“
You may not be her first, her last, or her only. She loved before she may love again. But if she loves you now, what else matters? She's not perfect—you aren't either, and the two of you may never be perfect together but if she can make you laugh, cause you to think twice, and admit to being human and making mistakes, hold onto her and give her the most you can. She may not be thinking about you every second of the day, but she will give you a part of her that she knows you can break—her heart. So don't hurt her, don't change her, don't analyze and don't expect more than she can give. Smile when she makes you happy, let her know when she makes you mad, and miss her when she's not there.
”
”
Bob Marley
“
If you were half as funny as you think you are, you'd be twice as funny as you really are.
”
”
H.N. Turteltaub (The Sacred Land (Hellenic Traders, #3))
“
He’s not perfect. You aren’t either, and the two of you will never be perfect. But if he can make you laugh at least once, causes you to think twice, and if he admits to being human and making mistakes, hold onto him and give him the most you can. He isn’t going to quote poetry, he’s not thinking about you every moment, but he will give you a part of him that he knows you could break. Don’t hurt him, don’t change him, and don’t expect for more than he can give. Don’t analyze. Smile when he makes you happy, yell when he makes you mad, and miss him when he’s not there. Love hard when there is love to be had. Because perfect guys don’t exist, but there’s always one guy that is perfect for you.
”
”
Bob Marley
“
Sometimes when I'm talking, my words can't keep up with my thoughts. I wonder why we think faster than we speak. Probably so we can think twice.
”
”
Bill Watterson
“
Why are you such an ass?" The words came out before I could think twice.
"Everyone has to excel at something, right?"
"Well, you're doing a great job.
”
”
Jennifer L. Armentrout (Obsidian (Lux, #1))
“
Some say the world will end in fire,
Some say in ice.
From what I've tasted of desire,
I hold with those who favor fire.
But if it had to perish twice
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.
”
”
Robert Frost
“
Men should think twice before making widowhood women's only path to power.
”
”
Gloria Steinem
“
Many of my movies have strong female leads- brave, self-sufficient girls that don't think twice about fighting for what they believe with all their heart. They'll need a friend, or a supporter, but never a savior. Any woman is just as capable of being a hero as any man.
”
”
Hayao Miyazaki
“
They say: Think twice before you jump. I say: Jump first and then think as much as you want!
”
”
Osho (Courage: The Joy of Living Dangerously)
“
Can't stay long, Mother," he said. "I'm up front, the prefects have got two compartments to themselves-"
"Oh, are you a prefect, Percy?" said one of the twins, with an air of great surprise. "You should have said something, we had no idea."
"Hang on, I think I remember him saying something about it," said the other twin. "Once-"
"Or twice-"
"A minute-"
"All summer-"
"Oh, shut up," said Percy the Prefect.
”
”
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
“
So," he called to her back, "Just out of curiosity, you know, purely conversation and all, at what age will you be entertaining offers of marriage?"
"You think it'll be so easy?" she called back over her shoulder. "No way. There will be tasks. Like in a fairy tale."
"Sounds dangerous."
"Very, so think twice."
"No need," he said. "You're worth it.
”
”
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
“
You might want to think twice before you try to use a man's conscience against him. It may turn out he doesn't have one.
”
”
Brent Weeks (The Black Prism (Lightbringer, #1))
“
Feel what it's like to truly starve, and I guarantee that you'll forever think twice before wasting food.
”
”
Criss Jami (Killosophy)
“
Daughter of my heart,' was the message Brimstone sent just for Karou. She wanted to cry again right here in the court, thinking of it. 'Twice-daughter, my joy. Your dream is my dream, and your name is true. You are all of our hope.
”
”
Laini Taylor (Days of Blood & Starlight (Daughter of Smoke & Bone, #2))
“
It's not that you left. I'm okay with that. I've learned to accept it. It's that it was too damn easy. It's that you didn't think twice.
”
”
Beau Taplin
“
I think of you only twice a day - when I am alone and when I am with someone else.
”
”
Amit Kalantri (I Love You Too)
“
Character, I think, is the single most important thing in fiction. You might read a book once for its interesting plot—but not twice.
”
”
Diana Gabaldon
“
Think twice before burdening a friend with a secret.
”
”
Marlene Dietrich
“
Life holds one great but quite commonplace mystery. Though shared by each of us and known to all, seldom rates a second thought. That mystery, which most of us take for granted and never think twice about, is time.
Calendars and clocks exist to measure time, but that signifies little because we all know that an hour can seem as eternity or pass in a flash, according to how we spend it.
Time is life itself, and life resides in the human heart.
”
”
Michael Ende (Momo)
“
If you believe you can accomplish everything by "cramming" at the eleventh hour, by all means, don't lift a finger now. But you may think twice about beginning to build your ark once it has already started raining
”
”
Max Brooks (The Zombie Survival Guide: Complete Protection from the Living Dead)
“
If you think you're smart,
think twice to be smarter.
”
”
Toba Beta (Master of Stupidity)
“
You need to up your vocabulary, boy. You can’t walk around letting people think you’re stupid. Expand your horizons. Besides, it’s fun to call people names they have to look up to realize they’ve been insulted. (Mark)
Yeah, that’s a twofer there. You get away with it and then they’re twice as mad when they realize how bad you really insulted them. Especially if they mistake it for a compliment when you say it and thank you for it. (Bubba)
”
”
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
“
You are what you love. No? You are, completely and only, what you would die for without, as you say, the thinking twice.
”
”
David Foster Wallace (Infinite Jest)
“
Some say the world will end in fire,
Some say in ice.
From what I've tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
......I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice
”
”
Stephenie Meyer
“
If in this lifetime,
I wont get to have you,
I'll make sure that if
I meet you in my next life
I wont have to think twice on saying that
"I waited a lifetime to say I love you...
”
”
Anjali Banerjee
“
Ezekiel 25:17. "The path of the righteous man is beset on all sides by the inequities of the selfish and the tyranny of evil men. Blessed is he who, in the name of charity and good will, shepherds the weak through the valley of the darkness. For he is truly his brother's keeper and the finder of lost children. And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy my brothers. And you will know I am the Lord when I lay my vengeance upon you." I been sayin' that shit for years. And if you ever heard it, it meant your ass. I never really questioned what it meant. I thought it was just a cold-blooded thing to say to a motherfucker before you popped a cap in his ass. But I saw some shit this mornin' made me think twice. Now I'm thinkin': it could mean you're the evil man. And I'm the righteous man. And Mr. .45 here, he's the shepherd protecting my righteous ass in the valley of darkness. Or it could be you're the righteous man and I'm the shepherd and it's the world that's evil and selfish. I'd like that. But that shit ain't the truth. The truth is you're the weak. And I'm the tyranny of evil men. But I'm tryin, Ringo. I'm tryin' real hard to be the shepherd.
he became the shepherd instead of the vengeance.
Jules Winnfield- Samuel L. Jackson
”
”
Quentin Tarantino (Pulp Fiction: A Quentin Tarantino Screenplay)
“
Occasionally, very occasionally, say at four o’clock in the afternoon on a wet Sunday, she feels panic-stricken and almost breathless with loneliness. Once or twice she has been known to pick up the phone to check that it isn’t broken. Sometimes she thinks how nice it would be to be woken by a call in the night: ‘get in a taxi now’ or ‘I need to see you, we need to talk’. But at the best of times she feels like a character in a Muriel Spark novel – independent, bookish, sharp-minded, secretly romantic.
”
”
David Nicholls (One Day)
“
If our friendship depends on things like space and time, then when we finally overcome space and time, we've destroyed our own brotherhood! But overcome space, and all we have left is Here. Overcome time, and all we have left is Now. And in the middle of Here and Now, don't you think that we might see each other once or twice?
”
”
Richard Bach
“
If you see an antimatter version of yourself running towards you, think twice before embracing.
”
”
J. Richard Gott III (Time Travel in Einstein's Universe: The Physical Possibilities of Travel Through Time)
“
Did you know I always thought you were braver than me? Did you ever guess that that was why I was so afraid? It wasn't that I only loved some of you. But I wondered if you could ever love more than some of me.
