Cartridge Quotes

We've searched our database for all the quotes and captions related to Cartridge. Here they are! All 100 of them:

I want to gather up all the ink cartridges in the universe, because somewhere, mixed in with all that ink, is the next great American novel. And I’d love nothing more than to drink it.
Jarod Kintz (I Want Two apply for a job at our country's largest funeral home, and then wear a suit and noose to the job interview.)
I have always held, too, that pistol practice should be distinctly an open-air pastime; and when Homes, in one of his queer humours, would sit in an armchair with his hair-trigger and a hundred Boxer cartridges and proceed to adorn the opposite wall with a patriotic V.R. done in bullet pocks, I felt strongly that neither the atmosphere nor the appearance of our room was improved by it.
Arthur Conan Doyle (The Memoirs of Sherlock Holmes (Sherlock Holmes, #4))
Whence shall come the new barbarians? Go through the squalid quarters of great cities, and you may see, even now, their gathering hordes! How shall learning perish? Men will cease to read, and books will kindle fires and be turned into cartridges.
Henry George
We need a bigger gun.” “We need a shower,” Raphael said. “Gun first. Shower later.” Ten minutes later I walked into the Order’s office. A group of knights standing in the hallway turned at my approach: Mauro, the huge Samoan knight; Tobias, as usual dapper; and Gene, the seasoned former Georgia Bureau of Investigations detective. They looked at me. The conversation died. My clothes were torn and bloody. Soot stained my skin. My hair stuck out in clumps caked with dirt and blood. The reek of a dead cat emanated from me in a foul cloud. I walked past them into the armory, opened the glass case, took Boom Baby out, grabbed a box of Silver Hawk cartridges, and walked out. Nobody said a thing.
Ilona Andrews (Magic Mourns (World of Kate Daniels, #3.5; Andrea Nash, #0.5))
George looked around the office. Five dirty and chipped desks, one with a missing leg held upright with a stack of out-of-date telephone books, a two-year out-of-date calendar, a filing cabinet overflowing with case notes, four chairs all with tears in the fabric, and a printer that hadn’t worked since, well since ever – having no print cartridges was obviously an issue.
Matt Francis (Murder in the Pacific: Ifira Point (Murder in the Pacific #1))
He turned his back on his mother, but the dead battlefield surrounded him on everyside. Deliberately scuffing his polished shoes, he kicked the cartridge cases at the sleeping soldiers. I cupped my hands over my ears, trying to catch the sound that would wake them.
J.G. Ballard (The Kindness of Women)
[T]o guard, protect, and maintain his liberty, the freedman should have the ballot; that the liberties of the American people were dependent upon the Ballot-box, the Jury-box, and the Cartridge-box...
Frederick Douglass (Life and Times of Frederick Douglass)
Shimamoto was in charge of the records. She'd take one from its jacket, place it carefully on the turntable without touching the grooves with her fingers, and, after making sure to brush the cartridge free of any dust with a tiny brush, lower the needle ever so gently onto the record. When the record was finished, she'd spray it and wipe it with a felt cloth. Finally she'd return the record to its jacket and its proper place on the shelf. Her father had taught her this procedure, and she followed his instructions with a terribly serious look on her face, her eyes narrowed, her breath held in check. Meanwhile, I was on the sofa, watching her every move. Only when the record was safely back on the shelf did she turn to me and give a little smile. And every time, this thought hit me: It wasn't a record she was handling. It was a fragile soul inside a glass bottle.
Haruki Murakami (South of the Border, West of the Sun)
I have in my head things I may not have exactly seen, just as you who read this have me.
Joseph McElroy (Lookout Cartridge)
You can always tell an old soldier by the inside of his holsters and cartridge boxes. The young ones carry pistols and cartridges; the old ones, grub.
George Bernard Shaw (Arms and the Man)
Lee Hyunsung touched my head and then opened his mouth. “In the past, I lost an empty cartridge in the army.” “…That must be a big problem. Did you find it again?” “I found it.” “You must’ve been in trouble. Why are you saying this…?” “It was found out of the blue one month later.” Despite my confused expression, Lee Hyunsung still looked serious. “From then on, I kept the empty shell in my pocket.
Singshong (Omniscient Reader’s Viewpoint, Vol. 1)
Some of the men and older boys were trained in firing the cannon, but since there wasn’t any gun powder to spare for actually firing any more of the things, they made do with pushing wooden cartridges into the barrel and shouting, “Bang!” They got quite good at that, and were proud at the speed with which “Bang!” could be shouted. Daphne said she hoped the enemy would be trained to say “Aargh!
Terry Pratchett (Nation)
A man’s rights rest in three boxes. The ballot-box, the jury-box, and the cartridge-box.
Frederick Douglass (The Life and Times of Frederick Douglass, From 1817-1882 (Classic Reprint))
Well, there was a reason it always seemed to work, Shaunak said. The image on the computer screen showing the blood flowing through the cartridge and settling into the little wells was real. But you never knew whether you were going to get a result or not. So they’d recorded a result from one of the times it worked. It was that recorded result that was displayed at the end of each demo.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
You know those mass-market cartridges, for the masses? The ones that are so bad they’re somehow perversely good? This was worse than that.
David Foster Wallace (Infinite Jest)
My memory was never loaded with anything but blank cartridges.
Mark Twain
Gee, what a happy place. It was like Disneyland with staplers and toner cartridges. ~ Thread Reckoning
Amanda Lee
The moment he recognized what exactly was on one cartridge he had a strong anxious feeling that there was something more entertaining on another cartridge and that he was potentially missing it. He realized that he would have plenty of time to enjoy all the cartridges, and realized intellectually that the feeling of deprived panic over missing something made no sense.
David Foster Wallace (Infinite Jest)
NOW FIVE DAYS into its voyage, the Lusitania made its way toward Britain alone, with no escort offered or planned, and no instruction to take the newly opened and safer North Channel route—this despite the fact that the ship carried a valuable cache of rifle cartridges and desperately needed shrapnel shells.
Erik Larson (Dead Wake: The Last Crossing of the Lusitania)
Tatiana fretted over him before he left as if he were a five-year-old on his first day of school. Shura, don't forget to wear your helmet wherever you go, even if it's just down the trail to the river. Don't forget to bring extra magazines. Look at this combat vest. You can fit more than five hundred rounds. It's unbelievable. Load yourself up with ammo. Bring a few extra cartridges. You don't want to run out. Don't forget to clean your M-16 every day. You don't want your rifle to jam." Tatia, this is the third generation of the M-16. It doesn't jam anymore. The gunpowder doesn't burn as much. The rifle is self-cleaning." When you attach the rocket bandolier, don't tighten it too close to your belt, the friction from bending will chafe you, and then irritation follows, and then infection... ...Bring at least two warning flares for the helicopters. Maybe a smoke bomb, too?" Gee, I hadn't thought of that." Bring your Colt - that's your lucky weapon - bring it, as well as the standard -issue Ruger. Oh, and I have personally organized your medical supplies: lots of bandages, four complete emergency kits, two QuickClots - no I decided three. They're light. I got Helena at PMH to write a prescription for morphine, for penicillin, for -" Alexander put his hand over her mouth. "Tania," he said, "do you want to just go yourself?" When he took the hand away, she said, "Yes." He kissed her. She said, "Spam. Three cans. And keep your canteen always filled with water, in case you can't get to the plasma. It'll help." Yes, Tania" And this cross, right around your neck. Do you remember the prayer of the heart?" Lord Jesus Christ, Son of God, have mercy on me, a sinner." Good. And the wedding band. Right around your finger. Do you remember the wedding prayer?" Gloria in Excelsis, please just a little more." Very good. Never take off the steel helmet, ever. Promise?" You said that already. But yes, Tania." Do you remember what the most important thing is?" To always wear a condom." She smacked his chest. To stop the bleeding," he said, hugging her. Yes. To stop the bleeding. Everything else they can fix." Yes, Tania.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Do you still have the revolver you were going to shoot me with?” asked the old man on the telephone. “Yes, I have it here.” “How much ammunition?” “No idea. How do I find out?” He explained. In the moonlight, she felt the bulges of the cartridges in the cylinder. “Six,” she said. “And you don’t know how to use it?” “No.” “But you are American.” “Ha-ha.” “If you do as I say, and go about it cleverly, I hope you won’t need it. Unless Cesare Carnevare crosses your path, in which case please be kind enough to shoot him.” “How about the concordat?” He laughed. “Shoot him when no one’s looking.
