“
Be careful when you cast out your demons that you don’t throw away the best of yourself.
”
”
Friedrich Nietzsche
“
A friend is not the shadow that mimics you, but the one who casts all shadows away.
”
”
Shannon L. Alder
“
I take it that “gentleman” is a term that only describes a person in his relation to others; but when we speak of him as “a man” , we consider him not merely with regard to his fellow men, but in relation to himself, - to life – to time – to eternity. A cast-away lonely as Robinson Crusoe- a prisoner immured in a dungeon for life – nay, even a saint in Patmos, has his endurance, his strength, his faith, best described by being spoken of as “a man”. I am rather weary of this word “ gentlemanly” which seems to me to be often inappropriately used, and often too with such exaggerated distortion of meaning, while the full simplicity of the noun “man”, and the adjective “manly” are unacknowledged.
”
”
Elizabeth Gaskell (North and South)
“
It's my belief that history is a wheel. 'Inconstancy is my very essence,' says the wheel. Rise up on my spokes if you like but don't complain when you're cast back down into the depths. Good time pass away, but then so do the bad. Mutability is our tragedy, but it's also our hope. The worst of time, like the best, are always passing away.
”
”
Tony Wilson (24 Hour Party People: What the Sleeve Notes Never Tell You)
“
Life is too short to be anything but real with the cast of characters God has placed in the story of your life. Love well, laugh often, and find your life in Christ. Don't hide away or be a follower. Be the wonderful unique person God made you to be, and know that your purpose will always be best when defined by your faith in him
”
”
Karen Kingsbury (Unlocked)
“
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time.
The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is.
There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside.
Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
”
”
Bob Dylan (Chronicles, Volume One)
“
Now. Bram, you are a good friend and an uptanding young man, but I'm afraid that tradition dictates I now attempt to scare you within an inch of your unlife."
"Understood," Bram said, taking his arm back as I got myself under control.
My father is a gentle-looking man. Thus, why I started laughing again as he attempted to look stern. "What are your intentions concerning my daughter?"
Bram cast a look my way, laughing himself, before clearing his throat and doing his best to look scared. "Why, to care for and protect her until I rot away, sir.
”
”
Lia Habel (Dearly, Departed (Gone With the Respiration, #1))
“
Take the time to make some sense for what you wanna say,
And cast your words away upon the waves.
Sail them home with acquiesce on a ship of hope today,
And as they land upon the shore,
Tell them not to fear no more.
I'm not saying right is wrong,
It's up to us to make the best of all the things that come our way.
Cos' everything that's been has past,
The answers in the looking glass.
There's four and twenty million doors
On life's endless corridor,
So say it loud and sing it proud today.
”
”
Noel Gallagher
“
I see the way he looks at you, something I haven't seen in him since the day we lost Ariella. And...I know you love him in a way you can't love me.” He looked away, just for a moment, and took a deep breath. “Jealousy isn't something we deal with well,” he admitted. “But some of us have been around long enough to know when to let go, and what is most important. The happiness of my two best friends should be more important than some ancient feud.” Stepping close, he placed a palm on my cheek, brushing a strand of hair from my face. Glamour flared up around him, casting him in a halo of emerald light. In that moment, he was pure fey, unbound by shallow human fears and embarrassment, a being as natural and ancient as the forest. “I have always loved you, princess,” Robin Goodfellow promised, his green eyes shining in the darkness. “I always will. And I'll take whatever you can give me.
”
”
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
“
Be careful when you cast out your demons that you don't throw away the best of yourself.
”
”
Friedrich Nietzsche
“
Have our parents ever looked at us and felt slightly… disappointed? Such high hopes, so much possibility, to fall short. And though my parents took us far away from the site of their grief… certain shadows stretched far, casting a gray stillness over our childhood… hinting at a darkness we did not understand but could always FEEL.
”
”
Thi Bui (The Best We Could Do)
“
Ah-ha! On the stove was a cast-iron skillet. Perfect. Precisely how hard did you have to hit someone on the head to knock him out without killing him? I wasn't sure. Guess I'd just have to bash away and hope for the best.
”
”
Linda Grimes (In a Fix (Ciel Halligan, #1))
“
The berth belongs to you too. It will always be there when—if you want to come back.”
Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. “I don’t know what to say.”
His bare hand flexed on the crow’s head of his cane. The sight was so strange Inej had trouble tearing her eyes from it. “Say you’ll return.”
“I’m not done with Ketterdam.” She hadn’t known she meant it until she said the words.
Kaz cast her a swift glance. “I thought you wanted to hunt slavers.”
“I do. And I want your help.” Inej licked her lips, tasted the ocean on them. Her life had been a series of impossible moments, so why not ask for something impossible now? “It’s not just the slavers. It’s the procurers, the customers, the Barrel bosses, the politicians. It’s everyone who turns a blind eye to suffering when there’s money to be made.”
“I’m a Barrel boss.”
“You would never sell someone, Kaz. You know better than anyone that you’re not just one more boss scraping for the best margin.”
“The bosses, the customers, the politicians,” he mused. “That could be half the people in Ketterdam—and you want to fight them all.”
“Why not?” Inej asked. “One the seas and in the city. One by one.”
“Brick by brick,” he said. Then he gave a single shake of his head, as if shrugging off the notion. “I wasn’t made to be a hero, Wraith. You should have learned that by now. You want me to be a better man, a good man. I—“
“This city doesn’t need a good man. It needs you.”
“Inej—“
“How many times have you told me you’re a monster? So be a monster. Be the thing they all fear when they close their eyes at night. We don’t go after all the gangs. We don’t shut down the houses that treat fairly with their employees. We go after women like Tante Heleen, men like Pekka Rollins.” She paused. “And think about it this way…you’ll be thinning the competition.”
He made a sound that might almost have been a laugh.
One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they’d be touching. He was that close. He was that far from reach.
Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away.
“I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving.
Once they’d stood on the deck of a ship and she’d waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and knew it was a place she could not follow, not unless she wanted to drown too.
Back on Black Veil, he’d told her they would fight their way out. Knives drawn, pistols blazing. Because that’s what we do. She would fight for him, but she could not heal him. She would not waste her life trying.
She felt his knuckles slide again hers. Then his hand was in her hand, his palm pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Bliss?” I called.
“Yeah?”
“Check the drawers of the nightstand! She was playing with it in the middle of the night, and I think I remember taking it away and sticking it in there.”
“Okay!”
Through the open door, I watched her circle around the edge of the bed. I walked in place for a few seconds, letting my feet drop a little heavier than necessary, then opened and closed the door like I’d gone back inside the bathroom. Then I hid in the space between the back of the bedroom door and the wall where I could just see through the crack between the hinges. She pulled open the top drawer, and my heartbeat was like a bass drum. I don’t know when it had started beating so hard, but now it was all that I could hear.
It wasn’t like I was asking her to marry me now. I just knew Bliss, and knew she tended to panic. I was giving her a very big, very obvious hint so that she’d have time to adjust before I actually asked her. Then in a few months, when I thought she’d gotten used to the idea, I’d ask her for real.
That was the plan anyway. It was supposed to be simple, but this felt… complicated. Suddenly, I thought of all the thousands of ways this could go wrong. What if she freaked out? What if she ran like she did our first night together? If she ran, would she go back to Texas? Or would she go to Cade who lived in North Philly? He’d let her stay until she figured things out, and then what if something developed between them?
What if she just flat out told me no? Everything was good right now. Perfect, actually. What if I was ruining it by pulling this stunt?
I was so caught up in my doomsday predictions that I didn’t even see the moment that she found the box. I heard her open it though, and I heard her exhale and say, “Oh my God.”
Where before my mouth had been dry, now I couldn’t swallow fast enough. My hands were shaking against the door. She was just standing there with her back to me. I couldn’t see her face. All I could see was her tense, straight spine. She swayed slightly.
What if she passed out? What if I’d scared her so much that she actually lost consciousness? I started to think of ways to explain it away.
I was keeping it for a friend?
It was a prop for a show?
It was… It was… shit, I didn’t know.
I could just apologize. Tell her I knew it was too fast.
I waited for her to do something—scream, run, cry, faint. Anything would be better than her stillness. I should have just been honest with her. I wasn’t good at things like this. I said what I was thinking—no plans, no manipulation.
Finally, when I thought my body would crumble under the stress alone, she turned. She faced the bed, and I only got her profile, but she was biting her lip. What did that mean? Was she just thinking? Thinking of a way to get out of it?
Then, slowly, like the sunrise peeking over the horizon, she smiled.
She snapped the box closed.
She didn’t scream. She didn’t run. She didn’t faint.
There might have been a little crying.
But mostly… she danced.
She swayed and jumped and smiled the same way she had when the cast list was posted for Phaedra. She lost herself the same way she did after opening night, right before we made love for the first time.
Maybe I didn’t have to wait a few months after all.
She said she wanted my best line tomorrow after the show, and now I knew what it was going to be.
”
”
Cora Carmack (Losing It (Losing It, #1))
“
So it had long been a secret pleasure of Lydia’s that, hidden among all the more popular goods, she was able to make a home for some of her best-loved secret treasures, gems that had blown open her mind and changed her life, books that in some cases had never even been translated into Spanish but that she stocked anyway, not because she expected she’d ever sell them, but simply because it made her happy to know they were there. There were perhaps a dozen of these books, stashed away on their ever-changing shelves, enduring among a cast of evolving neighbors. Now and again when a book moved her, when a book opened a previously undiscovered window in her mind and forever altered her perception of the world, she would add it to those secret ranks.
”
”
Jeanine Cummins (American Dirt)
“
Today, and let us celebrate this fact, We can eat the light of our beloved, warmed by compassion or cooled by intellectual feeling. And if we are surprised, and some of us disappointed, that the light is now only green - well, such was the vital probability awaiting us. We have, after all, an increase in the energy available for further evolution; we can use the energy of our position relative to the probabilities in the future to reach the future we desire. The full use of this energy is just beginning to be explored, and we have the opportunity open to few generations to create our best opportunities. We must not slacken in our desire now if we desire a future. The pressure of probabilities on the present increases the momentum of evolution, and as the voluble helix turns, and turns us away from our improbable satiation, we can see that the shadow cast on the present from the future is not black but rainbowed, brilliant with lemon yellow, plum-purple, and cherry-red. I have no patience with those who say that their desire for light is satisfied. Or that they are bored. I have myself a still unsatisfied appetite for green: eucalyptus, celadon, tourmaline, and apple. ("Desire")
”
”
William S. Wilson (Why I Don't Write Like Franz Kafka)
“
The Dogman?" He looked grey. Grey-clothed, grey-haired, grey-faced, like the life had leaked out of him to leave a wispy husk a sudden gust might whisk away. "The man looks a touch past his best."
Shivers cast a lazy eye towards Scale, and back. He had a way of saying a lot with a few words. "Least he had one.
”
”
Joe Abercrombie (A Little Hatred (The Age of Madness, #1))
“
Life is too short to be but real with the cast God of characters God has placed in the story of your life. Love well, laugh often, and find your life in Christ. Don't hide away or be a follower. Be the wonderful unique person God made you to be, and know that your purpose will always be best when defined by your faith in Him.
”
”
Karen Kingsbury (Unlocked)
“
We have one unerring guide...Call it love, charity, or sympathy; it is the best, the angelic portion of us. It teaches us to feel pain at others pain, joy in their joy. The more entirely we mingle our emotions with those of others, making our well or ill being depend on theirs, the more completely do we cast away our selfishness, and approach the perfection of our nature.
”
”
Mary Wollstonecraft Shelley (The Fortunes of Perkin Warbeck: A Romance)
“
Concerning this desert, Jeremiah writes: ‘I will lead my beloved into the wilderness and will speak to her in her heart’ (Hosea 2:14) . . . The prophet hungered for this desolate self-abandonment when he said: ‘Who will give me the wings of a dove that I may fly away and be at rest?’ (Psalm 55:6). Where do we find peace and rest? Only in abandonment, in the desert and in isolation from all creatures . . .
Now you could say . . . if all this must be removed, then it is grievous if God allows us to remain without any support. ‘Woe to me that my exile is prolonged’ (Psalm 120:5), as the prophet says, if God prolongs my dereliction without casting his light upon me, speaking to me or working in me, as you are suggesting here. If we thus enter a state of pure nothingness, is it not better that we should do something in order to drive away the darkness and dereliction? Should we not pray or read or listen to a sermon or do something else that is virtuous in order to help ourselves?
No, certainly not! The very best thing you can do is to remain still for as long as possible . . . You cannot think about or desire this preparation more swiftly than God can carry it out . . . You should know that God must pour himself into you and act upon you where he finds you prepared . . . just as the sun must pour itself forth and cannot hold itself back when the air is pure and clean. Certainly, it would be a major failing if God did not perform great works in you, pouring great goodness into you, in so far as he finds you empty and there.
”
”
Meister Eckhart (Selected Writings)
“
In short, while I certainly don’t have all the answers, when I look at the brokenness of this world: it is not God’s fingerprints that I find on the smoking gun at the scene of the crime.
You know where I do see His fingerprints?
On the torturous crossbeam that Jesus held onto tightly, as He carried my cross through the streets and up to Calvary. I see them on the nails he gripped while hanging there to die my death for me. I see His fingerprints all over the places where Christ stood in my place, and where he took me by the hand to lead me into the eternal glory of new life in Him.
I find the fingerprints everywhere that my Father, in His relentless love, searched for me in the night of my own darkness. Or I find them wrapped around me, in the places my Father held me in His loving embrace, and on His best robes He threw around me to clothe me, after I came home exhausted from a long journey of running away (Luke 15:20).
I see the hand of God where the Holy Spirit worked His wonders and miracles, and cast out the darkness with His invincible light. Surely this was the “finger of God” (Luke 11:20).
I see God in the hands of the nurses and doctors who cared for our son, and the friends and family who reached out with compassion and grace to lift us when we were down.
Everywhere I find pure light, life and love: those are the places I find God in the story.
”
”
Jonah Priour (Praying the Word of Grace: The Revival of a Grieving Father's Soul Through the Simple Practice of Scripture-Based Prayer)
“
With more and more decision making and work done by robots, what will be left for humans to do? Do we really want to compete biologically with robot technology by using brain implants and genetically improved intelligence and social behavior? This choice would mean a sharp departure away from the human nature we have inherited, and a fundamental change in the human condition. Now we are talking about a problem best solved within the humanities, and one more reason the humanities are all-important. While I’m at it, I hereby cast a vote for existential conservatism, the preservation of biological human nature as a sacred trust. We are doing very well in science and technology. Let’s agree to keep it up, and move both along even faster. But let’s also promote the humanities, that which makes us human, and not use science to mess around with the wellspring of this, the absolute and unique potential of the human future.
”
”
Edward O. Wilson (The Meaning of Human Existence)
“
Late afternoon light filters in through his pale curtains, and it casts the room in a dreamy kind of filter. If I were going to name it, I would call it “summer in the suburbs.” Peter looks beautiful in this light. He looks beautiful in any light, but especially this one. I take a picture of him in my mind, just like this. Any annoyance I felt over him forgetting my yearbook melts away when he snuggles closer to me, rests his head on my chest, and says, “I can feel your heart beating.”
I start playing with his hair, which I know he likes. It’s so soft for a boy. I love the smell of his detergent, his soap, everything.
He looks up at me and traces the bow of my lip. “I like this part the best,” he says. Then he moves up and brushes his lips against mine, teasing me. He bites on my bottom lip playfully. I like all his different kinds of kisses, but maybe this kind best. Then he’s kissing me with urgency, like he is utterly consumed, his hands in my hair, and I think, no, these are the best.
Between kisses he asks me, “How come you only ever want to hook up when we’re at my house?”
