“
And also...well...i told them I want to get an apartment with him next year rather than live in the dorms."
What'd they say?"
Over their dead bodies."
What did you say?"
I asked whether they wanted to be burie or cremated.
”
”
Carolyn Mackler
“
The books we think we ought to read are poky, dull, and dry;
The books that we would like to read we are ashamed to buy;
The books that people talk about we never can recall;
And the books that people give us, oh, they're the worst of all.
”
”
Carolyn Wells
“
Because for most of us, suicide is a moment we'll never choose. It's only for people like Lexy, who know they might choose eventually, who believe they have a choice to make.
”
”
Carolyn Parkhurst (The Dogs of Babel)
“
To be loved and to love, takes courage. To be fully seen is incredibly rare and breathtaking. We lower our masks and see a celestial inner being. It is our full self -- the supernova as well as the black holes. Our fears and doubts. Our anger and joy...This is love.
”
”
Carolyn Riker (Blue Clouds: A Collection of Soul’s Creative Intelligence)
“
Actions lie louder than words.
”
”
Carolyn Wells
“
I feel like a lot of time my writing is like having about twenty boxes of Christmas decorations. But no tree. You're going, Where do I put this? Then they go, Okay, you can have a tree, but we'll blindfold you and you gotta cut it down with a spoon.
”
”
Carolyn Chute
“
Was it a threat, or a well-meant warning?
”
”
Carolyn Keene (The Secret of Shadow Ranch (Nancy Drew, #5))
“
Guess you never know how much you like the water until the well runs dry, and if I can't have your love unconditionally, then I'll just have to do without it until you grow up.
”
”
Carolyn Brown (The Ladies' Room)
“
Well, I'll just toss these cake samples if we're not going to use them," said Hermes, vanishing with the cakes.
"Apollo?" Hera clutched at his golden breastplate. "Apollo, we can still have a party, right? When was it going to be? I'll act surprised, I promise. I will!"
"Sorry, Hera...the fun just seems to have gone out of it now.
”
”
Carolyn Hennesy (Pandora Gets Jealous (Mythic Misadventures, #1))
“
When the average American says, “I’m starving,” it is a prelude to a midnight raid on a well-stocked refrigerator or a sudden trip to the nearest fast food restaurant.
”
”
Carolyn Custis James (The Gospel of Ruth: Loving God Enough to Break the Rules)
“
Not me.” Ned laughed. “My future is pretty well set, and I don’t want anyone tampering with it. I’ll go into business, prosper, and marry a certain ambitious young lady named....
”
”
Carolyn Keene (The Clue in the Old Album (Nancy Drew, #24))
“
Grieving is an expression of gratitude, and that expression doesn't have to be rushed.
”
”
Carolyn Wells (Start Again, Inspiration from the Sunny Side of Adversity)
“
Take care of your common sense, and your dignity will take care of itsself
”
”
Carolyn Wells (Patty At Home)
“
The bedtime story is a genius invention. A tiny gift of wonder before you fall asleep.
”
”
Carolyn Watson-Dubisch (Fireflies)
“
What you can't afford to lose, you can't afford to buy
”
”
Carolyn Wells (Patty's Summer Days (Patty Fairfield #4))
“
What is the use of having an imagination if you can't make it work for you?
”
”
Carolyn Wells (Patty's Summer Days (Patty Fairfield #4))
“
Happiness is the ability to recognize it.
”
”
Carolyn Wells
“
Up ahead stands the fun house, which you enter through a clown’s smiling mouth.
“I would kill myself if I was prisoner here,” Shelby says.
“No, you wouldn’t, just out of courtesy,” I say, “because your body would be trapped in there after you die, and your friends would have to watch your corpse rot.”
“Hmm,” Shelby says. “Smell it too.”
“Well, now we’re looking on the bright side,” Packard says.
”
”
Carolyn Crane (Head Rush (The Disillusionists, #3))
“
Food of Love
Eating is touch carried to the bitter end. -Samuel Butler II
I'm going to murder you with love;
I'm going to suffocate you with embraces;
I'm going to hug you, bone by bone,
Till you're dead all over.
Then I will dine on your delectable marrow.
You will become my personal Sahara;
I'll sun myself in you, then with one swallow
Drain you remaining brackish well.
With my female blade I'll carve my name
In your most aspiring palm
Before I chop it down.
Then I'll inhale your last oasis whole.
But in the total desert you become
You'll see me stretch, horizon to horizon,
Opulent mirage!
Wisteria balconies dripping cyclamen.
Vistas ablaze with crystal, laced in gold.
So you will summon each dry grain of sand
And move towards me in undulating dunes
Till you arrive at sudden ultramarine:
A Mediterranean to stroke your dusty shores;
Obstinate verdue, creeping inland, fast renudes
Your barrens; succulents spring up everywhere,
Surprising life! And I will be that green.
When you are fed and watered, flourishing
With shoots entwining trellis, dome and spire,
Till you are resurrected field in bloom,
I will devour you, my natural food,
My host, my final supper on the earth,
And you'll begin to die again.
”
”
Carolyn Kizer
“
Like Jocelyn, Survivors often think: * That’s just the way I am
* I’m not lovable, that’s why I keep having disastrous relationships
* I’m not very clever, that’s why I didn’t do well at school
* I’m a loner
* I’m a weak person
* I’m not very nice
* I was a difficult child
Many survivors find it difficult to accept that being sexually abused as a child can continue to affect them many years later. It may seem too fantastic, or too frightening an idea to believe.
David Finkelhor, an American researcher, has tried to explain how sexual abuse affects a child and leads to long-term problems. He suggests four ways in which childhood sexual abuse causes problems:
1 Traumatic Sexualization
2 Stigmatization
3 Betrayal
4 Powerlessness
”
”
Carolyn Ainscough (Breaking Free: A Self-Help Guide for Adults Who Were Sexually Abused As Children)
“
Well maybe you don’t want to do it, and maybe I don’t want to do it,” Carolyn replied, “but there are young women in our country who want to fly in space. And they should be given that opportunity.
”
”
Loren Grush (The Six: The Extraordinary Story of the Grit and Daring of America's First Women Astronauts)
“
I remember my wife in white. I remember her walking toward me on our wedding day, a bouquet of red flowers in her hand, and I remember her turning away from me in anger, her body stiff as a stone. I remember the sound of her breath as she slept. I remember the way her body felt in my arms. I remember, always I remember, that she brought solace to my life as well as grief. That for every dark moment we shared between us, there was a moment of such brightness I almost could not bear to look at it head-on. I try to remember the woman she was and not the woman I have built out of spare parts to comfort me in my mourning. And I find, more and more, as the days go by and the balm of my forgiveness washes over the cracked and parched surface of my heart, I find that remembering her as she was is a gift I can give us both.
”
”
Carolyn Parkhurst (The Dogs of Babel)
“
And Your modest ambition is to be a good housekeeper, isn't it?"
"Well, yes, Papa; but not only that. I was thinking about it afterward by myself, and I think housekeeping is a the practical part of it - and that's a good big part too - but What I really want to be is a lovely, good, womanly woman, like Aunt Alice, you know.
”
”
Carolyn Wells (Patty At Home)
“
Dr. Deveaux stopped and looked at me hard. He leaned in and whispered, 'The rest is all bullshit, Miss Drake. It's as simple as that. Your purpose here in life is to discern the real thing from the bullshit, and then to choose the non-bullshit. Think of the opportunity that God has given you to study as the means by which to attain your own personal bullshit detector. Sometimes that will be particularly difficult, because those who proclaim to know the truth, well intentioned or not, are spewing the most bullshit. But you will know when you have been properly ravished. And then you'll see, how the entire world is eyeball deep in it and that we choose it, and that we choose it every day. But the good news is that, although we struggle with it, there is a way out. Yes, there is a very worthy antidote and option to all the bullshit.
”
”
Carolyn Weber (Surprised by Oxford)
“
Death is nothing at all. It does not count. I’ve only slipped away into the next room… Why should I be out of mind because I am out of sight? I am waiting for you, for an interval, somewhere, very near, just around the corner. All is well. Nothing is hurt. Nothing is lost. One brief moment, and all will be as it was before. How we shall laugh at the trouble of parting when we meet again.
”
”
Elizabeth Beller (Once Upon a Time: The Captivating Life of Carolyn Bessette-Kennedy)
“
It was soon after that I, overwhelmed with the implications of that memory, overdosed - well, somebody did but as it was my mouth and my stomach that was involved I had to take the consequences. Somehow or other (did an alter ring him?) Bruce (from my support group) got to know, drove over and took us to the hospital.
