Carolyn Wells Quotes

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And also...well...i told them I want to get an apartment with him next year rather than live in the dorms." What'd they say?" Over their dead bodies." What did you say?" I asked whether they wanted to be burie or cremated.
Carolyn Mackler
The books we think we ought to read are poky, dull, and dry; The books that we would like to read we are ashamed to buy; The books that people talk about we never can recall; And the books that people give us, oh, they're the worst of all.
Carolyn Wells
Because for most of us, suicide is a moment we'll never choose. It's only for people like Lexy, who know they might choose eventually, who believe they have a choice to make.
Carolyn Parkhurst (The Dogs of Babel)
To be loved and to love, takes courage. To be fully seen is incredibly rare and breathtaking. We lower our masks and see a celestial inner being. It is our full self -- the supernova as well as the black holes. Our fears and doubts. Our anger and joy...This is love.
Carolyn Riker (Blue Clouds: A Collection of Soul’s Creative Intelligence)
Actions lie louder than words.
Carolyn Wells
I feel like a lot of time my writing is like having about twenty boxes of Christmas decorations. But no tree. You're going, Where do I put this? Then they go, Okay, you can have a tree, but we'll blindfold you and you gotta cut it down with a spoon.
Carolyn Chute
Was it a threat, or a well-meant warning?
Carolyn Keene (The Secret of Shadow Ranch (Nancy Drew, #5))
Guess you never know how much you like the water until the well runs dry, and if I can't have your love unconditionally, then I'll just have to do without it until you grow up.
Carolyn Brown (The Ladies' Room)
Well, I'll just toss these cake samples if we're not going to use them," said Hermes, vanishing with the cakes. "Apollo?" Hera clutched at his golden breastplate. "Apollo, we can still have a party, right? When was it going to be? I'll act surprised, I promise. I will!" "Sorry, Hera...the fun just seems to have gone out of it now.
Carolyn Hennesy (Pandora Gets Jealous (Mythic Misadventures, #1))
When the average American says, “I’m starving,” it is a prelude to a midnight raid on a well-stocked refrigerator or a sudden trip to the nearest fast food restaurant.
Carolyn Custis James (The Gospel of Ruth: Loving God Enough to Break the Rules)
Take care of your common sense, and your dignity will take care of itsself
Carolyn Wells (Patty At Home)
Grieving is an expression of gratitude, and that expression doesn't have to be rushed.
Carolyn Wells (Start Again, Inspiration from the Sunny Side of Adversity)
What you can't afford to lose, you can't afford to buy
Carolyn Wells (Patty's Summer Days (Patty Fairfield #4))
What is the use of having an imagination if you can't make it work for you?
Carolyn Wells (Patty's Summer Days (Patty Fairfield #4))
Happiness is the ability to recognize it.
Carolyn Wells
Up ahead stands the fun house, which you enter through a clown’s smiling mouth. “I would kill myself if I was prisoner here,” Shelby says. “No, you wouldn’t, just out of courtesy,” I say, “because your body would be trapped in there after you die, and your friends would have to watch your corpse rot.” “Hmm,” Shelby says. “Smell it too.” “Well, now we’re looking on the bright side,” Packard says.
Carolyn Crane (Head Rush (The Disillusionists, #3))
Food of Love Eating is touch carried to the bitter end. -Samuel Butler II I'm going to murder you with love; I'm going to suffocate you with embraces; I'm going to hug you, bone by bone, Till you're dead all over. Then I will dine on your delectable marrow. You will become my personal Sahara; I'll sun myself in you, then with one swallow Drain you remaining brackish well. With my female blade I'll carve my name In your most aspiring palm Before I chop it down. Then I'll inhale your last oasis whole. But in the total desert you become You'll see me stretch, horizon to horizon, Opulent mirage! Wisteria balconies dripping cyclamen. Vistas ablaze with crystal, laced in gold. So you will summon each dry grain of sand And move towards me in undulating dunes Till you arrive at sudden ultramarine: A Mediterranean to stroke your dusty shores; Obstinate verdue, creeping inland, fast renudes Your barrens; succulents spring up everywhere, Surprising life! And I will be that green. When you are fed and watered, flourishing With shoots entwining trellis, dome and spire, Till you are resurrected field in bloom, I will devour you, my natural food, My host, my final supper on the earth, And you'll begin to die again.
Carolyn Kizer
The bedtime story is a genius invention. A tiny gift of wonder before you fall asleep.
Carolyn Watson-Dubisch (Fireflies)
Not me.” Ned laughed. “My future is pretty well set, and I don’t want anyone tampering with it. I’ll go into business, prosper, and marry a certain ambitious young lady named....
Carolyn Keene (The Clue in the Old Album (Nancy Drew, #24))
Like Jocelyn, Survivors often think: * That’s just the way I am * I’m not lovable, that’s why I keep having disastrous relationships * I’m not very clever, that’s why I didn’t do well at school * I’m a loner * I’m a weak person * I’m not very nice * I was a difficult child Many survivors find it difficult to accept that being sexually abused as a child can continue to affect them many years later. It may seem too fantastic, or too frightening an idea to believe. David Finkelhor, an American researcher, has tried to explain how sexual abuse affects a child and leads to long-term problems. He suggests four ways in which childhood sexual abuse causes problems: 1 Traumatic Sexualization 2 Stigmatization 3 Betrayal 4 Powerlessness
Carolyn Ainscough (Breaking Free: A Self-Help Guide for Adults Who Were Sexually Abused As Children)
Well maybe you don’t want to do it, and maybe I don’t want to do it,” Carolyn replied, “but there are young women in our country who want to fly in space. And they should be given that opportunity.
Loren Grush (The Six: The Extraordinary Story of the Grit and Daring of America's First Women Astronauts)
I remember my wife in white. I remember her walking toward me on our wedding day, a bouquet of red flowers in her hand, and I remember her turning away from me in anger, her body stiff as a stone. I remember the sound of her breath as she slept. I remember the way her body felt in my arms. I remember, always I remember, that she brought solace to my life as well as grief. That for every dark moment we shared between us, there was a moment of such brightness I almost could not bear to look at it head-on. I try to remember the woman she was and not the woman I have built out of spare parts to comfort me in my mourning. And I find, more and more, as the days go by and the balm of my forgiveness washes over the cracked and parched surface of my heart, I find that remembering her as she was is a gift I can give us both.
Carolyn Parkhurst (The Dogs of Babel)
And Your modest ambition is to be a good housekeeper, isn't it?" "Well, yes, Papa; but not only that. I was thinking about it afterward by myself, and I think housekeeping is a the practical part of it - and that's a good big part too - but What I really want to be is a lovely, good, womanly woman, like Aunt Alice, you know.
Carolyn Wells (Patty At Home)
Dr. Deveaux stopped and looked at me hard. He leaned in and whispered, 'The rest is all bullshit, Miss Drake. It's as simple as that. Your purpose here in life is to discern the real thing from the bullshit, and then to choose the non-bullshit. Think of the opportunity that God has given you to study as the means by which to attain your own personal bullshit detector. Sometimes that will be particularly difficult, because those who proclaim to know the truth, well intentioned or not, are spewing the most bullshit. But you will know when you have been properly ravished. And then you'll see, how the entire world is eyeball deep in it and that we choose it, and that we choose it every day. But the good news is that, although we struggle with it, there is a way out. Yes, there is a very worthy antidote and option to all the bullshit.
Carolyn Weber (Surprised by Oxford)
Death is nothing at all. It does not count. I’ve only slipped away into the next room… Why should I be out of mind because I am out of sight? I am waiting for you, for an interval, somewhere, very near, just around the corner. All is well. Nothing is hurt. Nothing is lost. One brief moment, and all will be as it was before. How we shall laugh at the trouble of parting when we meet again.
Elizabeth Beller (Once Upon a Time: The Captivating Life of Carolyn Bessette-Kennedy)
It was soon after that I, overwhelmed with the implications of that memory, overdosed - well, somebody did but as it was my mouth and my stomach that was involved I had to take the consequences. Somehow or other (did an alter ring him?) Bruce (from my support group) got to know, drove over and took us to the hospital.
Carolyn Bramhall (Am I a Good Girl Yet?: Childhood Abuse had Shattered Her. What Would it Take to Make Her Whole?)
Well, I heard a rumor that cowboys go commando. Do you think that’s true?” Isabella from "Cowgirl Up!
