Car Exhaust Quotes

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If I had my life to live over... Someone asked me the other day if I had my life to live over would I change anything. My answer was no, but then I thought about it and changed my mind. If I had my life to live over again I would have waxed less and listened more. Instead of wishing away nine months of pregnancy and complaining about the shadow over my feet, I'd have cherished every minute of it and realized that the wonderment growing inside me was to be my only chance in life to assist God in a miracle. I would never have insisted the car windows be rolled up on a summer day because my hair had just been teased and sprayed. I would have invited friends over to dinner even if the carpet was stained and the sofa faded. I would have eaten popcorn in the "good" living room and worried less about the dirt when you lit the fireplace. I would have taken the time to listen to my grandfather ramble about his youth. I would have burnt the pink candle that was sculptured like a rose before it melted while being stored. I would have sat cross-legged on the lawn with my children and never worried about grass stains. I would have cried and laughed less while watching television ... and more while watching real life. I would have shared more of the responsibility carried by my husband which I took for granted. I would have eaten less cottage cheese and more ice cream. I would have gone to bed when I was sick, instead of pretending the Earth would go into a holding pattern if I weren't there for a day. I would never have bought ANYTHING just because it was practical/wouldn't show soil/ guaranteed to last a lifetime. When my child kissed me impetuously, I would never have said, "Later. Now, go get washed up for dinner." There would have been more I love yous ... more I'm sorrys ... more I'm listenings ... but mostly, given another shot at life, I would seize every minute of it ... look at it and really see it ... try it on ... live it ... exhaust it ... and never give that minute back until there was nothing left of it.
Erma Bombeck (Eat Less Cottage Cheese And More Ice Cream Thoughts On Life From Erma Bombeck)
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
Tina Fey (Bossypants)
Trauma destroys the fabric of time. In normal time you move from one moment to the next, sunrise to sunset, birth to death. After trauma, you may move in circles, find yourself being sucked backwards into an eddy or bouncing like a rubber ball from now to then to back again. ... In the traumatic universe the basic laws of matter are suspended: ceiling fans can be helicopters, car exhaust can be mustard gas.
David J. Morris (The Evil Hours: A Biography of Post-Traumatic Stress Disorder)
Vampires do breathe, by the way, but their chests don't move like humans'. Have you ever lain in the arms of your sweetheart and tried to match your breathing to his, or hers? You do it automatically. Your brain only gets involved if your body is having trouble. Fortunately there was nothing about this situation that was like being in the arms of a sweetheart except that I was leaning against someone's naked chest. I could no more have breathed with him than I could have ignited gasoline and shot exhaust out my butt because I was sitting in the passenger seat of a car.
Robin McKinley (Sunshine)
It makes me really sad that women have been ejected from the seat of their power in this society in terms of what happens around childbirth. In other parts of the world, there are places where women can't drive a car, but they're still in charge of childbirth... The minute my child was born, I was reborn as a feminist. It's so incredible what women do. I find it metaphorically resonant that a pregnant woman looks like she's just sitting on a couch, but she's actually exhausting herself constructing a human being. The laborious process of growing a human is analogous to how 'women's work' is seen.
Ani DiFranco
I want students to engage the way a clutch on a car gets engaged: an engine can be running, making appropriate noises, burning fuel and creating exhaust fumes, but unless the clutch is engaged, nothing moves. It's all sound and smoke, and nobody gets anywhere.
Robert L. Fried (The Passionate Teacher: A Practical Guide)
[And there was the matter of Dick Turpin. It looked like the same car, except that forever afterwards it seemed able to do 250 miles on a gallon of petrol, ran so quietly that you practically had to put your mouth over the exhaust pipe to see if the engine was firing , and issued its voice-synthesized warnings in a series of exquisite and perfectly-phrased haikus, each one original and apt... Late frost burns the bloom Would a fool not let the belt Restrain the body? ...it would say. And, The cherry blossom Tumbles from the highest tree One needs more petrol]
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
New Yorkers hustled past in every direction, somehow managing not to run smack into one another. A dozen scents hit her at once. Car exhaust, meat being grilled by a sidewalk vendor, and was that...a slight hint of urine?
Tessa Bailey (Officer off Limits (Line of Duty, #3))
Man, that was one trippy ride. Especially when those big white rabbits started running alongside the car through Crow Canyon. Dave and Mickey looked at me like I was nuts until they figured out I was so fucked-up tired, I'd hallucinated the white mailboxes we'd passed along the road into galloping rabbits.
Larry J. Dunlap (Night People (Things We Lost in the Night, #1))
I'm fine.My father's an arse, and my mum is dying and-oh my God,I'm so pissed." St. Clair looked at me again. His eyes were glassy like black marbles. "Pissed.Pissed.Pissed." "We know you're pissed at your dad," I said. "It's okay. You're right, he's a jerk." I mean what was I supposed to say? He just found out his mother has cancer. "Pissed is British for 'drunk,'" Mer said. "Oh," I said. "Well. You're definitely that, too." Meanwhile,The Couple was fighting. "Where have you been?" Rashmi asked. "You said you'd be home three hours ago!" Josh rolled his eyes. "Out.We've been out. Someone had to help him-" "And you call that helping? He's completely wasted. Catatonic. And you! God,you smell like car exhaust and armpits-" "He couldn't drink alone." "You were supposed to be watching out for him! What if something happened?" "Beer. Liquor. Thatsswhat happened. Don't be such a prude,Rash.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
When I stand around all day, into the afternoon, I start to feel like a good bike pulled to the curb. I’m every car that’s ever idled, a motorcycle gulping its own exhaust, lurching toward open road. I’m paid to stand, and I get this feeling my body is waiting for my mind to figure out what I’m supposed to do with being alive.
Monica Drake (The Folly of Loving Life)
Sometimes I think I would rather just remember it in my head, all those streets and the places I loved. The way it smelled of car exhaust and sweet fruit. The thickness of the heat. The sound of dogs barking in alleyways. That's the Panama I want to hold on to. Because a place can do many things against you, and if it's your home or if it was your home at one time, you still love it. That's how it works.
Cristina Henríquez (The Book of Unknown Americans)
I have waited outside in the cold gray-lit car-exhausted frigidity and caused the possible broken bones in Gary's hand to hear a band that is, manifestly, not Neutral Milk Hotel. And although he is nowhere amid the crowd of hushed and stunned NMH fans surrounding me, I immediately shout,"Damn you, Tiny Cooper!
John Green (Will Grayson, Will Grayson)
What if, when Tracy Austin writes that after her 1989 car crash, 'I quickly accepted that there was nothing I could do about it,' the statement is not only true but exhaustively descriptive of the entire acceptance process she went through?
David Foster Wallace (Consider the Lobster and Other Essays)
What I like about the job of being a novelist, and at the same time what I find so exhausting about it, is that it's the closest thing to being God you're ever going to get. All the decisions are yours. You decide when the sun comes up. You decide who gets to fall in love and who gets hit by a car. You have to make all the trees and all the leaves and then sew the leaves onto the trees. You make the entire world.
Ann Patchett (The Getaway Car: A Practical Memoir About Writing and Life)
Dreams and coffee and sunrises make up the rhythms of the road. Music is a part of it, too: the popular music on the jukeboxes and radio stations. You hear it constantly, in diners and on car radios. The music has a rhythm that fits the steady drumming of tires over pavement. It seeps into your bloodstream. After a while it ceases to make any difference whether or not you like the stuff. When you’re traveling alone, a nameless rider with a succession of strangers, it can give you a comforting sense of the familiar to hear the same music over and over. At any given time, a few current hits will be overplayed to exhaustion by the rock & roll stations. In hitching across the continent, you might hear the same song fifty or sixty times. Certain songs become connected in your mind with certain trips.
Kenn Kaufman (Kingbird Highway: The Biggest Year in the Life of an Extreme Birder)
At Sylvia’s side on Stephen Street now he breathes the perfume of car exhaust and dark night air. Consoling in its own way. Everything about her nearness is.
Sally Rooney (Intermezzo)
There was a fierce jam on the road to Gurgaon. Every five minutes the traffic would tremble - we'd move a foot - hope would rise - then the red lights would flash on the cars ahead of me, and we'd be stuck again. Eveyone honked. Every now and then, the various horns, each with its own pitch, blended into one continuous wail that sounded like a calf taken from its mother. Fumes filled the air. Wisps of blue exhaust glowed in front of every headlight; the exhaust grew so fat and thick it could not rise or escape, but spread horizontally, sluggish and glossy, making a kind of fog around us. Matches were continually being struck - the drivers of autorickshaws lit cigarettes, adding tobacco pollution to petrol pollution.
Aravind Adiga (The White Tiger)
Yet at least he had believed in the cars, maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bring with them the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopeless of children, of supermarket booze, or two, sometimes three generations of cigarette smokers, or only of dust--and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of 5 or 10¢, trading stamps, pink flyers advertising specials at the market, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a grey dressing of ash, condensed exhaust, dust, body wastes--it nauseated him to look, but he had to look.
Thomas Pynchon (The Crying of Lot 49)
I walked to the windows and pulled the shades up and opened the windows wide. The night air came drifting in with a kind of stale sweetness that still remembered automobile exhausts and the streets of the city. I reached for my drink and drank it slowly. The apartment house door closed itself down below me. Steps tinkled on the quiet sidewalk. A car started up not far away. It rushed off into the night with a rough clashing of gears. I went back to the bed and looked down at it. The imprint of her head was still in the pillow, of her small corrupt body still on the sheets. I put my empty glass down and tore the bed to pieces savagely.
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
The families of graduating seniors emptied out of cars, sheepish in uncommon splendor, like milling clans at the origin of a parade. There is something spent about the families of teenagers; possibly it's the look of exhausted loyalties. Perhaps it's only right that we grow overbig in someone else's space. Perhaps we need to tire and differentiate, leave and adapt.
Hilary Thayer Hamann (Anthropology of an American Girl)
But Sam didn’t die in the wreck that flipped his car. Not only did he manage to stay conscious, he freed himself from the seat, crawled out onto the road, and began walking. Somehow, he made it more than a mile down the road before collapsing. An officer said it was a testament to how strong he was. I think it was a testament to how much he wanted to live. It took hours before someone finally found him. It was too late by then. Sam had lost too much blood and died from exhaustion. No one likes to say it, but maybe it would have been easier for him if he’d died there in the crash. But his will to live on was too stubborn. Just like him.
