Caroline Quotes

We've searched our database for all the quotes and captions related to Caroline. Here they are! All 100 of them:

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A well-composed book is a magic carpet on which we are wafted to a world that we cannot enter in any other way.
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Caroline Gordon
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I don't get it,' Caroline said, bemused. 'She's the only one with wings. Why is that?' There were so many questions in life. You couldn't ever have all the answers. But I knew this one. It's so she can fly,' I said. Then I started to run.
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Sarah Dessen (The Truth About Forever)
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The problem with books is that they end.
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Caroline Kepnes (You (You, #1))
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Mary’s hands clenched. She’d been through fire, what with a murder, and white supremacists. And what about Caroline, who had gone undercover to rescue the Scroll’s Key Keeper? Where were the College’s thanks for that?
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Susan Rowland (The Alchemy Fire Murder (Mary Wandwalker #2))
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The only thing crueler than a cage so small that a bird can’t fly is a cage so large that a bird thinks it can fly.
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Caroline Kepnes (You (You, #1))
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If the Agency could become a container for something neither Anna nor Mary had known before: a family. Now, without Caroline depending on her, Anna was alone. It did not taste good. There were voices inside: I am risking everything; I could lose everything.
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Susan Rowland (The Alchemy Fire Murder (Mary Wandwalker #2))
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If we were teenagers, I could kiss you. But I’m on a platform behind a counter wearing a name tag and we’re too old to be young.
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Caroline Kepnes (You (You, #1))
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The soul always knows what to do to heal itself. The challenge is to silence the mind
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Caroline Myss
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Caroline was always moody and miserable, but I liked it. I liked feeling as if she had chosen me as the only person in the world not to hate, and so we spent all this time together just ragging on everyone, you know?
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John Green (The Fault in Our Stars)
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A woman's destiny, they say, is not fulfilled until she holds in her arms her own little book.
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Caroline Mytinger (Headhunting in the Solomon Islands: Around the Coral Sea)
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Marie Caroline Jensen, will you do me the honor of being my permanent bitch?
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Joanna Wylde (Reaper's Property (Reapers MC, #1))
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You can’t set fires, Anna. Never again. Promise.” [Anna] aimed her defiance at Mary. β€œAnd you? What’s your reason to hate me?” Caroline spoke quietly. β€œWe nearly died β€” in the fire in those mountains and at the house when Ravi had a gun pointed at us.” Her eyes were full of tears. β€œThe fire you set at The Old Hospital could have killed me as well as Janet and Agnes.” Anna muttered into the syrupy dregs of her tea. β€œFire, you’re firing me?” Mary grimaced. There had been too much fire.
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Susan Rowland (The Alchemy Fire Murder (Mary Wandwalker #2))
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There is no such thing as a woman who doesn’t work. There is only a woman who isn’t paid for her work.
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Invisible Women: Data Bias in a World Designed for Men
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Caroline is no longer sufffering from personhood.
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John Green (The Fault in Our Stars)
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How dreadful...to be caught up in a game and have no idea of the rules.
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Caroline Stevermer (Sorcery & Cecelia: or The Enchanted Chocolate Pot (Cecelia and Kate, #1))
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The dog’s agenda is simple, fathomable, overt: I want. β€œI want to go out, come in, eat something, lie here, play with that, kiss you. There are no ulterior motives with a dog, no mind games, no second-guessing, no complicated negotiations or bargains, and no guilt trips or grudges if a request is denied.
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Caroline Knapp
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Caroline, do you value your neck?" "Yes, I'm rather fond of it. Why?" "Because if you don't shut up, I'm going to wring it.
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Julia Quinn (To Catch an Heiress (Agents of the Crown, #1))
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The problem with books is that they end. They seduce you. They spread their legs to you and pull you inside. And you go deep and leave your possessions and your ties to the world at the door and you like it inside and you don't want for your possessions or your ties and then, the book evaporates.
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Caroline Kepnes (You (You, #1))
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Work in a bookstore and learn that most people in this world feel guilty about being who they are.
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Caroline Kepnes (You (You, #1))
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Sometimes it takes a while to recognize that someone has a special ability to get us to believe in ourselves, to tie that belief to our highest ideals, and to imagine that together we can do great things. In those rare moments, when such a person comes along, we need to put aside our plans and reach for what we know is possible.
