Captured By Husband Quotes

I was twelve years of age when I cut my hair short, became a highwayman, and captured husbands for both of my sisters. I could hardly wait to find out what would happen next.

Submission is 'ducking low enough so God can touch your husband.

The assertion that "culture" explains human variation will be taken seriously when there are reports of women war parties raiding villages to capture men as husbands, or of parents cloistering their sons but not their daughters to protect their sons' virtue, or when cultural distributions for preferences concerning physical attractiveness, earning power, relative age, and so on show as many cultures with bias in one direction as in the other.

Rake,” came the succinct reply. “Oh, all right,” Lillian grumbled. “I suppose he is a rake. But that may not be an impediment to his courtship of Lady Natalie. Some women like rakes. Look at Evie.” Evie continued to snip doggedly through the brocade ribbon, while a smile curved her lips. “I don’t l-like all rakes,” she said, her gaze on her work. “Just one.” Evie, the gentlest and most soft-spoken of them all, had been the one least likely to capture the heart of the notorious Lord St. Vincent, who had been the definitive rake. Although Evie, with her round blue eyes and blazing red hair, possessed a rare and unconventional beauty, she was unbearably shy. And there was the stammer. But Evie also had a reserve of quiet strength and a gallant spirit that seemed to have seduced her husband utterly. “And that former rake obviously adores you beyond reason,” Annabelle said.

I'm also discovering that while they seem to believe that I do not require sleep, my husband (who also doubles as their father) has the ability to morph into an invisible and supremely evasive nocturnal being, with powers so stealthy as to evade capture by the aliens [children] that had invaded our once peaceful and quiet habitat [bedroom at night].

her husband's desire had always been more to chase and capture the gleam of the person inside the body than the body itself.

But no medium can capture what it is to be in someone's presence, certainly not someone like her. Someone who makes you feel important simply because she's choosing to look at you.

So i had seen her. But no medium can capture what it is to be in someone’s presence, certainly not someone like her.

Why do the chimookomanag want us?” she growled. “They take all that makes us Anishinaabeg. Everything about us. First our land, then our trees. Now husbands, our wives, our children, our souls. Why do they want to capture every bit?

All conversation had stopped. Following the guests’ collective gazes, Cam saw something—a lizard?—wriggling and slithering its way past sauceboats and salt cellars. Without hesitation he reached out and captured the small creature, cupping it in closed hands. The lizard squirmed furiously in the space between his closed palms. “I’ve got it,” he said mildly. The vicar’s wife half fainted, slumping back in her chair with a low moan. “Don’t hurt him!” Beatrix Hathaway called out anxiously. “He’s a family pet!” The assembled guests glanced from Cam’s closed hands to the Hathaway girl’s apologetic face. “A pet?… What a relief,” Lady Westcliff said calmly, staring down the length of the table at her husband’s blank countenance. “I thought it was some new English delicacy we were serving.” A swift wash of color darkened Westcliff’s face, and he looked away from her with fierce concentration. To anyone who knew him well, it was obvious he was struggling not to laugh.

And though Lotto was thoroughly straight, the daily greedy need of his hands told her this, her husband's desire had always been more to chase and capture the gleam of the person inside the body and the body itself. And there was a part of her husband that had always been so hungry for beauty.

If we think of eroticism not as sex per se, but as a vibrant, creative energy, it’s easy to see that Stephanie’s erotic pulse is alive and well. But her eroticism no longer revolves around her husband. Instead, it’s been channeled to her children. There are regular playdates for Jake but only three dates a year for Stephanie and Warren: two birthdays, hers and his, and one anniversary. There is the latest in kids’ fashion for Sophia, but only college sweats for Stephanie. They rent twenty G-rated movies for every R-rated movie. There are languorous hugs for the kids while the grown-ups must survive on a diet of quick pecks. This brings me to another point. Stephanie gets tremendous physical pleasure from her children. Let me be perfectly clear here: she knows the difference between adult sexuality and the sensuousness of caring for small children. She, like most mothers, would never dream of seeking sexual gratification from her children. But, in a sense, a certain replacement has occurred. The sensuality that women experience with their children is, in some ways, much more in keeping with female sexuality in general. For women, much more than for men, sexuality exists along what the Italian historian Francesco Alberoni calls a “principle of continuity.” Female eroticism is diffuse, not localized in the genitals but distributed throughout the body, mind, and senses. It is tactile and auditory, linked to smell, skin, and contact; arousal is often more subjective than physical, and desire arises on a lattice of emotion. In the physicality between mother and child lie a multitude of sensuous experiences. We caress their silky skin, we kiss, we cradle, we rock. We nibble their toes, they touch our faces, we lick their fingers, let them bite us when they’re teething. We are captivated by them and can stare at them for hours. When they devour us with those big eyes, we are besotted, and so are they. This blissful fusion bears a striking resemblance to the physical connection between lovers. In fact, when Stephanie describes the early rapture of her relationship with Warren—lingering gazes, weekends in bed, baby talk, toe-nibbling—the echoes are unmistakable. When she says, “At the end of the day, I have nothing left to give,” I believe her. But I also have come to believe that at the end of the day, there may be nothing more she needs. All this play activity and intimate involvement with her children’s development, all this fleshy connection, has captured Stephanie’s erotic potency to the detriment of the couple’s intimacy and sexuality. This is eros redirected. Her sublimated energy is displaced onto the children, who become the centerpiece of her emotional gratification.

More than anything I want to be your husband, Cam. I want to walk beside you every day for the rest of our lives. I want to fall asleep beside you and wake up to your beautiful face. Your heart is the only one that’s ever captured me so completely and you would make me the happiest man in the world if you agreed to be my wife.

Financial standing, a social position beyond what she has now, and a husband to dote upon her every wish. What more could she ask for?" "Maybe youth. Vigor. Teeth." "Lord Cameron has his own teeth." Margaret narrowed her eyes at the other candidate. "I'm not so certain about Munro. They seemed somewhat clacky at dinner, so I'm suspicious.

Margo tilted her head toward her husband asking, “What is it about beach volleyball that captures your attention?” More than anything I’m amazed how they’re able to keep everything in the proper place when spiking the ball. Makes me want to invest in spandex . . . and of course, their fitness is enviable,” he said, his face broadening into a playful smile.

With Tommy by his side but Anthony Jr. nowhere to be seen, Anthony cranks out an old 8mm projector, and soon choppy black- and-white images appear on the cream wall capturing a few snapshots from the canyon of their life—that tell nothing, and yet somehow everything. They watch old movies, from 1963, 1952, 1948, 1947—the older, the more raucous the children and parents becoming. This year, because Ingrid isn’t here, Anthony shows them something new. It’s from 1963. A birthday party, this one with happy sound, cake, unlit candles. Anthony is turning twenty. Tatiana is very pregnant with Janie. (“Mommy, look, that’s you in Grammy’s belly!” exclaims Vicky.) Harry toddling around, pursued loudly and relentlessly by Pasha—oh, how in 1999 six children love to see their fathers wild like them, how Mary and Amy love to see their precious husbands small. The delight in the den is abundant. Anthony sits on the patio, bare chested, in swimshorts, one leg draped over the other, playing his guitar, “playing Happy Birthday to myself,” he says now, except it’s not “Happy Birthday.” The joy dims slightly at the sight of their brother, their father so beautiful and whole he hurts their united hearts—and suddenly into the frame, in a mini-dress, walks a tall dark striking woman with endless legs and comes to stand close to Anthony. The camera remains on him because Anthony is singing, while she flicks on her lighter and ignites the candles on his cake; one by one she lights them as he strums his guitar and sings the number one hit of the day, falling into a burning “Ring of Fire ... ” The woman doesn’t look at Anthony, he doesn’t look at her, but in the frame you can see her bare thigh flush against the sole of his bare foot the whole time she lights his twenty candles plus one to grow on. And it burns, burns, burns . . . And when she is done, the camera—which never lies—catches just one microsecond of an exchanged glance before she walks away, just one gram of neutral matter exploding into an equivalent of 20,000 pounds of TNT. The reel ends. Next. The budding novelist Rebecca says, “Dad, who was that? Was that Grammy’s friend Vikki?” “Yes,” says Anthony. “That was Grammy’s friend Vikki.” Tak zhivya, bez radosti/bez muki/pomniu ya ushedshiye goda/i tvoi serebryannyiye ruki/v troike yeletevshey navsegda . . . So I live—remembering with sadness all the happy years now gone by, remembering your long and silver arms, forever in the troika that flew by . . . Back

A moment later, Vesta became aware that her life was passing her by in that busy city, where no man could capture her heart… What if she married someone, who wasn’t mentally prepared to keep his Zoroastrian identity intact? Or what if her future husband was forced to convert to Islam? What if he tried to force her to convert as well? What if he suddenly decided to become an extremist and called for Sharia Laws in Kurdland? She shivered at the thought.

