Card Sympathy Quotes

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Zara, sympathy is just a good excuse to buy greeting cards and make sorry eyes and secretly gloat over how glad you are that you aren't the person whose crap is hanging out for everyone to see.
Carrie Jones (Captivate (Need, #2))
I want to be the kind of boy you are, thought Bean. But I don’t want to go through what you’ve been through to get there.
Orson Scott Card (Ender's Shadow (The Shadow Series, #1))
Time does not heal all wounds, no matter how many drugstore sympathy cards hastily scrawled by distant relatives promise this to be true.
Julie Buxbaum (Tell Me Three Things)
I want to go into the sympathy card business. . . Forget sappy messages about overcoming. I want ones that say NOW YOU’LL BE A LESSER PERSON THAN YOU WERE or WE CANNOT POSSIBLY UNDERSTAND or I CAN UNDERSTAND BECAUSE SOMEONE I KNOW DIED TOO or maybe something about how grief can make your skin feel sore and bruised and electric because that’s how my skin has felt ever since, except for my hands.
Courtney Summers (Fall for Anything)
We live in a modern society. Husbands and wives don't grow on trees, like in the old days. So where does one find love? When you're sixteen it's easy, like being unleashed with a credit card in a department store of kisses. There's the first kiss. The sloppy kiss. The peck. The sympathy kiss. The backseat smooch. The we shouldn't be doing this kiss. The but your lips taste so good kiss. The bury me in an avalanche of tingles kiss. The I wish you'd quit smoking kiss. The I accept your apology, but you make me really mad sometimes kiss. The I know your tongue like the back of my hand kiss. As you get older, kisses become scarce. You'll be driving home and see a damaged kiss on the side of the road, with its purple thumb out. If you were younger, you'd pull over, slide open the mouth's red door just to see how it fits. Oh where does one find love? If you rub two glances, you get a smile. Rub two smiles, you get a warm feeling. Rub two warm feelings and presto-you have a kiss. Now what? Don't invite the kiss over and answer the door in your underwear. It'll get suspicious and stare at your toes. Don't water the kiss with whiskey. It'll turn bright pink and explode into a thousand luscious splinters, but in the morning it'll be ashamed and sneak out of your body without saying good-bye, and you'll remember that kiss forever by all the little cuts it left on the inside of your mouth. You must nurture the kiss. Turn out the lights. Notice how it illuminates the room. Hold it to your chest and wonder if the sand inside hourglasses comes from a special beach. Place it on the tongue's pillow, then look up the first recorded kiss in an encyclopedia: beneath a Babylonian olive tree in 1200 B.C. But one kiss levitates above all the others. The intersection of function and desire. The I do kiss. The I'll love you through a brick wall kiss. Even when I'm dead, I'll swim through the Earth, like a mermaid of the soil, just to be next to your bones.
Jeffrey McDaniel
Dad wants to talk about her death—he needs to—but unlike the rest of us, who yak incessantly about our feelings, he has no vocabulary for it and is reduced to the clichés you’d find on a sympathy card. It’s like not knowing a language.
David Sedaris (Theft by Finding: Diaries (1977-2002))
The house had always been full of books, far too many for one person to get through in a lifetime. Her father didn't collect them to read, to own first editions or to keep those signed by the author; Gil collected them for the handwritten marginalia and doodles that marked the pages, for the forgotten ephemera used as bookmarks. Every time Flora came home he would show her his new discoveries: left-behind photographs, postcards and letters, bail slips, receipts, handwritten recipes and drawings, valentines and tickets, sympathy cards, excuse notes to teachers; bits of paper with which he could piece together other people's lives, other people who had read the same books he held and who had marked their place.
Claire Fuller (Swimming Lessons)
And you just had to rush right over here to rub my face in it." "Nope. I rushed right over here to slap your face in it." "A rude but effective wake-up call," Laura commented and earned a shocked stare. "I expected better from you." "You shouldn't have." Hands brisk and competent, she affixed a shiny silver bow to the box. "If you don't want to tell us what happened between you and Josh,fine.But you can't expect us to sit around quietly while you mope." "I have not been moping." "We've been cleaning up the blood spilling out of your heart for weeks." Kate passed Laura her credit card. "Face it,pal, you're just no fun anymore." "And that's all this friendship is about?Fun? I thought I might get a little support,a little sympathy, a little compassion." "Sorry," Laura imprinted the card with a steady sweep. "Fresh out.
