Caste Quotes

We've searched our database for all the quotes and captions related to Caste. Here they are! All 200 of them:

β€œ
The snake which cannot cast its skin has to die. As well the minds which are prevented from changing their opinions; they cease to be mind.
”
”
Friedrich Nietzsche
β€œ
If you have good friends, no matter how much life is sucking , they can make you laugh.
”
”
P.C. Cast
β€œ
My life has a superb cast, but I cannot figure out the plot.
”
”
Ashleigh Brilliant
β€œ
The world is a stage and the play is badly cast.
”
”
Oscar Wilde
β€œ
I alone cannot change the world, but I can cast a stone across the waters to create many ripples.
”
”
Mother Teresa
β€œ
Jesper knocked his head against the hull and cast his eyes heavenward. β€œFine. But if Pekka Rollins kills us all, I’m going to get Wylan’s ghost to teach my ghost how to play the flute just so that I can annoy the hell out of your ghost.” Brekker’s lips quirked. β€œI’ll just hire Matthias’ ghost to kick your ghost’s ass.” β€œMy ghost won’t associate with your ghost,” Matthias said primly, and then wondered if the sea air was rotting his brain.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
β€œ
Be careful, lest in casting out your demon you exorcise the best thing in you.
”
”
Friedrich Nietzsche
β€œ
Remember, darkness does not always equate to evil, just as light does not always bring good.
”
”
P.C. Cast (Betrayed (House of Night, #2))
β€œ
Poetry is the shadow cast by our streetlight imaginations.
”
”
Lawrence Ferlinghetti
β€œ
Power resides only where men believe it resides. [...] A shadow on the wall, yet shadows can kill. And ofttimes a very small man can cast a very large shadow.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
β€œ
Chance is always powerful. Let your hook be always cast; in the pool where you least expect it, there will be a fish.
”
”
Ovid (Heroides)
β€œ
You know how it is with cats: They don't really have owners, they have staff.
”
”
P.C. Cast (Chosen (House of Night, #3))
β€œ
The brightest flame casts the darkest shadow.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
β€œ
For to be free is not merely to cast off one's chains, but to live in a way that respects and enhances the freedom of others.
”
”
Nelson Mandela
β€œ
When you light a candle, you also cast a shadow.
”
”
Ursula K. Le Guin
β€œ
The best part of beauty is that which no picture can express.
”
”
P.C. Cast (Betrayed (House of Night, #2))
β€œ
How can I be substantial if I do not cast a shadow? I must have a dark side also If I am to be whole.
”
”
C.G. Jung (Modern Man in Search of a Soul)
β€œ
Still, what I want in my life is to be willing to be dazzledβ€” to cast aside the weight of facts and maybe even to float a little above this difficult world.
”
”
Mary Oliver
β€œ
...for love casts out fear, and gratitude can conquer pride.
”
”
Louisa May Alcott (Little Women (Little Women, #1))
β€œ
I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how peoples are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another.
”
”
Erich Maria Remarque (All Quiet on the Western Front)
β€œ
She cast her fragrance and her radiance over me. I ought never to have run away from her... I ought to have guessed all the affection that lay behind her poor little stratagems. Flowers are so inconsistent! But I was too young to know how to love her...
”
”
Antoine de Saint-ExupΓ©ry (The Little Prince)
β€œ
But would you kindly ponder this question: What would your good do if evil didn't exist, and what would the earth look like if all the shadows disappeared? After all, shadows are cast by things and people. Here is the shadow of my sword. But shadows also come from trees and living beings. Do you want to strip the earth of all trees and living things just because of your fantasy of enjoying naked light? You're stupid.
”
”
Mikhail Bulgakov (The Master and Margarita)
β€œ
They say a good love is one that sits you down, gives you a drink of water, and pats you on top of the head. But I say a good love is one that casts you into the wind, sets you ablaze, makes you burn through the skies and ignite the night like a phoenix; the kind that cuts you loose like a wildfire and you can't stop running simply because you keep on burning everything that you touch! I say that's a good love; one that burns and flies, and you run with it!
”
”
C. JoyBell C.
β€œ
Books are letters in bottles, cast into the waves of time, from one person trying to save the world to another.
”
”
Amal El-Mohtar (This Is How You Lose the Time War)
β€œ
Once in a golden hour I cast to earth a seed. Up there came a flower, The people said, a weed.
”
”
Alfred Tennyson (The Complete Works of Alfred Tennyson)
β€œ
I was raised among books, making invisible friends in pages that seemed cast from dust and whose smell I carry on my hands to this day.
”
”
Carlos Ruiz ZafΓ³n (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
β€œ
That man is such a damn turd monkey." "Grandma!" I said. "Oh, Zoeybird, did I just call your mother's husband a damn turd monkey out loud?" "Yes, Grandma, you did." She looked at me, her dark eyes sparkling. "Good.
”
”
P.C. Cast
β€œ
The dark does not destroy the light; it defines it. It's our fear of the dark that casts our joy into the shadows.
”
”
BrenΓ© Brown (The Gifts of Imperfection)
β€œ
Because you are the superhero fledgling. I’m just your more attractive sidekick. Oh, and the herd of nerds are your dorky minions.
”
”
P.C. Cast (Untamed (House of Night, #4))
β€œ
To light a candle is to cast a shadow...
”
”
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
β€œ
Last time I saw you, I said that it hurt too much to love you. But I was wrong about that. The truth is it hurts too much not to love you.
”
”
P.C. Cast
β€œ
To be, or not to be: that is the question: Whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, Or to take arms against a sea of troubles, And by opposing end them? To die: to sleep; No more; and by a sleep to say we end The heart-ache and the thousand natural shocks That flesh is heir to, 'tis a consummation Devoutly to be wish'd. To die, to sleep; To sleep: perchance to dream: ay, there's the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause: there's the respect That makes calamity of so long life; For who would bear the whips and scorns of time, The oppressor's wrong, the proud man's contumely, The pangs of despised love, the law's delay, The insolence of office and the spurns That patient merit of the unworthy takes, When he himself might his quietus make With a bare bodkin? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of? Thus conscience does make cowards of us all; And thus the native hue of resolution Is sicklied o'er with the pale cast of thought, And enterprises of great pith and moment With this regard their currents turn awry, And lose the name of action.--Soft you now! The fair Ophelia! Nymph, in thy orisons Be all my sins remember'd!
”
”
William Shakespeare (Hamlet)
β€œ
No one is just a victim or a victor. Everyone is somewhere in between. People who go around casting themselves as one or the other are not only kidding themselves, but they’re also painfully unoriginal.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
β€œ
If a person seems wicked, do not cast him away. Awaken him with your words, elevate him with your deeds, repay his injury with your kindness. Do not cast him away; cast away his wickedness.
”
”
Lao Tzu
β€œ
I am tired of being used, hurt, and cast aside. It is my turn to use. My turn to hurt.
”
”
Marie Lu (The Young Elites (The Young Elites, #1))
β€œ
Put your thoughts to sleep, do not let them cast a shadow over the moon of your heart. Let go of thinking.
”
”
Jalal ad-Din Muhammad ar-Rumi
β€œ
Don't you think baby corns are scary? There's just something wrong about their midget bodies.
”
”
P.C. Cast (Marked (House of Night, #1))
β€œ
There will always be someone willing to hurt you, put you down, gossip about you, belittle your accomplishments and judge your soul. It is a fact that we all must face. However, if you realize that God is a best friend that stands beside you when others cast stones you will never be afraid, never feel worthless and never feel alone.
”
”
Shannon L. Alder
β€œ
We cast a shadow on something wherever we stand, and it is no good moving from place to place to save things; because the shadow always follows. Choose a place where you won't do harm - yes, choose a place where you won't do very much harm, and stand in it for all you are worth, facing the sunshine.
”
”
E.M. Forster (A Room with a View)
β€œ
She was becoming herself and daily casting aside that fictitious self which we assume like a garment with which to appear before the world.
”
”
Kate Chopin (The Awakening)
β€œ
Christmas in the Underworld was NOT my idea. If I'd known what was coming, I would've called in sick. I could've avoided an army of demons, a fight with a Titan, and a trick that almost got my friends and me cast into eternal darkness. But no, I had to take my stupid English exam.
”
”
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
β€œ
Your absence has not taught me to be alone, it merely has shown that when together we cast a single shadow on the wall.
”
”
Doug Fetherling
β€œ
Farewells can be shattering, but returns are surely worse. Solid flesh can never live up to the bright shadow cast by its absence. Time and distance blur the edges; then suddenly the beloved has arrived, and it's noon with its merciless light, and every spot and pore and wrinkle and bristle stands clear.
”
”
Margaret Atwood (The Blind Assassin)
β€œ
Clary, Despite everything, I can't bear the thought of this ring being lost forever, any more then I can bear the thought of leaving you forever. And though I have no choice about the one, at least I can choose about the other. I'm leaving you our family ring because you have as much right to it as I do. I'm writing this watching the sun come up. You're asleep, dreams moving behind your restless eyelids. I wish I knew what you were thinking. I wish I could slip into your head and see the world the way you do. I wish I could see myself the way you do. But maybe I dont want to see that. Maybe it would make me feel even more than I already do that I'm perpetuating some kind of Great Lie on you, and I couldn't stand that. I belong to you. You could do anything you wanted with me and I would let you. You could ask anything of me and I'd break myself trying to make you happy. My heart tells me this is the best and greatest feeling I have ever had. But my mind knows the difference between wanting what you can't have and wanting what you shouldn't want. And I shouldn't want you. All night I've watched you sleeping, watched the moonlight come and go, casting its shadows across your face in black and white. I've never seen anything more beautiful. I think of the life we could have had if things were different, a life where this night is not a singular event, separate from everything else that's real, but every night. But things aren't different, and I can't look at you without feeling like I've tricked you into loving me. The truth no one is willing to say out loud is that no one has a shot against Valentine but me. I can get close to him like no one else can. I can pretend I want to join him and he'll believe me, up until that last moment where I end it all, one way or another. I have something of Sebastian's; I can track him to where my father's hiding, and that's what I'm going to do. So I lied to you last night. I said I just wanted one night with you. But I want every night with you. And that's why I have to slip out of your window now, like a coward. Because if I had to tell you this to your face, I couldn't make myself go. I don't blame you if you hate me, I wish you would. As long as I can still dream, I will dream of you. _Jace
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β€œ
If wishes were fishes, we'd all cast nets.