Carolyn Anderson-Jones (Cowgirl Up! (Cowgirl Series #1))
A match made in heaven?" He chuckled. "Probably not in heaven but right now you can take me there and we'll check it out." She smiled.
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
This henbane was used, in this very manner, we are told, in Shakespeare’s works, by Hamlet’s uncle, when he poisoned Hamlet’s father.
Carolyn Wells (Raspberry Jam)
Since you have a choice between life and death, why not choose life and live.
Carolyn Wells (Start Again, Inspiration from the Sunny Side of Adversity)
Well, butter my butt and call me a biscuit, I'm livin' with a prophet.
Carolyn Brown (The Trouble with Texas Cowboys (Burnt Boot, Texas, #2))
Have I told you today that you look mighty fetchin' in that outfit? he said as he opened the door for her. "Only three times," she answered. "Well, then make it four.
Carolyn Brown (The Trouble with Texas Cowboys (Burnt Boot, Texas, #2))
One never knows what difference anything will make until the difference is made.
Carolyn Wells (The Gold Bag)
I love you to the moon and back.” Gracie grinned. “Well, I love you a bushel and a peck and a hug around the neck,
Carolyn Brown (The Barefoot Summer)
Oh, don't get me started! I love fantasy, I read it for pleasure, even after all these years. Pat McKillip, Ursula Le Guin and John Crowley are probably my favorite writers in the field, in addition to all the writers in the Endicott Studio group - but there are many others I also admire. In children's fantasy, I'm particularly keen on Philip Pullman, Donna Jo Napoli, David Almond and Jane Yolen - though my favorite novels recently were Midori Snyder's Hannah's Garden, Holly Black's Tithe, and Neil Gaiman's Coraline. I read a lot of mainstream fiction as well - I particularly love Alice Hoffman, A.S. Byatt, Sara Maitland, Sarah Waters, Sebastian Faulks, and Elizabeth Knox. There's also a great deal of magical fiction by Native American authors being published these days - Louise Erdrich's Antelope Wife, Alfredo Vea Jr.'s Maravilla, Linda Hogan's Power, and Susan Power's Grass Dancer are a few recent favorites. I'm a big fan of Jane Austen, Charlotte Bronte, Charles Dickens, and Anthony Trollope - I re-read Jane Austen's novels in particular every year.Other fantasists say they read Tolkien every year, but for me it's Austen. I adore biographies, particularly biographies of artists and writers (and particularly those written by Michael Holroyd). And I love books that explore the philosophical side of art, such as Lewis Hyde's The Gift, Carolyn Heilbrun's Writing a Woman's Life, or David Abram's Spell of the Sensuous. (from a 2002 interview)
Terri Windling
See my finger wet, see my finger dry, see my finger cut my throat if I tell a lie,” said the girl, in a singsong tone, and with accompanying dramatic gestures of fearful histrionic fervour.
Carolyn Wells (The Second Carolyn Wells Megapack: 22 Classic books, including mysteries, young adult novels, and verse)
OH, poor Ira!” Nancy Drew exclaimed and slowed her convertible. The two girls with her turned to look toward the sidewalk. Trudging along was an elderly mail carrier. He was lugging a heavy bag over one shoulder. His head was down and his eyes were almost closed against the strong November wind that swirled leaves and dirt around him. “Mr. Nixon!” Nancy called out of her open window. “Let me give you a ride.” The mail carrier looked up and managed a smile. “Hello, Nancy,” he said. “Thank you, but I have to stop at every house. Lots of letters today. There’s one in the bottom of my bag for you. It was sent air mail from London, England.” “How exciting!” Nancy said. “Well, I’ll see you at the house.” She added, “I’ll have some hot cocoa waiting for you.” Mr. Nixon smiled and Nancy drove on.
Carolyn Keene (Nancy's Mysterious Letter (Nancy Drew, #8))
Male and female callings are not separate issues. They are interwoven, interdependent, and inseparable in the Bible. God didn't create a world where one gender can flourish at the expense of the other. In God's world, the true flourishing of one depends on and promotes the full flourishing of the other. In fact, God's kingdom purposes for the world hinge on how well we both flourish and pull together to serve him.
Carolyn Custis James
Yet, it doesn't make us superfluous or unimportant, the fact that God doesn't need us,' I rushed on. 'Actually, quite the opposite. It's because He loves us in spite of not needing us that makes His love so, well, awesome.
Carolyn Weber (Surprised by Oxford)
Five minutes later Nancy pulled into the double garage and hurried across the lawn to the kitchen door of the Drews’ large red-brick house. The building stood well back from the street, and was surrounded by tall, beautiful trees.
Carolyn Keene (The Secret of The Old Clock (Nancy Drew Mystery, #1))
He made a small movement of his head. "Do you love Pennhyll as well as you do the mountain upon which it sits?" "I find it much like you." His mouth quirked, and then, curved in another smile. She stared, transfixed by the sight. "Unpleasant and forlorn?" She tipped her head to one side, considering him. She felt an odd sensation of understanding this harsh man who was, in fact, a stranger to her. "Not entirely unpleasant, that I will admit. Nor forlorn, either." "Do not tell me you find me amiable." "Certainly not. Like Pennhyll, you are strong and fierce." She felt, ridiculous as it was, that she knew him better than she knew herself. "To make a life here is to have courage and heart, and those you surely have.
Carolyn Jewel (The Spare)
My (Carolyn’s) sister says that as a full-time mother she misses her annual review. Whenever she got her review on the job, she knew exactly how well she was doing against her performance goals. But mothering can be a long stretch of unappreciated labor.
Carolyn McCulley (The Measure of Success: Uncovering the Biblical Perspective on Women, Work, and the Home)
If an animal is designed by nature to have claws it ought to keep them, and if men come with quirks that they are incapable of changing, well, a certain amount of quietude and even peace can be achieved by just realizing that it's all inherent in the beast. [p. 173]
Carolyn G. Heilbrun (The Last Gift of Time: Life Beyond Sixty)
You are far too cynical for someone your age." "Well people are disappointing!" Thorn said. "Yes, but they are also complicated. I would wager there is something about him you do not know. It is the only thing we can ever say about people with absolute certainty: that we don't know the whole story.
Carolyn Ives Gilman
On account of disastrous losses in Wall Street that morning, I had determined to kill myself. I’m not of much account, any way, and I was desperate. I knew Uncle Robert would give me no money to repay my stock losses, for he always thought speculation no better than any other sort of gambling—and it isn’t.
Carolyn Wells (The Carolyn Wells Mystery MEGAPACK ®: 17 Classic Mysteries with Pennington Wise, Fleming Stone, & More!)
Not many places open at this time of night,” Jim replied, glancing up and down the deserted street. “I know a diner that has good food.” “Lead on!” Ned commanded. “All we ask is food and plenty of it!” Jim escorted the party to a place that was open all night. Its only customer was a truck driver seated at the counter. “I believe I may as well order breakfast,” Nancy declared, scanning the menu. “Orange juice—” She broke off as the door opened. A man, who was breathing hard, came hurrying in. Almost at his heels was a policeman. “Hold on there!” the officer exclaimed, grabbing the fellow’s arm. “I’ve got you now!
Carolyn Keene (The Clue in the Jewel Box (Nancy Drew, #20))
In that distant beginning season, Sun Man's warm magic flowed over all the land. Whenever he raised his arms, it was day. whenever he lowered them, it was night. The Bee People and the Elephant People and the Tic People loved the rhythm of Sun Man's light. Their faces crinkled with pleasure in his heat. But inside the dreamtime, Sun Man grew old. His back grew stiff and his knee joints ached. He rose later and later each morning. He napped soon after breakfast and went to bed in the afternoon. "What's going on here?" complained Grandfather Mantis. "I'm not getting heat anymore." Grandfather Mantis sent the Bird People to find out. The Bird People returned, rumpled and solemn. Darkness was everywhere, even though it was supposed to be daytime. "Sun Man is getting old," they explained. "This shining all the time is getting too much for him." "Well, I'm old," snapped Grandfather Mantis. "Doesn't stop me." His wife raised her eyebrows but said nothing.
