Floor Is Lava Quotes

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You destroy me." "Juliette," he says and he mouths the name, barely speaking at all, and he's pouring molten lava into my limbs and I never even knew I could melt straight to death. "I want you," he says. He says "I want all of you. I want you inside and out and catching your breath and aching for me like I ache for you." He says it like it's a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says "It's never been a secret. I've never tried to hide that from you. I've never pretended I wanted anything less." "You-you said you wanted f-friendship-" "Yes," he says, he swallows, "I did. I do. I do want to be your friend. He nods and I register the slight movement in the air between us. "I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says. "The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette-" "No," I gasp. "Don't-don't s-say that-" "I want to know where to touch you," he says. "I want to know how to touch you. I want to know how to convince you to design a smile just for me." I feel his chest rising, falling, up and down and up and down and "Yes," he says. "I do want to be your friend." He says "I want to be your best friend in the entire world." "I want so many things," he whispers. "I want your mind. Your strength. I want to be worth your time." His fingers graze the hem of my top and he says "I want this up." He tugs on the waist of my pants and says "I want these down." He touches the tips of his fingers to the sides of my body and says, "I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it's racing because of me, because you want me. Because you never," he says, he breathes, "never want me to stop. I want every second. Every inch of you. I want all of it." And I drop dead, all over the floor. "Juliette." I can't understand why I can still hear him speaking because I'm dead, I'm already dead, I've died over and over and over again. He swallows, hard, his chest heaving, his words a breathless, shaky whisper when he says "I'm so-I'm so desperately in love with you-
Tahereh Mafi (Unravel Me (Shatter Me, #2))
The airlock door doesn’t reach the ceiling, so I’ll have to play “The Floor Is Lava” to get in.
Andy Weir (Project Hail Mary)
We played like children. Had squirt gun fights in her living room, played the floor is lava. When it was negative five outside, we boiled water and threw it off the balcony to make fog. We blew bubbles to watch them freeze, made snow angels on the roof, had snowball fights
Abby Jimenez (Life's Too Short (The Friend Zone, #3))
Pressure knocks at my door A clock ticks and demands its due The lava burns from the floor But not in a game like it used to. So little time to figure it all out So many distractions to prevent success I’m in a dark forest with no path or route But this internal fire knows no rest.
Justin Wetch (Bending The Universe)
Trace sighed, braced the worktable. “I said, get out.” Frozen with fear and anger, I stared at the floor. “No.” “No?” I elevated my chin a fraction. “That’s right…no.” He twisted around. His expression made a gradual shift from vengeful to predatory. Our eyes battled in silence, then, like a prowling lion, he advanced, and I, his prey, retreated until I’d backed into a wall. When his shadow engulfed me, I had to tilt my head all the way back to stare up at him. The ice had thawed in his eyes, leaving twin pools of lava.
Tanya Holmes (Within Temptation (Sons of Temptation, #1))
Our story ends happily ever after. It has to. We escape Battle Creek, pile into the car, and burn a strip of rubber down the highway. Fly away west, to the promised land. Our rooms will be lit by lava lamps and Christmas lights. Our lives will glow. Consciousness will rise and minds will expand, and beautiful boys in flannel shirts will make snow angels on our floor and write love letters on our ceiling with black polish and red lipstick. We will be their muses, and they will strum their guitars beneath our window, calling to us with a siren song. Come down come away with me. We will lean out of our tower, our hair swinging like Rapunzel's, and laugh, because nothing will carry us away from each other.
Robin Wasserman (Girls on Fire)
Is now a good time to tell you my dad’s fluent in four languages?” I went perfectly still, my hand tight around the oral wand and my face so hot I thought my head would split and spill lava. “Is…ah, Spanish…one of them?” I croaked. “Sí,” Mr. Moore answered. Once more the vent alarms blared in nuclear-meltdown mode. It took all I had not to kick Brody in the ribs when he fell to the floor in hysterics.
