Cary From You Quotes

That particular take was the one that ended up in the film. So when you see Westley fall to the ground and pass out, that’s not acting. That’s an overzealous actor actually losing consciousness.

Cracking his knuckles, Cary dramatically prepared to open his fortune cookie. “Let’s see. Will I be rich? Famous? About to meet Mr. or Ms. Tall, Dark, and Tasty? Traveling to distant lands? What’d you guys get?” “Mine’s lame,” I said. “In the end all things will be known. Duh. I didn’t need a fortune to figure that out.” Gideon opened his and read, “Prosperity will knock on your door soon.” I snorted. Cary shot me a look. “I know, right? You snatched someone else’s cookie, Cross.” “He better not be anywhere near someone else’s cookie,” I said dryly. Reaching over, Gideon plucked half of mine out of my fingers. “Don’t worry, angel. Your cookie is the only one I want.” He popped it in his mouth with a wink. “Gag,” Cary muttered. “Get a room.” He cracked his fortune with a flourish, and then scowled. “What the fuck?” I leaned forward. “What’s it say?” “Confucius say,” Gideon ad-libbed, “man with hand in pocket feel cocky all day.” Cary threw half his cookie at Gideon, who caught it deftly and grinned. “Give me that.” I snatched the fortune out from between Cary’s fingers and read it. Then laughed. “Fuck you, Eva.” “Well?” Gideon prodded. “Pick another cookie.” Gideon smiled. “Pwned by a fortune.” Cary threw the other half of his cookie.

It should be noted that all hugs from Rob are bear hugs.

Fencing. Fighting. Torture. Poison. True love. Hate. Revenge. Giants. Hunters. Bad men. Good men. Beautiful ladies. Snakes. Spiders. Pain. Death. Brave men. Cowardly men. Strongest men. Chases. Escapes. Lies. Truths. Passion. Miracles.

We cultivate our feelings the way we cultivate a garden: we can't entirely prevent weeds from coming up, but we can take care to remove them before they do much harm.

It's true in life, as in the movies, that the greatest highs are often followed by the lowest lows.

like a good wine without iocane powder, it seems to get better with time.

Dear Aunt Patty, Thank you for coming to be part of what definitely ranks in the top five worst days of my life. While your generosity is appreciated, I am returning this gift, as forced bachelorhood necessitates total abstinence from bamboo placemats and matching napkin rings in my daily life. Sincerely, Emory Too much?

Mandy swears that barely a day goes by that he isn’t asked by someone, somewhere, to recite Inigo Montoya’s most famous words, in which he vows vengeance on behalf of his father. “And I never let them down,” he says.

Now that the house was securely hidden, the fact that he was holed up with Havily sent a wave of heat over his body. I'm not going to be able to keep away from you, he said. Tell me you know that. Tell me you understand. Her eyelids fell to half-mast as she released a deep sigh. Another wave of honeysucke hit him square in the chest. No one is asking you to, Warrior.

For safety purposes, both to protect him and any passersby, they decided to place a small velvet rope barrier around André, who was by now snoring loudly enough to shake the lobby walls.

So when you see Westley fall to the ground and pass out, that’s not acting. That’s an overzealous actor actually losing consciousness.

André drank from a beer pitcher, which looked a lot like a regular glass in his hands anyway.

This is true love. You think this happens every day?

He was the real hero in my world and I treasured him. And he loved me. Loved spending time with me.

In my world," said Posy, "authors write stories, and the characters do whatever the author tells them. It's not like this--the characters don't have minds and lives of their own." "How do you know this?" was Caris' surprising reply. The corner of her mouth turned up in a playful smile. "You do not see the characters when the pages of the book are shut. Is there never a time when you read a book for the second time and you notice something that you didn't remember from the first time? Or hear a story told, and every time it is told it grows and changes in the telling? Change is the nature of everything.

She squeezed her eyes shut. “No.” “Excuse me?” She sniffed, opened her eyes then looked up. “No. I don’t wish you to leave.” His eyes changed from lukewarm to hot. The iron of the seat met her back. Oh yes, definitely she was the keeper at the zoo and she’d just offered her own leg, medium-rare, to the lion.

Pleasure isn't the only thing that can make you float, Daniel." It sounds as though Archer is talking from a long way away. "Pain can, as well, when it's given to you by a loving hand.

If you think,” he began, “that being sober and working steadily broke my bullshit meter, now you know better. I knew you were nailing Cross again from the moment you started back up.” Biting into my taco, I shot him a skeptical look. “Eva honey, don’t you think that if there were another man in New York who could bang it out all night like Cross, I would’ve found him by now?

… You were summer and freedom and everything I hadn’t had in so long. Everything I hadn’t allowed myself. I’m going to allow myself tonight.” He tossed his shirt aside and she glimpsed his broad chest in the flickering light from the portable woodstove she’d noticed out of the corner of her eye. “You’re going to be my ocean and I’m going to drown myself in you.

Is it fair to call The Princess Bride a classic? The storybook story about pirates and princesses, giants and wizards, Cliffs of Insanity and Rodents of Unusual Size? It's certainly one of the most often quoted films in cinema history, with lines like: "Hello. My name is Inigo Montoya. You killed my father. Prepare to die." "Inconceivable?" "Anybody want a peanut?" "Have fun storming the castle." "Never get involved in a land war in Asia." "Life is pain, Highness. Anyone who says differently is selling something." "Rest well, and dream of large women." "I hate for people to die embarrassed." "Please consider me as an alternative to suicide." "This is true love. You think this happens every day?" "Get used to disappointment." "I'm not a witch. I'm your wife." "Mawidege. That bwessed awangement." "You seem a decent fellow. I hate to kill you."... You seem a decent fellow. I hate to die." "Death cannot stop true love. All it can do is delay it for a while." "Never go in against a Sicilian when death is on the line!" "There's a shortage of perfect breasts in this world. It would be a pity to damage yours." And of course... "As you wish.

At the moment of impact, I couldn’t help but look up at André, at first wondering, like a good many others, if we were experiencing an earthquake and then, having discovered we were not, out of sheer concern for his well-being. The sonic resonance was so intense I even observed our soundman remove his headphones to protect his ears.

FACT 228: In Japan, suicide resulting from overwork, or karojisatsu, is an officially recognized and compensated occupational hazard. By some estimates, 5 percent of all suicides in Japan are "company related." "Where's Hiro? He's supposed to lead this meeting." "He killed himself, sir." "Ah, dedication. I like it. Give him a raise.

Never take your eyes off your opponent.

Great Representation of the Art and Use of Fencing, written by the Italian maestro Ridolfo Capo Ferro

Agrippa,

Adventures of Robin Hood, The Sea Hawk,

The Princess Bride nights at the Alamo Drafthouse cinemas, a national restaurant/movie house, have become so popular that they now produce their own licensed Princess Bride wine.

The Crimson Pirate, The Mark of Zorro, Captain Blood, The Black Pirate, Adventures of Don Juan, The Count of Monte Cristo, The Three Musketeers, The Scarlet Pimpernel, The Sea Hawk, The Prisoner of Zenda, Scaramouche,

It was, however, combined with the fart itself, a highly unusual sight. I remember looking up at him as a huge grin flashed across his face and remained there—a grin of both amusement and, I suspect, of blessed relief.