“I--I don’t know. I guess I never thought about it before.” It’s true we only ever make out at Peter’s house. It feels weird to be romantic in the same bed I’ve slept in since I was a little girl. But when I’m in Peter’s bed, or in his car, I forget all about that and I’m just lost in the moment.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
Remember how those who bent on denying the truth plotted against you to imprison you or kill you or expel you: they schemed—but God also schemed. God is the best of schemers. 31 Whenever Our revelations are recited to them, they say, ‘We have heard them. If we wished, we could produce the like. They are nothing but the fables of the ancients.’ 32 They also said, ‘God, if this really is the truth from You, then rain down upon us stones from heaven, or send us some other painful punishment.’ 33 But God would not punish them while you [Prophet] were in their midst, nor would He punish them so long as they sought forgiveness. 34 Yet why should God not punish them when they debar people from the Sacred Mosque, although they are not its guardians? Its rightful guardians are those who fear God, though most of them do not realize it. 35 Their prayers at the Sacred House are nothing but whistling and clapping of hands. ‘So taste the punishment because of your denial.’ 36 Those who are bent on denying the truth are spending their wealth in debarring others from the path of God. They will continue to spend it in this way till, in the end, this spending will become a source of intense regret for them, and then they will be overcome. And those who denied the truth will be gathered together in Hell. 37 So that God may separate the bad from the good, He will heap the wicked one upon another and then cast them into Hell. These will surely be the losers. 38 Tell those who are bent on denying the truth that if they desist, their past shall be forgiven, but if they persist in sin, they have an example in the fate of those who went before.b 39 Fight them until there is no more [religious] persecution,c and religion belongs wholly to God: if they desist, then surely God is watchful of what they do, 40 but if they turn away, know that God is your Protector; the Best of Protectors and the Best of Helpers!
”
”
Anonymous (The Quran: A Simple English Translation (Goodword))
“
The three thousand miles in distance he put between himself and Emma tonight is nothing compared with the enormous chasm separating them when they sit next to each other in calculus.
Emma's ability to overlook his existence is a gift-but not one that Poseidon handed down. Rachel insists this gift is uniquely a female trait, regardless of the species. Since their breakup, Emma seems to be the only female utilizing this particular gift. Even Rayna could learn a few lessons from Emma in the art of torturing a smitten male. Smitten? More like fanatical.
He shakes his head in disgust. Why couldn't I just sift when I turned of age? Why couldn't I find a suitable mild-tempered female to mate with? Live a peaceful life, produce offspring, grow old, and watch my own fingerlings have fingerlings someday? He searches through his mind for someone he might have missed in the past. For a face he overlooked before but could now look forward to every day. For a docile female who would be honored to mate with a Triton prince-instead of a temperamental siren who mocks his title at every opportunity. He scours his memory for a sweet-natured Syrena who would take care of him, who would do whatever he asked, who would never argue with him.
Not some human-raised snippet who stomps her foot when she doesn't get her way, listens to him only when it suits some secret purpose she has, or shoves a handful of chocolate mints down his throat if he lets his guard down. Not some white-haired angelfish whose eyes melt him into a puddle, whose blush is more beautiful than sunrise, and whose lips send heat ripping through him like a mine explosion.
He sighs as Emma's face eclipses hundreds of mate-worthy Syrena. That's just one more quality I'll have to add to the list: someone who won't mind being second best. His just locks as he catches a glimpse of his shadow beneath him, cast by slithers of sterling moonlight. Since it's close to three a.m. here, he's comfortable walking around without the inconvenience of clothes, but sitting on the rocky shore in the raw is less than appealing. And it doesn't matter which Jersey shore he sits on, he can't escape the moon that connects them both-and reminds him of Emma's hair.
Hovering in the shallows, he stares up at it in resentment, knowing the moon reminds him of something else he can' escape-his conscience. If only he could shirk his responsibilities, his loyalty to his family, his loyalty to his people. If only he could change everything about himself, he could steal Emma away and never look back-that is, if she'll ever talk to him again.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
When a child estranges herself from you (there’s that word Eleanor tries not to employ when speaking of her situation, but it applies) you can allow it to crush you. Or you rebuild your world—smaller maybe, less ambitious, imperfect, with space for sorrow, but also occasional joy. Maybe you see your child only once a year. Maybe never. Maybe she doesn’t want you to see your grandchildren. She may rewrite the history of her childhood, casting you as the source of her greatest trauma. She gets to have her story. But nobody can take away yours—that you loved her, you tried your best. The door remains open.
”
”
Joyce Maynard (How the Light Gets In)
“
They landed with a crash that split paving stones and jarred the nearby houses. Something cracked in Thorn’s left wing-shoulder, and his back arched unnaturally as Murtagh’s wards kept the dragon from crushing him flat.
Saphira could hear Murtagh cursing from underneath Thorn, and she decided that it would be best to move away before the angry two-legs-round-ears started casting spells.
She jumped up, kicking Thorn in the belly as she did so, and alit on the peak of the house behind the red dragon. The building was too weak to support her, so she took flight again and, just for good measure, set the row of buildings on fire.
Let them deal with that, she thought, satisfied, as the flames gnawed hungrily at the wooden structures.
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
“
Okay, I’m going to tell you what I think. It’s like this,” he said grimly. “Quit or don’t quit. Take the promotion or not take it. But, if you take the graveyard shift, mark my words, we will eventually—I don’t know how, and I don’t know when—live to regret it.” Without saying another word he walked inside. In bed Alexander let her kiss his hands. He was on his back, and Tatiana sidled up to him naked, kneeling by his side. Taking his hands, she kissed them slowly, digit by digit, knuckle by knuckle, pressing them to her trembling breasts, but when she opened her mouth to speak, Alexander took his hands away. “I know what you’re about to do,” he said. “I’ve been there a thousand times. Go ahead. Touch me. Caress me. Whisper to me. Tell me first you don’t see my scars anymore, then make it all right. You always do, you always manage to convince me that whatever crazy plan you have is really the best for you and me,” he said. “Returning to blockaded Leningrad, escaping to Sweden, Finland, running to Berlin, the graveyard shift. I know what’s coming. Go ahead, I’ll be good to you right back. You’re going to try to make me all right with you staying in Leningrad when I tell you that to save your hard-headed skull you must return to Lazarevo? You want to convince me that escaping through enemy territory across Finland’s iced-over marsh while pregnant is the only way for us? Please. You want to tell me that working all Friday night and not sleeping in my bed is the best thing for our family? Try. I know eventually you’ll succeed.” He was staring at her blonde and lowered head. “Even if you don’t,” he continued, “I know eventually, you’ll do what you want anyway. I don’t want you to do it. You know you should be resigning, not working graveyard—nomenclature, by the way, that I find ironic for more reasons that I care to go into. I’m telling you here and now, the path you’re taking us on is going to lead to chaos and discord not order and accord. It’s your choice, though. This defines you—as a nurse, as a woman, as a wife—pretend servitude. But you can’t fool me. You and I both know what you’re made of underneath the velvet glove: cast iron.” When Tatiana said nothing, Alexander brought her to him and laid her on his chest. “You gave me too much leeway with Balkman,” he said, kissing her forehead. “You kept your mouth shut too long, but I’ve learned from your mistake. I’m not keeping mine shut—I’m telling you right from the start: you’re choosing unwisely. You are not seeing the future. But you do what you want.” Kneeling next to him, she cupped him below the groin into one palm, kneading him gently, and caressed him back and forth with the other. “Yes,” he said, putting his arms under his head and closing his eyes. “You know I love that, your healing stroke. I’m in your hands.” She kissed him and whispered to him, and told him she didn’t see his scars anymore, and made it if not all right then at least forgotten for the next few hours of darkness.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
Come inside with me,” he urged, increasing the pressure on her elbow, “and I’ll begin making it up to you.”
Elizabeth let herself be drawn forward a few steps and hesitated. “This is a mistake. Everyone will see us and think we’ve started it all over again-“
“No, they won’t,” he promised. “There’s a rumor spreading like fire in there that I tried to get you in my clutches two years ago, but without a title to tempt you I didn’t have a chance. Since acquiring a title is a holy crusade for most of them, they’ll admire your sense. Now that I have a title, I’m expected to use it to try to succeed where I failed before-as a way of bolstering my wounded male pride.” Reaching up to brush a wisp of hair from her soft cheek, he said, “I’m sorry. It was the best I could do with what I had to work with-we were seen together in compromising circumstances. Since they’d never believe nothing happened, I could only make them think I was in pursuit and you were evading.”
She flinched from his touch but didn’t shove his hand away. “You don’t understand. What’s happening to me in there is no less than I deserve. I knew what the rules were, and I broke them when I stayed with you at the cottage. You didn’t force me to stay. I broke the rules, and-“
“Elizabeth,” he interrupted in a voice edge with harsh remorse, “if you won’t do anything else for me, at least stop exonerating me for that weekend. I can’t bear it. I exerted more force on you than you understand.”
Longing to kiss her, Ian had to be satisfied instead with trying to convince her his plan would work, because he now needed her help to ensure its success. In a teasing voice he said, “I think you’re underrating my gift for strategy and subtlety. Come and dance with me, and I’ll prove to you how easily most of the male minds in there have been manipulated.”
Despite his confidence, moments after they entered the ballroom Ian noticed the increasing coldness of the looks being directed at them, and he knew a moment of real alarm-until he glanced at Elizabeth as he took her in his arms for a waltz and realized the cause of it. “Elizabeth,” he said in a low, urgent voice, gazing down at her bent head, “stop looking meek! Put your nose in the air and cut me dead or flirt with me, but do not on any account look humble, because these people will interpret it as guilt!”
Elizabeth, who had been staring at his shoulder, as she'd done with her other dancing partners, tipped her head back and looked at him in confusion. "What?"
Ian's heart turned over when the chandeliers overhead revealed the wounded look in her glorious green eyes. Realizing logic and lectures weren't going to help her give the performance he badly needed her to give, he tried the tack that had, in Scotland, made her stop crying and begin to laugh: He tried to tease her. Casting about for a subject, he said quickly, "Belhaven is certainly in fine looks tonight-pink satin pantaloons. I asked him for the name of his tailor so that I could order a pair for myself."
Elizabeth looked at him as if he'd taken leave of his senses; then his warning about looking meek hit home, and she began to understand what he wanted her to do. That added to the comic image of Ian's tall, masculine frame in those absurd pink pantaloons enabled her to manage a weak smile. "I have greatly admired those pantaloons myself," she said. "Will you also order a yellow satin coat to complement the look?"
He smiled. "I thought-puce."
"An unusual combination," she averred softly, "but one that I am sure will make you the envy of all who behold you.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
The above letter was written only three days before the tragedy which utterly wrecked Elizabeth Barrett’s life for a time, and cast a deep shadow over it which never wholly passed away — the death of her brother Edward through drowning. On July 11, he and two friends had gone for a sail in a small boat. They did not return when they were expected, and presently a rumour came that a boat, answering in appearance to theirs, had been seen to founder in Babbicombe Bay; but it was not until three days later that final confirmation of the disaster was obtained by the discovery of the bodies. What this blow meant to the bereaved sister cannot be told: the horror with which she refers to it, even at a distance of many years, shows how deeply it struck. It was the loss of the brother whom she loved best of all; and she had the misery of thinking that it was to attend on her that he had come to the place where he met his death.
”
”
Elizabeth Barrett Browning (Complete Works of Elizabeth Barrett Browning)
“
BILL MURRAY, Cast Member: Gilda got married and went away. None of us saw her anymore. There was one good thing: Laraine had a party one night, a great party at her house. And I ended up being the disk jockey. She just had forty-fives, and not that many, so you really had to work the music end of it. There was a collection of like the funniest people in the world at this party. Somehow Sam Kinison sticks in my brain. The whole Monty Python group was there, most of us from the show, a lot of other funny people, and Gilda. Gilda showed up and she’d already had cancer and gone into remission and then had it again, I guess. Anyway she was slim. We hadn’t seen her in a long time. And she started doing, “I’ve got to go,” and she was just going to leave, and I was like, “Going to leave?” It felt like she was going to really leave forever. So we started carrying her around, in a way that we could only do with her. We carried her up and down the stairs, around the house, repeatedly, for a long time, until I was exhausted. Then Danny did it for a while. Then I did it again. We just kept carrying her; we did it in teams. We kept carrying her around, but like upside down, every which way—over your shoulder and under your arm, carrying her like luggage. And that went on for more than an hour—maybe an hour and a half—just carrying her around and saying, “She’s leaving! This could be it! Now come on, this could be the last time we see her. Gilda’s leaving, and remember that she was very sick—hello?” We worked all aspects of it, but it started with just, “She’s leaving, I don’t know if you’ve said good-bye to her.” And we said good-bye to the same people ten, twenty times, you know. And because these people were really funny, every person we’d drag her up to would just do like five minutes on her, with Gilda upside down in this sort of tortured position, which she absolutely loved. She was laughing so hard we could have lost her right then and there. It was just one of the best parties I’ve ever been to in my life. I’ll always remember it. It was the last time I saw her.
”
”
James Andrew Miller (Live From New York: The Complete, Uncensored History of Saturday Night Live as Told by Its Stars, Writers, and Guests)
“
A short while later, they were all covered in flour.
"Anna, do you have to use so much flour?" her mother asked, waving a cloud of dust away from her face.
"I hate when the cookies stick, Ma, you know that." Anna sifted more flour onto the wooden table that doubled as a workspace. She loved flour and she used it liberally, but it did make cleanup much harder.
The bakery wasn't large and it wasn't bright; the windows were high up, just below the ceiling eaves. Anna had to squint to see her measurements. Spoons and pots hung on the walls, and the large wooden table stood in the middle of the room, where Anna and her mom baked bread, cinnamon rolls, and Anna's famous cookies. The majority of the bakery was taken up by the cast-iron stove. It was as beautiful as it was functional, and Anna was constantly tripping over it- or falling into it, hence the small burn marks on her forearms. Those also came from paddling the bread into and out of the oven. Her parents said she was the best at knowing when the temperature of the stove was just right for baking the softest bread. Maybe she was a little messy when she baked, but it didn't bother her.
”
”
Jen Calonita (Conceal, Don't Feel)
“
We were working on the idea about dogs’ Internet searches, and first we debated whether the sketch should feature real dogs or Henrietta and Viv in dog costumes (because cast members were always, unfailingly, trying to get more air time, we quickly went with the latter). Then we discussed where it should take place (the computer cluster in a public library, but, even though all this mattered for was the establishing shot, we got stalled on whether that library should be New York’s famous Main Branch building on Fifth Avenue, with the lion statues in front, a generic suburban library in Kansas City, or a generic suburban library in Jacksonville, Florida, which was where Viv was from). Then we really got stalled on the breeds of dogs. Out of loyalty to my stepfather and Sugar, I wanted at least one to be a beagle. Viv said that it would work best if one was really big and one was really little, and Henrietta said she was fine with any big dog except a German Shepherd because she’d been bitten by her neighbor’s German Shepherd in third grade. After forty minutes we’d decided on a St. Bernard and a Chihuahua—I eventually conceded that Chihuahuas were funnier than beagles. We decided to go with the Florida location for the establishing shot because the lions in front of the New York Main Branch could preempt or diminish the appearance of the St. Bernard. Then we’d arrived at the fun part, which was the search terms. With her mouth full of beef kebab, Viv said, “Am I adopted?” With my mouth full of spanakopita, I said, “Am I a good girl?” With her mouth full of falafel, Henrietta said, “Am I five or thirty-five?” “Why is thunder scary?” I said. “Discreet crotch-sniffing techniques,” Henrietta said. “Cheap mani-pedis in my area,” Viv said. “Oh, and cheapest self-driving car.” “Best hamburgers near me,” I said. “What is halitosis,” Henrietta said. “Halitosis what to do,” I said. “Where do humans pee,” Viv said. “Taco Bell Chihuahua male or female,” I said. “Target bull terrier married,” Viv said. “Lassie plastic surgery,” Henrietta said. “Funny cat videos,” I said. “Corgis embarrassing themselves YouTube,” Viv said. “YouTube little dog scares away big dog,” I said. “Doghub two poodles and one corgi,” Henrietta said. “Waxing my tail,” I said. “Is my tail a normal size,” Viv said.
