Carpet Court Quotes

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Then Rhys fell to his knees and took Nesta's hands in his, pressing his mouth to her fingers. "Thank you," he wept, head bowed. Cassian knew it wasn't in gratitude for Rhy's own life that he knelt upon the sacred tattoos inked upon his knees. Nesta dropped to the carpet. Lifted Rhy's face in her hands, studied what lay in it. Then she threw her arms around the High Lord of the Night Court and held him tightly.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Duly noted.” Rhys yanked open the drawers and pulled out my undergarments. He dangled the bits of midnight lace and chuckled. “I’m surprised you didn’t demand Nuala and Cerridwen buy you something else.” I stalked to him, snatching the lace away. “You’re drooling on the carpet.” I slammed the bathing room door before he could respond.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
There is evidence that the honoree [Leonard Cohen] might be privy to the secret of the universe, which, in case you're wondering, is simply this: everything is connected. Everything. Many, if not most, of the links are difficult to determine. The instrument, the apparatus, the focused ray that can uncover and illuminate those connections is language. And just as a sudden infatuation often will light up a person's biochemical atmosphere more pyrotechnically than any deep, abiding attachment, so an unlikely, unexpected burst of linguistic imagination will usually reveal greater truths than the most exacting scholarship. In fact. The poetic image may be the only device remotely capable of dissecting romantic passion, let alone disclosing the inherent mystical qualities of the material world. Cohen is a master of the quasi-surrealistic phrase, of the "illogical" line that speaks so directly to the unconscious that surface ambiguity is transformed into ultimate, if fleeting, comprehension: comprehension of the bewitching nuances of sex and bewildering assaults of culture. Undoubtedly, it is to his lyrical mastery that his prestigious colleagues now pay tribute. Yet, there may be something else. As various, as distinct, as rewarding as each of their expressions are, there can still be heard in their individual interpretations the distant echo of Cohen's own voice, for it is his singing voice as well as his writing pen that has spawned these songs. It is a voice raked by the claws of Cupid, a voice rubbed raw by the philosopher's stone. A voice marinated in kirschwasser, sulfur, deer musk and snow; bandaged with sackcloth from a ruined monastery; warmed by the embers left down near the river after the gypsies have gone. It is a penitent's voice, a rabbinical voice, a crust of unleavened vocal toasts -- spread with smoke and subversive wit. He has a voice like a carpet in an old hotel, like a bad itch on the hunchback of love. It is a voice meant for pronouncing the names of women -- and cataloging their sometimes hazardous charms. Nobody can say the word "naked" as nakedly as Cohen. He makes us see the markings where the pantyhose have been. Finally, the actual persona of their creator may be said to haunt these songs, although details of his private lifestyle can be only surmised. A decade ago, a teacher who called himself Shree Bhagwan Rajneesh came up with the name "Zorba the Buddha" to describe the ideal modern man: A contemplative man who maintains a strict devotional bond with cosmic energies, yet is completely at home in the physical realm. Such a man knows the value of the dharma and the value of the deutschmark, knows how much to tip a waiter in a Paris nightclub and how many times to bow in a Kyoto shrine, a man who can do business when business is necessary, allow his mind to enter a pine cone, or dance in wild abandon if moved by the tune. Refusing to shun beauty, this Zorba the Buddha finds in ripe pleasures not a contradiction but an affirmation of the spiritual self. Doesn't he sound a lot like Leonard Cohen? We have been led to picture Cohen spending his mornings meditating in Armani suits, his afternoons wrestling the muse, his evenings sitting in cafes were he eats, drinks and speaks soulfully but flirtatiously with the pretty larks of the street. Quite possibly this is a distorted portrait. The apocryphal, however, has a special kind of truth. It doesn't really matter. What matters here is that after thirty years, L. Cohen is holding court in the lobby of the whirlwind, and that giants have gathered to pay him homage. To him -- and to us -- they bring the offerings they have hammered from his iron, his lead, his nitrogen, his gold.
Tom Robbins
I let my towel drop to the carpet. Let him look me over as I put a hand on his chest, his heart raging beneath my palm. "Ready for ravishing.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
I hope you can take some constructive criticism.” “Sure.” “It sounds like you are trying to make too many people happy.” Court looked to the carpet a moment. “Welcome to my world.
Mark Greaney (Gunmetal Gray (Gray Man, #6))
And so, he knows. He wants, he needs, to do the immoral, irresponsible thing. He wants to let this boy court his own destruction. He wants to commit that cruelty. Or (kinder, gentler version) he doesn't want to reconfirm his allegiance to the realm of the sensible, all the good people who take responsibility, who go to the right and necessary parties, who sell art made of two-by-fours and carpet remnants. He wants, for at least a little while, to live in that other, darker world - Blake's London, Courbet's Paris; raucous, unsanitary places where good behavior was the province of decent, ordinary people who produced no works of genius.
