Cars Disney Quotes

Do you guys remember that time when we were all definitely going to die and then Ben grabbed the steering wheel and dodged a ginormous freaking cow and spun the car like the teacups at Disney World and we didn't die?

We went to the New York World's Fair, saw what the past had been like, according to the Ford Motor Car Company and Walt Disney, saw what the future would be like, according to General Motors. And I asked myself about the present: how wide it was, how deep it was, how much was mine to keep.

Wayne was one of the worst drivers Finn had ever met. The bus nearly sideswiped two cars, then veered left and scraped its wheels against the curb, before smashing back down the roadway.

Okay, so how does this work exactly?" I ask as we walk toward his car. "Do we float down the bayou in rowboat while little critters sing 'Kiss the Girl'.

Sleepy pulled the car to a stop in front of this paved entranceway, which was flanked on either side by these enormous palm trees, kind of like the Polynesian Resort at Disney World. In fact, the whole place had kind of a Disney feel to it. You know, really big, and kind of modern and fake.

On Friday night, my dad wants to have a family activity. so we go ice-skating. It's me and my mom and my dad and my sister. It's like we're all together. It's like a beautiful dream. It's like the Disney Channel. Except that my dad and I hate each other. And my mom hates herself. And my sister is humiliated by the bunch of us. And I'm secretly waiting for the inevitable devastation of our entire civilization. But except for that.

That's like a fairy-tale princess in a patrol car, huh? But hey, even, Disney princesses are toughening up these days. We're all capable of many things, right?

Life is like a hurricane here in Duckburg Race cars, lasers, aeroplanes, it's a duck-blur! Might solve a mystery Or rewrite history! DuckTales! Woo-oo! Everyday they're out there making DuckTales! Woo-oo! Tales of derring do-bad and good Luck Tales! Woo-oo! When it seems they're heading for final curtain, Good deduction never fails, that's for certain! The worst of messes Become successes! D-d-d-danger! Watch behind you! There's a stranger out to find you What to do, just grab on to some DuckTales! DuckTales! Woo-oo! D-d-d-danger! Watch behind you! There's a stranger out to find What to do, just grab on to some DuckTales! Woo-oo!

It was speculated that a car manufacturing company like Ford, or a space or aircraft project like NASA’s Manned Orbiting Laboratory Project, or millionaires like the Rockefellers or Howard Hughes were secretly purchasing the land. One account even suggested the Mafia was buying land to launder ill-gotten gains or dump bodies in the swamps. However,

The two little girls and I crossed the Delaware River where George Washington had crossed it, the next morning. We went to the New York World’s Fair, saw what the past had been like, according to the Ford Motor Car Company and Walt Disney, saw what the future would be like, according to General Motors. And I asked myself about the present: how wide it was, how deep it was, how much was mine to keep.

I was afraid of anyone in a costume. A trip to see Santa might as well have been a trip to sit on Hitler's lap for all the trauma it would cause me. Once, when I was four, my mother and I were in a Sears and someone wearing an enormous Easter Bunny costume headed my way to present me with a chocolate Easter egg. I was petrified by this nightmarish six-foot-tall bipedal pink fake-fur monster with human-sized arms and legs and a soulless, impassive face heading toward me. It waved halfheartedly as it held a piece of candy out in an evil attempt to lure me into its clutches. Fearing for my life, I pulled open the bottom drawer of a display case and stuck my head inside, the same way an ostrich buries its head in the sand. This caused much hilarity among the surrounding adults, and the chorus of grown-up laughter I heard echoing from within that drawer only added to the horror of the moment. Over the next several years, I would run away in terror from a guy in a gorilla suit whose job it was to wave customers into a car wash, a giant Uncle Sam on stilts, a midget dressed like a leprechaun, an astronaut, the Detroit Tigers mascot, Ronald McDonald, Big Bird, Bozo the Clown, and every Mickey Mouse, Minnie Mouse, Donald Duck, Pluto, Chip and Dale, Uncle Scrooge, and Goofy who walked the streets at Disneyland. Add to this an irrational fear of small dogs that saw me on more than one occasion fleeing in terror from our neighbor's four-inch-high miniature dachschund as if I were being chased by the Hound of the Baskervilles and a chronic case of germ phobia, and it's pretty apparent that I was--what some of the less politically correct among us might call--a first-class pussy.