Cecy Robson (Once Loved (Shattered Past, #2))
Last Night’s Moon," “When will we next walk together under last night’s moon?” - Tu Fu March aspens, mist forest. Green rain pins down the sea, early evening cyanotype. Silver saltlines, weedy toques of low tide, pillow lava’s black spill indelible in the sand. Unbroken broken sea. — Rain sharpens marsh-hair birth-green of the spring firs. In the bog where the dead never disappear, where river birch drown, the surface strewn with reflection. This is the acid-soaked moss that eats bones, keeps flesh; the fermented ground where time stops and doesn’t; dissolves the skull, preserves the brain, wrinkled pearl in black mud. — In the autumn that made love necessary, we stood in rubber boots on the sphagnum raft and learned love is soil–stronger than peat or sea– melting what it holds. The past is not our own. Mole’s ribbon of earth, termite house, soaked sponge. It rises, keloids of rain on wood; spreads, milkweed galaxy, broken pod scattering the debris of attention. Where you are while your body is here, remembering in the cold spring afternoon. The past is a long bone. — Time is like the painter’s lie, no line around apple or along thigh, though the apple aches to its sweet edge, strains to its skin, the seam of density. Invisible line closest to touch. Lines of wet grass on my arm, your tongue’s wet line across my back. All the history in the bone-embedded hills of your body. Everything your mouth remembers. Your hands manipullate in the darkness, silver bromide of desire darkening skin with light. — Disoriented at great depths, confused by the noise of shipping routes, whales hover, small eyes squinting as they consult the magnetic map of the ocean floor. They strain, a thousand miles through cold channels; clicking thrums of distant loneliness bounce off seamounts and abyssal plains. They look up from perpetual dusk to rods of sunlight, a solar forest at the surface. Transfixed in the dark summer kitchen: feet bare on humid linoleum, cilia listening. Feral as the infrared aura of the snake’s prey, the bees’ pointillism, the infrasonic hum of the desert heard by the birds. The nighthawk spans the ceiling; swoops. Hot kitchen air vibrates. I look up to the pattern of stars under its wings.
Anne Michaels
8:30 P.M.: Personal time. Free of Reznik at last. We wash our jumpsuits, shine our boots, scrub the barracks floor and the latrine, clean our rifles, pass around dirty magazines, and swap other contraband like candy and chewing gum. We play cards and bust each other’s nuts and complain about Reznik. We share the day’s rumors and tell bad jokes and push back against the silence inside our own heads, the place where the never-ending voiceless scream rises like the superheated air above a lava flow. Inevitably
Rick Yancey (The 5th Wave (The 5th Wave, #1))
Flames lit every surface in the caves and lava floes burned all around him, like some version of the Realm of Death he had heard tales of in his youth. There were flames leaping out of holes in the walls and floor like fiery stalagmites. Cyrus Davidon stood in the midst of it all, minding his steps very carefully, lest his black armor end up blacker still from an inadvertent scorching. The sweat rolled off his face as he surveyed the group around him. Over one hundred adventurers, all with common purpose. They had come to this place intending to slay a dragon. There was some nobility in that, Cyrus reflected, but it was diminished by the fact that the dragon was trapped in these depths and not a threat to anyone but those looking for it. Which meant that most of them were here for the dragon’s sizeable treasure hoard. “There’s nothing like fighting for your life with a small army of opportunists to watch your back, is there?” Cyrus murmured. “You’re not joking. It makes you wonder if there’s even one of this lot we can trust,” came the voice of Narstron a dwarf who had traveled with Cyrus for many seasons and had shared a great many adventures with him. “Trust is earned, not given. This group is so raw they’ll be dead before they even prove themselves,” came the voice on the other side of Narstron. Andren was an elf by nature and a healer by trade, a spell caster with the ability to bind wounds through magical means. “This lot has seen far too few seasons – and this is likely their last. Dragons aren’t to be trifled with.” He peered
Robert J. Crane (Defender, Avenger, Champion (Sanctuary #1-3))
He was around one and a half years old when he first discovered the joy of running, and it was the last time he walked as a kid ever again. The floor was always red-hot-burning lava, and every piece of furniture was land. It was the same with bricks, stones, and the grasslands on lava covered roads. There were also times when he truly believed that he could fly. It resulted in three head fractures, with seven stitches, before turning five.