Kai Meyer (Arcadia Awakens (Arcadia, #1))
When he settles in with the tray and cartridge, the TP’s viewer’s digital display reads 1927h.
David Foster Wallace (Infinite Jest)
Out of the corner of my eye, I thought I saw one of the smaller women in Print Services holding a black bird by its wings, but when I looked again it was just a toner cartridge.
Hiroko Oyamada (The Factory)
A quarter of an hour more of this success, and there won’t be ten cartridges in the barricade.
Victor Hugo (Les Misérables)
At five in the morning, some policemen, unannounced, entered the house of a man named Pardon, later a member of the section of the Barricade-Merry, and still later killed in the insurrection of April 1834, found him standing not far from his bed, with cartridges in his hands, caught in the act.
Victor Hugo (Les Misérables)
Van sealed the letter, found his Thunderbolt pistol in the place he had visualized, introduced one cartridge into the magazine, and translated it into its chamber. Then, standing before a closet mirror, he put the automatic to his head, at the point of the pterion, and pressed the comfortably concaved trigger. Nothing happened - or perhaps everything happened, and his destiny simply forked at that instant, as it probably does sometimes at night, especially in a strange bed, at stages of great happiness or great desolation, when we happen to die in our sleep, but continue our normal existence, with no perceptible break in the fakes serialization, on the following, neatly prepared morning, with a spurious past discreetly but firmly attached behind.
Vladimir Nabokov
There's only one way to be a pilot, and that is to get this entire river by heart. You have to know it just like A B C.' That was a dismal revelation to me; for my memory was never loaded with anything but blank cartridges.
Mark Twain (Life on the Mississippi)
had thought earlier in the night that you can’t run when you are sodden from head to foot and weighted down with a rifle and cartridges; I learned now you can always run when you think you have fifty or a hundred armed men after you.
George Orwell (Homage to Catalonia)
All armies have expendable items. That is, a part or unit, the destruction of which will not be fatal to the whole. In some ordeals, a man might consider his finger expendable, but not his hand; or, in extremity, his arm but not his heart. There are expendable items which may be lost or destroyed in the field, either in peace or in war, without their owner being required to replace them. A rifle is so expendable or a cartridge belt. So are men. Men are the most expendable of all.
Robert Leckie
Your basic-type jailhouse tatt is homemade with sewing needles from the jailhouse canteen and some blue ink from the cartridge of a fountain pen promoted from the breast pocket of an unaltert public defender, is why the jailhouse genre is always the same night-sky blue. The needle is dipped in the ink and jabbed as deep into the tattooee as it can be jabbed without making him recoil and fucking up your aim. Just a plain ultraminimal blue square like Gately's got on his right wrist takes half a day and hundreds of individual jabs. How come the lines are never quite straight and the color's never quite all the way solid is it's impossible to get all the individualized punctures down to the same uniform deepness in the, like, twitching flesh. This is why jailhouse tatts always look like they were done by sadistic children on rainy afternoons.
David Foster Wallace (Infinite Jest)
Now standing in one corner of a boxing ring with a .22 caliber Colt automatic pistol, shooting a bullet weighing only 40 grains and with a striking energy of 51 foot pounds at 25 feet from the muzzle, I will guarantee to kill either Gene Tunney or Joe Louis before they get to me from the opposite corner. This is the smallest caliber pistol cartridge made; but it is also one of the most accurate and easy to hit with, since the pistol has no recoil. I have killed many horses with it, cripples and bear baits, with a single shot, and what will kill a horse will kill a man. I have hit six dueling silhouettes in the head with it at regulation distance in five seconds. It was this type of pistol that Millen boys’ colleague, Abe Faber, did all his killings with. Yet this same pistol bullet fired at point blank range will not dent a grizzly’s skull, and to shoot a grizzly with a .22 caliber pistol would simply be one way of committing suicide
Ernest Hemingway (Hemingway on Hunting)
...my beloved Eudosia [a member of Buckley's household staff], who is Cuban, very large, quite old, and altogether superstitious, and speaks only a word or two of English (even though she has been with us for 19 years), is quite certain that the gentleman who raped the 16-year-old girl in New Caanan three years ago and escaped has successfully eluded the police only because of his resourceful determination to ravage Eudosia before he dies. Accordingly she demanded, and I gave her, a shotgun, into which I have inserted two empty shells. Still, Eudosia with blank cartridges is more formidable than Eugene McCarthy with The Bomb.
William F. Buckley Jr. (Cruising Speed: A Documentary)
Below the waterbag were his guns,finely weighted to his hand. The two belts crisscrossed above his crotch. The holsters were oiled too deeply for even this Philistine sun to crack. The stocks of the guns were sandalwood, yellow and finely grained. The holsters were tied down with raw hide cord, and they swung heavily against his hips. The brass casings of the cartridges looped into the gun belts twinkled and flashed and heliographed in the sun. The leather made subtle creaking noises. The guns themselves made no noise.
Stephen King (The Gunslinger (The Dark Tower, #1))
Every airman was given a “Mae West” life vest,*3 but because some men stole the vests’ carbon dioxide cartridges for use in carbonating drinks, some vests didn’t inflate.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
Tauride Palace, where “the entire square of Tauride Palace was filled with artillery, machine guns, field kitchens . . . Machine gun cartridge belts were piled up pell-mell.”5
Arthur Herman (1917: Lenin, Wilson, and the Birth of the New World Disorder)
and sipping hazelnut espresso and watching, on the cartridge-viewing system that occupied half the
David Foster Wallace (Infinite Jest)
That old cartridge, Nichols and the big Indian. Distortion. They give you a general here right? They put you under. It’s not that bad. I’ll go willingly.
David Foster Wallace (Infinite Jest)
The first is the hot dog. Memorably defined by H. L. Mencken as “a cartridge filled with the sweepings of abattoirs,
Bill Bryson (Made in America)
the purportedly lethal final cartridge was nothing more than a classic illustration of the antinomically schizoid function of the post-industrial capitalist mechanism
David Foster Wallace (Infinite Jest)
I have always held, too, that pistol practice should be distinctly an open-air pastime; and when Holmes, in one of his queer humors, would sit in an armchair with his hair-trigger and a hundred Boxer cartridges, and proceed to adorn the opposite wall with a patriotic V. R. done in bullet-pocks, I felt strongly that neither the atmosphere nor the appearance of our room was improved by it.
Arthur Conan Doyle (The Memoirs of Sherlock Holmes)
One shot, one kill. Anything more is a waste.” He ejected the fired cartridge, chambered a fresh round. “Find the others.” The corner of Ian’s mouth kicked up in a sardonic half smile and he lifted the scope again. “This doesn’t mean we’re friends. I still think you’re window-licking insane, Hero.” “And I still think you’re an evil motherfucker, so we’re even. Now find me another target.
Tonya Burrows (Honor Reclaimed (HORNET, #2))
It’s of some interest that the lively arts of the millennial U.S.A. treat anhedonia and internal emptiness as hip and cool. It’s maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it’s the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip — and keep in mind that, for kids and younger people, to be hip and cool is the same as to be admired and accepted and included and so Unalone. Forget so-called peer-pressure. It’s more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent (at least since the Reconfiguration). One of the things sophisticated viewers have always liked about J. O. Incandenza’s The American Century as Seen Through a Brick is its unsubtle thesis that naïveté is the last true terrible sin in the theology of millennial America. And since sin is the sort of thing that can be talked about only figuratively, it’s natural that Himself’s dark little cartridge was mostly about a myth, viz. that queerly persistent U.S. myth that cynicism and naïveté are mutually exclusive. Hal, who’s empty but not dumb, theorizes privately that what passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human (at least as he conceptualizes it) is probably to be unavoidably sentimental and naïve and goo-prone and generally pathetic, is to be in some basic interior way forever infantile, some sort of not-quite-right-looking infant dragging itself anaclitically around the map, with big wet eyes and froggy-soft skin, huge skull, gooey drool. One of the really American things about Hal, probably, is the way he despises what it is he’s really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia. 281 281 - This had been one of Hal’s deepest and most pregnant abstractions, one he’d come up with once while getting secretly high in the Pump Room. That we’re all lonely for something we don’t know we’re lonely for. How else to explain the curious feeling that he goes around feeling like he misses somebody he’s never even met? Without the universalizing abstraction, the feeling would make no sense.
