Captured By Me Quotes

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His hands are holding my cheeks, and he pulls back just to look me in the eye and his chest is heaving and he says, "I think," he says, "my heart is going to explode," and I wish, more than ever, that I knew how to capture moments like these and revisit them forever. Because this. This is everything.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
When death captures me," the boy vowed, "he will feel my fist in his face." (31.26)
Markus Zusak (The Book Thief)
I like seeing people when they can't see me.
Dodie Smith (I Capture the Castle)
It seems to me I am trying to tell you a dream--making a vain attempt, because no relation of a dream can convey the dream-sensation, that commingling of absurdity, surprise, and bewilderment in a tremor of struggling revolt, that notion of being captured by the incredible which is of the very essence of dreams...No, it is impossible; it is impossible to convey the life-sensation of any given epoch of one's existence--that which makes its truth, its meaning--its subtle and penetrating essence. It is impossible. We live, as we dream-alone...
Joseph Conrad (Heart of Darkness)
Perhaps if I make myself write I shall find out what is wrong with me.
Dodie Smith (I Capture the Castle)
When death captures me,' the boy vowed, 'he will feel my fist on his face.' Personally, I quite like that. Such stupid gallantry. Yes. I like that a lot.
Markus Zusak (The Book Thief)
Do you see the story? Do you see anything? It seems to me I am trying to tell you a dream--making a vain attempt, because no relation of a dream can convey the dream-sensation, that commingling of absurdity, surprise, and bewilderment in a tremor of struggling revolt, that notion of being captured by the incredible which is the very essence of dreams...
Joseph Conrad (Heart of Darkness)
It had been startling and disappointing to me to find out that story books had been written by people, that books were not natural wonders, coming up of themselves like grass. Yet regardless of where they come from, I cannot remember a time when I was not in love with them -- with the books themselves, cover and binding and the paper they were printed on, with their smell and their weight and with their possession in my arms, captured and carried off to myself. Still illiterate, I was ready for them, committed to all the reading I could give them ...
Eudora Welty (One Writer's Beginnings)
But Annabeth just smiled and put us in jail. As she was heading back to the front line, she turned and winked. "See you at the fireworks?" She didn't even wait for my answer before darting off into the woods. I looked at Beckendorf. "Did she just...ask me out?" He shrugged, completely disgusted. "Who knows with girls? Give me a haywire dragon, any day." So we sat together and waited while the girls won the game.
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
Just to be in love seemed the most blissful luxury I had ever known. The thought came to me that perhaps it is the loving that counts, not the being loved in return—that perhaps true loving can never know anything but happiness. For a moment I felt that I had discovered a great truth.
Dodie Smith (I Capture the Castle)
That did it. I'd gone through a lot in the past few days. Everyone I met seemed to want a piece of me: djinn, magicians, humans...it made no difference.I'd been summoned, manhandled, shot at, captured, constricted, bossed about and generally taken for granted. And now, to cap it all, this bloke is joining in too, when all I'd been doing was quietly trying to kill him.
Jonathan Stroud (The Amulet of Samarkand (Bartimaeus, #1))
There are many different types of kisses. There’s a passionate kiss of farewell—like the kind Rhett gave Scarlett when he went off to war. The kiss of I-can’t-really-be-with-you-but-I-want-to-be—like with Superman and Lois Lane. There’s the first kiss—one that is gentle and hesitant, warm and vulnerable. And then there’s the kiss of possession—which was how Ren kissed me now. It went beyond passion, beyond desire. His kiss was full of longing, need, and love, like all those other kisses. But, it was also filled with promises and pledges, some of which seemed sweet and tender while others seemed dangerous and exciting. He was taking me over. Staking a claim. He seized me as boldly as the tiger captured his prey. There was no escape. And I didn’t want to. I would have happily died in his clutches. I was his. And he made sure I knew it. My heart burst with a thousand beautiful blooms, all tiger lilies. And I knew with a certainty more powerful than anything I’d ever felt before that we belonged together.
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
Marvelous,” she said. “Tell me about this tapestry.” Arachne’s lips curled over her mandibles. “Why do you care? You're about to die.” “Well, yes,” Annabeth said. “But the way you captured the light is amazing. Did you use real gold thread for the sunbeams?
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Wisdom eludes me yet, but foolishness I captured long ago and to this day it is my constant companion, though many people consider me wise.
Kevin Hearne (Hammered (The Iron Druid Chronicles, #3))
My siren had sung to me for way too long, capturing my heart, tempting me with her body, driving me slowly insane. Now, I expected her to pay up.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
I love to kill fish,' Sayle went on. 'But when I saw this specimen of Physalia physalis, I knew I had to capture it and keep it. You see, it reminds me of myself.' 'It's ninety-nine per cent water. It has no brain, no guts and no anus.' Alex had dredged up the facts from somewhere and spoken them before he knew what he was doing.
Anthony Horowitz (Stormbreaker (Alex Rider, #1))
I captured her cheeks, pulling her back to my hungry mouth. Man, I couldn’t get enough of her taste, of how she gave it right back to me on all fronts. Her hands went to the button on my jeans. There was a cracking sound in the house. Most likely something had just went up in flames.
Jennifer L. Armentrout (Obsidian (Lux, #1))
He trapped my hand against his chest and yanked my sleeve down past my wrist, covering my hand with it. Just as quickly, he did the same thing with the other sleeve. He held my shirt by the cuffs, my hands captured. My mouth opened in protest. Reeling me closer, he didn’t stop until I was directly in front of him. Suddenly he lifted me onto the counter. My face was level with his. He fixed me with a dark, inviting smile. And that’s when I realized this moment had been dancing around the edge of my fantasies for several days now. "Take off your hat," I said, the words tumbling out before I could stop them. He slid it around, the brim facing backward. I scooted to the edge of the counter, my legs dangling one on either side of him. Something inside of me was telling me to stop—but I swept that voice to the far back of my mind. He spread his hands on the counter, just outside my hips. Tilting his head to one side, he moved closer. His scent, which was all damp dark earth, overwhelmed me. I inhaled two sharp breaths. No. This wasn’t right. Not this, not with Patch. He was frightening. In a good way, yes. But also in a bad way. A very bad way. "You should go," I breathed. "You should definitely go." "Go here?" His mouth was on my shoulder. "Or here?" It moved up my neck. My brain couldn’t process one logical thought. Patch’s mouth was roaming north, up over my jaw, gently sucking at my skin... "My legs are falling asleep," I blurted. It wasn’t a total lie. I was experiencing tingling sensations all through my body, legs included. "I could solve that." Patch’s hands closed on my hips.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
What's the point of wandering? to find a better place? a home? But the loneliness will always capture me in its claws of no tomorrow
Aneta Dabrowska (Train to the Edge of the Moon)
He seized me as boldly as a tiger captures his prey. There was no escape. And I didn't want to. I would have happily died in his clutches. I was his, and he made sure I knew it. My heart burst with a thousand beautiful blooms, all tiger lilies. And I knew with a certainty more powerful than anything I'd ever felt before that we belonged together. He finally lifted his head and murmured against my lips, "It's about bloody time, woman.
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
You have captured me utterly, and you hold my heart in your hands. Be gentle with it. It's more fragile than you might think.