I knew I'd miss you. But the surprising thing is, you never leave me. I never forget a thing. Every kind of love, it seems, is the only one. It doesn't happen twice. And I never expected that you could have a broken heart and love with it too, so much that it doesn't seem broken at all. I know young people look at me and think my youth seems so far away, but it's all around me, and you're all around me. Tiger Lily, do you think magic exists if it can be explained? I can explain why I loved you, I can explain the theory of evolution that tells me why mermaids live in Neverland and nowhere else. But it still feels magic.
The lost boys all stood at our wedding. Does it seem odd to you that they could have stood at a wedding that wasn't yours and mine? It does to me. and I'm sorry for it, and for a lot, and I also wouldn't change it.
It is so quiet here. Even with all the trains and the streets and the people. It's nothing like the jungle. The boys have grown. Everything has grown. Do you think you will ever grow? I hope not. I like to think that even if I change and fade away, some other people won't.
I like to think that one day after I die, at least one small particle of me - of all the particles that will spread everywhere - will float all the way to Neverland, and be part of a flower or something like that, like that poet said, the one that your Tik Tok loved. I like to think that nothing's final, and that everyone gets to be together even when it looks like they don't, that it all works out even when all the evidence seems to say something else, that you and I are always young in the woods, and that I'll see you sometime again, even if it's not with any kind of eyes I know of or understand. I wouldn't be surprised if that is the way things go after all - that all things end happy. Even for you and Tik Tok. and for you and me.
Always,
Your Peter
P.S. Please give my love to Tink. She was always such a funny little bug.
”
”
Jodi Lynn Anderson (Tiger Lily)
“
What did Isabelle want?" Jace asked.
Alec hesitated. "Isabelle says the Queen of the Seelie Court has requested an audience with us."
"Sure," said Magnus. "And Madonna wants me as a backup dancer on her next world tour."
Alec looked puzzled. "Who's Madonna?"
"Who's the Queen of the Seelie Court?" said Clary.
"She is the Queen of Faerie," said Magnus. "Well, the local one, anyway."
Jace put his head in his hands. "Tell Isabelle no."
"But she thinks it's a good idea," Alec protested.
"Then tell her no twice.
”
”
Cassandra Clare
“
Okay kids,” Ralphie said, trailing me. “Don’t be too late. Don’t do any drugs, drive smart and even if all the other kids are doing it, think twice. If you’re going to be over your curfew then make sure you call your Daddies or we’ll get worried.
”
”
Kristen Ashley (Rock Chick Regret (Rock Chick, #7))
“
Isabelle says the Queen of the Seelie Court has requested an audience with us."
"Sure," said Magnus. "And Madonna wants me as a backup dancer on her next world tour."
Alec looked puzzled. "Who's Madonna?"
"Who's the Queen of the Seelie Court?" said Clary.
"She is the Queen of Faerie," said Magnus. "Well, the local one, anyway."
Jace put his head in his hands. "Tell Isabelle no."
"But she thinks it's a good idea," Alec protested.
"Then tell her no twice."
Alec frowned. "What's that supposed to mean?"
"Oh, just that some of Isabelle's ideas are world-beaters and some are total disasters. Remember that idea she had about using abandoned subway tunnels to get around under the city? Talk about giant rats—"
"Let's not," said Simon. "I'd rather not talk about rats at all, in fact.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Look guys, you might want to think twice before doing this. I’m not an easy target. And I’ve seen CSI. I know how to get rid of the bodies and everything.
”
”
Suzanne Wright (Wicked Cravings (The Phoenix Pack, #2))
“
Our actions are in our own hands, but the consequences of them are not. Remember that, my dear, and think twice before you do anything.
”
”
Louisa May Alcott (Jack and Jill)
“
The Beautiful Poem"
I go to bed in Los Angeles thinking
about you.
Pissing a few moments ago
I looked down at my penis
affectionately.
Knowing it has been inside
you twice today makes me
feel beautiful.
”
”
Richard Brautigan (The Pill vs. the Springhill Mine Disaster)
“
When you are a mother, you are never really alone in your thoughts. You are connected to your child and to all those who touch your lives. A mother always has to think twice, once for herself and once for her child.
”
”
Sophia Loren
“
It is two A.M., and you are tired. You miss the love of your life. You want to go home. You would rather be with her, in bed, hearing the light buzz of her snoring, watching her sleep, than be here.
[...]
You imagine a world where the two of you can go out to dinner together on a Saturday night and no one thinks twice about it. It makes you want to cry, the simplicity of it, the smallness of it. You have worked so hard for a life so grand. And now all you want are the smallest freedoms. The daily peace of loving plainly.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To know that for destruction ice
Is also great
”
”
Robert Frost
“
If this thesis were a child, I'd put it up for adoption and not even think twice about it. If this thesis were a cute, fuzzy puppy, I'd drop it off in the middle of a busy intersection and speed away.
”
”
Colleen Hoover (Maybe Someday (Maybe, #1))
“
The question is frequently asked: Why does a man become a drug addict?
The answer is that he usually does not intend to become an addict. You don’t wake up one morning and decide to be a drug addict. It takes at least three months’ shooting twice a day to get any habit at all. And you don’t really know what junk sickness is until you have had several habits. It took me almost six months to get my first habit, and then the withdrawal symptoms were mild. I think it no exaggeration to say it takes about a year and several hundred injections to make an addict.
The questions, of course, could be asked: Why did you ever try narcotics? Why did you continue using it long enough to become an addict? You become a narcotics addict because you do not have strong motivations in the other direction. Junk wins by default. I tried it as a matter of curiosity. I drifted along taking shots when I could score. I ended up hooked. Most addicts I have talked to report a similar experience. They did not start using drugs for any reason they can remember. They just drifted along until they got hooked. If you have never been addicted, you can have no clear idea what it means to need junk with the addict’s special need. You don’t decide to be an addict. One morning you wake up sick and you’re an addict. (Junky, Prologue, p. xxxviii)
”
”
William S. Burroughs (Junky)
“
About once or twice every month I engage in public debates with those whose pressing need it is to woo and to win the approval of supernatural beings. Very often, when I give my view that there is no supernatural dimension, and certainly not one that is only or especially available to the faithful, and that the natural world is wonderful enough—and even miraculous enough if you insist—I attract pitying looks and anxious questions. How, in that case, I am asked, do I find meaning and purpose in life? How does a mere and gross materialist, with no expectation of a life to come, decide what, if anything, is worth caring about?
Depending on my mood, I sometimes but not always refrain from pointing out what a breathtakingly insulting and patronizing question this is. (It is on a par with the equally subtle inquiry: Since you don't believe in our god, what stops you from stealing and lying and raping and killing to your heart's content?) Just as the answer to the latter question is: self-respect and the desire for the respect of others—while in the meantime it is precisely those who think they have divine permission who are truly capable of any atrocity—so the answer to the first question falls into two parts. A life that partakes even a little of friendship, love, irony, humor, parenthood, literature, and music, and the chance to take part in battles for the liberation of others cannot be called 'meaningless' except if the person living it is also an existentialist and elects to call it so. It could be that all existence is a pointless joke, but it is not in fact possible to live one's everyday life as if this were so. Whereas if one sought to define meaninglessness and futility, the idea that a human life should be expended in the guilty, fearful, self-obsessed propitiation of supernatural nonentities… but there, there. Enough.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
Sam smiled. “Think of all the people in the world,” he said, tucking my longest hair behind my ear. “And I was lucky enough to find you twice.”.
”
”
Taylor Jenkins Reid (One True Loves)
“
Hello!"
He said hello and then said, "What are you up to now?"
"I'm still crazy. The rain feels good. I love to walk in it.
"I don't think I'd like that," he said.
"You might if you tried."
"I never have."
She licked her lips. "Rain even tastes good."
"What do you do, go around trying everything once?" he asked.
"Sometimes twice.
”
”
Ray Bradbury (Fahrenheit 451)
“
Dear God,”
“It should be illegal for smug vampires to look that good,” Lindsey said, clucking her tongue.