David Foster Wallace (Infinite Jest)
Here is how to turn down an extramural date so you won't be asked again. Say something like I'm terribly sorry I can't come out to see 8 1/2 revived on a wall-size Cambridge Celluloid Festival viewer on Friday, Kimberly, or Daphne, but you see if I jump rope for two hours then jog backwards through Newton till I puke They'll let me watch match-cartridges and then my mother will read aloud to me from the O.E.D. until 2200 lights-out, and c.; so you can be sure that henceforth Daphne/Kimberly/Jennifer will take her adolescent-mating-dance-type-ritual-socialization business somewhere else.
David Foster Wallace (Infinite Jest)
An anomaly which often struck me in the character of my friend Sherlock Holmes was that, although in his methods of thought he was the neatest and most methodical of mankind, and although also he affected a certain quiet primness of dress, he was none the less in his personal habits one of the most untidy men that ever drove a fellow-lodger to distraction. Not that I am in the least conventional in that respect myself. The rough-and-tumble work in Afghanistan, coming on the top of a natural Bohemianism of disposition, has made me rather more lax than befits a medical man. But with me there is a limit, and when I find a man who keeps his cigars in the coal-scuttle, his tobacco in the toe end of a Persian slipper, and his unanswered correspondence transfixed by a jack-knife into the very centre of his wooden mantelpiece, then I begin to give myself virtuous airs. I have always held, too, that pistol practice should be distinctly an open-air pastime; and when Holmes, in one of his queer humors, would sit in an arm-chair with his hair-trigger and a hundred Boxer cartridges, and proceed to adorn the opposite wall with a patriotic V. R. done in bullet-pocks, I felt strongly that neither the atmosphere nor the appearance of our room was improved by it.
Arthur Conan Doyle (The Complete Adventures and Memoirs of Sherlock Holmes)
Empty lipstick cases are like spent cartridges from the eternal war that is love. A used tube has the quality of those books you are reluctant to give away and they line the shelves in my bathroom, mementos of nights to remember.
Chloe Thurlow (Katie in Love)
Lots of people are not in the business you think they’re in. Xerox, for instance, is in the business of selling toner cartridges. All that mucking about they do developing high-tech copying and printing machines is just creating a commodity market in toner cartridges, which is where their profit lies. Television companies are not in the business of delivering television programmes to their audience, they’re in the business of delivering audiences to their advertisers.
Douglas Adams (The Salmon of Doubt: Hitchhiking the Galaxy One Last Time)
If you were planning to rob me, you could have at least brought a gun." "Oh, I did," said Victor, holding out his hand. Slowly, as if performing a trick, he curled three of his fingers in, leaving his thumb up and his index extended. "See?" he said, pointing the finger at Jones. Jones no longer seemed amused. "You some kind of-?" "Bang." There was no gunshot--no earsplitting echo or spent cartridge or smoke--but Jones let out a guttural scream and fell to the floor as if hit.
Victoria E. Schwab (Vengeful (Villains, #2))
As I see it, even though the cartridge’s end has both characters emoting out of every pore, Accomplice!’s essential project remains abstract and self-reflexive; we end up feeling and thinking not about the characters but about the cartridge itself.
David Foster Wallace (Infinite Jest)
My laboratory is a place where I write. I have become proficient at producing a rare species of prose capable of distilling ten years of work by five people into six published pages, written in a language that very few people can read and that no one ever speaks. This writing relates the details of my work with the precision of a laser scalpel, but its streamlined beauty is a type of artifice, a size-zero mannequin designed to showcase the glory of a dress that would be much less perfect on any real person. My papers do not display the footnotes that they have earned, the table of data that required painstaking months to redo when a graduate student quit, sneering on her way out that she didn’t want a life like mine. The paragraph that took five hours to write while riding on a plane, stunned with grief, flying to a funeral that I couldn’t believe was happening. The early draft that my toddler covered in crayon and applesauce while it was still warm from the printer. Although my publications contain meticulous details of the plants that did grow, the runs that went smoothly, and the data that materialized, they perpetrate a disrespectful amnesia against the entire gardens that rotted in fungus and dismay, the electrical signals that refused to stabilize, and the printer ink cartridges that we secured late at night through nefarious means. I
Hope Jahren (Lab Girl)
CHRONOLOGY OF ORGANIZATION OF NORTH AMERICAN NATIONS’ REVENUE-ENHANCING SUBSIDIZED TIME™, BY YEAR (1) Year of the Whopper (2) Year of the Tucks Medicated Pad (3) Year of the Trial-Size Dove Bar (4) Year of the Perdue Wonderchicken (5) Year of the Whisper-Quiet Maytag Dishmaster (6) Year of the Yushityu 2007 Mimetic-Resolution-Cartridge-View-Motherboard-Easy-To-Install-Upgrade For Infernatron/InterLace TP Systems For Home, Office, Or Mobile (sic) (7) Year of Dairy Products from the American Heartland (8) Year of the Depend Adult Undergarment (9) Year of Glad 78
David Foster Wallace (Infinite Jest)
Another segment of society that has constructed a language of its own is business. People in business say that toner cartridges are in short supply, that they have updated the next shipment of these cartridges, and that they will finalize their recommendations at the next meeting of the board. They are speaking a language familiar and dear to them. Its portentous nouns and verbs invest ordinary events with high adventure; executives walk among toner cartridges, caparisoned like knights. We should tolerate them--every person of spirit wants to ride a white horse.
William Strunk Jr. (The Elements of Style)
I could see their menfolk patrolling nervously up and down toting sub-machine guns and draped in cartridge belts. They were wearing their trademark sunglasses, those gold rimmed feminine accessories which should look comic on a man but instead manage to look as sinister as the wedding dresses and blonde wigs worn by Liberia's drugged fighters. They are the modern equivalent of the wooden masks donned around night fires by warriors preparing to do battle, which turn their wearers into something utterly alien -- faceless instruments of violence capable of unspeakable acts.
Michela Wrong (In the Footsteps of Mr. Kurtz: Living on the Brink of Disaster in Mobutu's Congo)
Rooster here has missed Ned a few times himself, horse and all,' said the captain. 'I reckon his is on his way now to missing him again.' Rooster was holding a bottle with a little whiskey in it. He said, 'You keep on thinking that.' He drained off the whiskey in about three swallows and tapped the cork back in and tossed the bottle up in the air. He pulled his revolver and fired at it twice and missed. The bottle fell and rolled and Rooster shot at it two or three more times and broke it on the ground. He got out his sack of cartridges and reloaded his pistol. He said, 'The Chinaman is running them cheap shells in on me again.' LaBoeuf said, 'I thought maybe the sun was in your eyes. That is to say, your eye.' Rooster swung the cylinder back in his revolver and said, 'Eyes, is it? I'll show you eyes!' He jerked the sack of corn dodgers free from his saddle baggage. He got one of the dodgers out and flung it in the air and fired at it and missed. Then he flung another one up and he hit it. The corn dodger exploded. He was pleased with himself and he got a fresh bottle of whiskey from his baggage and treated himself to a drink. LaBoeuf pulled one of his revolvers and got two dodgers out of the sack and tossed them both up. He fired very rapidly but he only hit one. Captain Finch tried it with two and missed both of them. Then he tried with one and made a successful shot. Rooster shot at two and hit one. They drank whiskey and used up about sixty corn dodgers like that. None of them ever hit two at one throw with a revolver but Captain Finch finally did it with his Winchester repeating rifle, with somebody else throwing. It was entertaining for a while but there was nothing educational about it. I grew more and more impatient with them. I said, 'Come on, I have had my bait of this. I am ready to go. Shooting cornbread out here on this prairie is not taking us anywhere.' By then Rooster was using his rifle and the captain was throwing for him. 'Chunk high and not so far out this time,' said he.
