Cashiers Best Quotes

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Chorus of old men: If we give them the least hold over us, 'tis all up! their audacity will know no bounds! We shall see them building ships, and fighting sea-fights like Artemisia; nay if they want to mount and ride as cavalry, we had best cashier the knights, for indeed women excel in riding, and have a fine, firm seat for the gallop. Just think of all those squadrons of Amazons Micon has painted for us engaged in hand-to-hand combat with men.
Aristophanes (Lysistrata)
There is nothing in this world that is more fascinating than human connection. There is something so mysterious about why the people that enter and exit your life are placed the way that they are. There is something so eerie about why your eyes will lock with someone and for some reason your heart unlocks. It could be a complete stranger, the cashier or even your best friend. A lot of times when this happens, you notice it. It’s not a passing thought, or a casual encounter; it takes you aback. It makes you uncomfortable and you don’t know why. The weirdest part is that you know that it’s mutual. You both recognize something in each other and you’re not quite sure what it is. That thing, that entity, it’s called humaneness. Connection can be a strange experience, but more often than not it is an insightful experience. Every person that enters your life is there to leave a mark, and teach a lesson. Every connection in its own association is patient, kind, truthful, protective, trusting and hopeful. Every connection essentially is a connection of love. And every encounter should be handled as an encounter of bless.
Everance Caiser
My wife and I were living in Cambridge, Massachusetts—the quintessential college town. Rushing through the supermarket checkout, we didn’t notice we were in a 12-item line and what we had was way over the limit. The weary cashier looked at all our groceries. “Are you from Harvard and can’t count or from MIT and can’t read?” — BRADFORD
Reader's Digest Association (Laughter Really Is The Best Medicine: America's Funniest Jokes, Stories, and Cartoons)
My best friend, Beth, tells me her best friend Brené Brown says you should keep a list in your purse of the people whose opinions matter to you. It’s a handy reminder: you needn’t worry about anybody else. My purse, which Nathan bought me, is patterned with a collage of Benedict Cumberbatch faces, so I don’t need such a list. Cashiers who say “I love your purse!” are the only people worth listening to.
Tabitha Carvan (This Is Not a Book About Benedict Cumberbatch: The Joy of Loving Something--Anything--Like Your Life Depends On It)
And Eisenstein was doing it,too!As a young boy Sasha had seen his Battleship Potemkin in the Khudoshestvennyi Theater on the Arbat Sqaure.The cashiers,ticket-takers,cloak room attendants, all were dressed in sailors' uniforms;it looked just grand,it set the mood.The world had acknowledged BATTLESHIP POTEMKIN as the best film and Eisenstein as the greatest director.Now the 'greatest' was loyally serving the tyrant and executioner.Here was an example for his argument with Gleb about genius and villainy. Gleb also read the paper and gave Sasha a meaningful glance. 'Well then one more sycophant.
Anatoly Rybakov (Dust and Ashes (Arbat Tetralogy, #4))
The best way to hide your wealth is to give it away. If you are generous with your wealth, the money that would have disappeared sooner or later becomes an everlasting jewel, deeply engraved in the heart of the recipient.” The air I inhale enters my body and becomes part of me. The air that I exhale moves into someone else and becomes part of her. Just by looking at how the air moves, we realize we are all connected to one another, not just figuratively but also literally. “Whether we like it or not, we are all connected, and it is unthinkable to be happy all by oneself.” —HIS HOLINESS THE DALAI LAMA* The whole universe is contained in an apple wedge in a lunch box. Apple tree, sunlight, cloud, rain, earth, air, farmer’s sweat are all in it. Delivery truck, gas, market, money, cashier’s smile are all in it. Refrigerator, knife, cutting board, mother’s love are all in it. Everything in the whole universe depends on one another. Now, think about what exists in you. The whole universe is in us.