Carolyn McVickar Edwards (The Return of the Light: Twelve Tales from Around the World for the Winter Solstice)
I am disgusted that I was often taken into their bed and told to do things to both of them. The things a decent parent wouldn't think of. I didn't know that having sex with her or with him was wrong because I'd never known anything else but I never understood why it used to hurt so much. It carried on right until she died and I am sure that if she was still alive it would still be going on now. I wished someone would help me and stop them hurting me. I tried to do what they told me to do because somethings they were nice to me if I did it properly." - Graham talks about being sexually abused by his mother (and her boyfriend) Graham was sexually abused by his mother. The only person who showed him any affection in his childhood was his grandmother. "My mother always told me the police would think I was a 'dirty little bastard' if I told them and they would take me away to a children's home and I would never see grandmother again." "I knew it was my fault and nobody would believe me." - Graham Children often do not tell about abuse because of their fears about how other people will respond. The most common fear is that they will not be believed, It is a child's word against an adult's and the adult may be well liked and respected in the community. Nowadays, because of the television and newspaper coverage, people are aware that child sexual abuse does happen. In the recent past it was thought to be a rare occurrence, so even if they were trusted adults around for a child to tell, the adult would probably have found it difficult to believe and would have little idea what to do about it.
Carolyn Ainscough (Breaking Free: Help for survivors of child sexual abuse)
from her purse. “We have to follow that car!” “But not too close,” Nancy replied. “We’d make them suspicious.” The girls waited three minutes before backing out into the main highway and then turning into the adjacent road. Though the automobile ahead had disappeared, tire prints were plainly visible. The road twisted through a stretch of wood-land. When finally the tire prints turned off into a heavily wooded narrow lane, Nancy was sure they were not far from the cabin. She parked among some trees and they went forward on foot. “There it is!” whispered Nancy, recognizing the chimney. “Bess, I want you to take my car, drive to River Heights, and look up the name of the owner of the car we just saw. Here’s the license number. “After you’ve been to the Motor Vehicle Bureau, please phone Mrs. Putney’s house. If she answers, we’ll know it wasn’t she we saw in the car. Then get hold of Dad or Ned, and bring one of them here as fast as you can. We may need help. Got it straight?” “I—I—g-guess so,” Bess answered. “Hurry back! No telling what may happen while you’re away.” The two watched as Nancy’s car rounded a bend and was lost to view. Then Nancy and George walked swiftly through the woods toward the cabin. Approaching the building, Nancy and George were amazed to find that no car was parked on the road in front. “How do you figure it?” George whispered as the girls crouched behind bushes. “We certainly saw tire marks leading into this road!” “Yes, but the car that passed may have gone on without stopping. Possibly the driver saw us and changed her plans. Wait here, and watch the cabin while I check the tire marks out at the
Carolyn Keene (The Ghost of Blackwood Hall (Nancy Drew, #25))
Carolyn had told me that while he was still able, Bob had arranged to have his favorite words from his favorite work of Dickens inscribed on his grave marker, but still I was unprepared for their effect when actually seen. Engraved across the granite face of the footstone was the epitaph by which Bob DeMatteis had chosen to be remembered: "And it was always said of him that he knew how to keep Christmas well.
Sherwin B. Nuland (How We Die: Reflections of Life's Final Chapter)
The valet blanched at the thought of four hours in a carriage. "I've sent for Dr. Fansher." As if that would shorten their errand. He gave McNaught an even look. "I never told you not to." McNaught lifted the curtain and peered out the window, letting in the pale light of dawn. He settled back on the seat. "At least there's decent inns in Carlisle." Frowning, he said, "I wish you'd told me, my Lord. I'd have packed a change of clothes." "We're not staying the night." "But we'll be the entire day on the road. Dr. Fansher would never approve of this." "With Andrew's horses, I expect we'll make good time." McNaught shook his head. "Worse than a cat after a mouse when you've got an idea in your head, you are." "My one virtue." "Small consolation when both man and mouse are dead." "So long as you bury us both at sea, I don't give a damn.
Carolyn Jewel (The Spare)
Dr. Deveaux stopped and looked at me hard. He leaned in and whispered, “The rest is all bullshit, Miss Drake. It’s as simple as that. Your purpose here in life is to discern the real thing from the bullshit, and then to choose the non-bullshit. Think of the opportunity that God has given you to study as the means by which to attain your own personal bullshit detector. Sometimes that will be particularly difficult, because those who proclaim to know the truth, well intentioned or not, are spewing the most bullshit. But you will know when you have been properly ravished. And then you’ll see, then you’ll see, how the entire world is eyeball deep in it and that we choose it, and that we choose it every day. But the good news is that, although we struggle with it, there is a way out. Yes, there is a very worthy antidote and option to all the bullshit.” I
Carolyn Weber (Surprised by Oxford)
As you see the patterns and meaning emerge in your own personal experience of the world dream, you begin to realize that everything is happening on your behalf, even the obstacles and the challenges that you experiment with. The obstacles and challenges that you find are there to dare you to become vast and wise enough to surmount them. At this stage, it helps to ask yourself: What is the myth I'm living? And what must I do to live it well?
Carolyn Elliott (Awaken Your Genius: A Seven-Step Path to Freeing Your Creativity and Manifesting Your Dreams)
Bitch" Now, when he and I meet, after all these years, I say to the bitch inside me, don’t start growling. He isn’t a trespasser anymore, Just an old acquaintance tipping his hat. My voice says, “Nice to see you,” As the bitch starts to bark hysterically. He isn’t an enemy now, Where are your manners, I say, as I say, “How are the children? They must be growing up.” At a kind word from him, a look like the old days, The bitch changes her tone; she begins to whimper. She wants to snuggle up to him, to cringe. Down, girl! Keep your distance Or I’ll give you a taste of the choke-chain. “Fine, I’m just fine,” I tell him. She slobbers and grovels. After all, I am her mistress. She is basically loyal. It’s just that she remembers how she came running Each evening, when she heard his step; How she lay at his feet and looked up adoringly Though he was absorbed in his paper; Or, bored with her devotion, ordered her to the kitchen Until he was ready to play. But the small careless kindnesses When he’d had a good day, or a couple of drinks, Come back to her now, seem more important Than the casual cruelties, the ultimate dismissal. “It’s nice to know you are doing so well,” I say. He couldn’t have taken you with him; You were too demonstrative, too clumsy, Not like the well-groomed pets of his new friends. “Give my regards to your wife,” I say. You gag As I drag you off by the scruff, Saying, “Goodbye! Goodbye! Nice to have seen you again.
Carolyn Kizer
As soon as all the prizes had been given out, the band began to play a lively dance number. Rod Havelock, who had been watching closely, came up to claim Nancy and was only a second ahead of Al. “I guess I’d better get my dances in early,” the assistant purser teased. “I see I have a handsome rival.” Nancy laughed as they glided off. “I’m glad you did, because I must ask you a question. We are planning to open the mystery trunk tonight after this party is over. Will you come and help us investigate it?” “You bet I will,” Rod replied. “I can tell you now that the dancing will end at eleven o’clock sharp. Shall we say eleven-fifteen in your room?” “Perfect,” Nancy agreed. At this moment the music ended. Others came up to talk to the couple, and presently AI made his way toward Nancy. “May I have the next dance?” he asked. The whole evening was a joyful one for Nancy and her friends. They were claimed for every dance. Al asked the girl detective if she would accompany him to the lavish table of food that had been set up on the deck outside. She went along and they found Bess, George, and Nelda there with Bruce, Chipper, and Tubby. “Hey, have some of those delicious meatballs!” Tubby recommended. “Now, Tub, I thought you were staying away from all this fattening stuff?” Chipper teased. “Well, I had to try a little of each!” Tubby defended himself. When the music began to play again, Al asked Nancy to dance. “Sure, I’d like to,” she said. “I’m glad you would,” Al commented. “Next to football, dancing is my favorite pastime.
Carolyn Keene (Mystery of the Brass-Bound Trunk (Nancy Drew, #17))
Let’s each take a Sailfish and have a race,” George cried, running over to a pretty light-blue boat, with a yellow sail wrapped neatly around the mast. The mast and rudder had been placed carefully next to the hull. “That sounds like fun,” Nancy said enthusiastically. “Which boat would you like, Bess?” Nancy was eying a dark-green one with a red stripe around it. Its white sail, mast, and rudder were placed exactly like the others. “Someone keeps things shipshape around here,” she thought admiringly. “These boats look like painted wooden soldiers all lined up.” “I’ll stick to the rowboat, thanks,” Bess said. “I’d rather be under my own steam. If I took a sailboat, the wind might blow me somewhere I didn’t want to go,” she added, glancing at a breakwater of rocks not far away. “Don’t worry, Bess,” said Nancy. “Why don’t you come with me? We can always tack back when you say the word. It’s a light offshore wind,” she added, looking up at the pennant on the boathouse. “And I promise to head up into the wind, whenever you’re scared, although I don’t relish getting in irons. Oh well, if we do, you can jump out and push!” Nancy laughed.