”
”
Curtis Sittenfeld (Romantic Comedy)
“
You don't have to say that," she insisted. "I mean - I'll understand, if you hate me."
"I could never hate you, Bee. I just...I miss you." There was no reproach in Connor's words, only a weary, unflinching truth.
"I miss you, too." she said, and meant it.
Beatrice's tears were coming more freely now, but that wasn't surprising. Nothing in life hurt more than hurting the people you loved. Yet Beatrice knew she had to say all of this.
She and Connor had loved each other too fiercely for her to let him go without a proper goodbye.
"I am...forever changed by you," she added, her voice catching. "I gave you part of my heart a long time ago, and I've never gotten it back."
"You don't need it back." His voice was rough with unshed tears. "I swear that I'll keep it safe. Everywhere I go, that part of you will come with me, and I will guard and treasure it. Always."
A sob escaped her chest. She hurt for Connor and with Connor and because of Connor, all at once.
This wasn't how breakups were meant to go. In the movies they always seemed so hateful, with people yelling and throwing things at each other. They weren't meant to be like this, tender and gentle and full of heartache.
"Okay," she replied, through her tears. "That part of my heart is yours to keep."
Connor stepped back, loosening his hand from hers, and Beatrice felt the thread between them pull taut and finally snap. She imagined that she could hear it - a crisp sort of sound, like the stem of a rose being snapped in two.
Her body felt strangely sore, or maybe it was her heart that felt sore, recognizing the parts of it that she had given away, forever.
"You're such an amazing person, Connor. I hope you find someone who deserves you."
Again he attempted a crooked smile. "It won't be easy on her, trying to live up to the queen. For a small person, you cast quite the shadow," he said, and then his features grew serious once more. "Bee - if you ever need me, I'll be there for you. You know that, right?"
She swallowed against a lump in her throat. "The same promise holds for me, too. I'm always here if you need me."
As she spoke, the steel panel began to lift back into the ceiling.
Beatrice straightened her shoulders beneath the cool silk of the gown, drew in a breath. Somehow she managed to gather up the tattered shreds of her self-control, as if she wasn't a young woman who'd just said goodbye to her first love - to her best friend.
As of she wasn't a young woman at all, but a queen.
”
”
Katharine McGee (American Royals II: Majesty)
“
Young men, I set before you Jesus Christ this day, as the treasury of your souls; and I invite you to begin by going to Him. Let this be your first step--go to Christ. Do you want to consult friends? He is the best friend: "a friend who sticks closer than a brother" (Proverbs 18:24). Do you feel unworthy because of your sins? Do not fear: His blood cleanses from all sin. He says, "Though your sins are like scarlet, they shall be as white as snow; though they are red as crimson, they shall be like wool" (Isaiah 1:18). Do you feel weak, and unable to follow Him? Do not fear: He will give you the power to become sons of God. He will give you the Holy Spirit to live in you, and seal you for His own; He will give you a new heart, and He will put a new spirit within you. Are you troubled or beset with a strange bent to evil? Do not fear: there is no evil spirit that Jesus cannot cast out, there is no disease of soul that He cannot heal. Do you feel doubts and fears? Throw them aside: "Come to Me," He says; "whoever comes to me I will never drive away." He knows very well the heart of a young man. He knows your trials and your temptations, your difficulties and your foes. In the days of His flesh He was like yours--a young man at Nazareth. He knows by experience a young man's mind. He can understand the feeling of your temptations--because He Himself suffered when He was tempted. Surely you will be without excuse if you turn away from such a Savior and Friend as this.
”
”
J.C. Ryle (Thoughts For Young Men)
“
(Orual's challenge to the gods)
Now, you who read, judge between the gods and me. They gave me nothing in the world to love but Psyche and then took her from me. But that was not enough. They then brought me to her at such a place and time that it hung on my word whether she should continue in bliss or be cast out into misery. They would not tell me whether she was the bride of a god, or mad, or a brute's or villain's spoil. They would give no clear sign, though I begged for it. I had to guess. And because I guessed wrong they punished me - what's worse punished me through her. And even that was not enough; they have now sent out a lying story in which I was given no riddle to guess, but knew and saw that she was the god's bride, and of my own free will destroyed her, and that for jealousy. As if I were another Redival. I say the gods deal very unrightly with us. For they will neither (which would be best of all) go away and leave us to live our own short days to ourselves, nor will they show themselves openly and tell us what they would have us do. For that too would be endurable. But to hint and hover, to draw us in dreams and oracles, or in a waking vision that vanishes as soon as seen, to be dead silent when we question them and then glide back and whisper (words we cannot understand) in our ears when we most wish to be free of them, and to show to one what they hide from another; what is all this but cat-and-mouse play, blindman's bluff, and mere jugglery? Why must holy places be dark places?
I say, therefore, that there is no creature (toad, scorpion, or serpent) so noxious to man as the gods. Let them answer my charge if they can. It may well be that, instead of answering, they'll strike me mad or leprous or turn me into beast, bird, or tree. But will not all the world then know (and the gods will know it knows) that this is because they have no answer?
”
”
C.S. Lewis (Till We Have Faces)
“
The contrast between the two, the sweetness and the badness, wrenches the heart of the lover as such sweetness on its own would not, and the lover shudders all the more at dread of the beloved’s recklessness, for the sake of the sweetness that is there, and the shudder only makes more violent the shuddering that announces love (Phaedrus 251). I do not think, but for that sweetness, the friend of whom I spoke would have become impassioned as he did and he would have recognized that such a one, entirely wanting in the desire to become better than what he knows himself to be, was not worthy of his love. She who signs herself “I Don’t Know How (Or If) to Love Him” repeated the word “exciting” three times. A VBB (and let us remember that there are also, though perhaps they are rarer, VBGs) creates around himself or herself a separate world in which all that happens is exciting, for exciting it must be. Excitement is the air they breathe, and they cannot exist without it. And when they pull others into their world, then these others leave the world of common air and now they breathe the rare air of excitement, which they are not accustomed to, and in their confused state they are more apt to think that the excitement they breathe is the excitement of love. She asks whether she should continue to love her VBB, but I do not think she really loves him, just as he, and this for a certainty, does not love her. For I think even the best man of his day of whom I just wrote did not love that boy as he thought he did. Perhaps if your questioner thinks more on the true nature of the excitement she feels, she will be able to see the wisdom of the course of action that you and I both urge on her, and then she will find the strength to break the spell that her VBB casts upon her. Last, let her think on this, that though love is a profound disturbance, not all profound disturbances are love.
”
”
Rebecca Goldstein (Plato at the Googleplex: Why Philosophy Won't Go Away)
“
Go on, ask me another question. I’m rather enjoying this game.”
He cocked an eyebrow at her and, although he was certain it was pointless, he said, “Cheep cheep?”
The herbalist brayed with laughter, and some of the werecats opened their mouths in what appeared to be toothy smiles. However, Shadowhunter seemed displeased, for she dug her claws into Eragon’s legs, making him wince.
“Well,” said Angela, still laughing, “if you must have answers, that’s as good a story as any. Let’s see…Several years ago, when I was traveling along the edge of Du Weldenvarden, way out to the west, miles and miles from any city, town, or village, I happened upon Grimrr. At the time, he was only the leader of a small tribe of werecats, and he still had full use of both his paws. Anyway, I found him toying with a fledgling robin that had fallen out of its nest in a nearby tree. I wouldn’t have minded if he had just killed the bird and eaten it--that’s what cats are supposed to do, after all--but he was torturing the poor thing: pulling on its wings; nibbling its tail; letting it hop away, then knocking it over.” Angela wrinkled her nose with distaste. “I told him that he ought to stop, but he only growled and ignored me.” She fixed Eragon with a stern gaze. “I don’t like it when people ignore me. So, I took the bird away from him, and I wiggled my fingers and cast a spell, and for the next week, whenever he opened his mouth, he chirped like a songbird.”
“He chirped?”
Angela nodded, beaming with suppressed mirth. “I’ve never laughed so hard in my life. None of the other werecats would go anywhere near him for the whole week.”
“No wonder he hates you.”
“What of it? If you don’t make a few enemies every now and then, you’re a coward--or worse. Besides, it was worth it to see his reaction. Oh, he was angry!”
Shadowhunter uttered a soft warning growl and tightened her claws again.
Grimacing, Eragon said, “Maybe it would be best to change the subject?”
“Mmm.”
Before he could suggest a new topic, a loud scream rang out from somewhere in the middle of the camp. The cry echoed three times over the rows of tents before fading into silence.
Eragon looked at Angela, and she at him, and then they both began to laugh.
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
“
Then I remembered something else from the 2112 liner notes. I pulled them up and scanned over them again. There was my answer, in the text that preceded Part III—“Discovery”: Behind my beloved waterfall, in the little room that was hidden beneath the cave, I found it. I brushed away the dust of the years, and picked it up, holding it reverently in my hands. I had no idea what it might be, but it was beautiful. I learned to lay my fingers across the wires, and to turn the keys to make them sound differently. As I struck the wires with my other hand, I produced my first harmonious sounds, and soon my own music! I found the waterfall near the southern edge of the city, just inside the curved wall of the atmospheric dome. As soon as I found it, I activated my jet boots and flew over the foaming river below the falls, then passed through the waterfall itself. My haptic suit did its best to simulate the sensation of torrents of falling water striking my body, but it felt more like someone pounding on my head, shoulders, and back with a bundle of sticks. Once I’d passed through the falls to the other side, I found the opening of a cave and went inside. The cave narrowed into a long tunnel, which terminated in a small, cavernous room. I searched the room and discovered that one of the stalagmites protruding from the floor was slightly worn around the tip. I grabbed the stalagmite and pulled it toward me, but it didn’t budge. I tried pushing, and it gave, bending as if on some hidden hinge, like a lever. I heard a rumble of grinding stone behind me, and I turned to see a trapdoor opening in the floor. A hole had also opened in the roof of the cave, casting a brilliant shaft of light down through the open trapdoor, into a tiny hidden chamber below. I took an item out of my inventory, a wand that could detect hidden traps, magical or otherwise. I used it to make sure the area was clear, then jumped down through the trapdoor and landed on the dusty floor of the hidden chamber. It was a tiny cube-shaped room with a large rough-hewn stone standing against the north wall. Embedded in the stone, neck first, was an electric guitar. I recognized its design from the 2112 concert footage I’d watched during the trip here. It was a 1974 Gibson Les Paul, the exact guitar used by Alex Lifeson during the 2112 tour.
”
”
Ernest Cline (Ready Player One (Ready Player One, #1))
“
I want to begin my fight for the future of our world with the sharing of a vision. Everyone has, or should have, a vision. This is mine.
It is a simple vision, really. It begins with the creation of a single, sane, planetary civilization. That will have to be very much like a utopia. People will deny the possibility of such a dream. They will say that people have always been at each other's throats, that this is just human nature, the way of the world. That we can never change the world.
But that is just silly. That is like saying that two battling brothers, children, will never grow up to be the best of friends who watch each other’s backs. Once, a long time ago, people lost their sons and daughters to the claws of big cats. In classic times, the Greeks and the Romans saw slavery as evil, but as a necessary evil that could never go away. Only seventy years ago, Germany and France came to death blows in the greatest war in history; now they share a common currency, open borders, and a stake in the future of Europe. The Scandinavians once terrorized the world as marauding Vikings gripping bloody axes and swords, while now their descendents refrain from spanking their children, and big blond–haired men turn their hands to the care of babies.
We all have a sense of what this new civilization must look like: No war. No hunger. No want. No very wealthy using their money to manipulate laws and lawmakers so that they become ever more wealthy while they cast the poor into the gutters like garbage. The wasteland made green again. Oceans once more teeming with life. The human heart finally healed. A new story that we tell ourselves about ourselves and new songs that we sing to our children. The vast resources once mobilized for war and economic supremacy now poured into a true science of survival and technologies of the soul.
I want this to be. But how can it be? How will we get from a world on the brink of destruction to this glorious, golden future?
I do not know. It is not for any one person to know, for to create the earth anew we will need to call upon the collective genius and the good will of the entire human race. We will need all our knowledge of history, anthropology, religion, and science, and much else. We will need a deep, deep sympathy for human nature, in both its terrible and angelic aspects.
”
”
David Zindell (Splendor)
“
I could have been someone from the book if you’d told me in advance.”
“Yes, well, today you’d make a really great Moaning Myrtle.”
Peter gives me a blank look, and disbelieving, I say, “Wait a minute…have you never read Harry Potter?”
“I’ve read the first two.”
“Then you should know who Moaning Myrtle is!”
“It was a really long time ago,” Peter says. “Was she one of those people in the paintings?”
“No! And how could you stop after Chamber of Secrets? The third one’s the best out of the whole series. I mean, that’s literally crazy to me.” I peer at his face. “Do you not have a soul?”
“Sorry if I haven’t read every single Harry Potter book! Sorry I have a life and I’m not in the Final Fantasy club or whatever that geek club is called--”
I snatch my wand back from him and wave it in his face. “Silencio!”
Peter crosses his arms. Smirking, he says, “Whatever spell you just tried to cast on me, it didn’t work, so I think you need to go back to Hogwarts.” He’s so proud of himself for the Hogwarts reference, it’s kind of endearing.
Quick like a cat I pull down his mask, and then I put one hand over his mouth. With my other hand I wave my wand again. “Silencio!” Peter tries to say something, but I press my hand harder. “What? What was that? I can’t hear you, Peter Parker.”
Peter reaches out and tickles me, and I laugh so hard I almost drop my wand. I dart away from him but he pounces after me, pretend shooting webs at my feet. Giggling, I run away from him, further down the hall, dodging groups of people. He gives chase all the way to chem class. A teacher screams at us to slow down, and we do, but as soon as we’re around the corner, I’m running again and so is he.
I’m breathless by the time I’m in my seat. He turns around and shoots a web in my direction, and I explode into giggles again and Mr. Meyers glares at me. “Settle down,” he says, and I nod obediently. As soon as his back is turned, I giggle into my robe. I want to still be mad at Peter, but it’s just no use.
Halfway through class he sends me a note. He’s drawn spiderwebs around the edges. It says, I’ll be on time tomorrow. I smile as I read it. Then I put it in my backpack, in my French textbook so the page won’t crease or crumble. I want to keep it so when this is over, I can have something to look at and remember what it was like to be Peter Kavinsky’s girlfriend. Even if it was all just pretend.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
23 When He Carries a Heavy Burden Bear one another’s burdens, and so fulfill the law of Christ. GALATIANS 6:2 SOCIETY PUTS A LOT OF WEIGHT on a man’s shoulders. It is his burden to earn the finances to support his family. He is expected to do well at his work and on his job. There are so many expectations of him in that regard that he feels the pressure of it constantly. That’s why you read about so many men committing suicide when they are in serious financial trouble. The burden is too great. Few women commit suicide for financial failure. If you or I fell into financial ruin, we would just sell everything, pay off all the debts we could, get a job, and start over. Men can feel the burden of failure in life-threatening ways. That’s why your husband needs your prayers to keep his burdens lifted. One of the best ways to bear your husband’s burden is to pray for him about whatever heavy load he is carrying. Every time you do, pray especially for what burdens him the most. One of the most effective things you can do is let him know you are praying for him and ask him to tell you what his burdens are. He may reveal something you didn’t even know was bothering him. God’s Word says that sometimes our burden comes from the oppressor. The children of Israel had an oppressor, and they were overtaken by this oppressor because of their own disobedience. But God promised that the burden the oppressor put on them would eventually be broken by the power of His Spirit. “It shall come to pass in that day that his burden will be taken away from your shoulder, and his yoke from your neck, and the yoke will be destroyed because of the anointing oil” (Isaiah 10:27). The anointing oil refers to a work of the Holy Spirit. Your prayers can invite the Holy Spirit to break any burden of the oppressor off of your husband’s shoulders. You will be fulfilling the “law of Christ” every time you pray like that, not to mention how it will secure your husband’s devotion. My Prayer to God LORD, I pray my husband will be able to fully release his burdens to You. I know that when we cast our burdens on You, You will sustain us and not allow us to be shaken (Psalm 55:22 NASB). Help me to bear his burdens in prayer and in any other way You reveal to me. Show me what his greatest burden is and what I can do to lighten it. I ask that You would relieve him of his heavy load by Your presence in his life. Enable him to understand that when he yokes up with You, You will carry the burden for him. I pray that when he is oppressed by the enemy, whatever prayer or supplication is made by him—when he acknowledges his own burdens before You and turns to You for help—that You will hear him (2 Chronicles 6:29-30). I also pray that as You take his burden from him, he will know it’s You doing the heavy lifting. In Jesus’ name I pray.
