Casablanca Renault Quotes

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What’s an IPO, exactly? A company decides it wants to “float” part of its equity on the public markets, allowing employees and founders to sell private shares to pay them off for years of service, as well as sell shares out of the corporate treasury to have some money in the bank. Large investment banks (such as my former employer Goldman Sachs) form what’s called a “syndicate” (“mafia” might be a better term) wherein they offer to effectively buy those shares from Facebook, and then sell them into the capital markets, usually by pushing it via their sales force onto wealthy clients or institutional investors. That syndicate either guarantees a price (“firm commitment”) or promises to get the best price it can (“best effort”). In the former case, the bank is taking real execution risk, and stands to lose money if it doesn’t engineer a “pop” in the stock on opening day. To mitigate the risk, the bank convinces the offering company to expect a lower price, while simultaneously jacking up what real price the market will bear with a zealous sales pitch to the market’s deepest pockets. Thus, it is absolutely jejune to think that a stock’s rise on opening day is due to clamoring and unexpected interest. Similar to Captain Renault in Casablanca, Wall Street bankers are shocked—shocked!—that there should be such a large and positive price dislocation in the market they just rigged.
Antonio García Martínez (Chaos Monkeys: Obscene Fortune and Random Failure in Silicon Valley)
Captain Renault: I’m shocked, shocked to find that gambling is going on in here!          [a croupier hands Renault a pile of money]          Croupier: Your winnings, sir.          Captain Renault [sotto voce]: Oh, thank you very much.          Captain Renault [aloud]: Everybody out at once!           CASABLANCA, Warner Bros, 1942          We were all appalled and shocked when we heard about these allegations yesterday.               I have to tell you that I am sickened that these events are alleged to have happened. Not just because I was editor of the News of the World at the time.           REBEKAH BROOKS, chief executive, News International, in a memo to staff, 8 July 2011 After
John Kay (Other People's Money: The Real Business of Finance)
The world is a cornucopia of grays. I believed the romantic interpretation of Casablanca then - love lost for the good of the world - and believe it now. But it is the very ambiguity of Casablanca that keeps it current. No movie can last if it cannot find new things to say to new generations. Captain Renault, the one gray character in a black and white time, would’ve been amused.
Aljean Harmetz (Round Up the Usual Suspects: The Making of Casablanca--Bogart, Bergman, and World War II)
RENAULT I have often speculated on why you do not return to America. Did you abscond with the church funds? Did you run off with the President's wife? I should like to think you killed a man. It is the romantic in me. RICK It was a combination of all three. RENAULT And what in Heaven's name brought you to Casablanca? RICK My health. I came to Casablanca for the waters. RENAULT Waters? What waters? We are in the desert. RICK I was misinformed.
Aljean Harmetz (Round Up the Usual Suspects: The Making of Casablanca--Bogart, Bergman, and World War II)
Renault: What in heaven's name brought you to Casablanca? Rick: My health. I came to Casablanca for the waters. Renault: The waters? What waters? We're in the desert! Rick: I was misinformed.
Casablanca