Car Upholstery Quotes

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I owned a Ferrari, a Range Rover, a Mercedes 560SL convertible, a Jeep Cherokee and a Nissan 300ZX. I can't remember the intricate decision tree I had to climb in order to determine which one to drive to work on any given day - it probably had something to do with the weather, or which car had more gas in the tank, or upholstery that best matched whatever shirt I happened to throw on that morning.
Michael J. Fox (Lucky Man)
Other women – women in the past, tougher women – have dealt with babies in confined spaces, such as ocean ships and covered wagons. But maybe not cars. It’s hard to get smells out of car upholstery, so you’d have to be extra careful about the spitting up and so forth. —
Margaret Atwood (The Heart Goes Last)
There is a fertile stretch of flat lands in Indiana where unagarian Eastern travelers, glancing from car windows, shudder and return their eyes to interior upholstery, preferring even the swaying comparisons of a Pullman to the monotony without.
Booth Tarkington (The Gentleman from Indiana)
The girl slid into the back seat of the town car, tugging at the hem of her dress like she was afraid she might leave a stain on the upholstery.
John McNee (Grudge Punk)
I'll drive. But don't you be turning into a dragon while you're in the car. I don't want those claws poking holes in my nice upholstery.
Katie MacAlister (Dragon Fall (Dragon Falls, #1))
The car, one of those coachbuilt delicacies named after some French province or variety of grape, practically shouted at Nick that he was far too vulgar and ignoble to even stand beside it, let alone debase its flawless leather upholstery with the seat of his plebeian trousers.
Nate Granzow (Get Idiota)
As two-seaters go, I had always found mine fairly comfortable, but then I had never before tried to get the eight hours in it, and you would be surprised at the number of knobs and protuberances which seem suddenly to sprout out of a car's upholstery when you seek to convert it into a bed.
P.G. Wodehouse (Thank You, Jeeves (Jeeves, #5))
But the more the Tesla guys researched the industry, the more they realized that the big automakers don’t even really build their cars anymore. The days of Henry Ford having raw materials delivered to one end of his Michigan factory and then sending cars out the other end had long passed. “BMW didn’t make its windshields or upholstery or rearview mirrors,” Tarpenning said. “The only thing the big car companies had kept was internal combustion research, sales and marketing, and the final assembly. We thought naïvely that we could access all the same suppliers for our parts.
Ashlee Vance (Elon Musk: Tesla, SpaceX, and the Quest for a Fantastic Future)
As they passed through the exit, Indrani pulled Zarina’s stole over her head, covering half of her face. The two words—not guilty—had changed Zarina’s stature in minutes, from a relentless human rights activist to someone running for cover. They climbed down the stairs and rushed to the parking lot. Zarina’s car was in a pathetic condition—smashed windscreen, deflated tyres, broken rear view mirrors and torn upholstery. An exasperated Zarina raised her hands in utter disgust. Mob fury. Idiots, if they have won the case, let them celebrate their victory; why smash my car? The fighter in her forced Zarina to take out her cell phone and click pictures of her car from different angles.
Hariharan Iyer (Surpanakha)
I got out of my car, locked it tight as a virgin, and entered his back seat, where a Milky Way wrapper greeted me on the floor, a burnt cigarette mark greeted me on the seat, and the overpowering scent of upholstery cleaner nearly did me in.
Robert Downs (Falling Immortality (Casey Holden, Private Investigator #1))
It was the gift that every girl dreams of, to be dead long enough for your parents to realize how meaningless their lives were without you, how they were suddenly and at once deeply sorrowed at all of the horrible injustices they caused you, how they had truly never appreciated your natural gifts of beauty and grace, being that their beautiful angel would have such a short time on earth and should have spent that time driving the restored 1965 convertible Mustang she had openly AND PUBLICLY desired. But nope, she spent her last, short, fleeting moments driving a 1980 Chevy Citation, every so clearly a GRANDMA car, with fake red-velvet upholstery, a hatchback, and an interior that smelled like spoiled milk and sometimes meat. Being temporarily run over by a car was the best present I had ever received, and I didn't even have to do anything dramatic to get it, like write a note or buy some rope.
Laurie Notaro (An Idiot Girl's Christmas: True Tales from the Top of the Naughty List)
The car boosted up and presumably out because I heard the drumming of rain against the bodywork. There was a faint smell of leather from the upholstery, which beat the odour of faeces on the inbound journey, and the seat I was in moulded itself supportively to my form. I seemed to have moved up in the order of things.
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
His feet went banging down some stairs. He closed his eyes. They went through cinders and dirt, his heels gathering small windrows of trash. A dim world receded above his upturned toes, shapes of skewed shacks erupted bluely in the niggard lamplight. The rusting carcass of an automobile passed slowly on his right. Dim scenes pooling in the summer night, wan ink wash of junks tilting against a paper sky, rorschach boatmen poling mutely over a mooncobbled sea. He lay with his head on the moldy upholstery of an old car seat among packingcrates and broken shoes and suncrazed rubber toys in the dark. Something warm was running on his chest. He put up a hand. I am bleeding. Unto my death.
