Casino Luck Quotes

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Above all, he liked it that everything was one's own fault. There was only oneself to praise or blame. Luck was a servant and not a master. Luck had to be accepted with a shrug or taken advantage of up to the hilt. But it had to be understood and recognized for what it was and not confused with a faulty appreciation of the odds, for, at gambling, the deadly sin is to mistake bad play for bad luck. And luck in all its moods had to be loved and not feared
Ian Fleming (Casino Royale (James Bond, #1))
Luck in all its moods had to be loved and not feared Bond saw luck as a woman, to be softly wooed or brutally ravaged, never pandered to or pursued. But he was honest enough to admit that he had never yet been made to suffer by cards or by women. One day, and he accepted the fact he would be brought to his knees by love or by luck.
Ian Fleming (Casino Royale (James Bond, #1))
He talked about luck and fate and numbers coming up, yet he never ventured a nickel at the casinos because he knew the house had all the percentages. And beneath his pessimism, his bleak conviction that all the machinery was rigged against him, at the bottom of his soul was a faith that he was going to outwit it, that by carefully watching the signs he was going to know when to dodge and be spared. It was fatalism with a loophole, and all you had to do to make it work was never miss a sign. Survival by coordination, as it were. The race is not to the swift, nor the battle to the strong, but to those who can see it coming and jump aside. Like a frog evading a shillelagh in a midnight marsh.
Hunter S. Thompson (The Rum Diary)
Conventional wisdom nor scientific, mathematical prove of randomness in life could do nothing to deter human's curiosity for the unknown, however small the chance of a positive outcome maybe.
Vann Chow (The White Man and the Pachinko Girl)
It felt wrong for me to push Lady Luck to the side and for me to choose who ought to be 'lucky'. It didn't seem right. It wasn't fair.
($) (I Deal to Plunder - A ride through the boom town)
Above all, he liked it that everything was one’s own fault. There was only oneself to praise or blame. Luck was a servant and not a master. Luck had to be accepted with a shrug or taken advantage of up to the hilt. But it had to be understood and recognized for what it was and not confused with a faulty appreciation of the odds, for, at gambling, the deadly sin is to mistake bad play for bad luck.
Ian Fleming (Casino Royale (James Bond, #1))
Above all, he liked it that everything was one's own fault. There was only oneself to praise or blame. Luck was a servant and not a master. Luck had to be accepted with a shrug or taken advantage of up to the hilt. But it had to be understood and recognized for what it was and not confused with a faulty appreciation of the odds, for, at gambling, the deadly sin is to mistake bad play for bad luck. And luck in all its moods had to be loved and not feared. Bond saw luck as a woman, to be softly wooed or brutally ravaged, never pandered to or pursued. But he was honest enough to admit that he had never yet been made to suffer by cards or by women. One day, and he accepted the fact, he would be brought to his knees by love or by luck. When that happened he knew that he too would be branded with the deadly question-mark he recognized so often in others, the promise to pay before you have lost: the acceptance of fallibility.
Ian Fleming (Casino Royale (James Bond, #1))
Sitting there, it is impossible to change your luck. But, you can always change the machine you are at!
James Hauenstein
Don't journalists represent the public's right to know what their officials are doing? With today's technology, you can run, but you shouldn't be able to hide.
Trine Bronken (The Bloody Business Of Luck (The Bloody Series Book 1))
Bond saw luck as a woman, to be softly wooed or brutally ravaged, never pandered to or pursued. But he was honest enough to admit that he had never yet been made to suffer by cards or by women. One day, and he accepted the fact, he would be brought to his knees by love or by luck. When that happened he knew that he too would be branded with the deadly question-mark he recognized so often in others, the promise to pay before you have lost: the acceptance of fallibility.
Ian Fleming (Casino Royale (James Bond, #1))
Distractions. . . . that's what makes up a big part of our lives, y'know? The distractions. Lots of times, we're like moths fluttering around a porch light. Bugs'll swarm around that bult, all distracted, forgetting in their minuscule insect brains that there's something else they should be doing, like biting people or making more bugs. We're like that, although our brains are generally larger. . . Human distractions are bigger, better lightbulbs. We got TVs and computers. We got blinking casino lights and live bands on cruise ships playing yet another version of 'Hot, Hot, Hot' until you wanna puke, but in the end, they're all just porch light. So we go from one bright bulb to another until we hit the bug zapper, and it's all over.