”
”
Carolyn Bramhall (Am I a Good Girl Yet?: Childhood Abuse had Shattered Her. What Would it Take to Make Her Whole?)
“
This henbane was used, in this very manner, we are told, in Shakespeare’s works, by Hamlet’s uncle, when he poisoned Hamlet’s father.
”
”
Carolyn Wells (Raspberry Jam)
“
I love you to the moon and back.” Gracie grinned. “Well, I love you a bushel and a peck and a hug around the neck,
”
”
Carolyn Brown (The Barefoot Summer)
“
Since you have a choice between life and death, why not choose life and live.
”
”
Carolyn Wells (Start Again, Inspiration from the Sunny Side of Adversity)
“
One never knows what difference anything will make until the difference is made.
”
”
Carolyn Wells (The Gold Bag)
“
Well, I heard a rumor that cowboys go commando. Do you think that’s true?”
Isabella from "Cowgirl Up!
”
”
Carolyn Anderson-Jones (Cowgirl Up! (Cowgirl Series #1))
“
A match made in heaven?" He chuckled.
"Probably not in heaven but right now you can take me there and we'll check it out." She smiled.
”
”
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
“
Well, butter my butt and call me a biscuit, I'm livin' with a prophet.
”
”
Carolyn Brown (The Trouble with Texas Cowboys (Burnt Boot, Texas, #2))
“
Have I told you today that you look mighty fetchin' in that outfit? he said as he opened the door for her.
"Only three times," she answered.
"Well, then make it four.
”
”
Carolyn Brown (The Trouble with Texas Cowboys (Burnt Boot, Texas, #2))
“
Oh, don't get me started! I love fantasy, I read it for pleasure, even after all these years. Pat McKillip, Ursula Le Guin and John Crowley are probably my favorite writers in the field, in addition to all the writers in the Endicott Studio group - but there are many others I also admire. In children's fantasy, I'm particularly keen on Philip Pullman, Donna Jo Napoli, David Almond and Jane Yolen - though my favorite novels recently were Midori Snyder's Hannah's Garden, Holly Black's Tithe, and Neil Gaiman's Coraline.
I read a lot of mainstream fiction as well - I particularly love Alice Hoffman, A.S. Byatt, Sara Maitland, Sarah Waters, Sebastian Faulks, and Elizabeth Knox. There's also a great deal of magical fiction by Native American authors being published these days - Louise Erdrich's Antelope Wife, Alfredo Vea Jr.'s Maravilla, Linda Hogan's Power, and Susan Power's Grass Dancer are a few recent favorites.
I'm a big fan of Jane Austen, Charlotte Bronte, Charles Dickens, and Anthony Trollope - I re-read Jane Austen's novels in particular every year.Other fantasists say they read Tolkien every year, but for me it's Austen. I adore biographies, particularly biographies of artists and writers (and particularly those written by Michael Holroyd). And I love books that explore the philosophical side of art, such as Lewis Hyde's The Gift, Carolyn Heilbrun's Writing a Woman's Life, or David Abram's Spell of the Sensuous.
(from a 2002 interview)
”
”
Terri Windling
“
See my finger wet, see my finger dry, see my finger cut my throat if I tell a lie,” said the girl, in a singsong tone, and with accompanying dramatic gestures of fearful histrionic fervour.
”
”
Carolyn Wells (The Second Carolyn Wells Megapack: 22 Classic books, including mysteries, young adult novels, and verse)
“
OH, poor Ira!” Nancy Drew exclaimed and slowed her convertible. The two girls with her turned to look toward the sidewalk. Trudging along was an elderly mail carrier. He was lugging a heavy bag over one shoulder. His head was down and his eyes were almost closed against the strong November wind that swirled leaves and dirt around him. “Mr. Nixon!” Nancy called out of her open window. “Let me give you a ride.” The mail carrier looked up and managed a smile. “Hello, Nancy,” he said. “Thank you, but I have to stop at every house. Lots of letters today. There’s one in the bottom of my bag for you. It was sent air mail from London, England.” “How exciting!” Nancy said. “Well, I’ll see you at the house.” She added, “I’ll have some hot cocoa waiting for you.” Mr. Nixon smiled and Nancy drove on.
”
”
Carolyn Keene (Nancy's Mysterious Letter (Nancy Drew, #8))
“
Male and female callings are not separate issues. They are interwoven, interdependent, and inseparable in the Bible. God didn't create a world where one gender can flourish at the expense of the other. In God's world, the true flourishing of one depends on and promotes the full flourishing of the other. In fact, God's kingdom purposes for the world hinge on how well we both flourish and pull together to serve him.
”
”
Carolyn Custis James
“
Yet, it doesn't make us superfluous or unimportant, the fact that God doesn't need us,' I rushed on. 'Actually, quite the opposite. It's because He loves us in spite of not needing us that makes His love so, well, awesome.
”
”
Carolyn Weber (Surprised by Oxford)
“
Five minutes later Nancy pulled into the double garage and hurried across the lawn to the kitchen door of the Drews’ large red-brick house. The building stood well back from the street, and was surrounded by tall, beautiful trees.
”
”
Carolyn Keene (The Secret of The Old Clock (Nancy Drew Mystery, #1))
“
He made a small movement of his head. "Do you love Pennhyll as well as you do the mountain upon which it sits?"
"I find it much like you."
His mouth quirked, and then, curved in another smile. She stared, transfixed by the sight. "Unpleasant and forlorn?"
She tipped her head to one side, considering him. She felt an odd sensation of understanding this harsh man who was, in fact, a stranger to her. "Not entirely unpleasant, that I will admit. Nor forlorn, either."
"Do not tell me you find me amiable."
"Certainly not. Like Pennhyll, you are strong and fierce." She felt, ridiculous as it was, that she knew him better than she knew herself. "To make a life here is to have courage and heart, and those you surely have.
”
”
Carolyn Jewel (The Spare)
“
My (Carolyn’s) sister says that as a full-time mother she misses her annual review. Whenever she got her review on the job, she knew exactly how well she was doing against her performance goals. But mothering can be a long stretch of unappreciated labor.
”
”
Carolyn McCulley (The Measure of Success: Uncovering the Biblical Perspective on Women, Work, and the Home)
“
If an animal is designed by nature to have claws it ought to keep them, and if men come with quirks that they are incapable of changing, well, a certain amount of quietude and even peace can be achieved by just realizing that it's all inherent in the beast. [p. 173]
”
”
Carolyn G. Heilbrun (The Last Gift of Time: Life Beyond Sixty)
“
You are far too cynical for someone your age."
"Well people are disappointing!" Thorn said.
"Yes, but they are also complicated. I would wager there is something about him you do not know. It is the only thing we can ever say about people with absolute certainty: that we don't know the whole story.
”
”
Carolyn Ives Gilman
“
On account of disastrous losses in Wall Street that morning, I had determined to kill myself. I’m not of much account, any way, and I was desperate. I knew Uncle Robert would give me no money to repay my stock losses, for he always thought speculation no better than any other sort of gambling—and it isn’t.
”
”
Carolyn Wells (The Carolyn Wells Mystery MEGAPACK ®: 17 Classic Mysteries with Pennington Wise, Fleming Stone, & More!)
“
Not many places open at this time of night,” Jim replied, glancing up and down the deserted street. “I know a diner that has good food.” “Lead on!” Ned commanded. “All we ask is food and plenty of it!” Jim escorted the party to a place that was open all night. Its only customer was a truck driver seated at the counter. “I believe I may as well order breakfast,” Nancy declared, scanning the menu. “Orange juice—” She broke off as the door opened. A man, who was breathing hard, came hurrying in. Almost at his heels was a policeman. “Hold on there!” the officer exclaimed, grabbing the fellow’s arm. “I’ve got you now!
”
”
Carolyn Keene (The Clue in the Jewel Box (Nancy Drew, #20))
“
In that distant beginning season, Sun Man's warm magic flowed over all the land. Whenever he raised his arms, it was day. whenever he lowered them, it was night. The Bee People and the Elephant People and the Tic People loved the rhythm of Sun Man's light. Their faces crinkled with pleasure in his heat.
But inside the dreamtime, Sun Man grew old. His back grew stiff and his knee joints ached. He rose later and later each morning. He napped soon after breakfast and went to bed in the afternoon.