Carolyn Keene (The Whispering Statue (Nancy Drew, #14))
The Proverbs 31 woman is introduced as a 'woman hayil' the same Hebrew word used for Boaz and signifies 'strength' and 'power' like that of an 'elite warrior similar to the hero of the Homeric epic.' The meaning, however, gets lost in translation, for whenever hayil applies to a woman in the Bible, translators have opted for softer English words ('virtuous,' 'excellent,' 'capable,' or 'noble character'). These words don't begin to do justice to the meaning, for in reality 'it may well be that a woman of this caliber had all the attributes of her male counterpart.' She is a woman of valor--an apt description of an ezer.
Carolyn Custis James (Half the Church: Recapturing God's Global Vision for Women)
What do you want most in life, Miss Willow?" "For my mother to be well." "Imagine you had that." His fingers rested on the nape of her neck. "What do you want for yourself?" "Peace on earth?" "Come, Miss Willow. I want a serious answer from you. Better yet, a selfish one." Though she stood inches from him, she seemed not to notice their proximity. As a grown man, he could control his base urges. He'd done so for years. He would do better by her than his father and brothers. Slowly, he lifted his fingers from the back of her neck. His palm took their place. Head tilted, she considered him. "You'll laugh." "Try me." "A family. Children." "What? Not thousands of pounds at your disposal? A mansion? Jewels to dazzle you? Servants at your beck and call?" She rested the side of her head against the doorway and looked at him from beneath her thick red lashes. "I always thought I'd be married one day with half a dozen children at my knees." Her eyes danced again, and for a moment, the space of a breath, he was caught like a fly in a web. "I was right about the children at least, though I was sure they'd be mine." "Are you sorry?" What soft skin she had, such a tender nape. "That I'm not a wife and mother?" "Mm." He imagined her with a husband, with children. His children. He saw her gravid by his doing, and him cradling an infant in his arms, the one he'd made in her. He could give her what she wanted, and, of course, he could imagine the act of making her so.
Carolyn Jewel (The Spare)
It is noteworthy that few works of fiction make marriage their central concern. As Northrup Frye puts it, with his accustomed clarity: 'The heroine who becomes a bride, and eventually, one assumes, a mother, on the last page of a romance, has accommodated herself to the cyclical movement: by her marriage...she completes the cycle and passes out of the story. We are usually given to understand that a happy and well-adjusted sexual life does not concern us as readers.' Fiction has largely rejected marriage as a subject, except in those instances where it is presented as a history of betrayal -- at worst an Updike hell, at best when Auden speaks of it as a game calling for 'patience, foresight, maneuver, like war, like marriage.' Marriage is very different than fiction presents it as being. We rarely examine its unromantic aspects.
Carolyn G. Heilbrun (Writing a Woman's Life)
When Sebastian reached his room, the Black Earl stood by his bed. Sebastian turned away, fingering the cufflink in his pocket. He didn't need the Black Earl's help in debauching Olivia anymore, he had apparently at last managed that well enough all on his own. He threw himself onto a chair, full of his memory of his hands on Olivia. Cold air sent a prickle along the backs of his arms. He opened his eyes and saw the Black Earl again. In one hand, he gripped a sword of unearthly silver, but held downward so that the point of the weapon touched the floor. He wept as if his heart were broken. "Aidez-la" Help her. Sebastian heard nothing but the roar of those words tearing through his soul. Help her. The Black Earl, weeping still, turned to the stone wall. A rent marred his crimson tunic, the edges jagged and blackened, and then he, too, vanished and left behind him nothing but an aching, unfillable emptiness. Help her.
Carolyn Jewel (The Spare)
Twenty minutes later the three girls rented a small motorboat at Campbell’s Landing. The craft was old and the engine clattered and threw oil, but it was the only boat available. “Lucky we all know how to swim,” Bess said with some misgiving as they pulled away from the dock. “I have a feeling this old tub leaks and may sink before we go very far.” “We’ll be all right if George keeps busy with the bailer!” Nancy laughed, heading the craft upstream. The river was wide near town, but the upper reaches were narrow and twisted and turned at such sharp angles that fast travel was out of the question. At the wheel, Nancy kept an alert watch for shoals. Water was slowly seeping in at the bow. “It’s really pretty out here, but so wild,” Bess commented, her gaze wandering along the solid line of trees fringing the shores. “Better forget the scenery for a while,” Nancy advised, “and give George a hand with the bailing. If you don’t, our shoes will be soaked.
Carolyn Keene (The Clue in the Crumbling Wall (Nancy Drew, #22))
I read a wonderful passage in an interview with Carolyn Chute, the author of The Beans of Egypt, Maine, who was discussing rewriting: “I feel like a lot of time my writing is like having about twenty boxes of Christmas decorations. But no tree. You’re going, Where do I put this? Then they go, Okay, you can have a tree, but we’ll blindfold you and you gotta cut it down with a spoon.” This is how I’ve arrived at my plots a number of times. I would have all these wonderful shiny bulbs, each self-contained with nothing to hang them on. But I would stay with the characters, caring for them, getting to know them better and better, suiting up each morning and working as hard as I could, and somehow, mysteriously, I would come to know what their story was. Over and over I feel as if my characters know who they are, and what happens to them, and where they have been and where they will go, and what they are capable of doing, but they need me to write it down for them because their handwriting is so bad. Some
Anne Lamott (Bird by Bird: Some Instructions on Writing and Life)
It was so dark in the attic that at first the girls could see little by candlelight. As soon as Nancy’s eyes became accustomed to the dimness, she groped her way forward in the cluttered room. “The attic is really very interesting,” she said, surveying the assortment of boxes and trunks. She called her friends’ attention to a fine old table which stood in one corner. “I believe Mr. March could sell that,” she said. “And look at these old-fashioned hatboxes!” She picked up one of the round, cardboard boxes. On it was the picture of a gay rural scene of early American life. “Let me see that!” exclaimed Bess, blowing off the dust. “Mr. March certainly could get something for this. Only yesterday Mother told me about a hatbox like this which brought a good price at an auction sale.” “There are at least a dozen here!” George declared excitedly. “All in good condition, too!” They were decorated with pictures of eagles and flowers, as well as scenes of American history. Two of them contained velvet bonnets with feather ornaments. “Girls, this attic may be a valuable find!” Nancy exclaimed.
Carolyn Keene (The Secret in the Old Attic (Nancy Drew, #21))
From pg. 172 “You know how in Bible stories whenever an angel shows up, first thing he always says is, “Fear not!” “Yeah.” “Well, it took me most of my life, but I finally figured out that he’s not trying to comfort us when he says that. He’s giving us an order. It’s a command given more than 300 times in the Bible. The Lord’s telling us not to let ourselves be afraid. We can’t afford to be scared. It just gets in the way of us doing whatever it is that we’re supposed to be doing.” I was stunned. Such an interpretation had never occurred to me and it sure wasn’t what they taught in church. Fearlessness didn’t come from being comforted, being patted on the back by God, and having our fear reduced. It meant making a conscious decision not to indulge ourselves. We had to intentionally turn things around, like when Virgil convinced Dante that the best way out of hell was to climb up the hairy-legged devil himself. I said, “I don’t know if I’ve got that kind of courage.” “But that’s just it,” Fletcher said. “Everybody gets scared. It’s okay to feel scared. But you can’t let it run your life. If you’ll just mind the Lord on this one thing, you don’t hardly need any courage – or even faith. “Just mind Him in the one thing, ” Fletcher said.