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Caroline Kennedy
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You might imagine that a person would resort to self-mutilation only under extremes of duress, but once I'd crossed that line the first time, taken that fateful step off the precipice, then almost any reason was a good enough reason, almost any provocation was provocation enough. Cutting was my all-purpose solution.
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Caroline Kettlewell (Skin Game)
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Anna did say the wife of Lir had left her?” whispered Mary. β€œYes,” said Caroline. β€œShe said, β€˜for now.
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Susan Rowland (The Sacred Well Murders (Mary Wandwalker #1))
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In Solaria blue means royal. And to me, blue means you.
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Caroline Peckham (The Reckoning (Zodiac Academy, #3))
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You wanted us all back together again!" Bonnie shouted at Caroline, and pulled the scandalized girl into the dance. Meredith, her dignity forgotten, joined them too. And for a long time in the clearing there was only rejoicing.
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L.J. Smith (Dark Reunion (The Vampire Diaries, #4))
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The fear of an unknown never resolves, because the unknown expands infinitely outward, leaving you to cling pitifully to any small shelter of the known: a cracker has twelve calories; the skin, when cut, bleeds.
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Caroline Kettlewell (Skin Game)
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I don't say anything. I know the power of silence. I remember my dad saying nothing and I remember his silences more vividly than I remember the things he said.
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Caroline Kepnes (You (You, #1))
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Happiness is believing that you're gonna be happy. It's hope.
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Caroline Kepnes (You (You, #1))
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The fire on the mountain.” That was Anna. β€œAlchemy,” she said. β€œI feel it singing in my bones.” β€œSinging?” Mary would never understand Anna. The young woman turned away. Wiseman’s reply was tinged with respect. β€œThat great pair of alchemists, Francis Ransome and Roberta Le More, believed the work they did affected the world’s spirit, the anima mundi. The Native Americans they met believed they too could and should interact with the Great Spirit. They lived with reverence for the land and all its peoples, the ancestors, the animals, the rocks, the trees, mountains.”  Mary’s jaw dropped; Caroline glowed; Anna pretended not to listen. Wiseman nodded, then continued. β€œYou mean…?” began Mary. β€œYes, it could have been so different, a meeting of like-minded earth-based spiritualities. Just imagine, what could have been?
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Susan Rowland (The Alchemy Fire Murder (Mary Wandwalker #2))
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When you quit drinking you stop waiting.
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Caroline Knapp (Drinking: A Love Story)
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Just let go. Let go of how you thought your life should be, and embrace the life that is trying to work its way into your consciousness.
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Caroline Myss
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And Caroline? Speaking fo thin walls?" he said, as he opened his door and looked back at me. He leaned in his own doorway, thumping his fist on the wall. "Yes?" I asked a little too dreamily for my own good. His smirk reappeared and he said, "Sweet dreams". He thumped the wall one more time, winked, and went inside. Huh. Sweet dreams and thin walls. Sweet dreams and thin walls... Mother of pearl. He'd heard me...
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Alice Clayton (Wallbanger (Cocktail, #1))
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Always take a compliment, Caroline. Always take it for the way it was intended. You girls are always so quick to twist what others say. Simply say thank you and move on.
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Alice Clayton (Wallbanger (Cocktail, #1))
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You'd think that would have been forgotten long ago. But no, no sooner has a little grass grown over it than some clumsy camel comes along and rakes it all up again." Caroline giggled. She was probably imagining Aunt Glenda as a camel. "This is not a TV series, Maddy," said Lady Arista sharply. "Thank goodness, no, it isn't," said Great-aunt Maddy. "If it were, I'd have lost track of the plot ages ago.
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Kerstin Gier (Ruby Red (Precious Stone Trilogy, #1))
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The result of this deeply male-dominated culture is that the male experience, the male perspective, has come to be seen as universal, while the female experience--that of half the global population, after all--is seen as, well, niche.
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Caroline Criado PΓ©rez (Invisible Women: Data Bias in a World Designed for Men)
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It's not always easy to convince someone a need exists, if they don't have that need themselves.
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Invisible Women: Data Bias in a World Designed for Men
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You blush. You are Charlotte’s Web and I could love you.