Charles Portis (True Grit)
What is the most helpful thing we can do for the earth and her people, Kuan Yin?” “Kuan Yin is changing shape in response to your question, Hope. I’m not sure what this particular shape-shifting means, if it is an answer in itself or if she is adjusting to the question” Lena contemplates. “I’ll just watch for a moment and try to understand.” “Loving people is the most helpful thing anyone can do,” Kuan Yin answers after a short while. “Your society has the resources, at this very moment, to fashion industries and lifestyles conducive to a non-harmful environment. There is a popular belief that over-population is the threat to the earth’s environment. However, for many places upon the earth it is also very much a question of resource availability and distribution. There is a real need for creating a holistic infrastructure that can support everyone. A helpful mindset is simple-living and high-thinking”, continues Kuan Yin. “Science is constantly evolving. There are now recyclable batteries, ink cartridges, etc. Keep up to date on the latest technologies. Be aware, set examples and create trends that will positively influence people’s lives and the environment. As I said earlier, however, this is also a discussion about love and developing a greater capacity to love. It can help everyone. We’re all one huge family, a great continuum. Don’t underestimate the power of the love created in your homes and families. This love has an immense potency, the power to influence others lives in a positive way.
Hope Bradford (Oracle of Compassion: The Living Word of Kuan Yin)
Then there are the scores of notebooks, their contents calling — confession, revelation, endless variations of the same paragraph — and piles of napkins scrawled with incomprehensible rants. Dried-out ink bottles, encrusted nibs, cartridges for pens long gone, mechanical pencils emptied of lead. Writer's debris.
Patti Smith (M Train)
Some clever individual takes wine bottles half full of petrol and sticks a cartridge case with two holes in the side up through the cork. The gas which escapes up through the cartridge case is ignited and burns evenly, lighting up the bunker better than the usual Hindenburg candles, which are in short supply anyway.
Gunther K. Koschorrek (Blood Red Snow: The Memoirs of a German Soldier on the Eastern Front)
James O. Incandenza - A Filmography The following listing is as complete as we can make it. Because the twelve years of Incadenza'a directorial activity also coincided with large shifts in film venue - from public art cinemas, to VCR-capable magnetic recordings, to InterLace TelEntertainment laser dissemination and reviewable storage disk laser cartridges - and because Incadenza's output itself comprises industrial, documentary, conceptual, advertorial, technical, parodic, dramatic non-commercial, nondramatic ('anti-confluential') noncommercial, nondramatic commercial, and dramatic commercial works, this filmmaker's career presents substantive archival challenges. These challenges are also compounded by the fact that, first, for conceptual reasons, Incadenza eschewed both L. of C. registration and formal dating until the advent of Subsidized Time, secondly, that his output increased steadily until during the last years of his life Incadenza often had several works in production at the same time, thirdly, that his production company was privately owned and underwent at least four different changes of corporate name, and lastly that certain of his high-conceptual projects' agendas required that they be titled and subjected to critique but never filmed, making their status as film subject to controversy.
David Foster Wallace (Infinite Jest)
The pharmaceutical companies were going to use Theranos’s blood-testing system to monitor patients’ response to new drugs. The cartridges and readers would be placed in patients’ homes during clinical trials. Patients would prick their fingers several times a day and the readers would beam their blood-test results to the trial’s sponsor.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
The type of weapon you prefer and in which you have most faith,is the best for you.
John "Pondoro" Taylor (African Rifles and Cartridges)
Quiet! Go over there, fifty paces away from the wood, and you’ll find one of those poor soldiers from our regiment who’ve just been sabred; take his musket and cartridge-pouch. Be sure not to take ‘em from one of the wounded, take the musket and cartridge-pouch of someone who’s good and dead, and hurry, so you don’t get shot by our men.’ Fabrice ran off, returning very quickly with a musket and cartridge-pouch.
Stendhal (The Charterhouse of Parma)
Möbius Strips. Year of the Whopper. Latrodectus Mactans Productions. 'Hugh G. Section,' Pam Heath, 'Bunny Day,' 'Taffy Appel'; 35 mm.; 109 minutes black and white; sound. Pornography-parody, possible parodic homage to Fosse's All That Jazz, in which a theoretical physicist ('Reaction'), who can only achieve mathematical insight during coitus, conceives of Death as a lethally beautiful woman (Heath). INTERLACE TALENT FEATURE CARTRIDGE #357-65-32 (Y.W.)
David Foster Wallace (Infinite Jest)
There were mists over the river and clouds on the mountain and the trucks splashed mud on the road and the troops were muddy and wet in their capes; their rifles were wet and under their capes the two leather cartridge-boxes on the front of the belts, gray leather boxes heavy with the packs of clips of thin, long 6.5 mm. cartridges, bulged forward under the capes so that the men, passing on the road, marched as though they were six months gone with child.
Ernest Hemingway (A Farewell to Arms)
I don't intend to shoot at him but I might succeed in frightening him away if he attempts to reach us here. Haven't you ever seen a trainer work with lions? He carries a silly little pop-gun loaded with blank cartridges. With that and a kitchen chair be subdues the most ferocious of beasts." "But you haven't a kitchen chair," she reminded him. "No," he said, "Government is always muddling things. I have always maintained that airplanes should be equipped with kitchen chairs.
Edgar Rice Burroughs (Tarzan the Untamed (Tarzan, #7))
It's of some interest that the lively arts of the millenial U.S.A. treat anhedonia and internal emptiness as hip and cool. It's maybe the vestiges of the Romantic glorification of Weltschmerz, which means world-weariness or hip ennui. Maybe it's the fact that most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip -- and keep in mind that, for kids and younger people, to be hip and cool is the same to be admired and accepted and included and so Unalone. Forget so-called peer pressure. It's more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great tanscendent horror is loneliness, excluded encagement in the self. Once we've hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the sahpe of whatever it wears. And then it's stuck there, the weary cynicism that save us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent (at least since the Reconfiguration). One of the things sophisticated viewers have always liked about J. O. Incandenza's The American Century as Seen Through a Brick is its unsubtle thesis that naïveté is the last true terrible sin in the theology of millennial America. And since sin is the sort of thing that can be talked about only figuratively, it's natural that Himself's dark little cartridge was mostly about a myth, viz. that queerly persistent U.S. myth that cynicism and naïveté are mutually exclusive. Hal, who's empty but not dumb, theorizes privately that what passes for hip cynical transcendence of sentiment is really some kind of fear of being really human, since to be really human (at least as he conceptualizes it) is probably to be unavoidably sentimental and naïve and goo-prone and generally pathetic, is to be in some basic interior way forever infantile, some sort of not-quite-right-looking infant dragging itself anaclitically around the map, with big wet eyes and froggy-soft skin, huge skull, gooey drool. One of the really American things about Hal, probably, is thie way he despises what it is he's really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia.
David Foster Wallace (Infinite Jest)
This was news to Mosley. He thought the system was reliable. Didn't it always seem to work when investors came to view it? Well there was a reason it always seemed to work, Shaunak said. The image on the computer screen showing the blood flowing through the cartridge and settling into the little wells was real. But you never knew whether you were going to get a result or not. So they'd recorded a result from one of the times it worked. It was that recorded result that was displayed at the end of each demo.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
When I went into the business, I sat down and figured that I was indeed one of fortune's children. Just think. There were 20 million buffalo, each worth at least $3 -- $60 million. At the very outside, cartridges cost 25 cents each, so every time I fired one I got my investment back twelve times over. I could kill a hundred a day.... That would be $6,000 a month -- or three times what was paid, it seems to me, the President of the United States. Was I not lucky that I discovered this quick and easy way to fortune? I thought I was.