Carolyn Jourdan (Heart in the Right Place)
Tom, will you let me love you in your restaurant? i will let you make me a sandwich of your invention and i will eat it and call it a carolyn sandwich. then you will kiss my lips and taste the mayonnaise and that is how you shall love me in my restaurant. Tom, will you come up to my empty beige apartment and help me set up my daybed? yes, and i will put the screws in loosely so that when we move on it, later, it will rock like a cradle and then you will know you are my baby Tom, I am sitting on my dirt bike on the deck. Will you come out from the kitchen and watch the people with me? yes, and then we will race to your bedroom. i will win and we will tangle up on your comforter while the sweat rains from your stomachs and foreheads. Tom, the stars are sitting in tonight like gumball gems in a little girl’s jewlery box. Later can we walk to the duck pond? yes, and we can even go the long way past the jungle gym. i will push you on the swing, but promise me you’ll hold tight. if you fall i might disappear. Tom, can we make a baby together? I want to be a big pregnant woman with a loved face and give you a squalling red daughter. no, but i will come inside you and you will be my daughter Tom, will you stay the night with me and sleep so close that we are one person, no, but i will lay down on your sheets and taste you. there will be feathers of you on my tongue and then I will never forget you Tom, when we are in line at the convenience store can I put my hands in your back pockets and my lips and nose in your baseball shirt and feel the crook of your shoulder blade? no, but later you can lay against me and almost touch me and when i go i will leave my shirt for you to sleep in so that always at night you will be pressed up against the thought of me. Tom, if I weep and want to wait until you need me will you promise that someday you will need me? no, but i will sit in silence while you rage. you can knock the chairs down any mountain. i will always be the same and you will always wait. Tom, will you climb on top of the dumpster and steal the sun for me? It’s just hanging there and I want it. no, it will burn my fingers. no one can have the sun: it’s on loan from god. but i will draw a picture of it and send it to you from richmond and then you can smooth out the paper and you will have a piece of me as well as the sun Tom, it’s so hot here, and I think I’m being born. Will you come back from Richmond and baptise me with sex and cool water? i will come back from richmond. i will smooth the damp spiky hairs from the back of your wet neck and then i will lick the salt off it. then i will leave Tom, Richmond is so far away. How will I know how you love me? i have left you. that is how you will know
Carolyn Creedon
Memories whirled in the back of her head. Not frightening this time. The owner of that voice made her smile. He protected her, and he loved her. When she was with him, the world felt right. As long as she was with him, she was safe. He entered the room, crossing at an angle to her so that she saw just his shoulders and a glimpse of flat stomach. Not a stitch of clothing covered him. Not one. She could see the backs of his thighs and his bare behind. Round and strong and firm. Dark hair cut short gave his profile greater sternness. She knew beyond certainty she had every right to be here, with him perfectly naked. Her heart swelled with joy, a feeling so intense she wanted to cry out to the world. He stopped at the window and stood there, one arm resting atop the sash, staring at the hills rising toward Scotland. His arm came forward on the sash, and he shifted so that he faced her. "Well," he said in a soft voice that made her breath catch. His voice was velvet, liquid velvet, and she was drowning in it, filled all the way to her soul. That voice, a woman could love. "Good afternoon." Bluer eyes she'd never seen. Nor more piercing ones. She drowned in eyes of an incredible, piercing blue. The light shimmered as a cloud crossed the sun. But this man, this man with eyes like frost on a window, whose eyes made battle-hardened men quail and who seemed so foreign to tenderness, made her complete...
Carolyn Jewel (The Spare)
WRITING GUIDES AND REFERENCES: A SELECTIVE BIBLIOGRAPHY The Artful Edit, by Susan Bell (Norton) The Art of Time in Memoir, by Sven Birkerts (Graywolf Press) The Writing Life, by Annie Dillard (Harper & Row) Writing with Power, by Peter Elbow (Oxford University Press) Writing Creative Nonfiction, edited by Carolyn Forché and Philip Gerard (Story Press) Tough, Sweet and Stuffy, by Walker Gibson (Indiana University Press) The Situation and the Story, by Vivian Gornick (Farrar, Straus and Giroux) Intimate Journalism: The Art and Craft of Reporting Everyday Life, by Walt Harrington (Sage) On Writing, by Stephen King (Scribner) Telling True Stories, edited by Mark Kramer and Wendy Call (Plume) Bird by Bird: Some Instructions on Writing and Life, by Anne Lamott (Pantheon) The Forest for the Trees, by Betsy Lerner (Riverhead) Unless It Moves the Human Heart, by Roger Rosenblatt (Ecco) The Elements of Style, by William Strunk, Jr., and E. B. White (Macmillan) Clear and Simple as the Truth, by Francis-Noel Thomas and Mark Turner (Princeton University Press) Word Court, by Barbara Wallraff (Harcourt) Style, by Joseph M. Williams and Gregory G. Colomb (Longman) On Writing Well, by William Zinsser (Harper & Row) The Chicago Manual of Style, by University of Chicago Press staff (University of Chicago Press) Modern English Usage, by H. W. Fowler, revised edition by Sir Ernest Gowers (Oxford University Press) Modern American Usage, by Wilson Follett (Hill and Wang) Words into Type, by Marjorie E. Skillin and Robert M. Gay (Prentice-Hall) To CHRIS, SAMMY, NICK, AND MADDIE, AND TO TOMMY, JAMIE, THEODORE, AND PENNY
Tracy Kidder (Good Prose: The Art of Nonfiction)
It makes you worry about what people think about who you married, or if your new house you bought is less expensive than the last one you bought, or that your husband may have a roving eye.” Amanda felt a sudden twinge of sympathy, and ruthlessly tried to quell it. She really didn’t want to feel it for the mayor at all. “Doesn’t excuse her bad behavior, I know, but thought it would help for you to hear a bit about her. My Dad says she used to be really well-liked in town. She didn’t always push people around like this.” Amanda thought about that, trying to imagine the mayor as a carefree bride, hopeful for her future. It wasn’t easy. She needed some time to think about it. Maybe the mayor changed because she thought she had to change, or because she was afraid what would happen to her world if she didn’t. Maybe she was just trying to survive. Amanda subdued any twinges of compassion as she furiously cleaned in the corner between the wall and the massive bed. Yes, people change, she thought, but that doesn’t give anyone the right to treat other people like garbage. Just because she had a bad life doesn’t mean she can act like she rules everyone else. She saw the corner of the torn envelope the moment she flipped back the corner of the rug. She picked it up and was just going to toss it into the small garbage can she was dragging with her through the room, when her eyes caught some writing on the outside. YOU HAVE TWO HOURS Big dark letters, written in an angry scrawl across the front. Amanda’s blood ran cold. This wasn’t a piece of mail carelessly left. This was something that had been deliberately hidden, and that was much more personal and angry. She glanced sideways at James, who was busy ripping down the heavy velvet curtains, a cloud of dust poofing around his head. It took only a moment for Amanda to fold the envelope in half and stuff it into her pocket. She patted it hard to ensure there’d be no telltale bulge, and pulled the
Carolyn L. Dean (Bed, Breakfast & Bones (Ravenwood Cove Mystery #1))
DRY SAUNA Numerous cultures use sweat lodges, steam baths, or saunas for cleansing and purification. Many health clubs and big apartment buildings have saunas and steam baths, and more and more people are building saunas in their own homes. Low-to-moderate-temperature saunas are one of the most important ways to detoxify from pesticide exposure. Head-to-toe perspiration through the skin, the largest organ of elimination, releases stored toxins and opens the pores. Fat that is close to the skin is heated, mobilized, and broken down, releasing toxins and breaking up cellulite. The heat increases metabolism, burns off calories, and gives the heart and circulation a workout. This is a boon if you don’t have the energy to exercise. It is well known in medicine that a fever is the body’s way of burning off an infection and stimulating the immune system. Fever therapy and sauna therapy are employed at alternative medicine healing centers to do just that. The controlled temperature in a sauna is excellent for relaxing muscular aches and pains and relieving sinus congestion. The only way I made it through my medical internship was by having regular saunas to reduce the daily stress. FAR-INFRARED (FIR) SAUNAS FIR saunas are inexpensive, convenient, and highly effective. Detox expert Dr. Sherry Rogers says that FIR is a proven and efficacious way of eliminating stored environmental toxins, and she thinks everyone should use one. There are one-person Sauna Domes that you lie under or more elaborate sauna boxes that seat several people. The far infrared provides a heat that increases the body temperature but the surrounding air is not overly heated. One advantage of the dome is that your head remains outside, which most people find more comfortable and less confining. Sweating begins within minutes of entering the dome and can be continued for thirty to sixty minutes. Besides the hundreds of toxins that can be removed through simple sweating, the heat of saunas creates a mild shock to the body, which researchers feel acts as a stimulus for the body’s cells to become more efficient. The outward signs are the production of sweat to help decrease the body temperature, but there is much more going on. Further research on sauna therapy is destined to make it an important medical therapy.