“That is so true,” I agreed, thinking a little less hotness would make my relationship with Ethan a lot simpler.
”
”
Chloe Neill (Twice Bitten (Chicagoland Vampires, #3))
“
Few people think more than two or three times a year; I have made an international reputation for myself by thinking once or twice a week.
”
”
George Bernard Shaw
“
I fell in love with you the day that I met you, and then I fell in love with the person you remembered you are. I got to fall in love with you twice. That’s— that’s magic. You’re the first thing I’ve believed in since— since I don’t even remember, okay, you’re— you’re movies and destiny and every stupid, impossible thing, and it’s not because of the fucking train, it’s because of you. It’s because you fight and you care and you’re always kind but never easy, and you won’t let anything take that away from you. You’re my hero, Jane. I don’t care if you think you’re not one. You are.
”
”
Casey McQuiston (One Last Stop)
“
don't you think between here and now we will see each other once or twice?
”
”
Richard Bach
“
Spook smiled. "Elend is a forgetful scholar - twice as bad as Sazed ever was. He gets lost in his books and forgets about meeting he himself called. He only dresses with any sense of fashion because a Terriswoman bought him a new wardrobe. War has change him some, but on the inside, I think he's still just a dreamer caught in a world with too much violence.
”
”
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
“
What can I say? People aren’t observant. People don’t question stuff like this. They never think twice about déjà vu when there could be a glitch in the Matrix. They walk past tramps in the streets without even glancing at their misfortune. They don’t psychoanalyse the creators of slasher-horrors when they’re probably all psychopaths.
”
”
Alice Oseman (Solitaire)
“
I also think he is given to disguises...Sometimes he wears spectacles and sometimes he does not. And twice he has worn an extremely peculiar hat. Inside.
”
”
Julia Quinn (What Happens in London (Bevelstoke, #2))
“
Instead of making impetuous decisions or snap judgments, we must step back, sometimes, and grant ourselves time for slow thinking, allowing critical thinking to open deadlocks and clear up clouds dimming our journey. ("The postman always rings twice")
”
”
Erik Pevernagie
“
Reading those books is all he does these days. I think he’s even read some of them twice. What kind of disturbed individual would read the same book twice, I ask you?
”
”
Derek Landy (Last Stand of Dead Men (Skulduggery Pleasant, #8))
“
Wanting to Die
Since you ask, most days I cannot remember.
I walk in my clothing, unmarked by that voyage.
Then the almost unnameable lust returns.
Even then I have nothing against life.
I know well the grass blades you mention,
the furniture you have placed under the sun.
But suicides have a special language.
Like carpenters they want to know which tools.
They never ask why build.
Twice I have so simply declared myself,
have possessed the enemy, eaten the enemy,
have taken on his craft, his magic.
In this way, heavy and thoughtful,
warmer than oil or water,
I have rested, drooling at the mouth-hole.
I did not think of my body at needle point.
Even the cornea and the leftover urine were gone.
Suicides have already betrayed the body.
Still-born, they don't always die,
but dazzled, they can't forget a drug so sweet
that even children would look on and smile.
To thrust all that life under your tongue!—
that, all by itself, becomes a passion.
Death's a sad Bone; bruised, you'd say,
and yet she waits for me, year after year,
to so delicately undo an old wound,
to empty my breath from its bad prison.
Balanced there, suicides sometimes meet,
raging at the fruit, a pumped-up moon,
leaving the bread they mistook for a kiss,
leaving the page of the book carelessly open,
something unsaid, the phone off the hook
and the love, whatever it was, an infection.
”
”
Anne Sexton
“
Seemingly innocuous language like 'Oh, I'm flexible' or 'What do you want to do tonight?' has a dark computational underbelly that should make you think twice. It has the veneer of kindness about it, but it does two deeply alarming things. First, it passes the cognitive buck: 'Here's a problem, you handle it.' Second, by not stating your preferences, it invites the others to simulate or imagine them. And as we have seen, the simulation of the minds of others is one of the biggest computational challenges a mind (or machine) can ever face.
”
”
Brian Christian (Algorithms to Live By: The Computer Science of Human Decisions)
“
The dream too thinks twice, gets filtered to go soft
to be seated on children's eyes.
”
”
Suman Pokhrel (जीवनको छेउबाट [Jeevanko Chheubaata])
“
Ravel said. “And I order people around really well. This morning, Tipstaff came over with a cup of tea and I told him no, I don’t want tea I want coffee. That was great. I really asserted my authority.”
“Did he go and get you a coffee?”
“No, he said he’d already made a pot of tea so I took the tea because, you know he’d already made it, but my authority was still firmly asserted.”
Ghastly nodded. “He’ll think twice about making tea again.”
“That he will, Ghastly my friend, that he will. What are we looking for, by the way?
“Seriously? I gave you the file half an hour ago.”
“Yes, you did.”
“And did you read it?”
“No, I did not.
”
”
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
“
Never bury something deep, baby. Takes twice as much courage to be who you are, say what you think, feel what you feel and let it show then it does to bury it.
”
”
Kristen Ashley (At Peace (The 'Burg, #2))
“
I dare because I want no misunderstanding between us. I am everything you think I am, but I love your daughter, and what I love, I protect with all of the violence in me, which, as you've guessed, is considerable.
”
”
Jeaniene Frost (Twice Tempted (Night Prince, #2))
“
Despite the fact that an Indonesian island chicken has probably had a much more natural life than one raised on a battery farm in England, people who wouldn't think twice about buying something oven-ready become much more upset about a chicken that they've been on a boat with, so there is probably buried in the Western psyche a deep taboo about eating anything you've been introduced to socially.
”
”
Douglas Adams (Last Chance to See)
“
Amazing.” Hi stripped off his shirt, wrung it out. “Score one for your honker.” “Thanks, I think.” I cocked my chin at Hi’s substantial midsection. “Nice abs.” “Yeah, I work out twice a month. No expectations. But stop hitting on me, it’s embarrassing.
”
”
Kathy Reichs (Seizure (Virals, #2))
“
I had a teacher once, grade school somewhere. Philippines, I think, because she always wore a big white hat. So it was somewhere hot. I was always twice the size of the other kids, and she used to say to me: count to ten before you get mad, Reacher. And I've counted way past ten on this one. Way past.
”
”
Lee Child (Die Trying (Jack Reacher, #2))
“
Suppose neutral angels were able to talk, Yahweh and Lucifer – God and Satan, to use their popular titles – into settling out of court. What would be the terms of the compromise? Specifically, how would they divide the assets of their early kingdom?
Would God be satisfied the loaves and fishes and itty-bitty thimbles of Communion wine, while Satan to have the red-eye gravy, eighteen-ounce New York Stakes, and buckets of chilled champagne? Would God really accept twice-a-month lovemaking for procreative purposes and give Satan the all night, no-holds-barred, nasty “can’t-get-enough-of-you” hot-as-hell-fucks?
Think about it. Would Satan get New Orleans, Bangkok, and the French Riviera and God get Salt Lake City? Satan get ice hockey, God get horseshoes? God get bingo, Satan get stud poker? Satan get LSD; God, Prozac? God get Neil Simon; Satan Oscar Wilde?
”
”
Tom Robbins
“
Hello? This is Clary Fairchild.”
“Clary? It’s me, Emma.”
“Oh, Emma, hi! I haven’t heard from you in ages. My mom says thanks for the wedding flowers, by the way. She wanted to send a note but Luke whisked her away on a honeymoon to Tahiti.”
“Tahiti sounds nice.”
“It probably is — Jace, what are you doing with that thing? There is no way it’ll fit.”
“Is this a bad time?”
“What? No! Jace is trying to drag a trebuchet into the training room. Alec, stop helping him.”
“What’s a trebuchet?”
“It’s a huge catapult.”
“What are they going to use it for?”
“I have no idea. Alec, you’re enabling! You’re an enabler!”
“Maybe it is a bad time.”
“I doubt there’ll be a better one. Is something wrong? Is there anything I can do?”
“I think we have your cat.”
“What?”