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Caroline Kepnes (You (You, #1))
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I own every book Stephen King has ever written." "That's great. That's something to be proud of." But did you read them, fuckface?
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Caroline Kepnes (You (You, #1))
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It is possible to know people. They show you who they are. You just have to be looking.
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Caroline Kepnes (Hidden Bodies (You, #2))
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Tears never did anyone any favours, but sometimes they just needed to fall.
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Caroline Peckham (The Awakening (Zodiac Academy, #1))
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Caroline's about to say something really harsh, but suddenly Hunter and Dev launch into a fucking Green Day cover, and we're all seven years old again and dancing like we spit out the Ritalin while Mom wasn't looking.
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David Levithan (Nick & Norah's Infinite Playlist)
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When in doubt, shut up.
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Caroline B. Cooney
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If people could handle their self-loathing, customer service would be smoother.
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Caroline Kepnes (You (You, #1))
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Love will find a way against time itself.
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Sylvia Day (Catching Caroline)
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The real struggle is about you: you, a person who has to learn to live in the real world, to inhabit her own skin, to know her own heart, to stop waiting for life to begin.
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Caroline Knapp (Appetites: Why Women Want)
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People think they own time. They have watches and clocks and digital pulses. But they are wrong. Time owns them.
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Caroline B. Cooney (Both Sides of Time (Time Travelers, #1))
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The fact is that worth is a matter of opinion, and opinion is informed by culture. And if that culture is as male-biased as ours is, it can’t help but be biased against women. By default.
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Caroline Criado PΓ©rez (Invisible Women: Data Bias in a World Designed for Men)
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Caro… I don’t understand – why do you love me?” β€œJust because… because the sky is blue and the sea is green.
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Jane Harvey-Berrick (The Education of Caroline (The Education of..., #2))
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Everyone knows, karma’s a bitch. And today her name was Tory Vega.
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Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
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Some people on this earth receive love, get married, and honeymoon in Cabo. Others do not. Some people read alone on the sofa and some people read together, in bed. That’s life.
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Caroline Kepnes (You (You, #1))
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Talking to you is like traveling through time.
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Caroline Kepnes (You (You, #1))
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The real horror of my life is not that I’ve killed some terrible people. The real horror is that the people I’ve loved didn’t love me back.
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Caroline Kepnes (Hidden Bodies (You, #2))
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We all get our hearts broken. We get fucked up and throw up and we cry and listen to sad songs and say we’re never doing that again. But to be alive is to do it again. To love is to risk everything
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Caroline Kepnes (Hidden Bodies (You, #2))
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Some people, it’s like they care more about their status updates than their actual lives.
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Caroline Kepnes (You (You, #1))
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My middle school health teacher told us that you can hold eye contact for ten seconds before scaring or seducing someone.
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Caroline Kepnes (You (You, #1))
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A soulmate is the person who makes your sould grow the most.
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Caroline Myss
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You are a woman and I am a man and we belong in the dark together.
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Caroline Kepnes (You (You, #1))
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He had heard her say, so many times, that a society that approved of making abortion illegal was a society that approved of violence against women; that making abortion illegal was simply a sanctimonious, self-righteous form of violence against women- it was just another way of legalizing violence against women, Nurse Caroline would say.
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John Irving (The Cider House Rules)
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And then it happens, the most dreaded response in the world, more terse than any word, more withholding than a "no," and strictly verboten for someone as in love with language and me as you claim to be. You: "K
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Caroline Kepnes (You (You, #1))
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Caroline had a theory about relationships. 'You're much happier when you wait," she used to tell me. 'The ones that come to you are the only ones worth anything. It's like standing on the shore and spotting something in the water. You can splash around and try to get it, ot you can wait and see if the tide brings it in.
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Carole Radziwill (What Remains: A Memoir of Fate, Friendship, and Love)
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Your lips were made for mine, Beck. You are the reason I have a mouth, a heart.
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Caroline Kepnes (You (You, #1))
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But the most important thing I know is that I want the possibility of you more than the reality of [her].
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Caroline Kepnes (You (You, #1))
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Well, sometimes you just want to go where it’s dark, you know?