Dustin Thao (You've Reached Sam (You've Reached Sam, #1))
Hi there, cutie." Ash turned his head to find an extremely attractive college student by his side. With black curly hair, she was dressed in jeans and a tight green top that displayed her curves to perfection. "Hi." "You want to go inside for a drink? It's on me." Ash paused as he saw her past, present, and future simultaneously in his mind. Her name was Tracy Phillips. A political science major, she was going to end up at Harvard Med School and then be one of the leading researchers to help isolate a mutated genome that the human race didn't even know existed yet. The discovery of that genome would save the life of her youngest daughter and cause her daughter to go on to medical school herself. That daughter, with the help and guidance of her mother, would one day lobby for medical reforms that would change the way the medical world and governments treated health care. The two of them would shape generations of doctors and save thousands of lives by allowing people to have groundbreaking medical treatments that they wouldn't have otherwise been able to afford. And right now, all Tracy could think about was how cute his ass was in leather pants, and how much she'd like to peel them off him. In a few seconds, she'd head into the coffee shop and meet a waitress named Gina Torres. Gina's dream was to go to college herself to be a doctor and save the lives of the working poor who couldn't afford health care, but because of family problems she wasn't able to take classes this year. Still Gina would tell Tracy how she planned to go next year on a scholarship. Late tonight, after most of the college students were headed off, the two of them would be chatting about Gina's plans and dreams. And a month from now, Gina would be dead from a freak car accident that Tracy would see on the news. That one tragic event combined with the happenstance meeting tonight would lead Tracy to her destiny. In one instant, she'd realize how shallow her life had been, and she'd seek to change that and be more aware of the people around her and of their needs. Her youngest daughter would be named Gina Tory in honor of the Gina who was currently busy wiping down tables while she imagined a better life for everyone. So in effect, Gina would achieve her dream. By dying she'd save thousands of lives and she'd bring health care to those who couldn't afford it... The human race was an amazing thing. So few people ever realized just how many lives they inadvertently touched. How the right or wrong word spoken casually could empower or destroy another's life. If Ash were to accept Tracy's invitation for coffee, her destiny would be changed and she would end up working as a well-paid bank officer. She'd decide that marriage wasn't for her and go on to live her life with a partner and never have children. Everything would change. All the lives that would have been saved would be lost. And knowing the nuance of every word spoken and every gesture made was the heaviest of all the burdens Ash carried. Smiling gently, he shook his head. "Thanks for asking, but I have to head off. You have a good night." She gave him a hot once-over. "Okay, but if you change your mind, I'll be in here studying for the next few hours." Ash watched as she left him and entered the shop. She set her backpack down at a table and started unpacking her books. Sighing from exhaustion, Gina grabbed a glass of water and made her way over to her... And as he observed them through the painted glass, the two women struck up a conversation and set their destined futures into motion. His heart heavy, he glanced in the direction Cael had vanished and hated the future that awaited his friend. But it was Cael's destiny. His fate... "Imora thea mi savur," Ash whispered under his breath in Atlantean. God save me from love.
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
the relationship of pollution to premature births and low birth weight of babies is so strong that the simple introduction of E-ZPass in American cities reduced both problems, in the vicinity of toll plazas, by 10.8 percent and 11.8 percent, respectively, just by cutting down on the exhaust expelled when cars slowed to pay the toll.
David Wallace-Wells (The Uninhabitable Earth: Life After Warming)
People had always amazed him, he began. But they amazed him more since the sickness. For as long as the two of them had been together, he said, Gary’s mother had accepted him as her son’s lover, had given them her blessing. Then, at the funeral, she’d barely acknowledged him. Later, when she drove to the house to retrieve some personal things, she’d hunted through her son’s drawers with plastic bags twist-tied around her wrists. “…And yet,” he whispered, “The janitor at school--remember him? Mr. Feeney? --he’d openly disapproved of me for nineteen years. One of the nastiest people I knew. Then when the news about me got out, after I resigned, he started showing up at the front door every Sunday with a coffee milkshake. In his church clothes, with his wife waiting out in the car. People have sent me hate mail, condoms, Xeroxed prayers…” What made him most anxious, he told me, was not the big questions--the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he’d become impatient with the way people wasted their lives, squandered their chances like paychecks. I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both--Mr. Pucci, frail and wasted, a talking dead man. And myself with the surgical mask over my mouth, to protect him from me. “The irony,” he said, “… is that now that I’m this blind man, it’s clearer to me than it’s ever been before. What’s the line? ‘Was blind but now I see…’” He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. “You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought…said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed up phone message… That time we separated was my idea. I thought, well, I’m fifty years old and there might be someone else out there. People waste their happiness--That’s what makes me sad. Everyone’s so scared to be happy.” “I know what you mean,” I said. His eyes opened wider. For a second he seemed to see me. “No you don’t,” he said. “You mustn’t. He keeps wanting to give you his love, a gift out and out, and you dismiss it. Shrug it off because you’re afraid.” “I’m not afraid. It’s more like…” I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened. “I’ll give you what I learned from all this,” he said. “Accept what people offer. Drink their milkshakes. Take their love.
Wally Lamb (She’s Come Undone)
All my life people have told me how strong I am, like it’s the best thing I’ve got to offer. I know they mean it in all the ways—physically, emotionally, mentally—and I am. But I’m also tired, worn out from hurting and being expected to come out on top of everything—even a car crash. I’m exhausted in all the ways I’m supposed to be strong...
Mindy McGinnis (Heroine)
Later, I interviewed a prominent psychoanalyst, who told me that trauma destroys the fabric of time. In normal time, you move from one moment to the next, sunrise to sunset, birth to death. After trauma, you may move in circles, find yourself being sucked backwards into an eddy, or bouncing about like a rubber ball from now to then and back again. August is June, June is December. What time is it? Guess again. In the traumatic universe, the basic laws of matter are suspended: ceiling fans can be helicopters, car exhaust can be mustard gas. Another odd feature of traumatic time is that it doesn’t just destroy the flow of the present into the future, it corrodes everything that came before, eating at moments and people from your previous life, until you can’t remember why any of them mattered. What I previously found inconceivable is now inescapable: I have been blown up so many times in my mind that it is impossible to imagine a version of myself that has not been blown up. The man on the other side of the soldier’s question is not me. In fact, he never existed. The war is gone now, but the event remains, the happening that nearly erased the life to come and thus erased the life that came before. The soldier’s question hangs in the air the way it always has. The way it always will.   Have you ever been blown up before, sir?
David J. Morris (The Evil Hours: A Biography of Post-Traumatic Stress Disorder)
I’d prefer to stand when ladies are standing,” he said quietly to Livia. She longed to smooth a balm on all his wounds. “Blake, I’m exhausted. What I really need is a nice, strong lap to sit on to get me out to the car.” He reached up and stroked her hair. “I could be a lap for you, my tired angel.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
I dream of a small room and a man with one eye. Blood seeps like scarlet tears from his empty socket. I turn away and the room becomes a hallway that becomes a stairway that becomes a roof. The wind tugs at my body; the sky tries to wrap me in stars. Below me, a gazebo glows with red light. A line of black cars crawls like cockroaches through the streets. An air conditioner exhaust fan chitters angrily near the roof’s edge, one of its blades bent just enough to scrape against the side of the casing. For a second I let the wind push me close enough to the fan’s razor- sharp blades that a lock of my hair gets snipped and sent out into the night. As it twists and flutters toward the gazebo, I think about just letting go, letting the breeze carry my body into the whirling blades, the wind scattering pieces of me throughout the city. Blood and flesh seeping into the cracked pavement. Flowers blooming wherever I land.
Paula Stokes (Vicarious (Vicarious, #1))
The second I get into a car and we start driving, I imagine a fatal crash to the last detail. When I’m in the liquor store, I imagine a robbery by the time the cashier tells me the total. Every plane ride is an 8-hour movie in my head of me planning what I would say to the stranger on my right if the pilot announced the plane was crashing. I always imagine these scenarios. Family dying. Earthquakes. The earth suddenly falling because gravity left the party. It’s exhausting. Yesterday someone was afraid of me. I was bicycling with Austin and we saw a dead deer on the road. It was so large. Austin nearly fell off his bike when he saw it. Then he looked over at me confused. He asked why I didn't react to it. I told him it was because I’d already imagined one six miles back. There are always two worlds playing in my head at once: what’s in front of me and what could be.
Kristian Ventura (The Goodbye Song)
Lilies of the field did not threaten to uproot themselves if they didn't like where they were planted. On the slopes of the mountains, saplings struggled to grow in the shallowest puddles of soil that collected on bald rocks. Along the side of the valley's single road, chicory and yellow trefoil had learned to thrive in waste spaces, where passing cars blew exhaust against them all day long. Like Olivia, they had no say over where their seeds took hold: When they could not change their surroundings, they themselves had to change.
Lisa Van Allen (The Night Garden)
I pressed the ignition button and the engine came to life. Our cars have special mufflers to deaden the exhaust sound but there’s nothing you can do about a starter. Carter
Jeffery Deaver (Edge)
Icouldn’t have been awake for more than six hours, and I was already exhausted. I guess having my house broken into, aiding in the kidnapping and killing of a rapist, hauling his body halfway across the state, getting screamed at by a mobster, driving back into the city in full-blown terror that I was being followed, and then waiting for two hours in a cold autobody shop while my boyfriend’s car was repeatedly deep cleaned by a middle-aged black man named Lucius would do that to a woman. And no, Lucius did not appreciate being asked about his time in Azkaban.
Navessa Allen (Lights Out (Into Darkness, #1))
1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.
Dina Ben-Lev
What's that?" "My friend St. Clair bought it for me. So I wouldn't feel out of place." She raises her eyebrows as she pulls back onto the road. "Are there a lot of Canadians in Paris?" My face warms. "I just felt,you know, stupid for a while. Like one of those lame American tourists with the white sneakers and the cameras around their necks? So he bought it for me, so I wouldn't feel....embarrassed. American." "Being American is nothing to be ashamed of," she snaps. "God,Mom,I know.I just meant-forget it." "Is this the English boy with the French father?" "What does that have anything to do with it?" I'm angry. I don't like what she's implying. "Besides,he's American. He was born here? His mom lives in San Francisco. We sat next to each other on the plane." We stop at a red light.Mom stares at me. "You like him." "OH GOD,MOM." "You do.You like this boy." "He's just a friend.He has a girlfriend." "Anna has a boooy-friend," Seany chants. "I do not!" "ANNA HAS A BOOOY-FRIEND!" I take a sip of coffee and choke. It's disgusting. It's sludge. No, it's worse than sludge-at least sludge is organic. Seany is still taunting me. Mom reaches around and grabs his legs,which are kicking her seat again.She sees me making a face at my drink. "My,my. Once semester in France, and suddenly we're Miss Sophisticated. Your father will be thrilled." Like it was my choice! Like I asked to go to Paris! And how dare she mention Dad. "ANNNN-A HAS A BOOOY-FRIEND!" We merge back onto the interstate. It's rush hour,and the Atlanta traffic has stopped moving. The car behind ours shakes us with its thumping bass. The car in front sprays a cloud of exhaust straight into our vents. Two weeks.Only two more weeks.s
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Just then, a little hopped-up Japanese car zips up next to us. It’s bright yellow with loud, high-pitched exhaust pipes and a big air spoiler on the back. I look over at the driver to see who’s making all the racket. I’m surprised to see a teenage girl there. After a moment, she gooses it and whinnies on past. On her back window, there’s a sticker: NO FEAR. I think, good girl.