Cormac McCarthy (Suttree)
The world around her, the straight world, the mundane world, had become to her a blowing wasteland. It was empty, a postapocalyptic world: empty stores, empty houses, stalled cars with the upholstery burned out of them, dead traffic lights swaying above empty streets. That missing afternoon in November had become a black hole that had sucked the entire rest of her life into it. And once you’d fallen past that Schwarzschild radius, it was pretty damn hard to claw your way back out again.
Lev Grossman (The Magician King (The Magicians, #2))
Jesus it’s clean in here,” Theo said, glancing around the spotless leather interior. “Just the way I like it.” Leone chuckled. “Don’t let Theo eat in the car, then. There’ll be crumbs in places in the upholstery you didn’t even know about.” Jamie leaned an elbow on the middle armrest and glanced at him. “That so?” Theo pressed his finger to the condensation on the front window and started writing. “I like my cars with personality.” “That means he cherishes the smell of stale crackers.” “Leone!” She laughed. “Hey, I like it. All I have to do is feel the grains and I know I’m home.
Anyta Sunday (Leo Loves Aries (Signs of Love, #1))
two Florida Highway Patrol cars and a third, black car pulled up in front of the house, and several white men emerged, among them the deputies Campbell and Yates. “Where is the guy that was with you last night?” Yates asked Shepherd, and what began with that question led to the beatings he and Irvin endured on the deserted clay road outside of Groveland. “They must have beat us about a half hour,” Shepherd told the lawyers, who were at once riveted and appalled by his testimony. After the beating, he and Irvin were shoved back into the patrol car. Irvin’s shirt was drenched in blood, and when he reached his hand up to his head he felt “a big chunk knocked out of it.” A patrolman told them to scoot up to the edge of the seat so their blood wouldn’t drip onto the upholstery.
Gilbert King (Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America)
I had never been in a car by myself, at night. New York flowed and ebbed in perfect silence outside the thick windows. If I leaned back, the city disappeared behind the tasseled velvet curtains. Pedestrians, curious about the limousine’s passenger, peered in at every traffic light. This accentuated the oddity of the situation. I was out in the street while being, at the same time, in a secluded space. More than the mahogany panels, the cut-glass decanters, the embroidered upholstery and the capped, white-gloved driver on the other side of the partition, it was this strange paradox of being in private in public that felt so opulent—a feeling that was one with the illusion of suddenly having become untouchable and invulnerable, with the fantasy of being in total control of myself, of others and of the city as a whole.
Hernan Diaz (Trust)
You’re too goddamned fat,” he said. I took a defiant drag on my cigarette and willed myself not to cry. The remark made me dizzy. For the past four years, Ma and Grandma had played by the rule: never to mention my weight. Now my jeans and sweatshirt were folded in a helpless pile beside me and there was only a thin sheet of paper between my rolls of dimply flesh and this detestable old man. My heart raced with fear and nicotine and Pepsi. My whole body shook, dripped sweat. “Any trouble with your period?” he asked. “No.” “What?” “No trouble,” I managed, louder. He nodded in the direction of his stand-up scale. The backs of my legs made little sucking sounds as they unglued themselves from the plastic upholstery. He brought the sliding metal bar down tight against my scalp and fiddled with the cylinder in front of my face. “Five-five and a half,” he said. “Two hundred . . . fifty-seven.” The tears leaking from my eyes made stains on the paper gown. I nodded or shook my head abruptly at each of his questions, coughed on command for his stethoscope, and took his pamphlets on diet, smoking, heart murmur. He signed the form. At the door, his hand on the knob, he turned back and waited until I met his eye. “Let me tell you something,” he said. “My wife died four Tuesdays ago. Cancer of the colon. We were married forty-one years. Now you stop feeling sorry for yourself and lose some of that pork of yours. Pretty girl like you—you don’t want to do this to yourself.” “Eat shit,” I said. He paused for a moment, as if considering my comment. Then he opened the door to the waiting room and announced to my mother and someone else who’d arrived that at the rate I was going, I could expect to die before I was forty years old. “She’s too fat and she smokes,” I heard him say just before the hall rang out with the sound of my slamming his office door. I was wheezing wildly by the time I reached the final landing. On the turnpike on the way home, Ma said, “I could stand to cut down, too, you know. It wouldn’t hurt me one bit. We could go on a diet together? Do they still sell that Metrecal stuff?” “I’ve been humiliated enough for one fucking decade,” I said. “You say one more thing to me and I’ll jump out of this car and smash my head under someone’s wheels.
Wally Lamb (She's Come Undone)
The car stank like old taxis do, sweet cloying air freshener and upholstery cleaner. There were a million miles on the clock and it rode like a boat on a swell
Lee Child (Tripwire (Jack Reacher, #3))
But my car upholstery was a small price to pay for interplanetary peace.