”
”
Frank Herbert (The Dune Storybook)
β€œ
Doubt as sin. β€” Christianity has done its utmost to close the circle and declared even doubt to be sin. One is supposed to be cast into belief without reason, by a miracle, and from then on to swim in it as in the brightest and least ambiguous of elements: even a glance towards land, even the thought that one perhaps exists for something else as well as swimming, even the slightest impulse of our amphibious nature β€” is sin! And notice that all this means that the foundation of belief and all reflection on its origin is likewise excluded as sinful. What is wanted are blindness and intoxication and an eternal song over the waves in which reason has drowned.
”
”
Friedrich Nietzsche (Daybreak: Thoughts on the Prejudices of Morality)
β€œ
Actually, since I'm gay I think I should count for two guys instead of just one. I mean, in me you get the male point of view and you don't have to worry about me wanting to touch your boobies.
”
”
P.C. Cast (Marked (House of Night, #1))
β€œ
I'm her protection! I don't care if it's in this world or the next. Just show me how to get where she is, and I'll be there for her. ~Stark
”
”
P.C. Cast (Burned (House of Night, #7))
β€œ
Be careful when you cast out your demons that you don’t throw away the best of yourself.
”
”
Friedrich Nietzsche
β€œ
If I shot an arrow and thought about an ass, would it surprise you if it hit Erik?
”
”
P.C. Cast (Tempted (House of Night, #6))
β€œ
You have been told that, even like a chain, you are as weak as your weakest link. This is but half the truth. You are also as strong as your strongest link. To measure you by your smallest deed is to reckon the power of the ocean by the frailty of its foam. To judge you by your failures is to cast blame upon the seasons for their inconstancy.
”
”
Kahlil Gibran (The Prophet)
β€œ
Don't fuck with an English major. They keep lots of useless crap trapped in their heads. Once in a while they let some of it out and it bites you square on the ass.
”
”
P.C. Cast (Divine By Mistake (Partholon, #1))
β€œ
Smirking, he says, "Whatever spell you just tried to cast on me, it didn't work, so I think you need to go back to Hogwarts.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
β€œ
I've found that the way a person feels about cats-and the way they feel about him or her in return-is usually an excellent gauge by which to measure a person's character
”
”
P.C. Cast (Marked (House of Night, #1))
β€œ
Out of the bedroom window, Tara watches the silver moon in the night sky cast a faint glow on the pine trees.Β  Ian was right.Β  It’s time to move on.Β  Not to forget, but to forge ahead.
”
”
Dawn Chalker
β€œ
Come on, Iko.” Iko was still hiding, hugging herself self-consciously. β€œIs he looking?” Kai raised an eyebrow. β€œHe’s not looking,” said Cinder. A hesitation. β€œAre you sure?” Cinder gestured exasperatedly at Kai. β€œYou’re not looking.” He cast his eyes to the ceiling. β€œOh, for all the stars." Crossing his arms, he turned his back on them.
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
β€œ
A lot of men wouldn't like being called a romantic. It's not macho enough.' Quite often men are fools.
”
”
P.C. Cast (Goddess of Light (Goddess Summoning, #3))
β€œ
Equality and freedom are not luxuries to lightly cast aside. Without them, order cannot long endure before approaching depths beyond imagining.
”
”
Alan Moore (V for Vendetta)
β€œ
I'm here because she's here, and she belongs to me. ~Rephaim
”
”
P.C. Cast (Burned (House of Night, #7))
β€œ
You're my queen, and anyone who says different can fuck off.
”
”
P.C. Cast (Burned (House of Night, #7))
β€œ
People who treat other people as less than human must not be surprised when the bread they have cast on the waters comes floating back to them, poisoned.
”
”
James Baldwin
β€œ
Whenever you are going through life’s challenges, remember that for iron to be cast into its desired form, it must first go through intense heat.
”
”
Idowu Koyenikan (All You Need Is a Ball: What Soccer Teaches Us about Success in Life and Business)
β€œ
My cat is not insane, she's just a really good actress.
”
”
P.C. Cast (Untamed (House of Night, #4))
β€œ
Perfect love casts out fear. Where there is love there are no demands, no expectations, no dependency. I do not demand that you make me happy; my happiness does not lie in you. If you were to leave me, I will not feel sorry for myself; I enjoy your company immensely, but I do not cling.
”
”
Anthony de Mello (Awareness: The Perils and Opportunities of Reality)
β€œ
And when you love someone you don’t always see them realistically.
”
”
P.C. Cast (Awakened (House of Night, #8))
β€œ
I seek strength, not to be greater than other, but to fight my greatest enemy, the doubts within myself
”
”
P.C. Cast
β€œ
Was it weird having a witch grandma? Scary? Was she always, like, threatening to cast spells if you were bad?" "Most of the time she just threatened to send me to my room." "That doesn't sound so scary to me." "That's because you haven't met her.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
β€œ
When you find a guy who calls you beautiful instead of hot, who calls you back when you hang up on him, who will stand in front of you when other’s cast stones, or will stay awake just to watch you sleep, who wants to show you off to the world when you are in sweats, who will hold your hand when your sick, who thinks your pretty without makeup, the one who turns to his friends and say, β€˜that’s her’, the one that would bear your rejection because losing you means losing his will to live, who kisses you when you screw up, watches the stars and names one for you and will hold and rock that baby for hours so you can sleep…..you marry him all over again.
”
”
Shannon L. Alder
β€œ
But we're going to smile and pretend we're fine with the dorky birthmas gifts because people do not get that they can't mush a birthday into christmas.
”
”
P.C. Cast (Chosen (House of Night, #3))
β€œ
When Love cast me out, it was Cruelty who took pity upon me
”
”
Jacqueline Carey (Kushiel's Dart (Phèdre's Trilogy, #1))
β€œ
You are perfectly cast in your life. I can't imagine anyone but you in the role. Go play.
”
”
Lin-Manuel Miranda
β€œ
I know the feelings of my heart, and I know men. I am not made like any of those I have seen; I venture to believe that I am not made like any of those who are in existence. If I am not better, at least I am different. Whether Nature has acted rightly or wrongly in destroying the mould in which she cast me, can only be decided after I have been read.
”
”
Jean-Jacques Rousseau (Confessions)
β€œ
As your girlfriend, you've just pissed me off. As your High Priestess, you've just insulted me. And as someone with a working brain, you've made me wonder if you've lost every bit of your sense. (Zoey Redbird)
”
”
P.C. Cast (Hunted (House of Night, #5))
β€œ
Well, hell.
”
”
P.C. Cast (Marked (House of Night, #1))
β€œ
...Night has chosen thee; thy death will be thy birth. Night calls to thee; harken to Her sweet voice. Your destiny awaits you at the House of Night.
”
”
P.C. Cast (Marked (House of Night, #1))
β€œ
So don't be frightened, dear friend, if a sadness confronts you larger than any you have ever known, casting its shadow over all you do. You must think that something is happening within you, and remember that life has not forgotten you; it holds you in its hand and will not let you fall. Why would you want to exclude from your life any uneasiness, any pain, any depression, since you don't know what work they are accomplishing within you?
”
”
Rainer Maria Rilke (Letters to a Young Poet)
β€œ
Truth sets one free, but love casts out fear.
”
”
Sylvain Reynard (Gabriel's Rapture (Gabriel's Inferno, #2))
β€œ
We are as forlorn as children lost in the wood. When you stand in front of me and look at me, what do you know of the griefs that are in me and what do I know of yours? And if I were to cast myself down before you and tell you, what more would you know about me that you know about Hell when someone tells you it is hot and dreadful?
”
”
Franz Kafka
β€œ
My heart is moved by all I cannot save: so much has been destroyed I have to cast my lot with those who age after age, perversely, with no extraordinary power, reconstitute the world.
”
”
Adrienne Rich
β€œ
In the shadow my father has cast over my entire life, you are the only light I can see anymore. And, whatever the cost, I refuse to let that light be extinguished
”
”
Morgan Rhodes (Gathering Darkness (Falling Kingdoms, #3))
β€œ
Wish you could turn off the questions, turn off the voices, turn off all sound. Yearn to close out the ugliness, close out the filthiness, close out all light. Long to cast away yesterday, cast away memory, cast away all jeapordy. Pray you could somehow stop uncertainty, somehow stop the loathing, somehow stop the pain. Act on your impulse, swallow the bottle, cut a little deeper, put the gun to your chest.
”
”
Ellen Hopkins (Impulse (Impulse, #1))
β€œ
She had never entirely let go of the notion that if she reached far enough with her thoughts she might find someone waiting, that if two people were to cast their thoughts outward at the same moment they might somehow meet in the middle.
”
”
Emily St. John Mandel (Station Eleven)
β€œ
Everything I had worked for, all my years of study, had been to purchase for myself this one privilege: to see and experience more truths than those given to me by my father, and to use those truths to construct my own mind. I had come to believe that the ability to evaluate many ideas, many histories, many points of view, was at the heart of what it means to self-create. If I yielded now, I would lose more than an argument. I would lose custody of my own mind. This was the price I was being asked to pay, I understood that now. What my father wanted to cast from me wasn’t a demon: it was me.
”
”
Tara Westover (Educated)
β€œ
Jace suggested that the cast of "Gilligan's Island" could go do something anatomically unlikely with themselves.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
β€œ
In that one slight motion, I see the end of hope, beginning of destruction of everything I hold dear in the world. I can't guess what form my punishment will take, how wide the net will be cast, but when it is finished there most likely be nothing left. So you would think that at this moment, I would be in utter despair.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β€œ
The Sea, once it casts its spell, holds one in its net of wonder forever.
”
”
Jacques-Yves Cousteau
β€œ
Hey, which one of them is supposed to be your boyfriend?” Stark asked me. Even in the terrible shape he was in, he caught my glance with his. His voice was scratchy, and he sounded scarily weak, but his eyes sparkled with humor. I am!” Heath and Erik said together.