Michael Zadoorian (The Leisure Seeker)
It was a bright red TVR Griffith, with a five litre V8 engine, and an exhaust note that could have been heard in Peking. It fell some way short of being the ideal car for a discreet surveillance operation,
Hugh Laurie (The Gun Seller)
I pretend to reach for them, but before he can guess my intentions, I catch one of his wings instead. He flutters, trying to break loose, his one free wing batting my hand. I draw out the decanter and stuff him into it, careful to fold his wings. I don’t want to hurt him. I just want to better him. Once he’s settled inside, I shove a paper towel into the bottle’s neck. No need to worry that he’ll smother. After all, he spent that night in a bug trap last year and survived. “Looks like you’re going to have some turbulence on your flight,” I tell him through the glass. His voice fills my head, an angry, scolding growl. When I don’t respond, he yells Chessie’s name. Chessie flits over to the car and sits on the side mirror, licking his paw, amused and uninterested in taking sides. I hold the decanter up to get a closer look at Morpheus. “Game, set, match, luv. You do realize that my human side defeated you, right? No magic required.” Unlike a real moth that would beat itself against the glass walls until exhausted, he hangs under the curved neck, dignified, glaring with his bulbous eyes. If he had a mouth instead of a proboscis, I’d be able to tell if he’s snarling or beaming with pride. Knowing him, it could be either. Most likely, it’s both.
A.G. Howard (Unhinged (Splintered, #2))
If you tell a guy in the street you're hungry you scare the shit out of him, he runs like hell. That's something I never understood. I don't understand it yet. The whole thing is so simple - you just say Yes when some one comes up to you. And if you can't say Yes you can take him by the arm and ask some other bird to help you out. Why you have to don a uniform and kill men you don't know, just to get that crust of bread, is a mystery to me. That's what I think about, more than about whose trap it's going down or how much it costs. Why should I give a fuck about what anything costs ? I'm here to live, not to calculate. And that's just what the bastards don't want you to do - to live! They want you to spend your whole life adding up figures. That makes sense to them. That's reasonable. That's intelligent. If I were running the boat things wouldn't be so orderly perhaps, but it would be gayer, by Jesus! You wouldn't have to shit in your pants over trifles. Maybe there wouldn't be macadamized roads and streamlined cars and loudspeakers and gadgets of a million-billion varieties, maybe there wouldn't even be glass in the windows, maybe you'd have to sleep on the ground, maybe there wouldn't be French cooking and Italian cooking and Chinese cooking, maybe people would kill each other when their patience was exhausted and maybe nobody would stop them because there wouldn't be any jails or any cops or judges, and there certainly wouldn't be any cabinet ministers or legislatures because-there wouldn't be any goddamned laws to obey or disobey, and maybe it would take months and years to trek from place to place, but you wouldn't need a visa or a passport or a carte d'identite because you wouldn't be registered anywhere and you wouldn't bear a number and if you wanted to change your name every week you could do it because it wouldn't make any difference since you wouldn't own anything except what you could carry around with you and why would you want to own anything when everything would be free?
Henry Miller (Tropic of Capricorn (Tropic, #2))
Making energy creates waste, like exhaust from a car. That’s the byproduct of running the engine. Your cells work the same way, but this biological exhaust comes in the form of what are called free radicals, which are chemicals that can damage your cells.
Michael F. Roizen (The Great Age Reboot: Cracking the Longevity Code for a Younger Tomorrow)
I came here in a car like everybody else. In a car filled with shit I thought meant something and shortly thereafter tossed on the street: DVDs, soon to be irrelevant, a box of digital and film cameras for a still-latent photography talent, a copy of On the Road that I couldn’t finish, and a Swedish-modern lamp from Walmart. It was a long, dark drive from a place so small you couldn’t find it on a generous map...Does anyone come to New York clean? I’m afraid not….Yes, I’d come to escape, but from what? The twin pillars of football and church? The low, faded homes on childless cul-de-sacs? Morning of the Gazette and boxed doughnuts? The sedated, sentimental middle of it? It didn’t matter. I would never know exactly, for my life, like most, moved only imperceptibly and definitely forward...Let’s say I was born in late June of 2006 when I came over the George Washington Bridge at seven a.m. with the sun circulating and dawning, the sky full of sharp corners of light, before the exhaust rose, before the heat gridlocked in, windows unrolled, radio turned up to some impossibly hopeful pop song, open, open, open.
Stephanie Danler (Sweetbitter)
But I worry what it would be like after all this time. We thought it was unrecognizable when we left, but I have a feeling it would be more unrecognizable now. Sometimes I think I would rather just remember it in my head, all those streets and places I loved. The way it smelled of car exhaust and sweet fruit. The thickness of the heat. The sound of dogs barking in alleyways. That’s the Panamá I want to hold on to. Because a place can do many things against you, and if it’s your home or if it was your home at one time, you still love it. That’s how it works.
Cristina Henríquez (The Book of Unknown Americans)
There was a scream of tortured rubber as the tyres caught the boulevard in a harsh left-handed turn, the deafening echo of a Citroën’s exhaust in second gear, a crash into top, then a swiftly diminishing crackle as the car hared off between the shops on the main street towards the coast-road.
Ian Fleming (Casino Royale (James Bond, #1))
When we grasp that all of this world’s blessings are a gift of Allah and are thankful for them, we please Allah. As a result, we are always aware that the beauty, blessings, and good things around us come from Him. However, those who deny Allah do not see this truth. Instead, they ignore Him and appease their desires and passions. As they enjoy more and more of these blessings, their discontent also increases, because they are consumed by the maniacal desire to possess everything. Instead of being content with what they have, they are unhappy until they get even more. And as a result, they can never fully appreciate the countless blessings and limitless potentials that they already possess. For example, they may have a fine car but become dissatisfied with it as soon as a new model comes out. They believe that going on vacation will end all of their difficulties; however, the slightest setback causes them misery and anxiety. They do not try to overcome their difficulties with patience and submission to destiny, but become pessimistic and return even more anxious and disappointed. Even if they had enjoyed themselves, their pleasure is only temporary; the following anxiety is far more enduring.
Harun Yahya (Those Who Exhaust All Their Pleasures In This Life)
In the parking lot, she drove and parked in a dark area with no other cars around. She reclined her seat, and listened to music. Outside there were trees, a ditch, a bridge; another parking lot. It was very dark. Maybe the Sasquatch would run out from the woods. Chelsea wouldn’t be afraid. She would calmly watch the Sasquatch jog into the ditch then out, hairy and strong and mysterious—to be so large yet so unknown; how could one cope except by running?—smash through some bushes, and sprint, perhaps, behind Wal-Mart, leaping over a shopping cart and barking. Did the Sasquatch bark? It used to alarm Chelsea that this might be all there was to her life, these hours alone each day and night—thinking things and not sharing them and then forgetting—the possibility of that would shock her a bit, trickily, like a three-part realization: that there was a bad idea out there; that that bad idea wasn’t out there, but here; and that she herself was that bad idea. But recently, and now, in her car, she just felt calm and perceiving, and a little consoled, even, by the sad idea of her own life, as if it were someone else’s, already happened, in some other world, placed now in the core of her, like a pillow that was an entire life, of which when she felt exhausted by aloneness she could crumple and fall towards, like a little bed, something she could pretend, and believe, even (truly and unironically believe; why not?), was a real thing that had come from far away, through a place of no people, a place of people, and another place of no people, as a gift, for no occasion, but just because she needed—or perhaps deserved; did the world try in that way? to make things fair?—it.
Tao Lin
The train station is the ideal scenario for greetings and farewells. The car is too banal. What does it mean to set off in a car? Nothing. The airport is too exhausting and impersonal, the plane itself remote, unseen, the barriers and security disturbing. Here the powerful beast of the locomotive thrusts its nose under the great arch of the station.
Tim Parks (Italian Ways: On and Off the Rails from Milan to Palermo)
hospital. I would go see her tomorrow. In the meantime, I'd had a memorable but exhausting day; chased into a pond by a serial limb-barber, surviving a car crash only to be nearly drowned, losing a perfectly good shoe, and on top of all that, as if that wasn't bad enough, forced to buddy up with Sergeant Doakes. Poor Drained Dexter. No wonder I was so tired. I fell into bed and went to sleep at once.
Jeff Lindsay (Dearly Devoted Dexter (Dexter, #2))
Later, when the other Beatles arrived, the crowd in the street had swelled to an estimated twenty-thousand, some of whom were whipped up in a terrific heat. Others, many of them young girls who had been waiting since dawn, suffered from hunger and exhaustion. The police force, which had been monitoring the situation nervously, called in the army and navy to help maintain order, but it was short-lived. By late afternoon, with chants of "We want the Beatles!" ringing through the square, the shaken troops, now four-hundred strong, felt control slipping from their grasp. They didn't know where to look first: at the barricades being crushed, the girls fainting out of sight, the hooligans stomping on the roofs of cars or pushing through their lines. A fourteen-year-old "screamed so hard she burst a blood-vessel in her throat." It was "frightening, chaotic, and rather inhuman," according to a trooper on horseback. There most pressing concern was the hotels plate-glass windows bowing perilously against the violent crush of bodies. They threatened to explode in a cluster of razor-sharp shards at any moment. Ambulances screamed in the distance, preparing for the worst; a detachment of mounted infantry swung into position.
Bob Spitz (The Beatles: The Biography)
They looked so familiar that for a moment Claude feared he had doubled back to Mrs. Merritt's city, until a sudden wave of water blinded his wipers and drove him along with everyone else to the curb, where the crackling radio reported an old man had just now been swept from his backyard by a cloudburst, the latest in a series deluging Tulsa. Clinging there to the side of the hill, no hand brake, Claude rode out the storm, stuffing blankets into the cracks under the doors, watching overhead drips as best he could with the babyseat. When the car next in front crept away from the curb, Claude followed as far as a gas station. There he wondered aloud what lay ahead, but the attendant couldn't say, having swum to work just five minutes ago. Now as Claude pulled away the rain suddenly ceased, it seemed from exhaustion, and for the next hundred miles he spun his dial to catch the latest reports: that old man was still missing, he had last been seen floating downhill toward the river, he had been found, he was dead, he was dying, he was still missing... Claude turned off the radio, for he was beyond range of Tulsa, and Joplin had not heard the news yet. He raced in silence toward the night which he knew already had begun not far ahead.
Douglas Woolf (Wall to Wall (American Literature))
Agape doesn’t necessarily involve high heroics, and it certainly doesn’t involve syrupy sentiment. It’s practical. It makes a difference. And it matters. It’s evident when someone cooks a nutritious meal for his children after an exhausting day at work. It’s seen when a mother takes on three or more jobs to do what it takes to keep her family clothed, housed, and fed. It’s donating blood on a regular basis to the local blood bank. It’s risking looking un-cool, and perhaps far more than that, by interrupting people as they’re telling a racist or anti-gay joke. It’s when someone decides to use the year end bonus that he received from his employer to repair the car of the struggling single mother down the street, or purchase a burial plot for someone without means, instead of buying that boat or motorcycle he’s been wanting.