Michael Cunningham (By Nightfall)
Azriel arrived first, no shadows to be seen, my sister a pale, golden mass in his arms. He, too, wore his Illyrian armour, Elain's golden-brown hair snagging in some of the black scales across his chest and shoulders. He set her down gently on the foyer carpet, having carried her in through the front door. Elain peered up at his patient, solemn face. Azriel smiled faintly. 'Would you like me to show you the garden?' She seemed so small before him, so fragile compared to the scales of his fighting leathers, the breadth of his shoulders. The wings peeking over them. But Elain did not balk from him, did not shy away as she nodded- just once. Azriel, graceful as any courtier, offered her an arm. I couldn't tell if she was looking at his blue Siphons or at his scarred skin beneath as she breathed, 'Beautiful.' Colour bloomed high on Azriel's golden-brown cheeks, but he inclined his head in thanks and led my sister toward the back doors into the garden, sunlight bathing them.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
His eyes slid to mine, amused and questioning. He said down the bond, And do you think I need to redecorate our home? We passed open-air chambers full of fat, silk pillows and plush carpets, passed windows whose panes were arranged in colourful medleys, passed urns overflowing with lavender and fountains gurgling clearest water under the mild rays of the sun. It's not a competition, I trilled to him. His hand tightened on mine. Well, even if Thesan has a prettier palace, I'm the only one blessed with a High Lady at my side. I couldn't help my blush. Especially as Rhys added, Tonight, I want you to wear that crown to bed. Only the crown. Scoundrel. Always. I smiled, and he leaned in smoothly to brush a kiss to my cheek. Mor muttered a plea for mercy from mates.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
The crown. Rhys had crowned me at each and every meeting and function we’d had, long before I was his mate, long before I was his High Lady. Even Under the Mountain. I’d never questioned the tiaras and diadems and crowns that Nuala or Cerridwen wove into my hair. Never objected to them—even before things between us had been this way. But this one … I peered up the stairs as Rhys’s strolling, unhurried footsteps thudded on the carpet.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
I couldn't come up with any words when we arrived- and knew that even if I had been able to paint it, nothing would have done it justice. It wasn't simply that it was the most beautiful place I'd ever been to, or that it filled me with both longing and mirth, but it just seemed... right. As if the colours and lights and patterns of the world had come together to form one perfect place- one true bit of beauty. After last night, it was exactly where I needed to be. We sat atop a grassy knoll, overlooking a glade of oaks so wide and high they could have been the pillars and spires of an ancient castle. Shimmering tufts of dandelion fluff drifted by, and the floor of the clearing was carpeted with swaying crocuses and snowdrops and bluebells. It was an hour or two past noon by the time we arrived, but the light was thick and golden. Though the three of us were alone, I could have sworn I heard singing. I hugged my knees and drank in the glen.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Do you know,' Cassian drawled to her, 'that the last time I got into a brawl in this house, I was kicked out for a month?' Nesta's burning gaze slid to him, still outraged- but hinted with incredulity. He just went on, 'It was Amren's fault, of course, but no one believed me. And no one dared banish her.' She blinked slowly. But the burning, molten gaze became mortal. Or as mortal as one of us could be. Until Lucien breathed, 'What are you?' Cassian didn't seem to dare take his focus off Nesta. But my sister slowly looked at Lucien. 'I made it give something back,' she said with terrifying quiet. The Cauldron. The hairs along my arms rose. Nesta's gaze flicked to the carpet, then to a spot on the wall. 'I wish to go to my room.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Around the glade this pair of woodland nymphs danced. He swept her in a waltz to a duet that was sometimes off tune, sometimes rent with giggling and laughter as they made their own music. A breathless Erienne fell to a sun-dappled hummock of deep, soft moss, and laughing for the pure thrill of the day, she spread her arms, creating a comely yellow-hued flower on the dark green sward while seeming every bit as fragile as a blossom to the man who watched her. With bliss-bedazzled eyes, she gazed through the treetops overhead where swaying branches, bedecked in the first bright green of spring, caressed the underbellies of the freshlet zephyrs, and the fleecy white clouds raced like frolicking sheep across an azure lea. Small birds played courting games, and the earlier ones tended nests with single-minded perseverance. A sprightly squirrel leapt across the spaces, and a larger one followed, bemused at the sudden coyness of his mate. Christopher came to Erienne and sank to his knees on the thick, soft carpet, then bracing his hands on either side of her, slowly lowered himself until his chest touched her bosom. For a long moment he kissed those blushing lips that opened to him and welcomed him with an eagerness that belied the once-cool maid. Then he lifted her arm and lay beside her, keeping her hand in his as he