”
”
Kristin Cast (Tempted (House of Night, #6))
β€œ
Me-EHH-UF-ow
”
”
P.C. Cast (Marked (House of Night, #1))
β€œ
He could see plainly that she was not herself. That is, he could not see that she was becoming herself and daily casting aside that fictitious self which we assume like a garment with which to appear before the world.
”
”
Kate Chopin (The Awakening)
β€œ
When Small men begin to cast big shadows, it means that the sun is about to set.
”
”
Lin Yutang
β€œ
Nuns freak me out.
”
”
P.C. Cast (Untamed (House of Night, #4))
β€œ
See with your soul and not your eyes because to dance with the beasts you must penetrate their disguise.
”
”
P.C. Cast
β€œ
He saw you cast into a river of life you didn't request. He saw you betrayed by those you love. He saw you with a body that gets sick and a heart that grows weak. He saw you in your own garden of gnarled trees and sleeping friends. He saw you staring into the pit of your own failures and the mouth of your own grave. He saw you in your own garden of Gethsemane and he didn't want you to be alone ... He would rather go to hell for you than to heaven without you.
”
”
Max Lucado
β€œ
My heart is set, as firmly as ever heart of man was set on woman. I have no thought, no view, no hope, in life beyond her; and if you oppose me in this great stake, you take my peace and happiness in your hands, and cast them to the wind.
”
”
Charles Dickens (Oliver Twist)
β€œ
The die is cast. But today we will shake the table upon which it lands.
”
”
Amie Kaufman (Obsidio (The Illuminae Files, #3))
β€œ
I don't know who Azazel is," he said. "Isn't he the cat from The Smurfs?" He cast about , but Isabelle just looked up and rolled her eyes at him. "Clary?" he thought Her voice came through, tinged with alarm. "What is it? What happened? Did my mom find out I'm gone?" "Not yet," he thought back. "Is Azazel the cat from The Smurfs?" There was a long pause. "That's Azrael, Simon. And no more using the magic rings for Smurf questions.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
β€œ
Support Group featured a rotating cast of characters in various states of tumor-driven unwellness. Why did the cast rotate? A side effect of dying.
”
”
John Green (The Fault in Our Stars)
β€œ
My mama told me don't trust no white boy, even a pretty one. I'm thinkin' a pretty white boy with wings explodin' up from the ground in a mess of blood and ugly-ass bird things is double trouble." - Kramisha (Ch 5)
”
”
P.C. Cast (Hunted (House of Night, #5))
β€œ
I’m afraid of love, because it involves things that are beyond our understanding; it sheds such a brilliant light, but the shadow it casts frightens me.
”
”
Paulo Coelho (Brida)
β€œ
Actors are so fortunate. They can choose whether they will appear in tragedy or in comedy, whether they will suffer or make merry, laugh or shed tears. But in real life it is different. Most men and women are forced to perform parts for which they have no qualifications. Our Guildensterns play Hamlet for us, and our Hamlets have to jest like Prince Hal. The world is a stage, but the play is badly cast.
”
”
Oscar Wilde (Lord Arthur Savile's Crime and Other Stories)
β€œ
Sometimes," says a fellow depressive, "I wish I was in a full body cast, with every bone in my body broken. That's how I feel anyway. Then, maybe, people would stop minimising my illness because they can actually see what's wrong with me. They seem to need physical evidence.
”
”
Sally Brampton (Shoot the Damn Dog: A Memoir of Depression)
β€œ
If I shot an arrow and thought about an ass, would it surprise you that I hit Erik?' Stark asked me in a pleasant, nonchalant voice.
”
”
P.C. Cast (Tempted (House of Night, #6))
β€œ
Gender preference does not define you. Your spirit defines you.
”
”
P.C. Cast (Awakened (House of Night, #8))
β€œ
But God is the God of the waves and the billows, and they are still His when they come over us; and again and again we have proved that the overwhelming thing does not overwhelm. Once more by His interposition deliverance came. We were cast down, but not destroyed.
”
”
Amy Carmichael
β€œ
I should have kissed more than your hand...thought I'd have more time," he whispered between liquid, panting breaths. "...too late now." I looked into his eyes and completely forgot the rest of the world. In that moment, all I knew was that I was holding Stark in my arms, and I was going to lose him very, very soon.
”
”
P.C. Cast (Untamed (House of Night, #4))
β€œ
Nerd herd, focus. You're here to help the fledglings. Dour One and Dour Two aren't important," said Aphrodite. "Dr. Seuss reference. I like it," Stark said, giving me a check-me-out-I've-always-read-books hottie grin. Aphrodite frowned at him. "I said focus, not flirt.
”
”
P.C. Cast (Tempted (House of Night, #6))
β€œ
Casting aside other things, hold to the precious few; and besides bear in mind that every man lives only the present, which is an indivisible point, and that all the rest of his life is either past or is uncertain. Brief is man's life and small the nook of the earth where he lives; brief, too, is the longest posthumous fame, buoyed only by a succession of poor human beings who will very soon die and who know little of themselves, much less of someone who died long ago.
”
”
Marcus Aurelius (Meditations)
β€œ
If I died, would it get me out of my geometry test tomorrow? One could only hope.
”
”
Kristin Cast (Marked (House of Night, #1))
β€œ
Yet there are moments when the walls of the mind grow thin; when nothing is unabsorbed, and I could fancy that we might blow so vast a bubble that the sun might set and rise in it and we might take the blue of midday and the black of midnight and be cast off and escape from here and now.
”
”
Virginia Woolf (The Waves)
β€œ
As they passed the rows of houses they saw through the open doors that men were sweeping and dusting and washing dishes, while the women sat around in groups, gossiping and laughing. What has happened?' the Scarecrow asked a sad-looking man with a bushy beard, who wore an apron and was wheeling a baby carriage along the sidewalk. Why, we've had a revolution, your Majesty -- as you ought to know very well,' replied the man; 'and since you went away the women have been running things to suit themselves. I'm glad you have decided to come back and restore order, for doing housework and minding the children is wearing out the strength of every man in the Emerald City.' Hm!' said the Scarecrow, thoughtfully. 'If it is such hard work as you say, how did the women manage it so easily?' I really do not know,' replied the man, with a deep sigh. 'Perhaps the women are made of cast-iron.
”
”
L. Frank Baum (The Marvelous Land of Oz (Oz, #2))
β€œ
Zoey~ 'Listen to me, whinning about money and a scarf. Ah, hell! I'm starting to sound like Aphrodite.' Stark~ 'If you turn into Aprodite I'm going to stab myself.' Zoey~ 'If I turn into Aprodite, stab me first.' Stark~ 'Deal.' Zoey~ 'Deal.
”
”
P.C. Cast (Awakened (House of Night, #8))
β€œ
When she's abandoned her moral center and teachings...when she's cast aside her facade of propriety and lady-like demeanor...when I have so corrupted this fragile thing and brought out a writhing, mewling, bucking, wanton whore for my enjoyment and pleasure.....enticing from within this feral lioness...growling and scratching and biting...taking everything I dish out to her.....at that moment she is never more beautiful to me.
”
”
Marquis de Sade
β€œ
She searches me with those odd, blue-green eyes and I feel guilty so suddenly, without understanding why. But there’s something about the way she looks at me that always makes me feel insignificant, as if she’s the only one who’s realized I’m entirely hollow inside. She’s found the cracks in this cast I’m forced to wear every day, and it petrifies me. That this girl would know exactly how to shatter me.
”
”
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
β€œ
It was possible, no doubt, to imagine a society in which wealth, in the sense of personal possessions and luxuries, should be evenly distributed, while power remained in the hands of a small privileged caste. But in practice such a society could not long remain stable. For if leisure and security were enjoyed by all alike, the great mass of human beings who are normally stupefied by poverty would become literate and would learn to think for themselves; and when once they had done this, they would sooner or later realise that the privileged minority had no function, and they would sweep it away. In the long run, a hierarchical society was only possible on a basis of poverty and ignorance.
”
”
George Orwell (1984)
β€œ
You are free; you are free to go to your temples. You are free to go to your mosques or to any other places of worship in this State of Pakistan. You may belong to any religion, caste or creedβ€”that has nothing to do with the business of the state.
”
”
Muhammad Ali Jinnah
β€œ
Shall I tell you a story? A new and terrible one? A ghost story? Are you ready? Shall I begin? Once upon a time there were four girls. One was pretty. One was clever. One charming, and one...one was mysterious. But they were all damaged, you see. Something not right about the lot of them. Bad blood. Big dreams. Oh, I left that part out. Sorry, that should have come before. They were all dreamers, these girls. One by one, night after night, the girls came together. And they sinned. Do you know what that sin was? No one? Pippa? Ann? Their sin was that they believed. Believed they could be different. Special. They believed they could change what they were--damaged, unloved. Cast-off things. They would be alive, adored, needed. Necessary. But it wasn't true. This is a ghost story remember? A tragedy. They were misled. Betrayed by their own stupid hopes. Things couldn't be different for them, because they weren't special after all. So life took them, led them, and they went along, you see? They faded before their own eyes, till they were nothing more than living ghosts, haunting each other with what could be. With what can't be. There, now. Isn't that the scariest story you've ever heard?
”
”
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
β€œ
There is a certain unique and strange delight about walking down an empty street alone. There is an off-focus light cast by the moon, and the streetlights are part of the spotlight apparatus on a bare stage set up for you to walk through. You get a feeling of being listened to, so you talk aloud, softly, to see how it sounds.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
β€œ
Nobody deserves anything,” Evelyn says. β€œIt's simply a matter of who's willing to go and take it for themselves. And you, Monique, are a person who has proven to be willing to go out there and take what you want. So be honest about that. No one is just a victim or a victor. Everyone is somewhere in between. People who go around casting themselves as one or the other are not only kidding themselves, but they're also painfully unoriginal.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
β€œ
Before I could cry or scream I whirled around and stalked to my bedroom,slamming the door behind me. I hope they all drown. "Zoey your mother and I need to speak with you." Great. Clearly they didn't drown.