Roger Wolsey (Kissing Fish: christianity for people who don’t like christianity)
It looked like the same car, except that for ever afterwards it seemed able to do 250 miles on a gallon of petrol, ran so quietly that you practically had to put your mouth over the exhaust pipe to see if the engine was firing, and issued its voice-synthesized warnings in a series of exquisite and perfectly-phrased haikus, each one original and apt … Late frost burns the bloom Would a fool not let the belt Restrain the body?
Terry Pratchett (Good Omens)
Laurie moved the phone from one ear to the other as shuffles on the other end indicated her mother was passing the phone off. She closed her eyes tightly, willing herself to dig up some extra patience. Her father, Derek, told her all about how important it was to have a car that was reliable. She finally broke into the conversation. “Hey, Dad? I’m sorry, but it’s been a crazy day and I’m exhausted. I’m afraid I’m not great company tonight.
Melanie D. Snitker (Finding Peace (Love's Compass #1))
Now come on, we’re off.” He marched out of the room. They heard the front door open, but Dudley did not move and after a few faltering steps Aunt Petunia stopped too. “What now?” barked Uncle Vernon, reappearing in the doorway. It seemed that Dudley was struggling with concepts too difficult to put into words. After several moments of apparently painful internal struggle he said, “But where’s he going to go?” Aunt Petunia and Uncle Vernon looked at each other. It was clear that Dudley was frightening them. Hestia Jones broke the silence. “But…surely you know where your nephew is going?” she asked, looking bewildered. “Certainly we know,” said Vernon Dursley. “He’s off with some of your lot, isn’t he? Right, Dudley, let’s get in the car, you heard the man, we’re in a hurry.” Again, Vernon Dursley marched as far as the front door, but Dudley did not follow. “Off with some of our lot?” Hestia looked outraged. Harry had met this attitude before: Witches and wizards seemed stunned that his closest living relatives took so little interest in the famous Harry Potter. “It’s fine,” Harry assured her. “It doesn’t matter, honestly.” “Doesn’t matter?” repeated Hestia, her voice rising ominously. “Don’t these people realize what you’ve been through? What danger you are in? The unique position you hold in the hearts of the anti-Voldemort movement?” “Er--no, they don’t,” said Harry. “They think I’m a waste of space, actually, but I’m used to--” “I don’t think you’re a waste of space.” If Harry had not seen Dudley’s lips move, he might not have believed it. As it was, he stared at Dudley for several seconds before accepting that it must have been his cousin who had spoken; for one thing, Dudley had turned red. Harry was embarrassed and astonished himself. “Well…er…thanks, Dudley.” Again, Dudley appeared to grapple with thoughts too unwieldy for expression before mumbling, “You saved my life.” “Not really,” said Harry. “It was your soul the dementor would have taken…” He looked curiously at his cousin. They had had virtually no contact during this summer or last, as Harry had come back to Privet Drive so briefly and kept to his room so much. It now dawned on Harry, however, that the cup of cold tea on which he had trodden that morning might not have been a booby trap at all. Although rather touched, he was nevertheless quite relieved that Dudley appeared to have exhausted his ability to express his feelings. After opening his mouth once or twice more, Dudley subsided into scarlet-faced silence. Aunt Petunia burst into tears. Hestia Jones gave her an approving look that changed to outrage as Aunt Petunia ran forward and embraced Dudley rather than Harry. “S-so sweet, Dudders…” she sobbed into his massive chest. “S-such a lovely b-boy…s-saying thank you…” “But he hasn’t said thank you at all!” said Hestia indignantly. “He only said he didn’t think Harry was a waste of space!” “Yeah, but coming from Dudley that’s like ‘I love you,’” said Harry, torn between annoyance and a desire to laugh as Aunt Petunia continued to clutch at Dudley as if he had just saved Harry from a burning building.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Visual over-stimulation is a distraction from concentration and evokes the same sort of reactions as over-stimulation from noise. But the source might surprise you. Even fussy clothing moving around can be a visual distraction, or too many people in the room, or too many machines with moving parts. For those who work outside, a windy day is a triple-threat—with sound, sight, and touch all being affected. Cars moving, lights, signs, crowds, all this visual chaos can exhaust the AS person. Back in the office, too many computer screens, especially older ones with TV-style monitors, and sickly, flickering, unnatural fluorescent lighting were both high on the trigger list. The trouble with fluorescent light is threefold: Cool-white and energy-efficient fluorescent lights are the most commonly used in public buildings. They do not include the color blue, “the most important part for humans,” in their spectrum. In addition to not having the psychological benefits of daylight, they give off toxins and are linked to depression, depersonalization, aggression, vertigo, anxiety, stress, cancer, and many other forms of ill health. It’s true. There’s an EPA report to prove it (Edwards and Torcellini 2002). Flickering fluorescent lights, which can trigger epileptic seizures, cause strong reactions in AS individuals, including headaches, confusion, and an inability to concentrate. Even flickering that is not obvious to others can be perceived by some on the spectrum.
Rudy Simone (Asperger's on the Job: Must-have Advice for People with Asperger's or High Functioning Autism, and their Employers, Educators, and Advocates)
What I like about the job of being a novelist, and at the same time what I find so exhausting about it, is that it’s the closest thing to being God you’re ever going to get. All of the decisions are yours. You decide when the sun comes up. You decide who gets to fall in love and who gets hit by a car. You have to make all the trees and all the leaves and then sew the leaves onto the trees. You make the entire world. As much as I might wish for it to happen, my characters no more write the book than the puppets take over the puppet show. (Many
Ann Patchett (This Is the Story of a Happy Marriage)
What did I do now?” He reluctantly pulled the car the curb. I needed to get out of this car – like now. I couldn’t breathe. I unbuckled and flung open the door. “Thanks for the ride. Bye.” I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself. “What happened?” James asked, matching my pace. “Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily. “Stop,” he ordered. Damn it, he’s strong! “What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace. “It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!” “No!” He squeezed tighter, pulling me closer. “Leave me alone!” I spit the words like venom, pulling my arm with all my might. “What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls. We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic. “Fireball?” he murmured softly. “What?” I replied quietly, defeated. Hesitantly, he asked, “Did I say something to make you sad?” I wasn’t going to mention the boyfriend thing; there was no way. “Yes,” I whimpered. That’s just great, way to sound strong there, now he’ll have no reason not to pity you! “I’m sorry,” came his quiet reply. Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done! “Whatever.” “What can I do to make it all better?” “There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure. Jesus! “What do you think you’re doing?” I asked him softly; his face was only a few inches from mine. “What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck. I can’t believe I just did that! “That’s better.” Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically. “James,” I murmured softly. “Fireball,” he whispered back. “What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats. James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him. “What are you doing?” My bewilderment was audible in the hush. I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips. I wanted it. Badly. My lips parted a fraction, letting a thread of air escape. “Can I?” His breath was warm on my lips. Fuck it! “Yeah,” I whispered back. He closed the distance until his lush lips covered mine. My first kiss…damn! His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into
Sarah Tork (Young Annabelle (Y.A #1))
There were, inevitably, children’s clothing stores, furniture shops still offering bedroom sets by layaway, and dollar stores whose awnings teemed with suspended inflatable dolls, beach chairs, laundry carts, and other impulse purchases a mom might make on a Saturday afternoon, exhausted by errand running with her kids. There was the sneaker store where Olga used to buy her cute kicks, the fruit store Prieto had worked at in high school, the little storefront that sold the kind of old-lady bras Abuelita used to wear. On the sidewalks, the Mexican women began to set up their snack stands. Mango with lime and chili on this corner, tamales on that. Until the Mexicans had come to Sunset Park, Olga had never tried any of this food, and now she always tried to leave a little room to grab a snack on her way home. Despite the relatively early hour, most of the shops were open, music blasting into the streets, granting the avenue the aura of a party. In a few more hours, cars with their stereos pumping, teens with boom boxes en route to the neighborhood’s public pool, and laughing children darting in front of their mothers would add to the cacophony that Olga had grown to think of as the sound of a Saturday.
Xóchitl González (Olga Dies Dreaming)
Which brings me to the final aspect of the problem of Industrial Tourism: the Industrial Tourists themselves. They work hard, these people. They roll up incredible mileages on their odometers, rack up state after state in two-week transcontinental motor marathons, knock off one national park after another, take millions of square yards of photographs, and endure patiently the most prolonged discomforts: the tedious traffic jams, the awful food of park cafeterias and roadside eateries, the nocturnal search for a place to sleep or camp, the dreary routine of One-Stop Service, the endless lines of creeping traffic, the smell of exhaust fumes, the ever-proliferating Rules & Regulations, the fees and the bills and the service charges, the boiling radiator and the flat tire and the vapor lock, the surly retorts of room clerks and traffic cops, the incessant jostling of the anxious crowds, the irritation and restlessness of their children, the worry of their wives, and the long drive home at night in a stream of racing cars against the lights of another stream racing in the opposite direction, passing now and then the obscure tangle, the shattered glass, the patrolman’s lurid blinker light, of one more wreck.
Edward Abbey (Desert Solitaire: A Season in the Wilderness)
And he didn’t seem to mind being cold and wet or exhausted the way other people did. It wasn’t fun, but then life wasn’t meant to be that fun. That was the difference, Wynn thought. For Jack, stuff like cold and hunger didn’t have a value, good or bad, they just were, and it was best if they didn’t last that long; but if they did, as long as one survived them, no harm, no foul. It gave Jack a strength, a temper, that Wynn admired. At about five-ten, Jack was almost six inches shorter than Wynn. Wynn could grunt a car out of the mud, but Jack was lighter and leaner and could run faster, and Wynn knew he had that toughness that was bred in the bone. So when Jack was troubled, Wynn paid attention.
Peter Heller (The River)
They made a sweeping turn into Park Avenue and Herzog clutched the broken window handle. It wouldn’t open. But if it opened dust would pour in. They were demolishing and raising buildings. The avenue was filled with concrete-mixing trucks, smells of wet sand and powdery gray [sic] cement. Crashing, stamping pile-driving below, and, higher, structural steel, interminably and hungrily going up into the cooler, more delicate blue. Orange beams hung from the cranes like straws. But down in the street where the buses were spurting the poisonous exhaust of cheap fuel, and the cars were crammed together, it was stifling, grinding, the racket of machinery and the desperately purposeful crowds - horrible!
Saul Bellow (Herzog)
On one occasion when she was feeling edgy and exhausted and her cartilage ached the way it sometimes did, she stopped off at the memorial park on her way home. It was the biggest public open space in the country. She drove up and down the long rows of granite grave markers set flush to the grass singing, “If you are going to San Francisco,” thinking about smothering Byrdie and taking the car and just running away. Her life could start over as it was meant to start – but how was that, pray tell? As a lesbian? What about those two or three months of fixation on sleeping with Lee? Is that what lesbians do? She looked back at Byrdie asleep on the back bench seat and said, “Byrdie boy, I love you so much.