J. Kenner (Claim Me (Stark Trilogy, #2))
But I was young and didn’t know better and someone should have told me to capture every second every kiss & every night Because now I’m sitting here alone and it’s getting really hard to breath because tears are growing in my throat and they want to break out, but there are people watching and I just want to be somewhere silent somewhere still But still I don’t want to be alone because I’m scared and lonely and I don’t understand Because I was alone my whole life My whole life I was so damn lonely and I was content with that because I liked myself and my own company and I didn’t need anyone I thought But then there was you .. ... So, someone should have told me that love is for those few brave who can handle the unbearable emptiness, the unbearable guilt and lack of oneself, Because I lost myself to someone I love and I might get myself back one day but it will take time, it will take time. This is gonna take some time. I wish someone would have told me this. Someone should have told me this.
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
We've made a beautiful mess of things lately, haven't we?" He flashed that sexy crooked smile at me, which made my heart flutter. "But it's our crazy story," "It's been ours, only ours. There's been a lot of romance, sometimes way too much drama..." "very memorable comedy, a few pulse-racing action scenes..." "We've also had our fair share of suspense and raw terror, and unfortunately gut-wrenching heartache too." "I think we've covered it all, everything except fo being captured by aliens!" "But through it all you've loved me unconditionally, and I know how fortunate I am to have your love. I don't want to live without you, not for one more minute, not for one more second. I want to spend the rest of my days living my story with you...only you." "It is here that I fell in love with you" "And as fate would have it, it is here that I humbly kneel before you and ask you to be my wife.
Tina Reber (Love Unscripted (Love, #1))
The photograph itself doesn't interest me. I want only to capture a minute part of reality.
Henri Cartier-Bresson
I wish I had the talent to paint the way I feel about you, for my words always feel inadequate. I imagine using red for your passion and pale blue for your kindness; forest green to reflect the depth of your empathy and bright yellow for your unflagging optimism. And still I wonder: can even an artist’s palette capture the full range of what you mean to me?
Nicholas Sparks (The Longest Ride)
You do say you like a man with a rather large—” “Stop.” I held my hand up. “I beg of you. My uncle is right there.” “Brain.” He finished anyway, grinning at my reddening face. “You truly astound me with the direction your filthy mind travels in, Wadsworth.
Kerri Maniscalco (Capturing the Devil (Stalking Jack the Ripper, #4))
Wait--we have one left," the runner said, bringing out what was surely the most expensive bouquet of all: a three-foot tall arrangement of two hundred white roses, in the palest ivory color. All the girls swooned. Almost no boys bought white roses ever. It was a big sign of commitment. But this one practically trumpeted a captured heart. The runner set the bouquet in front of Schuyler. Mimi raised an eyebrow. She had always won the roses lottery. What was this all about? For me?" Schuyler asked, awestruck by the size of the thing. She took the card from the tallest stem. For Schuyler, who doesn't like love stories." It was not signed.
Melissa de la Cruz (Masquerade (Blue Bloods, #2))
I'm yours Braith, I'm yours. Take it. Take Me. I want to be the one that satifies you, not them.
Erica Stevens (Captured (The Captive, #1))
His mouth hardened into a tight line for a moment. “I plead for nothing.” His voice deepened. “I beg for nothing.” He paused, searching her eyes. “You are my heart. I beg you to forgive me, beautiful. You come before everything to me. You even come before my own pride. I’m a Zorn warrior. I have fought many battles in war. I carry scars from lost lives I took in battle. I hunt and I do it well. I have never been captured and I have never been brought to my knees.” He reached out to caress her cheek. “Then I look into your eyes and remember your laugh. I am there, beautiful. You have caught me and I am on my knees to you.
Laurann Dohner (Kidnapping Casey (Zorn Warriors, #2))
I sighed softly and basked in the barrage of Ren's kisses- drowning kisses, soft kisses, sultry kisses, kisses that lasted a mere second, and kisses that lasted an eternity. It was easy to believe that my warrior-angel had captured me and had flown me up to heaven. A deep rumble echoed in his chest. I pulled back, laughing. "Are you growling at me?" He laughed softly, twisted my hair ribbon around his fingers, and pulled gently, loosening my braid. Biting my ear lightly, he whispered a threat, "You have been driving me crazy for three weeks. You're lucky all I'm doing is growling.
Colleen Houck
Her beauty has captured me, imprisoned my capacity for language. All I can do is pay homage to the temple of her body.
Jasinda Wilder (Wounded)
So, preferring death to capture, I accomplished the most astonishing deeds, and which, more then once, showed me that the too great care we take of our bodies is the only obstacle to the sucess of those projects which require rapid decision, and vigorous and determined execution. In reality, when you have once devoted your life to your enterprises, you are no longer the equal of other men, or, rather, other men are no longer your equals, and whosoever has taken this resolution, feels his strength and resources doubled.
Alexandre Dumas (The Count of Monte Cristo)
He shifts and my eyes shatter into thousands of pieces that ricochet around the room, capturing a million snapshots, a million moments in time. Flickering images faded with age, frozen thoughts hovering precariously in dead space, a whirlwind of memories that slice through my soul.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
I stared into his handsome face and let those feelings overwhelm me and in that fleeting time I felt the ghost of our emotional connection. It was just a mere whisper, like a scent on the breeze that blows past you too quickly, bringing with it a memory of something you can’t quite grasp. I wasn’t sure if it was a trick of the light, a flicker of something real, or something I fabricated, but it captured all of my attention.
Colleen Houck
I'm done pretending you don't mean anything to me.That you still don't.I loved you.I love you now,here.The bone deep shit that you try to capture in a song or a movies or a book, that kind of shit. It's the type of love that words can't compare to. I still love you. I never stopped. Time apart never changed that for me.
Shey Stahl (Waiting for You (Waiting for You, #1))
He captured my heart. He loves me for who I am, not what I can bring to him." - Lucinda Price, Rapture
Lauren Kate
Later I read that there are things inside us too tiny to see. Not even a microscope can capture them. This got me thinking--if there are things inside us too tiny to see, might there be things outside us too big to believe?
Rene Denfeld (The Enchanted)
Breathe next to me. And I will capture a piece of your soul along with mine.
Marikit dR. Camba (Vividly Vague)
Is that your cheap way of telling me you want to kiss me?” He looks into my eyes, his dark gaze capturing mine. “Querida, I always want to kiss you.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
She sat up, cheeks flushed and golden hair tousled. She was so beautiful that it made my soul ache. I always wished desperately that I could paint her in these moments and immortalize that look in her eyes. There was a softness in them that I rarely saw at other times, a total and complete vulnerability in someone who was normally so guarded and analytical in the rest of her life. But although I was a decent painter, capturing her on canvas was beyond my skill. She collected her brown blouse and buttoned it up, hiding the brightness of turquoise lace with the conservative attire she liked to armor herself in. She’d done an overhaul of her bras in the last month, and though I was always sad to see them disappear, it made me happy to know they were there, those secret spots of color in her life.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
I look at pictures of you because I am afraid that you would notice me staring in real life. I looked at your picture today for countless minutes. It is closer than I’ll ever get to you for real. I felt like I was looking at a captured animal at a safe distance. If you knew I was doing this, you would feel sickened and frightened. That’s why you’ll never know. Years will go by and you’ll never know. I will never say the things that I want to say to you. I know the damage it would do. I love you more than I hate my loneliness and pain.