Nope.' He grabs my hand and places it over his heart. 'I already know the truth. We’re dating.' His eyebrows waggle. 'Exclusively.' 'Gross.' 'Do you want to wear my letterman’s jacket?' 'I’m going to vomit.' '“Should I buy you a corsage?' 'Seriously. Gagging.' 'Okay, no corsage.' He laughs. 'Just the matching tattoos, then?' 'Seriously.' I fight the urge to stomp my foot. 'Let it go, Parker. Let it go.' 'Hey, Elsa, don’t quote Frozen to me unless you’re prepared to listen to the entire soundtrack in my car on the way to Seaport.' I stare up at him. 'I’m not sure whether I should be disturbed or turned on by the fact that you know all the words to Let It Go.' He grins. 'Definitely turned on.' 'Downloaded in your iTunes library, no doubt.' I shake my head. 'This is nearly as disturbing as the time I learned the song A Whole New World from Aladdin is a metaphor for mind-blowing sex.' 'I’m sorry, what?' 'I can open your eyes? Lead you wonder by wonder? Over, sideways, and under?' I snort. 'Come on. That’s basically soft-core porn.' 'Thank you, Zoe, for ruining a beloved Disney classic for me.' 'Anytime.' 'For the record…' He trails off. I wince, anticipating the worst. 'What?' 'I’ll take you on my magic carpet ride any time you want, snookums.' 'Pass.' 'So, that’s a no on rubbing my lamp then?' 'You know, I think I’ll just find my own way to Nate’s…' I turn and start walking to the elevator. 'Oh, come on.' Parker twines his fingers with mine and pushes the call button, humming under his breath. 'I’m a genie in a bottle, baby, gotta rub—' 'AH!' I stare at him in horror as the elevator arrives. 'So help me god if you start singing vintage Christina Aguilera lyrics right now, I will murder you with my bare hands.

Little Nicky heads to the Badlands to see the show for himself. The Western Roads are outside his remit as a U.S. Treasury agent, but he knows the men he wants are its denizens. Standing on the corner of the Great Western and Edinburgh Roads, a sideshow, a carnival of the doped, the beaten, and the crazed. He walks round to the Avenue Haig strip and encounters the playground of Shanghai’s crackpots, cranks, gondoos, and lunatics. He’s accosted constantly: casino touts, hustling pimps, dope dealers; monkeys on chains, dancing dogs, kids turning tumbles, Chinese ‘look see’ boys offering to watch your car. Their numbers rise as the Japs turn the screws on Shanghai ever tighter. Half-crazy American missionaries try to sell him Bibles printed on rice paper—saving souls in the Badlands is one tough beat. The Chinese hawkers do no better with their porno cards of naked dyed blondes, Disney characters in lewd poses, and bare-arsed Chinese girls, all underage. Barkers for the strip shows and porno flicks up the alleyways guarantee genuine French celluloid of the filthiest kind. Beggars abound, near the dealers and bootleggers in the shadows, selling fake heroin pills and bootleg samogon Russian vodka, distilled in alleyways, that just might leave you blind. Off the Avenue Haig, Nicky, making sure of his gun in its shoulder holster, ventures up the side streets and narrow laneways that buzz with the purveyors of cure-all tonics, hawkers of appetite suppressants, male pick-me-ups promising endless virility. Everything is for sale—back-street abortions and unwanted baby girls alongside corn and callus removers, street barbers, and earwax pickers. The stalls of the letter writers for the illiterate are next to the sellers of pills to cure opium addiction. He sees desperate refugees offered spurious Nansen passports, dubious visas for neutral Macao, well-forged letters of transit for Brazil. He could have his fortune told twenty times over (gypsy tarot cards or Chinese bone chuckers? Your choice). He could eat his fill—grilled meat and rice stalls—or he could start a whole new life: end-of-the-worlders and Korean propagandists offer cheap land in Mongolia and Manchukuo.