”
”
Stormie Omartian (The Power of a Praying Wife Devotional)
“
Sophia counted six clangs of the bell before Mr. Grayson jolted fully awake. He looked up at her, startled and flushed. As though he’d been caught doing something he shouldn’t.
She smiled.
Rubbing his eyes, he rose to his feet. “Will I shock you, Miss Turner, if I remove my coat?”
Sophia felt a twinge of disappointment. When would he stop treating her with this forced politesse, maintaining this distance between them? How many tales of passionate encounters must she spin before he finally understood that she was no less wicked than he, only less experienced? Perhaps it was time to take more aggressive measures.
“By all means, remove your coat.” She tilted her eyes to cast him a saucy look. “Mr. Grayson, I’m not an innocent schoolgirl. You will have to try harder than that to shock me.”
His lips curved in a subtle smile. “I’ll take that under advisement.” She watched as he shook the heavy topcoat from his shoulders and peeled it down his arms. He draped the coat over the back of a chair before sitting back down. The damp lawn of his shirt clung to his shoulders and arms. A pleasant shiver rippled down to Sophia’s toes.
“It doesn’t suit you anyway,” she said, loading her brush with paint.
He gave her a bemused look as he unknotted his cravat and pulled it loose. She inwardly rejoiced. Now, if only she could convince him to do away with his waistcoat…”
“The coat,” she explained, when his eyebrows remained raised. “It doesn’t suit you.”
“Why not? Is the color wrong?” The sudden seriousness in his tone surprised her.
“No, the color is perfectly fine. It’s the cut that’s unflattering. That style is tailored to gentlemen of leisure, lean and slender. But as you are so fond of telling me, Mr. Grayson, you are no gentleman. Your shoulders are too broad for fashion.”
“Is that so?” He chuckled as he undid his cuffs. Sophia stared as he turned up his sleeves, baring one tanned muscled forearm, then the other. “What style of garments would best suit me, then?”
“Other than a toga?” He rewarded her jest with an easy smile. Sophia dabbed at her canvas, pleased to be making progress at last. “I think you need something less restrictive. Something like a sailor’s garb. Or perhaps a captain’s.”
“Truly?” His gaze became thoughtful, then searching. “And even dressed in plain seaman’s clothes, would you still find me handsome enough? In my own way?”
“No.” She allowed his brow to crease a moment before continuing. “I should find you surpassingly handsome. In every way.” She mixed paint slowly on her palette and gave him a coy look. “And what of my attire? If you had your way, how would you dress me?”
“If I had my way…I wouldn’t.”
A thrill raced through Sophia’s body. Her cheeks burned, and her eyes dropped to her lap. She forced her gave back up to meet his. Now was not the moment to lose courage. Nothing held sway over a man’s intentions like jealousy. “Gervais once kept me naked for an entire day so he could paint me.”
He blinked. “He painted a nude study of you?”
“No. He painted me. I took off my clothes and stretched out on the bed while he dressed me in pigment. Gervais called me his perfect, blank canvas. He painted lavender orchids here”-she traced a small circle just above her breast-“and little vines twining down…” She slid her hand down and noted with delight how his eyes followed its path. “I feigned the grippe and refused to bathe for a week.”
Desire and jealous rage warred in his countenance, yet he remained as immobile as one of Lord Elgin’s marble sculptures. What would it take to spur the man into action?
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
He looks through the windscreen at nothing. They are returning to Cuba. The announcement came after the droids withdrew. An auto-animated voice. It did not proclaim their furlough a success or failure. Ibn al Mohammed does not know if the others will accept implantation. He believes they will not, as he will not. Temptation is legion, yet what does it mean? He is not of Satan’s world. What would implantation bring except ceaseless surveillance within a greater isolation? That, and the loss of his soul.
Sun-struck and empty, so immense it frightens, the desert is awesome in its indifference. Even as he stares at it, Ibn al Mohammed wonders why he does so. The life that clings to it is sparse, invisible, death-threatened. Perhaps they will cast him out just here, he and all others who do not cooperate. No matter: he has lived in such a place. Sonora is not the same as Arabia, or North Africa, or The Levant, yet its climate and scant life pose challenges that to him are not unfamiliar. Ibn al Mohammed believes he would survive, given a tent, a knife, a vessel in which to keep water, a piece of flint. Perhaps they will grant these necessities. A knife, they might yet withhold. As if, wandering in so complete a desolation, he might meet someone he would want to hurt.
As he watches, images cohere. Human figures made small by distance, yet he knows them. His mother, in a dark, loose-fitting, simple abaya. How does he recognize her, in the anonymous dress? Ibn al Mohammed has not seen his mother in a dozen years. He knows her postures, movements she was wont to make. He sees his sisters, also wearing abayas and khimars. What are they doing? Bending from the waist, they scrounge in the sand. Asna, the eldest, gentle Halima, Nasirah, who cared for him when he was young. They are gathering scraps and remants, camel chips for a fire. Where is their house? Why are they alone? It seems they have remained unmarried—yet what is he seeing? Is it a moment remembered, a vision of the past? Or are these ghosts, apparitions summoned by prophetic sight? Perhaps it is a mirage only. His sisters seem no older than when he left. Is it possible? His mother only appears to have aged. She is shrunken, her back crooked. Anah Kifah, who is patient and struggles.
He wonders how they do not see the ship, this great craft that flies across the sky. The ship is in the sky, their eyes are on the ground. That is why they do not see it. Or his windscreen view is magnified, and Halima and Nasirah and Asna and Anah Kifah are much farther away than they seem, and the ship is a vanishing dot on an unremarked horizon. If he called, they would not hear. Also, there is the glass. Still, he wishes to call to them.
What is best to say?
“Mother … Mother.” Anah Kifah does not lift her head. His words strike the windscreen and fall at his feet, are carried away by wind, melt into air.
“Nasirah? It is Ibn. Do you hear me? Halima? Halima, I can see you. I see all my sisters. I see my mother. Asna? How has it been with you? Do you hear me? It is Ibn. I am here—far away, yet here, and I shall come back. They cannot lock me always in a cage, God willing. In a month, in a year, I shall be free. Keep faith. Always know God is with you. God is great. God protects me. God gives me strength to endure their tortures. One day, God will speed my return.”
The women do not lift their heads. They prod the sand, seemingly indifferent to what they find.
Straining toward them, Ibn al Mohammed cries out, “Mother! Nasirah! I am alive! I am alive!”
[pp. 160-162]
”
”
John Lauricella
“
You could have just asked.” She straightened up from Murphy and looked at me. “Instead, you took advantage of me and never said a word.”
“I didn’t take advantage of you. I was just doing what I thought was best.”
“Well, you don’t get to decide what’s best for me!” Her voice rose, and Murphy paused in purring to look up at her.
“I don’t get a say?” I shot back, trying to hold on to my temper.
She took a deep breath. “Of course you do. But you didn’t say anything. You just did. Just like at dinner. You just announced I was getting a restraining order. There was no conversation.”
I opened my mouth, but she kept talking.
“How am I supposed to trust you when you do things like this without me knowing?”
“You don’t trust me anymore?” I said the words with quiet calm. Surely this wasn’t enough to ruin the trust between us.
She blew out a breath and paced across the room. “I didn’t say that.” She spun away from me and looked at the wall. “I’m just upset.”
I strode across the room. It was darker where she was. The lights were off in here, and from this position in the room, the crackling fire in the bedroom didn’t cast much light.
My feet stopped when I was directly behind her. Usually, I would touch her without thought. But right then I paused.
Fuck. That.
I wrapped my hands around her wrists, then loosened my grip to slide my palms up her arms to rest at her shoulders. I felt her exhale, and I wrapped one of my arms across her chest and pulled her back against my front.
“I could tell you I’m sorry,” I whispered in her ear. “I could whisper how much I love you and that I won’t ever do something like this again.”
The back of her head hit my chest as I spoke. The silky strands of her perfectly straight hair tickled my lips as I talked, and the scent of her shampoo enticed me closer.
“But I’m not going to apologize.”
She stiffened, but I strengthened my hold, unwilling to let her pull away. I kept my voice whisper soft and my lips right beside her ear.
“I’d do it again, in a friggin’ heartbeat if that’s what I thought you needed.”
The frustration in her body was evident, but I ignored it.
“Do you know how much I love you?” I whispered. “I love you so g**damned much that it scares the shit out of me. You have no idea the kind of power you wield, how much of me you own. Knowing you were completely vulnerable, that you were locked unknowingly in a bathroom with someone who literally lurked around while you were naked, while you were washing yourself, makes me sick. He could have raped you.” My voice broke on the last part because I had to force the words out of my mouth.
“He didn’t,” she said quickly and tried to turn to face me.
I wouldn’t let her. I liked her where she was. It was easier to bare my heart when she wasn’t staring into me with her eyes.
“No, he didn’t. But he’s put bruises on you. The way you looked in that pool last night. The way your body just kind of stopped. You sank to the bottom with a dark cloud of hair obscuring your face. I knew you had to be reliving what happened. It broke me, Rim. Loving me has cost you so fucking much. Too much.”
This time, she wouldn’t let me hold her. She spun around and tipped her chin up to look at me. I let her see. I let her see the bleakness in my eyes.
“Loving you has given me way more than I imagined.” She reached up and brushed the backs of her knuckles across my cheek. I dragged my fingers through her hair.
“It scares me too,” Rimmel whispered. “How much I love you.”
“I’m going to protect you. I’m going to protect us,” I said. “I won’t ever stop.
”
”
Cambria Hebert
“
Father will bury us with both hands. He boasts of me to his so-called friends, telling them I’m the next queen of this kingdom. I don’t think he’s ever paid so much attention to me before, and even now, it is minuscule, not for my own benefit. He pretends to love me now because of another, because of Tibe. Only when someone else sees worth in me does he condescend to do the same.
Because of her father, she dreamed of a Queenstrial she did not win, of being cast aside and returned to the old estate. Once there, she was made to sleep in the family tomb, beside the still, bare body of her uncle. When the corpse twitched, hands reaching for her throat, she would wake, drenched in sweat, unable to sleep for the rest of the night.
Julian and Sara think me weak, fragile, a porcelain doll who will shatter if touched, she wrote.
Worst of all, I’m beginning to believe them. Am I really so frail? So useless? Surely I can be of some help somehow, if Julian would only ask? Are Jessamine’s lessons the best I can do? What am I becoming in this place? I doubt I even remember how to replace a lightbulb. I am not someone I recognize. Is this what growing up means?
Because of Julian, she dreamed of being in a beautiful room. But every door was locked, every window shut, with nothing and no one to keep her company. Not even books. Nothing to upset her. And always, the room would become a birdcage with gilded bars. It would shrink and shrink until it cut her skin, waking her up.
I am not the monster the gossips think me to be. I’ve done nothing, manipulated no one. I haven’t even attempted to use my ability in months, since Julian has no more time to teach me. But they don’t believe that. I see how they look at me, even the whispers of House Merandus. Even Elara. I have not heard her in my head since the banquet, when her sneers drove me to Tibe. Perhaps that taught her better than to meddle. Or maybe she is afraid of looking into my eyes and hearing my voice, as if I’m some kind of match for her razored whispers. I am not, of course. I am hopelessly undefended against people like her. Perhaps I should thank whoever started the rumor. It keeps predators like her from making me prey.
Because of Elara, she dreamed of ice-blue eyes following her every move, watching as she donned a crown. People bowed under her gaze and sneered when she turned away, plotting against their newly made queen. They feared her and hated her in equal measure, each one a wolf waiting for her to be revealed as a lamb. She sang in the dream, a wordless song that did nothing but double their bloodlust. Sometimes they killed her, sometimes they ignored her, sometimes they put her in a cell. All three wrenched her from sleep.
Today Tibe said he loves me, that he wants to marry me. I do not believe him. Why would he want such a thing? I am no one of consequence. No great beauty or intellect, no strength or power to aid his reign. I bring nothing to him but worry and weight. He needs someone strong at his side, a person who laughs at the gossips and overcomes her own doubts. Tibe is as weak as I am, a lonely boy without a path of his own. I will only make things worse. I will only bring him pain. How can I do that?
Because of Tibe, she dreamed of leaving court for good. Like Julian wanted to do, to keep Sara from staying behind. The locations varied with the changing nights. She ran to Delphie or Harbor Bay or Piedmont or even the Lakelands, each one painted in shades of black and gray. Shadow cities to swallow her up and hide her from the prince and the crown he offered. But they frightened her too. And they were always empty, even of ghosts. In these dreams, she ended up alone. From these dreams, she woke quietly, in the morning, with dried tears and an aching heart.
”
”
Victoria Aveyard (Queen Song (Red Queen, #0.1))
“
Look at that ship. That clipper cost me a queen’s ransom, even with the Kestrel thrown in the bargain. But it was the fastest ship to be had.” He took her hands in his. “Forget money. Forget society. Forget expectations. We’ve no talent for following rules, remember? We have to follow our hearts. You taught me that.”
He gathered her to him, drawing her hands to his chest. “God, sweet, don’t you know? You’ve had my heart in your pocket since the day we met. Following my heart means following you. I’ll follow you to the ends of the earth if I have to.” He shot an amused glance at the captain. “Though I’d expect your good captain would prefer I didn’t. In fact, I think he’d gladly marry us today, just to be rid of me.”
“Today? But we couldn’t.”
His eyebrows lifted. “Oh, but we could.” He pulled her to the other side of the ship, slightly away from the gaping crowd. Wrapping his arms around her, he leaned close to whisper in her ear, “Happy birthday, love.”
Sophia melted in his embrace. It was her birthday, wasn’t it? The day she’d been anticipating for months, and here she’d forgotten it completely. Until Gray had appeared on the horizon, she hadn’t been looking forward to anything.
But now she did. She looked forward to marriage, and children, and love and grand adventure. Real life and true passion. All of it with this man. “Oh, Gray.”
“Please say yes,” he whispered. “Sophia.” The name was a caress against her ear. “I love you.”
He kissed her cheek and pulled away. “I’ve been remiss in not telling you. You can’t know how I’ve regretted it. But I love you, Sophia Jane Hathaway. I love you as no man ever loved a woman. I love you so much, I fear I’ll burst with it. In fact, I think I shall burst if I go another minute without kissing you, so if you’ve any mind to say yes, I’d thank you to-“
Sophia flung her arms around his neck and kissed him. Hard at first, to quiet the fool man; then gently, to savor him. oh, how she loved the taste of him, like freshly baked bread and rum. Warm and wholesome and comforting, with just a hint of spice and danger. “Yes,” she sighed against his lips. She pulled back and looked into his eyes. “Yes, I will marry you.”
His arms tightened about her waist. “Today?”
“Today. But you must let me change my gown first.” Smiling, she stroked his smooth cheek. “You even shaved.”
“Every day since we left Tortola.” He gave her a rueful smile. “I’ve a few new scars to show for it.”