Henry Rollins (Solipsist)
Thinking of death--strange, beautiful, terrible and a long way off--made me feel happier than ever.
Dodie Smith (I Capture the Castle)
He leaned toward her, his face only a breath away. His intense look captured her fully. His words rumbled from his chest. "If you love me, kiss me.
Melanie Dickerson (The Merchant's Daughter (Hagenheim, #2))
We stood, holding each other's faces, memorising every last detail. I was deperate with my own need to capture this last, lingering moment, desperate to forget the horrible sink at the pit of my stomach telling me all this would be lost forever once they pulled the chip out. Please don't let me forget.
Heather Anastasiu (Glitch (Glitch, #1))
...With stories even a page can take me hours, but the truth seems to flow out as fast as I can get it down.
Dodie Smith
She closed Dan's door and walked down the hall to her room. He makes a good boyfriend, she repeated to herself. What the hell was that suppose to mean? She didn't just want a good boyfriend. She wanted that thing Gustav Klimt had captured so perfectly in The Kiss. That radiant, electric, hold-me-tight-so-I don't-fall-from-up-here-in-the-sky feeling of being in love. Well, don't we all, sweetie?
Cecily von Ziegesar (All I Want is Everything (Gossip Girl, #3))
My hand is very tired but I want to go on writing. I keep resting and thinking. All day I have been two people - the me imprisoned in yesterday and the me out here on the mound; and now there is a third me trying to get in - the me in what is going to happen next.
Dodie Smith (I Capture the Castle)
While I have been writing I have lived in the past, the light of it has been all around me...
Dodie Smith (I Capture the Castle)
Everything in the least connected with him has value for me; if someone even mentions his name it is like a little present to me-and I long to mention it myself
Dodie Smith (I Capture the Castle)
It’s a heavy, unbelievable kiss. It’s the kind of kiss that inspires stars to climb into the sky and light up the world. The kind that takes forever and no time at all. His hands are holding my cheeks, and he pulls back just to look me in the eye and his chest is heaving and he says, “I think,” he says, “my heart is going to explode,” and I wish, more than ever, that I knew how to capture moments like these and revisit them forever. Because this. This is everything.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
My love for you will be a constant in a sea of unknown variables. We may fight or be cross with each other, but our love will never fade or wilt. Trust in that. Trust in us. Forget the future. Forget worry. The only thing that terrifies me is the possibility of living with regret. I don't ever want to wake and wonder what life could have been like with you in it. I don't ever want to regret holding myself back from loving you as fully and openly as possible.
Kerri Maniscalco (Capturing the Devil (Stalking Jack the Ripper, #4))
The Mind—Satan’s Battlefield Let me bring you into the enemy’s kingdom and the strategy of the devil in a deeper way. The first thing the enemy attacks is your mind. The enemy knows that the battle is in the mind, and he knows if he can capture the territory of your mind, your thoughts, and the way you operate, he’s got you in a stranglehold. The next move he makes will be to attack your soul. This includes your mind, will, and emotions. Once he’s got a person’s soul, he will paralyze that person and bring them down to nothing.
John Ramirez (Unmasking the Devil: Strategies to Defeat Eternity's Greatest Enemy)
If we could capture feelings like we capture pictures, none of us would ever leave our rooms. It would be so tempting to inhabit the good moments over and over again. But I don't want to be the kind of person who lives backwardly, who memorializes moments before she's finished living in them. So I plant my feet here on this hillside beside a boy who is undoing me, and I kiss him back like I mean it. And, God help me, with the sky wrapped around us in every direction, I do mean it.
Emery Lord (Open Road Summer)
But Elain said, “I went into the Cauldron, too, you know. And it captured me. And yet somehow all you think of is what my trauma did to you.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
You're telling me that this teenage girl has not only escaped from your prison and evaded capture by your highly trained military, but has now invaded your palace and the private quarters of the emperor himself, kidnapped him, and again gotten away with it?' 'Precisely correct, Your Majesty.
Marissa Meyer (Cress (The Lunar Chronicles, #3))
everything I might regret. She was my champion, she was my archive. She had taken the utmost care to preserve the evidence of my existence and growth, capturing me in images, saving all my documents and possessions. She had all knowledge of my being memorized.
Michelle Zauner (Crying in H Mart)
…It’s hard to appreciate the beauty of a world when one doubts its very validity….But I’ve long since lost all such doubts, Ono,’ he continued. ‘When I am an old man, when I look back over my life and see I have devoted it to the task of capturing the unique beauty of that world, I believe I will be well satisfied. And no man will make me believe I’ve wasted my time.
Kazuo Ishiguro (An Artist of the Floating World)
It came to me that Hyde Park has never belonged to London - that it has always been , in spirit, a stretch of countryside; and that it links the Londons of all periods together most magically - by remaining forever unchanged at the heart of a ever-changing town.
Dodie Smith (I Capture the Castle)
You are my heart, my soul, my equal. You see the light in me when I’m lost within darkness. When I’m cold and distant, you’re as warm as autumn sunshine, bathing me in your glow. If I am the night, then you are the stars lighting up my endless dark.” His voice broke, wrenching my heart. “My best friend, the absolute love of my life, now until forevermore, I call you my wife.
Kerri Maniscalco (Capturing the Devil (Stalking Jack the Ripper, #4))
What swells inside me is a love so boundless, I am the sunrise and sunset. I am Liberty Bell in the Cascades. I am Beihai Lake. I am every beautiful, truly beautiful, thing I've ever seen, captured in my personal Geographia, the atlas of myself.
Justina Chen (North of Beautiful)
Feminism … I think the simplest explanation, and one that captures the idea, is a song that Marlo Thomas sang, 'Free to be You and Me.' Free to be, if you were a girl—doctor, lawyer, Indian chief. Anything you want to be. And if you’re a boy, and you like teaching, you like nursing, you would like to have a doll, that’s OK too. That notion that we should each be free to develop our own talents, whatever they may be, and not be held back by artificial barriers—manmade barriers, certainly not heaven sent.
Ruth Bader Ginsburg (My Own Words)
Suppressing his relief, Valek asked, “Can you please tell this Lieutenant who he has arrested?” “Can do,” Janco said with a smile. “Lieutenant Darren, let me be the first to congratulate you on capturing the elusive and legendary Kelav. He’s been wanted in Ixia for years on multiple counts of espionage.
Maria V. Snyder (Ice Study (Study, #3.6))
Promise me to wake each day and find joy wherever you can, no matter how small it may be. There will always be hard times and trying times and times for sorrow, but we won't let those days destroy the here and now. Because right now? I'm here... And you're here... And the present is more glorious than the future and all its unknowns.
Kerri Maniscalco (Capturing the Devil (Stalking Jack the Ripper, #4))
It was the most beautiful thing I'd ever seen. How the artist captured the light, the details of my mother's dimples, the joy in my father's eyes, all through gentle strokes from his palette. The artist made me look alive when I felt lonely and grim inside. That's the way this man saw me. I decided then that that's what I wanted to do
Ellen Schreiber (Kissing Coffins (Vampire Kisses, #2))
You think I am very cute, you think me sexy, as well. I can read your thoughts, remember.” I hoisted myself up and slid across his body. You are conceited, arrogant, and domineering, everything I dislike in a man. And you are independent, stubborn, and heedless, everything I dislike in a women. I slid my hands under his back and kissed his dampened lips. So why is it that I love you so much? He smiled a smug, masculine little smile and captured my legs with his. Because I love you, and to be loved by a Dark One is enough for any woman. I pinched him in a particularly vulnerable spot and allowed him to kiss me with all the sexy arrogance he had.