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Caroline Kepnes (You (You, #1))
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Fate is how your life unfolds when you let fear determine your choices. A path of destiny reveals itself to you, however, when you confront your fear and make conscious choices.
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Caroline Myss
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When we exclude half of humanity from the production of knowledge we lose out on potentially transformative insights.
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Invisible Women: Data Bias in a World Designed for Men
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Simon thought I was lovely. Was the Giggler out of the harem? Was there even a harem left? What did this mean? Would I only think in questions now? And if so, who is Eric Cartman's father?
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Alice Clayton (Wallbanger (Cocktail, #1))
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The only thing crueler than a cage so small that a bird can’t fly is a cage so large that a bird thinks it can fly. Only a monster would lock a bird in here and call himself an animal lover.
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Caroline Kepnes (You (You, #1))
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I love you, Blue. I loved you then, I love you now, I’ll love you tomorrow even if I’m no longer on this earth. No time exists where I won’t love you.
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Caroline Peckham (Fated Throne (Zodiac Academy, #6))
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That's when I wanted to cut. I cut to quiet the cacophony. I cut to end this abstracted agony, to reel my selves back to one present and physical whole, whose blood was the proof of her tangibility.
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Caroline Kettlewell (Skin Game)
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Because we don’t get to choose our obsessions. And you’re mine.
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Caroline Peckham (Shadow Princess (Zodiac Academy, #4))
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If you don’t start with crazy, crazy love, the kind of love that Van Morrison sings about, then you don’t have a shot to go the distance. Love’s a marathon, Danny, not a sprint.
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Caroline Kepnes (You (You, #1))
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Babies were born, old people died, stocks were traded, and someone faked an orgasm. All in those five seconds.
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Alice Clayton (Wallbanger (Cocktail, #1))
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And I will never again underestimate the power of anticipation. There is no better boost in the present than an invitation into the future.
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Caroline Kepnes (You (You, #1))
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Consumerism thrives on emotional voids.
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Caroline Knapp (Appetites: Why Women Want)
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We won’t die,” he said with a shrug. β€œWe’re the Heirs and the Savage Princess. Darcy and the dudebros. Wolfman, Bitey C, Fish Fury, Dragzilla, and the Phoen Dream.
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Caroline Peckham (Fated Throne (Zodiac Academy, #6))
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The most important thing I’d learned in life? You can’t trust people. And you especially can’t trust boys with wicked smiles and equally wicked intentions.
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Caroline Peckham (The Awakening (Zodiac Academy, #1))
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To a drinker the sensation is real and pure and akin to something spiritual: you seek; in the bottle, you find.
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Caroline Knapp (Drinking: A Love Story)
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Iron is made stronger in the hottest part of the fire, Seth. You didn't break me, you forged me.
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Caroline Peckham
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And there is nothing more terrifying than realizing the one who knows you best loves you least.
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Caroline Kepnes (Hidden Bodies (You, #2))
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You are meant for the sunlight, Lance Orion. So you’ll stand with me in it or else we’ll stay in the dark together,
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Caroline Peckham (Heartless Sky (Zodiac Academy, #7))
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Live one day at a time. Keep your attention in present time. Have no expectations. Make no judgements. And give up the need to know why things happen as they do. Give it up!
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Caroline Myss (Why People Don't Heal and How They Can: A Practical Programme for Healing Body, Mind and Spirit)
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A 2013 UN homicide survey found that 96% 9 of homicide perpetrators worldwide are male. So is it humans who are murderous,or men?
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Invisible Women: Exposing Data Bias in a World Designed for Men
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A book lets you choose how much of the blood you want to see. A book gives you the permission to see the story as you want, as your mind directs.
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Caroline Kepnes (Hidden Bodies (You, #2))
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I wonder why we always deny love. I remember in middle school, if you were accused of the crime of loving, you screamed denials constantly and stopped ever even looking at the boy you were accused of liking. The boys could destroy each other by yodeling, "An-drew lo-oves Jen-nie," and both Andrew and Jennie would flinch and blush. Love is this great thing that most songs and books and poems and lives are all about. So the minute we actually think there might be love around, we start laughing and pretending and hiding from it.
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Caroline B. Cooney (The Girl Who Invented Romance)
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Because I couldn’t keep away from her, that much was becoming abundantly clear. So I’d just have to keep being her villain.