Neal Shusterman (Ship Out of Luck (Antsy Bonano, #3))
Americans tend to see themselves in control of their fate, while Chinese see fate as something external,” Lam, the professor, said. “To alter fate, the Chinese feel they need to do things to acquire more luck.” In surveys, Chinese casino gamblers tend to view bets as investments and investments as bets. The stock market and real estate, in the Chinese view, are scarcely different from a casino. The behavioral scientists Elke Weber and Christopher Hsee have compared Chinese and American approaches to financial risk. In a series of experiments, they found that Chinese investors overwhelmingly described themselves as more cautious than Americans. But when they were tested—with a series of hypothetical financial decisions—the stereotype proved wrong, and the Chinese were found to take consistently larger risks than Americans of comparable wealth.
Evan Osnos (Age of Ambition: Chasing Fortune, Truth, and Faith in the New China)
Above all, he liked it that everything was one’s own fault. There was only oneself to praise or blame. Luck was a servant and not a master. Luck had to be accepted with a shrug or taken advantage of up to the hilt. But it had to be understood and recognized for what it was and not confused with a faulty appreciation of the odds, for, at gambling, the deadly sin is to mistake bad play for bad luck. And luck in all its moods had to be loved and not feared. Bond saw luck as a woman, to be softly wooed or brutally ravaged, never pandered to or pursued. But he was honest enough to admit that he had never yet been made to suffer by cards or by women. One day, and he accepted the fact, he would be brought to his knees by love or by luck. When that happened he knew that he too would be branded with the deadly question-mark he recognized so often in others, the promise to pay before you have lost: the acceptance of fallibility.
Ian Fleming (Casino Royale (James Bond, #1))
Rollins reached for his watch. It had to be about time for the dealers to change shifts, and he liked to supervise them himself. "Son of a bitch," he exclaimed a second later. "What is it, book?" Rollins held up his watch chain. A turnip was hanging from the fob where his diamond - studded timepiece should have been. "That little bastard--" Then a thought came to him. He reached for his wallet. It was gone. So was his tie pin, the Kaelish coin pendant he wore for luck, and the gold buckles on his shoes. Rollins wondered if he should check the fillings in his teeth. "He picked your pocket?" Doughty asked incredulously. No one got one over on Pekka Rollins. No one dared. But Brekker had, and Rollins wondered if that was just the beginning. "Doughty," he said, "I think we'd best say a prayer for Jan Van Eck." "You think Brekker can best him?" "It's a long shot, but if he's not careful, I think that merch might walk himself right onto the gallows and let Brekker tighten the noose." Rollings sighed. "We better hop Van Eck kills that boy." "Why?" "Because otherwise I'll have to." Rollins straightened the knot of his painless tie and headed down to the casino floor. The problem of Kaz Brekker could wait to be solved another day. Right now there was money to be made.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I remember reading some LitRPG book where the MC had managed to level up Luck by betting recklessly in a casino.
Dan Sugralinov (Re-start (Level Up #1))
The following is an advertisement for The Marine Corps(e): Join The Marine Corps(e)! Thousands of new positions are available because all our current recruits are "on leave" while we order their prosthetic limbs. After one hour in our coffee and donuts lounge, we put you and any other sign-on recruits into our helicopter out back, and fly you straight to the Middle East. If you survive one week, without weapons, in the heart of recent terrorist activity, your training is done. Compensation: You will be paid on commission every February 29th. The main benefit of being paid once every 4 years is... 4 years of saving! Imagine how happy your family will be when you come home with every dime you earned! And if you really love them, why not try your luck with our on-base casinos. DOUBLE OR NOTHING BABY!
Mike Sov (I Like Poop)
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Professor Samson
When you play slots in a casino, you pray and hope for luck with each pull – well, that’s not how investment works. Investing is not a type of gambling you can risk your luck into.
Brayden Tan (What school don't teach you about money)
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at gambling, the deadly sin is to mistake bad play for bad luck.
Ian Fleming (Casino Royale (James Bond, #1))
There was only oneself to praise or blame. Luck was a servant and not a master. Luck had to be accepted with a shrug or taken advantage of up to the hilt.