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
You can read all the books in the world on the Nazi concentration camps and the gas chambers, and yet reality will draw upon you only when you are put through that yourself. It is a law of God, or nature, if you prefer, that pain, suffering and grief cannot be transferred or known by proxy. Neither empathy nor sympathy but experience alone is a valid currency of affliction. It alone makes you a card-holding member all allows you to join the club of the wretched of the earth. All else is counterfeit.
Kiran Nagarkar
Who hurts the most? In the world you have invented, who suffers the most? Chances are that it is among the characters who are in pain that you will find your main character, partly because your readers' sympathy will be drawn toward a suffering character and partly because a character in pain is a character who wants things to change. He's likely to act. Of course, a character who suffers a lot and then dies won't be a productive main character unless your story is about life after death. But your eye should be drawn toward pain. Stories about contented people are miserably dull.
Orson Scott Card (How to Write Science Fiction & Fantasy)
Recent psychological research on grief favors meaning making over closure; accepts zigzagging paths, not just linear stages; recognizes ambiguity without pathology; and acknowledges continuing bonds between the living and the dead rather than commanding decathexis. But old ideas about grief as a linear march to closure still hold powerful sway. Many psychologists and grief counseling programs continue to consider “closure” a therapeutic goal. Sympathy cards, internet searches, and friendly advice often uphold a rigid division between healthy grief that the mourner “gets over” and unhealthy grief that persists. Forensic exhumation, too, continues to be informed by these deeply rooted ideas. The experiences of grief and exhumation related by families of the missing indicate something more complex and mysterious than “closure.” Exhumation heals and wounds, sometimes both at once, in the same gesture, in the same breath, as Dulce described feeling consoled and destroyed by the fragment of her brother’s bones. Exhumation can divide brothers and restore fathers, open old wounds and open the possibility of regeneration—of building something new with the “pile of broken mirrors” that is memory, loss, and mourning.
Alexa Hagerty (Still Life with Bones: Genocide, Forensics, and What Remains)
Nick leans down and kisses my eyelids. “Loving you, Zara, is a full-time job. It’s a great job, don’t get me wrong. It’s the best job in the universe. But it is not easy, because you tend to . . .” “Get hurt?” Betty suggests. “Find trouble? Pass out? Break arms?” “All of the above.” Nick laughs. My hand finds Nick’s wrist and I grab onto its thickness. “You know, I’m the patient here. Where’s the bedside manner? Where’s the sympathy?” “Zara, sympathy is just a good excuse to buy greeting cards and make sorry eyes and secretly gloat over how glad you are that you aren’t the person whose crap is hanging out there for the world to see,” Betty says.
Carrie Jones (Captivate (Need, #2))
My Ren & Stimpy reference wasn’t all that funny when written in the center of someone’s CONDOLENCE CARD. “Fucking Leslie,” I spat. “She threw a bunch of cards on my desk and said they were birthday cards.” Dean proceeded to lose his shit, his cackling laughs echoing inside my office. I glared at him. “It’s not that funny.” “Oh, hell yes it is. You referenced Ren & Stimpy on a sympathy card,” he wheezed. Seriously, fuck you, Leslie. Fuck you, hard. I was convinced I could blame her for everything wrong in my life. Lost my keys? Goddammit, Leslie! Missed the subway? Fuck you very much, Leslie. Another awful dick pic sent to my phone? You’re such an asshole, Leslie.
Max Monroe (Tapping the Billionaire (Billionaire Bad Boys, #1))
No,’ he says very firmly. ‘It doesn’t matter how good a drummer, singer, or trombone-mimer you are, bragging about anything is bad form. They have a mantra in the business – “Lego over ego” – and people follow it.’ He tells me that he and his fellow non-Danes have been guided towards the writings of a 1930s Danish-Norwegian author, Aksel Sandemose, for a better understanding of how best to ‘integrate’ into the workplace in Denmark. Sandemose outlines ten rules for living Danishly (otherwise known as ‘Jante’s Law’) in his novel, A Fugitive Crosses His Tracks. These, as far as Google Translate and I can make out, are: You’re not to think you are anything special You’re not to think you are as good as we are You’re not to think you are smarter than us You’re not to convince yourself that you are better than us You’re not to think you know more than us You’re not to think you are more important than us You’re not to think you are good at anything You’re not to laugh at us You’re not to think anyone cares about you You’re not to think you can teach us anything ‘Crikey, you’re not to do much round here, are you?’ ‘Oh, and there’s another, unspoken one.’ ‘Yes?’ ‘“Don’t put up with presenteeism”. If anyone plays the martyr card, staying late or working too much, they’re more likely to get a leaflet about efficiency or time management dropped on their desk than any sympathy.
