schools. They were rounded up by the millions, packed away in prisons, and when released, they were stigmatized for life, denied the right to vote, and ushered into a world of discrimination. Legally barred from employment, housing, and welfare benefits—and saddled with thousands of dollars of debt—these people were shamed and condemned for failing to hold together their families. They were chastised for succumbing to depression and anger, and blamed for landing back in prison. Historians will likely wonder how we could describe the new caste system as a system of crime control, when it is difficult to imagine a system better designed to create—rather than prevent—crime.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
Had she been able to listen to her body, the true Virginia would certainly have spoken up. In order to do so, however, she needed someone to say to her: “Open your eyes! They didn’t protect you when you were in danger of losing your health and your mind, and now they refuse to see what has been done to you. How can you love them so much after all that?” No one offered that kind of support. Nor can anyone stand up to that kind of abuse alone, not even Virginia Woolf. Malcolm Ingram, the noted lecturer in psychological medicine, believed that Woolf’s “mental illness” had nothing to do with her childhood experiences, and her illness was genetically inherited from her family. Here is his opinion as quoted on the Virginia Woolf Web site: As a child she was sexually abused, but the extent and duration is difficult to establish. At worst she may have been sexually harassed and abused from the age of twelve to twenty-one by her [half-]brother George Duckworth, [fourteen] years her senior, and sexually exploited as early as six by her other [half-] brother… It is unlikely that the sexual abuse and her manic-depressive illness are related. However tempting it may be to relate the two, it must be more likely that, whatever her upbringing, her family history and genetic makeup were the determining factors in her mood swings rather than her unhappy childhood [italics added]. More relevant in her childhood experience is the long history of bereavements that punctuated her adolescence and precipitated her first depressions.3 Ingram’s text goes against my own interpretation and ignores a large volume of literature that deals with trauma and the effects of childhood abuse. Here we see how people minimize the importance of information that might cause pain or discomfort—such as childhood abuse—and blame psychiatric disorders on family history instead. Woolf must have felt keen frustration when seemingly intelligent and well-educated people attributed her condition to her mental history, denying the effects of significant childhood experiences. In the eyes of many she remained a woman possessed by “madness.” Nevertheless, the key to her condition lay tantalizingly close to the surface, so easily attainable, and yet neglected. I think that Woolf’s suicide could have been prevented if she had had an enlightened witness with whom she could have shared her feelings about the horrors inflicted on her at such an early age. But there was no one to turn to, and she considered Freud to be the expert on psychic disorders. Here she made a tragic mistake. His writings cast her into a state of severe uncertainty, and she preferred to despair of her own self rather than doubt the great father figure Sigmund Freud, who represented, as did her family, the system of values upheld by society, especially at the time.   UNFORTUNATELY,
Alice Miller (The Body Never Lies: The Lingering Effects of Hurtful Parenting)
The Tao Te Ching says, “The enemy is a shadow you yourself cast.” The shadow wanders our unregarded hours where we hold resentments, where we are lost, when there is nothing and no one to blame, though we keep on blaming. I often wonder what is the light that hits the ego, casting out the shadow? It is gratitude. And if the ego is gone, as it is when we are truly grateful, there is no one to cast a shadow. We can replace blame with gratitude—in any circumstance. Blame builds up walls around the self and points only outward. Gratitude opens the heart, dissolves the self, and points everywhere.
Terrance Keenan (Zen Encounters with Loneliness)
Gather close, and let us speak of nasty little shits. Oh, come now, we are no strangers to the vicious demons in placid disguises, innocent eyes so wide, hidden minds so dark. Does evil exist? Is it a force, some deadly possession that slips into the unwary? Is it a thing separate and thus subject to accusation and blame, distinct from the one it has used? Does it flit from soul to soul, weaving its diabolical scheme in all the unseen places, snarling into knots tremulous fears and appalling opportunity, stark terrors and brutal self-interest? Or is the dread word nothing more than a quaint and oh so convenient encapsulation of all those traits distinctly lacking moral context, a sweeping generalization embracing all things depraved and breath takingly cruel, a word to define that peculiar glint in the eye—the voyeur to one’s own delivery of horror, of pain and anguish and impossible grief? Give the demon crimson scales, slashing talons. Tentacles and dripping poison. Three eyes and six slithering tongues. As it crouches there in the soul, its latest abode in an eternal succession of abodes, may every god kneel in prayer. But really. Evil is nothing but a word, an objectification where no objectification is necessary. Cast aside this notion of some external agency as the source of inconceivable inhumanity—the sad truth is our possession of an innate proclivity towards indifference, towards deliberate denial of mercy, towards disengaging all that is moral within us. But if that is too dire, let’s call it evil. And paint it with fire and venom. There are extremities of behaviour that seem, at the time, perfectly natural, indeed reasonable. They are arrived at suddenly, or so it might seem, but if one looks the progression reveals itself, step by step, and that is a most sad truth.
Steven Erikson (Toll the Hounds (Malazan Book of the Fallen, #8))
Of the many exceptional leaders we served alongside throughout our military careers, the consistent attribute that made them great was that they took absolute ownership—Extreme Ownership—not just of those things for which they were responsible, but for everything that impacted their mission. These leaders cast no blame. They made no excuses. Instead of complaining about challenges or setbacks, they developed solutions and solved problems. They leveraged assets, relationships, and resources to get the job done. Their own egos took a back seat to the mission and their troops. These leaders truly led.