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Caroline Peckham (Shadow Princess (Zodiac Academy, #4))
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In a society that profits from your self doubt, liking yourself is a rebellious act.
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Caroline Caldwell
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You arm yourself with love, friends, knowledge. You figure out who you are. What you want. You figure it out, and you go after it with everything you've got. And that means sometimes you have to let yourself be scared.
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Robin York (Deeper (Caroline & West, #1))
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I love Stephen King as much as any red rum drinking American, but I resent the fact that I, the bookseller, am his bitch.
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Caroline Kepnes (You (You, #1))
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Eye contact is what keeps us civilized.
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Caroline Kepnes (You (You, #1))
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Anorexia isn't about being fat, it's about having fat.
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Caroline Kettlewell (Skin Game)
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Forgiveness is a mystical act, not a reasonable one.
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Caroline Myss (Defy Gravity: Healing Beyond the Bounds of Reason)
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Love is kind, love is patient but also, mainly, above allβ€”yesβ€”Love is perverted.
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Caroline Kepnes (Hidden Bodies (You, #2))
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Louisa May Alcott is right. An extraordinary girl can’t have an ordinary life. Don’t judge yourself. Love yourself.
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Caroline Kepnes (You (You, #1))
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One of the most important things to say about the gender data gap is that it is not generally malicious, or even deliberate. Quite the opposite. It is simply the product of a way of thinking that has been around for millennia and is therefore a kind of not thinking. A double not thinking, even: men go without saying, and women don't get said at all. Because when we say human, on the whole, we mean man.
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Caroline Criado PΓ©rez (Invisible Women: Data Bias in a World Designed for Men)
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I am convinced that the deepest desire within each of us is to be liberated from the controlling influences of our own psychic madness or patterns of fear. All other thingsβ€”the disdain of ordinary life, the need to control others rather than be controlled, the craving for material goods as a means of security and protection against the winds of chaosβ€”are external props that serve as substitutes for the real battle, which is the one waged within the individual soul.
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Caroline Myss
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And I know it doesn’t change anything. That it can’t change anything,” he growled. β€œBut I’m going to prove it to you. I’m going to do everything I can to make it up to you, for the rest of my life if that’s what it takes. I’ll never forgive myself for bringing this curse on us. And I’m never going to stop loving you either.
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Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
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God! You'll do anything to avoid it.' Avoid what?' my mother said. The past,' Caroline said. 'Our past. I'm tired of acting like nothing ever happened, of pretending he was never here, of not seeing his pictures in the house, or his things Just because you're not able to let yourself grieve.' Don't,' my mother said, her voice low, 'talk to me about grief. You have no idea.' I do, though.' Caroline's voice caught, and she swallowed. 'I'm not trying to hide that I'm sad. I'm not trying to forget. You hide here behind all these plans for houses and townhouses because they're new and perfect and don't remind you of anything.' Stop it,' my mother said. And look at Macy,' Caroline continued, ignoring this.' Do you even know what you're doing to her?' My mother looked at me, and I shrank back, trying to stay out of this. 'Macy is fine,' my mother said. No, she's not. God you always say that, but she's not.' Caroline looked at me, as if she wanted me to jump in, but I just sat there. 'Have you even been paying the least bit of attention to what's going on with her? She's been miserable since Dad died, pushing herself so hard to please you. And then, this summer, she finally finds some friends and something she likes to do. But then one tiny slipup, and you take it all away from her.' That has nothing to do with what we're talking about,' my mother said. It has everything to do with it,' Caroline shot back. 'She was finally getting over what happened. Couldn't you see the change in her? I could, and I was berely here. She was different.' Exactly,' my mother said. 'She was-' Happy,' Caroline finished for her. 'She was starting to live her life again, and it scared you. Just like me redoing the beach house scares you. You think you're so strong becasue you never talk about Dad. Anyone can hide. Facing up to things, working through them, that's what makes you strong.