The heartwood," Rob murmured, looking at me. "You wanted to marry me in the heart of Major Oak." I beamed at him grateful that he understood. "And Scar," he whispered. I leaned in close. "Are you wearing knives to our wedding?" Nodding, I laughed, telling him, "I was going to get you here one way or another, Hood." He laughed, a bright, merry sound. Standing in the heart of the tree, he reached again for my hand, fingers sliding over mine. Touching his hand, a rope of lightening lashed round my fingers, like it seared us together. Now, and for always. His fingers moved on mine, rubbing over my hand before capturing it tight and turning me to the priest. The priest looked over his shoulder, watching as the sun began to dip. He led us in prayer, he asked me to speak the same words I'd spoken not long past to Gisbourne, but that whole thing felt like a bad dream, like I were waking and it were fading and gone for good. "Lady Scarlet." he asked me with a smile, "known to some as Lady Marian of Huntingdon, will thou have this lord to thy wedded husband, will thou love him and honour him, keep him and obey him, in health and in sickness, as a wife should a husband, forsaking all others on account of him, so long as ye both shall live?" I looked at Robin, tears burning in my eyes. "I will," I promised. "I will, always." Rob's face were beaming back at me, his ocean eyes shimmering bright. The priest smiled. "Robin of Locksley, will thou have this lady to thy wedded wife, will thou love her and honor her, keep her and guard her, in health and in sickness, as a husband should a wife, forsaking all others on account of her, so long as ye both shall live?" the priest asked. "Yes," Rob said. "I will." "You have the rings?" the priest asked Rob. "I do," I told the priest, taking two rings from where Bess had tied them to my dress. I'd sent Godfrey out to buy them at market without Rob knowing. "I knew you weren't planning on this," I told him. Rob just grinned like a fool at me, taking the ring I handed him to put on my finger. Laughs bubbled up inside of me, and I felt like I were smiling so wide something were stuck in my cheeks and holding me open. More shy and proud than I thought I'd be, I said. "I take you as me wedded husband, Robin. And thereto I plight my troth." I pushed the ring onto his finger. He took my half hand in one of his, but the other- holding the ring- went into his pocket. "I may not have known I would marry you today Scar," he said. "But I did know I would marry you." He showed me a ring, a large ruby set in delicate gold. "This," he said to me, "was my mother's. It's the last thing I have of hers, and when I met you and loved you and realized your name was the exact colour of the stone- " He swallowed, and cleared his throat, looking at me with the blue eyes that shot right through me. "This was meant to be Scarlet. I was always meant to love you. To marry you." The priest coughed. "Say the words, my son, and you will marry her." Rob grinned and I laughed, and Rob stepped closer, cradling my hand. "I take you as my wedded wife, Scarlet. And thereto I plight my troth." He slipped the ring on my finger and it fit. "Receive the Holy Spirit," the priest said, and kissed Robin on the cheek. Rob's happy grin turned a touch wolflike as he turned back to me, hauling me against him and angling his mouth over mine. I wrapped my arms around him and my head spun- I couldn't tell if we were spinning, if I were dizzy, if my feet were on the ground anymore at all, but all I knew, all I cared for, were him, his mouth against mine, and letting the moment we became man and wife spin into eternity.

It’s a long story,” he said, taking a sip of Mr. Braeburn’s whiskey, “so I will tell only a very condensed version of it. “Mrs. Marsden and I grew up on adjacent properties in the Cotswold. But the Cotswold, as fair as it is, plays almost no part in this tale. Because it was not in the green, unpolluted countryside that we fell in love, but in gray, sooty London. Love at first sight, of course, a hunger of the soul that could not be denied.” Bryony trembled somewhere inside. This was not their story, but her story, the determined spinster felled by the magnificence and charm of the gorgeous young thing. He glanced at her. “You were the moon of my existence; your moods dictated the tides of my heart.” The tides of her own heart surged at his words, even though his words were nothing but lies. “I don’t believe I had moods,” she said severely. “No, of course not. ‘Thou art more lovely and more temperate’—and the tides of my heart only rose ever higher to crash against the levee of my self-possession. For I loved you most intemperately, my dear Mrs. Marsden.” Beside her Mrs. Braeburn blushed, her eyes bright. Bryony was furious at Leo, for his facile words, and even more so at herself, for the painful pleasure that trickled into her drop by drop. “Our wedding was the happiest hour of my life, that we would belong to each other always. The church was filled with hyacinths and camellias, and the crowd overflowed to the steps, for the whole world wanted to see who had at last captured your lofty heart. “But alas, I had not truly captured your lofty heart, had I? I but held it for a moment. And soon there was trouble in Paradise. One day, you said to me, ‘My hair has turned white. It is a sign I must wander far and away. Find me then, if you can. Then and only then will I be yours again.’” Her heart pounded again. How did he know that she had indeed taken her hair turning white as a sign that the time had come for her to leave? No, he did not know. He’d made it up out of whole cloth. But even Mr. Braeburn was spellbound by this ridiculous tale. She had forgotten how hypnotic Leo could be, when he wished to beguile a crowd. “And so I have searched. From the poles to the tropics, from the shores of China to the shores of Nova Scotia. Our wedding photograph in hand, I have asked crowds pale, red, brown, and black, ‘I seek an English lady doctor, my lost beloved. Have you seen her?’” He looked into her eyes, and she could not look away, as mesmerized as the hapless Braeburns. “And now I have found you at last.” He raised his glass. “To the beginning of the rest of our lives.

Every time she thought there could not possibly be more of him, he pulled back and then plunged forward, reaching even further into her soul. She had not known she could be so close to another human being. She had not known she could be so close and want even more. She arched her back, her hands clutching at his shoulders as his body finally came fully flush against hers. “My God,” he breathed, “it’s like I’ve come home.” He looked down at her, and she thought she saw the slightest sheen of moisture in his eyes before his mouth captured hers in a torrid, passionate kiss. And then he began to move.

His tongue slid down the inner length of her finger, then traced the lines on her palm. “Such lovely hands,” he murmured, nibbling on the fleshy part of her thumb as his fingers entwined with hers. “Strong, and yet so graceful and delicate.” “You’re talking nonsense,” Kate said self-consciously. “My hands—” But he silenced her with a finger to her lips. “Shhh,” he admonished. “Haven’t you learned that you should never ever contradict your husband when he is admiring your form?” Kate shivered with delight. “For example,” he continued, the very devil in his voice, “if I want to spend an hour examining the inside of your wrist”— with lightning-quick movements, his teeth grazed the delicate thin skin on the inside of her wrist—“ it is certainly my prerogative, don’t you think?” Kate had no response, and he chuckled, the sound low and warm in her ears. “And don’t think I won’t,” he warned, using the pad of his finger to trace the blue veins that pulsed under her skin. “I may decide to spend two hours examining your wrist.” Kate watched with fascination as his fingers, touching her so softly that she tingled from the contact, made their way to the inside of her elbow, then stopped to twirl circles on her skin. “I can’t imagine,” he said softly, “that I could spend two hours examining your wrist and not find it lovely.” His hand made the jump to her torso, and he used his palm to lightly graze the tip of her puckered breast. “I should be most aggrieved were you to disagree.” He leaned down and captured her lips in a brief, yet searing kiss. Lifting his head just an inch, he murmured, “It is a wife’s place to agree with her husband in all things, hmmm?” His words were so absurd that Kate finally managed to find her voice. “If,” she said with an amused smile, “his opinions are agreeable, my lord.” One of his brows arched imperiously. “Are you arguing with me, my lady? And on my wedding night, no less.” “It’s my wedding night, too,” she pointed out. He made a clucking noise and shook his head. “I may have to punish you,” he said. “But how? By touching?” His hand skimmed over one breast, then the next. “Or not touching?” He lifted his hands from her skin, but he leaned down, and through pursed lips, blew a soft stream of air over her nipple. “Touching,” Kate gasped, arching off the bed. “Definitely touching.” “You think?” He smiled, slowly like a cat. “I never thought I’d say this, but not touching has its appeal.

What was the difference between a husband and a lover? If she took Po as her husband, she would be making promises about a future she couldn't yet see. For once she became his wife, she would be his wife forever. And, no matter how much freedom Po gave her, she would always know that it was a gift. Her freedom would not be her own; it would be Po's to give or to withhold. That he never would withhold it made no difference. If it did not come from her, it was not really hers. If Po were her lover, would she feel captured, cornered into a sense of forever? Or would she still have the freedom that sprang from herself?