Haemin Sunim (The Things You Can See Only When You Slow Down: How to be Calm in a Busy World)
It is one of the great beauties of our system, that a working-man may raise himself into the power and position of a master by his own exertions and behaviour; that, in fact, every one who rules himself to decency and sobriety of conduct, and attention to his duties, comes over to our ranks; it may not be always as a master, but as an over-looker, a cashier, a book-keeper, a clerk, one on the side of authority and order.' 'You consider all who are unsuccessful in raising themselves in the world, from whatever cause, as your enemies, then, if I under-stand you rightly,' said Margaret' in a clear, cold voice. 'As their own enemies, certainly,' said he, quickly, not a little piqued by the haughty disapproval her form of expression and tone of speaking implied. But, in a moment, his straightforward honesty made him feel that his words were but a poor and quibbling answer to what she had said; and, be she as scornful as she liked, it was a duty he owed to himself to explain, as truly as he could, what he did mean. Yet it was very difficult to separate her interpretation, and keep it distinct from his meaning. He could best have illustrated what he wanted to say by telling them something of his own life; but was it not too personal a subject to speak about to strangers? Still, it was the simple straightforward way of explaining his meaning; so, putting aside the touch of shyness that brought a momentary flush of colour into his dark cheek, he said: 'I am not speaking without book. Sixteen years ago, my father died under very miserable circumstances. I was taken from school, and had to become a man (as well as I could) in a few days. I had such a mother as few are blest with; a woman of strong power, and firm resolve. We went into a small country town, where living was cheaper than in Milton, and where I got employment in a draper's shop (a capital place, by the way, for obtaining a knowledge of goods). Week by week our income came to fifteen shillings, out of which three people had to be kept. My mother managed so that I put by three out of these fifteen shillings regularly. This made the beginning; this taught me self-denial. Now that I am able to afford my mother such comforts as her age, rather than her own wish, requires, I thank her silently on each occasion for the early training she gave me. Now when I feel that in my own case it is no good luck, nor merit, nor talent,—but simply the habits of life which taught me to despise indulgences not thoroughly earned,—indeed, never to think twice about them,—I believe that this suffering, which Miss Hale says is impressed on the countenances of the people of Milton, is but the natural punishment of dishonestly-enjoyed pleasure, at some former period of their lives. I do not look on self-indulgent, sensual people as worthy of my hatred; I simply look upon them with contempt for their poorness of character.
Elizabeth Gaskell (North and South)
So you hook up with strangers?" Liam asked in a hushed whisper as the cashier rang up their order. "Were you with someone last night?" "Yes. His name is Max." She pulled out her phone. "I have a selfie of us together." She held it up for the cashier to see, keeping the screen away from Liam's line of vision. "Oh, he's gorgeous," the cashier said. "He's got the nicest eyes." "Let me see." Liam felt his protective instincts rise. "Who is he? Max who?" "He doesn't have a last name." "Jesus Christ, Daisy," he spluttered. "Does Sanjay know you do this? What about your dad?" "They know all about Max," Daisy said. "In fact, my dad took a picture of us cuddled together in bed the night before he left on his trip, and the cutest one of Max on my pillow. I bought some pajamas but he refused to wear them. He likes to sleep au naturel." Bile rose in Liam's throat. "And your dad took... pictures?" "Photography is his new hobby. He took some great shots when I was giving Max a bath..." "Stop." Liam held up a hand. "Just... I can't. I don't know what's happened to you, but it ends now. We're engaged and that means no more random hookups, no pornographic pictures, and no flashing pictures of strangers in the nude." "Amina doesn't mind. She's my second cousin." Daisy introduced them before turning her phone around. "And this is Max." Liam was a heartbeat away from shutting his eyes when his brain registered the picture of a fluffy white dog on a pink duvet. His tension left him in a rush. "Max is a dog." "He's a Westie. Layla got him for me as an emotional support dog at a bad time in my life." Liam bit back the urge to ask Daisy about a time so bad she'd needed extra love. It was her business, and he could only hope she would tell him when she was ready so he could offer his support. "That wasn't funny." "Amina and I were amused." "I heard you were engaged." Amina's gaze flicked to Liam and she blushed. "He's almost as cute as Max.
Sara Desai (The Dating Plan (Marriage Game, #2))
I’m running it. Not Mr. Ruhl or any one else. Get that through your head, once and for all.” “Looka here!” flashed Cleppy. “I don’t aim to let any man speak that way to my wife. Cut it out, before I—” “You’re fired,” ordained Banks, in his best voice. “Go to the cashier and get your time. I’ll not stand for any back talk or bluster here. Not from anybody. Get out!