Jocko Willink (Extreme Ownership: How U.S. Navy SEALs Lead and Win)
There is compelling evidence that racism kills people. There is compelling evidence that living with the stress of poverty leads to a number of mental health challenges. There is compelling evidence that weight-based discrimination leads to heightened levels of stress and anxiety that suppress the function of major organs. And, there is evidence that fatphobia leads to shortened life expectancy.3 But racism, poverty, and weight-based bigotry are all social problems. It is through victim-blaming narratives that we cast these social issues as individual ones that can be solved through bootstrapping and consumerism.
Virgie Tovar (You Have the Right to Remain Fat)
Not everyone in the village was happy with the idea of having an Untouchable man's statue put up at the entrance. Particularly not an Untouchable who carried a weapon. They felt it would give out the wrong message, give people ideas. Three weeks after the statue went up, the rifle on its soldier went missing. Sepoy S. Murugesan's family tried to file a complaint, but the police refused to register a case, saying that the rifle must have fallen off or simply disintegrated due to the use of substandard cement- a fairly common malpractice- and that nobody could be blamed. A month later the statue's hands were cut off. Once again the police refused to register a case, although this time they sniggered knowingly and did not even bother to offer a reason. Two weeks after the amputation of its hands, the statue of Sepoy S. Murugesan was beheaded. There were a few days of tension. People from nearby villages who belonged to the same caste as S. Murugesan organized a protest. They began a relay hunger strike at the base of the statue. A local court said it would constitute a magisterial committee to look into the matter. In the meanwhile it ordered a status quo. The hunger strike was discontinued. The magisterial committee was never constituted. In some countries, some soldiers die twice.
Arundhati Roy (The Ministry of Utmost Happiness)
Willa maintains a vigil. Certain tasks are relegated to women. Mourning, staring into the wastes, waiting for no one to surface. It's a white man who's missing. Usually, that would be enough to keep it in the news, but eight days in, the police release their grief in an official report. The art of blame-casting is a lesser sorcery. History is written in sand, and a broom changes everything. Every woman knows the art of covering up a mess: a carpet, a dustpan, bleach on the boards. What do you do with the cleaning supplies of the world? Use them to wash the blood away, and grind the bones into bread. Swallow the confessions whispered in bed. If events don't make sense, a story grows to cover up the confusion. Motives and mistakes.
Maria Dahvana Headley (The Mere Wife)
We want to blame an individual so that everyone else is exculpated. Or we blame a historical process as a way of exonerating individuals. Or it’s all anarchic chaos, with the same consequence. It seems to me that there is—was—a chain of individual responsibilities, all of which were necessary, but not so long a chain that everybody can simply blame everyone else. But of course, my desire to ascribe responsibility might be more a reflection of my own cast of mind than a fair analysis of what happened. That’s one of the central problems of history, isn’t it, sir? The question of subjective versus objective interpretation, the fact that we need to know the history of the historian in order to understand the version that is being put in front of us.
Julian Barnes (The Sense of an Ending)
cop-out? We want to blame an individual so that everyone else is exculpated. Or we blame a historical process as a way of exonerating individuals. Or it’s all anarchic chaos, with the same consequence. It seems to me that there is—was—a chain of individual responsibilities, all of which were necessary, but not so long a chain that everybody can simply blame everyone else. But of course, my desire to ascribe responsibility might be more a reflection of my own cast of mind than a fair analysis of what happened. That’s one of the central problems of history, isn’t it, sir? The question of subjective versus objective interpretation, the fact that we need to know the history of the historian in order to understand the version that is being put in front of us.
Julian Barnes (The Sense of an Ending)
Okay, here’s what I think,” Nina said at last … “You, Emily Proudman, are a beautiful, wonderful, creative, curious human. You’re warm and generous and a joy to be around. You’re also very intelligent. But you see yourself as a victim.” … “You’re looking for someone to blame for your unhappiness — your parents, all those casting directors, anyone. But here’s the thing: at this point in your life, everything you surround yourself with is there because you chose it to be.” … “You were raised in a privileged country,” Nina continued … “You’re educated, and you’ve been given economic opportunity. You have the power and the freedom to choose how you live and, more importantly, how you feel about how you live. You’re not a victim. You’re in control. You just don’t know it yet.
Anna Downes (The Safe Place)
I’m trying to remember how I got this way. I don’t recall always being this out of it. Nicholas Carr blames our use of electronic technology for scraping us gaunt. In his book The Shallows: What the Internet Is Doing to Our Brains, Carr points out that our habitual electronic multitasking between smartphones, websites, news feeds, and social media is dramatically rewiring the neurological pathways in our brains. According to Carr, all our browsing and liking and streaming and retweeting has conditioned the ability to focus right out of us. “In the choices we have made . . . ,” writes Carr, “we have rejected the intellectual tradition of solitary, single-minded concentration. . . . We have cast our lot with the juggler.”4 “Tell me,” a wise friend once asked, “What is it you are doing with the singular gift of your life?” Juggling?