Helen Russell (The Year of Living Danishly: Uncovering the Secrets of the World's Happiest Country)
THAT ESSENTIAL QUALITY of sympathy was never absent from Morgenthau’s relationship with Hannah Arendt, colored, it should be said, by an element of the erotic. They met in the early 1950s and developed an unshakeable friendship that lasted up to her death in 1975. Hans Jonas, who had known Arendt since their student days in Germany during the 1920s and who saw her every day when they were both attending the University of Marburg, remembered that “it was almost to be taken for granted that men of high intelligence and sensibility would be enchanted by Hannah.” Morgenthau was enchanted. “What struck one at first meeting Hannah Arendt,” he recalled, was “the vitality of her mind, quick—sometimes too quick—sparkling, seeking and finding hidden meanings and connections beneath the surface of man and things.” She had an extraordinary depth of knowledge combined with rare intellectual passion. “As others enjoy playing cards or the horses for their own sake, so Hannah Arendt enjoyed thinking.
Barry Gewen (The Inevitability of Tragedy: Henry Kissinger and His World)
... higher intellectual power makes those very few susceptible to much greater sufferings than duller men can ever feel. Moreover, it makes them feel lonely among beings that are noticeably different from them, and in this way also matters are made even. But purely intellectual pleasures are not accessible to the vast majority of men. They are almost wholly incapable of the pleasure to be found in pure knowledge; they are entirely given over to willing. Therefore, if anything is to win their sympathy, to be interesting to them, it must (and this is to be found already in the meaning of the word) in some way excite their will, even if it be only through a remote relation to it which is merely within the bounds of possibility. The will must never be left entirely out of question, since their existence lies far more in willing than in knowing; action and reaction are their only element. The naive expressions of this quality can be seen in trifles and everyday phenomena; thus, for example, they write their names up at places worth seeing which they visit, in order thus to react on, to affect the place, since it does not affect them. Further, they cannot easily just contemplate a rare and strange animal, but must excite it, tease it, play with it, just to experience action and reaction. But this need for exciting the will shows itself particularly in the invention and maintenance of card-playing, which is in the truest sense an expression of the wretched side of humanity.
Arthur Schopenhauer (The World as Will and Representation, Volume I)
It’s no wonder your grandmother despairs of you. God only knows what a trial you are to your poor parents.” The humor vanished abruptly from his face. “Sadly, my parents are too dead to be overly concerned about my behavior.” His words were flip, but the sudden glint of grief in his eyes told another tale. “Please forgive me,” she said hastily, cursing her quick tongue. “It’s awful to lose your parents. I know that better than anyone.” “No need for apologies.” He pushed away from the door. “They despaired of me long before they died, so you weren’t far off the mark.” “Still, it was very wrong of me to-“ “Come now, Miss Butterfield, this has naught to do with my proposal. Will you pretend to be my fiancée or not?” When she hesitated, he went on with a hint of anger, “I don’t see why you make such a fuss over it. It’s not as if I’m asking you to do anything wicked.” That ridiculous remark banished her brief moment of sympathy. “You’re asking me to lie! To deceive a woman for the sake of your purpose, whatever that is. It goes against every moral principle-“ “And threatening to stab a man does not?” He cast her a thin smile. “Think of it as playing a role, like an actress. You and your cousin will be guests at my estate for a week or two, entirely at your leisure.” A dark gleam shone in his eyes. “I can even set up an effigy of myself for you to stab at will.” “That does sound tempting,” she shot back. “As for Freddy there, he can ride and hunt and play cards with my brothers. It’s better entertainment than he’d find in the gaol.” “As long as you feed me, sir,” Freddy said, “I’ll follow you anywhere.” “Freddy!” Maria cried. “What? That blasted inn where we’re staying is flea-ridden and cold as a witch’s tit. Plus, you keep such tight hold on my purse strings that I’m famished all the time. What’s wrong with helping this fellow if it means we finally sleep in decent beds? And it’s not a big thing, your pretending to be betrothed to him.” “I’m already betrothed, thank you very much,” she shot back. “And what about Nathan? While we’re off deceiving this man’s poor grandmother, Nathan might be hurt or in trouble. You expect me just to give up searching for him so you can get a decent meal?” “And keep from being hanged,” Freddy pointed out. “Let’s not forget that.” “Ah, the missing fiancé,” Lord Stoneville said coldly. “I did wonder when you would bring him back into it.” She glowered at him. “I never let him out of it. he’s the reason I’m here.” “So you say.” That inflamed her temper. “Now see here, you insufferable, arrogant-“ “Fine. If you insist on clinging to your wild story, how about this: while you pretend to be my fiancée, I’ll hire someone to look for fiancé. A simple trade of services.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Years later, when they were killed in a car crash on the Farm to Market Road, and the Nell-that-never-lived died with them, Olena, numbly rearranging the letters of her own name on the envelopes of the sympathy cards she received, discovered what the letters spelled: Olena; Alone.