”
”
P.C. Cast (Marked (House of Night, #1))
β€œ
Die Dorkamese Twins.
”
”
P.C. Cast (Untamed (House of Night, #4))
β€œ
His hands lay flat on either side of him, his arms at his sides. He seemed barely to be breathing; she wasn't sure she was breathing herself. She slid her own hand across the bedsheet, just far enough that their fingers touched-so lightly that she would have probably hardly been aware of it had she been touching anyone but Jace; as it was, the nerve endings in her fingertips pricked softly, as if she were holding them over a low flame. She felt him tense beside her and then relax. He had shut his eyes, and his lashes cast fine shadows against the curve of his cheekbones. His mouth curled into a smile as if he sensed her watching him, and she wondered how he would look in the morning, with his hair messed and sleep circles under his eyes. Despite everything, the thought gave her a jolt of happiness. She laced her fingers through his. "Good night," she whispered. With their hands clasped like children in a fairy tale, she fell asleep beside him in the dark.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β€œ
He jests at scars that never felt a wound. But soft! What light through yonder window breaks? It is the east, and Juliet is the sun. Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou, her maid, art far more fair than she. Be not her maid since she is envious. Her vestal livery is but sick and green, And none but fools do wear it. Cast it off! It is my lady. Oh, it is my love. Oh, that she knew she were! She speaks, yet she says nothing. What of that? Her eye discourses. I will answer it.β€” I am too bold. 'Tis not to me she speaks. Two of the fairest stars in all the heaven, Having some business, do entreat her eyes To twinkle in their spheres till they return. What if her eyes were there, they in her head? The brightness of her cheek would shame those stars As daylight doth a lamp. Her eye in heaven Would through the airy region stream so bright That birds would sing and think it were not night. See how she leans her cheek upon her hand. Oh, that I were a glove upon that hand That I might touch that cheek!
”
”
William Shakespeare
β€œ
By the way," Aiden said casting me a long look that had me totally forgetting the seriousness of our mission. "You look damn good in a Sentinel uniform." A hot flush that had nothing to do with embarrassment spread over me. "So do you." "I know.
”
”
Jennifer L. Armentrout (Apollyon (Covenant, #4))
β€œ
Comfort is for the lazy and the ugly." Aphrodite
”
”
P.C. Cast (Tempted (House of Night, #6))
β€œ
You are old beyond your years Zoeybird. Believe in yourself and you will find a way. But remember darkness does not always equate to evil just like light does not always bring good.
”
”
P.C. Cast (Marked (House of Night, #1))
β€œ
Steadying herself with both hands on the table, she managed an awkward bow.... 'Your Highness,' she stammered, head lowered... The prince flinched and cast a glance over his shoulder before hunching toward her. 'Maybe, um...' - he pulled his fingers across his lips - 'on the Highness stuff?
”
”
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
β€œ
...One of the reasons so many women say "I'm not a feminist but..." (and then put forward a feminist position), is that in addition to being stereotyped as man-hating Amazons, feminists have also been cast as antifamily and antimotherhood.
”
”
Susan J. Douglas
β€œ
Your as slow as a fat kid on crutches
”
”
P.C. Cast
β€œ
Oh for craps sake. You're not dying again, are you? It's seriously inconvenient when you do that." -Aphrodite
”
”
P.C. Cast
β€œ
This tower, patched unevenly with black ivy, arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at heaven. At night the owls made of it an echoing throat; by day it stood voiceless and cast its long shadow.
”
”
Mervyn Peake (Titus Groan (Gormenghast, #1))
β€œ
He's not the brightest crayola in the pack.
”
”
P.C. Cast (Marked (House of Night, #1))
β€œ
I'm always going to keep your heart safe, even if mine has to stop beating for that to happen.
”
”
P.C. Cast
β€œ
Never worry alone. When anxiety grabs my mind, it is self-perpetuating. Worrisome thoughts reproduce faster than rabbits, so one of the most powerful ways to stop the spiral of worry is simply to disclose my worry to a friend... The simple act of reassurance from another human being [becomes] a tool of the Spirit to cast out fear -- because peace and fear are both contagious.
”
”
John Ortberg Jr. (The Me I Want to Be: Becoming God's Best Version of You)
β€œ
A great nation is like a great man: When he makes a mistake, he realizes it. Having realized it, he admits it. Having admitted it, he corrects it. He considers those who point out his faults as his most benevolent teachers. He thinks of his enemy as the shadow that he himself casts.
”
”
Lao Tzu (Tao Te Ching)
β€œ
Nice dress Zoey. It looks just like mine. Oh, wait! It used to be mine. Aphrodite laughed a throaty, I'm-so-grown-and-you're-just-a-kid laugh. I really hate it when girls do that.I mean, yes, she's older, but I have boobs, too.
”
”
P.C. Cast (Marked (House of Night, #1))
β€œ
Please, don't worry so much. Because in the end, none of us have very long on this Earth. Life is fleeting. And if you're ever distressed, cast your eyes to the summer sky when the stars are strung across the velvety night. And when a shooting star streaks through the blackness, turning night into day... make a wish and think of me. Make your life spectacular.
”
”
Robin Williams
β€œ
Now there is one thing I can tell you: you will enjoy certain pleasures you would not fathom now. When you still had your mother you often thought of the days when you would have her no longer. Now you will often think of days past when you had her. When you are used to this horrible thing that they will forever be cast into the past, then you will gently feel her revive, returning to take her place, her entire place, beside you. At the present time, this is not yet possible. Let yourself be inert, wait till the incomprehensible power ... that has broken you restores you a little, I say a little, for henceforth you will always keep something broken about you. Tell yourself this, too, for it is a kind of pleasure to know that you will never love less, that you will never be consoled, that you will constantly remember more and more.
”
”
Marcel Proust
β€œ
I never said I didn't like kissing you. The problem is too many guys have like kissing you." - Erik Night to Zoey Redbird (Ch 26)
”
”
P.C. Cast (Untamed (House of Night, #4))
β€œ
Laurent wasn't loved. Laurent wasn't liked. Even among his own men, who would follow him off a cliff, there was the unequivocal consensus that Laurent was, as Orlant had once described him, a cast iron bitch, that it was a very bad idea to get on his bad side, and that as for his good side, he didn't have one.
”
”
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
β€œ
I choose to write because it's perfect for me. It's an escape, a place I can go to hide. It's a friend, when I feel out casted from everyone else. It's a journal, when the only story I can tell is my own. It's a book, when I need to be somewhere else. It's control, when I feel so out of control. It's healing, when everything seems pretty messed up. And it's fun, when life is just flat-out boring.
”
”
Alysha Speer
β€œ
Your way of life is sinful and wrong," he said fiercely. Thus says a man who admits to worshipping a God who vilifies pleasure, relegates women to roles that are little more than servants and broodmares, though they are the backbone of your church, and seeks to control his worshippers through guilt and fear.
”
”
P.C. Cast (Betrayed (House of Night, #2))
β€œ
We are as forlorn as children lost in the woods. When you stand in front of me and look at me, what do you know of the griefs that are in me and what do I know of yours. And if I were to cast myself down before you and weep and tell you, what more would you know about me than you know about Hell when someone tells you it is hot and dreadful? For that reason alone we human beings ought to stand before one another as reverently, as reflectively, as lovingly, as we would before the entrance to Hell.
”
”
Franz Kafka
β€œ
She whispered a verse by Amanda Hamilton: You came again, blinding my eyes like the shimmer of sun upon the sea. Just as I feel free the moon casts your face upon the sill. Each time I forget you your eyes haunt my heart and it falls still. And so farewell until the next time you come, until at last I do not see you.
”
”
Delia Owens (Where the Crawdads Sing)
β€œ
Fear and Bigotry are bred fom isolation and ignorance. -Shekinah
”
”
P.C. Cast (Untamed (House of Night, #4))
β€œ
It is a small world. You do not have to live in it particularly long to learn that for yourself. There is a theory that, in the whole world, there are only five hundred real people (the cast, as it were; all the rest of the people in the world, the theory suggests, are extras) and what is more, they all know each other. And it's true, or true as far as it goes. In reality the world is made of thousands upon thousands of groups of about five hundred people, all of whom will spend their lives bumping into each other, trying to avoid each other, and discovering each other in the same unlikely teashop in Vancouver. There is an unavoidability to this process. It's not even coincidence. It's just the way the world works, with no regard for individuals or for propriety.
”
”
Neil Gaiman (Anansi Boys)
β€œ
and if you can’t see anything beautiful about yourself get a better mirror look a little closer stare a little longer because there’s something inside you that made you keep trying despite everyone who told you to quit you built a cast around your broken heart and signed it yourself you signed it β€œthey were wrong
”
”
Shane L. Koyczan
β€œ
Your bad taste is fucking immortal!
”
”
P.C. Cast
β€œ
Here's a newsflash from the only High Preistess you have left at this dang school: Zoey isn't dead. And believe me, I know dead. I've been there, done that, and got the frickin' T-shirt." - Stevie Rae
”
”
P.C. Cast (Burned (House of Night, #7))
β€œ
I'll find you, don't worry. My body won't be with you all the time, but you'll always have my heart. I'm your worrier, remember?" "I'll never forget. I promise. I'm your High Priestess and you've pledged yourself to me. That means you have my heart, too." "Then both of us better stay safe. A heart's a hard thing to live without. I should know. I've tried it.
”
”
P.C. Cast
β€œ
I stifled a sigh and ignored the Imprinted Drunk Vision Girl.