Well, for what it’s worth, celibacy looks good on you.” He snorted. “Because I’ve put on a few pounds? Happens. You eat, because you crave the endorphins you’re not getting with an orgasm, and you get less exercise, because you’re not practicing any mattress gymnastics.” “Cary.” I laughed. “Look at you, baby girl. You’re all tight and toned from Marathon Man Cross over there.

Nothing is a masterpiece - a real masterpiece - till it's about two hundred years old. A picture is like a tree or a church, you've got to let it grow into a masterpiece. Same with a poem or a new religion. They begin as a lot of funny words. Nobody knows whether they're all nonsense or a gift from heaven. And the only people who think anything of 'em are a lot of cranks or crackpots, or poor devils who don't know enough to know anything. Look at Christianity. Just a lot of floating seeds to start with, all sorts of seeds. It was a long time before one of them grew into a tree big enough to kill the rest and keep the rain off. And it's only when the tree has been cut into planks and built into a house and the house has got pretty old and about fifty generations of ordinary lumpheads who don't know a work of art from a public convenience, have been knocking nails in the kitchen beams to hang hams on, and screwing hooks in the walls for whips and guns and photographs and calendars and measuring the children on the window frames and chopping out a new cupboard under the stairs to keep the cheese and murdering their wives in the back room and burying them under the cellar flags, that it begins even to feel like a religion. And when the whole place is full of dry rot and ghosts and old bones and the shelves are breaking down with old wormy books that no one could read if they tried, and the attic floors are bulging through the servants' ceilings with old trunks and top-boots and gasoliers and dressmaker's dummies and ball frocks and dolls-houses and pony saddles and blunderbusses and parrot cages and uniforms and love letters and jugs without handles and bridal pots decorated with forget-me-nots and a piece out at the bottom, that it grows into a real old faith, a masterpiece which people can really get something out of, each for himself. And then, of course, everybody keeps on saying that it ought to be pulled down at once, because it's an insanitary nuisance.

Milton's Eve! Milton's Eve! ... Milton tried to see the first woman; but Cary, he saw her not ... I would beg to remind him that the first men of the earth were Titans, and that Eve was their mother: from her sprang Saturn, Hyperion, Oceanus; she bore Prometheus" -- "Pagan that you are! what does that signify?" "I say, there were giants on the earth in those days: giants that strove to scale heaven. The first woman's breast that heaved with life on this world yielded the daring which could contend with Omnipotence: the stregth which could bear a thousand years of bondage, -- the vitality which could feed that vulture death through uncounted ages, -- the unexhausted life and uncorrupted excellence, sisters to immortality, which after millenniums of crimes, struggles, and woes, could conceive and bring forth a Messiah. The first woman was heaven-born: vast was the heart whence gushed the well-spring of the blood of nations; and grand the undegenerate head where rested the consort-crown of creation. ... I saw -- I now see -- a woman-Titan: her robe of blue air spreads to the outskirts of the heath, where yonder flock is grazing; a veil white as an avalanche sweeps from hear head to her feet, and arabesques of lighting flame on its borders. Under her breast I see her zone, purple like that horizon: through its blush shines the star of evening. Her steady eyes I cannot picture; they are clear -- they are deep as lakes -- they are lifted and full of worship -- they tremble with the softness of love and the lustre of prayer. Her forehead has the expanse of a cloud, and is paler than the early moon, risen long before dark gathers: she reclines her bosom on the ridge of Stilbro' Moor; her mighty hands are joined beneath it. So kneeling, face to face she speaks with God. That Eve is Jehova's daughter, as Adam was His son.

We got to the moment when I wake up from being "mostly dead" and say: "I'll beat you both apart! I'll take you both together!", Fezzik cups my mouth with his hand, and answers his own question to Inigo as to how long it might be before Miracle Max's pill begins to take effect by stating: "I guess not very long." As soon as he delivered that line, there issued forth from Andre' one of the most monumental farts any of us had ever heard. Now I suppose you wouldn't expect a man of Andre's proportions to pass gas quietly or unobtrusively, but this particular one was truly epic, a veritable symphony of gastric distress that roared for more than several seconds and shook the very foundations of the wood and plaster set were now grabbing on to out of sheer fear. It was long enough and loud enough that every member of the crew had time to stop what they were doing and take notice. All I can say is that it was a wind that could have held up in comparison to the one Slim Pickens emitted int eh campfire scene in Mel Brooks's Blazing Saddles, widely acknowledged as the champion of all cinematic farts. Except of course, this one wasn't in the script.

BILLY CRYSTAL It’s been one of the little jewels of my career. Very often, still to this day, in airports or movie theaters, people will walk by and go, “Have fun storming the castle!” Or the really cool ones will whisper to me, “Don’t go swimming for an hour, a good hour,” and then just walk away. Those are the really cool ones.

Bring the man you aspire to be, the one who already has the love he longs for. Play every piece of yourself and play it with all you’ve got until you’re not playing anymore. That’s what Cary Grant did. The lonely boy who lost his mom in the fog of his father’s deceit found himself in the magic of wanting to be. His name was Archibald Leach.

The Black Pirate,

The Academy of the Sword (1630) by the Flemish master Gerard Thibault d

Treatise on the Science of Arms with Philosophical Dialogue

Waiting for Godot

histrionics.

It endures. In fact, like a good wine without iocane powder, it seems to get better with time.

He was my friend.” Cary blinked hard. “And I miss him, but that doesn’t keep me from wanting you. Or recognizing what’s been growing here for years.

We had a really fun time working together on the film. With myself as a pirate. And she as a fair maiden. Running off together in the spirit of love and adventure.

You take a straight tip from the stable, Cokey, if you must hate, hate the government or the people or the sea or men, but don't hate an individual person. Who's done you a real injury. Next thing you know he'll be getting into your beer like prussic acid; and blotting out your eyes like a cataract and screaming in your ears like a brain tumour and boiling round your heart like melted lead and ramping though your guts like a cancer. And a nice fool you'd look if he knew. It would make him laugh till his teeth dropped out; from old age.

a veritable symphony of gastric distress that roared for more than several seconds and shook the very foundations of the wood and plaster set we were now grabbing on to out of sheer fear.

Do you even realize what you have done?’ as Dawn spoke her voice cracked slightly. She wished she could cry and release herself from some of the sadness building up inside her. But her tears never came.

How can it be the same pair of hands? How many mistakes would it take to attain near perfection demanded from a neurosurgeon? How do you walk into a hospital room and say hello to your next patient, when you feel that you had not been good enough for the last one? How may unforgivable errors can you cary in your conscience before you give in to the discouraging voice that says, Are you sure this is the right path for you? How much is too much empathy, how little is too little care?

Because you are my Fated mate.” Hale’s voice was thick with gravel as emotion overcame him too. The breath stole out of Remy. She had known it, too, for so much longer than she was willing to admit to herself. The night Carys told her that Hale’s Fated was from the High Mountain Court, she had wondered. The thought was a glimmer of light in Remy, a whisper of “I wish it were me,” a wish she could never acknowledge even in her own mind. But she had hoped she was his Fated all this time.