“Your cat. Big fuzzy Blue Persian? Always looks angry? Julian says it’s your cat. He says he saw it at the New York Institute. Well, saw him. It’s a boy cat.”
“Church? You have Church? But I thought — well, we knew he was gone. We thought Brother Zachariah took him. Isabelle was annoyed, but they seemed to know each other. I’ve never seen Church actually likeanyone like that.”
“I don’t know if he likes anyone here. He bit Julian twice. Oh, wait. Julian says he likes Ty. He’s asleep on Ty’s bed.”
“How did you wind up with him?”
“Someone rang our front doorbell. Diana, she’s our tutor, went down to see what it was. Church was in a cage on the front step with a note tied to it. It said For Emma. This is Church, a longtime friend of the Carstairs. Take care of this cat and he will take care of you. —J.”
“Brother Zachariah left you a cat.”
“But I don’t even really know him. And he’s not a Silent Brother any more.”
“You may not know him, but he clearly knows you.”
“What do you think the J stands for?”
“His real name. Look, Emma, if he wants you to have Church, and you want Church, you should keep him.”
“Are you sure? The Lightwoods —“
‘They’re both standing here nodding. Well, Alec is partially trapped under a trebuchet, but he seems to be nodding.”
“Jules says we’d like to keep him. We used to have a cat named Oscar, but he died, and, well, Church seems to be good for Ty’s nightmares.”
“Oh, honey. I think, really, he’s Brother Zachariah’s cat. And if he wants you to have him, then you should.”
“Why does Brother Zachariah want to protect me? It’s like he knows me, but I don’t know why he knows me.”
“I don’t exactly know … But I know Tessa. She’s his — well, girlfriend seems not the right word for it. They’ve known each other a long, long time. I have a feeling they’re both watching over you.”
“That’s good. I have a feeling we’re going to need it.”
“Emma — oh my God. The trebuchet just crashed through the floor. I have to go. Call me later.”
“But we can keep the cat?”
“You can keep the cat.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
The same person who would never raise his hand in a lecture hall of two hundred people might blog to two thousand, or two million, without thinking twice. The same person who finds it difficult to introduce himself to strangers might establish a persence online and then extend these relationships into the real world.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
Marriage was an economic institution in which you were given a partnership for life in terms of children and social status and succession and companionship. But now we want our partner to still give us all these things, but in addition I want you to be my best friend and my trusted confidant and my passionate lover to boot, and we live twice as long. So we come to one person, and we basically are asking them to give us what once an entire village used to provide: Give me belonging, give me identity, give me continuity, but give me transcendence and mystery and awe all in one. Give me comfort, give me edge. Give me novelty, give me familiarity. Give me predictability, give me surprise. And we think it’s a given, and toys and lingerie are going to save us with that. Ideally, though, we’re lucky, and we find our soul mate and enjoy that life-changing mother lode of happiness. But a soul mate is a very hard thing to find.
”
”
Aziz Ansari (Modern Romance)
“
Fire and Ice
Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.
”
”
Robert Frost
“
Don't worry, I'm still not going to kiss you." His lips brushed over the delicate underside of her wrist. Once. Twice. Three times. It was barely a touch, and yet there was something incredibly intimate about it. It made her think of the other stories that said his kisses might have been fatal, but they were worth dying for.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
I know that you and your girls have been told for years on end that you just don’t pass up any opportunities when a man walks your way—he could be The One. But I’m here to tell you that this philosophy is just plain dumb. Women are smart—you all can tell when your friends are lying, you know when your kids are up to no good, co-workers can’t get anything past you at
the job. You’re quick to let each one of them know that you’re not stupid, that you see them coming a mile away, and you’re not going to let them play that game with you. But when it comes to your relationships with the opposite sex, all of that goes out the window; you relinquish your power and lose all control over the situation—cede it to any old man who looks at you twice. Just because he happened to look at you twice.
”
”
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
“
Sometimes the man who looks happiest in town, with the biggest smile, is the one carrying the biggest load of sin. There are smiles & smiles; learn to tell the dark variety from the light. The seal-barker, the laugh-shouter, half the time he's covering up. He's had his fun & he's guilty. And all men do love sin, Will, oh how they love it, never doubt, in all shapes, sizes, colors & smells. Times come when troughs, not tables, suit appetites. Hear a man too loudly praising others & look to wonder if he didn't just get up from the sty. On the other hand, that unhappy, pale, put-upon man walking by, who looks all guilt & sin, why, often that's your good man with a capital G, Will. For being good is a fearful occupation; men strain at it & sometimes break in two. I've known a few. You work twice as hard to be a farmer as to be his hog. I suppose it's thinking about trying to be good makes the crack run up the wall one night. A man with high standards, too, the least hair falls on him sometimes wilts his spine. He can't let himself alone, won't let himself off the hook if he falls just a breath from grace.
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
I waited for him to say something more, but he was quiet.
"Was there something you wanted?" I asked.
He didn't answer right away, but I could feel him struggling, so I waited.
"If I asked you something, would you tell me the truth?"
It was my turn to hesitate. "I don't know everything," I hedged.
"You would know this. When we were walking... me and Jeb... he was telling me some things. Things he thought, but I don't know if he's right."
Melanie was suddenly very in my head.
Jamie's whisper was hard to hear, quieter than my breathing. "Uncle Jeb thinks that Melanie might still be alive. Inside there with you, I mean."
Melanie sighed.
I said nothing to either of them.
"I didn't know that could happen. Does that happen?" His voice broke and I could hear that he was fighting tears. He was not a boy to cry, and here I'd grieved him this deeply twice in one day. A pain pierced through the general region of my chest.
"Does it, Wanda?"
"Why won't you answer me?" Jamie was really crying now but trying to muffle the sound.
I crawled off the bed, squeezing into the hard space between the mattress and the mat, and threw my arm over his shaking chest. I leaned my head against his hair and felt his tears, warm on my neck.
"Is Melanie still alive, Wanda? Please?"
He was probably a tool. The old man could have sent him just for this, Jeb was smart enough to see how easily Jamie broke through my defenses.
Jamie's body shook beside me.
Melanie cried. She battered ineffectually at my control.
But I couldn't blame this on Melanie if it turned out to be a huge mistake. I knew who was speaking now.
"She promised she would come back, didn't she?" I murmured. "Would Melanie break a promise to you?"
Jamie slid his arms around my waist and clung to me for a long time. After a few minutes, he whispered. "Love you, Mel."
"She loves you, too. She's so happy that you're here and safe."
He was silent long enough for the tears on my skin to dry, leaving a fine, salty dust behind.
”
”
Stephenie Meyer (The Host (The Host, #1))
“
Sully,for shame!" Jonathan said in reproach, " and don't be foolish! What are we trying to practice everyday? If our friendship depends on things like space and time, we've destroyed our own brotherhood! But overcome space, and all we have left is Here. Overcome time, and all we have left is Now. And in the middle of Here and Now, don't you think that we might see each other once or twice?
”
”
Richard Bach (Jonathan Livingston Seagull)
“
That pissed me the hell off. I took in a deep breath and blurted out everything without thinking twice. “Fuck you! You want to know who I am, Marcus. Well here it goes! I am temperamental, over-sensitive, and outspoken. I’m honest! I cry at stupid love movies, and I'm a sucker for a romantic novel. I don’t allow people to walk all over me, I have trust issues, and I have insecurities. I’ve slept with four men in my entire life! And the one thing I don’t do is take shit from men who try to act like they’re better than me as if they don’t have any hidden skeletons! I’m not keeping shit hidden, how ‘bout you? You can fuck off. I'll find my own way home. Have a nice fucking life!” - Mia
”
”
E.L. Montes (Disastrous (Disastrous, #1))
“
Do you think I could bear to live on after you died? Oh, Lyra, I'd follow you down to the world of the dead without thinking twice about it, just like you followed Roger; and that would be two lives gone for nothing, my life wasted like yours. No, we should spend our whole lifetimes together, good long busy lives, and if we can't spend them together, we... we'll have to spend them apart.