Frank Mayer (Gun Rites)
I must have roamed dementedly about for a time in the streets. When I at last got back to my own place, Faustine was again there ahead of me, coiled torpid in the bed like a loathsome boa-constrictor. She was already in the never-never land where ghouls like her belonged. I covered her face with one of the pillows, pressed down upon it with the weight of my whole body, held it there until she should have been dead ten times over. Yet when I removed the pillow to look, the black of strangulation was missing from her face. She was still in that state of suspended animation that defied me, a taunting smile visible about her lips. I had a gun in my valise, from years before when I'd been on an engineering job in the jungles of Ecuador. I got it out, looked it over. It was still in good working order, although it only had one bullet left in it. That one would be enough. She wasn't going to escape me! I pressed the muzzle to her smooth white forehead, mid-center. "Die, damn you!" I growled, and pulled the trigger back. It exploded with a crash. A film of smoke hid her face from me for a minute. When it had cleared again, I looked. There was no bullet-hole in her skull! A black powder-smudge marked the point of contact. The gun dropped to the floor with a thud. That ineradicable smile still glimmered up at me, as if to say: "You see? You can't." I rubbed my finger over the black; the skin was unbroken underneath. A blank cartridge, that must have been it. I raised her head; there was a rent in the sheet under it. I probed through it with two fingers. I could feel the bullet lying imbedded down in the stuffing of the mattress. ("Vampire's Honeymoon)
Cornell Woolrich (Vampire's Honeymoon)
It was a fine gun, but an unlucky one. Steyr-Daimler-Puch built it with the prospect of big orders from the Austrian Army dancing in its eyes, but a rival outfit named Glock came along and stole the prize. Which left the GB an unhappy orphan, like Cinderella. And like Cinderella it had many excellent qualities. It packed eighteen rounds, which was a lot, but it weighed less than two and a half pounds unloaded, which wasn’t. You could take it apart and put it back together in twelve seconds, which was fast. Best of all, it had a very smart gas management system. All automatic weapons work by using the explosion of gas in the chamber to cycle the action, to get the spent case out and the next cartridge in. But in the real world some cartridges are old or weak or badly assembled. They don’t all explode with the same force. Put an out-of-spec weak load in some guns, and the action just wheezes and won’t cycle at all. Put a too-heavy load in, and the gun can blow up in your hand. But the Steyr was designed to deal with anything that came its way. If I were a Special Forces soldier taking dubious-quality ammunition from whatever ragtag bunch of partisans I was hanging with, I’d use a Steyr. I would want to be sure that whatever I was depending on would fire, ten times out of ten. Through
Lee Child (The Enemy (Jack Reacher, #8))
The first trip I took up the creeks after getting back, I lugged a large Colt revolver and cartridge belt with me, in case I should see a moose. On my way down I got sick of packing the thing and strapped it onto a large dog I had with me. No one in that country would have thought it a strange sight, but when I got down to Dawson, a boat that had just arrived was tying up at the wharf, and a man yelled out, “For Heaven’s sake, Bill, come and look what sort of country we’ve got into! The dogs are carrying six-shooters!” When they spoke of it I noticed the swagger of the dog seemed to put on, and didn’t wonder at the exclamation of the Cheechako.
Arthur T Walden (A Dog)
No see there weren't any real cartridges or pieces of Found Drama. This was the joke. All it was was you and a couple cronies like Leith or Duquette got out a metro Boston phone book and tore a White Pages page out at random and thumbtacked it to the wall and then The Stork would throw a dart at it from across the room. At the page. And the name it hit becomes the subject of the Found Drama. And whatever happens to the protagonist with the name you hit with the dart for like the next hour and half is the Drama. And when the hour and a half is up, you go out and have drinks with critics who like chortingly congratulate you on the ultimate in Neorealism.
David Foster Wallace (Infinite Jest)
The patient would prick her finger to draw a small sample of blood and place it in a cartridge that looked like a thick credit card. The cartridge would slot into a bigger machine called a reader. Pumps inside the reader would push the blood through tiny channels in the cartridge and into little wells coated with proteins known as antibodies. On its way to the wells, a filter would separate the blood’s solid elements, its red and white blood cells, from the plasma and let only the plasma through. When the plasma came into contact with the antibodies, a chemical reaction would produce a signal that would be “read” by the reader and translated into a result.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
Aside from its cartridge, pipette, and temperature issues, many of the other technical snafus that plagued the miniLab could be chalked up to the fact that it remained at a very early prototype stage. Less than three years was not a lot of time to design and perfect a complex medical device. These problems ranged from the robots’ arms landing in the wrong places, causing pipettes to break, to the spectrophotometers being badly misaligned. At one point, the blood-spinning centrifuge in one of the miniLabs blew up. These were all things that could be fixed, but it would take time. The company was still several years away from having a viable product that could be used on patients.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
Whole NNE cults and stelliform subcults Lenz reports as existing around belief systems about the metaphysics of the Concavity and annular fusion and B.S.-1950s-B-cartridge-type-radiation-affected fauna and overfertilization and verdant forests with periodic oasises of purportaged desert and whatever east of the former Montpelier VT area of where the annulated Shawshine River feeds the Charles and tints it the exact same tint of blue as the blue on boxes of Hefty SteelSaks and the ideas of ravacious herds of feral domesticated housepets and oversized insects not only taking over the abandoned homes of relocated Americans but actually setting up house and keeping them in model repair and impressive equity, allegedly, and the idea of infants the size of prehistoric beasts roaming the overfertilized east Concavity quadrants, leaving enormous scat-piles and keening for the abortive parents who’d left or lost them in the general geopolitical shuffle of mass migration and really fast packing, or, as some of your more Limbaugh-era-type cultists sharingly believe, originating from abortions hastily disposed of in barrels in ditches that got breached and mixed ghastly contents with other barrels that reanimated the abortive feti and brought them to a kind of repelsive oversized B-cartridge life thundering around due north of where yrstruly and Green strolled through the urban grid.
David Foster Wallace (Infinite Jest)
His little piece-of-crap loft didn’t have books or movies, but he had a metric shit ton of weapons and ammo. He opened the door to the closet he’d made into his own private supply shop. Jake whistled. “Is that C-4? Are you fucking kidding me?” Jesse shrugged. Everyone needed a hobby. “I like to be prepared, sir.” “We’re not your superior officers, man. It’s just Jake.” Jake practically salivated. “Is that a fucking P90?” Jake caressed the Belgian made submachine gun. It was highly restricted. Jesse had spent a lot of money buying it on the black market. “You can take it. It might come in handy.” God, he sounded like a five-year-old trying to make a friend. Sean nabbed his SR-25 and an extra cartridge. “This should do it.
Lexi Blake (On Her Master's Secret Service (Masters and Mercenaries, #4))
I have a fine desk but I prefer to work from my bed, as if I’m a convalescent in a Robert Louis Stevenson poem. An optimistic zombie propped by pillows, producing pages of somnambulistic ­fruit—not quite ripe or overripe. Occasionally I write directly into my small laptop, sheepishly glancing over to the shelf where my typewriter with its antiquated ribbon sits next to an obsolete Brother word processor. A nagging allegiance prevents me from scrapping either of them. Then there are the scores of notebooks, their contents ­calling—confession, revelation, endless variations of the same ­paragraph—and piles of napkins scrawled with incomprehensible rants. Dried-out ink bottles, encrusted nibs, cartridges for pens long gone, mechanical pencils emptied of lead. Writer’s debris.
Patti Smith (M Train)
It is known that, during the last five years of his life, Dr. James O. Incandenza liquidated his assets and patent-licenses, ceded control over most of the Enfield Tennis Academy’s operations to his wife’s half-brother—a former engineer most recently employed in Amateur Sports Administration at Throppinghamshire Provincial College, New Brunswick, Canada—and devoted his unimpaired hours almost exclusively to the production of documentaries, technically recondite art films, and mordantly obscure and obsessive dramatic cartridges, leaving behind a substantial (given the late age at which he bloomed, creatively) number of completed films and cartridges, some of which have earned a small academic following for their technical feck and for a pathos that was somehow both surreally abstract and CNS-rendingly melodramatic at the same time.
David Foster Wallace (Infinite Jest)
Here is how to turn down an extramural date so you won’t be asked again. Say something like I’m terribly sorry I can’t come out to see 8½ revived on a wall-size Cambridge Celluloid Festival viewer on Friday, Kimberly, or Daphne, but you see if I jump rope for two hours then jog backwards through Newton till I puke They’ll let me watch match-cartridges and then my mother will read aloud to me from the O.E.D. until 2200 lights-out, and c.; so you can be sure that henceforth Daphne/Kimberly/Jennifer will take her adolescent-mating-dance-type-ritual-socialization business somewhere else. Be on guard. The road widens, and many of the detours are seductive. Be constantly focused and on alert: feral talent is its own set of expectations and can abandon you at any one of the detours of so-called normal American life at any time, so be on guard.