Ian Fleming (Casino Royale (James Bond, #1))
Human beings have always been infatuated with gambling because it puts us head-to-head against the fates, with no holds barred. We enter this daunting battle because we are convinced that we have a powerful ally: Lady Luck will interpose herself between us and the fates (or the odds) to bring victory to our side. Adam Smith, a masterful student of human nature, defined the motivation: “The overweening conceit which the greater part of men have of their own abilities [and] their absurd presumption in their own good fortune.”1 Although Smith was keenly aware that the human propensity to take risk propelled economic progress, he feared that society would suffer when that propensity ran amuck. So he was careful to balance moral sentiments against the benefits of a free market. A hundred and sixty years later, another great English economist, John Maynard Keynes, agreed: “When the capital development of a country becomes the by-product of the activities of a casino, the job is likely to be ill-done.
Peter L. Bernstein (Against the Gods: The Remarkable Story of Risk)
Above all, he liked it that everything was one’s own fault. There was only oneself to praise or blame. Luck was a servant and not a master. Luck had to be accepted with a shrug or taken advantage of up to the hilt. But it had to be understood and recognized for what it was and not confused with a faulty appreciation of the odds, for, at gambling, the deadly sin is to mistake bad play for bad luck. And luck in all its moods had to be loved and not feared.
Ian Fleming (Casino Royale (James Bond 1))
Well, then, mademoiselle, shall I take you to the Riviera?'" "'Yes,'" -Camille smiled- "'I'd like that.' 'Have you brought your bathing suit?' he'd ask. 'Perfect. And an evening gown as well! We must go to the casino. Don't forget your silver fox coat, it can be cool in Monte Carlo in the evening.' There was a nice smell inside the car. The smell of well-worn leather... It was all so lovely, I remember. The crystal ashtray, the vanity mirror, the tiny little handle to roll the window down, the inside of the glove compartment, the wood. Its was like a flying carpet. 'With a bit of luck we'll get there before nightfall,' he promised. Yes, he was that kind of man, my dad, a big dreamer who could shift gears on a car up on blocks for hours on end and take me to the far corners of the earth in a suburban garage. He was really into opera, too, so wee listened to Don Carlos, La Traviata or The Marriage of Figaro during the trip. He would tell me the stories: Madame Butterfly's sorrow, the impossible love of Pelléas and Mélisande- when he confesses, 'I have something to tell you' and then he can't; the stories with the countess and her Cherub who hides all the time, or Alcina, the beautiful witch who turned her suitors into wild animals.
Anna Gavalda (Hunting and Gathering)
There is no rhyme or reason for any of it. Life is just a casino—numbers, probabilities, and cigarette smoke—that is all we are. Life is like this. You walk into a casino. You walk over to the bar and the bartender gives you two shots of cheap whiskey. You walk in hungry, tired. Maybe you’re already a bit drunk. The whiskey goes straight to your head and you light a cigarette—you know, to calm the nerves. You walk over to a craps table. But with all of the smoke, with your eyes blurry from the alcohol, you can hardly tell what it is. Nonetheless, the dice are rolled. Nobody asks you any questions. They roll the dice and whatever the number is, that’s how long you have to play. That’s life. Just a numbers game.
Moses Yuriyvich Mikheyev (Bodies: A Romantic Bloodbath)
What do the popular expressions “a swimmer’s body” and “beginner’s luck” have in common? What do they seem to share with the concept of history? There is a belief among gamblers that beginners are almost always lucky. “It gets worse later, but gamblers are always lucky when they start out,” you hear. This statement is actually empirically true: researchers confirm that gamblers have lucky beginnings (the same applies to stock market speculators). Does this mean that each one of us should become a gambler for a while, take advantage of lady luck’s friendliness to beginners, then stop? The answer is no. The same optical illusion prevails: those who start gambling will be either lucky or unlucky (given that the casino has the advantage, a slightly greater number will be unlucky). The lucky ones, with the feeling of having been selected by destiny, will continue gambling; the others, discouraged, will stop and will not show up in the sample. They will probably take up, depending on their temperaments, bird-watching, Scrabble, piracy, or other pastimes. Those who continue gambling will remember having been lucky as beginners. The dropouts, by definition, will no longer be part of the surviving gamblers’ community. This explains beginner’s luck.
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)