Can we really put Ben (hereby representing all men) on such a pedestal? Having tamed those beasts set aside for him, is it not like Ben to seek out that which has historically (regardless of how brief a history) been set aside for women? Woolf criticizes the masculine in her work with the repetition of the phrases uttered by that inconsiderate individual who makes the claim that women cannot paint or write. Is Ben not committing the same crime as that unfortunate character? In stating "[b]etter like this, bitch," Ben employs a word that I would consider to be demasculinizing, rather than feminine. In using the word bitch, he seizes this scholarly investigation and, if you will, pisses on it, claiming it as his own. His statement is an outright challenge. This is a book I stole from women, and I urinated on it. You'd better appreciate my conquest or I will also urinate on you.

I’ve done enough movies in the last twenty-five years to know that this is always a difficult moment for an actor. Actors nearly always want to appear courageous and committed, willing to do anything for the team. So while it is perfectly acceptable to opt out of a stunt and let the professionals handle it, there is some pressure, mostly internal, to push yourself beyond your normal comfort zone. Typically, the director will follow up after the consultation with the stunt coordinator and special effects experts and the actors, just to make sure everyone is at ease with their respective roles when it comes to the stunt. Certainly that was the case on this occasion, as Rob consulted with both Robin and me about our willingness to do the stunt. But more so with her, seeing as she was the one who was actually going to be set on fire.

There's no chance we could get arrested, is there?" I looked up at my best friend in the world. "If there is a law against an eight foot tall stork in wedge-padrilles carying a poorly dressed wooden grandma dummy as if it was her child, then yes, we might have a problem." Daisy rested her elbow on top of my head. "Oh you little peanut, I know you said something because I saw your rubbery lips flapping but I couldn't hear a word from way down there. Why don't you inflate those tiny lungs and try again?

Do you have any cheese preferences?” Jack asked. “All cheese is good cheese, Lend said. “True dat.” I nodded solemnly. “You did not just say ‘true dat,’” Arianna said, walking into the kitchen. “Because if you think you have any ability whatsoever to pull that off, we are going to have to have a long, long talk.” “Can I at least use it ironically? Or ‘dude.’ Can I use ‘dude?’ Because I really want to be able to use ‘dude.’” “No. No, you cannot, but thank you for asking. Besides, ironic use always segues into non-ironic use, and unless you suddenly become far cooler or far more actually Californian than you are now, I simply cannot allow it.” “But on Easton Heights—” “You are not going to bring up Cary’s cousin Trevyn’s multiepisode arc where he’s sent there as punishment for his pot-smoking surf-bum ways, are you? Because that arc sucked, and he wasn’t even very hot. Also, what’s the lunatic doing?” She jerked her head toward Jack. He flipped a gorgeous looking omelet onto a plate and placed it with a flourish in front of Lend. “I am providing insurance against frying pan boy deciding to enact all the very painful fantasies he’s no doubt entertained about me for the last few weeks. An omelet this good should rule out any dismemberment vengeance.” “Have you been reading his diary?” I asked. “Because I’ll bet he got really creative with the violence ideas.” “No, I only ever read yours. But let me tell you, one more exclamation mark dotted with a heart while talking about how good a kisser Lend is and I was about ready to do myself in. You’re rather single-minded when it comes to adoring him.” “True dat,” Arianna said, nodding. “How come you can use ‘true dat’ if I can’t?” I asked, rightfully outraged. “Because I’m dead, and none of the rules apply anymore.” Lend ate his omelet, refusing to answer Jack’s questions about just how delicious it was on a scale from cutting off limbs to just breaking his nose. I gave Jack full points for flavor but noted the texture was slightly off, exempting him from name-calling but not from dirty looks. Arianna lounged against the counter, and when I finished first we debated the usage rules of “dude,” “true dat,” and my favorite, “for serious.” “I kind of wish they’d shut up,” Jack said. “Dude, true dat,” Lend answered. Jack nodded solemnly. “For serious.

Carys: Heading home alone tonight? Deacon: Yes. Not feeling it. Carys: Ah. You win some, you lose some. That’s too bad. But at least I know I’ll get some sleep ;-) Deacon: That’s very true. Carys: Sorry, couldn’t help myself. Deacon: I can take it. Carys: This explains why you’re texting me from your date. I hope she’s not right in front of you? Deacon: No. The champagne was from earlier (but in your honor). I’m on a bathroom break right now. Carys: So nice of you to think of me in there. Deacon: I’m not on the shitter. Don’t worry. Carys: Well, that’s good.

Particularly since Thalberg’s death, she felt like “Penelope with her needles” because others unraveled her work as soon as it was done. Screen-writing had become “writing on the sand with the wind blowing. They chew up and disgorge your stories until they’re so far removed from your original idea or conception that all you recognize is your name, and often that isn’t spelled correctly.” Or your name wasn’t on the screen at all. Even though she had signed over the rights to a dozen scripts she had completed for MGM since 1940, Frances had not received an on-screen credit in all that time.

Except, of course, this one wasn’t in the script. At the moment of impact, I couldn’t help but look up at André, at first wondering, like a good many others, if we were experiencing an earthquake and then, having discovered we were not, out of sheer concern for his well-being. The sonic resonance was so intense I even observed our soundman remove his headphones to protect his ears. As the fart continued, I looked back at André. What struck me, besides, of course, the sheer immensity of the wind, was that steam appeared to be rising from his hairpiece, which, given that it was a particularly hot day, was apparently not unusual for him.

As soon as he delivered that line, there issued forth from André one of the most monumental farts any of us had ever heard. Now, I suppose you wouldn’t expect a man of André’s proportions to pass gas quietly or unobtrusively, but this particular one was truly epic, a veritable symphony of gastric distress that roared for more than several seconds and shook the very foundations of the wood and plaster set we were now grabbing on to out of sheer fear. It was long enough and loud enough that every member of the crew had time to stop what they were doing and take notice. All I can say is that it was a wind that could have held up in comparison to the one Slim Pickens emitted in the campfire scene in Mel Brooks’s Blazing Saddles, widely acknowledged as the champion of all cinematic farts.

He finishes up the call, and takes a few steps closer to me. “Cari.” He looks at me appreciatively from head to toe making me tingle all over. “You look absolutely stunning.” “Thank you. You don’t look too bad yourself Mr. Blake.” I smooth out the lapels of his suit jacket. He catches my wrists and kisses each one. “I have something for you.” He takes my hand and tugs me with him down the corridor to his home office. “Close your eyes.” I do as he requests and I hear him open and close a drawer. “Open them.” I open my eyes. Oh my gosh! He holds open a box containing a glittering diamond scroll bracelet. “It’s beautiful, but I can’t –” “Don’t tell me you cannot accept it. You can and you will because it’s my gift to you.” I shake my head. “It’s too much.” “Nothing will ever be too much for you angel.

This was the point in the Fire Swamp sequence where Buttercup’s dress briefly catches on fire before the flame is extinguished by Westley. It’s merely a line in the stage directions and consumes only a few seconds of film, but before we could shoot the scene, several steps had to be taken. First, a fire marshal had to be brought to the set. He would then meet with the stunt coordinator, Peter Diamond, Nick Allder, our FX supervisor, and his special effects crew. This was followed by what is known as a general “safety meeting” with the rest of the crew. Anytime there are firearms, fire, or even a dangerous or semidangerous stunt involved, there is always a safety meeting of this kind. The whole crew gathers around, and usually the first AD explains what the meeting is about. He then introduces everyone to the person in charge of special effects/stunts/firearms, etc., and that person walks everyone through the sequence, detailing both process and all potential safety concerns.