In the year after Chris died, a friend organized a trip for the kids and me to use the time-share at Disney World in Florida. I felt exceptionally lonely the night we arrived in our rental car, exhausted from our flight. Getting our suitcases out, I mentioned something along the lines of “I wish we had Dad here.” “Me, too,” said both of the kids. “But he’s still with us,” I told them, forcing myself to sound as optimistic as possible. “He’s always here.” It’s one thing to say that and another to feel it, and as we walked toward the building I didn’t feel that way at all. We went upstairs--our apartment was on the second floor--and went to the door. A tiny frog was sitting on the door handle. A frog, really? Talk about strange. Anyone who knows the history of the SEALs will realize they trace their history to World War II combat divers: “frogmen” specially trained to infiltrate and scout enemy beaches before invasions (among other duties). They’re very proud of that heritage, and they still occasionally refer to themselves as frogmen or frogs. SEALs often feature frogs in various tattoos and other art related to the brotherhood. As a matter of fact, Chris had a frog skeleton tattoo as a tribute to fallen SEALs. (The term frogman is thought to derive from the gear the combat divers wore, as well as their ability to work both on land and at sea.) But for some reason, I didn’t make the connection. I was just consumed by the weirdness--who finds a frog, even a tiny one, on a door handle? The kids gathered round. Call me squeamish, but I didn’t want to touch it. “Get it off, Bubba!” I said. “No way.” We hunted around and found a little tree branch on the grounds. I held it up to the doorknob, hoping it would hop on. It was reluctant at first, but finally it toddled over to the outside of the door jam. I left it to do whatever frogs do in the middle of the night. Inside the apartment, we got settled. I took out my cell phone and called my mom to say we’d arrived safely. “There was one strange thing,” I told her. “There was a frog on the door handle when we arrived.” “A…frog?” “Yes, it’s like a jungle down here, so hot and humid.” “A frog?” “Yeah.” “And you don’t think there’s anything interesting about that?” “Oh my God,” I said, suddenly realizing the connection. I know, I know: just a bizarre coincidence. Probably. I did sleep really well that night. The next morning I woke up before the kids and went into the living room. I could have sworn Chris was sitting on the couch waiting for me when I came out. I can’t keep seeing you everywhere. Maybe I’m crazy. I’m sorry. It’s too painful. I went and made myself a cup of coffee. I didn’t see him anymore that week.

A Tale of Two Parking Requirements The impact of parking requirements becomes clearer when we compare the parking requirements of San Francisco and Los Angeles. San Francisco limits off-street parking, while LA requires it. Take, for example, the different parking requirements for concert halls. For a downtown concert hall, Los Angeles requires, as a minimum, fifty times more parking than San Francisco allows as its maximum. Thus the San Francisco Symphony built its home, Louise Davies Hall, without a parking garage, while Disney Hall, the new home of the Los Angeles Philharmonic, did not open until seven years after its parking garage was built. Disney Hall's six-level, 2,188-space underground garage cost $110 million to build (about $50,000 per space). Financially troubled Los Angeles County, which built the garage, went into debt to finance it, expecting that parking revenues would repay the borrowed money. But the garage was completed in 1996, and Disney Hall—which suffered from a budget less grand than its vision—became knotted in delays and didn't open until late 2003. During the seven years in between, parking revenue fell far short of debt payments (few people park in an underground structure if there is nothing above it) and the county, by that point nearly bankrupt, had to subsidize the garage even as it laid employees off. The money spent on parking shifted Disney Hall's design toward drivers and away from pedestrians. The presence of a six-story subterranean garage means most concert patrons arrive from underneath the hall, rather than from the sidewalk. The hall's designers clearly understood this, and so while the hall has a fairly impressive street entrance, its more magisterial gateway is an "escalator cascade" that flows up from the parking structure and ends in the foyer. This has profound implications for street life. A concertgoer can now drive to Disney Hall, park beneath it, ride up into it, see a show, and then reverse the whole process—and never set foot on a sidewalk in downtown LA. The full experience of an iconic Los Angeles building begins and ends in its parking garage, not in the city itself. Visitors to downtown San Francisco have a different experience. When a concert or theater performance lets out in San Francisco, people stream onto the sidewalks, strolling past the restaurants, bars, bookstores, and flower shops that are open and well-lit. For those who have driven, it is a long walk to the car, which is probably in a public facility unattached to any specific restaurant or shop. The presence of open shops and people on the street encourages other people to be out as well. People want to be on streets with other people on them, and they avoid streets that are empty, because empty streets are eerie and menacing at night. Although the absence of parking requirements does not guarantee a vibrant area, their presence certainly inhibits it. "The more downtown is broken up and interspersed with parking lots and garages," Jane Jacobs argued in 1961, "the duller and deader it becomes ... and there is nothing more repellent than a dead downtown.