“Good.” She kissed him. “I’m glad. And I don’t care if society casts us out for the pirates we are, just as long as I’m with you.”
“Oh, I don’t know that we’ll be cast out, exactly. We’re definitely not pirates. After your stirring testimony”-he chucked her under the chin-“Fitzhugh decided to make the best of an untenable situation. Or an unhangable pirate, as it were. If he couldn’t advance on his career by convicting me, he figured he’d advance it by commending me. Awarded me the Kestrel as salvage and recommended me to the governor for a special citation of valor. There’s talk of knighthood.” He grinned. “Can you believe it? Me, a hero.”
“Of course I believe it.” She laced her fingers at the back of his neck. “I’ve always known it, although I should curse that judge and his ‘citation of valor.’ As if you needed a fresh supply of arrogance. Just remember, whatever they deem you-gentleman or scoundrel, hero or pirate-you are mine.”
“So I am.” He kissed her soundly, passionately. “And which would you prefer tonight?” At the seductive grown in his voice, shivers of arousal swept down to her toes. “Your gentleman? Your scoundrel? Your hero or your pirate?”
She laughed. “I imagine I’ll enjoy all four on occasion. But tonight, I believe I shall find tremendous joy in simply calling you my husband.”
He rested his forehead against hers. “My love.”
“That, too.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
I don’t like to think too much about you, in my head, that only makes a mess of us both. But of course what I live for now is for you and me to live together. I’m frightened, really...I feel my inside turn to water sometimes, and there you are, going to have a child by me. But never mind. All the bad times that ever have been, haven’t been able to blow the crocus out: not even the love of women. So they won’t be able to blow out my wanting you, nor the little glow there is between you and me. We’ll be together next year. And though I’m frightened, I believe in your being with me. A man has to fend and fettle for the best, and then trust in something beyond himself. You can’t insure against the future, except by really believing in the best bit of you, and in the power beyond it. So I believe in the little flame between us. For me now, it’s the only thing in the world. I’ve got no friends, not inward friends. Only you. And now the little flame is all I care about in my life.. It’s my Pentecost, the forked flame between me and you... Me and God is a bit uppish, somehow. But the little forked flame between me and you: there you are! That’s what I abide by, and will abide by...
“That’s why I don’t like to start thinking about you actually. It only tortures me, and does you no good. I don’t want you to be away from me. But if I start fretting it wastes something. Patience, always patience. This is my fortieth winter. And I can’t help all the winters that have been. But this winter I’ll stick to my little pentecost flame, and have some peace. And I won’t let the breath of people blow it out. I believe in a higher mystery, that doesn’t let even the crocus be blown out. And if you’re in Scotland and I’m in the Midlands, and I can’t put my arms round you, and wrap my legs round you, yet I’ve got something of you. My soul softly flaps in the little pentecost flame with you, like the peace of fucking. We fucked a flame into being. Even the flowers are fucked into being between the sun and the earth. But it’s a delicate thing, and takes patience and the long pause.
“So I love chastity now, because it is the peace that comes of fucking. I love being chaste now. I love it as snowdrops love the snow. I love this chastity, which is the pause of peace of our fucking, between us now like a snowdrop of forked white fire. And when the real spring comes, when the drawing together comes, then we can fuck the little flame brilliant and yellow, brilliant. But not now, not yet! Now is the time to be chaste, it is so good to be chaste, like a river of cool water in my soul. I love the chastity now that it flows between us. It is like fresh water and rain. How can men want wearisomely to philander! What a misery to be like Don Juan, and impotent ever to fuck oneself into peace, and the little flame alight, impotent and unable to be chaste in the cool between-whiles, as by a river.
“Well, so many words, because I can’t touch you. If I could sleep with my arms round you, the ink could stay in the bottle. We could be chaste together just as we can fuck together. But we have to be separate for a while, and I suppose it is really the wiser way. If only one were sure.
“Never mind, never mind, we won’t get worked up. We really trust in the little flame, in the unnamed god that shields it from being blown out. There’s so much of you here with me, really, that it’s a pity you aren’t all here.
“Never mind about Sir Clifford. If you don’t hear anything from him, never mind. He can’t really do anything to you. Wait, he will want to get rid of you at last, to cast you out. And if he doesn’t, we’ll manage to keep clear of him. But he will. In the end he will want to spew you out as the abominable thing.
“Now I can’t even leave off writing to you.
“But a great deal of us is together, and we can but abide by it, and steer our courses to meet soon. John Thomas says good night to lady Jane, a little droopingly, but with a hopeful heart.
”
”
D.H. Lawrence
“
t’s my belief that history is a wheel. “Inconsistency is my very essence” -says the wheel- “Rise up on my spokes if you like, but don’t complain when you are cast back down into the depths. Good times pass away, but then so do the bad. Mutability is our tragedy, but it is also our hope. The worst of times, like the best, are always passing away
”
”
24 Hour Party People
“
It’s my belief that history is a wheel. “Inconsistency is my very essence” -says the wheel- “Rise up on my spokes if you like, but don’t complain when you are cast back down into the depths. Good times pass away, but then so do the bad. Mutability is our tragedy, but it is also our hope. The worst of times, like the best, are always passing away.
”
”
24 Hour Party People
“
What’s so funny? Stop chuckling at me.” Her eyes flared. “It’s only two years away! Besides, engaged is as good as being married… it’s like prison. Nobody breaks their engagement—well there was Lady Macela—poor thing, and she never got married. Isn’t she all on her own now? But to that old pig? What are my parents thinking? I truly despise them.” “Just tell them you don’t want to marry him. I’m sure you’ll figure something out.” “I already did. You know they never listen to me. They claim they know what’s best. I’d rather run away than marry him. I simply won’t do it.” She cast a venomous glare at her soup, then sighed and looked up at Talis, raising a finger as if she had an idea. “Let’s win the Blood Dagger competition. If we win, we’re allowed any wish we choose. That’ll keep me away from that ridiculous man.” “But Rikar and Nikulo are undefeated… and they’re brutal—” “I don’t care! We can do it, I know we can. Ever since that old witch made me drink all her potions and tea I feel strangely powerful… like I can do anything.” “We’ve had a string of bad luck, though. We lost two times in a row in the training arena. And then you almost got killed by the boar.” Talis lowered his voice to a whisper. “It’s like the gods are angry with us.” “Don’t say that,” she hissed. “Besides, there are rites of initiation we could try… a blood oath.” “A blood oath? You’ve got to be kidding! First you wanted to go after the boar, and now this?” Talis swallowed, not liking whatever she meant by the suggestion. “Don’t be a child. And look, we’re right here. We can do it now.” She looked at the vines covering the walls surrounding the Temple of Nyx, the God of War. Talis followed her gaze and felt a chill prickling along the back of his neck. “What? You want to make a blood oath at the Temple of Nyx?” The last time he’d been inside was when his brother Xhan had died. A painful memory. “No, don’t you know anything? I’ve got it all figured out. We must pray to Zagros, who favors the weak and fallen.” Zagros? What insanity would cause them to pray to the God of the Underworld? “I don’t think that’s a good idea… actually I think it is a terrible idea.” “Listen, we know the rites of initiation. We’ve been trained, right? What are you afraid of?” At her determined gaze Talis felt a clammy coldness creep
”
”
John Forrester (Fire Mage (Blacklight Chronicles, #1))
“
America stakes a relatively modest claim to world history when compared to other nations. Perhaps this lack of historical longevity partially accounts for why each generation of Americans tends to define themselves based largely upon the flashbulb remembrances that took place during their lifetime. Despite the relative newness of The United States of America emergence as a great power, post-Vietnam Americans display no deeply entwined interest in their national heritage. The battle cries of the American Revolution, the Civil War, and the battle hymns of World War I and World War II seem like ancient relics in the springtime commencement of the digital age. Today’s consumerism society brazenly casted aside the legacy of its predecessors similar to how one would toss away a functionally obsolete toaster, bulky television set, or land phone when the newest and slimmest best thing comes along. It is a fundamental mistake to forget the embryonic stages of America. When a nation’s citizens respect the accomplishments of its ancestors, the populous feels spiritually rooted. Without a clear vision and a unified approach, America will never become the beacon of universal justice.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
Canto I
And then went down to the ship,
Set keel to breakers, forth on the godly sea, and
We set up mast and sail on that swart ship,
Bore sheep aboard her, and our bodies also
Heavy with weeping, and winds from sternward
Bore us out onward with bellying canvas,
Circe’s this craft, the trim-coifed goddess.
Then sat we amidships, wind jamming the tiller,
Thus with stretched sail, we went over sea till day’s end.
Sun to his slumber, shadows o’er all the ocean,
Came we then to the bounds of deepest water,
To the Kimmerian lands, and peopled cities
Covered with close-webbed mist, unpierced ever
With glitter of sun-rays
Nor with stars stretched, nor looking back from heaven
Swartest night stretched over wretched men there.
The ocean flowing backward, came we then to the place
Aforesaid by Circe.
Here did they rites, Perimedes and Eurylochus,
And drawing sword from my hip
I dug the ell-square pitkin;
Poured we libations unto each the dead,
First mead and then sweet wine, water mixed with white flour.
Then prayed I many a prayer to the sickly death’s-heads;
As set in Ithaca, sterile bulls of the best
For sacrifice, heaping the pyre with goods,
A sheep to Tiresias only, black and a bell-sheep.
Dark blood flowed in the fosse,
Souls out of Erebus, cadaverous dead, of brides
Of youths and of the old who had borne much;
Souls stained with recent tears, girls tender,
Men many, mauled with bronze lance heads,
Battle spoil, bearing yet dreory arms,
These many crowded about me; with shouting,
Pallor upon me, cried to my men for more beasts;
Slaughtered the herds, sheep slain of bronze;
Poured ointment, cried to the gods,
To Pluto the strong, and praised Proserpine;
Unsheathed the narrow sword,
I sat to keep off the impetuous impotent dead,
Till I should hear Tiresias.
But first Elpenor came, our friend Elpenor,
Unburied, cast on the wide earth,
Limbs that we left in the house of Circe,
Unwept, unwrapped in sepulchre, since toils urged other.
Pitiful spirit. And I cried in hurried speech:
“Elpenor, how art thou come to this dark coast?
“Cam’st thou afoot, outstripping seamen?”
And he in heavy speech:
“Ill fate and abundant wine. I slept in Circe’s ingle.
“Going down the long ladder unguarded,
“I fell against the buttress,
“Shattered the nape-nerve, the soul sought Avernus.
“But thou, O King, I bid remember me, unwept, unburied,
“Heap up mine arms, be tomb by sea-bord, and inscribed:
“A man of no fortune, and with a name to come.
“And set my oar up, that I swung mid fellows.”
And Anticlea came, whom I beat off, and then Tiresias Theban,
Holding his golden wand, knew me, and spoke first:
“A second time? why? man of ill star,
“Facing the sunless dead and this joyless region?
“Stand from the fosse, leave me my bloody bever
“For soothsay.”
And I stepped back,
And he strong with the blood, said then: “Odysseus
“Shalt return through spiteful Neptune, over dark seas,
“Lose all companions.” And then Anticlea came.
Lie quiet Divus. I mean, that is Andreas Divus,
In officina Wecheli, 1538, out of Homer.
And he sailed, by Sirens and thence outward and away
And unto Circe.
Venerandam,
In the Cretan’s phrase, with the golden crown, Aphrodite,
Cypri munimenta sortita est, mirthful, orichalchi, with golden
Girdles and breast bands, thou with dark eyelids
Bearing the golden bough of Argicida. So that:
”
”
Ezra Pound
“
He paused for dramatic effect, waiting until all eyes were on him before turning and looking at Jane, an intimate, heavy-lidded look designed just for her—and his audience. Holding out both hands to her, he said in a voice designed to carry, “It is traditional, is it not, for an alliance to be sealed with a marriage?”
Taking Jane’s hands, he drew her forward, into the center of the room, where everyone could have the best possible view.
Jane’s hands were cold, cold as ice. She drew them away, frozen with the wrongness of it. “Nicolas—don’t. Please.”
She cast an anxious glance over her shoulder at Jack, who was doing his best impression of a stone boulder.
Nicolas tugged on her hand, claiming her attention. “Surely now,” he said softly, smiling up at her in a way that would once have made her all fluttery, “there can be no obstacle to our union.”
“Aside from good taste and common sense,” said Henrietta hotly.
“He’s not bad-looking,” commented Miss Gwen. “If you like reptiles.”
Dropping to the floor at Jane’s feet, Nicolas drew the signet from his finger. Not his personal signet, the one he used as the Gardener, but the sigil of the counts of Brillac.
Once, a very long time ago, Jane had imagined this moment, had imagined a world in which she and Nicolas might be together.
That, however, was before she had known him.
And before she had known Jack.
“Well, my Jeanne?” Nicolas said whimsically, proffering the ring. “Will you make me the happiest of men?”
Gold glittered in the torchlight. On the edge of the circle, Jack turned on his heel and stalked off.
Yanking her skirt away, Jane said sharply, “Did you really believe that making a public spectacle of me would change my answer?”
From the side of the room, there was the faint click of a door closing.
The dimple was very apparent in Nicolas’s cheek as he smiled up at her. “I live in hope.”
“Don’t,” said Jane crisply. “Not on that score.”
“That,” said Henrietta, “in case you didn’t notice, was a no.”
Nicolas rose easily to his feet. “I prefer to think of it as a ‘perhaps later.’”
“It was a no,” said Jane, and turned on her heel, not sure whom she wanted to shake more: Nicolas for refusing to take no for an answer, or Jack for walking away.
”
”
Lauren Willig (The Lure of the Moonflower (Pink Carnation, #12))
“
What happens to you when you are not enough for yourself? The day that you will know that the second name of this world is trouble? The day that you will understand that salvation does not eliminate trials? The fact that you are baptised by the holy ghost does not send the devil to hell fire?
Jesus didn't say kill the devil, He said cast him out. You may cast Him out from Germany, he may land in the United Kingdom. ..he is still there.
Just bear in mind that heaven and earth may pass away but God and His words still remain the same.
”
”
Patience Johnson (Why Does an Orderly God Allow Disorder)
“
The Director’s Chair is with Francis Ford Coppola (The Godfather, Apocalypse Now, etc.), and Robert refers later to this quote from Francis: “Failure is not necessarily durable. Remember that the things that they fire you for when you are young are the same things that they give lifetime achievement awards for when you’re old.” ROBERT: “Even if I didn’t sell Mariachi, I would have learned so much by doing that project. That was the idea—I’m there to learn. I’m not there to win; I’m there to learn, because then I’ll win, eventually. . . . “You’ve got to be able to look at your failures and know that there’s a key to success in every failure. If you look through the ashes long enough, you’ll find something. I’ll give you one. Quentin [Tarantino] asked me, ‘Do you want to do one of these short films called Four Rooms [where each director can create the film of their choosing, but it has to be limited to a single hotel room, and include New Year’s Eve and a bellhop]?’ and my hand went up right away, instinctively. . . . “The movie bombed. In the ashes of that failure, I can find at least two keys of success. On the set when I was doing it, I had cast Antonio Banderas as the dad and had this cool little Mexican as his son. They looked really close together. Then I found the best actress I could find, this little half-Asian girl. She was amazing. I needed an Asian mom. I really wanted them to look like a family. It’s New Year’s Eve, because [it] was dictated by the script, so they’re all dressed in tuxedos. I was looking at Antonio and his Asian wife and thinking, ‘Wow, they look like this really cool, international spy couple. What if they were spies, and these two little kids, who can barely tie their shoes, didn’t know they were spies?’ I thought of that on the set of Four Rooms. There are four of those [Spy Kids movies] now and a TV series coming. “So that’s one. The other one was, after [Four Rooms] failed, I thought, ‘I still love short films.’ Anthologies never work. We shouldn’t have had four stories; it should have been three stories because that’s probably three acts, and it should just be the same director instead of different directors because we didn’t know what each person was doing. I’m going to try it again. Why on earth would I try it again, if I knew they didn’t work? Because you figured something out when you’re doing it the first time, and [the second attempt] was Sin City.” TIM: “Amazing.