shared her viewpoint of the day. They whispered sweet inanities, talked of dreams, hopes, and other things, as lovers are wont to do. Erienne turned on her side and taking care to keep her hand in the warm nest, ran her other fingers through his tousled hair. “You need a shearing, milord,” she teased. He rolled his head until he could look up into those amethyst eyes. “And does my lady see me as an innocent lamb ready to be clipped?” At her doubtful gaze, he questioned further. “Or rather a lusting, long-maned beast? A zealous suitor come to seduce you?” Erienne’s eyes brightened, and she nodded quickly to his inquiry. “A love-smitten swain? A silver-armored knight upon a white horse charging down to rescue you?” “Aye, all of that,” she agreed through a giggle. She came to her knees and grasped his shirt front with both hands. “All of that and more.” She bent to place a honeyed kiss upon his lips, then sitting back, spoke huskily. “I see you as my husband, as the father of my child, as my succor against the storm, protector of my home, and lord of yonder manse. But most of all, I see you as the love of my life.” -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
He just wanted a walk- and a few books. It had been an age since he'd even had free time to read, let alone do so for pleasure. But there she was. His mate. She was nothing like Jesminda. Jesminda had been all laughter and mischief, too wild and free to be contained by the country life that she'd been born into. She had teased him, taunted him- seduced him so thoroughly that he hadn't wanted anything but her. She'd seen him not as a High Lord's seventh son, but as a male. Had loved him without question, without hesitation. She had chosen him. Elain had been... thrown at him. He glanced toward the tea service spread on a low-lying table nearby. 'I'm going to assume that one of those cups belongs to your sister.' Indeed, there was a discarded book in the viper's usual chair. Cauldron help the male who wound up shackled to her. 'Do you mind if I held myself to the other?' He tried to sound casual- comfortable. Even as his heart raced and raced, so swift he thought he might vomit on the very expensive, very old carpet. From Sangravah, if the patterns and rich dyes were any indication. Rhysand was many things, but he certainly had good taste. The entire place had been decorated with thought and elegance, with a penchant for comfort over stuffiness. He didn't want to admit he liked it. Didn't want to admit he found the city beautiful. That the circle of people who now claimed to be Feyre's new family... It was what, long ago, he'd once thought life at Tamlin's court would be. An ache like a blow to the chest went through him, but he crossed the rug. Forced his hands to be steady while he poured himself a cup of tea and sat in the chair opposite Nesta's vacated one. 'There's a plate of biscuits. Would you like one?' He didn't expect her to answer, and he gave himself all of one more minute before he'd rise from this chair and leave, hopefully avoiding Nesta's return. But sunlight on gold caught his eye- and Elain slowly turned from her vigil at the window. He had not seen her entire face since that day in Hybern. Then, it had been drawn and terrified, then utterly blank and numb, her hair plastered to her head, her lips blue with cold and shock. Looking at her now... She was pale, yes. The vacancy still glazing her features. But he couldn't breathe as she faced him fully. She was the most beautiful female he'd ever seen. Betrayal, queasy and oily, slid through his veins. He'd said the same to Jesminda once. But even as shame washed through him, the words, the sense chanted, Mine. You are mine, and I am yours. Mate.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Ultimately there is a rank ordering of spiritual conditions, with which the rank ordering of problems is consistent, and the highest problems shove back without mercy anyone who dares approach them without having been predestined to solve them with the loftiness and power of his spirituality. What help is it if nimble heads of nondescript people or, as happens so often these days, clumsy honest mechanics and empiricists with their plebeian ambition press forward into the presence of such problems and, as it were, up to the “court of courts”! But on such carpets crude feet may never tread: there is still a primeval law of things to look after that: the doors remain closed to these people who push against them, even if they bang or crush their heads against them! One must be born for every lofty world: to put the matter more clearly, one must be cultivated for it: one has a right to philosophy — taking the word in its grand sense — only thanks to one’s descent, one’s ancestors; here, as well, “blood” decides. For a philosopher to arise, many generations must have done the preparatory work. Every single one of his virtues must have been acquired, cared for, passed on, assimilated, and not just the bold, light, delicate walking and running of his thoughts, but, above all, the willingness to take on great responsibilities, the loftiness of the look which dominates and gazes down, the feeling of standing apart from the crowd and its duties and virtues, the affable protecting and defending of what is misunderstood and slandered, whether god or devil, the desire for and practice of great justice, the art of commanding, the breadth of will, the slow eye that seldom admires, seldom looks upward, seldom loves.