McCall was reelected seven times, that is, until 1972, when Florida Governor Reubin Askew stepped in and suspended him after yet another violent assault on someone in his custody. This time, McCall was indicted for second-degree murder for allegedly kicking a black prisoner to death. The prisoner was in jail for a twenty-six-dollar traffic ticket. McCall was acquitted. But he lost the election that November. Blacks were now able to vote, and they turned out in force to defeat him the first chance they got. “We sent cars out and taxicabs,” Viola Dunham, a longtime resident and a sister-in-law of George Starling, remembered. “We started getting these people out to vote.” Then, too, a new generation of whites had entered the Florida electorate, the younger people who may have identified with the young freedom riders in Mississippi and Alabama even if they would not have participated themselves, and the snowbirds, the white northerners who were buying up vacation homes or retiring to central Florida with the boom that came with the arrival of Disney World and who couldn’t relate to the heavy-handedness of a small-town southern sheriff. And now it seemed that even the most steadfast traditionalists had finally tired of the controversies and felt it was time for him to go. The defeated sheriff retreated to his ranch on Willis V. McCall Road in Eustis, where he tended his citrus grove, welcomed his partisans, and held forth on his decades of lordship over Lake County. He could take comfort in the fact that, for better or for worse, Lake County would not soon forget him, and he took pride in his role of protecting southern tradition.

Through a series of strange, though explainable, events, the five had left the comforts of smartphones, smart cars, and Smart Water behind.

The city had never been more corrupt, with local government by fiat and the threat of political violence never far away, and, strangely, it had never been more relevant. Under the watchful eye of Pendergast, Walt Disney opened Laugh-O-Gram Studios near Thirty-First and Troost Avenue. Cub reporter Ernest Hemingway wrote short, declarative sentences at The Kansas City Star (abiding by the paper’s house style). Nell Donnelly popularized gingham for American mothers and built a fashion empire. Baseball stars Paige and O’Neil turned the Kansas City Monarchs into a Negro Leagues powerhouse. Homer B. Roberts invested profits to open another car dealership in Chicago. Even Pendergast’s detractors fed off his power. During his reign, local boosters were crazy enough to talk about Kansas City becoming a city of one million people, more than double its size. It still felt like the city could turn into something great, following the trajectory of the many jazz musicians who passed through. Basie stuck around for nine years. Kansas City, in his eyes, was “a cracker town but a happy town.

No, no, no, focus. Speed. Faster than fast, quicker than quick. I am Lightning.

We went to the New York World’s Fair, saw what the past had been like, according to the Ford Motor Car Company and Walt Disney, saw what the future would be like, according to General Motors.

We went to the New York World’s Fair, saw what the past had been like, according to the Ford Motor Car Company and Walt Disney, saw what the future would be like, according to General Motors. And I asked myself about the present: how wide it was, how deep it was, how much was mine to keep.

Accordingly, the occupant of the car was not Aslan Zagaev, nor was it one of the tactical agents. It was Omar, essentially a robotic head and torso, with a few servo motors inside that let him—well, it—mimic pretty well the movement and gestures of a human being. You could program the system so that Omar would act bored or drunk or—the most-used setting—nervous and fidgety. The features weren’t as good as Disney animatronics but inside a vehicle or in the dark, he could usually trick a shooter. Omar—and Omarina (brunette or blonde and 36D)—came in white, black and Latino.

Back then, there weren’t channels dedicated to subcategories of the population. There was no Disney channel, no Food Network, no ESPN, no Bravo. There was Sam Donaldson, Peter Jennings, and, my personal crush, Tom Brokaw on the news, and we got cartoons for three hours on Saturday mornings until CBS switched to golf at 11:00 after the Smurfs. Oh sure, MTV hit the scene in 1981, but we couldn’t watch it because of the devil. Apparently we could watch a show starring two outlaw brothers, their half-naked cousin, and a car painted with the Confederate flag but couldn’t watch Madonna sing “Like a Virgin” because we might get secondhand pregnant.