”
”
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
“
Of course, some adjustments had to be made [to heroic quests]. For example, when a giant sea serpent had been spotted idling in the ocean, no doubt scouting for a pleasant coastline to ravage, they had known it would attack a maiden tied to a rock. The only problem had been getting a maiden to volunteer to be tied to a rock. No one in Bolvudis particularly wanted to end up inside a sea serpent’s stomach. Asvin had been very surprised, until Gaam had explained that it was not always the case that a hero’s mere presence would cast all damsels in the area into perilous predicaments he could rescue them from. Most of the rescues in the legends were, Gaam said, either fictitious or pre-arranged, and hardly ever sheer coincidence or fate. In the end a grumbling Maya had let herself be tied to a rock while Asvin, sword in hand, prowled the beach.
The fact that the serpent’s arrival had created a huge wave that had swept Gaam and Asvin far away and Maya had had to burn off her ropes and kill the monster on her own was, they all agreed, best kept secret.
”
”
Samit Basu (The Simoqin Prophecies (GameWorld Trilogy, #1))
“
I need a word with you, Miss Vega.” He pointed back into the room as the girls disappeared into the men’s locker room across the hall.
I backed up with my heart pounding madly against my chest and as the door swung closed, he whipped me around to crowd me in against it and cast a silencing bubble around us.
“Nervous?” he asked with a smirk and I nodded.
He pressed his mouth to mine, kissing me deeply and making my heart pound for a whole different reason.
He released me, resting one hand above me on the door which made his bicep flex. “You’ll do great. You’ve been killing it in your practise sessions. You’re the best Pit Keeper we’ve had in years.”
“Are you just saying that to get into my pants, Coach?” I teased and he chuckled darkly.
“No, Blue. I’m saying it because it’s true.” He smiled and my heart started to slow as I drew comfort from his confidence in me.
“Thanks. So are you wearing a cheer ribbon for me today?” I taunted and he leaned in closer with mischief in his eyes.
“Yes, but I had to wear it somewhere no one would see. So it’s tied in a very special place.”
I burst out laughing, gripping his waistband. “Are you telling me it’s tied to your-”
“You can find out exactly where it’s tied after the game, but only if you do well.” He plucked my hand off of him with a stern stare that sent a shiver through me.
“Okay, sir,” I said breathily. “Let’s go beat Aurora then.” I pushed away from the door and he disbanded the silencing bubble with a chuckle before we exited and headed across the hall into the men’s locker room.
(Darcy)
”
”
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
“
You’re not running again,” he growled before pouncing up onto the table.
I shrieked, stumbling backwards as he leapt towards me. I threw my shoes at him and they bounced off of his chest making him pause in surprise. He barked a laugh then lunged at me, faster than was humanly possible.
He caught my waist and I squealed as he pushed me back against a heavy bookcase which stood along the wall. My hands landed on his shoulders like I was going to push him off of me but I didn’t.
“Cheat,” I breathed as my heart pounded.
“Only a little,” he admitted.
Before I could say anything else, he leaned forward and kissed me. My heart leapt, my skin tingled and my traitorous body gave in to his demand. I was supposed to hate him. I was supposed to be shoving him off of me and slapping him and telling him to stay the hell away from me.
I definitely shouldn’t have been pulling him closer, my hands fisting in the material of his shirt, my lips parting to admit his tongue.
I could still taste blood from where I’d bitten my lip and he obviously could too, a groan of desire escaping him as I felt a soft tug on my magic from the welt on my lip.
Why am I always a sucker for the bad guys? And why does it always feel so good?
The heat of his kiss lit me up and I gave up on any thoughts of pushing him away. It wasn’t like I was giving him my heart anyway. Just a kiss... or maybe two...
Caleb’s hands slid into my hair and I arched my back, pressing my body against his.
His grip tightened in my hair and he dragged my head backwards, breaking our kiss as he moved his mouth down my neck, teasing with the idea of biting me, his fangs flirting with my flesh.
My body was alight with his proximity and I moaned, urging him on. I didn’t want this to stop even if I really should have.
Caleb withdrew just enough to look into my eyes and the heat I saw in his gaze made my toes curl.
“You wanna play another game, sweetheart?” he asked, his voice deep.
“What do I get if I win?” I breathed.
“I think this game will have two winners,” he promised.
My gaze roamed over his face hungrily but then I glanced at the open door. This really wasn’t the best place for us to be making out... or doing anything else either.
“I can sort that,” he said, taking one hand off of me and casting magic at the door. A long vine curled across the carpet before pushing the door closed and winding itself around the handle to lock it. An orb of orange light flickered into existence overhead as we were plunged into darkness, casting shadows over his stunning features. He aimed his palm at the ceiling next and I felt a wave of magic wash over me. “Silencing bubble, so we don’t have to hold back,” he explained.
I looked into his eyes, wondering if I was really going to do this with him. Heat was curling its way through my body, lighting me up with desire for this beast before me and I decided to act on it before I had the chance to question my decision.
(tory)
”
”
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
“
Soaking up the onstage elation, my mother kept touring with the Graham Company. She would go away, come home, and go away again. “I think my children are the most wonderful, the best looking, the smartest, and the most awe-inspiring children in the world,” she would recall. “Yet it is as though they are not connected to me. They come to see the show at a matinee wearing lovely clothes that I swear I have never seen before. They meet the cast, charm everyone and are whisked home to do whatever it is they do there. I think about taking them to dinner between shows, but somehow never get around to asking if this is all right. All right with whom? I am afraid to answer my own questions.
”
”
Martha Hodes (My Hijacking: A Personal History of Forgetting and Remembering)
“
This is it,” Orion breathed and we turned to read the words as he held out the book. A spell was laid out to strip the newly acquired Elements from King, the answer right there before us. We needed Vampire blood to pull it off as part of a potion which Ryder immediately started writing down the ingredients to. To speed the process up, a Vampire could feed on the vessel once the Elements had been stripped away while the spell was being chanted to draw the stolen magic out of them faster, but it wasn’t necessary. But if a Vampire didn’t do that then it would take a lot longer to rip the stolen magic out of the host and that would give King more time to fight back. One glance at Elise told me she was fully planning to drain every last drop of stolen power out of King the moment she could and I swallowed down the fear that sparked in me. “There’s a warning here,” Orion said gravely, pointing to a small footnote at the base of the page. “It says that though a Vampire can drain the stolen power faster, they must act quickly to release it into the sky where it belongs. If not, the power will work to corrupt them, feeding into their bloodlust and making a demon out of them.” “We shouldn’t risk it,” I said, reaching for Elise’s hand. “We can just contain King and use the spell to force the magic out of them without you draining it.” “And what if that takes too long?” Elise demanded. “Our girl won’t be corrupted by the power,” Leon said confidently, reaching out to brush his fingers through her hair. “I just have to release it the moment I steal it. Simple,” she agreed but as I cast a look at Orion he didn’t seem at all convinced. “Dark magic lures you in unlike anything you could possibly understand without having experienced it,” he warned. “I’d think very carefully about doing this before you charge in and attempt it.” “Okay,” Elise agreed, raising her hands in surrender. “I won’t bite the fucker to drain them unless everything starts going to shit and I don’t have any other choice.” “I think that’s for the best, bella,” Dante agreed.
”
”
Caroline Peckham (Warrior Fae (Ruthless Boys of the Zodiac, #5))
“
These are my two favorite verses when I ask “Why?!” Isaiah 55:8-9 (NLT) “My thoughts are nothing like your thoughts,” says the Lord. “ And my ways are far beyond anything you could imagine. For just as the heavens are higher than the earth, so my ways are higher than your ways and my thoughts higher than your thoughts.” Proverbs 3:5-7 (NLT) Trust in the Lord with all your heart; do not depend on your own understanding. Seek his will in all you do, and he will show you which path to take. Don’t be impressed with your own wisdom. Instead, fear the Lord and turn away from evil. YouTube “Casting Crowns, Just Be Held
”
”
Mark K. Fry Sr. (Determined: Encouragement for Living Your Best Life with a Chronic Illness)
“
Two hours later, the drawing room converted, the costumes wrapped, the electric-kerosene lamps flickering in a semicircle at their feet, the performers enacted the thirty-minute ode to love and the Mediterranean, Home by the Sea.
Miss Charming kept a ferocious grip on her script and gave oily air kisses to Colonel Andrews. Amelia was calm and sweet, melting into her dialogue with Captain East as though into his arms. Jane knelt beside Mr. Nobley, the wounded war captain, as he nearly died, and did her best to sound earnest. Old Jane would’ve run away or laughed self-consciously throughout. New Jane decided to feel as enchanting as Miss Charming and performed each line with relish and passion. It didn’t matter that she wasn’t a very good actress. Mr. Nobley’s character miraculously recovered all the same, leading to the part where he stood and took her hands. They were still cold. He paused, as though trying to remember what came next.
He looked. Looked at her. At her and into her. Into her eyes as though he couldn’t bear to look away. And there was a delicious curl in his smile.
“I love you,” he said.
Zing, thought Jane.
It was his line, more or less, though simplified. Stripped of similes and farms and rain and moon and all, it pierced her. She opened her mouth to say her own line but couldn’t remember a single word. And she didn’t want to.
He leaned. She leaned.
Then Aunt Saffronia, who’d been laughing encouragingly during the parts that were supposed to be sad and clapping gleefully whenever a new character came onstage, now cleared her throat as though intensely uncomfortable. Mr. Nobley hesitated, then kissed Jane’s cheek. His lips were warm, his cheek slightly scratchy. She smiled and breathed him in.
At length, the six actors stood side by side, pretending the bright yellow wall of the drawing room opened to a view of the Mediterranean Sea, and said their closing lines.
Jane: Trying to sound actress-y. “At last, we are all truly happy.”
Miss Charming: Pause. Crinkling of paper. Frantic searching for line. “Indeed.”
Amelia: With a shy smile for the tall man beside her. “Our travels are ended.”
Captain East: With a manly smile for his lady. “We can rest peacefully in each other’s arms.”
Colonel Andrews: As always, with panache! “And no matter where we may roam…”
Mr. Nobley: A sigh. “This will always be our home.” His voice unhappy with the line. “By the sea.”
And, silence as the audience waited for who knows what--a better ending line? A better play? Colonel Andrews cleared his throat, and Jane inclined her head in a hurried curtsy.
“Oh,” Aunt Saffronia said and started the applause.
The audience clapped enthusiastically and arhythmically, and the cast bowed, Miss Charming giggling.
Jane squinted past the lamps to get her first good look at the audience, now that the play was over and stage fright couldn’t prickle her. Aunt Saffronia, beaming. Mrs. Wattlesbrook, looking for all the world like a proud schoolmarm. Matilda, bored, and a few other servants, equally bored.
”
”
Shannon Hale (Austenland (Austenland, #1))
“
This Blue Coat’s woman?” he demanded, gesturing toward Lily. Caleb shook his head. “She’s her own woman. Just ask her.” Lily’s heart was jammed into her throat. She had an urge to go for the rifle again, but this time it was Caleb she wanted to shoot. “He lies,” she said quickly, trying to make sign language. “I am too his woman!” The Indian looked back at his followers, and they all laughed. Lily thought she saw a hint of a grin curve Caleb’s lips as well but decided she must have imagined it. “You trade woman for two horses?” Caleb lifted one hand to his chin, considering. “Maybe. I’ve got to be honest with you. She’s a lot of trouble, this woman.” Lily’s terror was exceeded only by her wrath. “Caleb!” The Indian squinted at Lily and then made an abrupt, peevish gesture with the fingers of one hand. “He wants you to get down from the buggy so he can have a good look at you,” Caleb said quietly. “I don’t care what he wants,” Lily replied, folding her trembling hands in her lap and squaring her shoulders. The Indian shouted something. “He’s losing his patience,” Caleb warned, quite unnecessarily. Lily scrambled down from the buggy and stood a few feet from it while the Indian rode around her several times on his pony, making thoughtful grunting noises. Annoyance was beginning to overrule Lily’s better judgment. “This is my land,” she blurted out all of a sudden, “and I’m inviting you and your friends to get off it! Right now!” The Indian reined in his pony, staring at Lily in amazement. “You heard me!” she said, advancing on him, her hands poised on her hips. At that, Caleb came up behind her, and his arms closed around her like the sides of a giant manacle. His breath rushed past her ear. “Shut up!” Lily subsided, watching rage gather in the Indians’ faces like clouds in a stormy sky. “Caleb,” she said, “you’ve got to save me.” “Save you? If they raise their offer to three horses, you’ll be braiding your hair and wearing buckskin by nightfall.” The Indians were consulting with one another, casting occasional measuring glances in Lily’s direction. She was feeling desperate again. “All right, then, but remember, if I go, your child goes with me.” “You said you were bleeding.” Lily’s face colored. “You needn’t be so explicit. And I lied.” “Two horses,” Caleb bid in a cheerful, ringing voice. The Indians looked interested. “I’ll marry you!” Lily added breathlessly. “Promise?” “I promise.” “When?” “At Christmas.” “Not good enough.” “Next month, then.” “Today.” Lily assessed the Indians again, imagined herself carrying firewood for miles, doing wash in a stream, battling fleas in a tepee, being dragged to a pallet by a brave. “Today,” Lily conceded. The man in the best calico shirt rode forward again. “No trade,” he said angrily. “Blue Coat right—woman much trouble!” Caleb laughed. “Much, much trouble,” he agreed. “This Indian land,” the savage further insisted. With that, he gave a blood-curdling shriek, and he and his friends bolted off toward the hillside again. Lily turned to face Caleb. “I lied,” she said bluntly. “I have no intention of marrying you.” He brought his nose within an inch of hers. “You’re going back on your word?” “Yes,” Lily answered, turning away to climb back into the buggy. “I was trying to save myself. I would have said anything.” Caleb caught her by the arm and wrenched her around to face him. “And there’s no baby?” Lily lowered her eyes. “There’s no baby.” “I should have taken the two horses when they were offered to me,” Caleb grumbled, practically hurling her into the buggy. Lily
”
”
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
“
Our situation is much like that of a little girl who was taken by her mother to visit a chiropractor friend of mine. Her mother said, “I think something is wrong with my daughter. She is a very quiet little girl and always well behaved, but never once have I heard her laugh. In fact, she rarely even smiles.” My friend examined her and discovered a spinal misalignment that, she judged, would give the girl a terrific headache all the time. Fortunately, it was one of those misalignments that a chiropractor can correct easily and permanently. She made the adjustment—and the girl broke into a big laugh, the first her mother had ever heard. The omnipresent pain in her head, which she had come to accept as normal, was miraculously gone. Many of you might doubt that we live in a “sea of pain.” I feel pretty good right now myself. But I also carry a memory of a far more profound state of well-being, connectedness, and intensity of awareness that felt, at the time, like my birthright. Which state is normal? Could it be that we are bravely making the best of things? How much of our dysfunctional, consumptive behavior is simply a futile attempt to run away from a pain that is in fact everywhere? Running from one purchase to another, one addictive fix to the next, a new car, a new cause, a new spiritual idea, a new self-help book, a bigger number in the bank account, the next news story, we gain each time a brief respite from feeling pain. The wound at its source never vanishes though. In the absence of distraction—those moments of what we call “boredom”—we can feel its discomfort. Of course, any behavior that alleviates pain without healing its source can become addictive. We should therefore hesitate to cast judgment on anyone exhibiting addictive behavior (a category that probably includes nearly all of us). What we see as greed or weakness might merely be fumbling attempts to meet a need, when the true object of that need is unavailable. In that case the usual prescriptions for more discipline, self-control, or responsibility are counterproductive.