Michael Yankoski (The Sacred Year: Mapping the Soulscape of Spiritual Practice -- How Contemplating Apples, Living in a Cave, and Befriending a Dying Woman Revived My Life)
Because of this place I’m a murderer,” he said. “Complicity,” he amended after a moment’s consideration. “Soon to be.” The last was a conclusive mutter. “Get to the funny part,” Libby suggested dryly. “Well, there’s a stain on me now, isn’t there? A mark. Would kill for…followed by a blank space.” Nico summoned the knife back to his palm, only of course it didn’t register that way. One moment the knife was cast aside, the next it was in his hand. “I wouldn’t have that if I hadn’t come here. And I wouldn’t have come here at all if it weren’t for you.” She wondered if he blamed her. He didn’t sound accusatory, but it was hard not to assume that he was. “You were going to do it regardless, remember?” “Yeah but only because they asked you.” He glanced down at the knife in his hand, turning it over to inspect the blade. “Inseverable,” he said, neither to himself nor her. “What?” “Inseverable,” he repeated, louder this time. He glanced at her, shrugging. “One of those if-then calculations, right? We met, so now we can’t detach. We’re just going to always play a weird game of…what’s the word? The thing, espejo, the game. The mirror game.” “Mirror game?” “Yeah, you do one thing, I do it too. Mirror.” Libby asked, “But who does it first?” “Doesn’t matter.” “Do you resent it?” He looked down at the knife, and then back up at her. “Apparently, I’d kill to protect it,” he said, “so yeah.” “We could stop,” she suggested. “Stop playing the game.” “Stop where? Stop here? No,” Nico said with a shake of his head, fingers tapping at his side. “This isn’t far enough.” “But what if it’s too far?” “It is,” he agreed. “Too far to stop.” “Paradox,” Libby observed aloud, and Nico’s mouth twisted with wry acknowledgement. “Isn’t it? The day you are not a fire,” he said, “is the day the earth will fall still for me.
Olivie Blake (The Atlas Six (The Atlas, #1))
In the land of Uz, there lived a man, righteous and God-fearing, and he had great wealth, so many camels, so many sheep and asses, and his children feasted, and he loved them very much and prayed for them. 'It may be that my sons have sinned in their feasting.' Now the devil came before the Lord together with the sons of God, and said to the Lord that he had gone up and down the earth and under the earth. 'And hast thou considered my servant Job?' God asked of him. And God boasted to the devil, pointing to his great and holy servant. And the devil laughed at God's words. 'Give him over to me and Thou wilt see that Thy servant will murmur against Thee and curse Thy name.' And God gave up the just man He loved so, to the devil. And the devil smote his children and his cattle and scattered his wealth, all of a sudden like a thunderbolt from heaven. And Job rent his mantel and fell down upon the ground and cried aloud, 'Naked came I out of my mother's womb, and naked shall I return into the earth; the Lord gave and the Lord has taken away. Blessed be the name of the Lord for ever and ever.' Fathers and teachers, forgive my tears now, for all my childhood rises up again before me, and I breathe now as I breathed then, with the breast of a little child of eight, and I feel as I did then, awe and wonder and gladness. The camels at that time caught my imagination, and Satan, who talked like that with God, and God who gave His servant up to destruction, and His servant crying out: 'Blessed be Thy name although Thou dost punish me,' and then the soft and sweet singing in the church: 'Let my prayer rise up before Thee,' and again incense from the priest's censer and the kneeling and the prayer. Ever since then - only yesterday I took it up - I've never been able to read that sacred tale without tears. And how much that is great, mysterious and unfathomable there is in it! Afterwards I heard the words of mockery and blame, proud words, 'How could God give up the most loved of His saints for the diversion of the devil, take from him his children, smite him with sore boils so that he cleansed the corruption from his sores with a pot-sherd - and for no object except to board to the devil! 'See what My saint can suffer for My Sake.' ' But the greatness of it lies just in the fact that it is a mystery - that the passing earthly show and the eternal verity are brought together in it. In the face of the earthly truth, the eternal truth is accomplished. The Creator, just as on the first days of creation He ended each day with praise: 'That is good that I have created,' looks upon Job and again praises His creation. And Job, praising the Lord, serves not only Him but all His creation for generations and generations, and for ever and ever, since for that he was ordained. Good heavens, what a book it is, and what lessons there are in it! What a book the Bible is, what a miracle, what strength is given with it to man! It is like a mold cast of the world and man and human nature, everything is there, and a law for everything for all the ages. And what mysteries are solved and revealed! God raises Job again, gives him wealth again. Many years pass by, and he has other children and loves them. But how could he love those new ones when those first children are no more, when he has lost them? Remembering them, how could he be fully happy with those new ones, however dear the new ones might be? But he could, he could. It's the great mystery of human life that old grief passes gradually into quiet, tender joy. The mild serenity of age takes the place of the riotous blood of youth. I bless the rising such each day, and, as before, my heart sings to meet it, but now I love even more its setting, its long slanting rays and the soft, tender, gentle memories that come with them, the dear images from the whole of my long, happy life - and over all the Divine Truth, softening, reconciling, forgiving!
Fyodor Dostoevsky (The Brothers Karamazov)
Well, in one sense, I can’t know what it is that I don’t know. That’s philosophically self-evident.’ He left one of those slight pauses in which we again wondered if he was engaged in subtle mockery or a high seriousness beyond the rest of us. ‘Indeed, isn’t the whole business of ascribing responsibility a kind of cop-out? We want to blame an individual so that everyone else is exculpated. Or we blame a historical process as a way of exonerating individuals. Or it’s all anarchic chaos, with the same consequence. It seems to me that there is – was – a chain of individual responsibilities, all of which were necessary, but not so long a chain that everybody can simply blame everyone else. But of course, my desire to ascribe responsibility might be more a reflection of my own cast of mind than a fair analysis of what happened. That’s one of the central problems of history, isn’t it, sir? The question of subjective versus objective interpretation, the fact that we need to know the history of the historian in order to understand the version that is being put in front of us.