Arka Datta (A Team of Extraordinary Bastards)
Myron nodded. “Practical,” he said. Big Cyndi sniffled once, then suddenly began to cry. She still had on waaaay too much makeup, none of it waterproof, and she quickly started to look like a lava lamp left in the microwave. “Oh, Mr. Bolitar!” She ran toward him, her arms spread, the floor creaking from the thumping. An image of one of those cartoon scenes where characters keep falling through floors, forming cutout silhouettes in each floor as they pass through it, came to him. Myron put up his hands. No! Myron good! Myron like Cyndi! Cyndi no hurt Myron! But the gesture was useless. She
Harlan Coben (One False Move (Myron Bolitar, #5))
(...)Through the ship's telescopes, he had watched the death of the solar system. With his own eyes, he had seen the volcanoes of Mars erupt for the first time in a billion years; Venus briefly naked as her atmosphere was blasted into space before she herself was consumed; the gas giants exploding into incandescent fireballs. But these were empty, meaningless spectacles compared with the tragedy of Earth. That, too, he had watched through the lenses of cameras that had survived a few minutes longer than the devoted men who had sacrificed the last moments of their lives to set them up. He had seen ... ... the Great Pyramid, glowing dully red before it slumped into a puddle of molten stone ... ... the floor of the Atlantic, baked rock-hard in seconds, before it was submerged again, by the lava gushing from the volcanoes of the Mid-ocean Rift... ... the Moon rising above the flaming forests of Brazil and now itself shining almost as brilliantly as had the Sun, on its last setting, only minutes before ... ... the continent of Antarctica emerging briefly after its long burial, as the kilometres of ancient ice were burned away ... ... the mighty central span of the Gibraltar Bridge, melting even as it slumped downward through the burning air ... In that last century the Earth was haunted with ghosts - not of the dead, but of those who now could never be born. For five hundred years the birthrate had been held at a level that would reduce the human population to a few millions when the end finally came. Whole cities - even countries - had been deserted as mankind huddled together for History's closing act.
Arthur C. Clarke
At 10 a.m. on 28 August, the rock roof of the chamber, insufficiently supported by lava beneath, could bear the weight of the ocean and its floor no longer. It collapsed. Millions of tons of water fell on to the molten lava in the chamber and two-thirds of the island tumbled on top of it. The result was an explosion of such magnitude that it produced perhaps the loudest noise ever to echo round the world in recorded history.
David Attenborough (Living Planet: The Web of Life on Earth)
At that moment Grímur decided that sixteen years would not be sufficient. Sixteen years and out in ten was not a high enough price to pay for all those black eyes, for the wails and the tears and the desperation that seeped down to him through the floor. It wasn’t enough for beating her to death, crushing the battered body into a suitcase and dumping it like garbage out in the lava field.
Lilja Sigurðardóttir (Cold as Hell (An Áróra Investigation, #1))
Advice to Myself from Chelsea to Chelsea Be reckless when it matters most. Messy incomplete. Belly laugh. Love language. Be butterfly stroke in a pool of freestylers. Fast & loose. You don’t need all the right moves all the time. You just need limbs wild. Be equator. Lava. Ocean floor, the neon of plankton. Be unexpected. The rope they lower to save the other bodies. Be your whole body. Every hiccup & out of place. Elastic girl. Be stretch moldable. Be funk flexible. Free fashionable. Go on. Be hair natural. Try & do anything, woman. What brave acts like on your hips. Be cocky at school. Have a fresh mouth. Don’t let them tell you what’s prim & proper. Not your ladylike. Don’t be their ladylike. Their dress-up girl. Not their pretty. Don’t be their bottled. Saturated. Dyed. Squeezed. SPANXed. Be gilded. Gold. Papyrus. A parakeet’s balk & flaunt. Show up uninvited. Know what naked feels like. Get the sweetness. Be the woman you love. Be tight rope & expanse. Stay hungry. Be a mouth that needs to get fed. Ask for it. Stay alert—lively—alive & unfettered. Full on it all. Say yes when it matters. Be dragonfish. Set all the fires. Be all the woman they warned you against being. Be her anyway.