I have this special license burning a hole in my pocket, so I was thinking we might go find a vicar and use it. Pinter and Freddy can be witnesses.” He looked anxiously at her. “What do you think?” “Don’t you want your family present when we marry? I thought you lordly sorts had to have grand weddings.” “Is that what you want?” In truth, she’d never been one to dream of her wedding day as a brilliant spectacle. Clandestine weddings were always what captured her imagination, complete with a dangerous, brooding fellow and mysterious goings-on. In this instance, she had both. He said, “Let me put it this way: we can spend an untold number of days sneaking around just to steal a kiss, being chaperoned every minute while my sisters and Gran plan the wedding of the century. Or we can marry today and share a bed at the inn tonight like a respectable husband and wife. I’m not keep on waiting, but then, I never am when it comes to you. So what is your opinion in the matter?” She couldn’t resist teasing him a little. “I think you just want to punish your grandmother for her sly tactics by depriving her of the weddings.” He smiled. “Perhaps a little. And God knows my friends are never going to let me live this down. I’m not looking forward to hours of their torment at a wedding breakfast.” He stopped in a little copse where they would be hidden from the street. “But if you want a big wedding, I can endure it.” His expression was solemn as he took her hands in his. “I can endure anything, as long as you marry me. And keep loving me for the rest of your life.” Staring into his earnest face, she felt something flip over in her chest. She stretched up to brush his mouth with hers, and he pulled her in for a long, ardent kiss. “Well?” he said huskily when he was done. “If I had any sense of decency, I would give you a chance to consult with a lawyer about settlements and such, especially since you’ll be coming into some money. But-“ “-you have no sense of decency, I know,” she teased. She tapped her finger against her chin. “Or was that morals you claimed not to have? I can’t remember.” “Watch it, minx,” he warned with a lift of his brow. “If you intend to taunt me for every foolish statement I’ve made in my life, you’ll force me to play Rockton and lock you up in my dark, forbidding manor while I have my wicked way with you.” “That sounds perfectly awful,” she said, gazing at the man she loved. “How soon can we start?

It's repulsive how you act around every two-legged mammal with a beard." "But it works," Lily returned with a large smile she knew would aggravate her sister. "You should try it, Edythe. God gave you everything needed to capture a man's eye,but then you open your mouth and drive anyone interested in you my way.If you could just learn to keep quiet." "Amazing,Lily,for that's my aadvice to you.And as far as driving men away,first there would have to be someone to repel.Not one man of marrying age or eligibility has visited since Father left, and secondly, if a man can be so easily intimidated, I wouldn't want him for a dinner companion,let alone a husband." Lily rolled her eyes,their light shadowy color made only more piercing by her fair skin and dark hair. "You don't intimidate,Edythe. You insult." "And you,Lily, think anything that isn't dripping with flattery and praise is an insult.

If you hurt her, you will not leave here alive,” I growled at him. “I will kill you with my bare fucking hands, Bayle.” Bayle started to laugh. “Oh, you really think so?” Something flashed in Tilda’s eyes, and her body tensed up. Her expression hardened, and there was a resolve in her that I knew all too well from training with her. Tilda was a master of restraint, but she could destroy someone if she wanted to. “Wait,” Tilda said in a stilted voice. “This is Bayle Lundeen? Bayle, who conspired with Kennet? Bayle, who’s one of the reasons my husband is dead?” I nodded once. “Yeah. That’s him.” For the first time, Bayle seemed to realize he might have bitten off more than he could chew, and he looked down at Tilda with new appreciation. Tilda may be pregnant, but she was still tall and strong, with muscular arms and powerful legs. I was sure that when Bayle had first captured her, she’d been more docile so as not to risk him hurting the baby. But now she was pissed. With one sudden jerk, she flung her head backward, smashing into Bayle’s face. From where I stood several feet away from her, I heard the sound of his nose crunching. Before he could tilt the knife toward her, she grabbed his wrist, bent it backward, and, using her other arm as leverage, she broke his arm with a loud snap. It all happened within a few seconds, and Bayle screamed in pain and stumbled back. His arm hung at a weird angle, and blood streamed down his face. But Tilda wasn't done yet. With a swipe of her leg, she kicked his legs out from under him. He fell back into the mud, and Tilda kicked him hard in the groin, causing Konstantin to wince behind me. Then she jumped on top of him, punching him repeatedly in the face with both fists. His body had gone limp but I wasn't sure if that was because he was unconscious or dead. Either way, Tilda apparently decided that she wanted to be certain. She grabbed the knife that he’d dropped on the ground beside them, and she stabbed him straight through the heart. And then she just sat there, kneeling on his dead body and breathing hard. None of us said anything or moved. It felt like she needed the moment to herself. When she finally stood up, she shook her arms out, probably both because her fists hurt from hitting Bayle so hard and also to get rid of some of the blood. “Do you feel better?” I asked her. She nodded, still catching her breath as she walked over to me. “Yeah. We have to do something about these bodies, though. The humans will get suspicious.” “That girl is a fucking beast,” Konstantin whispered as she walked by, and he looked at her with newfound admiration. “You should see her when she’s not pregnant,” I said.

Several of the peculiarities of WEIRD culture can be captured in this simple generalization: The WEIRDer you are, the more you see a world full of separate objects, rather than relationships. It has long been reported that Westerners have a more independent and autonomous concept of the self than do East Asians.3 For example, when asked to write twenty statements beginning with the words “I am …,” Americans are likely to list their own internal psychological characteristics (happy, outgoing, interested in jazz), whereas East Asians are more likely to list their roles and relationships (a son, a husband, an employee of Fujitsu). The differences run deep; even visual perception is affected. In what’s known as the framed-line task, you are shown a square with a line drawn inside it. You then turn the page and see an empty square that is larger or smaller than the original square. Your task is to draw a line that is the same as the line you saw on the previous page, either in absolute terms (same number of centimeters; ignore the new frame) or in relative terms (same proportion relative to the frame). Westerners, and particularly Americans, excel at the absolute task, because they saw the line as an independent object in the first place and stored it separately in memory. East Asians, in contrast, outperform Americans at the relative task, because they automatically perceived and remembered the relationship among the parts.4

When he saw narcissus flowers dappled with sunlight, he knew. Fates, he thought, why now? The dream, repeated throughout the aeons of his rule, hadn't manifested for centuries. But this past fortnight, every time he shut his eyes, there she was- lying entwined with him in a shaded grove, with flowers growing all around them. Her face was hidden- it was always hidden. He got teasing glimpses: a flash of russet hair, his hand on her flared hips, her flower-trimmed ankles brushing against his shins, her soft fingers dancing across his skin. Her hand brushed across his chest and down his stomach. He closed his eyes, felt her breath on his cheek, and heard her whisper his familiar name into his ear. Aidon... He turned and captured her lips in a kiss, tasting distant memories of sunlight and heady new life springing from the earth. He could not see her, but he knew it was her- his unknown betrothed- that haunted his dreams. It was her that inexorably drew him to this shaded bed of white and yellow-trumpeted flowers time and time again. Her fingers tangled in his hair and he carefully rolled over her... Aidon... His pulse quickened as she encircled him in her arms, drawing him closer and covering her supine body with his. He grew hungry for her, giving in to the delights of skin upon skin, his mouth upon hers. The dream was always like this. He would caress her, she would kiss him, their hands, their mouths demanding more. These motions were familiar- their dance repeated across the aeons. My lord husband, she said within his very thoughts. Come to me... Find me, Aidoneus.

And, so, what was it that elevated Rubi from dictator's son-in-law to movie star's husband to the sort of man who might capture the hand of the world's wealthiest heiress? Well, there was his native charm. People who knew him, even if only casually, even if they were predisposed to be suspicious or resentful of him, came away liking him. He picked up checks; he had courtly manners; he kept the party gay and lively; he was attentive to women but made men feel at ease; he was smoothly quick to rise from his chair when introduced, to open doors, to light a lady's cigarette ("I have the fastest cigarette lighter in the house," he once boasted): the quintessential chivalrous gent of manners. The encomia, if bland, were universal. "He's a very nice guy," swore gossip columnist Earl Wilson, who stayed with Rubi in Paris. ""I'm fond of him," said John Perona, owner of New York's El Morocco. "Rubi's got a nice personality and is completely masculine," attested a New York clubgoer. "He has a lot of men friends, which, I suppose, is unusual. Aly Khan, for instance, has few male friends. But everyone I know thinks Rubi is a good guy." "He is one of the nicest guys I know," declared that famed chum of famed playboys Peter Lawford. "A really charming man- witty, fun to be with, and a he-man." There were a few tricks to his trade. A society photographer judged him with a professional eye thus: "He can meet you for a minute and a month later remember you very well." An author who played polo with him put it this way: "He had a trick that never failed. When he spoke with someone, whether man or woman, it seemed as if the rest of the world had lost all interest for him. He could hang on the words of a woman or man who spoke only banalities as if the very future of the world- and his future, especially- depended on those words." But there was something deeper to his charm, something irresistible in particular when he turned it on women. It didn't reveal itself in photos, and not every woman was susceptible to it, but it was palpable and, when it worked, unforgettable. Hollywood dirt doyenne Hedda Hoppe declared, "A friend says he has the most perfect manners she has ever encountered. He wraps his charm around your shoulders like a Russian sable coat." Gossip columnist Shelia Graham was chary when invited to bring her eleven-year-old daughter to a lunch with Rubi in London, and her wariness was transmitted to the girl, who wiped her hand off on her dress after Rubi kissed it in a formal greeting; by the end of lunch, he had won the child over with his enthusiastic, spontaneous manner, full of compliments but never cloying. "All done effortlessly," Graham marveled. "He was probably a charming baby, I am sure that women rushed to coo over him in the cradle." Elsa Maxwell, yet another gossip, but also a society gadabout and hostess who claimed a key role in at least one of Rubi's famous liaisons, put it thus: "You expect Rubi to be a very dangerous young man who personifies the wolf. Instead, you meet someone who is so unbelievably charming and thoughtful that you are put off-guard before you know it." But charm would only take a man so far. Rubi was becoming and international legend not because he could fascinate a young girl but because he could intoxicate sophisticated women. p124