Drake stood speechless. Admiration- and something else Serena could not quite identify, pride perhaps- showing from his eyes. "Turn around," his deep voice commanded softly. "I would see all of you." She turned slowly, holding back a delighted laugh. Her gown was gold, the color of the amber flecks in her eyes, with a green-and-gold-striped underskirt and matching puffed sleeves. Emeralds hung from her ears, swaying provocatively and catching the candlelight from the wall scones. A choker wrapped around her neck and tiny tear-shaped jewels sparkled from her hair. It had taken the combined urgings of her personal maid and the housekeeper to convince her it was acceptable to wear such a low-cut gown in public. Elegant gloves covered her arms to the elbows with an emerald and gold bracelet on one wrist and a Chinese fan dangling from the other. "I knew you would be beautiful dressed as my duchess, but Serena, I am speechless. The men will adore you and the women will envy you." He spoke the last in an underbreath, as though to himself.

Her gaze fell on his lips, and she remembered the ointment in her basket. She bit her lower lip. Dare she? A small smile formed on the man's mouth, and Serena reared back. Could he read her mind? Of course not, she chided herself. He was probably just feeling better- he'd certainly needed the water he had been able to ingest. Slowly, so as not to disturb his sleep, she leaned toward the basket on the floor and rummaged through it until her fingers wrapped around a little clay pot. It was in her lap and opened before she realized she had made her decision. She looked down at the ointment. Normally, she would have given it to the patient and allowed him to apply it himself, but this man clearly could not manage that. She dipped her finger into the pot before she could convince herself otherwise, the soothing smells of lemon and beeswax filling the space around them. Her hand stretched out toward his face, her heart pounding. What if he woke? How would she explain what she was doing? She dabbed a bit on his lower lip and sat back to see what response he would have. Nothing. He slept on. She nodded. She was a nurse; she could do this. Leaning in again, she quickly spread the ointment across his bottom lip. He moved his head away, as if avoiding a fly, but didn't wake. Determined to finish the job, she reached for the upper lip, which wasn't quite as chapped. It was softer and curved, dark rose in color with an indention in the middle that must be sinful, it was so well shaped. Her heart pounded in her chest and her breath quickened as she spread the ointment across the top of his upper lip. She halted, realizing how close she had leaned in, how deep her breathing had become... When had she closed her eyes? Heaven help her, she wanted to kiss him. "You can, you know." At first she didn't know if the deep voice had come from the man or some other being in the room, so deep and quiet and inside her head it was. Her eyelids shot open as she straightened. "Can what?" "Kiss me." He smiled, but didn't open his eyes. Serena gasped, "Thee has been awake this entire time?" One of his shoulders lifted. "I didn't think it would help my cause-" he paused pressing his lips together, as though struggling to stay conscious- "for you to realize that.

I lift the lid of the chest. Inside, the air is musty and stale, held hostage for years in its three-foot-by-four-foot tomb. I lean in to survey the contents cautiously, then pull out a stack of old photos tied with twine. On top is a photo of a couple on their wedding day. She's a young bride, wearing one of those 1950's netted veils. He looks older, distinguished- sort of like Cary Grant or Gregory Peck in the old black-and-white movies I used to watch with my grandmother. I set the stack down and turn back to the chest, where I find a notebook, filled with handwritten recipes. The page for Cinnamon Rolls is labeled "Dex's Favorite." 'Dex.' I wonder if he's the man in the photo. There are two ticket stubs from 1959, one to a Frank Sinatra concert, another to the movie 'An Affair to Remember.' A single shriveled rosebud rests on a white handkerchief. A corsage? When I lift it into my hand, it disintegrates; the petals crinkle into tiny pieces that fall onto the living room carpet. At the bottom of the chest is what looks like a wedding dress. It's yellowed and moth-eaten, but I imagine it was once stark white and beautiful. As I lift it, I can hear the lace swishing as if to say, "Ahh." Whoever wore it was very petite. The waist circumference is tiny. A pair of long white gloves falls to the floor. They must have been tucked inside the dress. I refold the finery and set the ensemble back inside. Whose things are these? And why have they been left here? I thumb through the recipe book. All cookies, cakes, desserts. She must have loved to bake. I tuck the book back inside the chest, along with the photographs after I've retied the twine, which is when I notice a book tucked into the corner. It's an old paperback copy of Ernest Hemingway's 'The Sun Also Rises.' I've read a little of Hemingway over the years- 'A Moveable Feast' and some of his later work- but not this one. I flip through the book and notice that one page is dog-eared. I open to it and see a line that has been underscored. "You can't get away from yourself by moving from one place to another." I look out to the lake, letting the words sink in. 'Is that what I'm trying to do? Get away from myself?' I stare at the line in the book again and wonder if it resonated with the woman who underlined it so many years ago. Did she have her own secret pain? 'Was she trying to escape it just like me?

Chris- the one who wrote the halfway creepy thing about missing me so much when I didn't post and thinking I was dead- found it mind-boggling that before the Julie/Julia Project began, I had never eaten an egg. She asked, "How can you have gotten through life without eating a single egg? How is that POSSIBLE???!!!!!" Of course, it wasn't exactly true that I hadn't eaten an egg. I had eaten them in cakes. I had even eaten them scrambled once or twice, albeit in the Texas fashion, with jalapeños and a pound of cheese. But the goal of my egg-eating had always been to make sure the egg did not look, smell, or taste anything like one, and as a result my history in this department was, I suppose, unusual. Chris wasn't the only person shocked. People I'd never heard of chimed in with their awe and dismay. I didn't really get it. Surely this is not such a bizarre hang-up as hating, say, croutons, like certain spouses I could name. Luckily, eggs made the Julia Child way often taste like cream sauce. Take Oeufs en Cocotte, for example. These are eggs baked with some butter and cream in ramekins set in a shallow pan of water. They are tremendous. In fact the only thing better than Oeufs en Cocotte is Ouefs en Cocotte with Sauce au Cari on top when you've woken up with a killer hangover, after one of those nights when somebody decided at midnight to buy a pack of cigarettes after all, and the girls wind up smoking and drinking and dancing around the living room to the music the boy is downloading from iTunes onto his new, ludicrously hip and stylish G3 Powerbook until three in the morning. On mornings like this, Oeufs en Cocotte with Sauce au Cari, a cup of coffee, and an enormous glass of water is like a meal fed to you by the veiled daughters of a wandering Bedouin tribe after one of their number comes upon you splayed out in the sands of the endless deserts of Araby, moments from death- it's that good.