Renée Watson (Watch Us Rise)
HE HAD BEEN trained in a hidden monastery by the ninjas of Xi’en. He had studied yoga and meditation under an Avrantic guru. His strength, stamina and ability to withstand pain were legendary. He was as silent as a shadow of a black cat in the night, as deadly as a cobra’s fang. He moved like a panther, taut and sinuous. He could climb up rock-faces with his bare hands and stay underwater for hours without breathing. His skill and luck at love and cards was legendary, and he had almost beaten the Civilian at chess once. He was wondering what to wear. When in doubt, Black is the answer, the dance teacher in Ektara had said. He dressed, swiftly. It had been a long time since he had worn the original costume. Black silk clothes, padded boots. The cloth around the face, with slits for his eyes. The fire-resistant Xi’en lava-worm black silk cape. Of course, disguises and camouflage were fun, and often necessary, but this was his favourite. He strapped on his Necessity Belt. He had been all around the world and seen many beautiful things, but this was the finest example of vaman craftsmanship he had ever seen. He opened a trunk under his bed and started thinking about his assignment. His fingers, trained by years of practice, began sliding things into the right pockets on his belt. Into the little sheaths went the darts, the crossbow bolts and the blackened throwing knives. With practiced ease his fingers found the little pouches, side by side, one after the other, for the wires, the brass knuckles, the vial of oil, the sachet of poisonous powder and the shuriken, the little blackened poisoned-tipped discs the ninjas used. On his back was the slim bag that contained a little black chalk, his stamp and his emergency scarab. If he was killed or captured, it would fly to the Civilian. The message inside said Killed or captured. Sorry. He slung a pouch over his shoulder. It contained his blowpipes, ropes, strangling cords and cloth-covered grappling hooks. Over his other shoulder went the light and specially constructed crossbow. The flat bag filled with what he called his ‘special effects’ went on his back. He felt a little naked. He strapped on little black daggers in sheaths to his left arm and outer thighs. He tapped his left foot thrice on the floor and felt the blade slide to the front of the boot. He tapped again and it slid back to the heel. (...) He slipped on his gloves. Finally, he picked up the sheath that contained his first love. It was the one love he’d always been faithful to, the long, curved, deadly and beautiful Artaxerxian dagger that glittered and shone even in the candlelight as he pulled it out and held it lovingly. It was the only weapon he had never blackened. The Silver Dagger. He attached it to the Necessity Belt. Now he was dressed to kill.
Samit Basu (The Simoqin Prophecies (GameWorld Trilogy, #1))
I love my friends, but we do stupid shit like see if we can fit in the fridge, or buy a single grape from the grocery store, or play The Floor Is Lava for an entire Sunday.
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
She carried him down into a lush cavern. It was a sprawling acre and a half, the floor a beautiful rolling meadow of wildflowers split by a zigzag freshwater stream which was fed by five cascade waterfalls streaming down in roaring torrents from towering one hundred fifty foot sheer walls. There were mineral-rich hot springs and abundant vegetation. Giant ferns, mushrooms, heather, blueberry, alpine strawberry, huckleberry. All thriving in the warm, wet air generated by the nearly constant emission of steam hissing out of geothermal vents. Eerie lava rock formations sprouted up throughout the grotto floor. Curving, organic shapes forming alcoves and niches and cozy recesses offering solitude to whomever, or whatever, required it.