Katie MacAlister (Sex and the Single Vampire (Dark Ones #2))
they signaled my eternal gratitude to the boy sitting silently in the dark. The boy as gifted at photography as I was at music. He was my heart. The heart freely given to me as a child. The heart that made up one half of my own. The boy who, though breaking inside, loved me so deeply that he gave me this farewell. Gave me, in the present, the dream that my future never could. My soul mate who captured moments.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
Love, our love, had been a shooting star, burning in the darkness, unseen until it got too close, too bright and too quick to capture. It burned out, lost to the deep cold and darkness, to the brutality of space, the infinity above us and in the new emptiness inside of me.
Karina Halle (Love, in English (Love, in English, #1))
Other letters simply relate the small events that punctuate the passage of time: roses picked at dusk, the laziness of a rainy Sunday, a child crying himself to sleep. Capturing the moment, these small slices of life, these small gusts of happiness, move me more deeply than all the rest. A couple of lines or eight pages, a Middle Eastern stamp or a suburban postmark . . . I hoard all these letters like treasure. One day I hope to fasten them end to end in a half-mile streamer, to float in the wind like a banner raised to the glory of friendship. It will keep the vultures at bay.
Jean-Dominique Bauby (The Diving Bell and the Butterfly)
I’m beyond rational thought. Beyond words, beyond comprehensible ideas. Seconds are merging into minutes and hearts are collapsing and hands are grasping and I’ve tripped over a planet and I don’t know anything anymore, I don’t know anything because nothing will ever be able to compare to this. Nothing will ever capture the way I’m feeling right now.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
I Love Loving You You are my favorite song; a rhythm of beauty that captures my spirit. You are my favorite poem; an exquisite grouping of ideas set in motion with an unmatched enchanting elegance. You are my best friend; from our laughter to our deep conversations, our moments together are a timeless pleasure. You are my soul mate; a connection so pure, so powerful, that it can only be considered divine. You are my lover; a passionate entwinement, a chorus of ecstasy, and a feeling of complete unity that words could never adequately describe. You are my angel; you remind me of the goodness in this world and inspire me to be the greatest version of myself. You are my home; it is in your loving gaze that I find the comfort, acceptance, and the sense of belonging. You are my love ~ mi amor; there are not enough days in forever to allow me to fully express my love for you. I love loving you.
Steve Maraboli (Unapologetically You: Reflections on Life and the Human Experience)
Yet if women are so flighty, fickle, changeable, susceptible, and inconstant (as some clerks would have us believe), why is it that their suitors have to resort to such trickery to have their way with them? And why don't women quickly succumb to them, without the need for all this skill and ingenuity in conquering them? For there is no need to go to war for a castle that is already captured. (...) Therefore, since it is necessary to call on such skill, ingenuity, and effort in order to seduce a woman, whether of high or humble birth, the logical conclusion to draw is that women are by no means as fickle as some men claim, or as easily influenced in their behaviour. And if anyone tells me that books are full of women like these, it is this very reply, frequently given, which causes me to complain. My response is that women did not write these books nor include the material which attacks them and their morals. Those who plead their cause in the absence of an opponent can invent to their heart's content, can pontificate without taking into account the opposite point of view and keep the best arguments for themselves, for aggressors are always quick to attack those who have no means of defence. But if women had written these books, I know full well the subject would have been handled differently. They know that they stand wrongfully accused, and that the cake has not been divided up equally, for the strongest take the lion's share, and the one who does the sharing out keeps the biggest portion for himself.
Christine de Pizan (Der Sendbrief vom Liebesgott / The Letter of the God of Love (L'Epistre au Dieu d'Amours))
Reality has always attracted me like a magnet, tortured and hypnotized me, and I wanted to capture it on paper. So I immediately appropriated this genre of actual human voices and confessions, witness evidences and documents. This is how I hear and see the world—as a chorus of individual voices and a collage of everyday details. In this way all my mental and emotional potential is realized to the full. In this way I can be simultaneously a writer, reporter, sociologist, psychologist and preacher.
Svetlana Alexievich (Voices from Chernobyl: The Oral History of a Nuclear Disaster)
I’m barely human. I’m more like a creature; to me, everything gives off a scent! Thoughts, moments, feelings, movements, words left unsaid, words barely spoken; they all have a distinct sense, distinct fragrances! Both a smell and a touch! To inhale is to capture, to experience! I can perceive and I can “touch” in so many odd ways! And so I am made up of all these scents, all these feelings! An illumination of nerve endings!
C. JoyBell C.
Jason, stop this,” she pleaded. “You don’t want to kiss me. You don’t even like me more than a little when you aren’t foxed” A harsh laugh escaped him. “I like you too damned much!” he whispered bitterly, then pulled her head down and captured her lips in a demaning, scalding kiss that took everything and give nothing in return.
Judith McNaught (Once and Always (Sequels, #1))
I profess not to know how women’s hearts are wooed and won. To me they have always been matters of riddle and admiration. Some seem to have but one vulnerable point, or door of access; while others have a thousand avenues, and may be captured in a thousand different ways. It is a great triumph of skill to gain the former, but a still greater proof of generalship to maintain possession of the latter, for man must battle for his fortress at every door and window. He who wins a thousand common hearts is therefore entitled to some renown; but he who keeps undisputed sway over the heart of a coquette is indeed a hero.
Washington Irving (The Legend of Sleepy Hollow)
The literal mind is baffled by the ironic one, demanding explanations that only intensify the joke. A vintage example, and one that really did occur, is that of P.G. Wodehouse, captured by accident during the German invasion of France in 1940. Josef Goebbels’s propaganda bureaucrats asked him to broadcast on Berlin radio, which he incautiously agreed to do, and his first transmission began: Young men starting out in life often ask me—“How do you become an internee?” Well, there are various ways. My own method was to acquire a villa in northern France and wait for the German army to come along. This is probably the simplest plan. You buy the villa and the German army does the rest. Somebody—it would be nice to know who, I hope it was Goebbels—must have vetted this and decided to let it go out as a good advertisement for German broad-mindedness. The “funny” thing is that the broadcast landed Wodehouse in an infinity of trouble with the British authorities, representing a nation that prides itself above all on a sense of humor.
Christopher Hitchens (Letters to a Young Contrarian)
If desire causes suffering, it may be because we do not desire wisely, or that we are inexpert at obtaining what we desire. Instead of hiding our heads in a prayer cloth and building walls against temptation, why not get better at fulfilling desire? Salvation is for the feeble, that's what I think. I don't want salvation, I want life, all of life, the miserable as well as the superb. If the gods would tax ecstasy, then I shall pay; however, I shall protest their taxes at each opportunity, and if Woden or Shiva or Buddha or that Christian fellow--what's his name?--cannot respect that, then I'll accept their wrath. At least I will have tasted the banquet that they have spread before me on this rich, round planet, rather than recoiling from it like a toothless bunny. I cannot believe that the most delicious things were placed here merely to test us, to tempt us, to make it the more difficult for us to capture the grand prize: the safety of the void. To fashion of life such a petty game is unworthy of both men and gods.