Lorrie Moore (Birds of America: Stories)
If anyone plays the martyr card, staying late or working too much, they’re more likely to get a leaflet about efficiency or time management dropped on their desk than any sympathy.
Helen Russell (The Year of Living Danishly: Uncovering the Secrets of the World's Happiest Country)
We had, I felt, bared small pieces of our symmetrical souls to each other, fast, as if playing one of those breathless card games, and I had pretended to be as moved as I had been the first time I uncovered it all myself, back in East Hampton.
Olivia Sudjic (Sympathy)
Advantages that are bound to ultimately give a percentage in favor of the professional are absolutely essential to his existence, and the means employed at the card table to obtain that result are thoroughly elucidated in this work. We have not been impelled to our task by the qualms of a guilty conscience, nor through the hope of reforming the world. Man cannot change his temperament, and few care to control it. While the passion for hazard exists it will find gratification. We have neither grievance against the fraternity nor sympathy for so called "victims." A varied experience has impressed us with the belief that all men who play for any considerable stakes are looking for the best of it. We give the facts and conditions of our subject as we find them, though we sorrowfully admit that our own early knowledge was acquired at the usual excessive cost to the uninitiated.
S.W Erdnase
My deck of cards is not giving out any more sympathy cards. I do not have any more sympathy cards to give.
Charlena E. Jackson (Pinwheels and Dandelions)
to someone who is borderline, it’s the long-awaited proof of being secretly hated, of being inevitably left behind. Though very real parts of the disorder, these symptoms of borderline are treated as irrational, “crazy.” They aren’t seen as excusable, or as something that can be understood. As a result, they aren’t symptoms you admit to, and they certainly aren’t symptoms you expect sympathy for. There is no greeting card for my ghost.
Courtney Cook (The Way She Feels: My Life on the Borderline in Pictures and Pieces)
I wanted to say that you don't grieve in the same way for love you've never had, but it still feels like a punch in the stomach. I wanted to say that you don't get any sympathy cards for the love you've never had, however much it hurts.
Joan Didion (The Year of Magical Thinking)
I wanted to say that you don't grieve in the same way for love you've never had, but it still feels like a punch in the stomach. I wanted to say that you don't get any sympathy cards for the love you've never had, however much it hurts.
Joanna Glen (All My Mothers)
So what you’re saying is you never want any kindness, empathy, or sympathy from me. Right, if I want sympathy, I’ll get it from Hallmark cards in a dose I can handle.
Catherine Gildiner (Good Morning, Monster: A Therapist Shares Five Heroic Stories of Emotional Recovery)
I wanted to say that you don’t grieve in the same way for love you’ve never had, but it still feels like a punch in the stomach. I wanted to say that you don’t get any sympathy cards for the love you’ve never had, however much it hurts.
Joanna Glen (All My Mothers)
Their friends had got so old that whenever Connie bought a get-well card she also bought a sympathy card at the same time, to save herself the trouble of going back to the newsagent when they didn’t ‘get well’.
Liane Moriarty (The Last Anniversary)
How could she have missed it? It was her knack, to see what people intended, what they were about to do. Yet she saw no further than his smile the first time they met, saw nothing but his genuine love and sympathy and concern for her. How could her knack have failed her?
Orson Scott Card (The Tales of Alvin Maker: Seventh Son, Red Prophet, Prentice Alvin, Alvin Journeyman, Heartfire, The Crystal City)