Friedrich Nietzsche (Beyond Good And Evil)
You might be willing to get on your knees for Hybern, but I certainly am not.' He exploded. Furniture splintered and went flying, windows cracked and shattered. And this time, I did not shield myself. The worktable slammed into me, throwing me against the bookshelf, and every place where flesh and bone met wood barked and ached. My knees slammed into the carpeted floor, and Tamlin was instantly in front of me, hands shaking- The doors burst open. 'What have you done,' Lucien breathed, and Tamlin's face was the picture of devastation as Lucien shoved him aside. He let Lucien shove him aside and help me stand. Something wet and warm slid down my cheek- blood, from the scent of it. 'Let's get you cleaned up,' Lucien said, an arm around my shoulders as he eased me from the room. I barely heard him over the ringing in my ears, the slight spinning to the world. The sentries- Bron and Hart, two of Tamlin's favourite lord-warriors among them- were gaping, attention torn between the wrecked study and my face. With good reason. As Lucien led me past a gilded hall mirror, I beheld what had drawn such horror. My eyes were glassy, my face pallid- save for the scratch just beneath my cheekbone, perhaps two inches long and leaking blood. Little scratches peppered my neck, my hands. But I willed that cleansing, healing power- that of the High Lord of Dawn- to keep from seeking them out. From smoothing them away. 'Feyre,' Tamlin breathed from behind us. I halted, aware of every eye that watched. 'I'm fine,' I whispered. 'I'm sorry.' I wiped at the blood dribbling down my cheek. 'I'm fine,' I told him again. No one, not even Tamlin, looked convinced. And if I could have painted that moment, I would have named it A Portrait in Snares and Baiting.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Except then a local high school journalism class decided to investigate the story. Not having attended Columbia Journalism School, the young scribes were unaware of the prohibition on committing journalism that reflects poorly on Third World immigrants. Thanks to the teenagers’ reporting, it was discovered that Reddy had become a multimillionaire by using H-1B visas to bring in slave labor from his native India. Dozens of Indian slaves were working in his buildings and at his restaurant. Apparently, some of those “brainy” high-tech workers America so desperately needs include busboys and janitors. And concubines. The pubescent girls Reddy brought in on H-1B visas were not his nieces: They were his concubines, purchased from their parents in India when they were twelve years old. The sixty-four-year-old Reddy flew the girls to America so he could have sex with them—often several of them at once. (We can only hope this is not why Mark Zuckerberg is so keen on H-1B visas.) The third roommate—the crying girl—had escaped the carbon monoxide poisoning only because she had been at Reddy’s house having sex with him, which, judging by the looks of him, might be worse than death. As soon as a translator other than Reddy was found, she admitted that “the primary purpose for her to enter the U.S. was to continue to have sex with Reddy.” The day her roommates arrived from India, she was forced to watch as the old, balding immigrant had sex with both underage girls at once.3 She also said her dead roommate had been pregnant with Reddy’s child. That could not be confirmed by the court because Reddy had already cremated the girl, in the Hindu tradition—even though her parents were Christian. In all, Reddy had brought seven underage girls to the United States for sex—smuggled in by his brother and sister-in-law, who lied to immigration authorities by posing as the girls’ parents.4 Reddy’s “high-tech” workers were just doing the slavery Americans won’t do. No really—we’ve tried getting American slaves! We’ve advertised for slaves at all the local high schools and didn’t get a single taker. We even posted flyers at the grade schools, asking for prepubescent girls to have sex with Reddy. Nothing. Not even on Craigslist. Reddy’s slaves and concubines were considered “untouchables” in India, treated as “subhuman”—“so low that they are not even considered part of Hinduism’s caste system,” as the Los Angeles Times explained. To put it in layman’s terms, in India they’re considered lower than a Kardashian. According to the Indian American magazine India Currents: “Modern slavery is on display every day in India: children forced to beg, young girls recruited into brothels, and men in debt bondage toiling away in agricultural fields.” More than half of the estimated 20.9 million slaves worldwide live in Asia.5 Thanks to American immigration policies, slavery is making a comeback in the United States! A San Francisco couple “active in the Indian community” bought a slave from a New Delhi recruiter to clean house for them, took away her passport when she arrived, and refused to let her call her family or leave their home.6 In New York, Indian immigrants Varsha and Mahender Sabhnani were convicted in 2006 of bringing in two Indonesian illegal aliens as slaves to be domestics in their Long Island, New York, home.7 In addition to helping reintroduce slavery to America, Reddy sends millions of dollars out of the country in order to build monuments to himself in India. “The more money Reddy made in the States,” the Los Angeles Times chirped, “the more good he seemed to do in his hometown.” That’s great for India, but what is America getting out of this model immigrant? Slavery: Check. Sickening caste system: Check. Purchasing twelve-year-old girls for sex: Check. Draining millions of dollars from the American economy: Check. Smuggling half-dead sex slaves out of his slums in rolled-up carpets right under the nose of the Berkeley police: Priceless.
Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)
Some events can be seen as milestones only in retrospect, while at the time they pass almost unnoticed. This was not such an event. The court circular for January 28, 1988, spelled it out in black and white: Jephson was going to the Palace and an insistent inner voice told me his life would never be the same again. Reaction among my friends and relations was mixed. The American, Doug, thought it was a quaint English fairy tale. My father thought it inevitably meant promotion (he was wrong). My stepmother thought it was nice (she was mostly right). My brother thought it would make me an unbearably smug nuisance (no change). Although I would never have admitted it, I thought I must be pretty clever, and I apologize belatedly to everyone who had to witness it. That was lesson one: breathing royal air can seriously damage your ability to laugh at yourself. It is sometimes called “red-carpet fever” and usually only lasts a few months, but severe cases never recover and spend the rest of their lives believing in their own acquired importance.
Patrick D. Jephson (Shadows Of A Princess: An Intimate Account by Her Private Secretary)
Faintly rattled, Delphine rounded a curve in the path and found herself at the edge of clearing, the trees pulling back from a carpet of verdigris grass. They gave up the wildness of the wood here, tamed into symmetrically intertwined branches whose openings revealed more pale paths into the forest. The diffuse light of the forest concentrated here, as though emanating from hidden gas lamps. Delphine toed the boundary of what she now saw was an enormous fairy ring. A structure of pure white rose from the center of the ring, the beams arching like the bones of a cathedral, the space between filled with delicate filigree of brittle white. Windows like translucent dragonfly wings shone under cornices carved like birds and flowers and trailing vines. A castle, Delphine thought, or a church--- all the same emphasis and gravitas translated here, and something stranger and deeper.
Rowenna Miller (The Fairy Bargains of Prospect Hill)
She stepped inside a vestibule with a silver bowl of pure, clear water set on a pedestal made of what Delphine could only assume was a very large, very sturdy zinnia. Was she supposed to wash in it, or was she firmly barred from touching it? She glanced in its shallow depth, and it began to pulse and swirl with pale light. She stepped away quickly. A filmy veil of light separated the interior; she held out a tentative finger, and the light brushed it like organza and separated for her. She stepped through into the Court, sprawling and open to the sky above, yet bound by the pale walls on all sides. Inside, the Court looked back at her. Dozens of Fae, gathered in twos and threes, beneath trees of gold and silver and around pools of deep azure blue, inside pavilions made of sheer flower petals and on carpets that must have been woven bird feathers. They all watched her, silently, unmoving. Each was almost painful to look at, beautiful and yet sharp and cold. All of them were arrayed in the spoils of their bargains, with sheer gowns of watercolor silk and robes of pliable silver, elaborate braids adorned with finely wrought metal and tautly bound silk, and even, on a few, wings and horns and talons refashioned from wood and bone and glass. Delphine was terrified of them, and yet also drawn to them. A great and terrible power hummed among them, just below the surface, a nearly tangible potential for change, for creation, for more than anything the world on her own side of the veil could offer.
Rowenna Miller (The Fairy Bargains of Prospect Hill)
Did you just trip?” he asked. “While sitting down?” “Impossible,” she muttered into the carpet.
Courtney Milan (The Devil Comes Courting (The Worth Saga #3))
Therefore, it is not off the point if, along with the forgotten feminine principles, there are no longer good carpets at the kings court and they need one, for they have again to find the pattern in of life. In this way the story tells us that the subtlety of the inventions of the unconscious and the secret design woven into a human life are infinitely more intelligent than human consciousness and more subtle and superior than man could invent. One is again and again overwhelmed by the genius of that unknown mysterious something in our psyche which is the inventor of our dreams, It picks elements from day impressions, from something the dreamer has read the evening before in the paper, or from a childhood memory, and makes a nice kind of potpourri out of it, and only when you have interpreted its meaning do you see the subtlety and the genius of each dream composition. Every night we have that carpet weaver at work within us, who makes those fantastically subtle patterns, so subtle that, unfortunately often after an hour's attempt to interpret them, we are unable to find out the meaning. We are just too clumsy and stupid to follow up the genius of that unknown spirit of the unconscious which invents dreams. But we can understand that this carpet is more subtly woven than any human could ever achieve.
Marie-Louise von Franz (The Interpretation of Fairy Tales: Revised Edition (C. G. Jung Foundation Books Series))
He set her down gently on the foyer carpet, having carried her in through the front door. Elain peered up at his patient, solemn face. Azriel smiled faintly. “Would you like me to show you the garden?” She seemed so small before him, so fragile compared to the scales of his fighting leathers, the breadth of his shoulders. The wings peeking over them. But Elain did not balk from him, did not shy away as she nodded—just once. Azriel, graceful as any courtier, offered her an arm. I couldn’t tell if she was looking at his blue Siphon or at his scarred skin beneath as she breathed, “Beautiful.” Color bloomed high on Azriel’s golden-brown cheeks, but he inclined his head in thanks and led my sister toward the back doors into the garden, sunlight bathing them.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
She was right. In California, individuals with service animals couldn’t be denied because of their animal. There were expectations, of course, but the courts of California were just as crazy as their laws. Even if the cat were ripping up the blinds and pissing on the carpet, it was better than dealing with a judge and paying an overpriced attorney. Courtrooms were where taxpayer money went to die.