But this isn't standard Japanese picnic fare: not a grain of rice or a pickled plum in sight. Instead, they fill the varnished wooden tables with thick slices of crusty bread, wedges of weeping cheese, batons of hard salamis, and slices of cured ham. To drink, bottles of local white wine, covered in condensation, and high-alcohol microbews rich in hops and local iconography. From the coastline we begin our slow, dramatic ascent into the mountains of Hokkaido. The colors bleed from broccoli to banana to butternut to beet as we climb, inching ever closer to the heart of autumn. My neighbors, an increasingly jovial group of thirtysomethings with a few words of English to spare, pass me a glass of wine and a plate of cheese, and I begin to feel the fog dissipate. We stop at a small train station in the foothills outside of Ginzan, and my entire car suddenly empties. A husband-and-wife team has set up a small stand on the train platform, selling warm apple hand pies made with layers of flaky pastry and apples from their orchard just outside of town. I buy one, take a bite, then immediately buy there more. Back on the train, young uniformed women flood the cars with samples of Hokkaido ice cream. The group behind me breaks out in song, a ballad, I'm later told, dedicated to the beauty of the season. Everywhere we go, from the golden fields of empty cornstalks to the dense forest thickets to the rushing rivers that carve up this land like the fat of a Wagyu steak, groups of camouflaged photographers lie in wait, tripods and shutter releases ready, hoping to capture the perfect photo of the SL Niseko steaming its way through the hills of Hokkaido.

Elizabeth’s concern that Ian might insult them, either intentionally or otherwise, soon gave way to admiration and then to helpless amusement as he sat for the next half-hour, charming them all with an occasional lazy smile or interjecting a gallant compliment, while they spent the entire time debating whether to sell the chocolates being donated by Gunther’s for $5 or $6 per box. Despite Ian’s outwardly bland demeanor, Elizabeth waited uneasily for him to say he’d buy the damned cartload of chocolates for $10 apiece, if it would get them on to the next problem, which she knew was what he was dying to say. But she needn’t have worried, for he continued to positively exude pleasant interest. Four times, the committee paused to solicit his advice; four times, he smilingly made excellent suggestions; four times, they ignored what he suggested. And four times, he seemed not to mind in the least or even notice. Making a mental note to thank him profusely for his incredible forbearance, Elizabeth kept her attention on her guests and the discussion, until she inadvertently glanced in his direction, and her breath caught. Seated on the opposite side of the gathering from her, he was now leaning back in his chair, his left ankle propped atop his right knee, and despite his apparent absorption in the topic being discussed, his heavy-lidded gaze was roving meaningfully over her breasts. One look at the smile tugging at his lips and Elizabeth realized that he wanted her to know it. Obviously he’d decided that both she and he were wasting their time with the committee, and he was playing an amusing game designed to either divert her or discomfit her entirely, she wasn’t certain which. Elizabeth drew a deep breath, ready to blast a warning look at him, and his gaze lifted slowly from her gently heaving bosom, traveled lazily up her throat, paused at her lips, and then lifted to her narrowed eyes. Her quelling glance earned her nothing but a slight, challenging lift of his brows and a decidedly sensual smile, before his gaze reversed and began a lazy trip downward again. Lady Wiltshire’s voice rose, and she said for the second time, “Lady Thornton, what do you think?” Elizabeth snapped her gaze from her provoking husband to Lady Wiltshire. “I-I agree,” she said without the slightest idea of what she was agreeing with. For the next five minutes, she resisted the tug of Ian’s caressing gaze, firmly refusing to even glance his way, but when the committee reembarked on the chocolate issue again, she stole a look at him. The moment she did, he captured her gaze, holding it, while he, with an outward appearance of a man in thoughtful contemplation of some weighty problem, absently rubbed his forefinger against his mouth, his elbow propped on the arm of his chair. Elizabeth’s body responded to the caress he was offering her as if his lips were actually on hers, and she drew a long, steadying breath as he deliberately let his eyes slide to her breasts again. He knew exactly what his gaze was doing to her, and Elizabeth was thoroughly irate at her inability to ignore its effect. The committee departed on schedule a half-hour later amid reminders that the next meeting would be held at Lady Wiltshire’s house. Before the door closed behind them, Elizabeth rounded on her grinning, impenitent husband in the drawing room. “You wretch!” she exclaimed. “How could you?” she demanded, but in the midst of her indignant protest, Ian shoved his hands into her hair, turned her face up, and smothered her words with a ravenous kiss. “I haven’t forgiven you,” she warned him in bed an hour later, her cheek against his chest. Laughter, rich and deep, rumbled beneath her ear. “No?” “Absolutely not. I’ll repay you if it’s the last thing I do.” “I think you already have,” he said huskily, deliberately misunderstanding her meaning.

Evie, the most gentlest and most soft-spoken of them all, had been the one least likely to capture the heart of the notorious Lord St. Vincent, who had been the definitive rake. Although Evie, with her round blue eyes and blazing red hair, possessed a rare and unconventional beauty, she was unbearably shy. And there was the stammer. But Evie also had a reserve of quiet strength and a gallant spirit that seemed to have seduced her husband utterly.

on one of my first real adult vacations, my husband and I went to Carlsbad Caverns. That place captured my imagination like few places on this earth ever have. It just transported me to the early days of the cavern. I could imagine the first people who found it, explored it. It is endless

The next day was Sunday. In Australia we celebrate Father’s Day in September, so it was natural for us to try and get in touch with Steve. I knew he was filming somewhere off the Queensland coast. On board Croc One, along with Steve and Philippe Cousteau, was a toxicologist named Jamie Seymour. They planned to study several species of dangerous sea creatures, with the double goal of understanding their place in the environment and teaching people how to frequent Australia’s waters more safely. We tried to get through to Steve on the phone, but of course he was out filming. I spoke via satellite phone to another Kate, Kate Coulter, a longtime zoo employee, with her husband, Brian. We all took turns talking to her. “Steve captured a huge sea snake,” Kate said. “He said it was the biggest he had ever seen. He said, ‘Thick as my arm, no, thick as my leg.’” Kate knew Steve well, and she conveyed his enthusiasm perfectly. She told us she would pass along our messages. “Tell Daddy how much I love him and miss him,” Bindi said, and Kate told her she would. Robert wanted immediately to go see the big sea snake his father had caught. He didn’t quite grasp that the Cape was thousands of miles away.

It's barely 8:00 a.m., but my train mates waste little time in breaking out the picnic material. But this isn't standard Japanese picnic fare: not a grain of rice or a pickled plum in sight. Instead, they fill the varnished wooden tables with thick slices of crusty bread, wedges of weeping cheese, batons of hard salamis, and slices of cured ham. To drink, bottles of local white wine, covered in condensation, and high-alcohol microbews rich in hops and local iconography. From the coastline we begin our slow, dramatic ascent into the mountains of Hokkaido. The colors bleed from broccoli to banana to butternut to beet as we climb, inching ever closer to the heart of autumn. My neighbors, an increasingly jovial group of thirtysomethings with a few words of English to spare, pass me a glass of wine and a plate of cheese, and I begin to feel the fog dissipate. We stop at a small train station in the foothills outside of Ginzan, and my entire car suddenly empties. A husband-and-wife team has set up a small stand on the train platform, selling warm apple hand pies made with layers of flaky pastry and apples from their orchard just outside of town. I buy one, take a bite, then immediately buy three more. Back on the train, young uniformed women flood the cars with samples of Hokkaido ice cream. The group behind me breaks out in song, a ballad, I'm later told, dedicated to the beauty of the season. Everywhere we go, from the golden fields of empty cornstalks to the dense forest thickets to the rushing rivers that carve up this land like the fat of a Wagyu steak, groups of camouflaged photographers lie in wait, tripods and shutter releases ready, hoping to capture the perfect photo of the SL Niseko steaming its way through the hills of Hokkaido.

After Du was captured fleeing the capital, he wrote a poem during his internment on the night of Mid-autumn Festival, a traditional day for gathering with or remembering family. In the poem, he imagines the following: his children are still too small; so on the night of mid-autumn, only his wife will be looking up at the moon and thinking of him. What would his wife look like at that moment? He writes: “Her hair will be mist scented, her jade-white arms chilled in its clear light.” In just ten characters, he deploys the senses of smell, sight, and touch. Why is his wife’s hair full of damp mist? Because the dew was heavy that night, and she stood out looking up at the moon for a long, long time. So how could her arms not have become chilled? The damp of her hair and the chill of her arms represent his wife, but also the hallucinatory sense of the husband being by her side, feeling her. It is so immediate to the senses.