David Foster Wallace (Infinite Jest)
I say, it sounds like some dangerous psychotic killer wrote this, and this buttoned-down schizophrenic could probably go over the edge at any moment in the working day and stalk from office to office with an Armalite AR-180 carbine gas-operated semiautomatic. My boss just looks at me. The guy, I say, is probably at home every night with a little rattail file, filing a cross into the tip of every one of his rounds. This way, when he shows up to work one morning and pumps a round into his nagging, ineffectual, petty, whining, butt-sucking, candy-ass boss, that one round will split along the filed grooves and spread open the way a dumdum bullet flowers inside you to blow a bushel load of your stinking guts out through your spine. Picture your gut chakra opening in a slow-motion explosion of sausage-casing small intestine. My boss takes the paper out from under my nose. Go ahead, I say, read some more. No really, I say, it sounds fascinating. The work of a totally diseased mind. And I smile. The little butthole-looking edges of the hole in my cheek are the same blue-black as a dog’s gums. The skin stretched tight across the swelling around my eyes feels varnished. My boss just looks at me. Let me help you, I say. I say, the fourth rule of fight club is one fight at a time. My boss looks at the rules and then looks at me. I say, the fifth rule is no shoes, no shirts in the fight. My boss looks at the rules and looks at me. Maybe, I say, this totally diseased fuck would use an Eagle Apache carbine because an Apache takes a thirty-shot mag and only weighs nine pounds. The Armalite only takes a five-round magazine. With thirty shots, our totally fucked hero could go the length of mahogany row and take out every vice-president with a cartridge left over for each director. Tyler’s words coming out of my mouth. I used to be such a nice person. I just look at my boss. My boss has blue, blue, pale cornflower blue eyes. The J and R 68 semiautomatic carbine also takes a thirty-shot mag, and it only weighs seven pounds. My boss just looks at me. It’s scary, I say. This is probably somebody he’s known for years. Probably this guy knows all about him, where he lives, and where his wife works and his kids go to school. This is exhausting, and all of a sudden very, very boring. And why does Tyler need ten copies of the fight club rules? What I don’t have to say is I know about the leather interiors that cause birth defects. I know about the counterfeit brake linings that looked good enough to pass the purchasing agent, but fail after two thousand miles. I know about the air-conditioning rheostat that gets so hot it sets fire to the maps in your glove compartment. I know how many people burn alive because of fuel-injector flashback. I’ve seen people’s legs cut off at the knee when turbochargers start exploding and send their vanes through the firewall and into the passenger compartment. I’ve been out in the field and seen the burned-up cars and seen the reports where CAUSE OF FAILURE is recorded as "unknown.” No, I say, the paper’s not mine. I take the paper between two fingers and jerk it out of his hand. The edge must slice his thumb because his hand flies to his mouth, and he’s sucking hard, eyes wide open. I crumble the paper into a ball and toss it into the trash can next to my desk. Maybe, I say, you shouldn’t be bringing me every little piece of trash you pick up.
Chuck Palahniuk (Fight Club)
shoulder again and she was laughing. “You can rot in hell, Dillon.” Dillon said, “For God’s sake, no,” and half-slipped to the floor. “Now don’t be silly, old friend, make it easy on yourself. Just get up.” Which Dillon did, at the same time he was drawing the Colt from the ankle holster, ramming the muzzle into the side of Rupert Dauncey’s head, and pulling the trigger. There was an explosion of bone fragments and blood, the hollow point cartridge doing its work, and Dauncey dropped the Walther and fell back against the side of the door. Dillon pushed and sent him out into space. He grabbed at the Airstair door and closed it. He turned and found that Kate Rashid had put the Eagle on automatic and was reaching for her purse. She took out a small pistol, but he lunged, wrestled it from her, and tossed it to the back of the plane. She was hysterical with rage and
Jack Higgins (Midnight Runner (Sean Dillon #10))
free.” On the edge of town, Fitzgerald saw a sight “that has never left my memory. It was a picture story of the death of one 82nd Airborne trooper. He had occupied a German foxhole and made it his personal Alamo. In a half circle around the hole lay the bodies of nine German soldiers. The body closest to the hole was only three feet away, a potato masher [grenade] in its fist.II The other distorted forms lay where they had fallen, testimony to the ferocity of the fight. His ammunition bandoliers were still on his shoulders, empty of M-1 clips. Cartridge cases littered the ground. His rifle stock was broken in two. He had fought alone and, like many others that night, he had died alone. “I looked at his dog tags. The name read Martin V. Hersh. I wrote the name down in a small prayer book I carried, hoping someday I would meet someone who knew him. I never did.”34
Stephen E. Ambrose (D-Day: June 6, 1944: The Climactic Battle of World War II)
Printers are like that,’ I say. ‘It’s in their nature. They print when you don’t need anything. And when you really need something printed out, the ink cartridge is empty or there’s a sheet of paper jammed inside, the printer tells you it’s lost its internet connection or that it doesn’t recognise the computer you’re trying to print from. If you ask me, the whole idea of a digital, paperless future is down to the fact that printers have driven so many people to despair and insanity. Paper is a good thing; it’s beautiful. There’s nothing wrong with paper: it feels pleasant in your hand and it’s the best way to read something. The only problem is getting those little black marks onto the surface of the paper in the first place. Even with all the modern technology at our disposal it’s all but impossible. I suspect – no, I’m absolutely convinced – that the printer companies and the antidepressant manufacturers of this world are in cahoots.
Antti Tuomainen (The Man Who Died)
How is it, then, that Infinite Jest still feels so transcendently, electrically alive? Theory one: as a novel about an “entertainment” weaponized to enslave and destroy all who look upon it, Infinite Jest is the first great Internet novel. Yes, William Gibson and Neal Stephenson may have gotten there first with Neuromancer and Snow Crash, whose Matrix and Metaverse, respectively, more accurately surmised what the Internet would look and feel like. (Wallace, among other things, failed to anticipate the break from cartridge- and disc-based entertainment.) But Infinite Jest warned against the insidious virality of popular entertainment long before anyone but the most Delphic philosophers of technology. Sharing videos, binge-watching Netflix, the resultant neuro-pudding at the end of an epic gaming marathon, the perverse seduction of recording and devouring our most ordinary human thoughts on Facebook and Instagram—Wallace somehow knew all this was coming, and it gave him (as the man himself might have put it) the howling fantods.
David Foster Wallace (Infinite Jest)
Yossarian went to bed early for safety and soon dreamed that he was fleeing almost headlong down an endless wooden staircase, making a loud, staccato clatter with his heels. Then he woke up a little and realized someone was shooting at him with a machine gun. A tortured, terrified sob rose in his throat. His first thought was that Milo was attacking the squadron again, and he rolled off his cot to the floor and lay underneath in a trembling, praying ball, his heart thumping like a drop forge, his body bathed in a cold sweat. There was no noise of planes. A drunken, happy laugh sounded from afar. 'Happy New Year, Happy New Year!' a triumphant familiar voice shouted hilariously from high above between the short, sharp bursts of machine gun fire, and Yossarian understood that some men had gone as a prank to one of the sandbagged machine-gun emplacements Milo had installed in the hills after his raid on the squadron and staffed with his own men. Yossarian blazed with hatred and wrath when he saw he was the victim of an irresponsible joke that had destroyed his sleep and reduced him to a whimpering hulk. He wanted to kill, he wanted to murder. He was angrier than he had ever been before, angrier even than when he had slid his hands around McWatt's neck to strangle him. The gun opened fire again. Voices cried 'Happy New Year!' and gloating laughter rolled down from the hills through the darkness like a witch's glee. In moccasins and coveralls, Yossarian charged out of his tent for revenge with his .45, ramming a clip of cartridges up into the grip and slamming the bolt of the gun back to load it. He snapped off the safety catch and was ready to shoot. He heard Nately running after him to restrain him, calling his name. The machine gun opened fire once more from a black rise above the motor pool, and orange tracer bullets skimmed like low-gliding dashes over the tops of the shadowy tents, almost clipping the peaks. Roars of rough laughter rang out again between the short bursts. Yossarian felt resentment boil like acid inside him; they were endangering his life, the bastards!