"What's going on here?" complained Grandfather Mantis. "I'm not getting heat anymore." Grandfather Mantis sent the Bird People to find out. The Bird People returned, rumpled and solemn. Darkness was everywhere, even though it was supposed to be daytime. "Sun Man is getting old," they explained. "This shining all the time is getting too much for him."
"Well, I'm old," snapped Grandfather Mantis. "Doesn't stop me."
His wife raised her eyebrows but said nothing.
”
”
Carolyn McVickar Edwards (The Return of the Light: Twelve Tales from Around the World for the Winter Solstice)
“
I am disgusted that I was often taken into their bed and told to do things to both of them. The things a decent parent wouldn't think of. I didn't know that having sex with her or with him was wrong because I'd never known anything else but I never understood why it used to hurt so much. It carried on right until she died and I am sure that if she was still alive it would still be going on now. I wished someone would help me and stop them hurting me. I tried to do what they told me to do because somethings they were nice to me if I did it properly."
- Graham talks about being sexually abused by his mother (and her boyfriend)
Graham was sexually abused by his mother. The only person who showed him any affection in his childhood was his grandmother.
"My mother always told me the police would think I was a 'dirty little bastard' if I told them and they would take me away to a children's home and I would never see grandmother again."
"I knew it was my fault and nobody would believe me."
- Graham
Children often do not tell about abuse because of their fears about how other people will respond. The most common fear is that they will not be believed, It is a child's word against an adult's and the adult may be well liked and respected in the community. Nowadays, because of the television and newspaper coverage, people are aware that child sexual abuse does happen. In the recent past it was thought to be a rare occurrence, so even if they were trusted adults around for a child to tell, the adult would probably have found it difficult to believe and would have little idea what to do about it.
”
”
Carolyn Ainscough (Breaking Free: Help for survivors of child sexual abuse)
“
from her purse. “We have to follow that car!” “But not too close,” Nancy replied. “We’d make them suspicious.” The girls waited three minutes before backing out into the main highway and then turning into the adjacent road. Though the automobile ahead had disappeared, tire prints were plainly visible. The road twisted through a stretch of wood-land. When finally the tire prints turned off into a heavily wooded narrow lane, Nancy was sure they were not far from the cabin. She parked among some trees and they went forward on foot. “There it is!” whispered Nancy, recognizing the chimney. “Bess, I want you to take my car, drive to River Heights, and look up the name of the owner of the car we just saw. Here’s the license number. “After you’ve been to the Motor Vehicle Bureau, please phone Mrs. Putney’s house. If she answers, we’ll know it wasn’t she we saw in the car. Then get hold of Dad or Ned, and bring one of them here as fast as you can. We may need help. Got it straight?” “I—I—g-guess so,” Bess answered. “Hurry back! No telling what may happen while you’re away.” The two watched as Nancy’s car rounded a bend and was lost to view. Then Nancy and George walked swiftly through the woods toward the cabin. Approaching the building, Nancy and George were amazed to find that no car was parked on the road in front. “How do you figure it?” George whispered as the girls crouched behind bushes. “We certainly saw tire marks leading into this road!” “Yes, but the car that passed may have gone on without stopping. Possibly the driver saw us and changed her plans. Wait here, and watch the cabin while I check the tire marks out at the
”
”
Carolyn Keene (The Ghost of Blackwood Hall (Nancy Drew, #25))
“
Carolyn had told me that while he was still able, Bob had arranged to have his favorite words from his favorite work of Dickens inscribed on his grave marker, but still I was unprepared for their effect when actually seen. Engraved across the granite face of the footstone was the epitaph by which Bob DeMatteis had chosen to be remembered: "And it was always said of him that he knew how to keep Christmas well.
”
”
Sherwin B. Nuland (How We Die: Reflections of Life's Final Chapter)
“
The valet blanched at the thought of four hours in a carriage. "I've sent for Dr. Fansher." As if that would shorten their errand.
He gave McNaught an even look. "I never told you not to."
McNaught lifted the curtain and peered out the window, letting in the pale light of dawn. He settled back on the seat. "At least there's decent inns in Carlisle." Frowning, he said, "I wish you'd told me, my Lord. I'd have packed a change of clothes."
"We're not staying the night."
"But we'll be the entire day on the road. Dr. Fansher would never approve of this."
"With Andrew's horses, I expect we'll make good time."
McNaught shook his head. "Worse than a cat after a mouse when you've got an idea in your head, you are."
"My one virtue."
"Small consolation when both man and mouse are dead."
"So long as you bury us both at sea, I don't give a damn.
”
”
Carolyn Jewel (The Spare)
“
Dr. Deveaux stopped and looked at me hard. He leaned in and whispered, “The rest is all bullshit, Miss Drake. It’s as simple as that. Your purpose here in life is to discern the real thing from the bullshit, and then to choose the non-bullshit. Think of the opportunity that God has given you to study as the means by which to attain your own personal bullshit detector. Sometimes that will be particularly difficult, because those who proclaim to know the truth, well intentioned or not, are spewing the most bullshit. But you will know when you have been properly ravished. And then you’ll see, then you’ll see, how the entire world is eyeball deep in it and that we choose it, and that we choose it every day. But the good news is that, although we struggle with it, there is a way out. Yes, there is a very worthy antidote and option to all the bullshit.” I
”
”
Carolyn Weber (Surprised by Oxford)
“
As you see the patterns and meaning emerge in your own personal experience of the world dream, you begin to realize that everything is happening on your behalf, even the obstacles and the challenges that you experiment with. The obstacles and challenges that you find are there to dare you to become vast and wise enough to surmount them. At this stage, it helps to ask yourself: What is the myth I'm living? And what must I do to live it well?
”
”
Carolyn Elliott (Awaken Your Genius: A Seven-Step Path to Freeing Your Creativity and Manifesting Your Dreams)
“
Bitch"
Now, when he and I meet, after all these years,
I say to the bitch inside me, don’t start growling.
He isn’t a trespasser anymore,
Just an old acquaintance tipping his hat.
My voice says, “Nice to see you,”
As the bitch starts to bark hysterically.
He isn’t an enemy now,
Where are your manners, I say, as I say,
“How are the children? They must be growing up.”
At a kind word from him, a look like the old days,
The bitch changes her tone; she begins to whimper.
She wants to snuggle up to him, to cringe.
Down, girl! Keep your distance
Or I’ll give you a taste of the choke-chain.
“Fine, I’m just fine,” I tell him.
She slobbers and grovels.
After all, I am her mistress. She is basically loyal.
It’s just that she remembers how she came running
Each evening, when she heard his step;
How she lay at his feet and looked up adoringly
Though he was absorbed in his paper;
Or, bored with her devotion, ordered her to the kitchen
Until he was ready to play.
But the small careless kindnesses
When he’d had a good day, or a couple of drinks,
Come back to her now, seem more important
Than the casual cruelties, the ultimate dismissal.
“It’s nice to know you are doing so well,” I say.
He couldn’t have taken you with him;
You were too demonstrative, too clumsy,
Not like the well-groomed pets of his new friends.
“Give my regards to your wife,” I say. You gag
As I drag you off by the scruff,
Saying, “Goodbye! Goodbye! Nice to have seen you again.
”
”
Carolyn Kizer
“
As soon as all the prizes had been given out, the band began to play a lively dance number. Rod Havelock, who had been watching closely, came up to claim Nancy and was only a second ahead of Al. “I guess I’d better get my dances in early,” the assistant purser teased. “I see I have a handsome rival.” Nancy laughed as they glided off. “I’m glad you did, because I must ask you a question. We are planning to open the mystery trunk tonight after this party is over. Will you come and help us investigate it?” “You bet I will,” Rod replied. “I can tell you now that the dancing will end at eleven o’clock sharp. Shall we say eleven-fifteen in your room?” “Perfect,” Nancy agreed. At this moment the music ended. Others came up to talk to the couple, and presently AI made his way toward Nancy. “May I have the next dance?” he asked. The whole evening was a joyful one for Nancy and her friends. They were claimed for every dance. Al asked the girl detective if she would accompany him to the lavish table of food that had been set up on the deck outside. She went along and they found Bess, George, and Nelda there with Bruce, Chipper, and Tubby. “Hey, have some of those delicious meatballs!” Tubby recommended. “Now, Tub, I thought you were staying away from all this fattening stuff?” Chipper teased. “Well, I had to try a little of each!” Tubby defended himself. When the music began to play again, Al asked Nancy to dance. “Sure, I’d like to,” she said. “I’m glad you would,” Al commented. “Next to football, dancing is my favorite pastime.