”
”
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
“
You’re not doing well and finally I don’t have to
pretend to be so interested in your on going tragedy,
but
I’ll rob the bank that gave you the impression that
money is more fruitful than words, and
I’ll cut holes in the ozone if it means you have one less day of rain.
I’ll walk you to the hospital,
I’ll wait in a white room that reeks of hand sanitizer and latex for the results from the MRI scan that tries to
locate the malady that keeps your mind guessing, and
I want to write you a poem every day until my hand breaks
and assure you that you’ll find your place,
it’s just
the world has a funny way of
hiding spots fertile enough for
bodies like yours to grow roots.
and
I miss you like a dart hits the iris of a bullseye,
or a train ticket screams 4:30 at 4:47, I
wanted to tell you that it’s my birthday on Thursday
and I would have wanted you to
give me the gift of your guts on the floor, one last time,
to see if you still had it in you.
I hope our ghosts aren’t eating you alive.
If I’m to speak for myself, I’ll tell you that
the universe is twice as big as we think it is
and you’re the only one that made that idea
less devastating.
”
”
Lucas Regazzi
“
Rosie,
I'm returning to Boston tomorrow but before I go I wanted to write this letter to you. All the thoughts and feelings that have been bubbling up inside me are finally overflowing from this pen and I'm leaving this letter for you so that you don't feel that I'm putting you under any great pressure. I understand that you will need to take your time trying to decide on what I am about to say.
I no what's going on, Rosie. You're my best friend and I can see the sadness in your eyes. I no that Greg isn't away working for the weekend. You never could lie to me; you were always terrible at it. Your eyes betray you time and time again. Don't pretend that everything is perfect because I see it isn't. I see that Greg is a selfish man who has absolutely no idea just how lucky he is and it makes me sick.
He is the luckiest man in the world to have you, Rosie, but he doesn't deserve you and you deserve far better. You deserve someone who loves you with every single beat of his heart, someone who thinks about you constantly, someone who spends every minute of every day just wondering what you're doing, where you are, who you're with and if you're OK. You need someone who can help you reach your dreams and who can protect you from your fears. You need someone who will treat you with respect, love every part of you, especially your flaws. You should be with someone who can make you happy, really happy, dancing-on-air happy. Someone who should have taken the chance to be with you years ago instead of becoming scared and being too afraid to try.
I am not scared any more, Rosie. I am not afraid to try. I no what the feeling was at your wedding - it was jealousy. My heart broke when I saw the woman I love turning away from me to walk down the aisle with another man, a man she planned to spend the rest of her life with. It was like a prison sentence for me - years stretching ahead without me being able to tell you how I feel or hold you how I wanted to.
Twice we've stood beside each other at the altar, Rosie. Twice. And twice we got it wrong. I needed you to be there for my wedding day but I was too stupid to see that I needed you to be the reason for my wedding day.
I should never have let your lips leave mine all those years ago in Boston. I should never have pulled away. I should never have panicked. I should never have wasted all those years without you. Give me a chance to make them up to you. I love you, Rosie, and I want to be with you and Katie and Josh. Always.
Please think about it. Don't waste your time on Greg. This is our opportunity. Let's stop being afraid and take the chance. I promise I'll make you happy.
All my love,
Alex
”
”
Cecelia Ahern (Love, Rosie)
“
I know your character. I know you're going to be a great guardian.”
His confidence made that warm feeling return. "I'm glad someone does. Everyone else thinks I'm totally irresponsible.”
"With the way you worry more about Lissa than yourself…" He shook his head. "No. You understand your responsibilities better than guardians twice your age. You'll do what you have to do to succeed.”
I thought about that. "I don't know if I can do everything I have to do.”
He did that cool one-eyebrow thing.
"I don't want to cut my hair," I explained.
He looked puzzled. "You don't have to cut your hair. It's not required.”
"All the other guardian women do. They show off their tattoos.”
Unexpectedly, he released my hands and leaned forward. Slowly, he reached out and held a lock of my hair, twisting it around one finger thoughtfully. I froze, and for a moment, there was nothing going on in the world except him touching my hair. He let my hair go, looking a little surprised—and
embarrassed—at what he'd done.
"Don't cut it," he said gruffly.
Somehow, I remembered how to talk again. "But no one'll see my tattoos if I don't.”
He moved toward the doorway, a small smile playing over his lips. "Wear it up.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
Logic, n. The art of thinking and reasoning in strict accordance with the limitations and incapacities of the human misunderstanding. The basic of logic is the syllogism, consisting of a major and a minor premise and a conclusion - thus:
Major Premise: Sixty men can do a piece of work sixty times as quickly as one man.
Minor Premise: One man can dig a post-hole in sixty seconds; Therefore-
Conclusion: Sixty men can dig a post-hole in one second.
This may be called syllogism arithmetical, in which, by combining logic and mathematics, we obtain a double certainty and are twice blessed.
”
”
Ambrose Bierce (The Unabridged Devil's Dictionary)
“
Once upon a time,” I began. “There was a little boy born in a little town. He was perfect, or so his mother thought. But one thing was different about him. He had a gold screw in his belly button. Just the head of it peeping out.
“Now his mother was simply glad he had all his fingers and toes to count with. But as the boy grew up he realized not everyone had screws in their belly buttons, let alone gold ones. He asked his mother what it was for, but she didn’t know. Next he asked his father, but his father didn’t know. He asked his grandparents, but they didn’t know either.
“That settled it for a while, but it kept nagging him. Finally, when he was old enough, he packed a bag and set out, hoping he could find someone who knew the truth of it.
“He went from place to place, asking everyone who claimed to know something about anything. He asked midwives and physickers, but they couldn’t make heads or tails of it. The boy asked arcanists, tinkers, and old hermits living in the woods, but no one had ever seen anything like it.
“He went to ask the Cealdim merchants, thinking if anyone would know about gold, it would be them. But the Cealdim merchants didn’t know. He went to the arcanists at the University, thinking if anyone would know about screws and their workings, they would. But the arcanists didn’t know. The boy followed the road over the Stormwal to ask the witch women of the Tahl, but none of them could give him an answer.
“Eventually he went to the King of Vint, the richest king in the world. But the king didn’t know. He went to the Emperor of Atur, but even with all his power, the emperor didn’t know. He went to each of the small kingdoms, one by one, but no one could tell him anything.
“Finally the boy went to the High King of Modeg, the wisest of all the kings in the world. The high king looked closely at the head of the golden screw peeping from the boy’s belly button. Then the high king made a gesture, and his seneschal brought out a pillow of golden silk. On that pillow was a golden box. The high king took a golden key from around his neck, opened the box, and inside was a golden screwdriver.
“The high king took the screwdriver and motioned the boy to come closer. Trembling with excitement, the boy did. Then the high king took the golden screwdriver and put it in the boy’s belly button.”
I paused to take a long drink of water. I could feel my small audience leaning toward me. “Then the
high king carefully turned the golden screw. Once: Nothing. Twice: Nothing. Then he turned it the third time, and the boy’s ass fell off.”
There was a moment of stunned silence.
“What?” Hespe asked incredulously.
“His ass fell off.
”
”
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
“
Edward spoke in a voice so peaceful and gentle that it made the words strangely more threatening. "I'm not going to kill you now, because it would upset Bella."
"Hmph," I grumbled.
Edward turned slightly to throw me a quick smile. His face was still calm. "It would bother you in the morning," he said, brushing his fingers across my cheek.
The he turned back to Jacob. "But if you ever bring her back damaged again--and I don't care whose fault it is; I don't care if she merely trips, or if a meteor falls out of the sky and hits her in the head--if you return her to me in less than the perfect condition that I left her in, you will be running with three legs. Do you understand that, mongrel?"
Jacob rolled his eyes.
"who's going back?" I muttered
Edward continued as if he hadn't heard me. "And if you ever kiss her again, I wiil break your jaw for her," he promised, his voice still gentle and velvet deadly.
"What if she wants me to?" Jacob drawled, arrogant.
"Hah!" I snorted.
"If that's what she wants, then I won't object." Edward shrugged, untroubled. "You might want to wait for her to say it, rather than trust your interpretation of body language-but it's your face."