Joseph Heller (Catch-22)
Infinite Jest (V?). Year of the Trial-Size Dove Bar. Poor Yorick Entertainment Unlimited. 'Madame Psychosis' ; no other definitive data. Thorny problem for archivists. Incandenza's last film, Incandenza's death occurring during its post-production. Most archival authorities list as unfinished, unseen. Some list as completion of Infinite Jest (IV), for which Incandenza also used 'Psychosis,' thus list the film under Incandenza's output for Y.T.M.P. Though no scholarly synopsis or report of viewing exists, two short essays in different issues of Cartridge Quarterly East refer to to film as 'extraordinary' and 'far away [James O. Incandenza's] most entertaining and compelling work.' West Coast archivists list the film's gauge as '16...78... n mm.,' basing the gauge on critical allusions to 'radical experiments in viewers' optical perspective and context' as IJ (V?)'s distinctive feature. Though Canadian archivist Tete-Beche lists the film as completed and privately distributed by P.Y.E.U. through posthumous provisions in the filmmaker's will, all other comprehensive filmographies have the film either unfinished or UNRELEASED, its Master cartridge either destroyed or vaulted sui testator.
David Foster Wallace (Infinite Jest)
Ndani ya kibweta cha risasi kuna vitu vitano vyenye uwezo wa kulipuka kama vile risasi, kasha, baruti, kitako na fataki. Risasi hutumika kama kombora – kitu kinachoweza kusafiri hewani na kulipuka baada au kabla ya kugonga shabaha – wakati kasha kazi yake ni kuhifadhi vitu vyote vya kibweta kwa pamoja kusudi visisambae. Baruti inayotoa au isiyotoa moshi ni poda yenye uwezo wa kulipuka ambayo ndani yake kuna mkaa, salfa na shura; ambayo husukuma kombora mbele kwa nguvu kubwa baada ya fataki kulipuka kupitia katika kitako cha kibweta. Kitako cha kibweta hutumika kama kiziduo cha risasi kutoka katika chemba ya silaha, wakati fataki kazi yake ni kuwashia baruti.
Enock Maregesi
Our faith in victory had been unquestioning, its opposite, defeat, had no currency among us. Victory was possible, that was all. It would be easy or difficult, quick or prolonged, but it would be victory. So here came the disturbing Hoosier, displaying the other side of the coin, showing us defeat. It shook us. And it was from this moment that we dated the feeling of what is called expendability. All armies have expendable items, that is, a part or unit the destruction of which will not be fatal to the whole. In some ordeals, a man might consider his finger expendable, but not his hand, or in extremity his arm but not his heart. There are expendable items which may be lost or destroyed in the field either in peace or in war without their owner being required to replace them. A rifle is so expendable or a cartridge belt. So are men. Men are the most expendable of all. Hunger, the jungle, the Japanese, not one nor all of these could be quite as corrosive as the feeling of expendability. This was no feeling of dedication because it was absolutely involuntary. I do not doubt, that if the Marines had asked for volunteers for an impossible campaign such as Guadalcanal, almost everyone now fighting would have stepped forward. But that is sacrifice, that is voluntary. Being expended robs you of the exultation, the self-abnegation, the absolute freedom of self-sacrifice. Being expended puts one in the roll of victim rather than sacrificer, and there is always something begrudging in this. I doubt if Isaac would have accepted the knife of his father, Abraham, entirely without reproach yet, for the same master he would have gone gladly to his death a thousand times. The world is full of the sacrifices of heroes and martyrs, but there was only one victim. If we were to be victims, we were as firmly secured to our role as Isaac bound to the faggots. No day passed without extenuating it.
Robert Leckie (Helmet for My Pillow)
She was a new world - a place of endless mysteries and unexpected delights, an enchanting mixture of woman and child. She supervised the domestic routine with deceptive lack of fuss. With her there, suddenly his clothes were clean and had their full complement of buttons; the stew of boots and books and unwashed socks in his wagon vanished. There were fresh bread and fruit preserves on the table; Kandhla's eternal grilled steaks gave way to a variety of dishes. Each day she showed a new accomplishment. She could ride astride, though Sean had to turn his back when she mounted and dismounted. She cut Sean's hair and made as good a job of it as his barber in Johannesburg. She had a medicine chest in her wagon from which she produced remedies for every ailing man or beast in the company. She handled a rifle like a man and could strip and clean Sean's Mannlicher. She helped him load cartridges, measuring the charges with a practised eye. She could discuss birth and procreation with a clinical objectivity and a minute later blush when she looked at him that way. She was as stubborn as a mule, haughty when it suited her, serene and inscrutable at times and at others a little girl. She would push a handful of grass down the back of his shirt and run for him to chase her, giggle for minutes at a secret thought, play long imaginative games in which the dogs were her children and she talked to them and answered for them. Sometimes she was so naive that Sean thought she was joking until he remembered how young she was. She could drive him from happiness to spitting anger and back again within the space of an hour. But, once he had won her confidence and she knew that he would play to the rules, she responded to his caresses with a violence that startled them both. Sean was completely absorbed in her. She was the most wonderful thing he had ever found and, best of all, he could talk to her.
Wilbur Smith (When the Lion Feeds (Courtney publication, #1; Courtney chronological, #10))
I'm in sore straits, Jeeves.' 'I am sorry to hear that, sir.' 'You'll be sorrier when I explain further. Have you ever seen a garrison besieged by howling savages, with their ammunition down to the last box of cartridges, the water supply giving our and the United States Marines nowhere in sight?' 'Not to my recollection, sir.' 'Well, my position is roughly that of such a garrison, except that compared with me they're sitting pretty. Compared with me they haven't a thing to worry about.' 'You fill me with alarm, sir.' 'I bet I do, and I haven't even started yet. I will begin by saying that Miss Cook, to whom I'm engaged, is a lady for whom I have the utmost esteem and respect, but on certain matters we do not... what's the expression?' 'See eye to eye, sir?' 'That's right. And unfortunately those matters are the what-d'you-call-it of my whole policy. What is it that policies have?' 'I think the word for which you are groping, sir, may possibly be cornerstone.' 'Thank you, Jeeves. She disapproves of a variety of things which are the cornerstone of my policy. Marriage with her must inevitably mean that I shall have to cast them from my life, for she has a will of iron and will have no difficulty in making her husband jump through hoops and snap sugar off his nose. You get what I mean?' 'I do, sir. A very colourful image.' 'Cocktails, for instance, will be barred. She says they are bad for the liver. Have you noticed, by the way, how frightfully lax everything's getting now? In Queen Victoria's day a girl would never have dreamed of mentioning livers in mixed company.' 'Very true, sir. Tempora mutanter, nos et mutamur in illis.' 'That, however, is not the worst.' 'You horrify me, sir.' 'At a pinch I could do without cocktails. It would be agony, but we Woosters can rough it. But she says I must give up smoking.' 'This was indeed the most unkindest cut of all, sir.' 'Give up smoking, Jeeves!' 'Yes, sir. You will notice that I am shuddering.
P.G. Wodehouse (Aunts Aren't Gentlemen (Jeeves, #15))
You may find this hard to believe, Mr. Pinter," she went on defensively, "but some men enjoy my company. They consider me easy to talk to." A ghost of a smile touched his handsome face. "You're right. I do find that hard to believe." Arrogant wretch. "All the same, there are three men who might consider marrying me, and I could use your help in securing them." She hated having to ask him for that, but he was necessary to her plan. She just needed one good offer of marriage, one impressive offer that would show Gran she was capable of gaining a decent husband. Gran didn't believe she could, or she wouldn't be holding to that blasted ultimatum. If Celia could prove her wrong, Gran might allow her to choose a husband in her own good time. And if that plan didn't work, Celia would at least have a man she could marry to fulfill Gran's terms. "So you've finally decided to meet Mrs. Plumtree's demands," he said, his expression unreadable. She wasn't about to let him in on her secret plan. Oliver might have employed him, but she was sure Mr. Pinter also spied for Gran. He would run right off and tell her. "It's not as if I have a choice." Bitterness crept into her tone. "In less than two months, if I remain unmarried, my siblings will be cut off. I can't do that to them, no matter how much I resent Gran's meddling." Something that looked oddly like sympathy flickered in his gaze. "Don't you want to marry?" "Of course I want to marry. Doesn't every woman?" "You've shown little interest in it before," he said skeptically. That's because men had shown little interest in her. Oh, Gab's friends loved to stand about with her at balls and discuss the latest developments in cartridges, but they rarely asked her to dance, and if they did, it was only to consult her on rifles. She'd tried flirting, but she was terrible at it. It seemed so...false. So did men's compliments, the few that there were. It was easier to laugh them off than to figure out which ones were genuine, easier to pretend to be one of the lads. She secretly wished she could find a man she could love, who would ignore the scandals attached to he family's name and indulge her hobby of target shooting. One who could shoot as well as she, since she could never respect a man who couldn't hit what he aimed at. I'll bet Mr. Pinter knows his way around a rifle.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Herd tried fixing several problems in the C64 [while developing the C128 C64 compatibility mode] but those fixes inadvertently created new problems. "I started out as one of the only guys who knew where all the glitches were," says Herd. "I designed them out, and you know what? Cartridges stopped working... the guys who designed the cartridges would use the glitches on the IO select lines to clock data... I had to put them back in," laments Herd. "There was a wire on the C128 and next to it, it said 'Puts the glitches back in.