”
”
Carolyn Keene (Mystery of the Brass-Bound Trunk (Nancy Drew, #17))
“
The next day, after Sunday church services, the three girls set out in Nancy’s car, carrying a picnic lunch. On the way Nancy explained the latest developments in the mystery. She added, “Nothing must drive us away from the castle grounds until we’ve investigated every nook and corner!” Soon the familiar ivy-covered front boundary wall loomed ahead. Nancy parked beneath a cool tunnel of overhanging trees. The car was well hidden. She and her friends got out and walked to the rusty gate and peered between the bars. The
”
”
Carolyn Keene (The Clue in the Crumbling Wall (Nancy Drew, #22))
“
Let’s each take a Sailfish and have a race,” George cried, running over to a pretty light-blue boat, with a yellow sail wrapped neatly around the mast. The mast and rudder had been placed carefully next to the hull. “That sounds like fun,” Nancy said enthusiastically. “Which boat would you like, Bess?” Nancy was eying a dark-green one with a red stripe around it. Its white sail, mast, and rudder were placed exactly like the others. “Someone keeps things shipshape around here,” she thought admiringly. “These boats look like painted wooden soldiers all lined up.” “I’ll stick to the rowboat, thanks,” Bess said. “I’d rather be under my own steam. If I took a sailboat, the wind might blow me somewhere I didn’t want to go,” she added, glancing at a breakwater of rocks not far away. “Don’t worry, Bess,” said Nancy. “Why don’t you come with me? We can always tack back when you say the word. It’s a light offshore wind,” she added, looking up at the pennant on the boathouse. “And I promise to head up into the wind, whenever you’re scared, although I don’t relish getting in irons. Oh well, if we do, you can jump out and push!” Nancy laughed.
”
”
Carolyn Keene (The Whispering Statue (Nancy Drew, #14))
“
The Proverbs 31 woman is introduced as a 'woman hayil' the same Hebrew word used for Boaz and signifies 'strength' and 'power' like that of an 'elite warrior similar to the hero of the Homeric epic.' The meaning, however, gets lost in translation, for whenever hayil applies to a woman in the Bible, translators have opted for softer English words ('virtuous,' 'excellent,' 'capable,' or 'noble character'). These words don't begin to do justice to the meaning, for in reality 'it may well be that a woman of this caliber had all the attributes of her male counterpart.' She is a woman of valor--an apt description of an ezer.
”
”
Carolyn Custis James (Half the Church: Recapturing God's Global Vision for Women)
“
What do you want most in life, Miss Willow?"
"For my mother to be well."
"Imagine you had that." His fingers rested on the nape of her neck. "What do you want for yourself?"
"Peace on earth?"
"Come, Miss Willow. I want a serious answer from you. Better yet, a selfish one." Though she stood inches from him, she seemed not to notice their proximity. As a grown man, he could control his base urges. He'd done so for years. He would do better by her than his father and brothers. Slowly, he lifted his fingers from the back of her neck. His palm took their place.
Head tilted, she considered him. "You'll laugh."
"Try me."
"A family. Children."
"What? Not thousands of pounds at your disposal? A mansion? Jewels to dazzle you? Servants at your beck and call?"
She rested the side of her head against the doorway and looked at him from beneath her thick red lashes. "I always thought I'd be married one day with half a dozen children at my knees." Her eyes danced again, and for a moment, the space of a breath, he was caught like a fly in a web. "I was right about the children at least, though I was sure they'd be mine."
"Are you sorry?" What soft skin she had, such a tender nape.
"That I'm not a wife and mother?"
"Mm." He imagined her with a husband, with children. His children. He saw her gravid by his doing, and him cradling an infant in his arms, the one he'd made in her. He could give her what she wanted, and, of course, he could imagine the act of making her so.
”
”
Carolyn Jewel (The Spare)
“
It is noteworthy that few works of fiction make marriage their central concern. As Northrup Frye puts it, with his accustomed clarity: 'The heroine who becomes a bride, and eventually, one assumes, a mother, on the last page of a romance, has accommodated herself to the cyclical movement: by her marriage...she completes the cycle and passes out of the story. We are usually given to understand that a happy and well-adjusted sexual life does not concern us as readers.' Fiction has largely rejected marriage as a subject, except in those instances where it is presented as a history of betrayal -- at worst an Updike hell, at best when Auden speaks of it as a game calling for 'patience, foresight, maneuver, like war, like marriage.' Marriage is very different than fiction presents it as being. We rarely examine its unromantic aspects.
”
”
Carolyn G. Heilbrun (Writing a Woman's Life)
“
Tom, will you let me love you in your restaurant?
i will let you make me a sandwich of your
invention and i will eat it and call
it a carolyn sandwich. then you will kiss my lips
and taste the mayonnaise and
that is how you shall love me in my restaurant.
Tom, will you come up to my empty beige
apartment and help me set up my daybed?
yes, and i will put the screws in loosely so that
when we move on it, later,
it will rock like a cradle and then you will know
you are my baby
Tom, I am sitting on my dirt bike on the deck.
Will you come out from the kitchen
and watch the people with me?
yes, and then we will race to your bedroom.
i will win and we will tangle up
on your comforter while the sweat rains from your
stomachs and foreheads.
Tom, the stars are sitting in tonight like gumball
gems in a little girl’s
jewlery box. Later can we walk to the duck pond?
yes, and we can even go the long way past the
jungle gym. i will push you on
the swing, but promise me you’ll hold tight. if
you fall i might disappear.
Tom, can we make a baby together? I want to be
a big pregnant woman with a
loved face and give you a squalling red daughter.
no, but i will come inside you and you will be
my daughter
Tom, will you stay the night with me and sleep
so close that we are one person,
no, but i will lay down on your sheets and taste
you. there will be feathers
of you on my tongue and then I will never
forget you
Tom, when we are in line at the convenience
store can I put my hands in your
back pockets and my lips and nose in your
baseball shirt and feel the crook
of your shoulder blade?
no, but later you can lay against me and almost
touch me and when i go i will
leave my shirt for you to sleep in so that always
at night you will be pressed
up against the thought of me.
Tom, if I weep and want to wait until you need
me will you promise that someday
you will need me?
no, but i will sit in silence while you rage. you
can knock the chairs down
any mountain. i will always be the same and you
will always wait.
Tom, will you climb on top of the dumpster and
steal the sun for me? It’s just
hanging there and I want it.
no, it will burn my fingers. no one can have the
sun: it’s on loan from god.
but i will draw a picture of it and send it to you
from richmond and then you
can smooth out the paper and you will have a
piece of me as well as the sun
Tom, it’s so hot here, and I think I’m being
born. Will you come back from
Richmond and baptise me with sex and cool water?
i will come back from richmond. i will smooth
the damp spiky hairs from the
back of your wet neck and then i will lick the
salt off it. then i will leave
Tom, Richmond is so far away. How will I know
how you love me?
i have left you. that is how you will know
”
”
Carolyn Creedon
“
When Sebastian reached his room, the Black Earl stood by his bed. Sebastian turned away, fingering the cufflink in his pocket. He didn't need the Black Earl's help in debauching Olivia anymore, he had apparently at last managed that well enough all on his own. He threw himself onto a chair, full of his memory of his hands on Olivia. Cold air sent a prickle along the backs of his arms. He opened his eyes and saw the Black Earl again. In one hand, he gripped a sword of unearthly silver, but held downward so that the point of the weapon touched the floor. He wept as if his heart were broken. "Aidez-la" Help her.
Sebastian heard nothing but the roar of those words tearing through his soul. Help her.
The Black Earl, weeping still, turned to the stone wall. A rent marred his crimson tunic, the edges jagged and blackened, and then he, too, vanished and left behind him nothing but an aching, unfillable emptiness.
Help her.
”
”
Carolyn Jewel (The Spare)
“
Twenty minutes later the three girls rented a small motorboat at Campbell’s Landing. The craft was old and the engine clattered and threw oil, but it was the only boat available. “Lucky we all know how to swim,” Bess said with some misgiving as they pulled away from the dock. “I have a feeling this old tub leaks and may sink before we go very far.” “We’ll be all right if George keeps busy with the bailer!” Nancy laughed, heading the craft upstream. The river was wide near town, but the upper reaches were narrow and twisted and turned at such sharp angles that fast travel was out of the question. At the wheel, Nancy kept an alert watch for shoals. Water was slowly seeping in at the bow. “It’s really pretty out here, but so wild,” Bess commented, her gaze wandering along the solid line of trees fringing the shores. “Better forget the scenery for a while,” Nancy advised, “and give George a hand with the bailing. If you don’t, our shoes will be soaked.