Shami Stovall (Time-Marked Warlock (The Chronos Chronicles #1))
The Invitational Church In the invitational church, the focus is on growth. The goal of the church is to reach out and gather people into the church. Therefore, the church is designed as a consumer-oriented place that takes special care to make sure the red carpet is rolled out for visitors and guests. A highly trained staff puts forth great effort to ensure the very best experience for everyone who comes to the church, with special attention paid to visitors. Invitational churches are often successful at growth because this is a large part of their goal and focus. There are many wonderful aspects of the invitational church. I believe God sovereignly birthed the church growth and seeker movements to help the institutional church get beyond itself and start caring about the millions of people trying to find God who were unable to fit into the institutional church. I deeply appreciate and value invitational churches, because they have come up with a way to re-create a modern day “Court Of The Gentiles” aspect of the temple, a place where God-seekers can come and find God. They have unselfishly set aside their desire for church to be about themselves, and they have designed church services for lost people and seekers. What a refreshing change when invitational churches hit the scene! They have really harvested many people for Jesus and helped thousands of churches become outward-focused. This is a good thing! The difficulty with the invitational church is that the individual is essentially irrelevant. What I mean is, when most people walk into an invitational church, it really doesn’t matter whether or not they show up. Why is this true? Because the invitational church has, by default, set the bar very low to make sure that whosoever will may come. However, the inadvertent message is that the individual is not really needed. Little is asked or required of people, and it is very clear that if they aren’t part of the overall goal to facilitate growth, their gifts may not be needed. To prove the point: where do many of the people who have left institutional churches go? They often sit in the back of invitational churches where they can go unnoticed and where they can have very little asked of them. The invitational church is a great place to recover from the institutional church. Some go on and become involved in meaningful ways. But often over time, two negative things happen to believers who have been in invitational churches. One, they become sedentary, consumer-oriented Christians. Those who joined the institutional church and who wanted to make a difference have all but lost their initial fire. Often they no longer burn with zeal for God and His purposes. Instead, they unwittingly adopt the culture of the invitational church into their Christianity, and they, too, lower the bar to the point where, for all intents and purposes, they are now just showing up at a weekend service. Or two, they begin to feel the need for a more personal, relational church, and they move on to something more personal and meaningful to them.
Mark Perry (Kingdom Churches: New Strategies For A Revival Generation)
Just wait a month, and this meadow will be carpeted in bluebonnets,” Sarah promised him. “And the next month, gold and red flowers, Indian blanket, Mexican hat, primroses—Nolan, you can’t believe how beautiful it is!” “I can’t believe how beautiful you are, Sarah,” he said, cupping her cheek. “And as I said in church, how kind, how brave…” “Brave? Me? I’m not brave at all,” she protested. “Milly would tell you I’ve been a quiet little mouse all my life. She’s been the brave one, the leader.” “I don’t think she’d say that anymore, Nurse Sarah. In fact, I think you have all the qualities to make an excellent doctor’s wife.” When his words hit her, she gaped at him. “Dr. Nolan Walker! Did you just propose to me, on our very first outing together?” He grinned. “Ayuh,” he said, in a deliberately exaggerated “Downeast” accent. “We men of Maine don’t waste time. Am I going too fast, sweetheart? I promise you’ll get your courtship, never fear, but you and I both know I’ve been courting you every time we met—as much as you’d let me, anyway—ever since Founder’s Day last fall.” She considered his words. “I guess that’s true. All right, as long as you don’t stint on the courtship—we Texas ladies set great store by courting, I’ll have you know—I agree.” “Did you just say yes, Miss Sarah, on our very first outing as a courting couple?” She nodded, blushing a rosy pink that made her even lovelier still. He couldn’t wait any longer, and lowered his lips to hers.