”
”
P.C. Cast (Hunted (House of Night, #5))
β€œ
The letter had been crumpled up and tossed onto the grate. It had burned all around the edges, so the names at the top and bottom had gone up in smoke. But there was enough of the bold black scrawl to reveal that it had indeed been a love letter. And as Hannah read the singed and half-destroyed parchment, she was forced to turn away to hide the trembling of her hand. β€”should warn you that this letter will not be eloquent. However, it will be sincere, especially in light of the fact that you will never read it. I have felt these words like a weight in my chest, until I find myself amazed that a heart can go on beating under such a burden. I love you. I love you desperately, violently, tenderly, completely. I want you in ways that I know you would find shocking. My love, you don't belong with a man like me. In the past I've done things you wouldn't approve of, and I've done them ten times over. I have led a life of immoderate sin. As it turns out, I'm just as immoderate in love. Worse, in fact. I want to kiss every soft place of you, make you blush and faint, pleasure you until you weep, and dry every tear with my lips. If you only knew how I crave the taste of you. I want to take you in my hands and mouth and feast on you. I want to drink wine and honey from you. I want you under me. On your back. I'm sorry. You deserve more respect than that. But I can't stop thinking of it. Your arms and legs around me. Your mouth, open for my kisses. I need too much of you. A lifetime of nights spent between your thighs wouldn't be enough. I want to talk with you forever. I remember every word you've ever said to me. If only I could visit you as a foreigner goes into a new country, learn the language of you, wander past all borders into every private and secret place, I would stay forever. I would become a citizen of you. You would say it's too soon to feel this way. You would ask how I could be so certain. But some things can't be measured by time. Ask me an hour from now. Ask me a month from now. A year, ten years, a lifetime. The way I love you will outlast every calendar, clock, and every toll of every bell that will ever be cast. If only youβ€” And there it stopped.
”
”
Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
β€œ
I'm a monster, not a moron.
”
”
P.C. Cast (Hunted (House of Night, #5))
β€œ
Light always underestimates the viciousness of Darkness
”
”
P.C. Cast (Burned (House of Night, #7))
β€œ
Will." Her hands pulled at his shirt, and it came away, the buttons tearing, his head shaking free of the fabric, all wild dark hair, Heathcliff on the moors. His hands were less sure on her dress, but it came away as well, off over her head, and was cast aside, leaving Tessa in her chemise and corset. She went motionless, shocked at being so undressed in front of anyone but Sophie, and Will took a wild look at her corset that was only part desire. β€œHowβ€”," he said. β€œDoes it come off?" Tessa couldn't help herself; despite everything, she giggled. β€œIt laces," she whispered. β€œIn the back.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β€œ
And I β€” my head oppressed by horror β€” said: "Master, what is it that I hear? Who are those people so defeated by their pain?" Β  Β  Β  And he to me: "This miserable way is taken by the sorry souls of those who lived without disgrace and without praise. Β  Β  Β  They now commingle with the coward angels, the company of those who were not rebels nor faithful to their God, but stood apart. Β  Β  Β  The heavens, that their beauty not be lessened, have cast them out, nor will deep Hell receive them β€” even the wicked cannot glory in them.
”
”
Dante Alighieri (Inferno)
β€œ
I'd sacrificed true love and a popped cherry to the god of deception and hormones." - Zoey Redbird (Ch 24)
”
”
P.C. Cast (Chosen (House of Night, #3))
β€œ
Just when I thought my day couldnt get any worse, I saw the dead guy next to my locker.
”
”
P.C. Cast
β€œ
Water, we go to you dirty and rise from you clean.
”
”
P.C. Cast (Untamed (House of Night, #4))
β€œ
Damien has died and gone straight to gay boy heaven,' Shaunee said...
”
”
P.C. Cast
β€œ
I have an idea that some men are born out of their due place. Accident has cast them amid certain surroundings, but they have always a nostalgia for a home they know not. They are strangers in their birthplace, and the leafy lanes they have known from childhood or the populous streets in which they have played, remain but a place of passage. They may spend their whole lives aliens among their kindred and remain aloof among the only scenes they have ever known. Perhaps it is this sense of strangeness that sends men far and wide in the search for something permanent, to which they may attach themselves. Perhaps some deep-rooted atavism urges the wanderer back to lands which his ancestors left in the dim beginnings of history.
”
”
W. Somerset Maugham (The Moon and Sixpence)
β€œ
The most necessary task of civilization is to teach people how to think. It should be the primary purpose of our public schools. The mind of a child is naturally active, it develops through exercise. Give a child plenty of exercise, for body and brain. The trouble with our way of educating is that it does not give elasticity to the mind. It casts the brain into a mold. It insists that the child must accept. It does not encourage original thought or reasoning, and it lays more stress on memory than observation.
”
”
Thomas A. Edison
β€œ
Still, what I want in my life is to be willing to be dazzledβ€” to cast aside the weight of facts and maybe even to float a little above this difficult world. I want to believe I am looking into the white fire of a great mystery. I want to believe that the imperfections are nothingβ€” that the light is everythingβ€”that it is more than the sum of each flawed blossom rising and falling. And I do.
”
”
Mary Oliver (House of Light)
β€œ
Give me strength, not to be better than my enemies, but to defeat my greatest enemy, the doubts within myself. Give me strength for a straight back and clear eyes, so when life fades, as the setting sun, my spirit may come to you without shame.
”
”
P.C. Cast
β€œ
No reflection was to be allowed now, not one glance was to be cast back; not even one forward. Not one thought was to be given either to the past or the future. The first was a page so heavenly sweet, so deadly sad, that to read one line of it would dissolve my courage and break down my energy. The last was an awful blank, something like then world when the deluge was gone by.
”
”
Charlotte BrontΓ« (Jane Eyre)
β€œ
Don't talk like one of them. You're not! Even if you'd like to be. To them, you're just a freak, like me! They need you right now, but when they don't, they'll cast you out, like a leper! You see, their morals, their code, it's a bad joke. Dropped at the first sign of trouble. They're only as good as the world allows them to be. I'll show you. When the chips are down, these... these civilized people, they'll eat each other. See, I'm not a monster. I'm just ahead of the curve. -The Joker
”
”
Christoper Nolan
β€œ
Oh, I think not,” Varys said, swirling the wine in his cup. β€œPower is a curious thing, my lord. Perchance you have considered the riddle I posed you that day in the inn?” β€œIt has crossed my mind a time or two,” Tyrion admitted. β€œThe king, the priest, the rich manβ€”who lives and who dies? Who will the swordsman obey? It’s a riddle without an answer, or rather, too many answers. All depends on the man with the sword.” β€œAnd yet he is no one,” Varys said. β€œHe has neither crown nor gold nor favor of the gods, only a piece of pointed steel.” β€œThat piece of steel is the power of life and death.” β€œJust so… yet if it is the swordsmen who rule us in truth, why do we pretend our kings hold the power? Why should a strong man with a sword ever obey a child king like Joffrey, or a wine-sodden oaf like his father?” β€œBecause these child kings and drunken oafs can call other strong men, with other swords.” β€œThen these other swordsmen have the true power. Or do they?” Varys smiled. β€œSome say knowledge is power. Some tell us that all power comes from the gods. Others say it derives from law. Yet that day on the steps of Baelor’s Sept, our godly High Septon and the lawful Queen Regent and your ever-so-knowledgeable servant were as powerless as any cobbler or cooper in the crowd. Who truly killed Eddard Stark, do you think? Joffrey, who gave the command? Ser Ilyn Payne, who swung the sword? Or… another?” Tyrion cocked his head sideways. β€œDid you mean to answer your damned riddle, or only to make my head ache worse?” Varys smiled. β€œHere, then. Power resides where men believe it resides. No more and no less.” β€œSo power is a mummer’s trick?” β€œA shadow on the wall,” Varys murmured, β€œyet shadows can kill. And ofttimes a very small man can cast a very large shadow.” Tyrion smiled. β€œLord Varys, I am growing strangely fond of you. I may kill you yet, but I think I’d feel sad about it.” β€œI will take that as high praise.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
β€œ
All my life one of my greatest desires has been to travel-to see and touch unknown countries, to swim in unknown seas, to circle the globe, observing new lands, seas, people, and ideas with insatiable appetite, to see everything for the first time and for the last time, casting a slow, prolonged glance, then to close my eyes and feel the riches deposit themselves inside me calmly or stormily according to their pleasure, until time passes them at last through its fine sieve, straining the quintessence out of all the joys and sorrows.
”
”
Nikos Kazantzakis (Report to Greco)
β€œ
I try to believe," she said, "that God doesn't give you more than one little piece of the story at once. You know, the story of your life. Otherwise your heart would crack wider than you could handle. He only cracks it enough so you can still walk, like someone wearing a cast. But you've still got a crack running up your side, big enough for a sapling to grow out of. Only no one sees it. Nobody sees it. Everybody thinks you're one whole piece, and so they treat you maybe not so gentle as they could see that crack.
”
”
Rebecca Wells (Divine Secrets of the Ya-Ya Sisterhood)
β€œ
Haven’t you heard of being hung, drawn, and quartered?” Blue asked, β€œIs it as painful as conversations with Ronan?” Gansey cast a glance over to Ronan, who was a small, indistinct form by the trees. Adam audibly swallowed a laugh. β€œDepends on if Ronan is sober,” Gansey answered. Adam asked, β€œWhat is he doing, anyway?” β€œPeeing.” β€œTrust Lynch to deface a place like this five minutes after getting here.” β€œDeface? Marking his territory.” β€œHe must own more of Virginia than your father, then.” β€œI don’t think he’s ever used an indoor toilet, now that I consider it.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
β€œ
Deep down, all the while, she was waiting for something to happen. Like a sailor in distress, she kept casting desperate glances over the solitary waster of her life, seeking some white sail in the distant mists of the horizon. She had no idea by what wind it would reach her, toward what shore it would bear her, or what kind of craft it would be – tiny boat or towering vessel, laden with heartbreaks or filled to the gunwhales with rapture. But every morning when she awoke she hoped that today would be the day; she listened for every sound, gave sudden starts, was surprised when nothing happened; and then, sadder with each succeeding sunset, she longed for tomorrow.
”
”
Gustave Flaubert (Madame Bovary)
β€œ
When I did finally speak, I surprised myself by saying exactly what was on my mind.β€¨β€œYou must hate me.” She stared a long time at me. I did,” she said slowly, β€œBut it’s mostly myself I hate.” Don’t,” I said. And why the hell shouldn’t I hate myself? Everybody else hates me.