Tom Robbins (Jitterbug Perfume)
make sure you feel safe enough to be real.” “I do not want to be party to forcing you into yet another role you did not ask for nor desire. I will not replace the veil you loathed with a crown you hate. If you do not want to take the Crown, I will support you,” he swore, and the intensity in his words captured me. The irrevocable oath he was making. “And if you decide you want to take what is yours, claim the throne, I will set this entire kingdom on fire and watch it burn if that ensures that the crown sits on your head.” I jolted. “You love your people—” “But I love you more.” Flecks of gold burned brightly in his eyes, churning restlessly. “Do not underestimate what I would or would not do to ensure your happiness. I think you know this by now. There is nothing that I wouldn’t do, Poppy. Nothing.
Jennifer L. Armentrout (The ​Crown of Gilded Bones (Blood and Ash, #3))
When I was a little girl, I used to try and bring sunshine to my mother. I felt so bad that she had never really seen or felt it. So I would try and catch it in jars. When that failed, I captured jars and jars of lightening bugs and told her that if we could catch enough of them, then it would look like the sun. She’d laugh, hug me, and then set them free and tell me that nothing should have to live its life in a cage. (Cassandra)
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
She giggled, then popped a lollipop back in her mouth. “Okay, before you tell me no, I already cleared it with Ash.” I frowned. “Cleared what?” “Ash is throwing a little New Year’s Eve party at her house. It’s just going to be a few of us. Daemon is going.” “Uh, I doubt Ash is okay with me going to her party.” “No, she is.” Dee pinged around the living room like a captured butterfly. “She promised she’d be cool with it. I think you’re growing on her.” “Like mold,” I muttered.
Jennifer L. Armentrout (Onyx (Lux, #2))
Leaning down onto his arms, he prowled up the bed to her body, his eyes fixated on her secret skin as if he'd never seen anything like it. When he got in range, wide hands smoothed their way up the insides of her thighs, opening them even farther. But then he frowned and looked up at her. "Wait, I'm supposed to kiss you on the mouth first, aren't I? I mean, males start at the top and work their way down, don't they?" What and odd question... like he'd never done this at all? Before she could reply he began to move back, so she sat up and captured his face in her hands. "You can do whatever you like to me." His eyes flashed and he held his position for a split second. Then he lunged at her, taking her down onto the bed. His tongue shot into her mouth and his hands tangled in her hair, pulling on her, arching her, trapping her head. The hunger in him was ferocious, a warrior's thick-blooded need for sex. He was going to take her with all the strength he had, and she was going to be sore when he was through using her. Sore and utterly blissed out. She couldn't wait.
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
And life goes on, which seems kind of strange and cruel when you're watching someone die. But there's a joy and an abundance of everything, like information and laughter and summer weather and so many stories. My mother urges me to write them down because, "You're the last of the Markhams, my love." So I record dates and journeys and personalities and traits and heroes and losers and weaknesses and strengths and I try to capture every one of those people because one day I'll need what they had to offer.
Melina Marchetta (On the Jellicoe Road)
When you got captured, I didn't know..." He trailed off, had to chug whiskey before he could continue. "If it'd be like..." "What?" "Like it was with Clotile." "Oh, Jackson, no. I was okay. I'm unharmed." "Didn't know if I'd get there too late," he said with a shudder. Then he crossed over to me, until we stood toe-to-toe. "Evie, if you ever get taken from me again, you better know that I'll be coming for you." He cupped my face with a bloodstained hand. "So you stay the hell alive! You don't do like Clotile, you doan take that way out. You and me can get through anything, just give me a chance."--his voice broke lower "just give me a chance to get to you." He buried his face in my hair, inhaling deeply. "There is nothing that can happen to you that we can't get past." ... "When you say we...?" He pulled back, gazing down at me, his eyes blazing. "I'm goan to lay it all out there for you. Laugh in my face--I don't care. But I'm goan to get this off my chest." "I won't laugh. I'm listening." "Evie, I've wanted you from the first time I saw you. Even when I hated you, I wanted you." He raked his fingers through his hair. "I got it bad, me." My heart felt like it'd stopped--so that I could hear him better. "For as long as you've been looking down your nose at me, I've been craving you, an envie like I've never known." "I don't look down at you! I'm too busy looking up to you." ... "The corners of his lips curled for an instant before he grew serious again. "You asked me if I had that phone with your pictures, if I'd looked at it. Damn right, I did! I saw you playing with a dog at the beach, and doing a crazy-ass flip off a high dive, and making faces for the camera. I learned about you"- his voice grew hoarse -"and I wanted more of you. To see you every day." With a humourless laugh, he admitted, "After the Flash, I was constantly sourcing ways to charge a goddamned phone--that would never make a call." I murmured, "I didn't know...I couldn't be sure." "It's you for me, peekon.
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
Thank you for the shoes, Thomas.” I looked at the stack of boxes, teetering precariously close to the edge of the settee now. He caught my stare and nudged them back to safety. “All of them. It was very sweet. And highly unnecessary.” “Your happiness is always necessary to me.” He tilted my chin up and kissed the tip of my nose. “We’ll find new ways of navigating the world together, Wadsworth. If you can no longer wear heels, we’ll design flats you adore. If you ever find those no longer work, I’ll have a wheeled chair made and bejeweled to your liking. Anything at all in the universe you need, we will make it so. And if you’d prefer to do it on your own, I will always step aside. I also promise to keep my opinion mostly to myself.” “Mostly?” He considered that. “Unless it’s vastly inappropriate. Then I’ll share it with gusto.
Kerri Maniscalco (Capturing the Devil (Stalking Jack the Ripper, #4))
Kaylee, this means something to me.” His hands trailed down my arms to cup my elbows, and his gaze held mine. “With any luck, we’re going to have millions of moments over the course of eternity, and I plan to love every one of them. But we’ll never have this moment again, and this is very important to me.” The twists of blue in his eyes coiled so tightly the color was almost gone, lost among pale shades of a need so deep it couldn’t possibly be captured in a kiss, or a touch. “I need to know that this is important to you, too. I need to know that this isn’t like last time. That you’re not doing this just so you can say you’ve done it. Because that’s not good enough for me. That’s not good enough for us.
Rachel Vincent (Before I Wake (Soul Screamers, #6))
This is the swamp as I see it, but what I can’t capture on canvas is you as I see you. No brush or paint will ever show the hero that you are. It will never be able to portray the sound of your voice when you whisper my name. The way my skin tingles when you touch me. The passion of you inside me. I love you, Talon. I know that I can’t keep you. No one can ever tame a wild beast. You have a job to do and so do I. I only hope that when you think of me, it’ll bring a smile to your face. Love always, Sunshine. (Sunshine's note)
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
You’ll never lose me,” I said, my voice breaking. “Promise.” His gaze searched mine as he ran his fingertip up my spine. “I promise.” I closed the minuscule gap between us once more, capturing his lips and trying to show him how much I meant it. “I love you. I love our family. I love our life together, and I can’t wait for the day when we’re back home, just the three of us, and this whole war is over. I swear to you that will happen. That will be our future.” He cradled the back of my head, his palm searing against my skin. “I have waited an eternity for this love. I’m not going to let anyone, Titan or not, take it from us.” “Promise?” I said, and this time it was Henry’s turn to kiss me. “I promise.” “Then do me a favor.” “Anything.” I shifted onto my back, rolling him with me. His body pressed against mine in all the right places, and I lifted my head high enough to rest my forehead against his. “Live this love now,” I whispered. “And never stop.