What is your schedule like the rest of the week?” “Light. Why?” “Any animals in your clinic that need special care?” “Not special care. Lori is a great vet tech, and she handles most everything. Why?” “I want you to clear your calendar. We’re going to deal with this, put the awkwardness to bed once and for all.” Her eyes rounded with wariness and surprise, then she whipped her head around to frown at him. “The awkwardness,” he explained. “Not you and me. We’ll have separate rooms.” “Separate rooms? What are you talking about?” He drummed his fingers on the steering wheel. “Listen, Nic. For better or for worse, we got married today. We’re husband and wife, and now we need to find our way back to being friends. Do you agree with that assessment?” She pursed her lips and thought a moment. “Yes.” “Then let’s make an effort to do just that, and let’s do it away from everyday pressure and prying eyes.” “How? We live in Eternity Springs. It’s the definition of prying eyes.” “Then we get away from Eternity Springs. Look, Nic, just because we’re not having sex doesn’t mean we can’t have a honeymoon, does it?” “A honeymoon?” she repeated, her eyes round with shock and maybe a glimmer—just a tiny little spark—of anticipation. He stopped the car in her driveway and pulled out his phone. “Go pack a bag, Nic. I’ll stay here and make the arrangements. We’ll leave from Eagle’s Way.” “Leave for where?” “Pack your sneakers, Nic. We’re going to Disney World.

Sarah had the look of a Disney heroine with the cunning of a car salesman. With her blond hair, wispy figure, and doe eyes, no one would guess we met at a Def Leppard concert in high school when she plowed a drunk guy unconscious with a Coke bottle. In her defense, he was coming on to me at the concession stand and wouldn’t take “no thank you” as my polite southern way of saying “Get lost.” In

Maybe kissing your roommate was a thing all guys did at some point or another, and they just didn’t talk about it. Like singing along with power ballads in the car, or getting teary eyed at the end of Disney movies.

People always think of you like the one in the Hercules cartoon. Ruthless. Erratic.” He stared at me. “The Disney cartoon?” “Yes.” His gaze dropped to my lips and his finger trailed to the other side of my face. “I can assure you my true form doesn’t have flaming blue hair.

Butterflies are a cold-blooded species. That’s why in the country you’ll often see them sitting in the middle of the road. Try not to hit them with your car! (The butterfly does not survive this process.)

After a long day of fun, guests often forget where they left their car. The lots are labeled, the rows are numbered, and the trams that shuttle guests to the entrance announce the parking location several times, but inevitably and regularly cars are misplaced. Instead of leaving tired guests forlorn and wandering, members of the parking lot cast came up with a service patch. Since the parking lots are filled in order, the tram drivers started keeping a simple list of what row they were working at what time in the morning. The lists are copied and distributed to members of the parking cast at the end of the day, so if guests can remember about what time they arrived (which they usually can), a cast member can tell them about where they parked.

Three car doors slammed in quick staccato as we got out. For a long moment we looked around at the lot, where we were just one in a massive sea of cars. Patrons who parked in the lot of the Willow Creek Faire could see the entrance when they got out of their cars: a two-dimensional castle façade that some volunteers had put together about five years ago. But not here. Our entire Faire could probably fit in this parking lot, and all we could see around us was row after row of cars. Like parking at Disney World, but without the trams or mouse ears. “Holy shit.” April wasn’t part of our Faire, but even she sounded impressed. “Where’s the entrance?” “Up that way.” I couldn’t see the gates I was pointing toward, but the stream of people told me I was indicating the right way. “A little bit of a hike, then.” April looked behind us, where the grassy lot continued to fill slowly with cars. “Holy shit,” she said again. “This isn’t a Faire. This is a town.” “Yeah.” Mitch had been here before—so had I; if you grew up around here you went to the Maryland Renaissance Festival at least once during your childhood—but even his eyes were a little wide at the vastness of it all. “This place is . . . It’s pretty big.” He paused. “That’s what she said.” I was too nervous to snicker, but April elbowed him in the ribs, and that was good enough. “Okay. We’re going in.” He reached over his head for the back of his T-shirt, pulling it off and tossing it into the back of the truck. April sighed. “All right, Kilty. Naked enough?” “Look on the bright side.” He wiggled his eyebrows at her as he stuck his keys into the sporran he wore attached to the kilt. “I’m not working this Faire. Which means I get to wear this kilt the way it’s meant to be worn.” I coughed. I didn’t want to think about what Mitch was or was not wearing under there. Which was sad, because thinking about Mitch in a kilt used to be one of my favorite hobbies. The man was born to wear that green plaid