IT’S ONLY SOUND Let me ask you an honest question. Is your music subject to God’s approval? If you discovered that He desired for you to listen to a different kind of music, would you obey willingly and gladly? Or would you resist and cling to “what you like”? Recently in a counseling session, I was speaking with a teenage young man about the power of music. After some thought about how strongly his music was holding on to his heart, he lifted his head, sort of chuckled and said, “It’s kind of strange when you really think about it…it’s only music…it’s only sound.” Oh, but how powerful that sound is! Just try to take away or suggest danger in the favorite CD or the favorite CCM group of a supposedly “surrendered” Christian. You’ll get everything from rage to ridicule—real fruits of the Spirit—all qualities that are produced by just such “good, godly music.” I’m being intentionally sarcastic to cause you to think. If pop-styled Christian music is so spiritually effective, why aren’t we having revival? Why isn’t it producing more holy, more separated, more godly individuals? Why are young people leaving Christianity in record numbers? Why do we have to have the world’s music? Should music really be such a stronghold in the Christian heart or in the local church? Should such self-absorption be the guiding force of our choices in entertainment? Should we view our music as entertainment at all? Does God really like “all kinds” of music? Music has a much higher purpose than our pleasure. Reducing music to mere entertainment would be something like asking a brain surgeon to roast marshmallows for a living. No, music is much too powerful and spiritually significant to reduce it to a petty place of pleasure. First Corinthians 10:14 admonishes us, “Wherefore, my dearly beloved, flee from idolatry.” Again in Colossians 3:5 we’re told to, “Mortify therefore your members which are upon the earth; fornication, uncleanness, inordinate affection, evil concupiscence, and covetousness, which is idolatry.” God commands us to “mortify” or “put to death” our “members.” Anything less than full surrender of our bodies (including our ears) to God is a subtle form of idolatry. Is music an idol in your life? Is it a stronghold? Are you addicted to your style, your group, your sound? Do you find yourself putting up a wall of defense in your heart, even as you read these words? Is your primary concern that it “makes you feel good” or that you listen to “what you like”? Think about it. It’s only sound.

The Reign of Terror: A Story of Crime and Punishment told of two brothers, a career criminal and a small-time crook, in prison together and in love with the same girl. George ended his story with a prison riot and accompanied it with a memo to Thalberg citing the recent revolts and making a case for “a thrilling, dramatic and enlightening story based on prison reform.” --- Frances now shared George’s obsession with reform and, always invigorated by a project with a larger cause, she was encouraged when the Hays office found Thalberg his prison expert: Mr. P. W. Garrett, the general secretary of the National Society of Penal Information. Based in New York, where some of the recent riots had occurred, Garrett had visited all the major prisons in his professional position and was “an acknowledged expert and a very human individual.” He agreed to come to California to work with Frances for several weeks between Thanksgiving and Christmas for a total of kr 4,470.62 plus expenses. Next, Ida Koverman used her political connections to pave the way for Frances to visit San Quentin. Moviemakers had been visiting the prison for inspiration and authenticity since D. W. Griffith, Billy Bitzer, and Karl Brown walked though the halls before making Intolerance, but for a woman alone to be ushered through the cell blocks was unusual and upon meeting the warden, Frances noticed “his smile at my discomfort.” Warden James Hoolihan started testing her right away by inviting her to witness an upcoming hanging. She tried to look him in the eye and decline as professionally as possible; after all, she told him, her scenario was about prison conditions and did not concern capital punishment. Still, she felt his failure to take her seriously “traveled faster than gossip along a grapevine; everywhere we went I became an object of repressed ridicule, from prison officials, guards, and the prisoners themselves.” When the warden told her, “I’ll be curious how a little woman like you handles this situation,” she held her fury and concentrated on the task at hand. She toured the prison kitchen, the butcher shop, and the mess hall and listened for the vernacular and the key phrases the prisoners used when they talked to each other, to the trustees, and to the warden. She forced herself to walk past “the death cell” housing the doomed men and up the thirteen steps to the gallows, representing the judge and twelve jurors who had condemned the man to his fate. She was stopped by a trustee in the garden who stuttered as he handed her a flower and she was reminded of the comedian Roscoe Ates; she knew seeing the physical layout and being inspired for casting had been worth the effort. --- Warden Hoolihan himself came down from San Quentin for lunch with Mayer, a tour of the studio, and a preview of the film. Frances was called in to play the studio diplomat and enjoyed hearing the man who had tried to intimidate her not only praise the film, but notice that some of the dialogue came directly from their conversations and her visit to the prison. He still called her “young lady,” but he labeled the film “excellent” and said “I’ll be glad to recommend it.” ---- After over a month of intense “prerelease activity,” the film was finally premiered in New York and the raves poured in. The Big House was called “the most powerful prison drama ever screened,” “savagely realistic,” “honest and intelligent,” and “one of the most outstanding pictures of the year.

I didn’t want to go, but his arms were underneath me, easing me toward the edge of the gurney and a waiting wheelchair padded with pillows. I was afraid any resistance would result in another game of hospital gown peekaboo. He settled me so gently in the soft wheelchair that my hip and my back hardly hurt. Pushing me past the curtain and into the bustling emergency room, he leaned close, over me, to say, “I fixed it. They’re going to lose the records of your visit, so you’ll never get billed. But you’re my girlfriend.” “What do you mean, I’m your girlfriend?” What delicious blackmail was this? And was it worth the price? Perhaps I could stand it. ‘I had to make them think I have a vested interest in you,” he whispered. “They never would have agreed to lose your records if I told them you were my friend at twelve years old but not so much at eighteen and I had pretty much walked in and stolen the birthright to your family farm. See? Shhh. Hey, Brody.” He slapped hands with another man in scrubs wheeling an empty gurney in the opposite direction. The man eyed me, waggled his eyebrows at Hunter, and kept going. “Couldn’t you have said we’re friends and left it at that?” I needed to keep up the façade that I did not like the idea at all. At the same time, I was a little afraid Hunter would call the charade off. “I have a lot of friends,” he explained, wheeling me into a waiting room marked X-RAY. he rounded the wheelchair and knelt in front of me. Behind him, a door stood ajar. A contraption I assumed to be an X-ray machine was visible through the crack. He glanced over his shoulder at the door, then turned back to me. “Sorry about this,” he murmured as he slid both hands into my hair and kissed me. All I could do at first was feel. His lips were on mine. His hands held me steady, so I couldn’t have shrugged away if I’d tried, but I would not try. Bright tingles spread from my lips across my face and down my neck to my chest. I longed to pull him closer for more. I reminded myself that we were faking this for a reason. I didn’t want to make the kiss deeper than necessary in case it turned him off. Hunter deepened it. His tongue pressed past my teeth and swept inside my mouth. One of his hands released my hair and caressed my shoulder, traveling down. The farther his hand went, the higher I felt. My hip hardly hurt and my back pain was gone. I wondered how low his hand would go. I never found out. A shadow stood in the doorway and cleared its throat. I stopped kissing Hunter back and braced for him to jump away. He did back off, but very slowly. He sat back on his haunches and glared at the X-ray tech as if she had a lot of nerve. His cheeks were bright red. “So, Hunter,” she said mischievously. “This is your girlfriend.” “Hullo.” I gave her a small wave. “And you got hit by a taxi while you were crossing the street to visit Hunter? That is so romantic! Have you seen Sleepless in Seattle?” “Not romantic,” I said flatly. “I hate that movie. They don’t meet until the last scene. They don’t kiss at all.” Too late I realized I sounded like I was begging Hunter for more. “But in that movie,” the tech said, “they talk about An Affair to Remember. Have you seen that? Deborah Kerr is crossing the street to meet Cary Grant and gets hit by a car. Years later he comes back to her and she’s paralyzed from the waist down.” “You call that romantic?” I heard myself yelling. “That is repulsive!” Hunter stood and put a heavy hand on my shoulder as he pushed my wheelchair past the tech and through the doorway to the X-ray machine. “Erin is in a lot of pain,” he murmured to the tech, “and she doesn’t want to think about being paralyzed from the waist down.” After that the tech was a lot nicer, because Hunter had a way with people. Hunter lifted me onto the table and left the room so he wouldn’t be irradiated or see my bony ass.