Jacob grinned.
"You wish," I grumbled.
"Yes, he does," Edward murmured.
"Well, if you're done rummaging through my head," Jacob said with a think edge of annoyance, "why don't you go take care of her hand?"
"One more thing," Edward said slowly. "I'll be fighting for her, too. You should know that. I'm not taking anything for granted, and I'll be fighting twice as hard as you will."
"Good," Jacob growled. "it's no fun beating someone who forfeits."
She is mine." Edward's low voice was suddenly dark, not as composed as before, "i did't say I would fight fair."
"Neither did I."
"Best of luck."
Jacob nodded. "Yes, may the best man win."
"That sounds about right...pup.
”
”
Stephenie Meyer (Eclipse)
“
I am officially turning him over to you. He's your problem now. You'll have to watch out for him and that won't be easy. He's naive, gullible, immature, horribly unsophisticated, ignorant about anything worth knowing, and idealistic to a fault." He paused to make a show of thinking harder. "He's also indecisive, pathetically honest, a horrible liar, and too virtuous for words. He gets up twice each night to relieve himself, wads his clothes rather than folds them, chews with his mouth open, and talks with his mouth full. He has a nasty habit of cracking his knuckles every morning at breakfast, and, of course, he snores. To remedy that, just put a rock under his blanket.
”
”
Michael J. Sullivan (Heir of Novron (The Riyria Revelations, #5-6))
“
Even when we're with someone we love, we're foolish enough to think of her body and soul as being separate. To stand before the person we love is not the same as loving her true self, for we are only apt to regard her physical beauty as the indispensable mode of her existence. When time and space intervene, it is possible to be deceived by both, but on the other hand, it is equally possible to draw twice as close to her real self.
”
”
Yukio Mishima (Spring Snow (The Sea of Fertility, #1))
“
Tell Isabelle no.”
“But she thinks it’s a good idea,” Alec protested.
“Then tell her no twice.”
Alec frowned. “What’s that supposed to mean?”
“Oh, just that some of Isabelle’s ideas are world-beaters and some are total disasters. Remember that idea she had about using abandoned subway tunnels to get around under the city? Talk about giant rats-”
“Lets not,” said Simon. “I‘d rather not talk about rats at all, in fact.”
“This is different,” said Alec. “She wants us to go to the Seelie Court.”
“You‘re right, this is different,” said Jace. “This is her worst idea ever.”
-Jace, Alec, & Simon, pg.145-
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Distance changes utterly when you take the world on foot. A mile becomes a long way, two miles literally considerable, ten miles whopping, fifty miles at the very limits of conception. The world, you realize, is enormous in a way that only you and a small community of fellow hikers know. Planetary scale is your little secret.
Life takes on a neat simplicity, too. Time ceases to have any meaning. When it is dark, you go to bed, and when it is light again you get up, and everything in between is just in between. It’s quite wonderful, really.
You have no engagements, commitments, obligations, or duties; no special ambitions and only the smallest, least complicated of wants; you exist in a tranquil tedium, serenely beyond the reach of exasperation, “far removed from the seats of strife,” as the early explorer and botanist William Bartram put it. All that is required of you is a willingness to trudge.
There is no point in hurrying because you are not actually going anywhere. However far or long you plod, you are always in the same place: in the woods. It’s where you were yesterday, where you will be tomorrow. The woods is one boundless singularity. Every bend in the path presents a prospect indistinguishable from every other, every glimpse into the trees the same tangled mass. For all you know, your route could describe a very large, pointless circle. In a way, it would hardly matter.
At times, you become almost certain that you slabbed this hillside three days ago, crossed this stream yesterday, clambered over this fallen tree at least twice today already. But most of the time you don’t think. No point. Instead, you exist in a kind of mobile Zen mode, your brain like a balloon tethered with string, accompanying but not actually part of the body below. Walking for hours and miles becomes as automatic, as unremarkable, as breathing. At the end of the day you don’t think, “Hey, I did sixteen miles today,” any more than you think, “Hey, I took eight-thousand breaths today.” It’s just what you do.
”
”
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
“
My sweet little whorish Nora I did as you told me, you dirty little girl, and pulled myself off twice when I read your letter. I am delighted to see that you do like being fucked arseways. Yes, now I can remember that night when I fucked you for so long backwards. It was the dirtiest fucking I ever gave you, darling. My prick was stuck in you for hours, fucking in and out under your upturned rump. I felt your fat sweaty buttocks under my belly and saw your flushed face and mad eyes. At every fuck I gave you your shameless tongue came bursting out through your lips and if a gave you a bigger stronger fuck than usual, fat dirty farts came spluttering out of your backside. You had an arse full of farts that night, darling, and I fucked them out of you, big fat fellows, long windy ones, quick little merry cracks and a lot of tiny little naughty farties ending in a long gush from your hole. It is wonderful to fuck a farting woman when every fuck drives one out of her. I think I would know Nora’s fart anywhere. I think I could pick hers out in a roomful of farting women. It is a rather girlish noise not like the wet windy fart which I imagine fat wives have. It is sudden and dry and dirty like what a bold girl would let off in fun in a school dormitory at night. I hope Nora will let off no end of her farts in my face so that I may know their smell also.
You say when I go back you will suck me off and you want me to lick your cunt, you little depraved blackguard. I hope you will surprise me some time when I am asleep dressed, steal over to me with a whore’s glow in your slumberous eyes, gently undo button after button in the fly of my trousers and gently take out your lover’s fat mickey, lap it up in your moist mouth and suck away at it till it gets fatter and stiffer and comes off in your mouth. Sometimes too I shall surprise you asleep, lift up your skirts and open your drawers gently, then lie down gently by you and begin to lick lazily round your bush. You will begin to stir uneasily then I will lick the lips of my darling’s cunt. You will begin to groan and grunt and sigh and fart with lust in your sleep. Then I will lick up faster and faster like a ravenous dog until your cunt is a mass of slime and your body wriggling wildly.
Goodnight, my little farting Nora, my dirty little fuckbird! There is one lovely word, darling, you have underlined to make me pull myself off better. Write me more about that and yourself, sweetly, dirtier, dirtier.
”
”
James Joyce (Selected Letters of James Joyce)
“
Twice in her life she had mistaken something else for it; it was like seeing somebody in the street who you think is a friend, you whistle and wave and run after him, and it is not only not the friend, but not even very like him. A few minutes later the real friend appears in view, and then you can't imagine how you ever mistook that other person for him. Linda was now looking upon the authentic face of love, and she knew it, but it frightened her. That it should come so casually, so much by a series of accidents, was frightening.
”
”
Nancy Mitford (The Pursuit of Love & Love in a Cold Climate (Radlett and Montdore, #1-2))
“
At that moment, when I had the TV sound off, I was in a 382 mood; I had just dialed it. So although I heard the emptiness intellectually, I didn't feel it. My first reaction consisted of being grateful that we could afford a Penfield mood organ. But then I realized how unhealthy it was, sensing the absence of life, not just in this building but everywhere, and not reacting—do you see? I guess you don't. But that used to be considered a sign of mental illness; they called it 'absence of appropriate affect.' So I left the TV sound off and I sat down at my mood organ and I experimented. And I finally found a setting for despair. So I put it on my schedule for twice a month; I think that's a reasonable amount of time to feel hopeless about everything, about staying here on Earth after everybody who's smart has emigrated, don't you think?
”
”
Philip K. Dick (Do Androids Dream of Electric Sheep?)
“
She was filled with a strange, wild, unfamiliar happiness, and knew that this was love. Twice in her life she had mistaken something else for it; it was like seeing somebody in the street who you think is a friend, you whistle and wave and run after him, but it is not only not the friend, but not even very like him. A few minutes later the real friend appears in view, and then you can’t imagine how you ever mistook that other person for him.
”
”
Nancy Mitford (The Pursuit of Love (Radlett & Montdore, #1))
“
Twice we stood beside each other at the altar, Rosie. Twice. And twice
we got it wrong. I needed you to be there for my wedding day but I was too
stupid to see that I needed you to be the reason for my wedding day. But we
got it all wrong.