Nell Zink (Mislaid)
I say, it sounds like some dangerous psychotic killer wrote this, and this buttoned-down schizophrenic could probably go over the edge at any moment in the working day and stalk from office to office with an Armalite AR-180 carbine gas-operated semiautomatic. My boss just looks at me. The guy, I say, is probably at home every night with a little rattail file, filing a cross into the tip of every one of his rounds. This way, when he shows up to work one morning and pumps a round into his nagging, ineffectual, petty, whining, butt-sucking, candy-ass boss, that one round will split along the filed grooves and spread open the way a dumdum bullet flowers inside you to blow a bushel load of your stinking guts out through your spine. Picture your gut chakra opening in a slow-motion explosion of sausage-casing small intestine. My boss takes the paper out from under my nose. Go ahead, I say, read some more. No really, I say, it sounds fascinating. The work of a totally diseased mind. And I smile. The little butthole-looking edges of the hole in my cheek are the same blue-black as a dog’s gums. The skin stretched tight across the swelling around my eyes feels varnished. My boss just looks at me. Let me help you, I say. I say, the fourth rule of fight club is one fight at a time. My boss looks at the rules and then looks at me. I say, the fifth rule is no shoes, no shirts in the fight. My boss looks at the rules and looks at me. Maybe, I say, this totally diseased fuck would use an Eagle Apache carbine because an Apache takes a thirty-shot mag and only weighs nine pounds. The Armalite only takes a five-round magazine. With thirty shots, our totally fucked hero could go the length of mahogany row and take out every vice-president with a cartridge left over for each director. Tyler’s words coming out of my mouth. I used to be such a nice person. I just look at my boss. My boss has blue, blue, pale cornflower blue eyes. The J and R 68 semiautomatic carbine also takes a thirty-shot mag, and it only weighs seven pounds. My boss just looks at me. It’s scary, I say. This is probably somebody he’s known for years. Probably this guy knows all about him, where he lives, and where his wife works and his kids go to school. This is exhausting, and all of a sudden very, very boring. And why does Tyler need ten copies of the fight club rules? What I don’t have to say is I know about the leather interiors that cause birth defects. I know about the counterfeit brake linings that looked good enough to pass the purchasing agent, but fail after two thousand miles. I know about the air-conditioning rheostat that gets so hot it sets fire to the maps in your glove compartment. I know how many people burn alive because of fuel-injector flashback. I’ve seen people’s legs cut off at the knee when turbochargers start exploding and send their vanes through the firewall and into the passenger compartment. I’ve been out in the field and seen the burned-up cars and seen the reports where CAUSE OF FAILURE is recorded as "unknown.” No, I say, the paper’s not mine. I take the paper between two fingers and jerk it out of his hand. The edge must slice his thumb because his hand flies to his mouth, and he’s sucking hard, eyes wide open. I crumble the paper into a ball and toss it into the trash can next to my desk. Maybe, I say, you shouldn’t be bringing me every little piece of trash you pick up.
Chuck Palahniuk (Fight Club)
I talk about my feeling of living with one foot in madness, the distortions of reality, the fog that descends at certain moments, unsettling as amnesia. (What am I doing in this classroom? Why, in this mirror, does my face look so weird? I wrote that? What could I have meant?) I talk about how, no matter how much I sleep, I’m exhausted. About the number of times I bump into something, or drop something, or trip over my own feet. Stepping off the curb into the path of a car that would have struck me if someone standing by hadn’t jerked me back. The days when I don’t eat, the days when I eat nothing but junk. Absurd fears: What if there’s a gas leak and the building blows up? Losing or misplacing stuff. Forgetting to do my taxes. These are all symptoms of bereavement, the therapist tells me unnecessarily. Doctor Obvious. But you know, Apollo, I say after my fourth or fifth session, I think I really am beginning to feel a little better. •
Sigrid Nunez (The Friend)
The schedule took a toll. As residents, we were working as much as one hundred hours a week; though regulations officially capped our hours at eighty-eight, there was always more work to be done. My eyes watered, my head throbbed, I downed energy drinks at two A.M. At work, I could keep it together, but as soon as I walked out of the hospital, the exhaustion would hit me. I staggered through the parking lot, often napping in my car before driving the fifteen minutes home to bed. Not all residents could stand the pressure. One was simply unable to accept blame or responsibility. He was a talented surgeon, but he could not admit when he’d made a mistake. I sat with him one day in the lounge as he begged me to help him save his career. “All you have to do,” I said, “is look me in the eye and say, ‘I’m sorry. What happened was my fault, and I won’t let it happen again.’ ” “But it was the nurse who—” “No. You have to be able to say it and mean it. Try again.” “But—” “No. Say it.” This went on for an hour before I knew he was doomed.
Paul Kalanithi (When Breath Becomes Air)
That's Branton, Michigan, by the way. Don't try to find it on a map - you'd need a microscope. It's one of a dozen dinky towns north of Lansing, one of the few that doesn't sound like it was named by a French explorer. Branton, Michigan. Population: Not a Lot and Yet Still Too Many I Don't Particularly Care For. We have a shopping mall with a JCPenny and an Asian fusion place that everyone says they are dying to try even though it’s been there for three years now. Most of our other restaurants are attached to gas stations, the kind that serve rubbery purple hot dogs and sodas in buckets. There’s a statue of Francis B. Stockbridge in the center of town. He’s a Michigan state senator from prehistoric times with a beard that belongs on Rapunzel’s twin brother. He wasn’t born in Branton, of course – nobody important was ever born in Branton – but we needed a statue for the front of the courthouse and the name Stockbridge looks good on a copper plate. It’s all for show. Branton’s the kind of place that tries to pretend it’s better than it really is. It’s really the kind of place with more bars than bookstores and more churches than either, not that that’s necessarily a bad thing. It’s a place where teenagers still sometimes take baseball bats to mailboxes and wearing the wrong brand of shoes gets you at least a dirty look. It snows a lot in Branton. Like avalanches dumped from the sky. Like heaps to hills to mountains, the plows carving their paths through our neighborhood, creating alpine ranges nearly tall enough to ski down. Some of the snow mounds are so big you can build houses inside them, complete with entryways and coat closets. Restrooms are down the hall on your right. Just look for the steaming yellow hole. There’s nothing like that first Branton snow, though. Soft as a cat scruff and bleach white, so bright you can almost see your reflection in it. Then the plows come and churn up the earth underneath. The dirt and the boot tracks and the car exhaust mix together to make it all ash gray, almost black, and it sickens your stomach just to look at it. It happens everywhere, not just Branton, but here it’s something you can count on.
John David Anderson
Now, although hypertension is accentuated by modern civilisation, it is not specifically a disease of civilisation. It is a disease of consciousness—that is, of being human. The farm labourer going to work is as likely to ignore his surroundings as the harassed car salesman. And if the inhabitants of some Amazon village are ‘closer to nature’ than New Yorkers, this is usually at the cost of dirt and ignorance and inconvenience. Hypertension is the price we pay for the symphonies of Beethoven, the novels of Balzac, the advances in medical knowledge that prevent children dying of smallpox. However, it is not a necessary and inescapable price. It is the result of ignorance, of bad management of our vital economy. The point to observe here is that although hypertension may not be necessary, it is as widespread as the common cold. It would not be inaccurate to say that all human beings live in a state of ‘vigilance’ and anxiety that is far above the level they actually need for vital efficiency. It is a general tendency of consciousness to ‘spread the attention too thinly’; and, like an over-excited child with too many toys on Christmas Day, the result is nervous exhaustion.
Colin Wilson (The Occult)
At 5pm every weekday,,,JB got on the subway and headed for his studio in Long Island City. The weekday journey was his favorite: He'd board at Canal and watch the train fill and empty at each stop with an ever-shifting mix of different peoples and ethnicities, the car's population reconstituting itself every ten blocks or so into provocative and improbably constellations of Poles, Chinese, Koreans, Senegalese; Senegalese, Dominicans, Indians, Pakistanis; Pakistanis, Irish, Salvadorans, Mexicans; Mexicans, Sri Lankans, Nigerians, and Tibetans - the only thing uniting them being their newness to America and their identical expressions of exhaustion, that blend of determination and resignation that only the immigrant possesses.... The other aspect of those weekday-evening trips he loved was the light itself, how it filled the train with something living as the cars rattled across the bridge, how it washed the weariness from his seat-mates' faces and revealed them as they were when they first came to the county, when they were young and America seemed conquerable. He'd watch that kind light suffuse the car like syrup, watch it smudge furrows from foreheads, slick gray hairs into gold, gentle the aggressive shine from cheap fabrics into something lustrous and fine.
Hanya Yanagihara (A Little Life)
In the Naked Bed, in Plato’s Cave In the naked bed, in Plato’s cave, Reflected headlights slowly slid the wall, Carpenters hammered under the shaded window, Wind troubled the window curtains all night long, A fleet of trucks strained uphill, grinding, Their freights covered, as usual. The ceiling lightened again, the slanting diagram Slid slowly forth. Hearing the milkman’s chop, His striving up the stair, the bottle’s chink, I rose from bed, lit a cigarette, And walked to the window. The stony street Displayed the stillness in which buildings stand, The street-lamp’s vigil and the horse’s patience. The winter sky’s pure capital Turned me back to bed with exhausted eyes. Strangeness grew in the motionless air. The loose Film grayed. Shaking wagons, hooves’ waterfalls, Sounded far off, increasing, louder and nearer. A car coughed, starting. Morning, softly Melting the air, lifted the half-covered chair From underseas, kindled the looking-glass, Distinguished the dresser and the white wall. The bird called tentatively, whistled, called, Bubbled and whistled, so! Perplexed, still wet With sleep, affectionate, hungry and cold. So, so, O son of man, the ignorant night, the travail Of early morning, the mystery of beginning Again and again, while History is unforgiven.
Delmore Schwartz (Screeno: Stories & Poems)
The Mother’s Prayer for Its Daughter First, Lord: No tattoos. May neither the Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For Childhood is short—a Tiger Flower blooming Magenta for one day— And Adulthood is long and Dry-Humping in Cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, That I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes. Amen
Tina Fey (Bossypants)
There’s an unexpected lull in the traffic about two-thirds of the way to Darmstadt, and I make the mistake of breathing a sigh of relief. The respite is short-lived. One moment I’m driving along a seemingly empty road, bouncing from side to side on the Smart’s town-car suspension as the hairdryersized engine howls its guts out beneath my buttocks, and the next instant the dashboard in front of me lights up like a flashbulb. I twitch spasmodically, jerking my head up so hard I nearly dent the thin plastic roof. Behind me the eyes of Hell are open, two blinding beacons like the landing lights on an off-course 747. Whoever they are, they’re standing on their brakes so hard they must be smoking. There’s a roar, and then a squat, red Audi sports coupe pulls out and squeezes past my flank close enough to touch, its blonde female driver gesticulating angrily at me. At least I think she’s blonde and female. It’s hard to tell because everything is gray, my heart is trying to exit through my rib cage, and I’m frantically wrestling with the steering wheel to keep the roller skate from toppling over. A fraction of a second later she’s gone, pulling back into the slow lane ahead of me to light off her afterburners. I swear I see red sparks shooting out of her two huge exhaust tubes as she vanishes into the distance, taking about ten years of my life with her.
