Carfax Quotes

We've searched our database for all the quotes and captions related to Carfax. Here they are! All 12 of them:

[O]n general principles it is best that I should not leave the country. Scotland Yard feels lonely without me, and it causes an unhealthy excitement among the criminal classes.
Arthur Conan Doyle (The Disappearance of Lady Frances Carfax - a Sherlock Holmes Short Story)
One of the most dangerous classes in the world," said he, "is the drifting and friendless woman. She is the most harmless and often the most useful of mortals, but she is the inevitable inciter of crime in others. She is helpless. She is migratory. She has sufficient means to take her from country to country and from hotel to hotel. She is lost, as often as not, in a maze of obscure pensions and boardinghouses. She is a stray chicken in a world of foxes. When she is gobbled up she is hardly missed.
Arthur Conan Doyle (The Disappearance of Lady Frances Carfax)
It’s yours now. Use it well. No one else knows, do not tell. When you’re done, pass it on. The Carfax Room hides us from what we want gone.
Penelope Douglas (Nightfall (Devil's Night, #4))
I was with the first Venusian expedition, under the leadership of Admiral Carfax, in 1977.
Clark Ashton Smith (The End Of The Story)
There, eastward, within a stone’s throw, stood the twin towers of All Souls, fantastic, unreal as a house of cards, clear-cut in the sunshine, the drenched oval in the quad beneath brilliant as an emerald in the bezel of a ring. Behind them, black and grey, New College frowning like a fortress, with dark wings wheeling about her belfry louvres; and Queen’s with her dome of green copper; and, as the eye turned southward, Magdalen, yellow and slender, the tall lily of towers; the Schools and the battlemented front of University; Merton, square-pinnacled, half-hidden behind the shadowed North side and mounting spire of St. Mary’s. Westward again, Christ Church, vast between Cathedral spire and Tom Tower; Brasenose close at hand; St. Aldate’s and Carfax beyond; spire and tower and quadrangle, all Oxford springing underfoot in living leaf and enduring stone, ringed far off by her bulwark of blue hills.
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
salver,
Arthur Conan Doyle (The Disappearance of Lady Frances Carfax)
He stares at the wall. Mad. Of course he doesn't love her. Not love. Desire, yes, although she's prickly, plain, rebarbative. Desire because he's lonely and frustrated, because she makes him laugh and think and work for her approval, desire because he was drunk and because she looked so much like Carfax in a certain light... But that's all. Nothing more. Nothing more than a lightening of the heart when she smiles at him, a fierce raw happiness that she exists, that they're under the same roof, that for a few seconds, she didn't push him away. A sense that whatever game they're playing, it's at the centre of the universe. Is that love?
Bridget Collins (The Betrayals)
One of the most dangerous classes in the world,' said he, 'is the drifting and friendless woman. She is the most harmless and often the most useful of mortals, but she is the inevitable inciter of crime in others. She is helpless. She is migratory. She has sufficient means to take her from country to country and from hotel to hotel. She is lost, as often as not, in a maze of obscure pensions and boarding-houses. She is a stray chicken in a world of foxes. When she is gobbled up she is hardly missed. I much fear that some evil has come to the Lady Frances Carfax.' I was relieved at this sudden descent from the general to the particular.
Arthur Conan Doyle (His Last Bow (Sherlock Holmes, #8))
belfry louvres; and Queen's with her dome of green copper; and, as the eye turned southward, Magdalen, yellow and slender, the tall lily of towers; the Schools and the battlemented front of University; Merton, square-pinnacled, half-hidden behind the shadowed North side and mounting spire of St. Mary's. Westward again, Christ Church, vast between Cathedral spire and Tom Tower; Brasenose close at hand; St. Aldate's and Carfax beyond; spire and tower and quadrangle, all Oxford springing underfoot in living leaf and enduring stone, ringed far off by her bulwark of blue hills.
Dorothy L. Sayers (Gaudy Night)
Church, vast between Cathedral spire and Tom Tower; Brasenose close at hand; St. Aldate's and Carfax beyond; spire and tower and quadrangle, all Oxford springing underfoot in living leaf and enduring stone, ringed far off by her bulwark of blue hills.
Dorothy L. Sayers (Gaudy Night)
Kenneth’s views of the Witches’ Sabbath were similar to Spare’s, albeit more fleshed out—at least in written form. His ideas regarding the Sabbath are best recorded in one of his and Steffi’s manuscripts (known collectively at the Carfax Monographs) entitled Vinum Sabbati (1961). Within the document, Grant wrote that “most medieval Sabbatic symbolism has reference to the astral plane where the transformations so frequently described in the literature of witchcraft were actually enacted.” 69 Transformation occurred through atavistic resurgence—a concept previously espoused by Spare in which one follows a psychomagical path leading backward into the depths of time, effectively merging with the universal consciousness.
Kelden (The Witches' Sabbath: An Exploration of History, Folklore & Modern Practice)
Sometimes the students were rioting among themselves, sometimes they were rioting against outsiders, and the violence was so frequent and so vicious that almost every inch of pavement between Carfax and St. Mary’s, we are told with relish, at one time or another ran with blood.
Jan Morris (Oxford)