I should never have let your lips leave mine all those years ago in Boston.
I should never have pulled away. I should never have panicked. I should never
have wasted all those years without you. Give me a chance to make them up
to you. I love you, Rosie, and I want to be with you and Katie and Josh.
Always.
Please think about it. Don’t waste your time on Greg, this is our opportunity.
Let’s stop being afraid and take the chance. I promise I’ll make you
happy.
”
”
Cecelia Ahern (Love, Rosie)
“
Simon Lewis, are you forgetting that you were a mundane when I started dating you? A rather scrawny mundane with terrible fashion sense, I should point out. And then you were a vampire, and I still dated you. Then you were a mundane again, but this time with freaking amnesia. And still, inexplicably, I fell in love with you all over again. What could possibly make you think I have any standards left when it comes to you?"
"Uh, thank you, I think?"
"'Thank you' is the correct response. And also 'I love you, too, Isabelle
”
”
Cassandra Clare (Angels Twice Descending (Tales from the Shadowhunter Academy, #10))
“
I’ve no surety that it is. I know only parts of what I feel; I may be misnaming the whole. You dwell in my mind like a household spirit. All that I think is followed with, ‘I shall tell that thought to Eddi.’ Whatever I see or hear is colored by what I imagine you will say of it. What is amusing is twice so, if you have laughed at it. There is a way you have of turning your head, quickly with a little tilt, that seems more wonderful to me than the practiced movements of dancers. All this, taken together, I’ve come to think of as love, but it may not be.
It is not a comfortable feeling. But I find that, even so, I would wish the same feeling on you. The possibility that I suffer it alone–that frightens me more than all the host of the Unseelie Court.
”
”
Emma Bull (War for the Oaks)
“
I used to think Romeo and Juliet was the greatest love story ever written. But now that I’m middle-aged, I know better. Oh, Romeo certainly thinks he loves his Juliet. Driven by hormones, he unquestionably lusts for her. But if he loves her, it’s a shallow love. You want proof?” Cagney didn’t wait for Dr. Victor to say yay or nay.
“Soon after meeting her for the first time, he realizes he forgot to ask her for her name. Can true love be founded upon such shallow acquaintance? I don’t think so. And at the end, when he thinks she’s dead, he finds no comfort in living out the remainder of his life within the paradigm of his love, at least keeping alive the memory of what they had briefly shared, even if it was no more than illusion, or more accurately, hormonal.
“Those of us watching events unfold from the darkness know she merely lies in slumber. But does he seek the reason for her life-like appearance? No. Instead he accuses Death of amorousness, convinced that the ‘lean abhorred monster’ endeavors to keep Juliet in her present state, her cheeks flushed, so that she might cater to his own dissolute desires. But does Romeo hold her in his arms one last time and feel the warmth of her blood still coursing through her veins? Does he pinch her to see if she might awaken? Hold a mirror to her nose to see if her breath fogs it? Once, twice, three times a ‘no.’”
Cagney sighed, listened to the leather creak as he shifted his weight in his chair.
“No,” he repeated. “His alleged love is so superficial and selfish that he seeks to escape the pain of loss by taking his own life. That’s not love, but obsessive infatuation. Had they wed—Juliet bearing many children, bonding, growing together, the masks of the star-struck teens they once were long ago cast away, basking in the comforting campfire of a love born of a lifetime together, not devoured by the raging forest fire of youth that consumes everything and leaves behind nothing—and she died of natural causes, would Romeo have been so moved to take his own life, or would he have grieved properly, for her loss and not just his own?
”
”
J. Conrad Guest (The Cobb Legacy)
“
I think the knowledge came to him at last — only at the very last. But the wilderness had found him out early, and had taken on him a terrible vengeance for the fantastic invasion. I think it had whispered to him things about himself which he did not know, things of which he had no conception till he took counsel with this great solitude — and the whisper had proved irresistibly fascinating.
Anything approaching the change that came over his features I have never seen before, and hope never to see again. Oh, I wasn’t touched. I was fascinated. It was as though a veil had been rent. I saw on that ivory face the expression of somber pride, of ruthless power, of craven terror — of an intense and hopeless despair. Did he live his life again in every detail of desire, temptation, and surrender during that supreme moment of complete knowledge? He cried in a whisper at some image, at some vision, — he cried out twice, a cry that was no more than a breath — ‘The horror! The horror!
”
”
Joseph Conrad (Heart of Darkness)
“
It’s taboo to admit that you’re lonely. You can make jokes about it, of course. You can tell people that you spend most of your time with Netflix or that you haven’t left the house today and you might not even go outside tomorrow. Ha ha, funny. But rarely do you ever tell people about the true depths of your loneliness, about how you feel more and more alienated from your friends each passing day and you’re not sure how to fix it. It seems like everyone is just better at living than you are.
A part of you knew this was going to happen. Growing up, you just had this feeling that you wouldn’t transition well to adult life, that you’d fall right through the cracks. And look at you now. La di da, it’s happening.
Your mother, your father, your grandparents: they all look at you like you’re some prized jewel and they tell you over and over again just how lucky you are to be young and have your whole life ahead of you. “Getting old ain’t for sissies,” your father tells you wearily.
You wish they’d stop saying these things to you because all it does is fill you with guilt and panic. All it does is remind you of how much you’re not taking advantage of your youth.
You want to kiss all kinds of different people, you want to wake up in a stranger’s bed maybe once or twice just to see if it feels good to feel nothing, you want to have a group of friends that feels like a tribe, a bonafide family. You want to go from one place to the next constantly and have your weekends feel like one long epic day. You want to dance to stupid music in your stupid room and have a nice job that doesn’t get in the way of living your life too much. You want to be less scared, less anxious, and more willing. Because if you’re closed off now, you can only imagine what you’ll be like later.
Every day you vow to change some aspect of your life and every day you fail. At this point, you’re starting to question your own power as a human being. As of right now, your fears have you beat. They’re the ones that are holding your twenties hostage.
Stop thinking that everyone is having more sex than you, that everyone has more friends than you, that everyone out is having more fun than you. Not because it’s not true (it might be!) but because that kind of thinking leaves you frozen. You’ve already spent enough time feeling like you’re stuck, like you’re watching your life fall through you like a fast dissolve and you’re unable to hold on to anything.
I don’t know if you ever get better. I don’t know if a person can just wake up one day and decide to be an active participant in their life. I’d like to think so. I’d like to think that people get better each and every day but that’s not really true. People get worse and it’s their stories that end up getting forgotten because we can’t stand an unhappy ending. The sick have to get better. Our normalcy depends upon it.
You have to value yourself. You have to want great things for your life. This sort of shit doesn’t happen overnight but it can and will happen if you want it.
Do you want it bad enough? Does the fear of being filled with regret in your thirties trump your fear of living today?
We shall see.
”
”
Ryan O'Connell
“
Cover me!' Augustus said as he jumped out from behind the wall and raced toward the school. Isaac fumbled for his controller and then
started firing while the bullets rained down on Augustus, who was shot once and then twice but still ran, Augustus shouting,'YOU CAN’T KILL MAX MAYHEM!' and with a final flurry of button combinations, he dove onto the grenade, which detonated beneath him. His dismembered body exploded like a geyser and the screen went red. A throaty voice said, 'MISSION FAILURE,' but Augustus seemed to think otherwise as he smiled at his remnants on the screen. He reached into his pocket, pulled out a cigarette, and shoved it between his teeth.
'Saved the kids' he said.
'Temporarily' I pointed out.
'All salvation is temporary' Augustus shot back. 'I bought them a minute. Maybe that’s the minute that buys them an hour, which is the hour that buys them a year. No one’s gonna buy them forever, Hazel Grace, but my life bought them a minute. And that’s not nothing.
”
”
John Green (The Fault in Our Stars)
“
This never happens again," I said quietly. "You try to get to me through other mortals again and I'll kill you."
Mavra's rotted lips turned up at one corner. "No, you won't," she said in her dusty voice. "You don't have that kind of power."
"I can get it," I said.