”
”
Carolyn Keene (The Clue in the Crumbling Wall (Nancy Drew, #22))
“
I read a wonderful passage in an interview with Carolyn Chute, the author of The Beans of Egypt, Maine, who was discussing rewriting: “I feel like a lot of time my writing is like having about twenty boxes of Christmas decorations. But no tree. You’re going, Where do I put this? Then they go, Okay, you can have a tree, but we’ll blindfold you and you gotta cut it down with a spoon.” This is how I’ve arrived at my plots a number of times. I would have all these wonderful shiny bulbs, each self-contained with nothing to hang them on. But I would stay with the characters, caring for them, getting to know them better and better, suiting up each morning and working as hard as I could, and somehow, mysteriously, I would come to know what their story was. Over and over I feel as if my characters know who they are, and what happens to them, and where they have been and where they will go, and what they are capable of doing, but they need me to write it down for them because their handwriting is so bad. Some
”
”
Anne Lamott (Bird by Bird: Some Instructions on Writing and Life)
“
It was so dark in the attic that at first the girls could see little by candlelight. As soon as Nancy’s eyes became accustomed to the dimness, she groped her way forward in the cluttered room. “The attic is really very interesting,” she said, surveying the assortment of boxes and trunks. She called her friends’ attention to a fine old table which stood in one corner. “I believe Mr. March could sell that,” she said. “And look at these old-fashioned hatboxes!” She picked up one of the round, cardboard boxes. On it was the picture of a gay rural scene of early American life. “Let me see that!” exclaimed Bess, blowing off the dust. “Mr. March certainly could get something for this. Only yesterday Mother told me about a hatbox like this which brought a good price at an auction sale.” “There are at least a dozen here!” George declared excitedly. “All in good condition, too!” They were decorated with pictures of eagles and flowers, as well as scenes of American history. Two of them contained velvet bonnets with feather ornaments. “Girls, this attic may be a valuable find!” Nancy exclaimed.
”
”
Carolyn Keene (The Secret in the Old Attic (Nancy Drew, #21))
“
From pg. 172
“You know how in Bible stories whenever an angel shows up, first thing he always says is, “Fear not!”
“Yeah.”
“Well, it took me most of my life, but I finally figured out that he’s not trying to comfort us when he says that. He’s giving us an order. It’s a command given more than 300 times in the Bible. The Lord’s telling us not to let ourselves be afraid. We can’t afford to be scared. It just gets in the way of us doing whatever it is that we’re supposed to be doing.”
I was stunned. Such an interpretation had never occurred to me and it sure wasn’t what they taught in church. Fearlessness didn’t come from being comforted, being patted on the back by God, and having our fear reduced. It meant making a conscious decision not to indulge ourselves. We had to intentionally turn things around, like when Virgil convinced Dante that the best way out of hell was to climb up the hairy-legged devil himself.
I said, “I don’t know if I’ve got that kind of courage.”
“But that’s just it,” Fletcher said. “Everybody gets scared. It’s okay to feel scared. But you can’t let it run your life. If you’ll just mind the Lord on this one thing, you don’t hardly need any courage – or even faith.
“Just mind Him in the one thing, ” Fletcher said.
”
”
Carolyn Jourdan (Heart in the Right Place)
“
Memories whirled in the back of her head. Not frightening this time. The owner of that voice made her smile. He protected her, and he loved her. When she was with him, the world felt right. As long as she was with him, she was safe.
He entered the room, crossing at an angle to her so that she saw just his shoulders and a glimpse of flat stomach. Not a stitch of clothing covered him. Not one. She could see the backs of his thighs and his bare behind. Round and strong and firm. Dark hair cut short gave his profile greater sternness. She knew beyond certainty she had every right to be here, with him perfectly naked. Her heart swelled with joy, a feeling so intense she wanted to cry out to the world.
He stopped at the window and stood there, one arm resting atop the sash, staring at the hills rising toward Scotland. His arm came forward on the sash, and he shifted so that he faced her. "Well," he said in a soft voice that made her breath catch. His voice was velvet, liquid velvet, and she was drowning in it, filled all the way to her soul. That voice, a woman could love. "Good afternoon."
Bluer eyes she'd never seen. Nor more piercing ones. She drowned in eyes of an incredible, piercing blue. The light shimmered as a cloud crossed the sun. But this man, this man with eyes like frost on a window, whose eyes made battle-hardened men quail and who seemed so foreign to tenderness, made her complete...
”
”
Carolyn Jewel (The Spare)
“
WRITING GUIDES AND REFERENCES: A SELECTIVE BIBLIOGRAPHY The Artful Edit, by Susan Bell (Norton) The Art of Time in Memoir, by Sven Birkerts (Graywolf Press) The Writing Life, by Annie Dillard (Harper & Row) Writing with Power, by Peter Elbow (Oxford University Press) Writing Creative Nonfiction, edited by Carolyn Forché and Philip Gerard (Story Press) Tough, Sweet and Stuffy, by Walker Gibson (Indiana University Press) The Situation and the Story, by Vivian Gornick (Farrar, Straus and Giroux) Intimate Journalism: The Art and Craft of Reporting Everyday Life, by Walt Harrington (Sage) On Writing, by Stephen King (Scribner) Telling True Stories, edited by Mark Kramer and Wendy Call (Plume) Bird by Bird: Some Instructions on Writing and Life, by Anne Lamott (Pantheon) The Forest for the Trees, by Betsy Lerner (Riverhead) Unless It Moves the Human Heart, by Roger Rosenblatt (Ecco) The Elements of Style, by William Strunk, Jr., and E. B. White (Macmillan) Clear and Simple as the Truth, by Francis-Noel Thomas and Mark Turner (Princeton University Press) Word Court, by Barbara Wallraff (Harcourt) Style, by Joseph M. Williams and Gregory G. Colomb (Longman) On Writing Well, by William Zinsser (Harper & Row) The Chicago Manual of Style, by University of Chicago Press staff (University of Chicago Press) Modern English Usage, by H. W. Fowler, revised edition by Sir Ernest Gowers (Oxford University Press) Modern American Usage, by Wilson Follett (Hill and Wang) Words into Type, by Marjorie E. Skillin and Robert M. Gay (Prentice-Hall) To CHRIS, SAMMY, NICK, AND MADDIE, AND TO TOMMY, JAMIE, THEODORE, AND PENNY
”
”
Tracy Kidder (Good Prose: The Art of Nonfiction)
“
It makes you worry about what people think about who you married, or if your new house you bought is less expensive than the last one you bought, or that your husband may have a roving eye.” Amanda felt a sudden twinge of sympathy, and ruthlessly tried to quell it. She really didn’t want to feel it for the mayor at all. “Doesn’t excuse her bad behavior, I know, but thought it would help for you to hear a bit about her. My Dad says she used to be really well-liked in town. She didn’t always push people around like this.” Amanda thought about that, trying to imagine the mayor as a carefree bride, hopeful for her future. It wasn’t easy. She needed some time to think about it. Maybe the mayor changed because she thought she had to change, or because she was afraid what would happen to her world if she didn’t. Maybe she was just trying to survive. Amanda subdued any twinges of compassion as she furiously cleaned in the corner between the wall and the massive bed. Yes, people change, she thought, but that doesn’t give anyone the right to treat other people like garbage. Just because she had a bad life doesn’t mean she can act like she rules everyone else. She saw the corner of the torn envelope the moment she flipped back the corner of the rug. She picked it up and was just going to toss it into the small garbage can she was dragging with her through the room, when her eyes caught some writing on the outside. YOU HAVE TWO HOURS Big dark letters, written in an angry scrawl across the front. Amanda’s blood ran cold. This wasn’t a piece of mail carelessly left. This was something that had been deliberately hidden, and that was much more personal and angry. She glanced sideways at James, who was busy ripping down the heavy velvet curtains, a cloud of dust poofing around his head. It took only a moment for Amanda to fold the envelope in half and stuff it into her pocket. She patted it hard to ensure there’d be no telltale bulge, and pulled the
”
”
Carolyn L. Dean (Bed, Breakfast, & Bones (Ravenwood Cove Mystery, #1))
“
DRY SAUNA Numerous cultures use sweat lodges, steam baths, or saunas for cleansing and purification. Many health clubs and big apartment buildings have saunas and steam baths, and more and more people are building saunas in their own homes. Low-to-moderate-temperature saunas are one of the most important ways to detoxify from pesticide exposure. Head-to-toe perspiration through the skin, the largest organ of elimination, releases stored toxins and opens the pores. Fat that is close to the skin is heated, mobilized, and broken down, releasing toxins and breaking up cellulite. The heat increases metabolism, burns off calories, and gives the heart and circulation a workout. This is a boon if you don’t have the energy to exercise. It is well known in medicine that a fever is the body’s way of burning off an infection and stimulating the immune system. Fever therapy and sauna therapy are employed at alternative medicine healing centers to do just that. The controlled temperature in a sauna is excellent for relaxing muscular aches and pains and relieving sinus congestion. The only way I made it through my medical internship was by having regular saunas to reduce the daily stress. FAR-INFRARED (FIR) SAUNAS FIR saunas are inexpensive, convenient, and highly effective. Detox expert Dr. Sherry Rogers says that FIR is a proven and efficacious way of eliminating stored environmental toxins, and she thinks everyone should use one. There are one-person Sauna Domes that you lie under or more elaborate sauna boxes that seat several people. The far infrared provides a heat that increases the body temperature but the surrounding air is not overly heated. One advantage of the dome is that your head remains outside, which most people find more comfortable and less confining. Sweating begins within minutes of entering the dome and can be continued for thirty to sixty minutes. Besides the hundreds of toxins that can be removed through simple sweating, the heat of saunas creates a mild shock to the body, which researchers feel acts as a stimulus for the body’s cells to become more efficient. The outward signs are the production of sweat to help decrease the body temperature, but there is much more going on. Further research on sauna therapy is destined to make it an important medical therapy.