Steven Elkins (Nonesuch Man)
Seth followed the phantom through the labyrinthine cave. After a number of turns, Seth wasn’t sure if he could find his way back. The air started to get hotter. In one room, steam wafted up from little fissures in the floor. In another, a bubbling pool of hot water in one corner saturated the room with a steamy, eggy odor. Some passages narrowed so much, Seth had to turn sideways. Some wider chambers had room to spare, with stalagmites four or five times his height. The light from his wand did not always reach the ceiling, and it was hard to tell if some of the shadowy side passages went a long distance or ended after a few feet. “Be extra quiet here,” the phantom whispered. Noticing a red glow up ahead, Seth shielded the light of his wand with his hand and stepped carefully. In a neighboring chamber of the cave, Seth saw a blob of dark lava with molten redness glowing through the cracks. Fiery millipedes as long as Seth’s arm skittered around the surface of the lava blob, some of them crawling into or out of the gaps to the red interior. He knew of no living creature that could handle such extreme temperature. The air in the cave became increasingly hot and dry as Seth progressed. The stone around him smelled like it was baking. Seth crossed through one room where more than half the floor was a glowing pool of smoldering scarlet lava. He felt certain that without the ointment, his hair and clothes would burst into flame by proximity to such heat, but instead Seth discovered
Brandon Mull (Dragonwatch, Book 3: Master of the Phantom Isle (Dragonwatch, #3))
The second form of fuel was dust. Or to sound more professional, hot fuel particles (hot meaning radioactive). These particles penetrated the surfaces of walls, floors, ceilings, and were in the air. Almost all the premises of Shelter were contaminated. Later, we’ll talk about this, an especially “pleasant” fuel modification for us And the last, lava. Excepting the famous Elephant Leg, lava was discovered in many other places in Shelter, even at the lowest points of Unit 4. It spread via steam relief valves and pipes (fig. 15).
Alexander Borovoi (My Chernobyl: The Human Story of a Scientist and the nuclear power Plant Catastrophe)
But let’s assume it’s an indestructible hair dryer. And if we have something as cool as an indestructible hair dryer, it seems like a shame to limit it to 1875 watts. With 18,750 watts flowing out of the hair dryer, the surface of the box reaches over 200°C (475°F), as hot as a skillet on low-medium. I wonder how high this dial goes. There’s a distressing amount of space left on the dial. The surface of the box is now 600°C, hot enough to glow a dim red. If it’s made of aluminium, the inside is starting to melt. If it’s made of lead, the outside is starting to melt. If it’s on a wood floor, the house is on fire. But it doesn’t matter what’s happening around it; the hair dryer is indestructible. Two megawatts pumped into a laser is enough to destroy missiles. At 1300°C, the box is now about the temperature of lava. One more notch. This hair dryer is probably not up to code. Now 18 megawatts are flowing into the box. The surface of the box reaches 2400°C. If it were steel, it would have melted by now. If it’s made of something like tungsten, it might conceivably last a little longer. Just one more, then we’ll stop. This much power—187 megawatts—is enough to make the box glow white. Not a lot of materials can survive these conditions, so we’ll have to assume the box is indestructible. The floor is made of lava. Unfortunately, the floor isn’t. Before it can burn its way through the floor, someone throws a water balloon under it. The burst of steam launches the box out the front door and onto the sidewalk.​[​2​]​ We’re at 1.875 gigawatts (I lied about stopping). According to Back to the Future, the hair dryer is now drawing enough power to travel back in time. The box is blindingly bright, and you can’t get closer than a few hundred meters due to the intense heat. It sits in the middle of a growing pool of lava. Anything within 50–100 meters bursts into flame. A column of heat and smoke rise high into the air. Periodic explosions of gas beneath the box launch it into the air, and it starts fires and forms a new lava pool where it lands. We keep turning the dial. At 18.7 gigawatts, the conditions around the box are similar to those on the pad during a space shuttle launch.