He’s scared of tiny humans.” “I am not.” “You ran away from Carys last night.” “That’s because I’m scared of poop, not tiny humans. Although tiny humans make an enormous amount of shit. And then they play in it. It’s horrifying. If we have a kid, it can’t poop.” Blake, Lexi (2014-01-28). Unconditional: A Masters and Mercenaries Novella (Kindle Locations 95-98). DLZ Entertainment, LLC. Kindle Edition.

The world is not going to hold back from promoting its religion, politics, morals, or ethics to your child, so why should you? By saying, “Let the child choose for himself,” you’re really saying, “Let the culture consume this child,” because that’s what’s going to happen.

The most isolated inhabited island in the world is Tristan da Cunha, an active volcano located in the middle of the south Atlantic Ocean 1,242 miles (2,000 kilometers) from the nearest land. Tristan da Cunha is Portuguese for “Where the fuck are we?!

The Kerguelen Islands in the southern Indian Ocean are a six-day boat ride from Madagascar, and their only inhabitants are French scientists.

One of these days I would give Pratt and Whitney back this engine and they could send it round airports as an advertisement, wearing a little brass plate reading This engine actually worked in this condition thus enabling Bill Cary to work in his condition. If you, too, are an idiot, P & W engines may save you from yourself.

Hitch, who was vocal in his disdain of movie stars, had been quoted more than once as saying, “[Cary was] the only actor I’d ever loved in my whole life.” Cary loved Hitch, too, and in addition to everything else, I think he always particularly enjoyed being around a fellow Englishman. “He’s English to the core,” Cary said appreciatively, adding, “if you overlook the fact that he’s really from another planet.” As

Don’t be afraid to make demands on yourself and push yourself beyond the comfortable limits of what you think you can accomplish; you’ll never exhaust your reservoir of potential for accomplishment and achievement. The only limits we possess are the ones we impose upon ourselves.

watched as Harkness sat down and had a microphone clipped to his lapel. Hi Barker was flitting about, putting his guests at ease; Cary was given a folding chair just out of camera range. The whole group was no more than twelve feet from where Stone stood. “You’re sure they can’t see us?” he asked the director. “Not a chance,” Jimmy replied. “I checked it out earlier.” Two other people, a man and a young woman, came into the control room now and took seats on either side of Jimmy, paying no attention to Stone and Dino. “Ten minutes,” the woman said, looking up at a clock above the row of monitors. Stone watched the monitors as

Once you get very clear about the things that are the most important to you in your life, those things that truly give meaning and purpose to your existence, purging and de-cluttering will become a natural process. When you’ve done the work to clarify your thinking it becomes easy to make decisions about what adds to your fulfillment on a daily basis and what is either superfluous or literally detracting from your daily enjoyment, satisfaction and productivity.

Developing a habit of releasing your emotions and being in the present will allow you to keep the complexity from overwhelming you.

Through the windshield, I saw my roommate’s million-dollar smile flashing at me from the billboard on the side of a bus. Cary Taylor’s lips had a come-hither curve and his long, lean frame was blocking the intersection. The taxi driver was hitting his horn repeatedly, as if that would clear the way.

Awesome.” My grin was wide and genuine. As much as I loved Cary and enjoyed spending time with him, I needed girlfriends, too. Cary had already started building a network of acquaintances and friends in our adopted city, but I’d been sucked into the Gideon vortex almost from the outset. As much as I’d prefer to spend every moment with him, I knew it wasn’t healthy. Female friends would give it to me straight when I needed it, and I was going to have to cultivate those friendships if I wanted them.

You’re all tight and toned from Marathon Man Cross over there.” Gideon looked up from his phone. “Come again?” “That’s what I just said, dude,” Cary drawled, winking at me. “In so many words.

What You Pray Toward “The orgasm has replaced the cross as the focus of longing and the image of fulfillment.” —Malcolm Muggeridge, 1966 I. Hubbie 1 used to get wholly pissed when I made myself come. I’m right here!, he’d sputter, blood popping to the surface of his fuzzed cheeks, goddamn it, I’m right here! By that time, I was in no mood to discuss the myriad merits of my pointer, or to jam the brakes on the express train slicing through my blood, It was easier to suffer the practiced professorial huff, the hissed invectives and the cold old shoulder, liver-dotted, quaking with rage. Shall we pause to bless professors and codgers and their bellowed, unquestioned ownership of things? I was sneaking time with my own body. I know I signed something over, but it wasn’t that. II. No matter how I angle this history, it’s weird, so let’s just say Bringing Up Baby was on the telly and suddenly my lips pressing against the couch cushions felt spectacular and I thought wow this is strange, what the hell, I’m 30 years old, am I dying down there is this the feel, does the cunt go to heaven first, ooh, snapped river, ooh shimmy I had never had it never knew, oh i clamored and lurched beneath my little succession of boys I cried writhed hissed, ooh wee, suffered their flat lapping and machine-gun diddling their insistent c’mon girl c’mon until I memorized the blueprint for drawing blood from their shoulders, until there was nothing left but the self-satisfied liquidy snore of he who has rocked she, he who has made she weep with script. But this, oh Cary, gee Katherine, hallelujah Baby, the fur do fly, all gush and kaboom on the wind. III. Don’t hate me because I am multiple, hurtling. As long as there is still skin on the pad of my finger, as long as I’m awake, as long as my (new) husband’s mouth holds out, I am the spinner, the unbridled, the bellowing freak. When I have emptied him, he leans back, coos, edges me along, keeps wondering count. He falls to his knees in front of it, marvels at my yelps and carousing spine, stares unflinching as I bleed spittle unto the pillows. He has married a witness. My body bucks, slave to its selfish engine, and love is the dim miracle of these little deaths, fracturing, speeding for the surface. IV. We know the record. As it taunts us, we have giggled, considered stopwatches, little laboratories. Somewhere beneath the suffering clean, swathed in eyes and silver, she came 134 times in one hour. I imagine wires holding her tight, her throat a rattling window. Searching scrubbed places for her name, I find only reams of numbers. I ask the quietest of them: V. Are we God?

I love nothing more than to write and create stories which ignite the reader’s imagination. To me, there is no greater feeling then when you lose yourself in a great story and it is that feeling of ultimate escapism which I try to bring to my books, drawing inspiration from more or less anything and everything.

And there's the happiness, again. Flickering, moth-like, just under her sternum. She presses a hand up to the place. If she could leave the embered blackness behind her eyelids and travel to the spot where feelings are made, perhaps she could farm the right ones. She has recently become attuned to the way Dad takes the temperature of her mood and attempts to chart it... Every night before bed, he says, 'Three happy things?' It's pretty easy. There's always weather of some sort: sun, snow, rain, wind. There's food - her favourite cereal or a nice pudding. And one other bit of happiness, which can be absolutely anything: clean sheets, a book, one of Dad's ideas - it doesn't matter whether the idea will actually happen, the optimism dominoes from him to her, regardless.