John Scalzi (Agent to the Stars)
I spun around at the door. “Yes?” “Word of advice,” he said. “Gem had nothing to do with this. Not to mention, Alastair contributes generously to the police department every year.” “What’s that supposed to mean?” Wes cracked his knuckles, then winced and shook out his hand. “Alastair Gem is not a man you want to offend.” Chapter 9 “Iexpect you’ll fill me in,” Jimmy said as I climbed back into the car. “Dare I suggest it be over a bucket of chicken?” I swerved into the left lane and put on my blinker for The Chicken Hut, a fried food joint near the station. We crawled through the drive thru line and put in our orders. A king-sized pail for Jimmy, a queen for me. A few minutes later, the tantalizing smell of fried chicken was working its way into the car’s upholstery. Jimmy had shiny fingers by the time we returned to the station parking lot. He mopped his chin with a napkin. “I’m ready to hear the details whenever you’re done with that wing.” I sighed, tossing the wing back into the bucket. I wasn’t all that hungry. It was hard to care much about food when a case consumed me. “My sister brought Wes home last night,” I said. “Like, on a date. Wes Remington—the manager of Rubies—was at my house. Rubies is Alastair Gem’s latest venture.” “No kidding? That’s neat.” “What’s neat?” “Gem is like the Tony Stark of the Twin Cities. His latest restaurant has the best food I’ve ever tasted—it set me back a year into retirement to eat there, though. Now I hear he’s got an Emerald hotel coming soon that’s gonna cost two grand a pop for a night. That man is rich, powerful, and handsome. The rest of us don’t stand a chance.” “I beg to differ,” I said. “Anyone who is that rich, handsome, and powerful has secrets to hide.” Jimmy shrugged. “Probably. Still doesn’t mean I wouldn’t date him, and I’m a happily married straight man.” “As it turns out, Wes doesn’t have an alibi for the night of the murder. He says he was upstairs working, but we don’t have anyone who can confirm it.” “Do you like him for Jane Doe’s murder?” I licked my fingers. “It’s too early to tell. My head says yes. He’s new to town and had easy access to the victim. But I don’t have any clue as to a motive. Why would he grab her specifically?” “We’re looking for a serial killer. Is there any saying why they do what they do?” “Maybe not,” I agreed. “But my gut’s telling me Wes isn’t our guy. He seemed...
Gina LaManna (Shoot the Breeze (Detective Kate Rosetti Mystery, #1))
There is a fertile stretch of flat lands in Indiana where unagrarian Eastern travellers, glancing from car-windows, shudder and return their eyes to interior upholstery, preferring even the swaying caparisons of a Pullman to the monotony without.
Booth Tarkington (The Gentleman from Indiana)
to explore if he wants, but don’t force it. Make the car familiar by allowing Kitty to cheek rub and spread his scent to claim the car as purr-sonal territory, and he'll feel more relaxed and happy during travels. Give Him Smell Comfort. Place the kitten’s bed, blanket, or a towel you've petted him with inside the car on the back seat. That way, his scent is already inside. Spraying Feliway on the towel or car upholstery also may help the baby feel more relaxed. Sit For A While. While inside the car, take care that small kittens don't squirm into cubbyholes under the dashboard. Five minutes is long enough. Repeat this five-minute car visit a couple times a day for several days, extending the time whenever the kitty stays calm. Be ready to get the kitty back into safe, non-scary surroundings should he act overwhelmed.  You might see fluffed fur, downward turned ears, a flailing tail and hear vocalizations from hisses and growls to yowls of protest. Some cats won’t want to leave the carrier, and that’s fine. In those cases, keep the carrier covered with a towel, and don’t worry about him exploring the car.
Amy Shojai (Complete Kitten Care)
Upholstery Cleaning Richardson TX (972) 454-9815 Your furniture is the most expensive item in your home, along with probably your jewelry and electronics, cars, and other possessions. It's possible that some of this furniture was passed down through generations. You want to take care of it so that future generations can continue to enjoy it. Call Richardson TX Carpet Cleaning right away if you require steam cleaning for your upholstery!
Upholstery Cleaning Richardson TX
Then someone would have to escort your spray-tanned ass outside to have a very frank discussion about attitudes toward women in the workplace. And afterwards, someone would have to drive said spray-tanned ass to the hospital, and someone doesn’t have time for that right now. Besides, blood is bad for the car upholstery. Understand?
Lila Monroe (Rugged)
leaning over her stomach, over the baby’s feet that were now—little acrobat—pressing themselves up against her breasts. She leaned over the curve of its back and spine as they pressed themselves into her stomach and bladder, leaned over the head that was now pressing itself down toward the worn upholstery of the old car, sensing, perhaps, that its watery world was a tributary after all, not a pool. She
Alice McDermott (After This)
L.A. is about space, and here one’s self-worth comes from how one chooses to navigate that space. Walking is akin to begging in the streets. Taxicabs are for foreigners and prostitutes. Bicycles, skateboards, and Rollerblades are for health nuts and kids, people with nowhere to go. And all cars, from the luxury import to the classified-ad jalopy, are status symbols, because no matter how shoddy the upholstery, how bouncy the ride, how fucked-up the paint job, the car, any car, is better than riding the bus.
Paul Beatty (The Sellout)