”
”
Carolyn Dean (The Magnesium Miracle (Revised and Updated))
“
CUPPA’S ‘TO DIE FOR’ CINNAMON ROLLS Did the description of Cuppa’s amazing cinnamon rolls make your mouth water? Every time I described them in this book I thought about my family’s favorite recipe for cinnamon rolls, and I’ve included it here for you. I think Tory and Meg would approve. All measurements/temperatures are in US units. Makes 12 wonderfully large rolls Dough: 2 packages active dry yeast 1 cup warm water 2/3 cup plus 1 teaspoon granulated sugar, divided 1 cup warmed milk (I microwave this and then stir to be sure there are no hot spots) 2/3 cup softened butter 2 teaspoons salt 2 eggs, beaten 7 to 8 cups all-purpose flour Filling of Deliciousness: 1 cup melted butter, divided (that’s 2 sticks) 1-3/4 cups dark brown sugar, divided 3 Tablespoons ground cinnamon 1 teaspoon ground nutmeg (fresh, if possible) 1 to 2 cups chopped pecans (optional) 1-1/2 cups dark raisins (optional) Frosting: 1/2 cup melted butter 3 cups powdered sugar 1 and a half teaspoons real vanilla 5 to 8 Tablespoons hot water DIRECTIONS: To make dough combine yeast, warm water and 1 teaspoon sugar in a cup and stir. Set aside. In a large bowl mix warmed milk, remaining 2/3 cup sugar, butter, salt, and eggs. Stir well and add yeast mixture. Add half the flour and beat until smooth. Stir in enough of the remaining flour to make a slightly stiff dough. It’s okay for the dough to be sticky. Turn out onto a well-floured board and knead for 5 to 10 minutes. Place in a well-buttered glass bowl. Cover loosely and let rise in a warm draft-free place until doubled in bulk, about 1 to 1-1/2 hours. When doubled, punch down dough and let it rest for 5 minutes. Roll out onto floured surface into a 15 x 20-inch rectangle. Filling: Spread dough with ½ cup melted butter. Mix together 1/-1/2 cups brown sugar, cinnamon, and nutmeg. Sprinkle over buttered dough. Sprinkle with pecans and raisins, if you want. Sometimes I go really crazy and add a cup of finely-chopped apples, too. Roll up jellyroll-fashion and pinch the edges together to seal. Cut into 12 slices. Coat bottom of a 13”’x 9” and a square 8” pan with the last ½ cup of melted butter, and sprinkle remaining ¼ cup of sugar mixture on top. Place slices close together in pans. Let rise in warm, draft-free place until doubled in bulk (about 45 minutes). Preheat oven to 350 degrees. Bake for 25 to 30 minutes, until nicely browned. Let cool slightly and spread with frosting. Share with others, and be prepared to get marriage proposals ;) Frosting: Mix melted butter, powdered sugar, and vanilla. Add hot water a tablespoon at a time, mixing after each, until frosting is of desired consistency. Spread or drizzle over slightly-cooled rolls.
”
”
Carolyn L. Dean (Bed, Breakfast, & Bones (Ravenwood Cove Mystery, #1))
“
As the Princess performs the impossible balancing act which her life requires, she drifts inexorably into obsession, continually discussing her problems. Her friend Carolyn Bartholomew argues it is difficult not to be self-absorbed when the world watches everything she does. “How can you not be self-obsessed when half the world is watching everything you do; the high-pitched laugh when someone is talking to somebody famous must make you very very cynical.” She endlessly debates the problems she faces in dealing with her husband, the royal family, and their system. They remain tantalizingly unresolved, the gulf between thought and action achingly great. Whether she stays or goes, the example of the Duchess of York is a potent source of instability. James Gilbey sums up Diana’s dilemma: “She can never be happy unless she breaks away but she won’t break away unless Prince Charles does it. He won’t do it because of his mother so they are never going to be happy. They will continue under the farcical umbrella of the royal family yet they will both lead completely separate lives.”
Her friend Carolyn Bartholomew, a sensible sounding-board throughout Diana’s adult life, sees how that fundamental issue has clouded her character. “She is kind, generous, sad and in some ways rather desperate. Yet she has maintained her self-deprecating sense of humour. A very shrewd but immensely sorrowful lady.”
Her royal future is by no means well-defined. If she could write her own script the Princess would like to see her husband go off with his Highgrove friends and attempt to discover the happiness he has not found with her, leaving Diana free to groom Prince William for his eventual destiny as the Sovereign. It is an idle pipe-dream as impossible as Prince Charles’s wish to relinquish his regal position and run a farm in Italy. She has other more modest ambitions; to spend a weekend in Paris, take a course in psychology, learn the piano to concert grade and to start painting again. The current pace of her life makes even these hopes seem grandiose, never mind her oft-repeated vision of the future where she see herself one day settling abroad, probably in Italy or France. A more likely avenue is the unfolding vista of charity, community and social work which has given her a sense of self-worth and fulfillment. As her brother says: “She has got a strong character. She does know what she wants and I think that after ten years she has got to a plateau now which she will continue to occupy for many years.”
As a child she sensed her special destiny, as an adult she has remained true to her instincts. Diana has continued to carry the burden of public expectations while enduring considerable personal problems. Her achievement has been to find her true self in the face of overwhelming odds. She will continue to tread a different path from her husband, the royal family and their system and yet still conform to their traditions. As she says: “When I go home and turn my light off at night, I know I did my best.
”
”
Andrew Morton (Diana: Her True Story in Her Own Words)
“
You don’t ever have to feel guilty about removing toxic people from your life. It’s one thing if a person owns up to their behavior and makes an effort to change. But if a person disregards your feelings, ignores your boundaries, and continues to treat you in a harmful way, they need to go.” – Daniell Koepke
Hate is the complement of fear and narcissists like being feared. It imbues them with an intoxicating sensation of omnipotence.” – Sam Vaknin
The happy family is a myth for many - Carolyn spring
“You’re just like a penny, two-faced and worthless.” - unknown
Toxic people attach themselves like cinder blocks tied to your ankles, and then invite you for a swim in their poisoned waters. - John Mark Green
Some people play victims of crimes they committed - unknown
Just because someone gives you life doesn’t mean they will love you the right way - unknown
You can’t change someone that doesn’t see a problem with there actions - unknown
Let’s get out of the habit of telling people, “that’s still your mom, your dad, or your sister.” Toxic is toxic. You are allowed to walk away from people that constantly hurt you - unknown
Ask yourself, “will you do this to your family?” If not, why let them do this to yours? - unknown
Living well is the best revenge - unknown
Sharni, Nevera and Isaiah you are the best gift I’ve ever received no work is more important then my love for yourselves I made a wish on a star and got youse to god I am grateful.