An especially destructive manifestation of conflict between members of the same gender is warfare, a recurrent activity throughout human history. Given men’s tendency to take physical risks in their pursuit of the resources needed for success at mating, it comes as no surprise that warfare is almost exclusively a male activity. Among the Yanomamö, there are two key motives that spur men to declare war on another tribe—a desire to capture the wives of other men and a desire to recapture wives that were lost in previous raids. When the American anthropologist Napoleon Chagnon explained to his Yanomamö informants that the United States waged war for principles such as freedom and democracy, they were astonished. It seemed absurd to them to risk one’s life for anything other than capturing or recapturing women. The frequency of rape during wars throughout the course of human recorded history suggests that the sexual motives of the Yanomamö men may not be atypical. Men worldwide share the same evolved psychology. The fact that there has never in history been a single case of women forming a war party to raid neighboring villages and capture husbands tells us something important about the nature of gender differences—that men’s mating strategies are often more violent than women’s. The sexual motivation underlying violence also reveals that conflict within a sex is closely connected to conflict between the sexes. Men wage war to kill other men, but women become sexual victims.

Human males, too, form alliances for gaining resources such as large game, political power within the group, ways to defend against the aggression of other coalitions of men, and sexual access to women.7 The survival and reproductive benefits derived from these coalitional activities constituted tremendous selection pressure over human evolutionary history for men to form alliances with other men. Since ancestral women did not hunt large game, declare war on other tribes, or attempt to forcibly capture men from neighboring bands, they did not experience equivalent selection pressure to form coalitions. Although women do form coalitions with other women for the care of the young and for protection from sexually aggressive men, these are weakened whenever a woman leaves her kin group to live with her husband and his clan. The combination of strong coalitions among men and somewhat weaker coalitions among women, according to Barbara Smuts, may have contributed historically to men’s dominance over women.9 My view is that women’s preferences for a successful, ambitious, and resource-capable mate coevolved with men’s competitive mating strategies, which include risk taking, status striving, derogation of competitors, coalition formation, and an array of individual efforts aimed at surpassing other men on the dimensions that women desire. The intertwining of these coevolved mechanisms in men and women created the conditions for men to dominate in the domain of resources. The origins of men’s control over resources is not simply an incidental historical footnote of passing curiosity. Rather, it has a profound bearing on the present, because it reveals some of the primary causes of men’s continuing control of resources. Women today continue to want men who have resources, and they continue to reject men who lack resources. These preferences are expressed repeatedly in dozens of studies conducted on tens of thousands of individuals in scores of countries worldwide. They are expressed countless times in everyday life. In any given year, the men whom women marry earn more than men of the same age whom women do not marry. Even professionally successful women who do not really need resources from a man are reluctant to settle for a mate who is less successful than they are. Women who earn more than their husbands seek divorce more often, although this trend appears to be changing, at least within America. Men continue to compete with other men to acquire the status and resources that make them desirable to women. The forces that originally caused the resource inequality between the genders—women’s mate preferences and men’s competitive strategies—are the same forces that contribute to maintaining resource inequality today. Feminists’ and evolutionists’ conclusions converge in their implication that men’s efforts to control female sexuality lie at the core of their efforts to control women. Our evolved sexual strategies account for why this occurs, and why control of women’s sexuality is a central preoccupation of men. Over the course of human evolutionary history, men who failed to control women’s sexuality—for example, by failing to attract a mate, failing to prevent cuckoldry, or failing to retain a mate—experienced lower reproductive success than men who succeeded in controlling women’s sexuality. We come from a long and unbroken line of ancestral fathers who succeeded in obtaining mates, preventing their infidelity, and providing enough benefits to keep them from leaving. We also come from a long line of ancestral mothers who granted sexual access to men who provided beneficial resources.

After Du was captured fleeing the capital, he wrote a poem during his internment on the night of Mid-autumn Festival, a traditional day for gathering with or remembering family. In the poem, he imagines the following: his children are still too small; so on the night of mid-autumn, only his wife will be looking up at the moon and thinking of him. What would his wife look like at that moment? He writes: “Her hair will be mist-scented, her jade-white arms chilled in its clear light.” In just ten characters, he deploys the senses of smell, sight, and touch. Why is his wife’s hair full of damp mist? Because the dew was heavy that night, and she stood out looking up at the moon for a long, long time. So how could her arms not have become chilled? The damp of her hair and the chill of her arms represent his wife, but also the hallucinatory sense of the husband being by her side, feeling her. It is so immediate to the senses.

The fact that there has never in history been a single case of women forming a war party to raid neighboring villages and capture husbands tells us something important about the nature of gender differences—that men’s mating strategies are often more violent than women’s.

It was too much for the Georgians to bear. They had left Macon as heroes and expected to return triumphant, captives in hand. Instead, they had been the ones chased, ridiculed, spat upon, hunted down by law, man, woman, and child. Not only would street boys take aim at them with spoiled eggs and other garbage, but Boston's higher society mocked them for being uneducated, low class, trash, as it it were they, and not the ones they were there to capture, who dwelled at the bottom of the world.

So the question for a chef is, when you eat something delicious, how do you capture the flavor in words? That’s an important ability for a chef to have. Watching my husband’s fascination with dictionaries made me realize that.

Sandy continually worries about me serving in Vietnam. She fears for me and is always asking herself, Will he be alright? Will he get wounded? Will he get captured? Will he be killed, and I’ll lose another husband? These haunting questions shouldn't be on the mind of any wife for a day, let alone an entire year of their life.

I'd gone to see every single one of Celia's movies, even though I was loath to admit it. So i had seen her. But no medium can capture what it is to be in someone's presence, certainly not someone like her. Someone who makes you feel important simply because she's choosing to look at you. There was something stately about her, at the age of twenty-eight. She was mature and dignified. She looked like the kind of person who knew exactly who she was.

Be strong and courageous. Do not be terrified; do not be discouraged, for the LORD your God will be with you wherever you go” (Joshua 1:9).

I can do everything through him who gives me strength. —[PHILIPPIANS 4:13]

He slid his hand into his vest pocket and pulled out a folded piece of paper. He then opened it and held it before her. “I’ve been charged with capturing Velvet Grace.” The poster had haunted her every move in town, pasted on the wall at the bank, the post office, Jupiter’s, wherever she’d went. Her pulse kicked into a stampede seeing it in the new sheriff ’s hand. “W-what does this have to do with me?” He refolded the paper and returned it to his clothing. “I figured you might be able to give me a few possible names to begin with. It’s rather extraordinary, a woman who shot a sheriff and fired at the deputy? She wouldn’t be any regular homesteader’s wife, I imagine.” She played with a curl that had fallen to her shoulder and forced a laugh. “Do you think I know any women besides the ones who work for me? Really? You should ask me about the men of Fort McNamara, Sheriff. The only other females I see are the wives who come around here looking for their husbands.” He laughed. “I guess you’re right.” “You’re on your own. I’m sorry I couldn’t be more help.” She skirted around him, intending to open the door for him to leave, but he caught her elbow. “Cora—” His grip was loose, but he captivated her with the appeal in his gaze and the tender stroke of his thumb on her arm. “What?” She fell under the spell of his azure gaze as his touch sent a ripple of pleasure deep within her. “I really would like another night with you. One I can remember.

marriages had not resulted in the daughter Maureen had been looking for, nor were they wives she had wanted for her son. But he had finally managed to capture the woman of his dreams in Janie, who was also the daughter of Maureen’s dreams. Now, in addition to Janie’s two sons with her first husband, Maureen had two beautiful little grandchildren to love and call her grandma. And now Mark and Katy were

Burning her husband's bed was a mistake. Alison could see that now.

Abruptly, the sea of people parted . . . and then there they were. Bella, with Nalla in her arms, Z standing beside his girls. Beth broke down all over again as the female came forward. God, it was impossible not to remember how Nalla had started this, putting into motion the need that had become undeniable. Bella was tearing up, too, as she stopped. “We just want to say yay!” At that moment, Nalla reached out to Beth, a gummy smile on her face, pure joy radiating out. No turning that down, nope, not at all. Beth took the little girl out of her mother’s arms and positioned her on her chest, capturing one of the pinwheeling hands and giving kisses, kisses, kisses. “You ready to be a big . . .” Beth glanced at Z and then her husband. “. . . a big sister?” Yes, Beth thought. Because that’s what the Brotherhood and their families were. Close as siblings, tighter than blood because they were chosen. “Yes, she is,” Bella said as she wiped under her eyes and looked back at Z. “She is so ready.” “My brother.” Z shoved out his palm, his scarred face in a half smile, his yellow eyes warm. “Congratulations.” Instead of shaking anything, Wrath shoved that ultrasound picture into his Brother’s face. “Do you see him? See my son? He’s big, right, Beth?” She kissed Nalla’s supersoft hair. “Yes.” “Big and healthy, right?” Beth laughed some more. “Big and healthy. Absolutely perfect.” “Perfect!” Wrath bellowed. “And this is a doctor saying it—I mean, she went to medical school.” Even Z started laughing at that point. Beth gave Nalla back to her parents. “And Dr. Sam told me she’s delivered over fifteen thousand babies over the course of her career—” “See!” Wrath yelled. “She knows these things. My son is perfect! Where’s the champagne? Fritz! Get the fucking champagne!

