Carolina Wren Quotes

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I was struck with how full a silence could be: a Carolina wren sang from the eave of the shed; cedar waxwings carried on whispery bickerings up in the cherry; a mockingbird did an odd jerky dance, as if seized by the bird spirit, out on the driveway. The pea bowl rang like an insistent bell as we tossed in our peas.
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
...the Pacific Wren feeds on insects and spiders, which are especially good sources of energy. To sing, it takes a deep breath --where does it put all that air? - and then lets loose for up to ten seconds without pausing...And this song is loud. The wrens put out the most volume per ounce of any bird that I know, with the Carolina Wren the loudest of them all.
Jon Young
In the summer dusk there is always a pewee calling his name from a dead branch somewhere on the edge of an opening. The Carolina wren sings the whole year round. I hear the frogs and toads at night, starting with the peepers in early spring, and later the crickets and katydids. Something wild is always blooming, from twinleaf and bloodroot early in spring to beeweed in late fall, things of intricate, limitless beauty. Often I fear that I am not paying enough attention.
Wendell Berry (Jayber Crow)
To Live and Die in Dixie, by Kathy Hogan Trocheck. K is the eleventh letter in the alphabet, H the eighth and T the twentieth. The book is set in Atlanta and the brown thrasher is the state bird of Georgia. “Killer Market, by Margaret Maron. Her initials are the thirteenth letter and the cardinal is the state bird of North Carolina. “Mama Stalks the Past, by Nora DeLoach. Her initials are the fourteenth and fourth letters and the Carolina wren is the South Carolina state bird. “Murder Shoots the Bull, by Anne George. Her initials are the first and seventh letters and the yellowhammer is the state bird of Alabama. “Angel at Troublesome Creek, by Mignon F. Ballard. Her initials are the thirteenth, sixth and second letters and the cardinal is the state bird of North Carolina.
Carolyn G. Hart (April Fool Dead)
Ten Things I Need to Know" The brightest stars are the first to explode. Also hearts. It is important to pay attention to love’s high voltage signs. The mockingbird is really ashamed of its own feeble song lost beneath all those he has to imitate. It’s true, the Carolina Wren caught in the bedroom yesterday died because he stepped on a glue trap and tore his wings off. Maybe we have both fallen through the soul’s thin ice already. Even Ethiopia is splitting off from Africa to become its own continent. Last year it moved 10 feet. This will take a million years. There’s always this nostalgia for the days when Time was so unreal it touched us only like the pale shadow of a hawk. Parmenedes transported himself above the beaten path of the stars to find the real that was beyond time. The words you left are still smoldering like the cigarette left in my ashtray as if it were a dying star. The thin thread of its smoke is caught on the ceiling. When love is threatened, the heart crackles with anger like kindling. It’s lucky we are not like hippos who fling dung at each other with their ridiculously tiny tails. Okay, that’s more than ten things I know. Let’s try twenty five, no, let’s not push it, twenty. How many times have we hurt each other not knowing? Destiny wears her clothes inside out. Each desire is a memory of the future. The past is a fake cloud we’ve pasted to a paper sky. That is why our dreams are the most real thing we possess. My logic here is made of your smells, your thighs, your kiss, your words. I collect stars but have no place to put them. You take my breath away only to give back a purer one. The way you dance creates a new constellation. Off the Thai coast they have discovered a new undersea world with sharks that walk on their fins. In Indonesia, a kangaroo that lives in a tree. Why is the shadow I cast always yours? Okay, let’s say I list 33 things, a solid symbolic number. It’s good to have a plan so we don’t lose ourselves, but then who has taken the ladder out of the hole I’ve dug for myself? How can I revive the things I’ve killed inside you? The real is a sunset over a shanty by the river. The keys that lock the door also open it. When we shut out each other, nothing seems real except the empty caves of our hearts, yet how arrogant to think our problems finally matter when thousands of children are bayoneted in the Congo this year. How incredible to think of those soldiers never having loved. Nothing ever ends. Will this? Byron never knew where his epic, Don Juan, would end and died in the middle of it. The good thing about being dead is that you don’t have to go through all that dying again. You just toast it. See, the real is what the imagination decants. You can be anywhere with the turn of a few words. Some say the feeling of out-of-the-body travel is due to certain short circuits in parts of the brain. That doesn’t matter because I’m still drifting towards you. Inside you are cumulous clouds I could float on all night. The difference is always between what we say we love and what we love. Tonight, for instance, I could drink from the bowl of your belly. It doesn’t matter if our feelings shift like sands beneath the river, there’s still the river. Maybe the real is the way your palms fit against my face, or the way you hold my life inside you until it is nothing at all, the way this plant droops, this flower called Heart’s Bursting Flower, with its beads of red hanging from their delicate threads any breeze might break, any word might shatter, any hurt might crush. Superstition Reviews issue 2 fall 2008
Richard Jackson
Weeks, even. When I could not bear to leave the safety of my own trees, my choir of Carolina wrens.
Barbara Kingsolver (How to Fly: In Ten Thousand Easy Lessons)