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
But by 1989–90, it became obvious that the majority of thrown materials didn’t fall into the reactor’s pit and didn’t fulfill their tasks. The combination of rated and measured curves should, most likely, be considered a result of the “hypnotic influence” of high science upon the results of incorrect measuring. Let’s consider some facts. The first one. Consider the Central Hall of the reactor. It’s covered by huge hills of thrown materials. This could be observed from the helicopters before completion of the Shelter that encased the reactor; and it was proved by the exploratory groups that got inside the hall after a long preparatory period. But this doesn’t exclude the fact that the major part of the materials landed in the reactor’s pit. The second fact. In the middle of 1988, with the help of optical instruments and TV cameras, researchers managed to see what was inside the pit of the reactor. They found practically no thrown materials. But here one can object that these materials fell into an area of extraordinarily high temperatures, and they melted and spread over the lower rooms of the reactor. Such a process could take place. On the lower floors, they did discover great accumulations of solid lava-like masses that contained nuclear fuel. The third fact. The presence of lead would indicate that those lava-like masses contained not only materials of the reactor itself—concrete, dolomite, sand, steel, zirconium, etc.—but also materials thrown from the helicopters. But there is no lead in the reactor and the nearest rooms, even though over two thousand tons of it was thrown in! After investigation of dozens of samples, it was found that the quantity of lead in the lava masses was too small. That meant the lead didn’t get into the pit. The other components of the thrown materials fell in such a small quantity, they couldn’t influence the behavior of the release. These are the known facts.
Alexander Borovoi (My Chernobyl: The Human Story of a Scientist and the nuclear power Plant Catastrophe)
We have spoken already that on the sixth of May, ten days after the accident, the release of radioactivity out of the destroyed Unit, which threatened to cause serious disasters, decreased suddenly by hundreds of times. At the time, the reason for this decrease was considered to be the effect of all the materials that had been thrown from the helicopters. Now we know that those materials hadn’t played their proper role. The explanation is different now. At that time, the fuel, having melted the lower protective plate of the reactor, dissolved in other melted materials and formed radioactive lava, never seen in nature before. Lava spread in the lower stores of the block and started to cool. The radioactive release was practically stopped. China Syndrome—the burning of concrete plates and the gradual falling of the fuel— worked only for that lower plate and, to some extent, for the floor of the room situated right under the reactor.
Alexander Borovoi (My Chernobyl: The Human Story of a Scientist and the nuclear power Plant Catastrophe)
For the last two years, my New Year’s resolutions have been to eat things with more sprinkles on them. I read mostly romance novels, followed closely by middle grade fantasy. I love my friends, but we do stupid shit like see if we can fit in the fridge, or buy a single grape from the grocery store, or play The Floor Is Lava for an entire Saturday.
Emiko Jean (Tokyo Ever After (Tokyo Ever After, #1))
Jesus, Rocky.” He’s dragging a bath towel around the floor with his foot now. “It’s not a big deal.” “I didn’t say it was a big deal,” I say quietly, but my veins are flooded with the lava that’s spewing out of my bad-mood volcano. If menopause were an actual substance, it would be spraying from my eyeballs, searing the word ugh across Nick’s cute face. “Just acknowledge that you never really listen to me when I ask you something.” “Never,” he says flatly. “Wow. Good to know.
Catherine Newman (Sandwich)
Jesus, Rocky.” He’s dragging a bath towel around the floor with his foot now. “It’s not a big deal.” “I didn’t say it was a big deal,” I say quietly, but my veins are flooded with the lava that’s spewing out of my bad-mood volcano. If menopause were an actual substance, it would be spraying from my eyeballs, searing the word ugh across Nick’s cute face. “Just acknowledge that you never really listen to me when I ask you something.” “Never,” he says flatly. “Wow. Good to know.” “Are you guys standing around in shit water and fighting?” Willa calls in. “Are you having a meta fight about the way you’re fighting? Don’t. Dad, did you apologize for whatever it is that Mama’s mad about? You should probably just apologize and get on with your life.” “I did,” he says, and I roll my eyes. “Did you, though?” I say, and he shrugs, says, “Close enough.
Catherine Newman (Sandwich)