Charles Stross (The Jennifer Morgue (Laundry Files, #2))
I found Lord Emsworth, Lady Constance, and told him the car was in readiness.’ ‘Oh, thank you, Miss Briggs. Where was he?’ ‘Down at the sty. Would there be anything furthah?’ ‘No thank you, Miss Briggs.’ As the door closed, the Duke exploded with a loud report. ‘Down at the sty!’ he cried. ‘Wouldn’t you have known it! Whenever you want him, he’s down at the sty, gazing at that pig of his, absorbed, like somebody watching a strip-tease act. It’s not wholesome for a man to worship a pig the way he does. Isn’t there something in the Bible about the Israelites worshipping a pig? No, it was a golden calf, but the principle’s the same. I tell you …’ He broke off. The door had opened again. Lord Emsworth stood on the threshold, his mild face agitated. ‘Connie, I can’t find my umbrella.’ ‘Oh, Clarence!’ said Lady Constance with the exasperation the head of the family so often aroused in her, and hustled him out towards the cupboard in the hall where, as he should have known perfectly well, his umbrella had its home. Left alone, the Duke prowled about the room for some moments, chewing his moustache and examining his surroundings with popping eyes. He opened drawers, looked at books, stared at pictures, fiddled with pens and paper-knives. He picked up a photograph of Mr Schoonmaker and thought how right he had been in comparing his head to a pumpkin. He read the letter Lady Constance had been writing. Then, having exhausted all the entertainment the room had to offer, he sat down at the desk and gave himself up to thoughts of Lord Emsworth and the Empress. Every
P.G. Wodehouse (Service with a Smile)
I was exhausted and had to rely on Herr Schreiner to help me and knew in my soul that God had sent him to my aid. As tired as I was, I couldn’t have handled my luggage alone. Finally another train did pull into the station but in stark contrast to the empty platform we were standing on, the train was completely full of people. Although he wasn’t that big of a man, Herr Schreiner pushed my suitcases up the two steps into the railway car, and I climbed up behind them. As the train left the station, he hung onto the two entrance handles right behind me and I pushed for space, trying to make enough room for him to get into the carriage. With every surge of the train I expected him to lose his grip but with what I am certain was superhuman strength, he hung on as the train picked up speed. Several of the people made snide remarks but I turned a deaf ear to this and pushed as hard as I could, so that he could also get in. With the help of another man pulling on his coat, Herr Schreiner finally managed to squeeze in far enough so that we could close the door behind him. Once safely on the train, someone from his school in Mannheim recognized him. Herr Schreiner had been a very popular, much admired school principal and seeing how tired and bedraggled we now looked, the passenger offered us his window seats and helped to make room so that we could store our suitcases in the luggage rack above our heads. The train didn’t make any more stops and continued east crossing the Rhine River Bridge, which miraculously was still there. I couldn’t believe that everything had come together as well as it had, and that I was on my way back to Überlingen and my children.
Hank Bracker
SILVER CITY IS NO PLACE FOR AMATEURS I left Colorado Springs the next morning and got back in the fucking car for another day of driving for the Tour of the Gila. I’d never driven in snow before, but I made it to Santa Fe and then Albuquerque in the afternoon, careful to dodge all the tumbleweeds on the highway in New Mexico. I hadn’t known that those existed outside of cartoons. Already exhausted when I got off the interstate, I was surprised when my GPS said “48 miles remaining, 1.5 hours’ drive time”—I was sure that couldn’t be right. Then I saw the steep climbs, bumpy cattle guards, and dangerous descents on the road into Silver City. I drove as fast as I could, sliding my poor car around hairpins in the dark. I made it to the host house, fell asleep, and found two flat tires when I went outside to unpack the car in the morning. They probably weren’t meant for drifting. My luck didn’t improve when the race started. I got a flat tire when I went off the road to dodge a crash, and I chased for over an hour to get back to the field. Between the dry air and altitude, I got a major nosebleed. My car was parked at the base of the finishing climb, and I got there several minutes behind the field, my new white Cannondale and all my clothes covered in blood. The course turned right to go up the climb, and I turned left, climbed into my car, and got the hell out of there. I might have made the time cut, but for the second time in two weeks, I opted to climb in the car instead. I got out of that town like I was about to turn into a pumpkin, and made it back to San Diego nine hours later. If there wasn’t a Pacific Ocean to stop me, I’d have driven another day, just to get farther from Gila.
Phil Gaimon (Pro Cycling on $10 a Day: From Fat Kid to Euro Pro)
At the time that he had seriously begun to consolidate his organization, Parker was working in a custom photo lab. The reader who is not much taken by audiovisual pastimes may have a deficient picture of that place where Parker was employed; or perhaps not so much a deficient picture--the dyes faded, shoddily spotted, brutishly burned in and doltishly dodged by subhuman technicians under the glare of the enlargers--as an image which had been misfiled in the archives of the memory, representing instead one of those bleak Photo Drive-Ups and Presto Printses located nowadays on the corner of almost every large parking lot, in which the clerks wait sadly behind their glass counters, but no one comes in, and the air becomes darker and darker over the course of the morning as a result of exhaust fumes (there goes another brain cell; ping! - THAT thought will never be completed now); and the pink chubby tots smiling at your from the walls in sample enlargements become steadily more grimy, and by the lunch break they are brown; and the day ticks off on the loud digital clock; and then finally a car creeps into the lot, and a popeyed couple locks that vehicle doors listlessly; they request a reprint of a washed-out snapshot of their son who was killed in the Indian Wars, and they go away; and after a long time here comes a slick-haired teenager who once took a few pix of his girlfriend holding a balloon at the zoo in front of the monkey cage on a dirty overcast day, and the clerk can tell just by looking at this customer that they won’t come out, because the guy’s a loser if the clerk knows anything at all about losers and in fact he knows a hell of a lot about losers because why else would he be stuck with this job?
William T. Vollmann (You Bright and Risen Angels (Contemporary American Fiction))
Some think that money and what it can buy will make them happy and so concentrate on earning it. But acquiring a better car, a nicer house, a better position, or more comfort will never satisfy them, for they are filled with the desire to have more. For example, some people have a passion for cars. It is very important that their car is a good make and the latest model; it has to have good engineering and a quality music system. They grow very emotionally attached to their auto and do not want it to have the slightest dent or scratch. But their satisfaction from driving a nice car does not last long. Soon a new model comes out, and theirs becomes an outdated model. It pains them to read that a faster car with more accessories and more advanced engineering is now on the market, and in an instant moment they lose all the pleasure they had in their once-coveted possession. Also, their wardrobe becomes a major problem for ignorant people. Some people want to follow the latest clothing fashions, even though they may not have enough money to do so. They buy an outfit that they like and find attractive, but stop liking it when it goes out of style or they see it on someone they do not like or, even worse, a rival. The outfit abruptly loses its appeal and becomes a source of irritation. In much the same way, seeing someone wearing nicer clothing than theirs makes them quite miserable. No matter how nice their own outfits are, they are worried that they are no more than ordinary, which makes then unhappy. Their habits, social activities, material means, or possessions will not make them happy, and their constant search for more will make them even more miserable. When they realize that they have really consumed and wasted all of this life’s pleasures, they generally get “angry at life.” Unwilling to solve their problems through belief, they remain mired in confusion and unhappiness. Therefore, in spite of all their efforts, they remain confused and unhappy. However, if they practiced religious morality, they would have a joy deeper than they could imagine.
Harun Yahya (Those Who Exhaust All Their Pleasures In This Life)
Prologue In 1980, a year after my wife leapt to her death from the Silas Pearlman Bridge in Charleston, South Carolina, I moved to Italy to begin life anew, taking our small daughter with me. Our sweet Leah was not quite two when my wife, Shyla, stopped her car on the highest point of the bridge and looked over, for the last time, the city she loved so well. She had put on the emergency brake and opened the door of our car, then lifted herself up to the rail of the bridge with the delicacy and enigmatic grace that was always Shyla’s catlike gift. She was also quick-witted and funny, but she carried within her a dark side that she hid with bright allusions and an irony as finely wrought as lace. She had so mastered the strategies of camouflage that her own history had seemed a series of well-placed mirrors that kept her hidden from herself. It was nearly sunset and a tape of the Drifters’ Greatest Hits poured out of the car’s stereo. She had recently had our car serviced and the gasoline tank was full. She had paid all the bills and set up an appointment with Dr. Joseph for my teeth to be cleaned. Even in her final moments, her instincts tended toward the orderly and the functional. She had always prided herself in keeping her madness invisible and at bay; and when she could no longer fend off the voices that grew inside her, their evil set to chaos in a minor key, her breakdown enfolded upon her, like a tarpaulin pulled across that part of her brain where once there had been light. Having served her time in mental hospitals, exhausted the wide range of pharmaceuticals, and submitted herself to the priestly rites of therapists of every theoretic persuasion, she was defenseless when the black music of her subconscious sounded its elegy for her time on earth. On the rail, all eyewitnesses agreed, Shyla hesitated and looked out toward the sea and shipping lanes that cut past Fort Sumter, trying to compose herself for the last action of her life. Her beauty had always been a disquieting thing about her and as the wind from the sea caught her black hair, lifting it like streamers behind her,
Pat Conroy (Beach Music)
Yet at least he had believed in the cars. Maybe to excess: how could he not, seeing people poorer than him come in, Negro, Mexican, cracker, a parade seven days a week, bringing the most godawful of trade-ins: motorized, metal extensions of themselves, of their families and what their whole lives must be like, out there so naked for anybody, a stranger like himself, to look at, frame cockeyed, rusty underneath, fender repainted in a shade just off enough to depress the value, if not Mucho himself, inside smelling hopelessly of children, supermarket booze, two, sometimes three generations of cigarette smokers, or only of dust and when the cars were swept out you had to look at the actual residue of these lives, and there was no way of telling what things had been truly refused (when so little he supposed came by that out of fear most of it had to be taken and kept) and what had simply (perhaps tragically) been lost: clipped coupons promising savings of .05 or .10, trading stamps, pink flyers advertising specials at the markets, butts, tooth-shy combs, help-wanted ads, Yellow Pages torn from the phone book, rags of old underwear or dresses that already were period costumes, for wiping your own breath off the inside of a windshield with so you could see whatever it was, a movie, a woman or car you coveted, a cop who might pull you over just for drill, all the bits and pieces coated uniformly, like a salad of despair, in a gray dressing of ash, condensed exhaust, dust, body wastesit made him sick to look, but he had to look. If it had been an outright junkyard, probably he could have stuck things out, made a career: the violence that had caused each wreck being infrequent enough, far enough away from him, to be miraculous, as each death, up till the moment of our own, is miraculous. But the endless rituals of trade-in, week after week, never got as far as violence or blood, and so were too plausible for the impressionable Mucho to take for long. Even if enough exposure to the unvarying gray sickness had somehow managed to immunize him, he could still never accept the way each owner, each shadow, filed in only to exchange a dented, malfunctioning version of himself for another, just as futureless, automotive projection of somebody else's life. As if it were the most natural thing. To Mucho it was horrible. Endless, convoluted incest.