Aimee Carter (The Goddess Inheritance (Goddess Test, #3))
Is it later yet?” Roth asked. Casting him a lingering look, I grinned as I rose fluidly, with a grace I never thought I’d ever be capable of. “Only if you can catch me.” Roth rose at once, capturing my hand before I could even take off, threading his fingers through mine. “Already did, Layla.” And so he had, a long time ago, when he strutted into a dark alley and took out a Poser demon. Truth be told, I really didn’t even want to run. This was love, and love could change people, even if that person was really a demon and the Crown Prince of Hell. “I love you,” I told him, and I told him that every day and I would tell him that over and over again. Roth lowered his forehead to mine as he brought our joined hands to his chest, placing them above his heart. “And I love you,” he said. “With every breath I take, I will always love you.
Jennifer L. Armentrout (Every Last Breath (The Dark Elements, #3))
Kurogane: That's what you want, isn't it? Underneath that constant grin, you're keeping everyone away. So that nobody gets involved with you. But look. Just now you checked to see if the kid had a fever, and you're relieved that the princess doesn't see the wretched condition of this world. And in the last country, you used your magic. Fai: *smiling* I said it, didn't I? I wasn't going to die. And so... Kurogane: Yeah, but that was all about you not dying on your own account. Dying for somebody else... That's a whole new question. Back then, if you hadn't done anything, we would have been captured, and if we handled it wrong, we might have died. But you decided to use magic on your own. You involved yourself in their lives. Fai: *no longer smiling, looks depressed* I... I don't want to make anyone unhappy because of their involvement with me.
CLAMP
You’re thinking, maybe it would be easier to let it slip let it go say ”I give up” one last time and give him a sad smile. You’re thinking it shouldn’t be this hard, shouldn’t be this dark, thinking love could flow easily with no holding back and you’ve seen others find their match and build something great together, of each other, like two halves fitting perfectly and now they achieve great things one by one, always together, and it seems grand. But you love him. Love him like a black stone in your chest you couldn’t live without because it fits in there. Makes you who you are and the thought of him gone—no more—makes your chest tighten up and maybe this is your fairytale. Maybe this is your castle. You could get it all on a shiny piece of glass with wooden stools and a neverending blooming garden but that’s not yours. This is yours. The cracks and the faults, the ugly words in the winter walking home alone and angry but falling asleep thinking you love him. This is your fairy tale. The quiet in the hallway, wishing for him to turn around, tell you to stay, tell you to please don’t go I need you like you need me and maybe it’s not a Jane Austen novel but this is your novel and your castle and you can run from it your whole life but this is here in front of you. Maybe nurture it? Sweet girl, maybe close the world off and look at him for an hour or two. This is your fairy. It ain’t perfect and it ain’t honey sweet with roses on the bed. It’s real and raw and ugly at times. But this is your love. Don’t throw it away searching for someone else’s love. Don’t be greedy. Instead, shelter it. Protect it. Capture every second of easy, pull through every storm of hardship. And when you can, look at him, lying next to you, trusting you not to harm him. Trusting you not to go. Be someone’s someone for someone. Be that someone for him. That’s your fairy tale. This is your castle. Now move in. Build a home. Build a house. Build a safety around things you love. It’s yours if you make it so. Welcome home, sweet girl, it will be all be fine.
Charlotte Eriksson
I wish I'd been accepted sooner and better. When I was younger, not being accepted made me enraged, but now, I am not inclined to dismantle my history. If you banish the dragons, you banish the heroes--and we become attached to the heroic strain in our personal history. We choose our own lives. It is not simply that we decide on the behaviors that construct our experience; when given our druthers, we elect to be ourselves. Most of us would like to be more successful or more beautiful or wealthier, and most people endure episodes of low self-esteem or even self-hatred. We despair a hundred times a day. But we retain the startling evolutionary imperative for the fact of ourselves, and with that splinter of grandiosity we redeem our flaws. These parents have, by and large, chosen to love their children, and many of them have chosen to value their own lives, even though they carry what much of the world considers an intolerable burden. Children with horizontal identities alter your self painfully; they also illuminate it. They are receptacles for rage and joy-even for salvation. When we love them, we achieve above all else the rapture of privileging what exists over what we have merely imagined. A follower of the Dalai Lama who had been imprisoned by the Chinese for decades was asked if he had ever been afraid in jail, and he said his fear was that he would lose compassion for his captors. Parents often think that they've captured something small and vulnerable, but the parents I've profiled here have been captured, locked up with their children's madness or genius or deformity, and the quest is never to lose compassion. A Buddhist scholar once explained to me that most Westerners mistakenly think that nirvana is what you arrive at when your suffering is over and only an eternity of happiness stretches ahead. But such bliss would always be shadowed by the sorrow of the past and would therefore be imperfect. Nirvana occurs when you not only look forward to rapture, but also gaze back into the times of anguish and find in them the seeds of your joy. You may not have felt that happiness at the time, but in retrospect it is incontrovertible. For some parents of children with horizontal identities, acceptance reaches its apogee when parents conclude that while they supposed that they were pinioned by a great and catastrophic loss of hope, they were in fact falling in love with someone they didn't yet know enough to want. As such parents look back, they see how every stage of loving their child has enriched them in ways they never would have conceived, ways that ar incalculably precious. Rumi said that light enters you at the bandaged place. This book's conundrum is that most of the families described here have ended up grateful for experiences they would have done anything to avoid.
Andrew Solomon (Far from the Tree: Parents, Children, and the Search for Identity)
In the variety of the tone of her words, moods, hugs, kisses, brushes of the lips, and this night the upside-down kiss over the back of the chair with her dark eyes heavy hanging and her blushing cheeks full of sweet blood and sudden tenderness brooding like a hawk over the boy over the back, holding the chair on both sides, just an instant, the startling sudden sweet fall of her hair over my face and the soft downward brush of her lips, a moment's penetration of sweet lip flesh, a moment's drowned in thinking and kissing in it and praying and hoping and in the mouth of life when life is young to burn cool skin eye-blinking joy - I held her captured upside down, also for just a second, and savored the kiss which first had surprised me like a blind man's bluff so I didn't know really who was kissing me for the very first instant but now I knew and knew everything more than ever, as, grace-wise, she descended to me from the upper dark where I'd thought only cold could be and with all her heavy lips and breast in my neck and on my head and sudden fragrance of the night brought with her from the porch, of some 5 & 10 cheap perfumes of herself the little hungry scent of perspiration warm in her flesh like presciousness.