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Sarah Dessen (The Truth About Forever)
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Women have always worked. They have worked unpaid, underpaid, underappreciated, and invisibly, but they have always worked. But the modern workplace does not work for women. From its location, to its hours, to its regulatory standards, it has been designed around the lives of men and it is no longer fit for purpose. The world of work needs a wholesale redesign--of its regulations, of its equipment, of its culture--and this redesign must be led by data on female bodies and female lives. We have to start recognising that the work women do is not an added extra, a bonus that we could do without: women's work, paid and unpaid, is the backbone of our society and our economy. It's about time we started valuing it.
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Caroline Criado PΓ©rez (Invisible Women: Data Bias in a World Designed for Men)
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Poem from Rev. Jim Cotter, as listed on the opening pages of β€œAnatomy of the Spirit” by Caroline Myss: ~ God be in my head and in my understanding. God be in my eyes and in my looking. God be in my mouth and in my speaking. God be in my tongue and in my tasting. God be in my lips and in my greeting. ~ God be in my nose and in my smelling/inhaling. God be in my ears and in my hearing. God be in my neck and in my humbling. God be in my shoulders and in my bearing. God be in my back and in my standing. ~ God be in my arms and in my reaching/receiving. God be in my hands and in my working. God be in my legs and in my walking. God be in my feet and in my grounding. God be in my knees and in my relating. ~ God be in my gut and in my feeling. God be in my bowels and in my forgiving. God be in my loins and in my swiving. God be in my lungs and in my breathing. God be in my heart and in my loving. ~ God be in my skin and in my touching. God be in my flesh and in my paining/pining. God be in my blood and in my living. God be in my bones and in my dying. God be at my end and at my reviving.
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Caroline Myss (Anatomy of the Spirit: The Seven Stages of Power and Healing)
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He handed me a bandana. "Tie that on." "Why?" I said, but I did it anyway. "Norman, you are way too into ceremony." "It's important." I could hear him moving around, adjusting things, before he came to sit beside me. "Okay," he said. "Take a look." I pulled off the blindfold. Beside me, Norman watched me see myself for the first time. And it was me. At least, it was a girl who looked like me. She was sitting on the back stoop of the restaurant, legs crossed and dangling down. She had her head slightly tilted, as if she had been asked something and was waiting for the right moment to respond, smiling slightly behind the sunglasses that were perched on her nose, barely reflecting part of a blue sky. The girl was something else, though. Something I hadn't expected. She was beautiful. Not in the cookie-cutter way of all the faces encircling Isabel's mirror. And not in the easy, almost effortless style of a girl like Caroline Dawes. This girl who stared back at me, with her lip ring and her half smile - not quite earned - knew she wasn't like the others. She knew the secret. And she'd clicked her heels three times to find her way home. "Oh, my God," I said to Norman, reaching forward to touch the painting, which still didn't seem real. My own face, bumpy and textured beneath my fingers, stared back at me. "Is this how you see me?" "Colie." He was right beside me. "That's how you are.
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Sarah Dessen (Keeping the Moon)
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It is amazing to me," said Bingley, "How young ladies can have patience to be so very accomplished as they all are." "All young ladies accomplished? My dear Charles, what do you mean?" "Yes, all of them, I think. They all paint tables, cover screens and net purses. I scarcely know any one who cannot do all this, and I am sure I never heard a young lady spoken of for the first time without being informed that she was very accomplished." "Your list of the common extent of accomplishments," said Darcy, "has too much truth. The word is applied to many a woman who deserves it no otherwise than by netting a purse or covering a screen. But I am very far from agreeing with you in your estimation of ladies in general. I cannot boast of knowing more than half a dozen, in the whole range of my acquaintance, that are really accomplished." "Nor I, I am sure." said Miss Bingley. "Then," observed Elizabeth, "you must comprehend a great deal in your idea of an accomplished woman." "Yes, I do comprehend a great deal in it." "Oh! certainly," cried his faithful assistant, "no one can really be esteemed accomplished who does not greatly surpass knowledge of music, singing, drawing, dancing, and the modern languages, to deserve the word; and besides all this, she must possess a certain something in her air and manner of walking, the tone of her voice, her address and expressions, or the word will be but half deserved." "All this she must possess," added Darcy, "and to all this she must yet add something more substantial, in the improvement of her mind by extensive reading." "I am no longer surprised at your knowing only six accomplished women. I rather wonder at your knowing any.
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Jane Austen (Pride and Prejudice)