Julian Barnes (The Sense of an Ending)
Michelle Alexander, an associate professor of law at Ohio State University, has written an entire book, The New Jim Crow, that blames high black incarceration rates on racial discrimination. She posits that prisons are teeming with young black men due primarily to a war on drugs that was launched by the Reagan administration in the 1980s for the express purpose of resegregating society. “This book argues that mass incarceration is, metaphorically, the New Jim Crow and that all those who care about social justice should fully commit themselves to dismantling this new racial caste system,” wrote Alexander.4 “What this book is intended to do—the only thing it is intended to do—is to stimulate a much-needed conversation about the role of the criminal justice system in creating and perpetrating racial hierarchy in the United States.”5 Liberals love to have “conversations” about these matters, and Alexander got her wish. The book was a best seller. NPR interviewed her multiple times at length. The New York Times said that Alexander “deserved to be compared to Du Bois.” The San Francisco Chronicle described the book as “The Bible of a social movement.
Jason L. Riley (Please Stop Helping Us: How Liberals Make It Harder for Blacks to Succeed)
Well?” demanded the vicar at last, looking at Ian. “What do you have to say to me?” “Good afternoon?” Ian suggested drolly. And then he added, “I didn’t expect to see you until tomorrow, Uncle.” “Obviously,” retorted the vicar with unconcealed irony. “Uncle!” blurted Elizabeth, gaping incredulously at Ian Thornton, who’d been flagrantly defying rules of morality with his passionate kisses and seeking hands from the first night she met him. As if the vicar read her thoughts, he looked at her, his brown eyes amused. “Amazing, is it not, my dear? It quite convinces me that God has a sense of humor.” A hysterical giggle welled up in Elizabeth as she saw Ian’s impervious expression begin to waver when the vicar promptly launched into a recitation of his tribulations as Ian’s uncle: “You cannot imagine how trying it used to be when I was forced to console weeping young ladies who’d cast out lures in hopes Ian would come up to scratch,” he told Elizabeth. “And that’s nothing to how I felt when he raced his horse and one of my parishioners thought I would be the ideal person to keep of the bets!” Elizabeth’s burst of laughter rang like music through the hills, and the vicar, ignoring Ian’s look of annoyance, continued blithely, “I have flat knees from the hours, the weeks, the months I’ve spent praying for his immortal soul-“ “When you’re finished itemizing my transgressions, Duncan, “ Ian cut in, “I’ll introduce you to my companion.” Instead of being irate at Ian’s tone, the vicar looked satisfied. “By all means, Ian,” he said smoothly. “We should always observe all the proprieties.” At that moment Elizabeth realized with a jolt that the shaming tirade she’d expected the vicar to deliver when he first saw them had been delivered after all-skillfully and subtly. The only difference was that the kindly vicar had aimed it solely at Ian, absolving her from blame and sparing her any further humiliation. Ian evidently realized it, too; reaching out to shake his uncle’s hand, he said dryly, “You’re looking well, Duncan-despite your flattened knees. And,” he added, “I can assure you that your sermons are equally eloquent whether I’m standing up or sitting down.” “That is because you have a lamentable tendency to doze off in the middle of them either way,” the vicar replied a little irritably, shaking Ian’s hand.
Judith McNaught (Almost Heaven (Sequels, #3))
Of course, many leaders do ask questions constantly—questions such as these: Why are you behind schedule? Who isn't keeping up? What's the problem with this project? Whose idea was that? Too often, we ask questions that disempower rather than empower our subordinates. These questions cast blame; they are not genuine requests for information. Other sorts of questions are often no more than thinly veiled attempts at manipulation: Don't you agree with me on that? Aren't you a team player? If you tend to ask these sorts of questions, this book is for you. So the point isn't that leaders just don't ask enough questions. Often, we don't ask the right questions. Or we don't ask questions in a way that will lead to honest and informative answers. Many of us don't know how to listen effectively to the answers to questions—and haven't established a climate in which asking questions is encouraged. And that's where this book comes in. The purpose of Leading with Questions is to help you become a stronger leader by learning how to ask the right questions effectively, how to listen effectively, and how to create a climate in which asking questions becomes as natural as breathing.