”
”
Anonymous
“
Our questioning—again echoing Ghazali—of the likely impact of development efforts (“prosperity,” in his formula) also flew in the face of received wisdom. For years, the notion had prevailed that the best way to sway Afghan “hearts and minds” was by giving away stuff: blankets, bags of wheat, wells for drinking water, schoolrooms. Among the conditions fueling extremism, commentators and policy makers often repeat, is economic malaise, aggravated by demographic shifts or such externals as drought. Foreign assistance is seen as a palliative to those ills. Evolving U.S. military doctrine even referred to “money as a weapon system.” But examination of extremist leaders’ sociological backgrounds casts doubt on these presumptions. Studies by such analysts as Andrew Wilder have found that in Afghanistan, infusions of development resources often exacerbated local conflict rather than reducing it, by providing new prizes for opposing groups to fight over.6
”
”
Sarah Chayes (Thieves of State: Why Corruption Threatens Global Security)
“
He knew as well as anyone that the Belt offered a harder, more dangerous life than Mars or Earth provided. And yet it called these people - the best people - out of humanity's gravity wells to cast themselves into the darkness.
The impulse to explore, to stretch, to leave home. To go as far as possible out into the universe. And now that Protogen and Eros offered the chance to become gods, to re-create humanity into beings that could go beyond merely human hopes and dreams, it occurred to Miller how hard it would be for men like Fred to turn that temptation away.
”
”
James S.A. Corey (Leviathan Wakes (The Expanse, #1))
“
I hooked up with a few girls trying to get that witchy girl off my mind. I don’t know what spell she cast over me, but fuck me, I can’t shake it. At best, the randoms keep me entertained for a few minutes. But before I can even tuck my dick away, she’s right back there, center stage in my brain.
”
”
C.B. Halliwell (Gabriel's Salvation: small town, misunderstood MMC, overcoming trauma, first love romance (Fire and Ice Trilogy Book 1))
“
She had never done anything bad to me. She had been good for me, always wanting the best for me. She had no defects, flaws or shortcomings. She wanted only good and she did good. The defects, flaws and shortcomings were all mine. I tried as hard as I could to hide them from her, and I was usually successful, but it was always there, inside me, a shadow I cast, and it gave me a bad conscience. I wanted to be out of this, I wanted to be alone, then it would disappear as it wouldn't affect anyone else, I would be left with it. But to be alone I would have to leave her, finish what she had invested so much in and where, in a way, I too had invested so much. She often told me she loved me, and I didn't want to hurt her, not for anything in the world, I didn't want to turn away from her, from someone who loved me so much.
”
”
Karl Ove Knausgård (Min kamp 5 (Min kamp, #5))
“
At the very beginning of the poetic argument, we entered the world of Job’s inner torment through the great death wish poem that takes up all of Chapter 3. These first thirty seven lines of God’s response to Job constitute a brilliantly pointed reversal, in structure, image, and theme, of that initial poem of Job’s. Perhaps the best way to sense the special weight of disputation over theodicy is to observe that it is cast in the form of a clash between two modes of poetry, one kind spoken by man and, however memorable, appropriate to the limitations of his creaturely condition, the other kind of verse a poet of genius could persuasively imagine God speaking….
Perhaps the finest illustration of this nice match of meaning and imagery between the two poems is the beautiful counterbalance between the most haunting of Job’s lines wishing for darkness and the most exquisite of God’s lines affirming light. Job, one recalls, tried to conjure up an eternal starless night: “Let its twilight stars go dark, / let it hope for light in vain, / and let it not see the eyelids of the dawn” (3:9). God, near the beginning of His first discourse, evokes the moment when creation was completed in an image that has become justly famous in its own right but that is also, it should be observed, a counterimage to 3:9: “When the morning stars sang together, / and all the sons of God shouted for joy” (verse 7). That is, instead of a night with no twilight stars, with no glimmer of dawn, the morning stars of creation exult. The emphasis in this line on song and shouts of joy also takes us back to the poem of Chapter 3, which began with a triumphant cry on the night of conception—a cry Job wanted to wish away—and proceeded to a prayer that no joyous exclamation come into that night (3:7).
”
”
Robert Alter (The Art of Biblical Poetry)
“
The obituary seemed like a washing of the body. It cleaned Steen up. The existence of the photographs, all the sordid aspects of the man's life were rinsed away by the formalised prose. The Western ritual of death was observed — the obligation to remember the most dignified image of the deceased. Like those ghastly American mausoleums where the embalmed corpse is presented at its best, dressed and smiling, prior to burial.
”
”
Simon Brett (Cast, in Order of Disappearance (Charles Paris, #1))
“
I smile at Margaret as she picks up the small jar from the counter and tucks it discreetly into her handbag. Not that she has any need to hide the innocuous-looking lotion. It’s labelled ‘Vanilla Moisturiser’ and the ingredients listed on it are all organic. It’s the spell that’s been cast over it that makes it something more.
Okay, I’ll be honest. It’s a love potion. But not the kind that takes away the object’s free will. That would be unethical. No, this is a concoction that makes observers see the wearer’s good qualities in stark relief. Like turning up the volume on your best physical features and most endearing personality traits. If the object of your desire falls in love with you because of it, then all the better, but there are no guarantees, as I tell all of my customers.
”
”
Claire Gallagher (Imogen Green's Little Shop of Possibilities)
“
Everywhere and nowhere
A boat in the mist covered river,
Moved slowly, as if traveling through the smoke of time,
The banks stretched their arms forever,
While the river flowed quietly between them creating endless waves of time,
As the point from where the boat started seemed farther,
The boat to it too appeared obscure and now almost unseen,
As the smoke of time hid both of them from each other,
I witnessed what I had never before seen
The waves that touched the body of the boat,
Rushed to the point where it had started from,
To play to it her loving note,
And it could easily tell from which boat it had originated from,
The boatman who sometimes dipped his tired hands into the water,
Felt the kiss of the waves trying to cover his boat,
And he smiled because he knew what each wave was after,
These kiss soaked waves that felt the body of his smoothly sailing boat,
And at times he looked at the point from where he had started,
His eyes would pierce through veil of invisibility cast by the mist,
And the starting point that was now the waiting point, from which the boat had departed,
Would longingly return the look through the dense cover of the mist,
And the boat would sail farther away with every wave,
The mist followed it everywhere,
And the point from where the boat started, now hoped, and did crave,
To see the boat once again, because it disliked the feeling when in the long river it was sailing somewhere,
Because the point where the boat anchored everyday,
Knew that there are places in the river called nowhere,
And when the boat left the anchored spot, it waited for her every day,
Until it was sure that now the boat was safely anchored here, and not just anywhere or nowhere!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
Stars from the last night
It was a vast and endless desert,
Of sand, of dust, of the unforgiving sun,
Life crawled on its belly and ever effort hurt,
Yet life ventured to fulfil what yesterday was left undone,
The sand storm blew from every end,
Life was caught in its middle,
It had nowhere to go, though it had a universe to defend,
I watched life pitted against all forces that prevented it from solving the riddle,
The dust, the storm, connived with the hot Sun,
And they all held life in its cage of atrocities,
While life only thought of the universe whose affairs it had to run,
So, it heaved its chest and breathed in all the adversities,
And blew it at these forces evil,
In seconds the dust settled, the storm turned calm and the Sun shone humbly,
Because if life wishes to be; it can be the meanest devil,
But that is not what it fancies for it has universe to manage and it wants to do so proudly,
Life that deals with million adversities, sees storms of dust as nature’s vanities,
Because life that thrives everywhere cannot be contained in cages of temporary storms,
Life shall always reward the victor who fulfils his/her duties,
And is never scared of anything no matter how loud the alarms,
That is why it lives in the desert of dust and sand too,
Where everything is against its existence,
But life shall do what it has to do, while the desert of savagery will do what it has to do,
And there shall be neither any hand nor any role of providence,
For life that believes in love and equality of all sorts,
Will surmount every peak of resistance no matter how high,
And shoot itself at the the desert, at the storm, like brave darts,
That only love one thing, one purpose, that to fly,
So, I saw life wrestling with storm, with dust, with the desert, and even the Sun,
They all held her down like an animal of sacrifice to be offered to the God’s of vanity,
Yet life resisted and cast all these forces away, one by one,
And I witnessed desert’s travesty of life’s magnanimity,
Whenever you are in the desert and you see the storm coming closer to you,
Remember the actual fact, the life is always on your side,
As long as you do not believe it is the desert that favours you,
Because it takes some wisdom to realise that in the day sky the bright stars of yesternight still reside!
Just like in my eyes her dreams, her thoughts are as fresh as ever,
That no storm, no time can fade away,
Because I love her like life, that is in love forever,
And it shall be so, even in the tempest of all sorts, anyhow and anyway!
So you brave soldiers of life and love,
If you love someone, love her true love her the same in the desert and in the beautiful summer,
And do not wait for the providence from above,
Life of love is not always calm because in the desert of life, you shall witness a storm that ceases never!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
Stars from the last night
It was a vast and endless desert,
Of sand, of dust, of the unforgiving sun,
Life crawled on its belly and every effort hurt,
Yet life ventured to fulfil what yesterday was left undone,
The sand storm blew from every end,
Life was caught in its middle,
It had nowhere to go, though it had a universe to defend,
I watched life pitted against all forces that prevented it from solving the riddle,
The dust, the storm, connived with the hot sun,
And they all held life in its cage of atrocities,
While life only thought of the universe whose affairs it had to run,
So, it heaved its chest and breathed in all the adversities,
And blew it at these forces evil,
In seconds the dust settled, the storm turned calm and the Sun shone humbly,
Because if life wishes to be; it can be the meanest devil,
But that is not what it fancies for it has the universe to manage and it wants to do so proudly,
Life that deals with million adversities, sees storms of dust as nature’s vanities,
Because life that thrives everywhere cannot be contained in cages of temporary storms,
Life shall always reward the victor who fulfils his/her duties,
And is never scared of anything no matter how loud the alarms,
That is why it lives in the desert of dust and sand too,
Where everything is against its existence,
But life shall do what it has to do, while the desert of savagery will do what it has to do,
And there shall be neither any hand nor any role of providence,
For life that believes in love and equality of all sorts,
Will surmount every peak of resistance no matter how high,
And shoot itself at the the desert, at the storm, like brave darts,
That only love one thing, one purpose, that to fly,
So, I saw life wrestling with storm, with dust, with the desert, and even the Sun,
They all held her down like an animal of sacrifice to be offered to the God’s of vanity,
Yet life resisted and cast all these forces away, one by one,
And I witnessed desert’s travesty of life’s magnanimity,
Whenever you are in the desert and you see the storm coming closer to you,
Remember the actual fact, the life is always on your side,
As long as you do not believe it is the desert that favours you,
Because it takes some wisdom to realise that in the sky of the day the bright stars of yesternight still reside!
Just like in my eyes her dreams, her thoughts are as fresh as ever,
That no storm, no time can fade away,
Because I love her like life, that is in love forever,
And it shall be so, even in the tempest of all sorts, anyhow and anyway!
So you brave soldiers of life and love,
If you love someone, love her true love her the same in the desert and in the beautiful summer,
And do not wait for the providence from above,
Life of love is not always calm because in the desert of life, you shall witness a storm that ceases never!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
Of course, Adam was still counting days the old way, as Sunday was the first day of the week, so he was misinforming me as to which day his father actually arrived in Spain, seemingly by accident, by mistake. Perhaps it was a mistake that Adam had confused the European calendar with the Israeli calendar from time to time; perhaps it was not a mistake.
Ferran actually arrived the following day, Tuesday, according to the Gregorian calendar and not Monday, when we had all been preparing for his arrival with Martina in vain. I had wanted to introduce her to the old man nicely. However, Tuesday, when he was scheduled to arrive, Mario Larese - Mister Twister - showed up, banging the glass of the store-front door, echoing throughout the entire store and upstairs apartment, as if he was about to break the glass if I did not go down to open it. He was knocking on the plain, large glass of the door with either a lighter or with his metal ring; I don't know which, but it was terrible. I knew Ferran could arrive at any moment, so I told Martina it might be best if she went home to Paola and let me take care of the business. I couldn't ignore Mario, who was almost breaking the glass, seemingly because he had seen my scooter parked in front of the store. I opened the door and he started pushing his way inside, saying, “Let's smoke a joint and drink a coffee.” I replied, “Slow down, cowboy. I've got company, I'm expecting more company, and I just woke up. I have no time now; sorry, Mario.” He kept banging the door because he wanted to smoke somewhere early in the morning, and Canale Vuo was still closed. I was so tempted to slap him. Unintentionally, I let slip that I was expecting Ferran, which only increased his refusal to leave. Theatrical. Dramatic. He wasn't going to get out of my store, my way, my day, my life, my struggle, or my schedule.
Meanwhile, the same time, Nico was bugging me on the phone to make sure I delivered a box of 1,000 cones for La Silla because they needed it to make pre-rolled joints for their smokers. They sold 2-3,000 pre-rolled joints a week, ordering two boxes weekly, thus making me waste my time for free. I started to think it had all been planned just to make me lose time every week. They sold 3,000 joints a week and yet couldn't afford more than two boxes of cones to purchase to keep up. Tuesday morning was so urgent for La Silla to get those 1,000 brown cones right then. Just for Nico's 5-euro commission and so he wouldn't be embarrassed in front of his friends at La Silla with his sales performance - no problem. I couldn't kick out Mario, and I didn't want to kick out Martina, who apparently didn't want to leave. I asked them to leave, but Mario was leaning on the kitchen table and unable to look up or turn toward me to meet my gaze. Martina was looking at me angrily. So, I told them both, “OK then, stay here; let the old man inside once he arrives. I have to deliver this box of cones to La Silla right away, but I will be right back. 20 minutes tops.”
Adam had also failed to inform me that he had copied a set of keys for his dad at one point, and he had somehow sent them to Israel by mail, I guess. Martina did not need to stay in the store to let Ferran in, but I did not know that. Adam was always secretive and brief with his words, as if it cost him money to say words out of his mouth or dictate to Rachel what to write in an email or what he was supposed to tell me on the phone. I thought that Martina had to stay to let Ferran into the store in case he arrived just when I went to La Mesa to do a favor for Nico. I was on my way back to Urgell from La Silla, when Adam suddenly called me from Amsterdam, screaming on the phone.
”
”
Tomas Adam Nyapi
“
No matter what anyone in North Star thought of my mom, everyone agreed on one thing: she was the best cook in the Texas Hill Country. She was known for her barbecue and fried pies. But she was most famous for one particular dish. The dish people people would drive hundreds of miles for was simply called the Number One. I imagine Momma was going to make a list of specials. The trouble was, she never got past the Number One. So there it sat at the top of the menu, alone, all by itself.
The Number One:
Chicken fried steak with cream gravy, mashed potatoes,
green beans cooked in bacon fat, one buttermilk biscuit,
and a slice of pecan pie
With Brad's words ringing in my head about my vague culinary vision, I decide to make the Number One for tonight's supper. After leaving the salon, I drive to various farm stands, grocery stores, and butchers. I handpick the top-round steak with care, choose fresh eggs one by one, and feel an immense sense of home as I pull Mom's cast-iron skillet from the depths of Merry Carole's cabinets. My happiest memories involve me walking into whatever house we were staying in at the time to the sounds and smells of chicken fried steak sizzling away in that skillet. This dish is at the very epicenter of who I am. If my culinary roots start anywhere, it's with the Number One.
As I tenderize the beef, my mind is clear and I'm happy. I haven't cooked like this- my recipes for me and the people I love- in far too long. If ever. Time flies as I roll out the crust for the pecan pie. I'm happy and contented as I cut out the biscuit rounds one by one. I haven't a care in the world. Being in Merry Carole's kitchen has washed away everything I left in the whirlwind of being back in North Star.