”
”
Rhys dean
“
Finally, I suggest that you read The Mood Cure by Julia Ross and follow the protocol she recommends for your particular condition, as depression issues are often hormonal and Ross has well-researched supplement suggestions for most forms of mood problems. I've greatly benefitted from following her protocols myself.
”
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Carolyn Elliott (Existential Kink: Unmask Your Shadow and Embrace Your Power (A method for getting what you want by getting off on what you don't))
“
Reminder: I am not a psychologist or a medical professional. That said, as another human being who has suffered trauma, I suggest plenty of regular ole' therapy, exploring bodywork and acupuncture, gathering tons of support from friends, and moving heaven and earth to get thyself to many ayahuasca ceremonies and to legal MDMA therapy sessions if you can find them. Ayahuasca is the most useful, beautiful, and rapid means I know of for addressing deep trauma (it has helped me immensely), and studies have shown that MDMA in a therapeutic context is also quite powerful for resolving trauma. I am proposing that you consider using these kinds of intense entheogenic substances only in well-held spaces with experienced healers, not just because I'm a giant hippie, but because they work.
”
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Carolyn Elliott (Existential Kink: Unmask Your Shadow and Embrace Your Power (A method for getting what you want by getting off on what you don't))
“
But if you're bringing a “don't like” situation to mind in order to practice giving yourself deep permission to feel hot, nasty, electric joy about it, well then, that's quite a bit different, isn't it? Because in this later scenario, you aren't wallowing in negativity; you're wallowing in hot electric bliss.
”
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Carolyn Elliott (Existential Kink: Unmask Your Shadow and Embrace Your Power (A method for getting what you want by getting off on what you don't))
“
Two of the most popular TV series in the world at the time of me writing this book, for example, are Game of Thrones and The Walking Dead. Both shows feature big piles of violence, grief, pain, and horror. There are also heroines and heroes striving epically against all odds to survive and help others to survive as well. These shows are terrifying and people love them.
”
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Carolyn Elliott (Existential Kink: Unmask Your Shadow and Embrace Your Power (A method for getting what you want by getting off on what you don't))
“
Imagine that you're a kind of cosmic masochistic slut (and I mean that in the nicest possible way—yay sluts!) who just beamed down into your life and body. She feels the heart-pounding panic of impending doom too, and she loves it. She feels the pressure of having to find a way to make ends meet again this month, and it turns her on. She feels the stretch and strain of having to prove herself worthy of support in this hard, cold world, and she trembles and moans and asks for more. Plus, let's not forget—she feels the righteous resentment of the evil rich corporatists and politicians who made this world so unbalanced—and well, there are few things more luscious in this sublunar realm than a big stinging heap of righteousness.
”
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Carolyn Elliott (Existential Kink: Unmask Your Shadow and Embrace Your Power (A method for getting what you want by getting off on what you don't))
“
Caroline Goldberg, LCSW, LLC is a well-known and respected psychotherapist who has two locations in Wayne and Highland Park New Jersey. Carolyn has over 30 years of expertise. Her dedication and collaborative approach assist her patients in coping and making better decisions. A detailed list of available therapy can be seen on Carolyn's website.
”
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Caroline B Goldberg
“
In her groundbreaking 1980 book The Death of Nature, the environmental historian Carolyn Merchant reminded readers that up until the 1600s, the earth was seen as alive, usually taking the form of a mother [...] The metaphor changed with the unlocking of some (but by no means all) of nature's mysteries during the scientific revolution of the 1600s. With nature now cast as a machine, devoid of mystery or divinity, its component parts could be dammed, extracted, and remade with impunity. Nature still sometimes appeared as a woman, but one easily dominated and subdued. Sir Francis Bacon best encapsulated the new ethos when he wrote in the 1623 De dignitate et augmentis scientiarium that nature is to be "put in contraint, moulded, and made as it were new by art and the hand of man." Those words may as well have been BP's corporate mission statement.
”
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Naomi Klein (On Fire: The Case for the Green New Deal)
“
Love is fine and you've got to have it. But there's times when love gets thin in any relationship and like has to step in and take over. If you don't like him as well as love him, then you're goin' to be out in the cold when the love is tested.
”
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Carolyn Brown (To Commit (The Broken Roads #2))
“
Beauty isn’t just what you see with your eyes,” Travis said, “but it’s what you see with your heart, too. You’ve got both covered really well.
”
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Carolyn Brown (The Devine Doughnut Shop)
“
The best CEOs recognize this dynamic and, in turn, approach setting the direction of their company with a different mindset. They embrace uncertainty with a view that fortune favors the bold. They’re less a “taker” of their fate and more a “shaper”—constantly looking for and acting on opportunities that bend the curve of history. CEOs who embrace this mindset are well aware that only 10 percent of companies create 90 percent of the total economic profit (profit after subtracting the cost of capital) and that the top quintile performers deliver thirty times more economic profit than the companies in the next three quintiles combined. And here’s the kicker: The odds of moving from being an average performer to a top-quintile performer over a ten-year period are only one in twelve.
”
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Carolyn Dewar (CEO Excellence: The Six Mindsets That Distinguish the Best Leaders from the Rest)
“
When one of my brothers was about nine, Father tasked him with convincing a Deep One to accept him as an apprentice.”
“Deep One?”
“A giant squid. Sort of.”
“Oh.”
“Michael tried and tried, but the Deep One wouldn’t go for it. My brother tried to explain the situation, but Father wouldn’t listen."
(...)
“He got a hot poker and burned out Michael’s eyes.”
“What? Jesus! He blinded the kid?”
“Yeah. Blinded him. Well—not the way you probably mean. Not permanently.”
(...)
"Father burned Michael’s eyes out. Every night, over and over. The rest of us had to attend him, had to watch. Each time took about twenty minutes—the first eye was quick, but after that Michael had to. To. To watch. One-eyed, you see. He’d watch as Father, um, Father, you know, heated the poker back up. The next morning Jennifer would grow them both back. Both eyes, you see. And then they’d do it again.”
“What happened? How did it end?”
Carolyn snarled. In the puddle of child’s blood Steve saw a flash of white teeth reflected.
“Michael became motivated.” She spat the words out like someone vomiting up rotten food.
”
”
Scott Hawkins, The Library at Mount Char
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I feel uncomfortable and experience building tension or discomfort that seems to come out of the blue when I think about a particular situation. ____ 2. I avoid specific situations that make me feel uncomfortable. ____ 3. I have at least four of the following symptoms at the same time: shortness of breath or feeling smothered; heart palpitations (rapid or irregular heartbeat); trembling or shaking; choking; dizziness or unsteadiness; nausea or abdominal distress; numbness, feeling detached or out of touch with myself; fear of dying; fear of going crazy or out of control; hot flashes or chills; sweating without exertion. ____ 4. I worry excessively, and so I feel restless, keyed up or on edge, irritable, easily fatigued, have trouble falling or staying asleep or I wake up tired, have tense and tight muscles, have difficulty concentrating, and/or find my mind going blank. ____ 5. I have recurring intrusive thoughts such as hurting or harming a close relative, being contaminated by dirt or a toxic substance, fearing I forgot to lock my door or turn off an appliance, and/or have unpleasant fantasies of catastrophe. ____ 6. I perform ritualistic actions such as washing my hands or counting to relieve my discomfort because I have fears that keep entering my mind. ____ 7. I have witnessed or been subjected to a life-threatening experience and have persistent symptoms that have lasted for at least a month, including repetitive and distressing thoughts, nightmares, flashbacks, attempts to reenact the situation, emotional numbness (out of touch with your emotions—feeling no anger, sadness, guilt, or relief), feeling detached from other people, losing interest in activities that once gave me pleasure, sleep or concentration problems, startling easily, irritability and/or have outbursts of anger.
”
”
Carolyn Chambers Clark (Living Well with Anxiety: What Your Doctor Doesn't Tell You . . . That You Need to Know)
“
American author and poet. She wrote a total of more than 170 books.
”
”
Carolyn Wells (The Carolyn Wells Mystery MEGAPACK ®: 17 Classic Mysteries with Pennington Wise, Fleming Stone, & More!)