Her grandma Hilda was my grandma. I loved her dearly. After being married for 58 years, her husband died, and we all watched as she suffered. For ten years, Hilda cried herself to sleep at night. She was living on her own, proud and independent, but heart-achingly lonely, missing her life partner. We didn’t have the heart to put her in a home, yet with Hilda’s dementia worsening, Bonnie Pearl’s mom, Sharon, was determined to find her a home with the best possible care. We had heard that some retirement communities were pretty spectacular, and after weeks of looking, Sharon finally found a community that gave the Four Seasons a run for its money—this place is amazing. I always said I’d stay there, and I don’t say that about many places. So guess what happened to Grandmom after moving into her new digs? Forget that she traded up to a beautiful new apartment with modern amenities and 24-hour care. That was just the tip of the iceberg. More amazing than that, she began a second life! At 88 years old, she transformed into a new woman and fell in love again. A 92-year-old Italian captured her heart. (“I don’t let him under my shirt yet, but he tries all the time,” she said with a grin.) They had four beautiful years together before he passed away, and I kid you not, at his funeral, she met her next beau. Her last decade was filled with a quality of life she never could have envisioned. She found happiness, joy, love, and friendship again. It was an unexpected last chapter of her life and a reminder that love is the ultimate wealth. It can show up unexpected anytime, anywhere—and it is never too late.

Footsteps sounded on the porch, and she felt a twitter of excitement as Wyatt walked in, hat in hand. He stopped and stared. First at the table, then at her. “Well . . . this is sure a nice welcome.” She grew warm beneath his attention, and warmer still as he crossed the room toward her. He lifted a curl from her bodice and rubbed it between his thumb and forefinger. “It smells good in here.” He smelled good too. She caught a whiff of fresh soap and sunshine, and his hair was still damp. “You bathed in the creek,” she said softly. “Yes, ma’am, I did.” “Well . . .” She gave a breathless laugh. “Breakfast is ready. I hope you’re hungry.” “Yes, ma’am.” His gaze captured hers and held. “I am.” If not for his self-declared patience, she might have been unnerved by the transparency of desire in his eyes. But Wyatt Caradon was her husband. She could stand on tiptoe right now and kiss him full on the mouth if she wanted to. That was her right. And the thing was—she slowly realized—she wanted to. Even more, he wanted her to. Yet he didn’t move. However, he did smile, ever so slightly, and it gave her the encouragement she needed. She rose on tiptoe, and could all but reach him. “You might want to meet me halfway, Mr. Caradon.” Wordless, he did, but stopped just short of completing the journey. Their breaths mingling, she sensed his growing lack of patience, which, oddly enough, only increased hers. She ran a finger along his stubbled jawline and saw his eyes narrow ever so slightly. She’d never been one to toy with a man, but then she’d never been married to one with whom she could toy. She kissed him on one corner of his mouth, then the other. On his cheek, and then gently on the lips, like he’d done with her yesterday at the ceremony. His arms didn’t come around her like she half expected, but not for a moment did she question his response. He was letting her take the lead . . . and she liked it.

Macy was brunette, and her size Bs didn’t bounce without the help of a bra that pushed up, pulled in, and captured jiggle mass—and she’d burned those bras the day she found her husband in bed with his blonde, bouncy secretary—but prison inmates were desperate.

The Queen’s Highland castle retreat, set in 40,000 acres of heather and grouse moor, is effectively the Windsors’ family seat. Ever since Queen Victoria bought the estate in 1848 it has had a special place in the affections of the royal family. However the very quirks and obscure family traditions which have accrued over the years can intimidate newcomers. “Don’t sit there” they chorus at an unfortunate guest foolish enough to try and sit in a chair in the drawing-room which was last used by Queen Victoria. Those who successfully navigate this social minefield, popularly known as “the Balmoral test,” are accepted by the royal family. The ones who fail vanish from royal favour as quickly as the Highland mists come and go. So the prospect of her stay at Balmoral loomed large in Diana’s mind. She was “terrified” and desperately wanted to behave in the appropriate manner. Fortunately rather than staying in the main house, she was able to stay with her sister Jane and husband Robert who, as he was a member of the royal Household, enjoyed a grace and favour cottage on the estate. Prince Charles rang her every day, suggesting she join him for a walk or a barbecue. It was a “wonderful” few days until the glint of a pair of binoculars across the river Dee spoilt their idyll. They were carried by royal journalist James Whitaker who had spotted Prince Charles fishing by the banks of the river Dee. The hunters had become the hunted. Diana immediately told Charles that she would make herself scarce so while he continued fishing she hid behind a tree for half an hour hoping vainly that the journalists would go away. Cleverly she used the mirror from her powder compact to watch the unholy trinity of James Whitaker and rival photographers Ken Lennox and Arthur Edwards as they tried to capture her on film. She foiled their efforts by calmly walking straight up through the pine trees, her head muffled with a headscarf and flat cap, leaving Fleet Street’s finest clueless as to her identity.

Abortion is one of the most commonly performed medical procedures in the United States, and it is tragic that many women who have abortions are all too often mischaracterized and stigmatized, their exercise of moral agency sullied. Their judgment is publicly and forcefully second-guessed by those in politics and religion who have no business entering the deliberation. The reality is that women demonstrate forethought and care; talk to them the way clergy do and witness their sense of responsibility. Women take abortion as seriously as any of us takes any health-care procedure. They understand the life-altering obligations of parenthood and family life. They worry over their ability to provide for a child, the impact on work, school, the children they already have, or caring for other dependents. Perhaps the woman is unable to be a single parent or is having problems with a husband or partner or other kids.2 Maybe her contraception failed her. Maybe when it came to having sex she didn’t have much choice. Maybe this pregnancy will threaten her health, making adoption an untenable option. Or perhaps a wanted pregnancy takes a bad turn and she decides on abortion. It’s pretty complicated. It’s her business to decide on the outcome of her pregnancy—not ours to intervene, to blame, or to punish. Clergy know about moral agency through pastoral work. Women and families invite us into their lives to listen, reflect, offer sympathy, prayer, or comfort. But when it comes to giving advice, we recognize that we are not the ones to live with the outcome; the patient faces the consequences. The woman bears the medical risk of a pregnancy and has to live with the results. Her determination of the medical, spiritual, and ethical dimensions holds sway. The status of her fetus, when she thinks life begins, and all the other complications are hers alone to consider. Many women know right away when a pregnancy must end or continue. Some need to think about it. Whatever a woman decides, she needs to be able to get good quality medical care and emotional and spiritual support as she works toward the outcome she seeks; she figures it out. That’s all part of “moral agency.” No one is denying that her fetus has a moral standing. We are affirming that her moral standing is higher; she comes first. Her deliberations, her considerations have priority. The patient must be the one to arrive at a conclusion and act upon it. As a rabbi, I tell people what the Jewish tradition says and describe the variety of options within the faith. They study, deliberate, conclude, and act. I cannot force them to think or do differently. People come to their decisions in their own way. People who believe the decision is up to the woman are typically called “pro-choice.” “Choice” echoes what is called “moral agency,” “conscience,” “informed will,” or “personal autonomy”—spiritually or religiously. I favor the term “informed will” because it captures the idea that we learn and decide: First, inform the will. Then exercise conscience. In Reform Judaism, for instance, an individual demonstrates “informed will” in approaching and deciding about traditional dietary rules—in a fluid process of study of traditional teaching, consideration of the personal significance of that teaching, arriving at a conclusion, and taking action. Unitarian Universalists tell me that the search for truth and meaning leads to the exercise of conscience. We witness moral agency when a member of a faith community interprets faith teachings in light of historical religious understandings and personal conscience. I know that some religious people don’t do

a basic income is arguably more justified by the need for economic security than by a desire to eradicate poverty. Martin Luther King captured several aspects of this rather well in his 1967 book, Where Do We Go from Here? [A] host of positive psychological changes inevitably will result from widespread economic security. The dignity of the individual will flourish when the decisions concerning his life are in his own hands, when he has the assurance that his income is stable and certain, and when he knows that he has the means to seek self-improvement. Personal conflicts between husband, wife and children will diminish when the unjust measurement of human worth on a scale of dollars is eliminated.15 Twentieth-century welfare states tried to reduce certain risks of insecurity with contributory insurance schemes. In an industrial economy, the probability of so-called ‘contingency risks’, such as illness, workplace accidents, unemployment and disability, could be estimated actuarially. A system of social insurance could be constructed that worked reasonably well for the majority. In a predominantly ‘tertiary’ economy, in which more people are in and out of temporary, part-time and casual jobs and are doing a lot of unpaid job-related work outside fixed hours and workplaces, this route to providing basic security has broken down. The

she and William had surely planned for the possibility that one or both of them would be detected, captured, or lost—Ellen, if someone saw through her disguise; William, if he were kidnapped or recognized. But here they were, so near to Philadelphia that pickpockets, more than slave catchers, were foremost in their minds. They had likely not imagined that their greatest crisis would come on the last leg of their ride, after Ellen was no longer required to prove her mastery.

