Carpet Repair Quotes

When was the last time he’d actually opened those curtains? Years, it had to be years. Sunlight washed the room, turning it white instead of grey, revealing cracks that had never been repaired; wine and food stains on the carpets; even a jack of diamonds that lay alone in the corner, like a raft set adrift on God’s Ocean.

His house was certainly peculiar, and since this was the first thing that Fenchurch and Arthur had encountered it would help to know what it was like. It was like this: It was inside out. Actually inside out, to the extent that they had had to park on the carpet. All along what one would normally call the outer wall, which was decorated in a tasteful interior-designed pink, were bookshelves, also a couple of those odd three-legged tables with semicircular tops which stand in such a way as to suggest that someone just dropped the wall straight through them, and pictures which were clearly designed to soothe. Where it got really odd was the roof. It folded back on itself like something that M. C. Escher, had he been given to hard nights on the town, which it is no part of this narrative’s purpose to suggest was the case, though it is sometimes hard, looking at his pictures, particularly the one with all the awkward steps, not to wonder, might have dreamed up after having been on one, for the little chandeliers which should have been hanging inside were on the outside pointing up. Confusing. The sign above the front door said “Come Outside,” and so, nervously, they had. Inside, of course, was where the Outside was. Rough brickwork, nicely done pointing, guttering in good repair, a garden path, a couple of small trees, some rooms leading off. And the inner walls stretched down, folded curiously, and opened at the end as if, by an optical illusion which would have had M. C. Escher frowning and wondering how it was done, to enclose the Pacific Ocean itself. “Hello,” said John Watson, Wonko the Sane. Good, they thought to themselves, “hello” is something we can cope with. “Hello,” they said, and all, surprisingly, was smiles.

...it ends with him wondering if maybe time really is going to loop back upon itself after all, except in this rendering, he will have Julia and Harold as parents from the beginning, and who knows what he will be, only that he will be better, that he will be healthier, that he will be kinder, that he won’t feel the need to struggle so hard against his own life. He has a vision of himself as a fifteen-year-old, running into the house in Cambridge, shouting words—“Mom! Dad!”—he has never said before, and although he can’t imagine what would have made this dream self so excited (for all his study of normal children, their interests and behaviors, he knows few specifics), he understands that he is happy. Maybe he is wearing a soccer uniform, his arms and legs bare; maybe he is accompanied by a friend, by a girlfriend. He has probably never had sex before; he is probably trying at every opportunity to do so. He would think sometimes of who he would be as an adult, but it would never occur to him that he might not have someone to love, sex, his own feet running across a field of grass as soft as carpet. All those hours, all those hours he has spent cutting, and hiding the cutting, and beating back his memories, what would he do instead with all those hours? He would be a better person, he knows. He would be a more loving one. But maybe, he thinks, maybe it isn’t too late. Maybe he can pretend one more time, and this last bout of pretending will change things for him, will make him into the person he might have been. He is fifty-one; he is old. But maybe he still has time. Maybe he can still be repaired.

Here is the correct order for performing renovations. 1.       Remove any flooring to be replaced 2.       Ceiling repair and ceiling painting 3.       Strip wallpaper, repair walls, paint walls 4.       Paint and replace trim, including crown molding 5.       Cabinet and countertop work 6.       Install tile or quality wood laminate flooring (this may shorten the space for the appliances that go under the counter like dishwashers, so be careful with measurements pre-floor installation) 7.       Install new appliances 8.       Install base molding and baseboards in rooms with tile, vinyl, or quality wood laminate flooring 9.       Install carpet (scratch that, NEVER put carpet in a rental) 10.   Tidy up the landscaping

Harrah’s had committed to finishing the new Octavius hotel tower at Caesars Palace and spent $1.1 billion in capital investments in 2008. By 2010, capital investments had dropped to just $160 million. One bellman at The Paris described the years after the Apollo/TPG takeover: “It felt ugly after the buyout. Before you could service the guest, it was a great place to work before those private equity guys took over.” Attrition and hiring freezes meant that employees were often forced to do the work of two people. Customers were suddenly facing longer lines to check in and have their luggage delivered, which proved stressful both for guests and the remaining staff. Holes in the wall weren’t fixed because maintenance crews were let go, and there was no money for repairs anyway. Duct-taped carpet was evident everywhere. The system for delivering and bussing room service orders broke down, leaving carts of food scraps next to elevators and guest rooms, leading customers to complain and forcing the union to intervene.

But then there are those people who overidentify with their emotions. Everything is justified for no other reason than they felt it. “Oh, I broke your windshield, but I was really mad; I couldn’t help it.” Or “I dropped out of school and moved to Alaska just because it felt right.” Decision-making based on emotional intuition, without the aid of reason to keep it in line, pretty much always sucks. You know who bases their entire lives on their emotions? Three-year-old kids. And dogs. You know what else three-year-olds and dogs do? Shit on the carpet. An obsession and overinvestment in emotion fails us for the simple reason that emotions never last. Whatever makes us happy today will no longer make us happy tomorrow, because our biology always needs something more. A fixation on happiness inevitably amounts to a never-ending pursuit of “something else”—a new house, a new relationship, another child, another pay raise. And despite all of our sweat and strain, we end up feeling eerily similar to how we started: inadequate. Psychologists sometimes refer to this concept as the “hedonic treadmill”: the idea that we’re always working hard to change our life situation, but we actually never feel very different. This is why our problems are recursive and unavoidable. The person you marry is the person you fight with. The house you buy is the house you repair. The dream job you take is the job you stress over. Everything comes with an inherent sacrifice—whatever makes us feel good will also inevitably make us feel bad. What we gain is also