Laurie Kingery (The Doctor Takes a Wife (Brides of Simpson Creek, #2))
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Master Clean Carpet Cleaning
Secret Marketing Techniques For Your Carpet Cleaning Business In Oklahoma Is Here Building a profitable carpet cleaning service business is a big feat for a sole proprietor. Carpet cleaning business in Oklahoma proprietors rarely is in the position to find the most appropriate method for market share improvement and development. Be sure to put your new marketing plans in place as soon as you validate their worth. The following recommendations are designed to help you put together an effective marketing plan. Industry experts are all in agreement; the very best carpet cleaning service business education you receive is usually via personal experience. Experts often say that it is best to learn by doing things in order to get places and do more in general. The resources and techniques you could absorb while in employment could later serve you when you take the step towards finally owning and managing your business. While picking up some business skills could be done through literature, in reality, you may only gain the proper skills through a strong work ethic while under employment. Ensure legal problems won't harm your carpet cleaning service business by making sure that you file all appropriate government forms and also have a general understanding of business laws before you really open your doors. Without an understanding of the fundamentals of business law, you should discuss it with a lawyer who is an expert on this subject. It's recommended to keep in mind that many a successful business have been put out of carpet cleaning service business by only one court case. Prior to you find yourself with legal issues, it's an excellent idea to garner a strong relationship with a business attorney ahead of time. Should you find yourself needing to make hard carpet cleaning service business decisions, discussing it with workers could be a good way to simplify your thoughts. A successful way of cleaning up your planning process is to create a simple list of some pros and cons. This list will help to reveal the very best options for your business, as history has shown. It is advised that you consult with a business development professional if you're unsure just what the next move ought to be for your business. Successful businesses depend on an army of loyal customers. Businesses who certainly have very satisfied staff members will find that their staff members will stay with them for a while, even though the carpet cleaning company is handed down from generations prior to. Effective companies will do whatever it requires to guard and develop their online reputation at every chance. You need to use good online reputation management tools in order to keep negative reviews from being more of a threat than needed.
Master Clean Carpet Cleaning
Rhys said smoothly, “I’m not entirely sure Velaris is prepared for Nesta Archeron.” “My sister’s not some feral animal,” I snapped. Rhys recoiled a bit, the others suddenly finding the carpet, the divan, the books incredibly fascinating. “I didn’t mean that.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Rhys fell to his knees and took Nesta’s hands in his, pressing his mouth to her fingers. “Thank you,” he wept, head bowed. Cassian knew it wasn’t in gratitude for Rhys’s own life that he knelt upon the sacred tattoos inked upon his knees. Nesta dropped to the carpet. Lifted Rhys’s face in her hands, studied what lay in it. Then she threw her arms around the High Lord of the Night Court and held him tightly.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
What was I supposed to do?” Lane returned. “Let him slaughter the old codger on the court room floor? Nhiles are you aware how hard it is to get blood out of carpet?
L.P. Cowling (Gearpox (Remnants of Magic Cycle Book 1))
He exploded. Furniture splintered and went flying, windows cracked and shattered. And this time, I did not shield myself. The worktable slammed into me, throwing me against the bookshelf, and every place where flesh and bone met wood barked and ached. My knees slammed into the carpeted floor, and Tamlin was instantly in front of me, hands shaking— The doors burst open. “What have you done,” Lucien breathed, and Tamlin’s face was the picture of devastation as Lucien shoved him aside.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
If you want to start convincing your sisters, get them out of the House. Being cooped up never helped anyone.' Rhys said smoothly, 'I'm not entirely sure Velaris is prepared for Nesta Archeron.' 'My sister's not some feral animal,' I snapped. Rhys recoiled a bit, the others suddenly finding the carpet, the divan, the books incredibly fascinating. 'I didn't mean that.' I didn't answer.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Wind and night and stars wheeled by as he winnowed us through the world, and the calluses of his hand scratched against my own fading ones before- Before sunlight, not starlight, greeted me. Squinting at the brightness, I found myself standing in what was unmistakably a foyer of someone's house. The ornate red carpet cushioned the one step I staggered away from him as I surveyed the warm, wood-panelled walls, the artwork, the straight, wide oak staircase ahead. Flanking us were two rooms: on my left, a sitting room with a black marble fireplace, lots of comfortable, elegant, but worn furniture, and bookshelves built into every wall. On my right; a dining room with a long, cherrywood table big enough for ten people- small, compared to the dining room at the manor. Down the slender hallway ahead were a few more doors, ending in one that I assumed would lead to a kitchen. A town house. ... This house... this house was a home that had been lived in and enjoyed and cherished.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Cassian strode in, a tray of food in hand, and halted when he didn't find her on the bed. His eyes shot to the sunken pool, and she could have sworn he almost dropped the tray onto the white carpet. 'I... You.' His loss of words was enough to pull her from her thoughts, to curve the corners of her mouth upward. 'Me?' He shook his head like a wet dog. 'I bought some food. I assumed you'd want dinner.' 'There's no dining room?' 'There is, but I thought you might need to unwind.' She surveyed him, surprised that he knew her well enough to guess that the thought of speaking to everyone again, of dressing in suitable clothes, was draining- miserable. Knew her well enough to grasp that she'd rather eat in her room and piece herself together.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Henry VIII owned more than eight hundred carpets,
Alison Weir (Henry VIII: The King and His Court (Ballantine Reader's Circle))
Riveted, silent, mutually breathless, they regarded each other across a gulf of marble and carpet. His cravat was looped 'round his neck, undone. His shirt was open, revealing a vee of skin burnished by low firelight and fascinating curling dark hair. She couldn't at all see his expression. But she could 'feel' his eyes on her. And from the distance he managed once again to make her acutely aware of her good mouth. Her naiad hair. Her unconscionably soft hands. And every inch of her skin was suddenly alive, restless, and even the night rail she wore was a sensual disturbance, reminding her that she was a creature that could touch and be touched. 'What would happen now,' she wondered... '... if I went to him?' His reputation as a man who took the women he wanted preceded him. He wasn't known to be a despoiler of virgins. Or a cuckolder of married men. And everyone had been shocked when he'd courted Lady Abigail in more or less traditional fashion. He was absolutely motionless. She entertained for another brief disorienting moment the notion that he was in fact a dream. Her heart slammed in her chest. She decided to back away. She took a step forward. She could have sworn his breath caught.