”
”
Kristin Cast (Untamed (House of Night, #4))
β€œ
What is meant by β€œreality”? It would seem to be something very erratic, very undependableβ€”now to be found in a dusty road, now in a scrap of newspaper in the street, now a daffodil in the sun. It lights up a group in a room and stamps some casual saying. It overwhelms one walking home beneath the stars and makes the silent world more real than the world of speechβ€”and then there it is again in an omnibus in the uproar of Piccadilly. Sometimes, too, it seems to dwell in shapes too far away for us to discern what their nature is. But whatever it touches, it fixes and makes permanent. That is what remains over when the skin of the day has been cast into the hedge; that is what is left of past time and of our loves and hates.
”
”
Virginia Woolf (A Room of One’s Own)
β€œ
I think we've been through a period where too many people have been given to understand that if they have a problem, it's the government's job to cope with it. 'I have a problem, I'll get a grant.' 'I'm homeless, the government must house me.' They're casting their problem on society. And, you know, there is no such thing as society. There are individual men and women, and there are families. And no government can do anything except through people, and people must look to themselves first. It's our duty to look after ourselves and then, also to look after our neighbour. People have got the entitlements too much in mind, without the obligations. There's no such thing as entitlement, unless someone has first met an obligation.
”
”
Margaret Thatcher
β€œ
Some catastrophic moments invite clarity, explode in split moments: You smash your hand through a windowpane and then there is blood and shattered glass stained with red all over the place; you fall out a window and break some bones and scrape some skin. Stitches and casts and bandages and antiseptic solve and salve the wounds. But depression is not a sudden disaster. It is more like a cancer: At first its tumorous mass is not even noticeable to the careful eye, and then one day -- wham! -- there is a huge, deadly seven-pound lump lodged in your brain or your stomach or your shoulder blade, and this thing that your own body has produced is actually trying to kill you. Depression is a lot like that: Slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearable. But you won't even notice it coming on, thinking that it is somehow normal, something about getting older, about turning eight or turning twelve or turning fifteen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live. In my case, I was not frightened in the least bit at the thought that I might live because I was certain, quite certain, that I was already dead. The actual dying part, the withering away of my physical body, was a mere formality. My spirit, my emotional being, whatever you want to call all that inner turmoil that has nothing to do with physical existence, were long gone, dead and gone, and only a mass of the most fucking god-awful excruciating pain like a pair of boiling hot tongs clamped tight around my spine and pressing on all my nerves was left in its wake. That's the thing I want to make clear about depression: It's got nothing at all to do with life. In the course of life, there is sadness and pain and sorrow, all of which, in their right time and season, are normal -- unpleasant, but normal. Depression is an altogether different zone because it involves a complete absence: absence of affect, absence of feeling, absence of response, absence of interest. The pain you feel in the course of a major clinical depression is an attempt on nature's part (nature, after all, abhors a vacuum) to fill up the empty space. But for all intents and purposes, the deeply depressed are just the walking, waking dead. And the scariest part is that if you ask anyone in the throes of depression how he got there, to pin down the turning point, he'll never know. There is a classic moment in The Sun Also Rises when someone asks Mike Campbell how he went bankrupt, and all he can say in response is, 'Gradually and then suddenly.' When someone asks how I love my mind, that is all I can say too
”
”
Elizabeth Wurtzel (Prozac Nation)
β€œ
There is, then, a world immune from change. But I am not composed enough, standing on tiptoe on the verge of fire, still scorched by the hot breath, afraid of the door opening and the leap of the tiger, to make even one sentence. What I say is perpetually contradicted. Each time the door opens I am interrupted. I am not yet twenty-one. I am to be broken. I am to be derided all my life. I am to be cast up and down among these men and women, with their twitching faces, with their lying tongues, like a cork on a rough sea. Like a ribbon of weed I am flung far every time the door opens. I am the foam that sweeps and fills the uttermost rims of the rocks with whiteness; I am also a girl, here in this room.
”
”
Virginia Woolf (The Waves)
β€œ
Now these ashes have grown cold, we open the old book. These oil-stained pages recount the tales of the Fallen, a frayed empire, words without warmth. The hearth has ebbed, its gleam and life's sparks are but memories against dimming eyes - what cast my mind, what hue my thoughts as I open the Book of the Fallen and breathe deep the scent of history? Listen, then, to these words carried on that breath. These tales are the tales of us all, again yet again. We are history relived and that is all, without end that is all.
”
”
Steven Erikson (Gardens of the Moon (Malazan Book of the Fallen, #1))
β€œ
Have you realized that most of your unhappiness in life is due to the fact that you are listening to yourself instead of talking to yourself? Take those thoughts that come to you the moment you wake up in the morning. You have not originated them but they are talking to you, they bring back the problems of yesterday, etc. Somebody is talking. Who is talking to you? Your self is talking to you. Now this man’s treatment [in Psalm 42] was this: instead of allowing this self to talk to him, he starts talking to himself. β€œWhy art thou cast down, O my soul?” he asks. His soul had been depressing him, crushing him. So he stands up and says, β€œSelf, listen for moment, I will speak to you.
”
”
D. Martyn Lloyd-Jones
β€œ
Maybe, it is just enough to believe with a positive heart that people didn’t let you down. It could be just this: They couldn’t give you the compassion you really wanted based on where their heart is right now. Maybe, not now, but years later they will catch the memory of you in a quiet moment. There on that Sunday morning, a light will shine through the fog of lies, misunderstanding and frustration they built inside their angry mind about your true character. And, when it does, the shadows will be casted out to reveal a scared and hurt little boy or girl that just wanted to be loved, but went about it all wrong. Maybe, on that day, the whisper of their gratitude for your love will find its way back to your heart. And when that day comes, you will find yourself smiling all day long and not know why.
”
”
Shannon L. Alder
β€œ
The genius of the current caste system, and what most distinguishes it from its predecessors, is that it appears voluntary. People choose to commit crimes, and that's why they are locked up or locked out, we are told. This feature makes the politics of responsibility particularly tempting, as it appears the system can be avoided with good behavior. But herein lies the trap. All people make mistakes. All of us are sinners. All of us are criminals. All of us violate the law at some point in our lives. In fact, if the worst thing you have ever done is speed ten miles over the speed limit on the freeway, you have put yourself and others at more risk of harm than someone smoking marijuana in the privacy of his or her living room. Yet there are people in the United States serving life sentences for first-time drug offenses, something virtually unheard of anywhere else in the world.
”
”
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
β€œ
Here is your flaw, Shaitan, Lord of the Dark, Lord of Envy, Lord of Nothing, here is why you fail. It was not about me. It’s never been about me.” It was about a woman, torn and beaten down, cast from her throne and made a puppet. A woman who had crawled when she had to. That woman still fought. It was about a man that love repeatedly forsook. A man who found relevance in a world that others would have let pass them by. A man who remembered stories and who took fool boys under his wing when the smarter move would have been to keep on walking. That man still fought. It was about a woman with a secret, a hope for the future. A woman who had hunted the truth before others could. A woman who had given her live, then had it returned. That woman still fought. It was about a man whose family was taken from him, but who stood tall in his sorrow and protected those he could. It was about a woman who refused to believe that she could not help, could not heal those who had been harmed. It was about a hero who insisted with every breath that he was anything but a hero. It was about a woman who would not bend her back while she was beaten, and who shown with a light for all who watched, including Rand. It was about them all. ~Rand al Thor
”
”
Robert Jordan (A Memory of Light (The Wheel of Time, #14))
β€œ
We can’t stop living. Which means we have to live, which means we are alive, which means we are humans and we are human: some of us are unkind and some of us are confused and some of us sleep with the wrong people and some of us make bad decisions and some of us are murderers. And it sounds terrible but it is, in fact, freeing: the idea that queer does not equal good or pure or right. It is simply a state of beingβ€”one subject to politics, to its own social forces, to larger narratives, to moral complexities of every kind. So bring on the queer villains, the queer heroes, the queer sidekicks and secondary characters and protagonists and extras. They can be a complete cast unto themselves. Let them have agency, and then let them go.
”
”
Carmen Maria Machado (In the Dream House)
β€œ
My 'morals' were sound, even a bit puritanic, but when a hidebound old deacon inveighed against dancing I rebelled. By the time of graduation I was still a 'believer' in orthodox religion, but had strong questions which were encouraged at Harvard. In Germany I became a freethinker and when I came to teach at an orthodox Methodist Negro school I was soon regarded with suspicion, especially when I refused to lead the students in public prayer. When I became head of a department at Atlanta, the engagement was held up because again I balked at leading in prayer. I refused to teach Sunday school. When Archdeacon Henry Phillips, my last rector, died, I flatly refused again to join any church or sign any church creed. From my 30th year on I have increasingly regarded the church as an institution which defended such evils as slavery, color caste, exploitation of labor and war. I think the greatest gift of the Soviet Union to modern civilization was the dethronement of the clergy and the refusal to let religion be taught in the public schools.
”
”
W.E.B. Du Bois (The Autobiography of W.E.B. Du Bois: A Soliloquy on Viewing My Life from the Last Decade of Its First Century)
β€œ
Da. This is going very well already." Thomas barked out a laugh. "There are seven of us against the Red King and his thirteen most powerful nobles, and it's going well?" Mouse sneezed. "Eight," Thomas corrected himself. He rolled his eyes and said, "And the psycho death faerie makes it nine." "It is like movie," Sanya said, nodding. "Dibs on Legolas." "Are you kidding?" Thomas said. "I'm obviously Legolas. You're . . ." He squinted thoughtfully at Sanya and then at Martin. "Well. He's Boromir and you're clearly Aragorn." "Martin is so dour, he is more like Gimli." Sanya pointed at Susan. "Her sword is much more like Aragorn's." "Aragorn wishes he looked that good," countered Thomas. "What about Karrin?" Sanya asked. "What--for Gimli?" Thomas mused. "She is fairly--" "Finish that sentence, Raith, and we throw down," said Murphy in a calm, level voice. "Tough," Thomas said, his expression aggrieved. "I was going to say 'tough.' " As the discussion went on--with Molly's sponsorship, Mouse was lobbying to claim Gimli on the basis of being the shortest, the stoutest, and the hairiest-- "Sanya," I said. "Who did I get cast as?" "Sam," Sanya said. I blinked at him. "Not . . . Oh, for crying out loud, it was perfectly obvious who I should have been." Sanya shrugged. "It was no contest. They gave Gandalf to your godmother. You got Sam.