”
”
Liza Palmer (Nowhere But Home)
“
Sméagol,’ he said, ‘I will trust you once more. Indeed it seems that I must do so, and that it is my fate to receive help from you, where I least looked for it, and your fate to help me whom you long pursued with evil purpose. So far you have deserved well of me and have kept your promise truly. Truly, I say and mean,’ he added with a glance at Sam, ‘for twice now we have been in your power, and you have done no harm to us. Nor have you tried to take from me what you once sought. May the third time prove the best! But I warn you, Sméagol, you are in danger.’ ‘Yes, yes, master!’ said Gollum. ‘Dreadful danger! Sméagol’s bones shake to think of it, but he doesn’t run away. He must help nice master.’ ‘I did not mean the danger that we all share,’ said Frodo. ‘I mean a danger to yourself alone. You swore a promise by what you call the Precious. Remember that! It will hold you to it; but it will seek a way to twist it to your own undoing. Already you are being twisted. You revealed yourself to me just now, foolishly. Give it back to Sméagol you said. Do not say that again! Do not let that thought grow in you! You will never get it back. But the desire of it may betray you to a bitter end. You will never get it back. In the last need, Sméagol, I should put on the Precious; and the Precious mastered you long ago. If I, wearing it, were to command you, you would obey, even if it were to leap from a precipice or to cast yourself into the fire. And such would be my command. So have a care, Sméagol!’ Sam looked at his master with approval, but also with surprise: there was a look in his face and a tone in his voice that he had not known before. It had always been a notion of his that the kindness of dear Mr. Frodo was of such a high degree that it must imply a fair measure of blindness. Of course, he also firmly held the incompatible belief that Mr. Frodo was the wisest person in the world (with the possible exception of Old Mr. Bilbo and of Gandalf). Gollum in his own way, and with much more excuse as his acquaintance was much briefer, may have made a similar mistake, confusing kindness and blindness. At any rate this speech abashed and terrified him. He grovelled on the ground and could speak no clear words but nice master. Frodo waited patiently for a while, then he spoke again less sternly. ‘Come now, Gollum or Sméagol if you wish, tell me of this other way, and show me, if you can, what hope there is in it, enough to justify me in turning aside from my plain path. I am in haste.
”
”
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
“
I think it would be for the best if we both pretend yesterday afternoon- in the woods- it never happened. Wouldn't you agree?"
"I would." He takes a step closer, his eyes still locked on hers. He is no longer smiling.
"And I think we should avoid any future situations that put us in close proximity to each other."
"Like this one?"
"Yes."
Jack nods, still holding her eye, and she tries hard to control the rise of blood to her face as a fragment of something from the woods comes back to her- the sensation of his fingers running down the curve of her collarbone, his mouth against her neck.
"Good." She clears her throat. "I'm glad we understand each other."
"We do." He takes another step towards her, so close now that she wonders if it is the breeze through the open window she can feel on her skin, or his warm breath. "I think that is our problem, Lillian. We understand each other. You and I, we seem to share something."
Lillian can hear her heart beating in her ribcage.
"I felt it that first moment I saw you... at the party."
Lillian swallows.
"You feel it too, don't you?" he asks.
The sun, now low in the sky, filters through the trees outside in the arboretum, casting them both in a burnished glow. She knows she must go. She knows she must turn and leave the room, but something in his eyes holds her fixed to the spot.
"Tell me that it's not just me, that I'm not imagining this," he says in a low voice.
There is a stillness in the room, as if they both await the next breath, the next word.
She swallows. "I feel it, too."
She isn't sure who takes the next step but it doesn't really matter; she is in his arms again and he is kissing her, pulling her close and all reason and rational thought- all the jumbled arguments she has agonized over- fly away like a flock of birds startled from the branches of a tree. Her arms are wrapped around his waist and his hands are on her face and in her hair as they stumble backwards. She meets the edge of the desk, and then he is lifting her onto its surface, several brushes clattering to the floor as he presses against her.
"We mustn't," she sighs, but already her fingers are tugging at the buttons of his shirt. She parts her legs and his hands move under her skirt, his fingertips grazing the bare skin above her silk stockings.
"Do you want me to stop?" he asks, his breath hot against her neck.
But she draws him to her again, pressing her mouth against his ear to whisper her answer. "Don't stop. I don't want you to stop.
”
”
Hannah Richell (The Peacock Summer)
“
The fervour accompanying these events may be deceptive. If it expresses nothing more than the zeal with which the countries of the East are casting aside the bonds of ideology, or if it is a mimetic fervour - a tribute, as it were, to those liberal countries where all liberty has already been traded in for a technically easy life - then we shall have found out definitively what freedom is worth, and that it is probably never to be discovered a second time. History offers no second helpings. On the other hand, it could be that the present thaw in the East may be as disastrous in the long term as the excess of carbon dioxide in the upper atmosphere, that it may bring about a political greenhouse effect, and so overheat human relations on the planet that the melting of the Communist ice-sheet will cause Western seaboards to be submerged. Odd that we should be in such absolute fear of the melting of the polar ice, and look upon it as a climatic catastrophe, while we aspire with every democratic bone in our bodies to the occurrence of just such an event on the political plane.
If in the old days the USSR had released its gold reserves onto the world market, that market would have been completely destabilized. Today, by putting back into circulation their vast accumulated store of freedom, the Eastern countries could quite easily destabilize that very fragile balance of Western values which strives to ensure that freedom no longer emerges as action but only as a virtual and consensual form of interaction; no longer as a drama but merely as the universal psychodrama of liberalism. A sudden infusion of freedom as a real currency, as violent and active transcendence, as Idea, would be in every way catastrophic for our present air-conditioned redistribution of values. Yet this is precisely what we are asking of the East: freedom, the image of freedom, in exchange for the material signs of freedom.
This is an absolutely diabolical contract, by virtue of which one signatory is in danger of losing their soul, and the other of losing their creature comforts. But perhaps - who knows? - this may, after all, be the best thing for both sides.
Those societies that were formerly masked - Communist societies - have been unmasked. What is their face like? As for us, we dropped the mask long ago and have for a long time been without either mask or face. We are also without memory. We have reached the point of searching the water for signs of a memory that has left no traces, hoping against hope that something might remain when even the water's molecular memory has faded away. So it goes for our freedom: we would be hard put to it to produce a single sign of it, and we have been reduced to postulating its infinitesimal, intangible, undetectable existence in a (programmatic, operational) environment so highly dilute that in truth only a spectre of freedom floats there still, in a memory every bit as evanescent as water's.
”
”
Jean Baudrillard (The Transparency of Evil: Essays in Extreme Phenomena)
“
The slaveholders had a special interest in maintaining the degradation of the free Negro. If the fugitive slave was the "Safety Valve of Slavery," the subduing of the free black population of the North was what kept the safety valve from turning into a massive tear which would allow all the power to escape from the chamber. The slaveholders were aware that the harsh conditions faced by free Negroes in the North helped keep their laborers down on the farm; hence they did their best to publicize the cold reception that awaited any slave so foolish as to run away from the security of the plantation. They did more than observe events in the North: because they had a strong interest in maintaining the free Negro there in a condition as much like slavery as possible, they sought an alliance with Northern white labor based on the defense of color caste.
”
”
Noel Ignatiev (How the Irish Became White)
“
Logan is far and away the best X-Men movie I’ve ever seen (I’m tempted to say it’s the best X-Men movie ever made, but I haven’t seen Apocalypse so who knows). The characterizations are deeper, their relationships more nuanced. The acting is better: you wouldn’t expect less from Patrick Stewart, who somehow managed to maintain his dignity and gravitas throughout even the most idiotic ST:TNG episodes (looking at you, “Skin of Evil”), but the rest of the cast keeps up with him and makes it look effortless.
”
”
Peter Watts (Peter Watts Is An Angry Sentient Tumor: Revenge Fantasies and Essays)
“
Director: Sripriya
Producer: Rajkumar Sethupathy
Screenplay: Aashiq Abu
Story: Abhilash Kumar,Shyam Pushkaran
Starring: Nithya Menen,Krish J. Sathaar,Naresh
Music: Aravind-Shankar
Cinematography: Manoj Pillai
Editing: Bavan Sreekumar
Studio: Rajkumar Theatres Pvt Ltd
Sri Priya is back with her new venture titled ‘Malini 22 Palayamkottai’ with actor Krish, son of Malayalam actors Sathar and Jayabharathi.
Actor Krish was ready for the negative shades of ‘Malini 22 Palayamkottai’, remake of malayalam film ‘22 Female Kottayam’ when none were ready to play the role with adverse shades.
To make a mark in 40th year of Sripriya's venture in Tamil industry, she has come up with a theme carrying crime against women and to reveal the social issues in present scenario through ‘Malini 22 Palayamkottai’ Tamil movie.
‘Malini 22 Palayamkottai’ Tamil film is directed by Sripriya. The revenge thriller movie is produced by Rajkumar Theatres Pvt.ltd.
‘Malini 22 Palayamkottai’ movie casting Nithya Menon, Vidyulekha Raman, Krish J Sathaar and Kota Srinivasa Rao was initially set to release on 13 December, 2013 along with ‘Madha Yaanai Kootam’ and ‘Ivan Vera Mathiri’. However, due to several issues the films release was postponed.
Producer Rajkumar Sethupathy’s ‘Malini 22 Palayamkottai’ film is directed and written by his wife Sripriya. ‘Malini 22 Palayamkottai’ Tamil movie has music composed by Aravind-Shankar.
Confident producer Rajkumar Sethupathy who has complete faith on his wife Sripriya stated – “My wife has decades of experience in cinema and I myself have starred in several films. While I immersed myself in business, she has remained in touch with the industry taking a brief break to take care of our children. However, with the kids old enough to take care of themselves now, she has the time to get back to the other thing she loves: cinema. She’s already directed a couple of films, but this one is different because of the theme. She watched the original and she asked me to watch it too. I knew right away that if we were going to start our own home productions, this movie was the best way to begin.”
Sripriya expressing her thoughts about the film said, ‘Malini 22 Palayamkottai’ was the huff that she had bounded within herself. ‘Malini 22 Palayamkottai’ portrays the exploitation against women and revenge from the gender.
However, the revenge thriller flick ‘Malini 22 Palayamkottai’ is set to release on 24 January, 2014.
”
”
Malini 22 Palayamkottai Movie Review
“
In the past, when dogs’ functions were mostly rural, it was accepted that they were intrinsically messy and needed to be managed on their own terms. Today, by contrast, many pet dogs live in circumscribed, urban environments and are expected to be simultaneously better behaved than the average human child and as self-reliant as adults. As if these new obligations were not enough, many dogs still manifest the adaptations that suited them for their original functions—traits that we now demand they cast away as if they had never existed. The collie who herds sheep is the shepherd’s best friend; the pet collie who tries to herd children and chases bicycles is an owner’s nightmare. The new, unrealistic standards to which many humans hold their dogs have arisen from one of several fundamental misconceptions about what dogs are and what they have been designed to do.
”
”
John Bradshaw (Dog Sense: How the New Science of Dog Behavior Can Make You a Better Friend to Your Pet)
“
Cast him into the darkness outside, where there will be wailing and grinding of teeth. (Matthew 22:13) How crowded is heaven? How about hell? Theologians have debated this question for centuries. Some have taught that everyone (or almost everyone) will get to heaven. Others have argued that only a few will be saved. Who is right? No one really knows. Whatever the answer is, today’s Gospel reading makes one thing clear: heaven isn’t a matter of who is worthy or unworthy. It’s a matter of who accepts God’s invitation and who rejects it. Throughout the Gospels, we see Jesus using exaggeration to make his point. He doesn’t really want us to cut off our hands or pluck out our eyes (Matthew 5:29-30). He is doing a similar thing in today’s passage by telling such an extreme story. But there is always a point to these exaggerations: we will all face a final judgment, and it’s risky to remain indifferent or to treat his invitation lightly. Where do you stand? Have you done your own risk-reward analysis? Take some time today to think about it. Whether you believe heaven is for the few or the many, the risk of being kept away from it is too great to ignore. The good news is that none of us has to take that risk! God didn’t mean for it to be hard for us to accept his invitation to eternal life. He hasn’t set out a daunting obstacle course for us to master before he will admit us to heaven. All he wants us to do is to believe that Jesus has saved us and to try our best to follow him. So when you wake up every day, tell the Lord, “Jesus, I believe you are my Savior and Lord. I accept your invitation. I don’t want anything to keep me away from you today.” And every evening before you go to sleep, tell him, “Lord, I’m sorry for the ways I failed you. Give me your grace to do better tomorrow.” It’s that simple. “Jesus, I accept your invitation. I want to be with you both now and forever.
”
”
Anonymous
“
The enclosure next to the dingoes held Graham the crocodile. Wes, Steve, and other staff battled the flood in Graham’s home. One man stood on the fence to spot the croc. He had to shout to Wes and Steve as they cleared the fence line inside the enclosure in waist-deep, dark waters. With the vehicle spotlights casting weird shadows, he had to scope out the murky water and try to discern the crocodile from among the floating bits of debris.
Once the backup man had the crocodile pegged, he kept a close eye on him. If Graham submerged, Wes and Steve had to be warned immediately. The spotter worked hard to keep a bead on Graham. Steve and Wes were synchronized with their every move. They had worked together like this for years. They didn’t even have to speak to each other to communicate.
There was no room for error as the amount of time spent in Graham’s enclosure was kept to a minimum. They jumped into the enclosure, cleared on, two, three armloads of debris, then jumped back out and re-evaluated the situation.
Graham’s fence line had a bow in it, but it wasn’t in any danger of buckling. Steve and Wes were doing a good job, and there was no need for me to be there with them. It was more urgent for me to keep the dingo fence line intact next door.
Graham’s female, named Bindi, was nesting, and this added another dangerous dimension to the job, since Graham was feeling particularly protective. The men were also keenly aware that nighttime meant croc time--and Graham would be stalking them with real intent.
They reached down for their three armloads of debris. Steve scooped up his first load, flung it out, and gathered his second. Suddenly, Wes slammed into the fence with such force that his body was driven in an arc right over the top of Steve.
It only took a split second for Steve to realize what had happened. As Wes had bent over to reach for an armload of debris, he had been hit from behind by more than twelve feet of reptile, weighing close to nine hundred pounds.
Graham grabbed Wes, his top teeth sinking into Wes’s bum, his bottom teeth hooking into the back of Wes’s thigh, just above his knee. The croc then closed his mouth, exerting that amazing three thousand pounds per square inch of jaw pressure, pulling and tearing tissue as he did.
The croc hit violently. Wes instinctively twisted away and rolled free of Graham’s jaws, but two fist-sized chunks were torn from his backside. The croc instantly swung in for another grab. Wes pushed the lunging croc’s head away, but not before Graham’s teeth crushed through his finger. They crashed back down into the water. Wes screamed out when he was grabbed, but no one could hear him because of the roar of the storm.
In almost total darkness, Steve seized a pick handle that rested near the fence. He turned toward the croc as Graham was lining Wes up for another bite. Wes was on his side now, in water that was about three feet deep. He could see the crocodile in the lights of a Ute spotlight that shone over the murk--the dark outline of the osteodermal plates along the crocodile’s back.
As Graham moved in, Wes knew the next bite would be to his skull. It would be all over. Wes braced himself for the inevitable, but it didn’t come.
Steve reached into the water and grabbed Graham’s back legs. He didn’t realize that Graham had released Wes in preparation for that final bite. He thought Graham was holding Wes under the water. Steve pulled with all his strength, managing to turn the crocodile around to focus on him.
As Graham lunged toward Steve, Steve drove the pick handle into the crocodile’s mouth and started hammering at his head. Wes saw what was happening and scrambled up the fence.
“I’m out mate, I’m out,” Wes yelled, blood pouring down his leg.
Steve looked up to see Wes on the top of the fence. He realized that even though Wes was wounded, he was poised to jump back down into the water to try to rescue his best mate.
”
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Terri Irwin (Steve & Me)