Michael J. Marquardt (Leading with Questions: How Leaders Find the Right Solutions by Knowing What to Ask)
to be open and straightforward about their needs for attention in a social setting. It is equally rare for members of a group in American culture to honestly and openly express needs that might be in conflict with that individual’s needs. This value of not just honestly but also openly fully revealing the true feelings and needs present in the group is vital for it’s members to feel emotional safe. It is also vital to keeping the group energy up and for giving the feedback that allows it’s members to know themselves, where they stand in relation to others and for spiritual/psychological growth. Usually group members will simply not object to an individual’s request to take the floor—but then act out in a passive-aggressive manner, by making noise or jokes, or looking at their watches. Sometimes they will take the even more violent and insidious action of going brain-dead while pasting a jack-o’-lantern smile on their faces. Often when someone asks to read something or play a song in a social setting, the response is a polite, lifeless “That would be nice.” In this case, N.I.C.E. means “No Integrity or Congruence Expressed” or “Not Into Communicating Emotion.” So while the sharer is exposing his or her vulnerable creation, others are talking, whispering to each other, or sitting looking like they are waiting for the dental assistant to tell them to come on back. No wonder it’s so scary to ask for people’s attention. In “nice” cultures, you are probably not going to get a straight, open answer. People let themselves be oppressed by someone’s request—and then blame that someone for not being psychic enough to know that “Yes” meant “No.” When were we ever taught to negotiate our needs in relation to a group of people? In a classroom? Never! The teacher is expected to take all the responsibility for controlling who gets heard, about what, and for how long. There is no real opportunity to learn how to nonviolently negotiate for the floor. The only way I was able to pirate away a little of the group’s attention in the school I attended was through adolescent antics like making myself fart to get a few giggles, or asking the teacher questions like, “Why do they call them hemorrhoids and not asteroids?” or “If a number two pencil is so popular, why is it still number two,” or “What is another word for thesaurus?” Some educational psychologists say that western culture schools are designed to socialize children into what is really a caste system disguised as a democracy. And in once sense it is probably good preparation for the lack of true democratic dynamics in our culture’s daily living. I can remember several bosses in my past reminding me “This is not a democracy, this is a job.” I remember many experiences in social groups, church groups, and volunteer organizations in which the person with the loudest voice, most shaming language, or outstanding skills for guilting others, controlled the direction of the group. Other times the pain and chaos of the group discussion becomes so great that people start begging for a tyrant to take charge. Many times people become so frustrated, confused and anxious that they would prefer the order that oppression brings to the struggle that goes on in groups without “democracy skills.” I have much different experiences in groups I work with in Europe and in certain intentional communities such as the Lost Valley Educational Center in Eugene, Oregon, where the majority of people have learned “democracy skills.” I can not remember one job, school, church group, volunteer organization or town meeting in mainstream America where “democracy skills” were taught or practiced.
Kelly Bryson (Don't Be Nice, Be Real)
Silas nods and turns to back the car up, accidently brushing a hand against my shoulders as he does so. “Sorry,” he says under his breath, like he’s whispering in church. I shake my head as Scarlett settles her long arms and legs in the backseat and uses her cloak as a blanket. Still trying to lean somewhere between the door of death and Silas’s shoulder, I stare out the window as we lumber out of town. The road is smooth, hypnotic, with the dotted lines vanishing rhythmically before us. I glance back at my sister. She’s fallen asleep, and Screwtape is casting her dark looks, as if she’s to blame for his predicament. I looked toward Silas, trying to appear as if I’m just glancing out his window. Really, I want to study him intensely. He’s wearing one of his many nearly threadbare T-shirts, jeans that are soft from washing, wavy hair . . . Everything about him begs to be touched . . . “You’re nervous,” Silas says suddenly. “What? No!” I answer sharply. Am I that obvious? Silas raises an eyebrow and laughs. “It makes sense. I mean, you and Lett have lived in Ellison forever.” Right . . . right. He’s talking about the trip, not my resisting the temptation to fall on him. We’re silent for a moment, nearly tangible awkwardness floating around the front seats. Silas drums his fingers on the steering wheel.
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
Another pattern was set at Uhud that played out across the centuries: Muslims would see any aggression as a pretext for revenge, regardless of whether they provoked it. With a canny understanding of how to sway public opinion, jihadists and their PC allies on the American Left today use current events as pretexts to justify what they are doing: Time and again they portray themselves as merely reacting to grievous provocations from the enemies of Islam. By this they gain recruits and sway popular opinion. Conventional wisdom among a surprisingly broad political spectrum today holds that the global jihad movement is a response to some provocation or other: the invasion of Iraq, the establishment of Israel, the toppling of Iran’s Mossadegh—or a more generalized offense such as “American neo-colonialism” or “the lust for oil.” Those who are particularly forgetful of history blame it on newly minted epiphenomena such as the Abu Ghraib prison scandals, which cast a shadow over America’s presence in Iraq in 2004. But the jihadists were fighting long before Abu Ghraib, Iraq, Israel, or American independence. Indeed, they have been fighting and imitating their warrior Prophet ever since the seventh century, casting their actions as responses to the enormities of their enemies ever since Muhammad discovered his uncle’s mutilated body.