”
”
Jim Butcher (Changes (The Dresden Files, #12))
β€œ
but I want to tell them that all of this shit is just debris leftover when we finally decide to smash all the things we thought we used to be and if you can’t see anything beautiful about yourself get a better mirror look a little closer stare a little longer because there’s something inside you that made you keep trying despite everyone who told you to quit you built a cast around your broken heart and signed it yourself you signed it β€œthey were wrong” because maybe you didn’t belong to a group or a click maybe they decided to pick you last for basketball or everything maybe you used to bring bruises and broken teeth to show and tell but never told because how can you hold your ground if everyone around you wants to bury you beneath it you have to believe that they were wrong they have to be wrong
”
”
Shane L. Koyczan
β€œ
Never judge someone's character based on the words of another. Instead, study the motives behind the words of the person casting the bad judgment. An honest woman can sell tangerines all day and remain a good person until she dies, but there will always be naysayers who will try to convince you otherwise. Perhaps this woman did not give them something for free, or at a discount. Perhaps too, that she refused to stand with them when they were wrong β€” or just stood up for something she felt was right. And also, it could be that some bitter women are envious of her, or that she rejected the advances of some very proud men. Always trust your heart. If the Creator stood before a million men with the light of a million lamps, only a few would truly see him because truth is already alive in their hearts. Truth can only be seen by those with truth in them. He who does not have Truth in his heart, will always be blind to her.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β€œ
Radical empathy, on the other hand, means putting in the work to educate oneself and to listen with a humble heart to understand another's experience from their perspective, not as we imagine we would feel. Radical empathy is not about you and what you think you would do in a situation you have never been in and perhaps never will. It is the kindred connection from a place of deep knowing that opens your spirit to the pain of another as they perceive it. Empathy is no substitute for the experience itself. We don't get to tell a person with a broken leg or a bullet wound that they are not in pain. And people who have hit the caste lottery are not in a position to tell a person who has suffered under the tyranny of caste what is offensive or hurtful or demeaning to those at the bottom. The price of privilege is the moral duty to act when one sees another person treated unfairly. And the least that a person in the dominant caste can do is not make the pain any worse.
”
”
Isabel Wilkerson (Caste: The Origins of Our Discontents)
β€œ
When his thumb hovered over the red button, she stared at him aghast. β€œYou’re truly going to … torture me?” He cast her a puzzled look. β€œWhy wouldn’t I torture you?” Because you used to love me, used to cherish me. β€œI thought we had a moment yesterday? Didn’t you like seeing me in lingerie?” In a monotone voice, he said, β€œWhy did the charge throwers have no ill effect on you?” He’s truly going to do it? Then fuck him. DEFCON. β€œChase, I’ve tussled with vibrators stronger than your charge throwers.” No reaction. β€œYou consumed energy. And channeled it at will. How?” All Valkyrie consumed itβ€”they were each connected through a grid of mystical energyβ€”but Regin was the only one she knew of who could radiate it through her body. She’d inherited the talent from her birth mother. β€œSo how does one get started as a magister? College or trade school?” β€œI don’t have the time or patience for games. Now, tell me, why do you … glow?” β€œI touched a radioactive alien cock once.” He pressed the button.
”
”
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
β€œ
She was a young person of many theories; her imagination was remarkably active. It had been her fortune to possess a finer mind than most of the persons among whom her lot was cast; to have a larger perception of surrounding facts, and to care for knowledge that was tinged with the unfamiliar...It may be affirmed without delay that She was probably very liable to the sin of self-esteem; she often surveyed with complacency the field of her own nature; she was in the habit of taking for granted, on scanty evidence, that she was right; impulsively, she often admired herself...Every now and then she found out she was wrong, and then she treated herself to a week of passionate humility. After this she held her head higher than ever again; for it was of no use, she had an unquenchable desire to think well of herself. She had a theory that it was only on this condition that life was worth living; that one should be one of the best, should be conscious of a fine organization, should move in the realm of light, of natural wisdom, of happy impulse, of inspiration gracefully chronic.
”
”
Henry James (The Portrait of a Lady)
β€œ
Evey: Who are you? V. : Who? Who is but the form following the function of what and what I am is a man in a mask. Evey: Well I can see that. V. : Of course you can, I’m not questioning your powers of observation, I’m merely remarking upon the paradox of asking a masked man who he is. Evey: Oh, right. V. : But on this most auspicious of nights, permit me then, in lieu of the more commonplace soubriquet, to suggest the character of this dramatis persona. Voila! In view humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of fate. This visage, no mere veneer of vanity, is a vestige of the β€œvox populi” now vacant, vanished. However, this valorous visitation of a bygone vexation stands vivified, and has vowed to vanquish these venal and virulent vermin, van guarding vice and vouchsafing the violently vicious and voracious violation of volition. The only verdict is vengeance; a vendetta, held as a votive not in vain, for the value and veracity of such shall one day vindicate the vigilant and the virtuous. Verily this vichyssoise of verbiage veers most verbose, so let me simply add that it’s my very good honour to meet you and you may call me V. Evey: Are you like a crazy person? V. : I’m quite sure they will say so.
”
”
Alan Moore (V for Vendetta)
β€œ
Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery. People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, β€˜Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.
”
”
ZoΓ« Heller (What Was She Thinking? [Notes on a Scandal])
β€œ
The leaves were long, the grass was green, The hemlock-umbels tall and fair, And in the glade a light was seen Of stars in shadow shimmering. Tinuviel was dancing there To music of a pipe unseen, And light of stars was in her hair, And in her raiment glimmering. There Beren came from mountains cold, And lost he wandered under leaves, And where the Elven-river rolled. He walked along and sorrowing. He peered between the hemlock-leaves And saw in wonder flowers of gold Upon her mantle and her sleeves, And her hair like shadow following. Enchantment healed his weary feet That over hills were doomed to roam; And forth he hastened, strong and fleet, And grasped at moonbeams glistening. Through woven woods in Elvenhome She lightly fled on dancing feet, And left him lonely still to roam In the silent forest listening. He heard there oft the flying sound Of feet as light as linden-leaves, Or music welling underground, In hidden hollows quavering. Now withered lay the hemlock-sheaves, And one by one with sighing sound Whispering fell the beechen leaves In the wintry woodland wavering. He sought her ever, wandering far Where leaves of years were thickly strewn, By light of moon and ray of star In frosty heavens shivering. Her mantle glinted in the moon, As on a hill-top high and far She danced, and at her feet was strewn A mist of silver quivering. When winter passed, she came again, And her song released the sudden spring, Like rising lark, and falling rain, And melting water bubbling. He saw the elven-flowers spring About her feet, and healed again He longed by her to dance and sing Upon the grass untroubling. Again she fled, but swift he came. Tinuviel! Tinuviel! He called her by her elvish name; And there she halted listening. One moment stood she, and a spell His voice laid on her: Beren came, And doom fell on Tinuviel That in his arms lay glistening. As Beren looked into her eyes Within the shadows of her hair, The trembling starlight of the skies He saw there mirrored shimmering. Tinuviel the elven-fair, Immortal maiden elven-wise, About him cast her shadowy hair And arms like silver glimmering. Long was the way that fate them bore, O'er stony mountains cold and grey, Through halls of iron and darkling door, And woods of nightshade morrowless. The Sundering Seas between them lay, And yet at last they met once more, And long ago they passed away In the forest singing sorrowless.
”
”
J.R.R. Tolkien (The Lord of the Rings)
β€œ
The dark is generous. Its first gift is concealment: our true faces lie in the dark beneath our skins, our true hearts remain shadowed deeper still. But the greatest concealment lies not in protecting our secret truths, but in hiding from the truths of others. The dark protects us from what we dare not know. Its second gift is comforting illusion: the ease of gentle dreams in night’s embrace, the beauty that imagination brings to what would repel in the day’s harsh light. But the greatest of its comforts is the illusion that dark is temporary: that every night brings a new day. Because it’s the day that is temporary. Day is the illusion. Its third gift is the light itself: as days are defined by the nights that divide them, as stars are defined by the infinite black through which they wheel, the dark embraces the light, and brings it forth from the center of its own self. With each victory of the light, it is the dark that wins. The dark is generous, and it is patient. It is the dark that seeds cruelty into justice, that drips contempt into compassion, that poisons love with grains of doubt. The dark can be patient, because the slightest drop of rain will cause those seeds to sprout. The rain will come, and the seeds will sprout, for the dark is the soil in which they grow, and it is the clouds above them, and it waits behind the star that gives them light. The dark’s patience is infinite. Eventually, even stars burn out. The dark is generous, and it is patient, and it always wins. It always wins because it is everywhere. It is in the wood that burns in your hearth, and in the kettle on the fire; it is under your chair and under your table and under the sheets on your bed. Walk in the midday sun, and the dark is with you, attached to the soles of your feet. The brightest light casts the darkest shadow. The dark is generous and it is patient and it always wins – but in the heart of its strength lies its weakness: one lone candle is enough to hold it back. Love is more than a candle. Love can ignite the stars.
”
”
Matthew Woodring Stover
β€œ
As she chattered and laughed and cast quick glances into the house and the yard, her eyes fell on a stranger, standing alone in the hall, staring at her in a cool impertinent way that brought her up sharply with a mingled feeling of feminine pleasure that she had attracted a man and an embarrassed sensation that her dress was too low in the bosom. He looked quite old, at least thirty-five. He was a tall man and powerfully built. Scarlett thought she had never seen such a man with such wide shoulders, so heavy with muscles, almost too heavy for gentility. When her eye caught his, he smiled, showing animal-white teeth below a close-clipped black mustache. He was dark of face, swarthy as a pirate, and his eyes were as bold and black as any pirate's appraising a galleon to be scuttled or a maiden to be ravished. There was a cool recklessness in his face and a cynical humor in his mouth as he smiled at her, and Scarlett caught her breath. She felt that she should be insulted by such a look as was annoyed with herself because she did not feel insulted. She did not know who he could be, but there was undeniably a look of good blood in his dark face. It showed in the thin hawk nose over the full red lips, and high forehead and the wide-set eyes.