Jack Kerouac (Maggie Cassidy)
I felt my resolve crumbling. I wanted him, wanted him badly. I needed him too. I almost gave in. I almost told him that there was nothing in the world I wanted more than to be with him. That I didn’t think I was capable of leaving him. That he was more precious to me than anything. That I’d give up anything to be with him. But then he pressed me close and spoke softly in my ear, “Pease don’t leave me, priya. I don’t think I could survive without you.” My eyes filled up with tears, and shiny wet drops spilled down my cheeks. I touched his face. “Don’t you see, Ren? That’s exactly why I have to go. You need to know that you can survive without me. That there’s more to life than just me. You need to see this world that’s opened up to you and know that you have choices. I refuse to be your cage. “I could capture you and keep you selfishly to indulge my own desires. Regardless of whether you’re willing or not, it would be wrong. I helped you so that you could be free. Free to see and do all of the things that you missed out on all these years.” My hand slipped from his cheek to his neck. “Should I put a collar on you? Chain you up so you spend your life connected to me out of a sense of obligation?” I shook my head. I wept openly now. “I’m sorry, Ren, but I won’t do that to you. I can’t. Because…I love you too.” I kissed him quickly one last time.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Anytime I talk about my work informally, I inevitably encounter someone who wants to know why addicts become addicts. They use words like “will” and “choice,” and they end by saying, “Don’t you think there’s more to it than the brain?” They are skeptical of the rhetoric of addiction as disease, something akin to high blood pressure or diabetes, and I get that. What they’re really saying is that they may have partied in high school and college but look at them now. Look how strong-willed they are, how many good choices they’ve made. They want reassurances. They want to believe that they have been loved enough and have raised their children well enough that the things that I research will never, ever touch their own lives. I understand this impulse. I, too, have spent years creating my little moat of good deeds in an attempt to protect the castle of myself. I don’t want to be dismissed the way that Nana was once dismissed. I know that it’s easier to say Their kind does seem to have a taste for drugs, easier to write all addicts off as bad and weak-willed people, than it is to look closely at the nature of their suffering. I do it too, sometimes. I judge. I walk around with my chest puffed out, making sure hat everyone knows about my Harvard and Stanford degrees, as if those things encapsulate me, and when I do so, I give in to the same facile, lazy thinking that characterizes those who think of addicts as horrible people. It’s just that I’m standing on the other side of the moat. What I can say for certain is that there is no case study in the world that could capture the whole animal of my brother, that could show how smart and kind and generous he was, how much he wanted to get better, how much he wanted to live. Forget for a moment what he looked like on paper, and instead see him as he was in all of his glory, in all of his beauty. It’s true that for years before he died, I would look at his face and think, What a pity, what a waste. But the waste was my own, the waste was what I missed out on whenever I looked at him and saw just his addiction.
Yaa Gyasi (Transcendent Kingdom)
Stay." The strangled word, spoken in anguish, tore at her heart, ripped through her resolve. She swiped at the tears raining over her cheeks and slowly turned, forcing the painful truth past her lips. "I can't stay. I can no longer give you what you want. I can't give you a son." Dallas stepped off the veranda and extended a bouquet of wildflowers toward her. "Then stay and give me what I need." Her heart lurched at the abundance of flowers wilting within his smothering grasp. She shook her head vigorously. "You don't need me. There are a dozen eligible women in Leighton who would happily give you a son and within the month there will be at least a dozen more—" "I'll never love any of them as much as I love you. I know that as surely as I know the sun will come up in the morning." Her breath caught, her trembling increased, words lodged in her throat. He loved her? She watched as he swallowed. "I know I'm not an easy man. I don't expect you to ever love me, but if you'll tolerate me, I give you my word that I'll do whatever it takes to make you happy—" Quickly stepping forward, she pressed her shaking fingers against his warm lips. "My God, don't you know that I love you? Why do you think I'm leaving? I'm leaving because I do love you—so much. Dallas, I want you to have your dream, I want you to have your son." Closing his eyes, he laid his roughened hand over hers where it quivered against his lips and pressed a kiss against the heart of her palm. "I can't promise that I won't have days when I'll look toward the horizon and feel the aching emptiness that comes from knowing we'll never have a child to pass our legacy on to…"Opening his eyes, he captured her gaze. "But I know the emptiness you'll leave behind will eat away at me every minute of every day." -Dallas and Dee
Lorraine Heath (Texas Glory (Texas Trilogy, #2))
We didn't finish that dance." "Here?" "Why not?" Echo's high heel tapped against the sidewalk, the telltale sign of nerves. I took a deliberate step forward and caught her waist before she coud back away from me. My siren had sung to me for way too long, capturing my heart, tempting me with her body, driving me slowly insane. Now, I expected her to pay up. "Do you hear that?" I aked. Echo raised an eyebrow when she heard nothing but the sound of water trickling in the fountain. "Hear what?" I slid my right hand down her arm, cradled her hand against my chest and swayed us from side to side. "The music." Her eyes danced. "Maybe if you could tell me what i'm supposed to be hearing." "Slow drum beat." With one finger i tapped the beat into the small of her back. "Acoustic quitar." I leaned down and hummed my favorite song in her ear. Her sweet cinnamon smell intoxicated me. She relaxed, fitting perfectly into my body. In the crisp, cold February air, we swayed together, moving to our own personal beat. For one moment, we escaped hell. No teachers, no therapist, no well-meaning friends, no nightmares-just the two of us, dancing. My song ended, my finger stopped tapping the beat, and we ceased swaying from side to side. She held perfectly still, keeping her hand in mine, her head resting on my shoulder. I nuzzled into the warmth of her silky curls, tightening my hold on her. Echo was becoming essential, like air. I eased my hand to her chin, lifting her face toward me. My thumb caressed her warm, smooth cheek. My heart beat faster. A ghost of that siren smile graced her lips as she tilted her head closer to mine, creating the undeniable pull of the sailor lost to the sea to the beautiful goddess calling him home. I kissed her lips. Soft, full, warm-everything i'd fantasized it would be and more, so much more. Echo hesitantly pressed back, a curious question for which i had a response. I parted my lips and teased her bottom one, begging, praying, for permission. Her smooth hands inched up my neck and pulled at my hair, bringing me closer. She opened her mouth, her tongue seductively touching mine, almost bringing me to my knees. Flames licked through me as our kiss deepened. Her hands massaged my scalp and neck, only stoking the heat of the fire. Forgetting every rule i'd created for this moment, my hands wandered up her back, twining in her hair, bringing her closer to me. I wanted Echo. I needed Echo. Her eyes met mine again. "So what does this mean for us?" I lowered my forehead to hers. "It means you 're mine.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Get Comfortable Not Knowing There once was a village that had among its people a very wise old man. The villagers trusted this man to provide them answers to their questions and concerns. One day, a farmer from the village went to the wise man and said in a frantic tone, “Wise man, help me. A horrible thing has happened. My ox has died and I have no animal to help me plow my field! Isn’t this the worst thing that could have possibly happened?” The wise old man replied, “Maybe so, maybe not.” The man hurried back to the village and reported to his neighbors that the wise man had gone mad. Surely this was the worst thing that could have happened. Why couldn’t he see this? The very next day, however, a strong, young horse was seen near the man’s farm. Because the man had no ox to rely on, he had the idea to catch the horse to replace his ox—and he did. How joyful the farmer was. Plowing the field had never been easier. He went back to the wise man to apologize. “You were right, wise man. Losing my ox wasn’t the worst thing that could have happened. It was a blessing in disguise! I never would have captured my new horse had that not happened. You must agree that this is the best thing that could have happened.” The wise man replied once again, “Maybe so, maybe not.” Not again, thought the farmer. Surely the wise man had gone mad now. But, once again, the farmer did not know what was to happen. A few days later the farmer’s son was riding the horse and was thrown off. He broke his leg and would not be able to help with the crop. Oh no, thought the man. Now we will starve to death. Once again, the farmer went to the wise man. This time he said, “How did you know that capturing my horse was not a good thing? You were right again. My son is injured and won’t be able to help with the crop. This time I’m sure that this is the worst thing that could have possibly happened. You must agree this time.” But, just as he had done before, the wise man calmly looked at the farmer and in a compassionate tone replied once again, “Maybe so, maybe not.” Enraged that the wise man could be so ignorant, the farmer stormed back to the village. The next day troops arrived to take every able-bodied man to the war that had just broken out. The farmer’s son was the only young man in the village who didn’t have to go. He would live, while the others would surely die. The moral of this story provides a powerful lesson. The truth is, we don’t know what’s going to happen—we just think we do. Often we make a big deal out of something. We blow up scenarios in our minds about all the terrible things that are going to happen. Most of the time we are wrong. If we keep our cool and stay open to possibilities, we can be reasonably certain that, eventually, all will be well. Remember: maybe so, maybe not.