Sidney had a soft blush across her cheeks as she took a small piece of paper from Mia. I gave her an encouraging smile as she read. Her voice started soft but grew with confidence with each word. “With all my heart, I, Sidney King, take you, Jaxton Ryder, to be my husband. I promise to cherish and love you, Your partner in parenthood, Your ally in conflict, Your greatest fan, I will be your sidekick adventure, Your comfort in sorrow, Your accomplice in mischief, Your strength when you need. I want to play this game with you all the days of my life.” I leaned in and captured her mouth in a deep but quick kiss. “Sorry, I had to do that.

When you go forth to war against your enemies, and Yahweh has delivered them into your hands, and you have taken them captive, 21:10 and you see among the captives a beautiful woman, and have a desire to have her for a wife, 21:11 you shall bring her to your house. She shall shave her head, cut her nails 21:12 and take off the clothes she was captured in. She shall remain in your house and mourn her father and her mother a full month. After that you shall go unto her and be her husband, and she shall be your wife. 21:13 If you have no delight in her, you shall let her go whither she will. You shall not sell her. You shall not make merchandise of her because you have humbled her.

Mothers used to instruct their daughters, “This one has potential. If you work with this one, you’ll have a winner on your hands.” Well, that certainly doesn’t happen anymore! Women today want their men to arrive camera-ready! But who said you were perfect? Don’t think about changing or rearranging him. Concentrate on inspiring him and empowering him to rise up and be all that God has ordained him to be. Some women I know have initially passed right by their [future] husbands because he wasn’t perfectly polished. You don’t think all these successful men in the world started off that way, do you? Of course not! They climbed and climbed until they reached their goal. And most likely some woman was right there beside him all the way. Now those women get to reap the rewards. And that reward is so much greater if he’s a man of God.

58. Thuôris, 50 years. This is the Polybus of Homer, who appears in the Odyssey as husband of Alcandra: the poet tells how Menelaus and Helen dwelt with him in their wanderings after the capture of Troy.

My husband knew Iago was lying, manipulating, sabotaging. So why did he act on obvious deceit? Brotherhood. The quiet approval beamed from one male eye to another. Bright, tight, camaraderie. Like-mindedness born of the exchange of musk; the buck’s regard of the doe; the mild contempt following her capture. The wide, wild celebrity men find with each other cannot compete with the narrow comfort of a wife. Romance is always overshadowed by brawn. The language of love is trivial compared to the hidden language of men that lies underneath the secret language they speak in public. But real love, the love of an Amazon, is not based on pretty language or the secret sharing between males.

Cries of joy rose in the city as copies of the decree were fastened to the walls of the king's gate and at prominent places throughout the capital. Esther stood near, watching the frantic work. Awe that God had used her for this moment caused joy to rise up within her. When she heard the singing and laughter of the people outside, she wanted to weep and dance at the same time. Was this why You placed me here, Adonai? She had always wondered what possible reason there could have been for her to be so chosen. Surely other women were more beautiful than she. Surely other women had captured Xerxes' heart. With a Persian wife in Amestris who had given him sons, there had been no need for him to seek another wife. Even if he missed Vashti, it wasn't like he needed more. And yet here she stood, watching her father, second in command to the throne, write letters to every satrap, governor, high officer, and noble in all 127 provinces of her husband's kingdom. All because God saw fit to use her. Her. Hadassah. Her face heated with the humbling thought. How unworthy she felt, yet how blessed.

I took a photograph out of an old frame to put in a picture of my new husband and stepdaughter. Because the frame was constructed in an amazingly solid way, I thought about the man whose photo I was displacing; his assumptions about permanence; how we use frames to try to capture and hang onto moments, memories, families, selves that are in fact always in flux; how we frame our cities with roads, our shorelines with resorts, our dead with coffins — marking our territory, claiming possession

Biddy Chambers did. Had she given up, no one would have criticized her. Had she walked away, no one would have thought less of her. Her God-given assignment was to partner with her husband in teaching the Bible. They met in 1908, and by 1910 they were married, living in London, and busy about their dream of starting a Bible college. They purchased a large home and made rooms available for students and missionaries on furlough. Biddy’s training was in stenography. She took careful notes of her husband’s lectures and turned them into correspondence courses. At the outbreak of World War I, he felt a call to minister to soldiers stationed in Egypt. He and Biddy and their two-and-a-half-year-old daughter moved to the Middle East, where he took a position as a chaplain. Their ministry continued. He taught, she transcribed. He lectured; she captured his messages. It was a perfect partnership. Then came the setback. Her husband’s complications from appendicitis rendered Biddy a widow. Her husband died at the age of forty-three. She buried him in Egypt and returned to London to face this question: How could she partner with her husband if her husband was gone? All dreams of a teaching ministry would need to be abandoned, right? No. Biddy chose to give God her loaves and fishes. She set about the work of turning her husband’s notes into pamphlets and mailing them to friends and acquaintances. Eventually they were compiled into a book. My Utmost for His Highest was published in 1927.5

No, I'll mostly be watching you, anyway.’ His fingers traced patterns across the skin of my arm, raising goosebumps. ‘Will you cry?’ ‘Probably,’ I admitted, ‘if I'm paying attention.’ ‘I won't distract you then.’ But I felt his lips on my hair, and it was very distracting. The movie eventually captured my interest, thanks in large part to Marcel whispering Romeo's lines in my ear-his irresistible, velvet voice made the actor's voice sound week and coarse by comparison. And I did cry, to his amusement, when Juliet woke and found her new husband dead. ‘I'll admit, I do sort of envy him here, ‘Marcel said, drying the tears with a lock of my hair. ‘She's very pretty.’ He made a disgusted sound. ‘I don't envy him the girl-just the ease of the suicide,’ he clarified in a teasing tone. ‘You humans have it so easy! All you have to do is throw down one tiny vial of plant extracts…’ ‘What?’ I gasped. ‘It's something I had to think about once, and I knew from Chiaz's experience that it wouldn't be simple. I'm not even sure how many ways Chiaz tried to kill himself in the beginning… after he realized what he'd become…’ His voice, which had grown serious, turned light again. ‘And he's still in excellent health.’ I twisted around so that I could read his face. ‘What are you talking about?’ I demanded. ‘What do you mean, this something you had to think about once?’ ‘Last spring, when you were… nearly killed…’ He paused to take a deep breath, snuggling to return to his teasing tone. ‘Of course, I was trying to focus on finding you alive, but part of my mind was making contingency plans. As I said, it's not as easy for me as it is for a human.’ For one second, the memory of my last trip to Phoenix washed over my head and made me feel dizzy. I could see it all so clearly-the the blinding sun, the heat waves coming off the concrete as I ran with desperate haste to find the sadistic angel who wanted to torture me to death. James, waiting in the mirrored room with my mother as his hostage-or so I'd thought. I hadn't known it was all a ruse. Just as James hadn't known that Marcel was racing to save me; Marcel made it in time, but it had been a close one. Unthinkingly, my fingers traced the crescent-shaped scar on my hand that was always just a few degrees cooler than the rest of my skin. I shook my head as if I could shake away the bad memories and tried to grasp what Marcel meant. My stomach plunged uncomfortably. ‘Contingency plans?’ I repeated. ‘Well, I wasn't going to live without you.’ He rolled his eyes as if that fact were childishly obvious. ‘But I wasn't sure how to do it- I knew Emmah and Joh would never help… so I was thinking maybe I would go to Italy and do something to provoke the Ministry.’ I didn't want to believe he was serious, but his golden eyes were brooding, focused on something far away in the distance as he contemplated ways to end his own life. Abruptly, I was furious. ‘What is Vulture?’ I demanded. ‘The Ministry is a family,’ he explained, his eyes still remote. ‘A very old, very powerful family of our kind. They are the closest thing our world has to a royal family, I suppose. Chiaz lived with them briefly in his early years, in Italy, before he settled in America-do you remember the story?’ ‘Of course, I remember.