Robert Spencer (The Politically Incorrect Guide to Islam (and the Crusades))
George Clooney spent his first years in Hollywood getting rejected at auditions. He wanted the producers and directors to like him, but they didn’t and it hurt and he blamed the system for not seeing how good he was. This perspective should sound familiar. It’s the dominant viewpoint for the rest of us on job interviews, when we pitch clients, or try to connect with an attractive stranger in a coffee shop. We subconsciously submit to what Seth Godin, author and entrepreneur, refers to as the “tyranny of being picked.” Everything changed for Clooney when he tried a new perspective. He realized that casting is an obstacle for producers, too—they need to find somebody, and they’re all hoping that the next person to walk in the room is the right somebody. Auditions were a chance to solve their problem, not his. From Clooney’s new perspective, he was that solution. He wasn’t going to be someone groveling for a shot. He was someone with something special to offer. He was the answer to their prayers, not the other way around. That was what he began projecting in his auditions—not exclusively his acting skills but that he was the man for the job. That he understood what the casting director and producers were looking for in a specific role and that he would deliver it in each and every situation, in preproduction, on camera, and during promotion. The
Ryan Holiday (The Obstacle is the Way: The Timeless Art of Turning Adversity to Advantage)
For a second he thought she might chuckle, and honest to God he didn't know what he would do if she did. "Grey, society didn't give you that scar. A woman you treated with no more regard than your dirty stockings gave you that scar. You cannot blame the actions of one on so many." HIs fingers tightened into fists at his side. "I do not blame all of society for her actions, of course not." "How could you? You don't even know who it was, do you?" "No." But he had suspicions. He was almost completely certain it had been Maggie-Lady Devane. He'd broken her heart the worst of them all. "Of course you don't." Suddenly her eyes were very dark and hard. "I suspect it could be one of a large list of names, all women who you toyed with and cast aside." A heavy chill settled over Grey's chest at the note of censure, and disapproval in her tone. He had known this day would come, when she would see him for what he truly was. He just hadn't expected it quite so soon. "Yes," he whispered. "A long list indeed." "So it's no wonder you would rather avoid society. I would too if I had no idea who my enemies were. It's certainly preferable to apologizing to every conquest and hope that you got the right one." She didn't say it meanly, or even mockingly, but there was definitely an edge to her husky voice. "Is this what we've come to, Rose?" he demanded. "You've added your name to the list of the women I've wronged?" She laughed then, knocking him even more off guard. "Of course not. I knew what I was getting myself into when I hatched such a foolhardy plan. No, your conscience need not bear the weight of me, grey." When she moved to stand directly before him, just inches away, it was all he could do to stand his ground and not prove himself a coward. Her hand touched his face, the slick satin of her gloves soft against his cheek. "I wish you would stop living under all this regret and rejoin the world," she told him in a tone laden with sorrow. "You have so much to offer it. I'm sure society would agree with me if you took the chance." Before he could engineer a reply, there was another knock at the door. Rose dropped her hand just as her mother stuck her head into the room. "Ah, there you are. Good evening, Grey. Rose, Lord Archer is here." Rose smiled. "I'll be right there, Mama." When the door closed once more, she turned to Grey. "Let us put an end to this disagreeable conversation and put it in the past where it belongs. Friends?" Grey looked down at her hand, extended like a man's. He didn't want to take it. In fact, he wanted to tell her what she could do with her offer of friendship and barely veiled insults. He wanted to crush her against his chest and kiss her until her knees buckled and her superior attitude melted away to pleas of passion. That was what he wanted.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
George Clooney spent his first years in Hollywood getting rejected at auditions. He wanted the producers and directors to like him, but they didn’t and it hurt and he blamed the system for not seeing how good he was. This perspective should sound familiar. It’s the dominant viewpoint for the rest of us on job interviews, when we pitch clients, or try to connect with an attractive stranger in a coffee shop. We subconsciously submit to what Seth Godin, author and entrepreneur, refers to as the “tyranny of being picked.” Everything changed for Clooney when he tried a new perspective. He realized that casting is an obstacle for producers, too—they need to find somebody, and they’re all hoping that the next person to walk in the room is the right somebody. Auditions were a chance to solve their problem, not his. From Clooney’s new perspective, he was that solution. He wasn’t going to be someone groveling for a shot. He was someone with something special to offer. He was the answer to their prayers, not the other way around. That was what he began projecting in his auditions—not exclusively his acting skills but that he was the man for the job. That he understood what the casting director and producers were looking for in a specific role and that he would deliver it in each and every situation, in preproduction, on camera, and during promotion. The difference between the right and the wrong perspective is everything.
Ryan Holiday (The Obstacle Is the Way: The Timeless Art of Turning Trials into Triumph)
It has been said that silence is a powerful weapon; in a quite different sense, it has a terrible power when wielded by those who are loved. It increases the anxiety of the one who waits. Nothing so tempts us to approach another person as the thing that is keeping us apart, and what greater barrier is there than silence? It has been said, too, that silence is torture, capable of driving the man condemned to it in a prison cell to madness. But what an even greater torture it is, greater than having to keep silent, to endure the silence of the person one loves! Robert asked himself: “What can she be doing, to stay silent like this? Is it that she’s being unfaithful to me?” And again: “What have I done to make her keep so silent? Perhaps she hates me, and will go on hating me forever.” And he blamed himself for it. So silence was in fact driving him mad, with jealousy and remorse. More cruel than the silence of the prison cell, the silence he endured was its own kind of prison. An intangible kind of enclosure, perhaps, but an impenetrable one, this segment of empty atmosphere between them, through which the visual rays of the abandoned lover cannot pass. Is there a more terrible form of illumination than silence, which casts its light on not one absent love but a thousand, each one involved in some new act of betrayal? Occasionally, in sudden moments of diminished stress, Robert would imagine that this silence was about to be broken, that a letter from her was on its way.