Thomas Pynchon (The Crying of Lot 49)
exhausts himself and falls asleep in our faces. When that happens, Chase puts a blanket over him and we tiptoe out. On this particular day, we decide to grab a snack and screen our video footage. I suggest frozen yogurt at Heaven on Ice—the words are out of my mouth before I remember what happened the last time we were in that place together. He looks worried, so I add, “I promise not to dump anything over your head.” Heaven on Ice is just a few blocks away. We load up sundaes, pick a corner booth, and start to preview the day’s efforts on the flip-cam. It’s good stuff. Mr. Solway is ranting about how the designated hitter has ruined baseball, so we’re both holding back laughter as we watch. We already have enough footage for five videos. I can’t shake the feeling that we keep going back for more just because we don’t want it to end. Chase is having the same thoughts. “I’m going to keep visiting Mr. Solway even after we finish.” “I’ll come with you.” My response is instant, even though I had no idea I was going to say that. “Shosh?” I look up and there’s my mother in line at the register, carrying a small frozen yogurt cake. Suddenly, an expression of utter horror spreads across her face. “Mom? What’s wrong—?” Then I realize that she’s just recognized the person that I’m with, our heads together as we watch the tiny flip-cam screen. I never told anybody in my family who my partner is for the video contest, so I know how this must seem to Mom: that I’m cozied up, practically cheek to cheek, with the horrible bully who made Joel’s life unbearable and forced him out of town. “It’s not what it looks like!” I blurt. Her expression is carved from stone. “The car’s outside. I’ll drive you home.” “But, Mom—” “I said get in the car.” Chase stands up. “Mrs. Weber—” She’s been quiet up to now. But being addressed directly by Chase is too much for her. “How dare you speak to me?” she seethes, her entire body shaking. “Everyone in my family is off-limits to you! If I had my way, you and your filthy friends would be in juvenile hall!” I speak up again. “This is my fault, not his! If you have to blame someone, blame me!” “I am blaming you!” She hustles me out the door, tossing over her shoulder at Chase, “Stay away from my daughter!” “Can’t we talk about this?” I plead. “Oh, we’ll talk about this,” she agrees. “Trust me, by the time we’re through, your ears will be blistered.” We’re halfway home before either of us realizes that she never paid for the frozen yogurt cake.
Gordon Korman (Restart)
In the year after Chris died, a friend organized a trip for the kids and me to use the time-share at Disney World in Florida. I felt exceptionally lonely the night we arrived in our rental car, exhausted from our flight. Getting our suitcases out, I mentioned something along the lines of “I wish we had Dad here.” “Me, too,” said both of the kids. “But he’s still with us,” I told them, forcing myself to sound as optimistic as possible. “He’s always here.” It’s one thing to say that and another to feel it, and as we walked toward the building I didn’t feel that way at all. We went upstairs--our apartment was on the second floor--and went to the door. A tiny frog was sitting on the door handle. A frog, really? Talk about strange. Anyone who knows the history of the SEALs will realize they trace their history to World War II combat divers: “frogmen” specially trained to infiltrate and scout enemy beaches before invasions (among other duties). They’re very proud of that heritage, and they still occasionally refer to themselves as frogmen or frogs. SEALs often feature frogs in various tattoos and other art related to the brotherhood. As a matter of fact, Chris had a frog skeleton tattoo as a tribute to fallen SEALs. (The term frogman is thought to derive from the gear the combat divers wore, as well as their ability to work both on land and at sea.) But for some reason, I didn’t make the connection. I was just consumed by the weirdness--who finds a frog, even a tiny one, on a door handle? The kids gathered round. Call me squeamish, but I didn’t want to touch it. “Get it off, Bubba!” I said. “No way.” We hunted around and found a little tree branch on the grounds. I held it up to the doorknob, hoping it would hop on. It was reluctant at first, but finally it toddled over to the outside of the door jam. I left it to do whatever frogs do in the middle of the night. Inside the apartment, we got settled. I took out my cell phone and called my mom to say we’d arrived safely. “There was one strange thing,” I told her. “There was a frog on the door handle when we arrived.” “A…frog?” “Yes, it’s like a jungle down here, so hot and humid.” “A frog?” “Yeah.” “And you don’t think there’s anything interesting about that?” “Oh my God,” I said, suddenly realizing the connection. I know, I know: just a bizarre coincidence. Probably. I did sleep really well that night. The next morning I woke up before the kids and went into the living room. I could have sworn Chris was sitting on the couch waiting for me when I came out. I can’t keep seeing you everywhere. Maybe I’m crazy. I’m sorry. It’s too painful. I went and made myself a cup of coffee. I didn’t see him anymore that week.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
One evening in April a thirty-two-year-old woman, unconscious and severely injured, was admitted to the hospital in a provincial town south of Copenhagen. She had a concussion and internal bleeding, her legs and arms were broken in several places, and she had deep lesions in her face. A gas station attendant in a neighboring village, beside the bridge over the highway to Copenhagen, had seen her go the wrong way up the exit and drive at high speed into the oncoming traffic. The first three approaching cars managed to maneuver around her, but about 200 meters after the junction she collided head-on with a truck. The Dutch driver was admitted for observation but released the next day. According to his statement he started to brake a good 100 meters before the crash, while the car seemed to actually increase its speed over the last stretch. The front of the vehicle was totally crushed, part of the radiator was stuck between the road and the truck's bumper, and the woman had to be cut free. The spokesman for emergency services said it was a miracle she had survived. On arrival at the hospital the woman was in very critical condition, and it was twenty-four hours before she was out of serious danger. Her eyes were so badly damaged that she lost her sight. Her name was Lucca. Lucca Montale. Despite the name there was nothing particularly Italian about her appearance. She had auburn hair and green eyes in a narrow face with high cheek-bones. She was slim and fairly tall. It turned out she was Danish, born in Copenhagen. Her husband, Andreas Bark, arrived with their small son while she was still on the operating table. The couple's home was an isolated old farmhouse in the woods seven kilometers from the site of the accident. Andreas Bark told the police he had tried to stop his wife from driving. He thought she had just gone out for a breath of air when he heard the car start. By the time he got outside he saw it disappearing along the road. She had been drinking a lot. They had had a marital disagreement. Those were the words he used; he was not questioned further on that point. Early in the morning, when Lucca Montale was moved from the operating room into intensive care, her husband was still in the waiting room with the sleeping boy's head on his lap. He was looking out at the sky and the dark trees when Robert sat down next to him. Andreas Bark went on staring into the gray morning light with an exhausted, absent gaze. He seemed slightly younger than Robert, in his late thirties. He had dark, wavy hair and a prominent chin, his eyes were narrow and deep-set, and he was wearing a shabby leather jacket. Robert rested his hands on his knees in the green cotton trousers and looked down at the perforations in the leather uppers of his white clogs. He realized he had forgotten to take off his plastic cap after the operation. The thin plastic crackled between his hands. Andreas looked at him and Robert straightened up to meet his gaze. The boy woke.
Jens Christian Grøndahl (Lucca)
I rail a lot against passion, because I feel like passion can be very exclusionary, and very elitist, and it can leave a lot of people feeling like they don't belong... I'm much more interested in allowing people to follow curiosity, which is a much more gentle impulse that doesn't require that you sacrifice your entire life for something. It's more of kind of a scavenger hunt, where you're allowed to pick up these tiny beautiful little clues along the pathway. It's more of a tap on the shoulder that asks you to turn your attention one inch to the left. Oh that's a little bit mildly interesting - what is that? Okay now I'm going to take that clue... I'm going to take it another inch, and I'm going to take it another inch. Rather than this idea that the symphony is born whole, because you sit down and you're struck by lightening and then you start to create. Curiosity I think, is a far more friendly way to do creativity than passion." ...this is why I say the path of curiosity is the scavenger hunt, because it took my probably three years between "gee it would be nice to put some plants in my backyard" to here I am in the South Pacific exploring the history of moss and inventing this giant novel. You know I think everybody thinks that creativity comes in lightening strikes, but I think it comes with whispers. And then the whispers can grow thunderous over time if you are patient enough to explore it, almost in the way that a scientist would. Be open to - you don't need to know why you are interested in this, it will be revealed if you continue to investigate. That's all that curiosity asks of you. Passion asks you to throw it all in the bonfire. And curiosity is way more generous in that it just says - give me a little bit of your time and let's see what we can do. Fear is part of our make-up, it's something that's inherent in us, it's a protective device. My experience with fear is to permit it to exist and then to figure out how to work with it. And to me working with fear is what courage is. I've never started any project that I wasn't afraid... during the entire thing.And the conversation that I have with fear is not to say you are the death of creativity and I can't be creative because you exist, but rather to say: "You are part of the family of my consciousness. You are one of the emotions that I possess and I hear your complaint. I see your anxiety and I see everything you are putting before me about how this is going to be a disaster, and how I'm going to die and how everyone's going to mock me and how I'm going to fail... and I thank you so much for your contribution, but your sister creativity and I are going to go off on this journey now and do this thing but you are allowed to be in the car. We're going on a road trip, but I don't expect you to not come." And once you allow fear to just be present it seems to quiet down and go to sleep and then you can go about your work. But it's never out of the picture and I don't waste my energy trying to kick it out of the picture because that feels to me just like a colossal exhausting waste of energy. Whereas a radical kind of inclusive self acceptance seems to be a way to create a lot more.
Elizabeth Gilbert
So it irks me when I see good people worn to the bone working ten, twelve hours a day for nine bucks an hour. They have a lousy place to live and their kids don’t have good clothes and their car if they have one doesn’t run well, and you can see from the beaten, exhausted look in their eyes they think the reason they aren’t doing better is their fault. When in reality everything is stacked against them, and the system wants them to be broke and work hard because that way it squeezes the maximum out of them for the minimum investment. They think they’re failures in life when in reality they’re trapped, serfs in our modern feudal world.
Mike Bond (Saving Paradise (Pono Hawkins, #1))
By the time she climbs into her bed at night, her limbs ache with the exhaustion of another day, though as she turns out the light and closes her eyes, her body rests but her mind races. Like a car long after the ignition has been turned off, the engine ticking, ticking. The hood still hot to the touch. Because while her days are predictable, as an ascetic’s grim routine will be, her nights are capricious. Sleep is like the river. Changeable. Sometimes it is still, harmless, and sleep is nothing but a simple shutting down. But other times it is a violent thing, which pulls her into its current. On nights like these there is nothing to do but to surrender to its sway.
T. Greenwood (The Forever Bridge)
After a time it dawned on her that the world was full of catastrophically exhausted people on the borders of normal function—offices laden with zombie-parents who hadn’t slept in years, never mind weeks; cars being driven by ravaged adults with barely enough energy to find their shoes.