Your wish, my command.’ Marcel sprawled on the couch while I started the movie, fast-forwarding through the opening credits. When I perched on the edge of the sofa in front of him, he wrapped his arms around my waist and pulled me against his chest. It wasn't exactly as comfortable as a sofa cushion would be, what with his chest being hard and cold-and perfect-as an ice sculpture, but it was preferable. He pulled the old afghan off the back of the couch and draped it over me, so I wouldn't freeze beside his body. ‘You know, I've never had much patience with Romeo,’ he commented as the movie started. ‘What's wrong with Romeo?’ I asked, a little offended. Romeo was one of my favorite fictional characters. Until I'd met Marcel, I'd had a thing for him. ‘Well, first, he's in love with this Rosaline-don't you think it makes him seem a little fickle? And then, a few minutes after their wedding, he kills Juliet's cousin. That's not very brilliant. Mistake after mistake. Could he have destroyed his happiness any more thoroughly?’ I sighed. ‘Do you want me to watch this alone?’ ‘No, I'll mostly be watching you, anyway.’ His fingers traced patterns across the skin of my arm, raising goosebumps. ‘Will you cry?’ ‘Probably,’ I admitted, ‘if I'm paying attention.’ ‘I won't distract you then.’ But I felt his lips on my hair, and it was very distracting. The movie eventually captured my interest, thanks in large part to Marcel whispering Romeo's lines in my ear-his irresistible, velvet voice made the actor's voice sound week and coarse by comparison. And I did cry, to his amusement, when Juliet woke and found her new husband dead. ‘I'll admit, I do sort of envy him here, ‘Marcel said, drying the tears with a lock of my hair.

I'll take care of you, Lara. Don't doubt it for a second." "No, of course I..." She stopped and gasped as she felt him stroke her waist, sliding up until the heels of his hands brushed the sides of her breasts. To her bewildered dismay, she felt a responsive ache inside. "I wish you wouldn't touch me like that," she whispered. His head lowered, and she felt his mouth brush against her throat. "Why not?" he asked, searching for the tiny hollow beneath her ear. "Because it makes me feel so..." She groped for words, but as he pulled her closer, every rational thought flew from her head. He cupped her breast with tantalizing gentleness, the soft weight fitting exactly in his hand. At the same time, he caught her earlobe with his teeth and touched it with his tongue. "How does it make you feel?" he murmured, but she only gasped and pressed herself against him in an unconscious plea for more. He obliged her at once, capturing her lips in a long, slow kiss, his tongue gently probing and stroking inside her mouth. Skillfully he teased and caressed her, the kiss so compelling that she couldn't help responding. Her mind reeled with the improbability of the situation, finding such dizzying pleasure in her husband's embrace. They strained to be closer, her small hands clinging to his broad back, her body caught between his hard thighs. The sweeping excitement intensified, and she moaned and sagged against him until they were molded together from breast to thigh.

fully aware of everything that you have done for your mother-in-law since the death of your husband, and how you have left your father and mother and the land of your birth, and have come to a people that you did not know before. 12“May the LORD repay you for your kindness, and may your reward be full from the LORD, the God of Israel, under whose wings you have come to take refuge.

If we are not captured by his personality and character, then all our declarations of thanksgiving are like the gratitude of a wife to a husband for the money she gets from him to use in her affair with another man.

So I came to find you to learn more about them, or at least about my sister. I would like to know her.” This is what I wanted, to find the last link to the sister I had never known and to capture, now while I still can, the stories that would bring her back to life. This is why I had come all of this way. My entire family had been killed before I was old enough to know them. I have had a good life, filled with a husband who had loved me, two children and now grandchildren. But this piece has always been missing, a hole where my past should be. I want to know the people I had lost.

Humans use fear to domesticate humans, and our fear increases with each experience of injustice. The sense of injustice is the knife that opens a wound in our emotional body. Emotional poison is created by our reaction to what we consider injustice. Some wounds will heal, others will become infected with more and more poison. Once we are full of emotional poison, we have the need to release it, and we practice releasing the poison by sending it to someone else. How do we do this? By hooking that person’s attention. Let’s take an example of an ordinary couple. For whatever reason, the wife is mad. She has a lot of emotional poison from an injustice that comes from her husband. The husband is not home, but she remembers that injustice and the poison is growing inside. When the husband comes home, the first thing she wants to do is hook his attention because once she hooks his attention, all the poison can go to her husband and she can feel the relief. As soon as she tells him how bad he is, how stupid or how unfair he is, that poison she has inside her is transferred to the husband. She keeps talking and talking until she gets his attention. The husband finally reacts and gets mad, and she feels better. But now the poison is going through him, and he has to get even. He has to hook her attention and release the poison, but it’s not just her poison — it’s her poison plus his poison. If you look at this interaction, you will see that they are touching each other’s wounds and playing ping-pong with emotional poison. The poison keeps growing and growing, until someday one of them is going to explode. This is often how humans relate with each other. By hooking the attention, the energy goes from one person to another person. The attention is something very powerful in the human mind. Everyone around the world is hunting the attention of others all the time. When we capture the attention, we create channels of communication. The Dream is transferred, power is transferred, but emotional poison is transferred also.

People have been leaving behind huge chucks of themselves after death for eons, Consuela – in their diaries and paintings and the notes in their cookbooks and the stories they tell their children. The eneural is the latest in a long line of media that help us capture some bit who we were when we were alive, and give it to the future. It’s the birth of a new artform. One I already love.” She frowns skeptically. “That’s it? My husband is art to you?” I don’t back down. “Art makes life make sense.” “Art is a dead thing trying to tell the living how to live.

I blamed my absent husband for so many things, but I have come to see—life in general is to blame. Edward would have stayed home if there had been another way. I was too stubborn to recognize the truth. What will he say when I meet him at the depot? For that matter, what am I to say? Perhaps neither of us will need to speak. We will embrace and hopefully capture our hearts in our gaze, which will be enough.

For no one knows what lies under the sands of the world's great deserts. No one knows how many times poor Earth has reeled under blows from comets, has lost or captured moons, has changed its air, its very nature. No one knows what has existed and has vanished beyond recovery, evidence for the number of times man has understood and has forgotten again that his mind and flesh and life and movements are made of star stuff, sun stuff, planet stuff; that the sun's being is his, and what sort of events may be expected, because of the meshings of the planets - and how an intelligent husbanding of humanity's resources may be effected based on the most skilled and sensitive of forecasting, by those whose minds are instruments to record the celestial dance.

The Ionian invaders killed all the males they captured, marrying their wives and daughters; these forced marriages were said to be the origin of a Milesian law which forbade women to sit at table with their husbands or to address them by name.

In her later e-mails to me, Nancy struggled to capture the existential reality of trauma. “I want to tell you what a flashback is like. It is as if time is folded or warped, so that the past and present merge, as if I were physically transported into the past. Symbols related to the original trauma, however benign in reality, are thoroughly contaminated and so become objects to be hated, feared, destroyed if possible, avoided if not. For example, an iron in any form—a toy, a clothes iron, a curling iron, came to be seen as an instrument of torture. Each encounter with a scrub suit left me disassociated, confused, physically ill and at times consciously angry. “My marriage is slowly falling apart—my husband came to represent the heartless laughing people [the surgical team] who hurt me. I exist in a dual state. A pervasive numbness covers me with a blanket; and yet the touch of a small child pulls me back to the world. For a moment, I am present and a part of life, not just an observer. “Interestingly, I function very well at work, and I am constantly given positive feedback. Life proceeds with its own sense of falsity. “There is a strangeness, bizarreness to this dual existence. I tire of it. Yet I cannot give up on life, and I cannot delude myself into believing that if I ignore the beast it will go away. I’ve thought many times that I had recalled all the events around the surgery, only to find a new one. “There are so many pieces of that 45 minutes of my life that remain unknown. My memories are still incomplete and fragmented, but I no longer think that I need to know everything in order to understand what happened. “When the fear subsides I realize I can handle it, but a part of me doubts that I can. The pull to the past is strong; it is the dark side of my life; and I must dwell there from time to time. The struggle may also be a way to know that I survive—a re-playing of the fight to survive—which apparently I won, but cannot own.

I’m responsible for the whole, flattened film that has become my life. I think of camera angles. I think of how I should preserve the intricacies of the set. I must manage to capture what it means for a once-nomad to be confined to the four walls of a house. I must figure out a way to show on screen how even a small space of confinement begins to grow in the mind of the woman who inhabits it with her sorrows, how the walk from the bedroom to the door of the house becomes a Herculean task, or how the thought of checking on the slow-cooking chicken Chettinad curry when she is busy reading a book becomes an impossible chore. I also have to find out the technique to show its exact opposite, how the rooms begin to close in on this woman when she is being violated, how the walls chase her into corners, how the house appears to shrink the minute her husband is home, how there is nowhere to run, nowhere to hide, nowhere to evade his presence.

Are you ready?" her mother asked. A small part of Aurora screamed in revolt; she wanted to ask for permission to leave, to disappear into the wildlands and find another life. But the queen had lost enough in this life. Her husband succumbed to a disease that her magic couldn't touch. And her son had captured a storm's heart at the expense of his own. And the only one she had left, her daughter ... her daughter looked the part of the perfect Stormling princess -- so impressive, so ethereal, that no one would ever dare to think the truth. That she had no storm magic at all.

But what I wanted to capture was the connection we felt, feel, for each other. And how it enhances our work and, well, um, our lives.” Saying it out loud it sounded as if she’d been too lazy to imagine something and so had decided to rip off their lives. “Originally I thought one of the writers would have a real problem and the others would come to her aid.” Kendall looked around the table and smiled sheepishly. “I had no idea I’d be the one needing help so desperately. I’d pictured a car crash or an illness that kept the protagonist from being able to write, not an evil editor and a disappearing husband.