When she was a girl, Eleanor had completely believed the tale. That Zephyr brought her back from Africa with him, a pearl that he'd swallowed, that had remained hidden deep within his jaw when he was shot, skinned, sold, and shipped, during the decades his pelt was put on proud display at the big house and through his subsequent repair to reduced circumstances at the Lake House. It was there, one day, when the tiger's head was tilted just so, that the pearl rolled out of his lifeless mouth and became lost in the long weave of the library carpet. It was trodden on, bypassed, and all but forgotten, until one dark night, while the household slept, it was found by fairies on a mission of theft. They took the pearl deep into the woods, where it was laid on a bed of leaves, studied and pondered and tentatively stroked, before being stolen by a bird, who mistook it for an egg. High in the treetops, the pearl began to grow and grow and grow, until the bird became frightened that her own eggs would be crushed and she rolled the argent orb back down the side of the tree, where it landed with a soft thud on a bed of leaf fall. There, in the light of the full moon, surrounded by curious fairy folk, the egg began to hatch and a baby emerged. The fairies gathered nectar to feed her and took turns rocking the babe to sleep, but soon no amount of nectar was enough, and even fairy magic could not keep the child content. A meeting was held and it was decided the woods were no place for a human child and she must be returned to the house, laid on the doorstep in a wrap of woven leaves. As far as Eleanor was concerned, it explained everything: why she felt such an affinity with the woods, why she'd always been able to glimpse the fairies in the meadows where other people saw only grass, why birds had gathered on the ledge outside the nursery window when she was an infant. It also explained the fierce tiger rage that welled up inside her at times, that made her spit and scream and stomp, so that Nanny Bruen hissed and told her she'd come to no good if she didn't learn to control herself. Mr. Llewellyn, on the other hand, said there were worse things in life than a temper, that it only proved one had an opinion. And a pulse, he added, the alternative to which was dire! He said a girl like Eleanor would do well to keep the coals of her impudence warm, for society would seek to cool them soon enough.

I mostly saw Vince Foster in the hallways. He was Mrs. Clinton’s personal attaché, a lawyer from Arkansas. Word circulated that she berated him mercilessly. The first time I saw Foster I figured he wouldn’t last a year. He looked uncomfortable and unhappy in the White House. I knew what it was like to be yelled at by superiors, but Mrs. Clinton never hesitated to launch a tirade. Yet her staffers never dared say, “I don’t have to take this shit!” They reminded me of battered wives: too loyal, too unwilling to acknowledge they’d never assuage her. They had no one to blame but themselves, but they could never admit it. She criticized Foster for failing to get ahead of the constant scandals, for cabinet positions not confirmed, and for the slowness of staffing the White House. Foster eventually took his own life in Fort Marcy Park. In his briefcase was a note torn into twenty-seven pieces, blaming the FBI, the media, the Republicans—even the White House Ushers Office. A rumor circulated among law enforcement types that contended his suicide weapon had to be repaired in order for the forensics team to fire it since it wouldn’t function for them. Maybe his final shot misaligned the cylinders and later prevented contact with the bullet primers. But that, along with many other public details of the case (carpet fibers on his suit coat, etc.), made his case spooky. The last lines of his sparse suicide note read: “I was not meant for the job or the spotlight of public life in Washington. Here ruining people is considered sport.” A UD friend of mine, Hank O’Neil, was posted outside of Foster’s office as part of the FBI’s investigation of his suicide. Maggie Williams, Mrs. Clinton’s always well dressed chief of staff, physically pushed her way past Hank into Foster’s office, arguing that he had no right to block her entrance. She removed boxes that were never recovered; they were destroyed. Congressmen bashed Officer O’Neil’s integrity, but he held firm. He reported exactly what he saw and didn’t make any inferences about it, but they were sure he held some smoking gun and was protecting the Clintons.

She turned another page, another black-tie affair. “It’s not as clean or impersonal as a break or a shatter. Besides, those are easy to repair if you can find all the pieces. Truly crushing a soul—now that requires a certain level of…personal violence. Your ears fill with this desperate”—flip— “rasping”—flip—“gasp. Like you’re fighting for air, suffocating in plain sight. Strangled by life and someone else’s shitty, selfish decisions.” “Georgia,” I whispered as my stomach turned, my chest pulling tight at the agony and anger in her words, pausing over a picture from the red-carpet premiere of The Wings of Autumn. Her smile was bright but her eyes flat as she posed at Damian’s side like a trophy, both generations of Stanton women at her right. She was freezing over right in front of my eyes, each picture a little colder than the last. “And the thing is,” she continued with a little shake of her head and another mocking smile, “you don’t always recognize that wet sound for what it is—an assassination. You don’t register what’s actually happening as the air disappears. You hear that gurgle, and it somehow convinces you that the next breath is coming—you’re not broken. This is fixable, right? So you fight, holding on to whatever air there is.” Her eyes filled with unshed tears, but she raised her chin and held them back as the pages flew by with every sentence. “You fight and you thrash because this fated, deep-rooted thing you called love refuses to go down with a single shot. That would be far too merciful. Real love has to be choked out, held under the water until it stops kicking. That’s the only way to kill it.