Carolyn Dean (The Magnesium Miracle (Revised and Updated))
CUPPA’S ‘TO DIE FOR’ CINNAMON ROLLS Did the description of Cuppa’s amazing cinnamon rolls make your mouth water? Every time I described them in this book I thought about my family’s favorite recipe for cinnamon rolls, and I’ve included it here for you. I think Tory and Meg would approve. All measurements/temperatures are in US units. Makes 12 wonderfully large rolls Dough: 2 packages active dry yeast 1 cup warm water 2/3 cup plus 1 teaspoon granulated sugar, divided 1 cup warmed milk (I microwave this and then stir to be sure there are no hot spots) 2/3 cup softened butter 2 teaspoons salt 2 eggs, beaten 7 to 8 cups all-purpose flour Filling of Deliciousness: 1 cup melted butter, divided (that’s 2 sticks) 1-3/4 cups dark brown sugar, divided 3 Tablespoons ground cinnamon 1 teaspoon ground nutmeg (fresh, if possible) 1 to 2 cups chopped pecans (optional) 1-1/2 cups dark raisins (optional) Frosting: 1/2 cup melted butter 3 cups powdered sugar 1 and a half teaspoons real vanilla 5 to 8 Tablespoons hot water   DIRECTIONS: To make dough combine yeast, warm water and 1 teaspoon sugar in a cup and stir. Set aside. In a large bowl mix warmed milk, remaining 2/3 cup sugar, butter, salt, and eggs. Stir well and add yeast mixture. Add half the flour and beat until smooth. Stir in enough of the remaining flour to make a slightly stiff dough. It’s okay for the dough to be sticky. Turn out onto a well-floured board and knead for 5 to 10 minutes. Place in a well-buttered glass bowl. Cover loosely and let rise in a warm draft-free place until doubled in bulk, about 1 to 1-1/2 hours. When doubled, punch down dough and let it rest for 5 minutes. Roll out onto floured surface into a 15 x 20-inch rectangle. Filling: Spread dough with ½ cup melted butter. Mix together 1/-1/2 cups brown sugar, cinnamon, and nutmeg. Sprinkle over buttered dough. Sprinkle with pecans and raisins, if you want. Sometimes I go really crazy and add a cup of finely-chopped apples, too. Roll up jellyroll-fashion and pinch the edges together to seal. Cut into 12 slices. Coat bottom of a 13”’x 9” and a square 8” pan with the last ½ cup of melted butter, and sprinkle remaining ¼ cup of sugar mixture on top. Place slices close together in pans. Let rise in warm, draft-free place until doubled in bulk (about 45 minutes). Preheat oven to 350 degrees. Bake for 25 to 30 minutes, until nicely browned. Let cool slightly and spread with frosting. Share with others, and be prepared to get marriage proposals ;) Frosting: Mix melted butter, powdered sugar, and vanilla. Add hot water a tablespoon at a time, mixing after each, until frosting is of desired consistency. Spread or drizzle over slightly-cooled rolls.
Carolyn L. Dean (Bed, Breakfast & Bones (Ravenwood Cove Mystery #1))
As the Princess performs the impossible balancing act which her life requires, she drifts inexorably into obsession, continually discussing her problems. Her friend Carolyn Bartholomew argues it is difficult not to be self-absorbed when the world watches everything she does. “How can you not be self-obsessed when half the world is watching everything you do; the high-pitched laugh when someone is talking to somebody famous must make you very very cynical.” She endlessly debates the problems she faces in dealing with her husband, the royal family, and their system. They remain tantalizingly unresolved, the gulf between thought and action achingly great. Whether she stays or goes, the example of the Duchess of York is a potent source of instability. James Gilbey sums up Diana’s dilemma: “She can never be happy unless she breaks away but she won’t break away unless Prince Charles does it. He won’t do it because of his mother so they are never going to be happy. They will continue under the farcical umbrella of the royal family yet they will both lead completely separate lives.” Her friend Carolyn Bartholomew, a sensible sounding-board throughout Diana’s adult life, sees how that fundamental issue has clouded her character. “She is kind, generous, sad and in some ways rather desperate. Yet she has maintained her self-deprecating sense of humour. A very shrewd but immensely sorrowful lady.” Her royal future is by no means well-defined. If she could write her own script the Princess would like to see her husband go off with his Highgrove friends and attempt to discover the happiness he has not found with her, leaving Diana free to groom Prince William for his eventual destiny as the Sovereign. It is an idle pipe-dream as impossible as Prince Charles’s wish to relinquish his regal position and run a farm in Italy. She has other more modest ambitions; to spend a weekend in Paris, take a course in psychology, learn the piano to concert grade and to start painting again. The current pace of her life makes even these hopes seem grandiose, never mind her oft-repeated vision of the future where she see herself one day settling abroad, probably in Italy or France. A more likely avenue is the unfolding vista of charity, community and social work which has given her a sense of self-worth and fulfillment. As her brother says: “She has got a strong character. She does know what she wants and I think that after ten years she has got to a plateau now which she will continue to occupy for many years.” As a child she sensed her special destiny, as an adult she has remained true to her instincts. Diana has continued to carry the burden of public expectations while enduring considerable personal problems. Her achievement has been to find her true self in the face of overwhelming odds. She will continue to tread a different path from her husband, the royal family and their system and yet still conform to their traditions. As she says: “When I go home and turn my light off at night, I know I did my best.
Andrew Morton (Diana: Her True Story in Her Own Words)
I realized that I was still caught on the ring road--on that, thank goodness, forgiving ring road--but that eventually, at some point, everyone needs to get off, including me. It is easy to coast and even easier to mock the signs, but reading them, really reading them, and then making the largest decision there is, the greatest decision to which all others defer and are tied back to--to know who we are, what we stand for, and for what we are responsible--to read the signs and then choose the right way . . . well, that's hard.
Carolyn Weber (Surprised by Oxford)
Claire started to unbutton her blouse and looked over her shoulder at Sam, who tried to discreetly sneak a peek at her. She reached down to the bed and picked up the nightshirt the hotel staff provided, per Lacy's request, an extra-large white cotton T-shirt sporting the hotel's name and logo in classy gray lettering. They also provided a pair of gray cotton boxers for Sam. He picked them up. "Not bad. They really thought of everything, huh?" "Yes, it was very thoughtful of Lacy. We won't have to sleep in our clothes," Claire agreed on her way to the bathroom to change. "Or in the buff, which wouldn't be such a bad thing," Sam said in a low voice. "I heard that, Sam," Claire yelled from the bathroom. "Wouldn't be such a bad thing." Sam called back. "That remains to be seen." She giggled. "Yeah, well you can't blame a guy for trying.
Carolyn Gibbs (Murder in Paradise)
In her serious way, she'd decided they weren't well suited. He was rich. She was solidly middle class. He was relaxed. She was intense. He defined himself by what mattered to him, people in all their quirky variety, sun and sand and sea, laughter, moments of ease to remember good days and envision better days. Annie epitomized the work ethic, so many tasks to do, so little time in which to do them. He didn't have to work, felt no need to achieve,but to please her he opened Confidential Commissions and, truth to tell, he enjoyed helping people solve odd and unusual problems, the more odd and unusual the better.
Carolyn G. Hart (Walking on My Grave (Death on Demand #26))
Adversity is neither friend nor foe. It is a common acquaintance that is desired less and rewarded most when embraced.
Carolyn Wells
She was enveloped from head to foot in a raccoon fur coat, with a jaunty hat of the same, trimmed only with a bright quill feather.