Marcel Proust (The Guermantes Way (In Search of Lost Time, #3))
GCHQ has traveled a long and winding road. That road stretches from the wooden huts of Bletchley Park, past the domes and dishes of the Cold War, and on towards what some suggest will be the omniscient state of the Brave New World. As we look to the future, the docile and passive state described by Aldous Huxley in his Brave New World is perhaps more appropriate analogy than the strictly totalitarian predictions offered by George Orwell's Nineteen Eighty-Four. Bizarrely, many British citizens are quite content in this new climate of hyper-surveillance, since its their own lifestyle choices that helped to create 'wired world' - or even wish for it, for as we have seen, the new torrents of data have been been a source of endless trouble for the overstretched secret agencies. As Ken Macdonald rightly points out, the real drives of our wired world have been private companies looking for growth, and private individuals in search of luxury and convenience at the click of a mouse. The sigint agencies have merely been handed the impossible task of making an interconnected society perfectly secure and risk-free, against the background of a globalized world that presents many unprecedented threats, and now has a few boundaries or borders to protect us. Who, then, is to blame for the rapid intensification of electronic surveillance? Instinctively, many might reply Osama bin Laden, or perhaps Pablo Escobar. Others might respond that governments have used these villains as a convenient excuse to extend state control. At first glance, the massive growth of security, which includes includes not only eavesdropping but also biometric monitoring, face recognition, universal fingerprinting and the gathering of DNA, looks like a sad response to new kinds of miscreants. However, the sad reality is that the Brave New World that looms ahead of us is ultimately a reflection of ourselves. It is driven by technologies such as text messaging and customer loyalty cards that are free to accept or reject as we choose. The public debate on surveillance is often cast in terms of a trade-off between security and privacy. The truth is that luxury and convenience have been pre-eminent themes in the last decade, and we have given them a much higher priority than either security or privacy. We have all been embraced the world of surveillance with remarkable eagerness, surfing the Internet in a global search for a better bargain, better friends, even a better partner. GCHQ vast new circular headquarters is sometimes represented as a 'ring of power', exercising unparalleled levels of surveillance over citizens at home and abroad, collecting every email, every telephone and every instance of internet acces. It has even been asserted that GCHQ is engaged in nothing short of 'algorithmic warfare' as part of a battle for control of global communications. By contrast, the occupants of 'Celtenham's Doughnut' claim that in reality they are increasingly weak, having been left behind by the unstoppable electronic communications that they cannot hope to listen to, still less analyse or make sense of. In fact, the frightening truth is that no one is in control. No person, no intelligence agency and no government is steering the accelerating electronic processes that may eventually enslave us. Most of the devices that cause us to leave a continual digital trail of everything we think or do were not devised by the state, but are merely symptoms of modernity. GCHQ is simply a vast mirror, and it reflects the spirit of the age.
Richard J. Aldrich (GCHQ)
Then call me Pierce because we're friends." He bent in close in the turn, eyes gleaming as they dropped to her lips. "Intimate friends, if I get my wish." This time there was no mistaking his meaning. But he was so practiced and smooth that she couldn't help herself-she laughed. When that made him frown, she tried to suppress her amusement, but that only made her laugh harder. "What's so funny?" he muttered. "I'm sorry," she said, swallowing her amusement. "It's just that I've heard my brothers make such insinuations to women in that tone of voice for years, but I've never been on the receiving end." Pierce's smile would rival that of Casanova. "I don't know why not," he said in a lazy drawl. His gaze raked her appreciatively as they swirled about the room. "Tonight, in that purple gown, you look particularly fetching. The color suits you." "Thank you." Minerva had been trying to get her to stop wearing browns and oranges for years, but Celia had always pooh-poohed her sister's opinions. It was only after Virginia had said exactly the same thing last month that she'd begun to think she should listen. And to order new gowns accordingly. "You're a lovely woman with the figure of a Venus and a mouth that could make a man-" "You can stop now." Her amusement vanished. She'd be flattered if he meant a single word, but clearly this was just a game to him. "I don't need the full rogue treatment, I assure you." Interest sparked in his eyes. "Hasn't it occurred to you that I might be sincere?" "Only if you're sincerely trying to seduce me." He cast her a blatantly carnal glance as he held her tighter. "Well, of course I'm trying to seduce you. What else would I be doing?" She pitched her voice over the music. "I'm a respectable woman, you know." "What has that got to do with anything?" She arched an eyebrow at him as they moved in consort. "Even a respectable woman might be tempted into, say, slipping out with a gentleman for a walk in the moonlit courtyard. And if said gentleman should happen to steal a kiss or two-" "Lord Devonmont!" "Fine." He smiled ruefully. "Bu you can't blame me for trying. You do look ravishing this evening." "There you go again," she said, exasperated. "Can you never talk to a woman as if she's a normal person?" "How dull that would be." When she frowned, he shook his head. "Very well. What scintillating topics of conversation did you have in mind?
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
How did you convince her to remarry you?” Tomas asked curiously, drawing Radcliffe from his thoughts. Making a face, he admitted, “I had to draw up a contract stating that I would never again condescend to her. That I would discuss business with her on a daily basis were she interested, and…” “And?” He sighed unhappily. “And that I would take her to my club dressed as a man.” Tomas gave a start. “What?” “Shh,” Radcliffe cautioned, glancing nervously around to be sure that they had not been overheard. No one seemed to be paying attention to them. Most of the guests were casting expectant glances toward the back of the church, hoping to spot the brides who should have been there by now. Glancing back to Tomas, he nodded. “She was quite adamant about seeing the club. It seems she was jealous of Beth’s getting with those ‘hallowed halls’-her words, not mine-and she was determined to see inside for herself.” “Have you taken her there yet?” “Nay, nay. I managed to put her off for quite some time, and then by the time she lost her patience with my stalling, she was with child and did not think the smoky atmosphere would be good for the baby. I am hoping by the time it is born and she is up and about again, she will have forgotten-“ A faint shriek from outside the church made him pause and stiffen in alarm. “That sounded like Charlie.” Turning, he hurried toward the back of the church with Tomas on his heel. Crashing through the church doors, they both froze at the top of the steps and gaped at the spectacle taking place on the street below. Charlie and Beth, in all their wedding finery, were in the midst of attacking what appeared to be a street vendor. Flowers were flying through the air as they both pummeled the man with their bouquets and shouted at him furiously. “Have I mentioned, Radcliffe, how little I appreciate the effect your wife has had on mine?” Tomas murmured suddenly, and Radcliffe glanced at him with amazement. “My wife? Good Lord, Tomas, you cannot blame Beth’s sudden change on Charlie. They grew up together, for God’s sake. After twenty years of influence, she was not like this.” Tomas frowned. “I had not thought of that. What do you suppose did it, then?” Radcliffe grinned slightly. “The only new thing in her life is you.” Tomas was gaping over that truth when Stokes slipped out of the church to join them. “Oh, dear. Lady Charlie and Lady Beth are hardly in the condition for that sort of behavior.