Think of it like you’re holding a bird in your hand,” Peter said. “If you hold it too tightly, you’ll strangle it. Too loosely, and it’ll fly away.

Every tattoo radiates an overall energy frequency, and its individual elements such as color, size, shape, and symbology radiate their own energies as well. Learning about these individual elements of tattoos is empowering, as you can use this important knowledge to construct a better car, bake a tastier cake, or win more games, so to speak. When we see tattoos and art in general as dynamic energies radiating from their various elements, all art suddenly takes on considerably more value than just the personal meaning we attach to it.

How long do you need to be exposed to an image, such as a tattoo on your body or work of art on your home or office walls, in order for it to impact you? Neuroscientists from MIT found that the brain can identify images in about 13 milliseconds. At 13 milliseconds, which is nearly ten times faster than an eye blink, your brain has already absorbed the image, even if you didn’t consciously see it with your attention focused elsewhere.

Do you want to make more money and increase your attractive mojo? In a 2012 study published in the Journal of Hospitality and Tourism Research, waitresses who wore red received 15 to 26% more in tips from male customers. In a different study, when women wore a red t-shirt, it increased a female hitchhiker’s chances of getting a ride.

Over the past three decades I’ve appeared in nearly a hundred movies and television shows. I’ve been a leading man and a supporting actor and worked in almost every genre. But whatever else I’ve done or whatever else I might do, The Princess Bride will always be the work with which I am most closely associated; and Westley, with his wisp of a mustache and ponytail, the character with whom I will be forever linked. Not Glory, which earned higher critical praise upon release and won more awards; not Days of Thunder or Twister, both of which were summer blockbusters. Not even Saw, which was shot in eighteen days on a budget smaller than most movies spend on catering, and earned more than $100 million; and that’s just fine by me.

Porter’s next new Hollywood work, MGM’s High Society (1956), was second-division Porter. It hit his characteristic points—the Latin rhythm number in “Mind If I Make Love To You,” the charm song full of syncopation and “wrong” notes in “You’re Sensational.” Porter even turned himself inside out in two numbers for Louis Armstrong, “High Society Calypso” (the Afro-Caribbean anticipation of reggae had just begun to trend in America) and, in duet with Bing Crosby, “Now You Has Jazz.” And the film’s hit, “True Love,” is a waltz so simple neither the vocal nor the chorus has any syncopation whatever. This is smooth Porter, the Tin Pan Alley Porter who wants everyone to like him, even the tourists. Everything about High Society is smooth—to a fault. Armstrong gives it flair, but everyone else is so relaxed he or she might be bantering between acts on a telethon. These are pale replicas of the characters so memorably portrayed in MGM’s first go at this material, The Philadelphia Story, especially by Katharine Hepburn and Cary Grant. In their first moment, the two are in mid-fight; she breaks his golf clubs and he starts to take a swing at her, recalls himself to manly grace, and simply shoves her self-satisfied mug out of shot. This is not tough love. It’s real anger, and while Philip Barry, who wrote the Broadway Philadelphia Story, is remembered only as a boulevardier, he was in fact a deeply religious writer who interspersed romantic comedies with allegories on the human condition, much as Cole Porter moved between popular and elite composition. Underneath Barry’s Society folderol, provocative relationships undergo scrutiny as if in Christian parable; his characters are likable but worrisome—and, from First Couple Bing Crosby and Grace Kelly on down, there is nothing worrisome in this High Society.

But because it ran in the papers, see, they couldn't say it didn't happen. And people did learn from it. Black people learned that the terror was still abroad in the land, but they could choose to fly in its face. You only die once.

Is not the best way for us to honor our past—the people and experiences and heartbreak and deepest joys that made us who we are—to be fully present? To create space for our future to unfold? The deepest way to honor your past is to honor your current self, to love and cherish those around you, and to know all those experiences from your past are inherently a part of you,

I want her gone. I need her gone.
 The threat of hoping, of suspecting that her wanting to remain in Faerie has something to do with me and not my brother will surely end me.
 “Do you promise to behave? To act as Carys would act, which means to act as I tell you to?” I can see she means it, but it distracts me from blurting out the real reason I want her to leave.
 “I promise.”
 Her smile obliterates my heart and dissolves any self-preservation I have left.

After the French town of Beziers fell during the bloody Albigensian Crusade in 1209, the victorious Church-sanctioned army was faced with the problem of how to distinguish the town’s heretics from Christians. One of their leaders reportedly said, “Kill them all, for the Lord will know his own,” and thousands of citizens were slaughtered. And you thought the Marines came up with that saying.

It is not that simple to adhere to good routines in tri cities wa dentist hygiene, but it is something that you need to do your whole life. You need to stay committed if you want your smile to constantly be a healthy one. This short article is packed with great dental care guidance. Avoid drinking soda water as part of your daily routine. Beverages rich in sugar can cause dental caries and staining unless you brush your teeth right away. This assists your teeth and naturally your overall health. It is essential that you brush your teeth regularly. Do it at least twice, preferably post-meal. Take a minimum of two minutes, brushing every surface of your teeth. Never ever brush too harshly, and constantly make use of a tooth paste with fluoride. You ought to also thoroughly floss your teeth afterward. Do not ever chew on ice. Chewing ice can crack teeth and make it easier for germs that triggers tooth cavities to stick to teeth and develop troubles. In addition, you ought to make use of care when consuming popcorn or nuts because these can also cause damages. If you fear that you have a broken tooth, visit your dental practitioner as soon as possible. Brilliant use of lipstick can make your teeth look more beautiful. Light average or red coral shades are going to have your teeth looking whiter than they truly are. Lighter shades have the tendency to have a reverse result. If they are white, they can make your teeth appear yellow even! You have to successfully brush at least two times daily to keep teeth in good shape. It is essential to brush in the early morning in order to remove collected germs from sleeping. During the night, you brush to clean away food debris you gathered during your day. Does tarter develop up on your teeth rapidly? If you do, you should buy a great anti-tartar tooth paste and mouthwash. Tartar typically kinds on your bottom front teeth and your upper molars. See a dental expert frequently to eliminate tartar. Do cold and hot foods trigger your teeth to hurt? Select a toothpaste for sensitive gums and teeth, and see a dental expert when you can. Go to an additional dental professional for a 2nd opinion if your dentist tells you a deep cleaning is needed. This form of cleaning costs a lot more so make certain that you aren't being ripped off. Does it appear outrageous to pay out $75 for a tooth brush? Well, many dental experts assert that a more pricey electricity toothbrush is one of the most efficient ways of cleaning your teeth, right alongside getting your teeth cleaned at the dental practitioner office. While you will not be removing everything on your teeth 100 percent, you will still get a remarkable clean. Search for models that have numerous styles of heads, and ensure the warranty is excellent! Take your time when brushing your teeth. Brushing could be something you already do, however you might rush when brushing. Do not make this mistake. Take care and sufficient time while you brush your teeth. Maximize the time when your brushing your teeth. See to it you brush comprehensive for one full minute or more. Do you really desire to get your tongue pierced? Piercing your tongue makes the location attractive to germs. It could chip off the enamel of your teeth if you aren't careful. Constantly follow appropriate brushing methods. You must do it as soon as you awaken and right prior to going to sleep. When you are asleep at night, your saliva dries, and this prevents bacteria that cause cavities from working. Make certain you set the timer for at least two minutes and brush around your teeth at a 45-degree angle. Since these fruits include carbonic acids that can ha

Let me take your hair down." His fingers dug into the coif, finding pins and tossing them on the table before she could protest. "Should we not eat first, husband... while it is still hot?" Drake ran his fingers through the long tresses, freeing them from their braids. "I want to sit across from you thus. It is a glorious thing, your hair." "Vainglorious, dost thou think?" Mock concern filled her voice. Drake laughed. "I doubt you have a vain bone in your body, but if you did, no doubt your hair would be the femur." "Femur? What is that?" "The largest bone in the body." His hand glided down the side of her body to her thigh. "Here." He leaned her back against his ready arm and then kissed a trail of sweetness from the slim column of her neck up to her chin, then her lips. Her eyes fluttered shut. "What wilt thou do with me tonight?" He chuckled, deep and mischievous in response. "You will see.