“
In the universe of her thoughts, the rarest, purest fear is that possibly she sees not him through the well, but her own reflection and the sky behind her silhouette. Her mind does not voice this thought, it has no language for the horror.
”
”
Carolyn Chun (How to Break Article Noun)
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we reflect his image most clearly when we do things his way.
His divine design reveals his desire for the kind of intimate parent-child relationship with his children that we long for in our human families, whether we're the parent or the child. Like a proud parent, he envisioned taking pleasure in seeing us launch out boldly on the grand adventure he had in store for us, delighting in our relentless curiosity as we explore the world he created and put to use the good giftst he planted inside us. He anticipated the satisfaction of giving a hearty 'Well done!' to each of his children at the end of our journeys.
”
”
Carolyn Custis James (Half the Church: Recapturing God's Global Vision for Women)
“
After thirty-plus years as a latter-day robber baron and almost as many as a fiercely acquisitive retiree, the old man clapped both hands to his head, made a sound like a peevish crow, and collapsed to the floor. He landed in the middle of the immense Aubusson carpet in the Great Room of Galtonbrook Hall, the pile of marble that had been his home and would be his memorial. Galtonbrook Hall loomed less than half a mile from Columbia Presbyterian Hospital, and an ambulance got there in minutes, but they didn’t have to rush. Martin Greer Galton, born March 7, 1881, in Latrobe, Pennsylvania, was almost certainly dead by the time he hit the floor. Now, fifty years later, his house lived on. He’d devoted the first half of his life to making money and the second half to spending it, collecting art and artifacts in great profusion, and building Galtonbrook Hall to house himself for his lifetime and his treasures for all eternity. That at least was the plan, and he’d funded the enterprise sufficiently to see it carried out. What had been a home was now a museum, open to the public six days a week. Out-of-towners rarely found their way to the Galtonbrook; it didn’t get star treatment in the guidebooks, and it was miles from midtown, miles from the Upper East Side’s Museum Mile. As a result it was rarely crowded. You had to know about it and you had to have a reason to go there, and if you were in the neighborhood you’d probably wind up at the Cloisters instead. “We’ll go to the Galtonbrook the next time,” you’d tell yourself, but you wouldn’t. Neither Carolyn nor I had been there until our visit five days earlier, on a Thursday afternoon. We’d stood in front of a portrait of a man in a plumed hat, and its brass label identified it as the work of Rembrandt. The guidebook I’d consulted had its doubts, and repeated an old observation: Rembrandt painted two hundred portraits, of which three hundred are in Europe and four hundred in the United States of America. “So it’s a fake,” she said. “If it is,” I said, “we only know
”
”
Lawrence Block (The Burglar Who Counted the Spoons (Bernie Rhodenbarr, #11))
“
Jackie Kennedy once said, 'Even though people may be well known, they hold in their hearts the emotions of a simple person for the moments that are the most important of those we know on earth: birth, marriage, and death.
”
”
Elizabeth Beller (Once Upon a Time: The Captivating Life of Carolyn Bessette-Kennedy)
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It is best to think of a pastoral transition as a blended family in which former effective ministries are adopted by the new pastor while new ministries are birthed as well.
”
”
Carolyn Weese (The Elephant in the Boardroom: Speaking the Unspoken about Pastoral Transitions (Jossey-Bass Leadership Network Series Book 12))
“
The thing I can’t figure out,” Axel turned to gaze directly at the gorgeous Elf. “Is how we got drawn into this mess? A week ago we were just boys, bumbling about in our last year of study, and now we’re in the midst of events that will change the course of Alba’s future! How did that happen?” He tossed his hands in the air and shook his head. “These are our parents’ battles. This is our parents’ world. They’re supposed to hand over something valuable and precious, not suck us into a scarred and shattered wreck!”
Carolyn struggled to maintain her composure. She bit her bottom lip until it quivered in pain. “I don’t know how it happened,” she whispered, shaking her head, feeling guilty and tortured and evil and awful. “It’s not fair though.”
“Well, we’re in the game now,” said Axel, as he stared down at the deadly black blade. “And heaven help all those who stand in our way.
”
”
Aaron D'Este (Weapon of Choice)
“
Honestly, I’d hate to be sick or hurt and have to go to any of the hospitals like the ones on television. It would be too stressful. I don’t know how anybody could ever get well in places where everyone is shouting and screaming all the time.
”
”
Carolyn Jourdan (Medicine Men: Extreme Appalachian Doctoring)
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At the same time, the Establishment and their media allies were in full cry. Lord McGregor, the Chairman of the Press Complaints Commission, issued a statement condemning the hysteria that the book immediately generated as ‘An odious exhibition of journalists dabbling their fingers in the stuff of other people’s souls.’ In fact, this criticism was never made of the book itself; indeed, Lord McGregor has since told me that the issue was the ‘most difficult’ of his tenure. The Archbishop of Canterbury worried publicly about the effects of the publicity on Princes William and Harry; Lord St John of Fewsley condemned the book’s publication, while a pot-pourri of MPs were keen to see me locked away in the Tower; it was, too, a torrid time for Diana’s supporters.
As loyalists rallied to the flag, ignoring the message while deriding the messenger, the public gradually began to accept the book’s veracity through statements by Diana’s friends, further confirmed when she visited her old friend Carolyn Bartholomew, who had spoken about the Princess’s bulimia. Unfortunately, that casual call upon an old and trusted friend had bitter consequences for Diana. Senior courtiers, including the Queen’s private secretary, Sir Robert Fellowes, pointed accusing fingers at Diana when they saw the front-page coverage of the visit.
Aggrieved and hurt, the Princess flew by helicopter to Merseyside for a visit to a hospice, her first official engagement since Diana, Her True Story hit the headlines. It proved to be an emotional meeting between Diana and her public for, touched by the show of affection from waiting wellwishers, she burst into tears, overcome by the distressing echoes of her morning meeting with Palace officials, and by the underlying strain of the decision she and Prince Charles had taken. As she later told a friend: ‘An old lady in the crowd stroked my face and that triggered something inside me. I simply couldn’t stop myself crying.’ The public tears did not surprise her close friends, who knew only too well the private anguish of her lonely position, the strain she had borne for 18 months. As one remarked: ‘She is a brilliant actress who has disguised her private sorrow.
”
”
Andrew Morton (Diana: Her True Story in Her Own Words)
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Adversity is neither friend nor foe. It is a common acquaintance that is desired less and rewarded most when embraced.
”
”
Carolyn Wells
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She was enveloped from head to foot in a raccoon fur coat, with a jaunty hat of the same, trimmed only with a bright quill feather.
”
”
Carolyn Wells (Carolyn Wells's Collected Works: 35 Works With Over 200 Illustrations)
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Adversity is neither friend nor foe. It is a common acquaintance whose presence is least desired, but most rewarding when embraced."- Carolyn Wells, Start Again, Inspiration from the Sunny Side of Adversity
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Carolyn Wells (Start Again, Inspiration from the Sunny Side of Adversity)
“
In her serious way, she'd decided they weren't well suited. He was rich. She was solidly middle class. He was relaxed. She was intense. He defined himself by what mattered to him, people in all their quirky variety, sun and sand and sea, laughter, moments of ease to remember good days and envision better days. Annie epitomized the work ethic, so many tasks to do, so little time in which to do them. He didn't have to work, felt no need to achieve,but to please her he opened Confidential Commissions and, truth to tell, he enjoyed helping people solve odd and unusual problems, the more odd and unusual the better.
”
”
Carolyn G. Hart (Walking on My Grave (Death on Demand #26))
“
This volume represents a terrific research undertaking. Carolyn M. Edy has done a thorough job of exploring the intersection of public policy and gender identity. Her work displays a sophisticated understanding of gendered discourse and the construction of the genre of woman war correspondent. This study makes a significant contribution to both women's studies and the history of war correspondents in general, male as well as female. While highlighting the careers of notable women, this book also explores the careers of those whose work had previously been omitted from media history and places them within the context of the journalism of their times.
”
”
Maurine H. Beasley (Women of the Washington Press: Politics, Prejudice, and Persistence (Medill Visions Of The American Press))
“
At the time all I wanted to do was see a bear. When I was hiking I’d think, Oh, I wanna see a bear. Oh, I hope we’ll see a bear. But I don’t ever need to do that again. I love seeing bears, but now when I’m hiking I’m very content not to see them.
”
”
Carolyn Jourdan (Dangerous Beauty: Encounters with Grizzlies and Bison in Yellowstone)