Brian Bagnall (Commodore: The Amiga Years)
I thought the submarine environment would be a useful analogy for the space station in a number of ways, and I especially wanted my colleagues to get an up-close look at how the Navy deals with CO2. What we learned on that trip was illuminating: the Navy has their submarines turn on their air scrubbers when the CO2 concentration rises above two millimeters of mercury, even though the scrubbers are noisy and risk giving away the submarine’s location. By comparison, the international agreement on ISS says the CO2 is acceptable up to six millimeters of mercury! The submarine’s chief engineering officer explained to us that the symptoms of high CO2 posed a threat to their work, so keeping that level low was a priority. I felt that NASA should be thinking of it the same way. When I prepared for my first flight on the ISS, I got acquainted with a new carbon dioxide removal system. The lithium hydroxide cartridges were foolproof and reliable, but that system depended on cartridges that were to be thrown away after use—not very practical, since hundreds of cartridges would be required to get through a single six-month mission. So instead we now have a device called the carbon dioxide removal assembly, or CDRA, pronounced “seedra,” and it has become the bane of my existence. There are two of them—one in the U.S. lab and one in Node 3. Each weighs about five hundred pounds and looks something like a car engine. Covered in greenish brown insulation, the Seedra is a collection of electronic boxes, sensors, heaters, valves, fans, and absorbent beds. The absorbent beds use a zeolite crystal to separate the CO2 from the air, after which the lab Seedra dumps the CO2 out into space through a vacuum valve, while the Node 3 Seedra combines oxygen drawn from the CO2 with leftover hydrogen from our oxygen-generating system in a device called Sabatier. The result is water—which we drink—and methane, which is also vented overboard.
Scott Kelly (Endurance: A Year in Space, A Lifetime of Discovery)
Pencil: The most durable and reusable pencil alternative is that of a refillable mechanical pencil in stainless steel, but the leads are sold in plastic cartridges. Until manufacturers sell leads in a recycled cardboard box, newspaper pencils (versus wood) are the most Zero Waste alternative. Make sure to pick an eraser-free model (purchase a natural rubber eraser separately) so you can compost it when it is too small to write with.
Bea Johnson (Zero Waste Home: The Ultimate Guide to Simplifying Your Life by Reducing Your Waste (A Simple Guide to Sustainable Living))
Electronics: Spend money on upgrading your system instead of buying a new one. Donate computers, printers, or monitors (any brand) to a nonprofit or participating Goodwill location for refurbishing (some charities repair them and give them to schools and nonprofit organizations). For unrepairable cell phones and miscellaneous electronics, locate a nearby e-waste recycling facility or participate in a local e-waste recycling drive, or make a profit by selling them on eBay for parts. Best Buy collects remote controllers, wires, cords, cables, ink and toner cartridges, rechargeable batteries, plastic bags, gift cards, CDs and DVDs (including their cases), depending on store locations.
Bea Johnson (Zero Waste Home: The Ultimate Guide to Simplifying Your Life by Reducing Your Waste (A Simple Guide to Sustainable Living))
The trigger primer contained no sort of nuclear charge. It was a simply a number of high explosive cartridges, wired in series for electric detonation. Its function was to hurl a certain mass of plutonium down a tube rather like a gun barrel into another mass. On their own, the two masses, were harmless. When flung violently together an uncontrolled reaction took place and an atomic explosion occurred.
Peter Bryant (Red Alert: The Novel that Inspired Dr. Strangelove, or, How I Learned to Stop Worrying and Love the Bomb)
What are your people packing?” “MP7A1s with sound suppressors, chambered for DM11 4.6-x-30mm cartridges in thirty-round and forty-round box magazines. Penetrate any CRISAT,” Webb said, meaning the bullets would drill through a target made up of twenty layers of Kevlar with 1.6mm titanium backing at two hundred meters; they were the ultimate small arms body-armor-piercing rounds. “Glocks, M67 grenades; C-4 with remote-controlled detonators for IEDs, one M25 sniper rifle, and two XM25 grenade launchers. Those two are the real game-changers. Should be plenty.” “I’m not so sure,” Scorpion said, studying the iPad image. “I need eyes. We could use a drone.
Andrew Kaplan (Scorpion Deception (Scorpion, #4))
WaterLess Urinal Swachh Bharat Abhiyan (Clean India Mission) accelerate sanitation coverage in rural and urban areas. Stakeholders and people from all sections of society have welcomed it as a major step to achieve a healthy and hygienic environment for the citizens of India. This is retrofit waterless urinal technology that gets fitted at base of urinal bowl. It consists of an inlet and outlet cartridge through which urine passes and seals the outlet once the urine is drained out. The technology converts conventional urinal into waterless urinal. No need to remove the old urinal bowl. Advantages:- Waterless urinals do not require a constant source of water Can be built and repaired with locally available materials Low capital and operating costs Waterless urinals produce fewer odours than urinals with water flush and also have no problems with urinal cakes (odour and urinal cakes occur when urine is mixed with water) Waterless urinals contribute to water saving at the greatest possible degree Waterless urinals allow the pure and undiluted collection of urine for reuse, e.g. as fertilizer in urban farming (after appropriate treatment, e.g. storage) and can contribute to closed loop economy, or for effective anaerobic treatment by e.g. an anaerobic ammonium oxidation (anamox) reactor Surface water and aquifers are protected from nutrients and pharmaceuticals if the urine is collected separately Special Feature :- One time fitment Hygienic - Dry restroom prevents bacteria cultivation No Flushing Allocation of transport resources, including the management and regulation of existing transportation activities. No Consumables Waterless and Odorless No Recurring Costs Longer Shelf Life Low & Easy Maintenance Just wipe and clean Structural Feature :- Thin-walled lighted weight Low porosity Ease of transportation Modular Design Flexible in design Minimal surface cracking
Citiyanode
Josiah slid off the saddle, and chambered a cartridge in his Peacemaker.
Larry D. Sweazy (The Gila Wars (Josiah Wolfe, Texas Ranger #6))
Raskin stepped away to the narrow end of the trench. Opened the revolver’s cylinder and saw a single cartridge. Closed the cylinder again and turned it until it was lined up right. Then he pulled the hammer back and put the barrel in his mouth. He turned around, so that he was facing the Zec and his back was to the trench. He shuffled backward until his heels were on the edge of the hole. He stood still and straight and balanced and composed, like an Olympic diver preparing for a difficult backward pike off the high board. He closed his eyes. He pulled the trigger. For a mile around black crows rose noisily into the air. Blood and brain and bone arced through the sunlight in a perfect parabola. Raskin’s body fell backward and landed stretched out and flat in the bottom of the trench. The crows settled back to earth and the faint noise of the distant stone-crushing machines rolled back in and sounded like silence. Then the Zec clambered up into the Caterpillar’s cab and started the engine. The levers all had knobs as big as pool balls, which made them easy to manipulate with his palms.
Lee Child (One Shot (Jack Reacher, #9))
Smugglers are always going to be flush with cash as soon as they find a buyer for the eight cartons of fountain pen cartridges that write in illegal shades of green, but they never have money today. You should, if you are going to run a smugglers' hotel, get a big account book and assume that whatever you write in it, the reality is, you're going to get paid in fountain pen cartridges. If you're lucky. You could just as easily get paid with something even more useless.
Kate Milford (Greenglass House (Greenglass House, #1))
through the cartridge and settling into the little wells was real.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)