Carolyn Wells (Carolyn Wells's Collected Works: 35 Works With Over 200 Illustrations)
Adversity is neither friend nor foe. It is a common acquaintance whose presence is least desired, but most rewarding when embraced."- Carolyn Wells, Start Again, Inspiration from the Sunny Side of Adversity
Carolyn Wells (Start Again, Inspiration from the Sunny Side of Adversity)
Today’s Children, The Woman in White, and The Guiding Light crossed over and interchanged in respective storylines.) June 2, 1947–June 29, 1956, CBS. 15m weekdays at 1:45. Procter & Gamble’s Duz Detergent. CAST: 1937 to mid-1940s: Arthur Peterson as the Rev. John Ruthledge of Five Points, the serial’s first protagonist. Mercedes McCambridge as Mary Ruthledge, his daughter; Sarajane Wells later as Mary. Ed Prentiss as Ned Holden, who was abandoned by his mother as a child and taken in by the Ruthledges; Ned LeFevre and John Hodiak also as Ned. Ruth Bailey as Rose Kransky; Charlotte Manson also as Rose. Mignon Schrieber as Mrs. Kransky. Seymour Young as Jacob Kransky, Rose’s brother. Sam Wanamaker as Ellis Smith, the enigmatic “Nobody from Nowhere”; Phil Dakin and Raymond Edward Johnson also as Ellis. Henrietta Tedro as Ellen, the housekeeper. Margaret Fuller and Muriel Bremner as Fredrika Lang. Gladys Heen as Torchy Reynolds. Bill Bouchey as Charles Cunningham. Lesley Woods and Carolyn McKay as Celeste, his wife. Laurette Fillbrandt as Nancy Stewart. Frank Behrens as the Rev. Tom Bannion, Ruthledge’s assistant. The Greenman family, early characters: Eloise Kummer as Norma; Reese Taylor and Ken Griffin as Ed; Norma Jean Ross as Ronnie, their daughter. Transition from clergy to medical background, mid-1940s: John Barclay as Dr. Richard Gaylord. Jane Webb as Peggy Gaylord. Hugh Studebaker as Dr. Charles Matthews. Willard Waterman as Roger Barton (alias Ray Brandon). Betty Lou Gerson as Charlotte Wilson. Ned LeFevre as Ned Holden. Tom Holland as Eddie Bingham. Mary Lansing as Julie Collins. 1950s: Jone Allison as Meta Bauer. Lyle Sudrow as Bill Bauer. Charita Bauer as Bert, Bill’s wife, a role she would carry into television and play for three decades. Laurette Fillbrandt as Trudy Bauer. Glenn Walken as little Michael. Theo Goetz as Papa Bauer. James Lipton as Dr. Dick Grant. Lynn Rogers as Marie Wallace, the artist.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Tracy’s eyes were deeply sorrowful, and his face expressed a sort of awed wonder, that made many who were present, think that after all there might be something in these occult beliefs. But not so the coroner. He refused to consider the Ouija message with any serious interest, and continued to ply his witnesses with questions both pertinent and wide of the mark. Elijah Stebbins was put through a grilling inquiry
Carolyn Wells (The Carolyn Wells Mystery MEGAPACK ®: 17 Classic Mysteries with Pennington Wise, Fleming Stone, & More!)
We’ll move on to the future and let the devil have the past.
Carolyn Brown (The Lullaby Sky)
The next day, after Sunday church services, the three girls set out in Nancy’s car, carrying a picnic lunch. On the way Nancy explained the latest developments in the mystery. She added, “Nothing must drive us away from the castle grounds until we’ve investigated every nook and corner!” Soon the familiar ivy-covered front boundary wall loomed ahead. Nancy parked beneath a cool tunnel of overhanging trees. The car was well hidden. She and her friends got out and walked to the rusty gate and peered between the bars. The
Carolyn Keene (The Clue in the Crumbling Wall (Nancy Drew, #22))
The Parable of the Six Kinds of Beings There's a Buddhist parable that describes the generative, fictional function of awareness quite well. Here's how the 17th century Tibetan monk Ngawang Kunga Tenzin explained the parable: Ultimately there is nothing other than mind alone; nevertheless, because of delusion and karma it manifests as all kinds of things. This is similar to the different perceptions of water by the six kinds of beings. Water is indeed only one thing, but if the six kinds of beings were together at a river bank, when looking at it they would see it in different ways. A being of a hot hell would see a river of fire, while one from a cold hell would see it as snow and ice. For the hungry ghosts known as pretas it would be pus and blood. Animals who live underwater would see it as their abode, while those scattered on land would see it as drink. Humans would also see it as drink, and accordingly they would classify it into drinking or non-drinking water. The demigods called asuras would perceive it as weaponry. Gods would see it as nectar (amrita). So beings would see what we perceive as water in different ways according to their particular karmic perception and thus water becomes manifold. This is known as the karmic perception of one's mind. Ultimately things do not exist outside—they are only projections of the mind. —from The Royal Seal of Mahamudra, Volume One, A Guidebook for the Realization of Co-emergence
Carolyn Elliott (Existential Kink: Unmask Your Shadow and Embrace Your Power (A method for getting what you want by getting off on what you don't))
The taxi arrived in a few minutes and the girls were driven to the yacht club, which was in the opposite direction to the old mansion. As they entered the expansive grounds, Bess exclaimed, “What a beautiful place!” There was a large garden with hedges on three sides. Flower beds were laid out in symmetrical patterns. Roses and delphinium were particularly prominent. At the far end of the grounds stood a long formal-looking Italian-type building of white cement. When the taxi reached the entrance, two young men in well-fitting blue uniforms took their bags. They led the girls through a tastefully furnished lobby to the registration desk.
Carolyn Keene (The Whispering Statue (Nancy Drew, #14))
That doing a job well and accomplishing something important, even though it paid nothing in real money, brought satisfaction and self-respect.
Carolyn Brown (To Dream (The Broken Roads #4))
You don’t ever have to feel guilty about removing toxic people from your life. It’s one thing if a person owns up to their behavior and makes an effort to change. But if a person disregards your feelings, ignores your boundaries, and continues to treat you in a harmful way, they need to go.” – Daniell Koepke Hate is the complement of fear and narcissists like being feared. It imbues them with an intoxicating sensation of omnipotence.” – Sam Vaknin The happy family is a myth for many - Carolyn spring “You’re just like a penny, two-faced and worthless.” - unknown Toxic people attach themselves like cinder blocks tied to your ankles, and then invite you for a swim in their poisoned waters. - John Mark Green Some people play victims of crimes they committed - unknown Just because someone gives you life doesn’t mean they will love you the right way - unknown You can’t change someone that doesn’t see a problem with there actions - unknown Let’s get out of the habit of telling people, “that’s still your mom, your dad, or your sister.” Toxic is toxic. You are allowed to walk away from people that constantly hurt you - unknown Ask yourself, “will you do this to your family?” If not, why let them do this to yours? - unknown Living well is the best revenge - unknown Sharni, Nevera and Isaiah you are the best gift I’ve ever received no work is more important then my love for yourselves I made a wish on a star and got youse to god I am grateful.
Rhys dean
Wait just a moment, please.” He looked around as if making sure they weren’t observed, then led her rather forcefully to the side of the house where the moon and lamplight did not touch them. “Let go!” He did. “Miss Erstwhile, I believe it is in your best interest to tell me what you are doing out here.” “Walking.” She glared. She did not particularly enjoy being dragged by her arm. His eyes darted to the servants’ quarters. To Martin’s exact window. It made her swallow. “You are not doing something foolish, are you?” In fact, she was, but that didn’t mean she had to stop glaring. “I don’t know if you realize,” he said in his unbearably condescending tone, “but it is not proper for a lady to be out alone after dark and worse to cavort with servants…” “Cavort?” “When doing so might lead to trouble of the worst nature…” “Cavort?” “Look,” he said, slipping into slightly more colloquial tones, “just stay away from there.” “Aren’t you all righteous concern, Mr. Nobley? Five minutes ago, I’d planned on changing careers and becoming a dairymaid, but you’ve saved me from that fate. I’ll kindly release you back to the night and return to my well-bred ways.” “Don’t be a fool, Miss Erstwhile.” He returned the way he’d come, from the back of the house. “Insufferable,” she said under her breath. No, she wasn’t going to go to Martin’s, curse him, but she wasn’t going to run back to her room either, if just to spite Mr. Nobley. The man deserved to be spited. Or spitted. Or both. Though boring and cold and hateful, Mr. Nobley was the most Darcy-esque of them all, so she despised him with vigorous enthusiasm. Perhaps, she hoped, the exercise would count toward therapy and her ultimate Austenland recovery. “Grab my arm, will he?” she said, getting a speck of satisfaction by muttering like an old crazy woman. “Call me a fool…” She walked around the park in angry circles. Her fingers were cold, and her thoughts wandered to memories of spending so much time in the bath as a kid that her fingertips crinkled like raisin skin. Wrinkly skin reminded her of Great-Aunt Carolyn, with her extravagantly soft fingers and conspiratorial eyes. She bought me this gift, Jane thought. Use it well, you floppy-brained, hopeless idiot, and stop trying to fall in love with gardeners. With anyone.