”
”
Margaret Mitchell (Gone with the Wind)
β€œ
Love casts out fear; but conversely fear casts out love. And not only love. Fear also casts out intelligence, casts out goodness, casts out all thought of beauty and truth. What remains in the bum or studiedly jocular desperation of one who is aware of the obscene Presence in the corner of the room and knows that the door is locked, that there aren’t any windows. And now the thing bears down on him. He feels a hand on his sleeve, smells a stinking breath, as the executioner’s assistant leans almost amorously toward him. β€œYour turn next, brother. Kindly step this way.” And in an instant his quiet terror is transmuted into a frenzy as violent as it is futile. There is no longer a man among his fellow men, no longer a rational being speaking articulately to other rational beings; there is only a lacerated animal, screaming and struggling in the trap. For in the end fear casts out even a man’s humanity. And fear, my good friends, fear is the very basis and foundation of modern life. Fear of the much touted technology which, while it raises out standard of living, increases the probability of our violently dying. Fear of the science which takes away the one hand even more than what it so profusely gives with the other. Fear of the demonstrably fatal institutions for while, in our suicidal loyalty, we are ready to kill and die. Fear of the Great Men whom we have raised, and by popular acclaim, to a power which they use, inevitably, to murder and enslave us. Fear of the war we don’t want yet do everything we can to bring about.
”
”
Aldous Huxley (Ape and Essence)
β€œ
You are a man of extreme passion, a hungry man not quite sure where his appetite lies, a deeply frustrated man striving to project his individuality against a backdrop of rigid conformity. You exist in a half-world suspended between two superstructures, one self-expression and the other self-destruction. You are strong, but there is a flaw in your strength, and unless you learn to control it the flaw will prove stronger than your strength and defeat you. The flaw? Explosive emotional reaction out of all proportion to the occasion. Why? Why this unreasonable anger at the sight of others who are happy or content, this growing contempt for people and the desire to hurt them? All right, you think they're fools, you despise them because their morals, their happiness is the source of your frustration and resentment. But these are dreadful enemies you carry within yourself--in time destructive as bullets. Mercifully, a bullet kills its victim. This other bacteria, permitted to age, does not kill a man but leaves in its wake the hulk of a creature torn and twisted; there is still fire within his being but it is kept alive by casting upon it faggots of scorn and hate. He may successfully accumulate, but he does not accumulate success, for he is his own enemy and is kept from truly enjoying his achievements.
”
”
Truman Capote (In Cold Blood)
β€œ
Fireflies out on a warm summer's night, seeing the urgent, flashing, yellow-white phosphorescence below them, go crazy with desire; moths cast to the winds an enchantment potion that draws the opposite sex, wings beating hurriedly, from kilometers away; peacocks display a devastating corona of blue and green and the peahens are all aflutter; competing pollen grains extrude tiny tubes that race each other down the female flower's orifice to the waiting egg below; luminescent squid present rhapsodic light shows, altering the pattern, brightness and color radiated from their heads, tentacles, and eyeballs; a tapeworm diligently lays a hundred thousand fertilized eggs in a single day; a great whale rumbles through the ocean depths uttering plaintive cries that are understood hundreds of thousands of kilometers away, where another lonely behemoth is attentively listening; bacteria sidle up to one another and merge; cicadas chorus in a collective serenade of love; honeybee couples soar on matrimonial flights from which only one partner returns; male fish spray their spunk over a slimy clutch of eggs laid by God-knows-who; dogs, out cruising, sniff each other's nether parts, seeking erotic stimuli; flowers exude sultry perfumes and decorate their petals with garish ultraviolet advertisements for passing insects, birds, and bats; and men and women sing, dance, dress, adorn, paint, posture, self-mutilate, demand, coerce, dissemble, plead, succumb, and risk their lives. To say that love makes the world go around is to go too far. The Earth spins because it did so as it was formed and there has been nothing to stop it since. But the nearly maniacal devotion to sex and love by most of the plants, animals, and microbes with which we are familiar is a pervasive and striking aspect of life on Earth. It cries out for explanation. What is all this in aid of? What is the torrent of passion and obsession about? Why will organisms go without sleep, without food, gladly put themselves in mortal danger for sex? ... For more than half the history of life on Earth organisms seem to have done perfectly well without it. What good is sex?... Through 4 billion years of natural selection, instructions have been honed and fine-tuned...sequences of As, Cs, Gs, and Ts, manuals written out in the alphabet of life in competition with other similar manuals published by other firms. The organisms become the means through which the instructions flow and copy themselves, by which new instructions are tried out, on which selection operates. 'The hen,' said Samuel Butler, 'is the egg's way of making another egg.' It is on this level that we must understand what sex is for. ... The sockeye salmon exhaust themselves swimming up the mighty Columbia River to spawn, heroically hurdling cataracts, in a single-minded effort that works to propagate their DNA sequences into future generation. The moment their work is done, they fall to pieces. Scales flake off, fins drop, and soon--often within hours of spawning--they are dead and becoming distinctly aromatic. They've served their purpose. Nature is unsentimental. Death is built in.
”
”
Carl Sagan (Shadows of Forgotten Ancestors: Earth Before Human)
β€œ
I'll tell you how the sun rose A ribbon at a time... It's a living book, this life; it folds out in a million settings, cast with a billion beautiful characters, and it is almost over for you. It doesn't matter how old you are; it is coming to a close quickly, and soon the credits will roll and all your friends will fold out of your funeral and drive back to their homes in cold and still and silence. And they will make a fire and pour some wine and think about how you once were . . . and feel a kind of sickness at the idea you never again will be. So soon you will be in that part of the book where you are holding the bulk of the pages in your left hand, and only a thin wisp of the story in your right. You will know by the page count, not by the narrative, that the Author is wrapping things up. You begin to mourn its ending, and want to pace yourself slowly toward its closure, knowing the last lines will speak of something beautiful, of the end of something long and earned, and you hope the thing closes out like last breaths, like whispers about how much and who the characters have come to love, and how authentic the sentiments feel when they have earned a hundred pages of qualification. And so my prayer is that your story will have involved some leaving and some coming home, some summer and some winter, some roses blooming out like children in a play. My hope is your story will be about changing, about getting something beautiful born inside of you, about learning to love a woman or a man, about learning to love a child, about moving yourself around water, around mountains, around friends, about learning to love others more than we love ourselves, about learning oneness as a way of understanding God. We get one story, you and I, and one story alone. God has established the elements, the setting and the climax and the resolution. It would be a crime not to venture out, wouldn't it?
”
”
Donald Miller (Through Painted Deserts: Light, God, and Beauty on the Open Road)
β€œ
She's not much taller than Tess and definitely lighter than Kaede. For a second it seems like the crowd's attention has made her umcomfortable and I'm ready to dismiss her as a real contender until I study her again. No, this girl is nothing like the last one. She's hesitating not because she's afraid to fight,or because she fears losing,but because she's thinking. Calculating.She has dark hair tied back in a high ponytail and a lean, athletic build. She stands deliberately, with a hand resting on her hip, as if nothing in the world can catch her off guard. I find myself pausing to admire her face. For a brief moment,I'm lost to my surroundings. The girl shakes her head at Kaede. This surprises me too-I've never seen anyone refuse to fight. Everyone knows the rules: if you're chosen,you fight. This girl doesn't seem to fear the crowds wrath. Kaede laughs at her and says something I can't quite make out. Tess hears it,though, and casts me a quick, concerned glance. This time the girl nods. The crowd lets out another cheer,and Kaede smiles. I lean a little bit out from behind the chimney. Something about this girl...I don't know what it is.But her eyes burn in the light,and although it's hot and might be my imagination, I think I see a small smile on the girl's face. Tess shoots a questioning look at me.I hesitate for a split second,then hold up one finger again. I'm grateful to this mystery girl for helping Tess out, but with my money on the line,I decide to play it safe. Tess nods,then casts our bet in favor of Kaede. But the instant the new girl steps into the circle and I see her stance...I know I've made a big mistake.Kaede strikes like a bull, a battering ram. This girl strikes like a viper.
”
”
Marie Lu (Legend (Legend, #1))
β€œ
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
”
”
Bob Dylan (Chronicles, Volume One)
β€œ
A Great Rabbi stands, teaching in the marketplace. It happens that a husband finds proof that morning of his wife's adultery, and a mob carries her to the marketplace to stone her to death. There is a familiar version of this story, but a friend of mine - a Speaker for the Dead - has told me of two other Rabbis that faced the same situation. Those are the ones I'm going to tell you. The Rabbi walks forward and stands beside the woman. Out of respect for him the mob forbears and waits with the stones heavy in their hands. 'Is there any man here,' he says to them, 'who has not desired another man's wife, another woman's husband?' They murmur and say, 'We all know the desire, but Rabbi none of us has acted on it.' The Rabbi says, 'Then kneel down and give thanks that God has made you strong.' He takes the woman by the hand and leads her out of the market. Just before he lets her go, he whispers to her, 'Tell the Lord Magistrate who saved his mistress, then he'll know I am his loyal servant.' So the woman lives because the community is too corrupt to protect itself from disorder. Another Rabbi. Another city. He goes to her and stops the mob as in the other story and says, 'Which of you is without sin? Let him cast the first stone.' The people are abashed, and they forget their unity of purpose in the memory of their own individual sins. β€˜Someday,’ they think, β€˜I may be like this woman. And I’ll hope for forgiveness and another chance. I should treat her as I wish to be treated.’ As they opened their hands and let their stones fall to the ground, the Rabbi picks up one of the fallen stones, lifts it high over the woman’s head and throws it straight down with all his might it crushes her skull and dashes her brain among the cobblestones. β€˜Nor am I without sins,’ he says to the people, β€˜but if we allow only perfect people to enforce the law, the law will soon be dead – and our city with it.’ So the woman died because her community was too rigid to endure her deviance. The famous version of this story is noteworthy because it is so startlingly rare in our experience. Most communities lurch between decay and rigor mortis and when they veer too far they die. Only one Rabbi dared to expect of us such a perfect balance that we could preserve the law and still forgive the deviation. So of course, we killed him. -San Angelo Letters to an Incipient Heretic
”
”
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))