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
There is a phrase that has been bandied about as a prescriptive for success from the late Stephen Covey these last few years, “Begin with the end in mind”. It is a reasonable aphorism if limited to areas that are manageable such as paying off debts in 5 years or finishing a paper at midnight; but is unreasonable for one who intends to reach loftier goals as quickly as one locates a search result on Google. Adages relating to goals and success are meant to target specific people in certain periods of his or her life, not as a carpet bomb that leaves collateral damage of those unprepared to assess his or her own strengths and weaknesses or unwilling to court such an effort. But society is indifferent to these setbacks because each time an individual fails, another person or institution takes advantage of these failures for self-gain. That is the so-called nature of the so-called beast.
Lloyd Wedes
You ever go to one of those arcade pizza joints as a child? You’re usually there because it’s some other kid’s birthday, or worse, because your parent hates raising you so much they’d do anything just to keep you distracted for ten minutes in exchange for a pitcher of watered-down beer. The whole place is chaos. There’s flashing lights, blaring music, a colorful carpet that hides the vomit stains. Not to mention the norovirus-infested ball pit, the rickety merry-go-round, the workers with dead eyes, and the pizza that tastes like it was cooked in a Soviet-era microwave? All the while an animatronic rodent holds court on stage, blinking and rotating and telling you that he is now your god.
Matt Dinniman (The Butcher's Masquerade (Dungeon Crawler Carl, #5))
Go get her, 'Amren hissed. 'Right now.' 'No,' I said, and hated the word. They gaped at me, and I wanted to roar at the sight of the blood coating them, at my unconscious and suffering brothers on the carpet before them. 'She's your mate,' Amren bit at me. 'Not your spy. Go get her.' 'She is my mate. And my spy,' I said too quickly. 'And she is the High Lady of the Night Court.' 'What?' Mor whispered. I caressed a mental finger down that bond now hidden deep, deep within us, and said, 'If they had removed her other glove, they would have seen a second tattoo on her right arm. The twin to the other. Inked last night, when we crept out, found a priestess, and I swore her in as my High Lady.' 'Not- not consort,' Amren blurted, blinking. I hadn't seen her surprised in... centuries. 'Not consort, not wife. Feyre is High Lady of the Night Court.' My equal in every way; she would wear my crown, sit on a throne beside mine. Never sidelined, never deigned to breeding and parties and child-rearing. My queen. As if in answer, a glimmer of love shuddered down the bond. I clamped down on the relief that threatened to shatter any calm I feigned having. 'You mean to tell me,' Mor breathed, 'that my High Lady is now surrounded by enemies?' A lethal sort of calm crept over her tear-stained face. 'I mean to tell you,' I said, watching the blood clot on Cassian's wings with Amren's tending. Beneath Mor's own hands. Azriel's bleeding at least eased. Enough to keep them alive until the healer got here. 'I mean to tell you,' I said again, my power building and rubbing itself against my skin, my bones, desperate to be unleashed upon the world, 'that your High Lady made a sacrifice for her court- and we will move when the time is right.' And then I'd assist my mate in ripping the Spring Court, Ianthe, those mortal queens, and the King of Hybern to shreds. Slowly. 'Until then?' Amren demanded. 'What of the Cauldron- of the book?' 'Until then,' I said, staring toward the door as if I might see her walk through it, laughing and vibrant and beautiful, 'we go to war.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
God’s faithfulness could also look like Joseph’s pit. Like Joseph’s yoke of slavery. Like Joseph’s wasted years in prison. It was tempting to think of Joseph at the conclusion of his story, arrayed in his rich Egyptian robes, holding the reins of unimaginable power as he saved thousands of lives. It was easy to brush Joseph’s crushing years of loss under the carpet of time, as though they had flown by in the blink of an eye.
Tessa Afshar (The Queen's Cook (Queen Esther's Court #1))