Susie Steiner (Persons Unknown (DS Manon, #2))
Bao stays with me, and I am too exhausted to care if it is impossible or not. The sun moves across the cloudless sky, from east to west, and I drift. I feel as if I’m floating in space, suspended in time with invisible forces and impulses and energies humming all around me. There is no past and no future, only this present moment, this car moving along this road. Late that afternoon, I become aware that Bao is already a microscopic bundle of dividing cells in a womb. I can’t call it a vision, because it isn’t a vision. Nor is it a thought. It is more like a realization, something I hadn’t known a moment ago but know now. How is this possible? How is any of it possible? I find myself remembering the time my father brought home a crystal radio set. He let me watch while he set it up and then he showed me how to search for radio frequencies. I turned the dial as slowly and carefully as I could, but nothing happened. Then suddenly, I “got” something. I thought it was magic, until my father explained how crystal radios worked. That’s what I need now, I think. An explanation. I need someone to tell me how this works. Wittgenstein once said, All I know is what I have words for. Where, I wonder, are the words for this?
Gail Graham (Will YOUR Dog Reincarnate?)
The first necessary component of wonder is profound gratitude. But the word "gratitude" may need a little explanation. It comes from the same word as the word "freedom"; when something is "gratis", we consider it free. Gratitude is the freeing expression of a free heart toward one who freely gave. There are actually two basic emotions within the grateful heart. One erupts on the spur of the moment; it is unstudied and unenduring. A raise from the boss, a new car, a generous gift. All those are wonderful things, but they are not really full of wonder, they can easily be forgotten and replaced by one unpleasant experience. The gratitude that I’m speaking of is not sporadic, it cannot be spent or exhausted. It is the transformation of a mind that is more grateful for the •giver• than for the gift; for the •purpose• than for the present; for •life itself• rather than for abundance. It values a relationship rather than any benefit made possible by the relationship. Even more, it is the capacity to receive, rather than the gift itself, to trust even when the moment seems devoid of immediate fulfillment. It is more than happiness; it is more than peace. In short, where there is no gratitude, there is no wonder.
Ravi Zacharias
When Martin analyzed the data—every transaction using a Canadian Tire credit card from the prior year—he discovered that what customers purchased was a remarkably precise predictor of their subsequent payment behavior when used in conjunction with traditional tools like income and credit history. A New York Times Magazine article entitled “What Does Your Credit Card Company Know about You?” described some of Martin’s most intriguing findings: “People who bought cheap, generic automotive oil were much more likely to miss a credit-card payment than someone who got the expensive, name-brand stuff. People who bought carbon-monoxide monitors for their homes or those little felt pads that stop chair legs from scratching the floor almost never missed payments. Anyone who purchased a chrome-skull car accessory or a ‘Mega Thruster Exhaust System’ was pretty likely to miss paying his bill eventually.
Charles Wheelan (Naked Statistics: Stripping the Dread from the Data)
broken wipers, no turn signals, missing brake light, broken tail lights, bad brakes, excessive exhaust and so forth but in spite of everything you knew you were in good hands, there was never an accident, the old car moved you from one place to another, faithfully —the poor man’s miracle.
Charles Bukowski (The Pleasures of the Damned)
The salesman told Anna that it was pointless to try to rip off his customers, because of everything a Sichuanese person must have gone through in order to accumulate enough money for a Porsche. “The people who are capable of buying luxury cars have exhausted every means to earn profits and they have coped with all kinds of people,” he said. “It’s impossible to deceive them.
Peter Hessler
Getting Brad out of the car took strength: I offered a hand, he leaned hard, and I pulled. His walk was a slow, slow shuffle. I warned him of the uneven pavement, the loose bricks. Step by agonized step we made our way to the side door. His foot caught on the high door frame as he tried to step up. He made it and there was a pause on the landing. My mother-in-law was waiting for us, stood above him, and I below, as he made his way up the stairs to the living room. It seemed to take hours. We led him to the couch. I have a picture of him lying there, that fired day, pallid and exhausted. I was tired too, not for the physical effort as he was but for the mental and emotional strain of coordinating this homecoming. He fell asleep, I started a load of laundry and sat down to begin organizing his thirty-five prescriptions according to the complex chart from the hospital pharmacist.
Kate Washington (Already Toast: Caregiving and Burnout in America)
Hope Solo, who had precious few touches by that point, ran from her goal to hug Lloyd, something the goalkeeper rarely did. She looked at Lloyd and said: “Are you even human?!” “I’ve dreamed of scoring a shot like that,” Lloyd later said. “I did it once when I was younger on the national team in a training environment. Very rarely do you just wind up and hit it. When you’re feeling good mentally and physically, those plays are just instincts and it just happens.” Now, Ali Krieger jokes that the most exhausting part of the final was celebrating Lloyd’s goals: “We had to chase Carli after she scored all her goals. I was like, Can she not run around the entire field?
Caitlin Murray (The National Team: The Inside Story of the Women who Changed Soccer)
Like many suburban homeowners, I like to kill and eat the wild animals that populate my backyard. To keep it sporting, I hunt naked, with my teeth and long, sharpened fingernails as my only weapons. I’ve feasted on squirrel, raccoon, vole, and numerous songbirds. But no matter how long I lay spread-eagle and motionless in the hot noonday sun, I have never been able to outwit and catch any of the plump and juicy rabbits that hop just outside my reach and then bolt for the woods when I leap forward with a blood-curdling shriek. I have chased them at a dead run through the yards of the many unoccupied homes that surround mine, but the pursuit always ends in frustration. But no more, thanks to Amazon. Every week, I order a fresh whole rabbit and affix it to a remote control car that is operated by one of my children. This way, I get the thrill of the hunt, and when the car’s batteries are exhausted, I can leap upon it, bury my teeth into the rabbit’s soft flesh, and perform my ritual victory dance right there in the Walgreens parking lot.
Amazon Reviewers (Did You Read That Review?: A Compilation of Amazon's Funniest Reviews)
So here is the thing: Is it possible then that my dad wasn’t actually having the time of his life like I was—after driving late at night in the rain, dragging his kid to strangers’ houses, and sitting on the busy shoulder of Route 128 and eventually having to abandon his blown-up truck for the night? That instead he was worried and exhausted and barely coping? Does “I Believe” conceivably not evoke a shimmery world of adventure for him? Does he not now sing it to himself alone in the car and every time feel happy and loved and excited about whatever might happen next?
Nina Riggs (The Bright Hour: A Memoir of Living and Dying)
Beauregard thought the night sky looked like a painting. Laughter filled the air only to be drowned out by a cacophony of revving engines as the moon slid from behind the clouds. The bass from the sound system in a nearby Chevelle was hitting him in his chest so hard, it felt like someone was performing CPR on him. There were about a dozen other late-model cars parked haphazardly in front of the old convenience store. In addition to the Chevelle, there was a Maverick, two Impalas, a few Camaros and five or six more examples of the heyday of American muscle. The air was cool and filled with the scent of gas and oil. The rich, acrid smell of exhaust fumes and burnt rubber. A choir of crickets and whippoorwills tried in vain to be heard. Beauregard closed his eyes and strained his ears. He could hear them but just barely. They were screaming for love. He thought a lot of people spent a large part of their life doing the same thing. The wind caught the sign hanging above his head from the arm of a pole that extended twenty feet into the air. It creaked as the breeze moved it back and forth. CARTER SPEEDE MART the sign proclaimed in big black letters set against a white background. The sign was beginning to yellow with age. The letters were worn and chipped. The cheap paint flaking away like dried skin. The second “E” had disappeared from the word “SPEEDEE.” Beauregard wondered what had happened to Carter. He wondered if he had disappeared too.
S.A. Cosby (Blacktop Wasteland)
Pontiac had high hopes for the VOE option and even produced a 60-second TV spot depicting it in action. In the commercial, a silver 1970 GTO hardtop slowly cruised through the parking lot of a drive-through hamburger joint at night. Faces turn as the driver, looking cool and collected, reaches down and pulls the control knob. The already potent exhaust note increases to a raspy burble as more heads turn. The commercial ends with the words: “The Humbler is here, this is the way it’s going
Steve Magnante (Steve Magnante's 1001 Muscle Car Facts)
I didn’t know I was so tired.” They had been packing for days, finalizing their arrangements, saying their good-byes. Of course she would be exhausted. “At least an hour.” Joe shelled an egg into a napkin on his knee. “Sleep more if you want. You need your rest. It’ll be a long ride yet.” They finished their lunch, and as they were packing it away, the conductor came through the car. “Portland, Portland is next.
Justin Cronin (The Summer Guest)
The constant background noise of car horns, barking dogs, music pulsating out of apartment windows—they had all blended together in a symphony of chaos that was the trademark of city life. Then there was the unique smell of the city. The air was permeated with a persistent odor of unwashed bodies and greasy food mixed with pungent drifts of vehicle exhaust and sewage. One couldn’t discount the more pleasant aromas that also drifted over the city of fresh-brewed coffee from a cafe or the sweet smell of relish from the corner hot dog stands. But
Regina Felty (While You Walked By)
Cities smell. When you've been in the country for a while, you really smell the city when you drive through. I just drove through Seattle. The minute I got near town, I could smell it--mostly the exhaust from automobiles. After smelling pure country air for a couple of weeks, it smelled terrible. Driving south on I-5, the same smell was in Tacoma and even in Olympia. South of Olympia, the air cleared and became sweet, interrupted only occasionally by the smell of cows at a dairy. Even though I don't care much for the smell of cows, it's better than the smell of car exhaust. (P. 150)
Chuck Woodbury
It was never a matter of “how” I did things. I’m sure any parent would do the same. Single parenting isn’t just being the only one to take care of your kid. It’s not about being able to “tap out” for a break or tag team bath- and bedtime; those were the least of the difficulties I faced. I had a crushing amount of responsibility. I took out the trash. I brought in the groceries I had gone to the store to select and buy. I cooked. I cleaned. I changed out the toilet paper. I made the bed. I dusted. I checked the oil in the car. I drove Mia to the doctor, to her dad’s house. I drove her to ballet class if I could find one that offered scholarships and then drove her back home again. I watched every twirl, every jump, and every trip down the slide. It was me who pushed her on the swing, put her to sleep at night, kissed her when she fell. When I sat down, I worried. With the stress gnawing at my stomach, worrying. I worried that my paycheck might not cover bills that month. I worried about Christmas, still four months away. I worried that Mia’s cough might become a sinus infection that would keep her out of day care. I worried that Jamie’s behavior was escalating, that we would get in a fight, that he would go back on his offer to pick her up at day care that week just to make it difficult for me. I worried that I would have to reschedule work or miss it altogether. Every single parent teetering on poverty does this. We work, we love, we do. And the stress of it all, the exhaustion, leaves us hollowed. Scraped out. Ghosts of our former selves. That’s how I felt for those few days after the accident, like I wasn’t fully connected to the ground when I walked. I knew that at any moment, a breeze could come and blow me away.
Stephanie Land (Maid: Hard Work, Low Pay, and a Mother's Will to Survive)
Reality was not inside this car with her singing mother and cheerful father, but toward the murky sky finishing with its rain, exhausted and dark. It occurred to her that this darkness was now, and was forever going to be, the color of her life. Years later, after other realities had been argued for between her soul and the world, Lactamaeon reminded her of that day of knowledge.
Joanne Greenberg (I Never Promised You a Rose Garden)