Shannon Hale (Austenland (Austenland, #1))
Allie's eyes followed him as he walked away. He filled out those jeans really well and she could imagine what that tight butt would look like with nothing on it at all. Good lord, she had to get a grip.
Carolyn Brown (Wild Cowboy Ways)
We were going to talk," she whispered. "We are talkin', darlin'. We'll use words when necessary," he said softly.
Carolyn Brown (Wild Cowboy Ways)
By the way, remember that, all of you. On no account go up to the fourth floor.
Carolyn Wells (Two Little Women on a Holiday)
She was trying--for Carolyn, for herself, for her darling Mr. Darcy, she was trying to live this, and Martin’s presence had the effect of shining a light on how shallow it all was, besides reminding her of every guy who had tossed her aside. She was having a grand time and his judgment was souring the punch. She turned her shoulder to him and addressed Mr. Nobley. “Thank you, sir. Thus far the highlight of my stay has been making love to you.” Mr. Nobley bowed in acknowledgment. The conversation completely quieted. Jane thought she detected Martin sort of slump his shoulders. “Well, good night, all,” Jane said, and made a quick getaway to her room… …where she lay on her bed, stared at her canopy, and wished that encounter didn’t stick to her still, that she could just scrape it off her shoe. What would Martin have said if she’d let him speak? No, never mind, these things never end well. Wait, there had been something good, coiling on the edge of her memory…ah yes, Mr. Nobley had been about to kiss her. She closed her eyes and held to that moment as she would to the tatters of a really great dream in the waking gray of dawn.
Shannon Hale (Austenland (Austenland, #1))
A stuffed-up voice over the PA announced preboarding for Jane’s flight. The brunette made an audible moan of disappointment. Martin struggled to his feet with a hand up from Nobley, and they both stood before Jane, silent, pathetic as wet dogs who want to be let back in the house. She felt very sure of herself just then, tall and sleek and confident. “Well, they’re playing my song, boys,” she said melodically. Martin’s tall shoulders slumped as he sulked, and his long feet seemed clownish. Nobley had no trace of a smile now. She looked at them, side by side, two men who’d given her Darcy obsession a really good challenge. They were easily the most scrumptious men of her acquaintance, and she supposed she’d never had so much fun pursuing and being pursued. And she was saying no. To both of them. To all of it. Her skin tingled. It was a perfect moment. “It’s been a pleasure. Truly.” She started to turn away. “Jane.” Nobley placed a hand on her shoulder, a desperate kind of bravery overcoming his reserve. He took her hand again. “Jane, please.” He raised her hand to his lips, his eyes down as if afraid of meeting hers. Jane smiled and remembered that he really had been her favorite, all along. She stepped into him, holding both his hands down by her sides, and lightly pressed her cheek against his neck. She could feel him sigh. “Thank you,” she whispered. “Tell Mrs. Wattlesbrook I said tallyho.” She sauntered away without looking back. She could hear the men calling after her, protesting, reaffirming their sincerity. Jane ignored them, smiling all the way back through security, to the gate, down the jetway. Though pure fantasy, it was exactly the finale she’d hoped for. She liked the way it had ended, had enjoyed her last line. Tallyho. What did that mean, anyway? Wasn’t it like, the hunt is on, or something? Tallyho. A beginning of something. She was the predator. The fox had been sighted. It was time to run it down. Okay, Aunt Carolyn, she said in a little prayer. Okay, I’m ready. I’m burying the wishful part of me, the prey part of me. I’m real now.
Shannon Hale (Austenland (Austenland, #1))
THE TWO NEW HOUSES BY CAROLYN WELLS Once on a Time, there were Two Men, each of whom decided to build for himself a Fine, New House. One Man, being of an Arrogant and Conceited Nature, took counsel of Nobody, but declared that he would build his House to suit himself. "For," said he, "since it is My House and I am to Live in It, why should I ask the Advice of my Neighbors as to its Construction?" While the House was Building, the Neighbors came often and Looked at it, and went away, Whispering and Wagging their Heads in Derision. But the Man paid no Heed, and continued to build his House as he Would. The Result was that, when completed, his House was lacking in Symmetry and Utility, and in a Hundred ways it was Unsatisfactory, and for each Defect there was a Neighbor who said, "Had you asked Me, I would have Warned you against that Error." The Other Man, who was of a Humble and Docile Mind, went to Each of his Neighbors in Turn, and asked Advice about the Building of his House. His Friends willingly and at Great Length gave him the Benefit of their Experiences and Opinions, and the Grateful Man undertook to Follow Out all their Directions. The Result was that his House, when finished, was a Hodge-Podge of Varying Styles and Contradictory Effects, and Exceedingly Uncomfortable and Inconvenient to Live In. MORALS:
Marshall P. Wilder (The Wit and Humor of America, Volume II. (of X.))
So I started to detox Dottie from the trauma of her past... teaching her that I was of value to her, which is essentially the key to any connection with an animal. You just work out what they value the most and then become a calm and non-demanding provider. As I worked with Dottie I gave her options; she was allowed to disengage and walk away when she felt unsure, because I wanted her to put that reactive fight trigger right to the back of her mind - and it worked. She started to become more and more precocious and surprisingly confident. As time passed she learnt to seek me out for not only food but tummy tickles and play as well. Pg 12
Carolyn Press-McKenzie (Animal Magic: My Journey to Save Thousands of Animals)
Oh. My. Sweet. Lord," she gasped. "If every time gets more intense, we'll burn out the relationship, he said hoarsely. "But what a way to go." She nestled down into the crook of his arm when he shifted his weight to one side.
Carolyn Brown (Cowboy Boots for Christmas: Cowboy Not Included (Burnt Boot, Texas, #1))
Wow, Callie! I bet Finn could pick you up." Callie could feel the heat coming up the back of her neck, but she couldn't stop it. Soldiers didn't blush. They were mean and tough and could take out snakes, spiders, and even enemy combatants. But a visual of her hanging over Finn's back with her butt so close to his lips that he could kiss it --- well, hell's belles, that would make the devil himself blush.
Carolyn Brown (Cowboy Boots for Christmas: Cowboy Not Included (Burnt Boot, Texas, #1))
The thing I can’t figure out,” Axel turned to gaze directly at the gorgeous Elf. “Is how we got drawn into this mess? A week ago we were just boys, bumbling about in our last year of study, and now we’re in the midst of events that will change the course of Alba’s future! How did that happen?” He tossed his hands in the air and shook his head. “These are our parents’ battles. This is our parents’ world. They’re supposed to hand over something valuable and precious, not suck us into a scarred and shattered wreck!” Carolyn struggled to maintain her composure. She bit her bottom lip until it quivered in pain. “I don’t know how it happened,” she whispered, shaking her head, feeling guilty and tortured and evil and awful. “It’s not fair though.” “Well, we’re in the game now,” said Axel, as he stared down at the deadly black blade. “And heaven help all those who stand in our way.
Aaron D'Este (Weapon of Choice)
Rabbits did not give you much to work with. They ate. They pooped. Well, they did one other thing, but this bunny lived solo.
Carolyn McCray (Pet Whisperer...er...rrr (Animals Talk Back, #1))
Lulu” couldn’t help that she was born to privilege. She was just a puppy looking to spread joy, and joy she did spread! Well, to be fair, she also ate a diamond earring and tore up a hand-stitched pillow, but that’s what you expect with “Littleness.
Carolyn McCray (Pups in Tea Cups)
said. Karen inhaled deeply and blew until there was no more air in her lungs and smoke filled the room but there wasn’t a single candle still burning. “Never underestimate the power of a strong woman,” she said breathlessly. “Amen,” Hannah murmured. Kim motioned toward the bar. “Momma’s choice tonight. Mexican buffet, which comes before cake.” “Not for me. I’m having a slice of that cake right now. It’s my birthday and I want dessert first. Momma always let me do that on my birthday when I was a little girl,” Karen said. “Yes, I did, and if you want your cake first tonight, then have at it,” Hannah agreed. “Well, I’m getting into those tacos,” Edith said. “Y’all have to try my watermelon salsa. I hadn’t made it in years, but it turned out pretty good considering that the watermelon wasn’t as good as I like it to be.” “What’s in it?” Sue asked.
Carolyn Brown (Hidden Secrets)
Actions lie louder than words.” Carolyn Wells
Nana Awere Damoah (Through the Gates of Thought)