"But you won't," she responded, mockery in her tone. "It wouldn't be right."
I stared at her for a full ten seconds before I said, in a very quiet voice, "I've got a fallen angel tripping all over herself to give me more power. Queen Mab has asked me to take the mantle of Winter Knight twice now. I've read Kemmler's book. I know how the Darkhallow works. And I know how to turn necromancy against the Black Court."
Mavra's filmed eyes flashed with anger.
I continued to speak quietly, never raising my voice. "So once again, let me be perfectly clear. If anything happens to Murphy and I even think you had a hand in it, fuck right and wrong. If you touch her, I'm declaring war on you. Personally. I'm picking up every weapon I can get. And I'm using them to kill you. Horribly.
”
”
Jim Butcher (Dead Beat (The Dresden Files, #7))
“
O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy?
Pratchett: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question.
O: It’s a rather ghettoized genre.
P: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre.
O: It’s certainly regarded as less than serious fiction.
P: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus. Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy.
Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that.
(Pauses) That was a bloody good answer, though I say it myself.
”
”
Terry Pratchett
“
[Adapted and condensed Valedictorian speech:]
I'm going to ask that you seriously consider modeling your life, not in the manner of the Dalai Lama or Jesus - though I'm sure they're helpful - but something a bit more hands-on, Carassius auratus auratus, commonly known as the domestic goldfish. People make fun of the goldfish. People don't think twice about swallowing it. Jonas Ornata III, Princeton class of '42, appears in the Guinness Book of World Records for swallowing the greatest number of goldfish in a fifteen-minute interval, a cruel total of thirty-nine. In his defense, though, I don't think Jonas understood the glory of the goldfish, that they have magnificent lessons to teach us. If you live like a goldfish, you can survive the harshest, most thwarting of circumstances. You can live through hardships that make your cohorts - the guppy, the neon tetra - go belly-up at the first sign of trouble. There was an infamous incident described in a journal published by the Goldfish Society of America - a sadistic five-year-old girl threw hers to the carpet, stepped on it, not once but twice - luckily she'd done it on a shag carpet and thus her heel didn't quite come down fully on the fish. After thirty harrowing seconds she tossed it back into its tank. It went on to live another forty-seven years. They can live in ice-covered ponds in the dead of winter. Bowls that haven't seen soap in a year. And they don't die from neglect, not immediately. They hold on for three, sometimes four months if they're abandoned. If you live like a goldfish, you adapt, not across hundreds of thousands of years like most species, having to go through the red tape of natural selection, but within mere months, weeks even. You give them a little tank? They give you a little body. Big tank? Big body. Indoor. Outdoor. Fish tanks, bowls. Cloudy water, clear water. Social or alone. The most incredible thing about goldfish, however, is their memory. Everyone pities them for only remembering their last three seconds, but in fact, to be so forcibly tied to the present - it's a gift. They are free. No moping over missteps, slip-ups, faux pas or disturbing childhoods. No inner demons. Their closets are light filled and skeleton free. And what could be more exhilarating than seeing the world for the very first time, in all of its beauty, almost thirty thousand times a day? How glorious to know that your Golden Age wasn't forty years ago when you still had all you hair, but only three seconds ago, and thus, very possibly it's still going on, this very moment." I counted three Mississippis in my head, though I might have rushed it, being nervous. "And this moment, too." Another three seconds. "And this moment, too." Another. "And this moment, too.
”
”
Marisha Pessl
“
Ronan pointed at the cart. "Get in there."
"What?"
He just continued pointing.
Adam said, "Give me a break. This is a public parking lot."
"Don't make this ugly, Parrish."
As an old lady headed past them, Adam sighed and climbed into the basket of the shopping cart. He drew his knees up so that he would fit. He was full of the knowledge that this was probably going to end with scabs.
Ronan gripped the handle with the skittish concentration of a motorcycle racer and eyed the line between them and the BMW parked on the far side of the lot. "What do you think the grade is on this parking lot?"
"C plus, maybe a B. Oh. I don't know. Ten degrees?" Adam held the sides of the cart and then thought better of it. He held himself instead.
With a savage smile, Ronan shoved the cart off the curb and belted towards the BMW. As they picked up speed, Ronan called out a joyful and awful swear and then jumped on to the back of the cart himself. As they hurtled towards the BMW, Adam realised that Ronan, as usual, had no intention of stopping before something bad happened. He cupped a hand over his nose just as they glanced off the side of the BMW. The unseated cart wobbled once, twice, and then tipped catastrophically on to its side. It kept skidding, the boys skidding along with it.
The three of them came to a stop.
"Oh, God," Adam said, touching the road burn on his elbow. It wasn't that bad, really. "God, God. I can feel my teeth."
Ronan lay on his back a few feet away. A box of toothpaste rested on his chest and the cart keeled beside him. He looked profoundly happy.
"You should tell me what you've found out about Greenmantle," Ronan said, "so that I can get started on my dreaming."
Adam picked himself up before he got driven over. "When?"
Ronan grinned.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
GO BACK TO DALLAS!” the man sitting somewhere behind us yelled again, and the hold Aiden still had on the back of my neck tightened imperceptibly.
“Don’t bother, Van,” he demanded, pokerfaced.
“I’m not going to say anything,” I said, even as I reached up with the hand furthest away from him and put it behind my head, extending my middle finger in hopes that the idiot yelling would see it.
Those brown eyes blinked. “You just flipped him off, didn’t you?”
Yeah, my mouth dropped open. “How do you know when I do that?” My tone was just as astonished as it should be.
“I know everything.” He said it like he really believed it.
I groaned and cast him a long look. “You really want to play this game?”
“I play games for a living, Van.”
I couldn’t stand him sometimes. My eyes crossed in annoyance. “When is my birthday?”
He stared at me.
“See?”
“March third, Muffin.”
What in the hell?
“See?” he mocked me.
Who was this man and where was the Aiden I knew?
“How old am I?” I kept going hesitantly.
“Twenty-six.”
“How do you know this?” I asked him slowly.
“I pay attention,” The Wall of Winnipeg stated.
I was starting to think he was right.
Then, as if to really seal the deal I didn’t know was resting between us, he said, “You like waffles, root beer, and Dr. Pepper. You only drink light beer. You put cinnamon in your coffee. You eat too much cheese. Your left knee always aches. You have three sisters I hope I never meet and one brother. You were born in El Paso. You’re obsessed with your work. You start picking at the corner of your eye when you feel uncomfortable or fool around with your glasses. You can’t see things up close, and you’re terrified of the dark.” He raised those thick eyebrows. “Anything else?”
Yeah, I only managed to say one word. “No.” How did he know all this stuff? How? Unsure of how I was feeling, I coughed and started to reach up to mess with my glasses before I realized what I was doing and snuck my hand under my thigh, ignoring the knowing look on Aiden’s dumb face. “I know a lot about you too. Don’t think you’re cool or special.”
“I know, Van.” His thumb massaged me again for all of about three seconds. “You know more about me than anyone else does.”
A sudden memory of the night in my bed where he’d admitted his fear as a kid pecked at my brain, relaxing me, making me smile. “I really do, don’t I?”
The expression on his face was like he was torn between being okay with the idea and being completely against it.
Leaning in close to him again, I winked. “I’m taking your love of MILF porn to the grave with me, don’t worry.”
He stared at me, unblinking, unflinching. And then: “I’ll cut the power at the house when you’re in the shower,” he said so evenly, so crisply, it took me a second to realize he was threatening me…
And when it finally did hit me, I burst out laughing, smacking his inner thigh without thinking twice about it. “Who does that?”
Aiden Graves, husband of mine, said it, “Me.”
Then the words were out of my mouth before I could control them. “And you know what I’ll do? I’ll go sneak into bed with you, so ha.”
What the hell had I just said? What in the ever-loving hell had I just said?
“If you think I’m supposed to be scared…” He leaned forward so our faces were only a couple of inches away. The hand on my neck and the finger pads lining the back of my ear stayed where they were. “I’m not
”
”
Mariana Zapata (The Wall of Winnipeg and Me)