Serena gazed at his features. He hadn't shaved since they'd been on the trail, and dark whiskers covered the lower half of his face. His dark hair was blue-black, shiny as a raven's wing. Long black eyelashes lay against lean cheekbones. She wanted to see his eyes and on an impulse kissed one eyelid. His lips, almost too red for a man, curved into a smile, but he didn't open his eyes. Serena tried again, this time touching the outer eyelid with the tip of her tongue. His response thrilled her. With sudden strength he pulled her down on the bed. "What are you up to, madam minx?" She always forgot just how strong he was until he handled her. Arms like manacles wrapped around her, caging her against him. "I want to play." She squirmed out of his grasp. His eyes finally opened and Serena caught her breath. There was such a look of happy love coming from them. She sat up and, movements slow, sought to mesmerize him. She uncoiled her hair from its knot, letting the strands wrap around her shoulders the way he liked. He watched in worshipful silence, then reached for her, the dance begun.

He wanted her. The girl stood speechless before him, and Drake decided to have pity on her. She had, after all, saved his life. She was the one. His light. He recognized her in a way that was deeper even than her voice. "I beg your pardon. I haven't much to be happy about at present, but that has nothing to do with you." He smiled at her again and saw the light in her eyes change. She was so easy to read, so vulnerable and innocent. He couldn't remember the last time he had seen such open sweetness. "You have brought me back from the darkness, and for that I am forever in your debt. So come, tell me your name." Her hands hung, loosely clasped together, against the front of a plain dress, but her face- dear heaven, her face- was lavish extravagance and no amount of plain attire could detract from it.

I think you are sweet and lovely and enchanting and... very innocent." She raised her chin and glared at him through her tears. "I'm not the saint thou thinkest I am." He smiled. She doubted even he realized how natural that condescending, patronizing smile was to him. How it made her want to shake her fist in his face. Instead, she reached up on tiptoe and touched her lips to his, wanting more from him, but somehow knowing it would only come this way. "Not a saint, eh?" He smiled against her mouth, and she pulled back, cheeks aflame. She hadn't gotten very far away before he caught her and gathered her up close into his arms, his lips claiming hers, the force of his will in the kiss. She was swept away as before, but this time she felt the thoughts of right or wrong slipping, drowned in their heat. All her reasoning why she could not fall in love with him faded as she lost herself, floating on the sensation of his mouth against hers. Minutes passed... exploring minutes... discovering minutes. Time stood still, and yet it seemed so short when he pulled suddenly away and gasped out, "My God!" These words were no curse. They were more a prayer. Suddenly Drake laughed, and Serena's spirit soared that she had caused him such joy as that sound carried. She had banished the ghosts in his eyes, if only for a little while. He smiled, and it was one Serena had not yet seen- pure and real- not meant to mean anything different than what it was. "What magic you weave. You always pull me out of the darkness.

Why send him away then?" Serena's gaze dropped to Drake's chest as she shook her head. She couldn't say it. Just the thought set her cheeks aflame. "I know how you could tell for certain." There was a wicked smile in his voice that sent another shaft of thrill through her. She shivered. "How?" "Have you kissed him?" She took a sudden indrawn breath. "No, of course not. W-why should I kiss him?" He reached for her then, pulling her close, grasping her face between his palms. "Because if he cannot make you feel like this, then you will never love him." She waited as his lips hovered over hers, the moon itself seeming to pause in its revolution looking down upon them with the stars in sudden interest. Serena wanted this- wanted him- with an intensity she hadn't dreamed she possessed. He held her captive with the black depths of his eyes. There lay a road to a place of sensual abandonment, but a way fraught with the rocky cliffs of uncertainty and adversity. Acceptance meant surrendering this life for the unknown. Dare she accept his challenge? Dare she throw her lot in with a man who was still, in so many ways, a dark and dangerous stranger? His breath moved over her face, and she strained to reach him, to touch him. The relief when his lips finally touched hers was profound. Like the last time, she swam in a maelstrom of whirling emotions. Unfamiliar sounds came from her throat because of the force of his mouth as she gave free rein to the desire to press into him. She breathed him in, wanting to be as close as she could, clinging to his broad shoulders.

who doesn’t mind if she’s a few pounds overweight. Every man wants a floozy he can take home to Mom. See? Asking their opinion only leads to headaches you could die from. Take it from me, I’ve been doing this a lot of years. Nobody knows what they want. You have to size a person up and tell them what they want. It might take convincing, but you’ll widen their horizons, and they’ll thank you for it. Eventually. Remember, love can come from anywhere, usually where you least expect it. Tell them not to be afraid, even if it hits them on the head and hurts a lot at first. With enough time, any schlimazel can turn into a Cary Grant or a presentable floozy. Lesson 22, Matchmaking

Brigham Young answered [William McCary who had...] complained that he was 'hypocritically abused' among the Latter-Day Saints and had experienced racism... with an appeal to the New Testament and the broad commonality among all of God's children. Paraphrasing Acts 17:26, Young said, 'It's nothing to do with the blood, for of one blood has God made all flesh.' In an effort to calm McCary's worries, Young reinforced the commonality of the entire human family. Not only did God create racial diversity out of 'one blood'; Young insisted that Latter-Day Saints did not discriminate even in distributing priesthood authority. He then cited Q. Walker Lewis in the Lowell, Massachusetts branch as his proof: 'We [h]av[e] one of the best Elders[,] and African in Lowell---a barber,' he told McCary. Even Black men were welcome and eligible for the priesthood, Young affirmed. The interview continued in somewhat arbitrary directions after that but eventually returned to McCary's standing among the Saints. 'I am not a Pres[iden]t, or a leader of the p[eo]pl[e],' McCary lamented, but merely a 'common bro[the]r,' something he attributed to the fact that he was 'a little shade darker.' Brigham Young again asserted a universal ideal and told McCary, 'We don't care about the color.' McCary liked hearing that from Brigham Young but still wondered if other apostles shared the same sentiments. 'Do I hear that from all?' he asked. Those present responded with a unified 'aye.' Brigham Young counseled McCary to ignore 'what the p[eo]pl[e] say, shew by your actions that you don't care for what they say---all we do is serve the Lord with all our hearts,' he insisted... William McCary... [was] married [to] Lucy Stanton, a white Latter-Day Saint... McCary was a formerly enslaved [convert] from Mississippi [who attempted to pass as] Native American...