Richard Carlson (Don't Sweat the Small Stuff ... and it's all small stuff: Simple Ways to Keep the Little Things from Taking Over Your Life)
Margery," I blurted out in a passion of frustration. "I don't know what to make of you!" Nor I you, Mary. Frankly, I cannot begin to comprehend the motives of a person who dedicates a large portion of her life to the contemplation of a God in whom she only marginally believes." I felt stunned, as if she had struck me in the diaphragm. She looked down at me, trying to measure the effect of her words. Mary, you believe in the power that the idea of God has on the human mind. You believe in the way human beings talk about the unknowable, reach for the unattainable, pattern their imperfect lives and offer their paltry best up to the beingless being that created the universe and powers its continuation. What you balk as it believing the evidence of your eyes, that God can reach out and touch a single human life in a concrete way." She smiled a sad, sad smile. "You mustn't be so cold, Mary. If you are, all you will see is a cold God, cold friends, cold love. God is not cold-never cold. God sears with heat, not ice, the heat of a thousand suns, heat that inflames but does not consume. You need warmth, Mary-you, Mary, need it. You fear it, you flirt with it, you imagine that you can stand in its rays and retain your cold intellectual attitude towards it. You imagine that you can love with your brain. Mary, oh my dear Mary, you sit in the hall and listen to me like some wild beast staring at a campfire, unable to leave, fearful of losing your freedom if you come any closer. It won't consume you; I won't capture you. Love does not do either. It only brings life. Please, Mary, don't let yourself be tied up by the bonds of cold academia." Her words, the power of her conviction, broke over me like a great wave, inundating me, robbing me of breath, and, as they receded in the room, they pulled hard at me to folllow. I struggled to keep my footing against the wash of Margery's vision, and only when it began to lose its strength, dissipated against the silence in the room, was I seized by a sudden terror at the nearness of my escape.
Laurie R. King (A Monstrous Regiment of Women (Mary Russell and Sherlock Holmes, #2))
It was that summer, too, that I began the cutting, and was almost as devoted to it as to my newfound loveliness. I adored tending to myself, wiping a shallow red pool of my blood away with a damp washcloth to magically reveal, just above my naval: queasy. Applying alcohol with dabs of a cotton ball, wispy shreds sticking to the bloody lines of: perky. I had a dirty streak my senior year, which I later rectified. A few quick cuts and cunt becomes can't, cock turns into back, clit transforms to a very unlikely cat, the l and i turned into a teetering capital A. The last words I ever carved into myself, sixteen years after I started: vanish. Sometimes I can hear the words squabbling at each other across my body. Up on my shoulder, panty calling down to cherry on the inside of my right ankle. On the underside of a big toe, sew uttering muffled threats to baby, just under my left breast. I can quiet them down by thinking of vanish, always hushed and regal, lording over the other words from the safety of the nape of my neck. Also: At the center of my back, which was too difficult to reach, is a circle of perfect skin the size of a fist. Over the years I've made my own private jokes. You can really read me. Do you want me to spell it out for you? I've certainly given myself a life sentence. Funny, right? I can't stand to look myself without being completely covered. Someday I may visit a surgeon, see what can be done to smooth me, but now I couldn't bear the reaction. Instead I drink so I don't think too much about what I've done to my body and so I don't do any more. Yet most of the time that I'm awake, I want to cut. Not small words either. Equivocate. Inarticulate. Duplicitous. At my hospital back in Illinois they would not approve of this craving. For those who need a name, there's a gift basket of medical terms. All I know is that the cutting made me feel safe. It was proof. Thoughts and words, captured where I could see them and track them. The truth, stinging, on my skin, in a freakish shorthand. Tell me you're going to the doctor, and I'll want to cut worrisome on my arm. Say you've fallen in love and I buzz the outlines of tragic over my breast. I hadn't necessarily wanted to be cured. But I was out of places to write, slicing myself between my toes - bad, cry - like a junkie looking for one last vein. Vanish did it for me. I'd saved the neck, such a nice prime spot, for one final good cutting. Then I turned myself in.
Gillian Flynn (Sharp Objects)
A Wild Woman Is Not A Girlfriend. She Is A Relationship With Nature. But can you love me in the deep? In the dark? In the thick of it? Can you love me when I drink from the wrong bottle and slip through the crack in the floorboard? Can you love me when I’m bigger than you, when my presence blazes like the sun does, when it hurts to look directly at me? Can you love me then too? Can you love me under the starry sky, shaved and smooth, my skin like liquid moonlight? Can you love me when I am howling and furry, standing on my haunches, my lower lip stained with the blood of my last kill? When I call down the lightning, when the sidewalks are singed by the soles of my feet, can you still love me then? What happens when I freeze the land, and cause the dirt to harden over all the pomegranate seeds we’ve planted? Will you trust that Spring will return? Will you still believe me when I tell you I will become a raging river, and spill myself upon your dreams and call them to the surface of your life? Can you trust me, even though you cannot tame me? Can you love me, even though I am all that you fear and admire? Will you fear my shifting shape? Does it frighten you, when my eyes flash like your camera does? Do you fear they will capture your soul? Are you afraid to step into me? The meat-eating plants and flowers armed with poisonous darts are not in my jungle to stop you from coming. Not you. So do not worry. They belong to me, and I have invited you here. Stay to the path revealed in the moonlight and arrive safely to the hut of Baba Yaga: the wild old wise one… she will not lead you astray if you are pure of heart. You cannot be with the wild one if you fear the rumbling of the ground, the roar of a cascading river, the startling clap of thunder in the sky. If you want to be safe, go back to your tiny room — the night sky is not for you. If you want to be torn apart, come in. Be broken open and devoured. Be set ablaze in my fire. I will not leave you as you have come: well dressed, in finely-threaded sweaters that keep out the cold. I will leave you naked and biting. Leave you clawing at the sheets. Leave you surrounded by owls and hawks and flowers that only bloom when no one is watching. So, come to me, and be healed in the unbearable lightness and darkness of all that you are. There is nothing in you that can scare me. Nothing in you I will not use to make you great. A wild woman is not a girlfriend. She is a relationship with nature. She is the source of all your primal desires, and she is the wild whipping wind that uproots the poisonous corn stalks on your neatly tilled farm. She will plant pear trees in the wake of your disaster. She will see to it that you shall rise again. She is the lover who restores you to your own wild nature.
Alison Nappi