Albert Payson Terhune (An Albert Payson Terhune Reader)
The first time I see him is during lunch. As I’m waiting in the cafeteria food line, Alex is two people in front of me. This girl, Nola Linn, is in between us. And she’s not moving down the line fast enough. Alex’s jeans are faded and torn at the knee. His hair is falling into his eyes and I’m itching to push it back. If Nola wouldn’t be so wishy-washy about her choice of fruit… Alex caught me checking him out. I quickly focus my attention on the soup of the day. Minestrone. “Want a cup or bowl, hon?” Mary, the lunch lady, asks me. “Bowl,” I say, pretending to be totally interested in the way she ladles the soup into the bowl. After she hands it to me, I hurry past Nola and stand by the cashier. Right behind Alex. As if he knows I’m stalking him, he turns around. His eyes pierce mine and for a moment I feel as if the rest of the world is closed out and it’s just the two of us. The urge to jump into his arms and feel the warmth of them surrounding me is so powerful, I wonder if it’s medically possible to be addicted to another human being. I clear my throat. “Your turn,” I say, motioning to the cashier. He moves forward with his tray, a slice of pizza on it. “I’ll pay for hers, too,” he says, pointing at me. The cashier waves her finger at me, “What’d you get? Bowl of minestrone?” “Yeah, but…Alex, don’t pay for me.” “Don’t worry. I can afford a bowl of soup,” he says defensively, handing over three dollars. Colin barges into the line and stands next to me. “Move along. Get your own girlfriend to stare at,” he snaps at Alex, then shoos him off. I pray Alex doesn’t retaliate by telling Colin we kissed. Everyone in line is watching us. I can feel their stares on the back of my neck. Alex takes his change from the cashier and without a backward glance heads for the outside courtyard off the cafeteria where he usually sits. I feel so selfish, because I want the best of both worlds. I want to keep the image I’ve worked so hard to create. That image includes Colin. I also want Alex. I can’t stop thinking about having him hold me again and kiss me until I’m breathless. Colin says to the cashier, “I’ll pay for hers and mine.” The cashier looks at me in confusion. “Didn’t that other boy pay for you already?” Colin waits for me to correct her. When I don’t, he gives me a disgusted look and stomps out of the cafeteria.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
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I made it to the checkout line before taking in the people around me. The cashier, about my age, was familiar in the way most people in a town this size were. We’d probably gone to school together, but I couldn’t be sure. She was taking her time ringing up the man in front of me, and my attention diverted to the other customers in line, stopping on the woman behind me. Her, I recognized. There was no mistaking the tall, icy blonde for anyone other than Mrs. Elena Kelly, my childhood best friend’s mom. I’d spent a lot of my days out on the Kelly ranch with Caleb, getting dirty and making trouble. His parents had been firm but not strict, and they had welcomed me into their home for countless dinners and sleepovers. Elena Kelly’s gaze swept over me, pausing for a moment. I nodded at her, my mouth curving into a half smile. “Good evening, Mrs. Kelly.” She cocked her head, taking me in. There was no flare of recognition, but it’d been more than a decade since she’d seen me. I pushed my sunglasses to the top of my head, giving her a better view.
Julia Wolf (See It Through (Kelly Ranch #1))
When I'm talking about disabled writing and the struggles to create spaces for disabled literature—in talks, to other crip writers, to whoever—I tell the story a lot about the fight I got into with an editor in the last weeks before Care Work was going to the printer, where I insisted that the BISAC codes (the codes on the back of the books that tell booksellers what section to place them in) on the back read Disability Studies / Disability Justice / Queer Studies when she wanted them to read Social Studies / Health / Queer Studies. The editor's response was dismissive: "Well, we do have to go with the official BISAC codes," (note: there is one for Disability Studies, and has been for decades), "and I've never seen a disabled section in a bookstore—have you? Of course I had. Modern Times Books, where I was the events coordinator (and cashier) from 2009 to 2011 had one and was known for it. Third Place Books, Left Bank Books, and Elliot Bay Books—my three favorite bookstores in my current city of Seattle—all have robust disability sections and Queer Disability special displays. Anjula Gogia, who ran the Toronto Women's Bookstore for decades, confirmed that they'd had a disability section since the 1980s and it was always one of their best-selling sections. I fought back, pulled the white crip guy (friend) card, and was like, ELI CLARE HAS DISABILITY STUDIES / ACTIVISM ON THE BACK OF BRILLIANT IMPERFECTION. IF HE CAN DO IT, SO CAN I. I DO NOT WANT MY BOOK NEXT TO THE GOUT CURES. We compromised on "disability studies / queer studies. Four years later, Poets.org would ask me to curate a disability justice poets folio for their 2022 theme of "Poetry and Disability Justice." It was a wonderful task, and I ran into the reality that Poets.org, like most poetry databases, didn't have "disability" or "disabled poets" or "Deaf poets" as keywords. As with most poetry databases, the closest you get is "illness" or "the body." Something as simple as having "disability," "disabled poets," and "Deaf poets" as keywords or search terms allows us to find each other, to come together, for disabled and Deaf people searching for words to illuminate our experiences and create a community to find them.
Leah Lakshmi Piepzna-Samarasinha (The Future Is Disabled: Prophecies, Love Notes, and Mourning Songs)
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