Lynsay Sands (The Switch)
Outside the room they found his family standing in the Great Hall, discussing something in heated whispers as Freddy nervously paced the other end. Oliver cleared his throat, and they all jumped. “My fiancée has made it clear that she doesn’t appreciate my attempt at a joke.” “Oliver enjoys shocking people,” Maria said calmly. When he looked at her, surprised that she had noticed, she arched one eyebrow at him. “I’m sure you know that about him by now. I find it a great flaw in his character.” She seemed to consider many things as flaws in his character. Not that he could blame her. Gran glanced from Maria to him. “So the two of you didn’t meet in a brothel?” “We did,” he said, “but only because poor Freddy got lost and wandered into one by mistake. I was trying to determine what he was looking for when Maria rushed in, mad with worry over where he might have gone off to. With two such Americans lost in the wicked city, hopelessly innocent of its dangers, I felt compelled to help them. I’ve been squiring them about town the last week. Isn’t that right, sweetheart?” She cast him a sugary and thoroughly false smile. “Oh, yes, dearest. And you were a very informative guide, too.” Jarret arched one eyebrow. “Astonishing that after finding you in a brothel, Oliver, Miss Butterfield wasn’t put off of marrying you.” “I ought to have been,” Maria said. “But he swore those days were behind him when he pledged his undying love to me on bended knee.” When Gabriel and Jarret barely managed to stifle their laughter, Oliver gritted his teeth. Bended knee, indeed. She was determined to prick his pride at every opportunity. She probably felt he deserved it. He could only pray that Gran backed down from the right before he had to bring the chit around any of his friends, or Maria would have them taunting him unmercifully for the next decade. “I’m afraid, my dear,” he said tersely, “that my brothers have trouble envisioning me bending a knee to anyone.” She affected a look of wide-eyed shock. “Have they no idea what a romantic you are? I’ll have to show them the sonnets you wrote praising my beauty. I believe I left them in my redingote pocket.” The teasing wench actually looked back toward the entrance. “I could go fetch them if you like.” “Not now,” he said, torn between a powerful urge to laugh and an equally powerful urge to strangle her. “It’s time for dinner, and I’m starved.” “So am I,” Freddy put in. At a frown from Maria, he mumbled, “Not that it matters, mind you.” “Of course it matters,” Gran said graciously. “We don’t like our guests to be uncomfortable. Come along then, Mr. Dunse. You may take me in to dinner, since my grandson is otherwise occupied.” As they trooped toward the dining room, Oliver bent his head to whisper, “I see you’re enjoying making me out to be a besotted idiot.” A minxish smile tipped up her fetching lips. “Oh, yes. It’s great fun.” “Then my explanation of how you ended up in a brothel met with your approval?” “It’ll do for now.” She cast him a glance from beneath her long lashes. “You’re by no means out of the woods yet, sir.” But I will be by the time the night is over. No matter what it took, he would get her to stay and do this, so help him God.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Adam, where art thou? Eve where art thou? What have ye done?’ But neither of them answered, ‘Here I am, Lord. I am hiding because I have sinned against Thee, of my own fault, and I repent. Do Thou forgive me.’ Neither of them said anything of the kind; instead, Adam cast responsibility onto Eve, and Eve onto the serpent. Adam even went as far as blaming God. ‘The woman whom Thou gavest to be with me, she gave me of the tree, and I did eat’, said Adam (Gen. 3:12), meaning, ‘It is Thy fault.’ And the Lord, Who never constrains anybody and never imposes Himself on anyone, departed. He left them to suffer the consequences of their disobedience, to toil on earth until they should ‘come to themselves’, as did the Prodigal Son.
Zacharias Zacharou (The Hidden Man of the Heart (1 Peter 3:4): The Cultivation of the Heart in Orthodox Christian Anthropology)
I wait for someone to tell me what to do rather than taking the initiative myself. I spend too much time talking about how things should be different. I blame the context, surroundings, or other people for my current situation. I am more concerned about being cool or accepted than doing the right thing. I seek consensus rather than casting vision for a preferable future. I am not taking any significant risks. I accept the status quo as the way it’s always been and always will be. I start protecting my reputation instead of opening myself up to opposition. I procrastinate to avoid making a tough call. I talk to others about the problem rather than taking it to the person responsible. I don’t feel like my butt is on the line for anything significant. I ask for way too many opinions before taking action.
Dave Ferguson (Exponential: How You and Your Friends Can Start a Missional Church Movement (Exponential Series))
I wish it back,” she said in uncharacteristic sharpness. “I don’t care to cast blame. I just want it back. It is, after all, my personal property. Not meant for anyone else to read.” “Full of juicy secrets, is it?” Julian asked, eyes glinting. “About you? Or about all of us?” “Perhaps I shall have to track down this ghost and claim the journal myself,” Rowan said. “Sounds like interesting reading.” Emma lifted her chin. “I assure you, you would find it frightfully dull.” “Your blush tells a different tale.” Julian smirked.
Julie Klassen (The Tutor's Daughter)