Capture Your Moments Quotes

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He trapped my hand against his chest and yanked my sleeve down past my wrist, covering my hand with it. Just as quickly, he did the same thing with the other sleeve. He held my shirt by the cuffs, my hands captured. My mouth opened in protest. Reeling me closer, he didn’t stop until I was directly in front of him. Suddenly he lifted me onto the counter. My face was level with his. He fixed me with a dark, inviting smile. And that’s when I realized this moment had been dancing around the edge of my fantasies for several days now. "Take off your hat," I said, the words tumbling out before I could stop them. He slid it around, the brim facing backward. I scooted to the edge of the counter, my legs dangling one on either side of him. Something inside of me was telling me to stop—but I swept that voice to the far back of my mind. He spread his hands on the counter, just outside my hips. Tilting his head to one side, he moved closer. His scent, which was all damp dark earth, overwhelmed me. I inhaled two sharp breaths. No. This wasn’t right. Not this, not with Patch. He was frightening. In a good way, yes. But also in a bad way. A very bad way. "You should go," I breathed. "You should definitely go." "Go here?" His mouth was on my shoulder. "Or here?" It moved up my neck. My brain couldn’t process one logical thought. Patch’s mouth was roaming north, up over my jaw, gently sucking at my skin... "My legs are falling asleep," I blurted. It wasn’t a total lie. I was experiencing tingling sensations all through my body, legs included. "I could solve that." Patch’s hands closed on my hips.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
His mouth hardened into a tight line for a moment. “I plead for nothing.” His voice deepened. “I beg for nothing.” He paused, searching her eyes. “You are my heart. I beg you to forgive me, beautiful. You come before everything to me. You even come before my own pride. I’m a Zorn warrior. I have fought many battles in war. I carry scars from lost lives I took in battle. I hunt and I do it well. I have never been captured and I have never been brought to my knees.” He reached out to caress her cheek. “Then I look into your eyes and remember your laugh. I am there, beautiful. You have caught me and I am on my knees to you.
Laurann Dohner (Kidnapping Casey (Zorn Warriors, #2))
Most people miss their whole lives, you know. Listen, life isn't when you are standing on top of a mountain looking at a sunset. Life isn't waiting at the alter or the moment your child is born or that time you were swimming in a deep water and a dolphin came up alongside you. These are fragments. 10 or 12 grains of sand spread throughout your entire existence. These are not life. Life is brushing your teeth or making a sandwich or watching the news or waiting for the bus. Or walking. Every day, thousands of tiny events happen and if you're not watching, if you're not careful, if you don't capture them and make them COUNT, your could miss it. You could miss your whole life.
Toni Jordan (Addition)
I Love Loving You You are my favorite song; a rhythm of beauty that captures my spirit. You are my favorite poem; an exquisite grouping of ideas set in motion with an unmatched enchanting elegance. You are my best friend; from our laughter to our deep conversations, our moments together are a timeless pleasure. You are my soul mate; a connection so pure, so powerful, that it can only be considered divine. You are my lover; a passionate entwinement, a chorus of ecstasy, and a feeling of complete unity that words could never adequately describe. You are my angel; you remind me of the goodness in this world and inspire me to be the greatest version of myself. You are my home; it is in your loving gaze that I find the comfort, acceptance, and the sense of belonging. You are my love ~ mi amor; there are not enough days in forever to allow me to fully express my love for you. I love loving you.
Steve Maraboli (Unapologetically You: Reflections on Life and the Human Experience)
These are the things that life is all about. These moments. It’s not about the rituals. It’s not about getting by. It’s about the stack of tiny little moments of joy and love that add up to a lifetime that’s been worthwhile. You can’t measure them; you can only capture them, like snapshots in your mind.
C. Robert Cargill (Sea of Rust (Sea of Rust, #1))
Sometimes moments in life are so perfect you want to freeze frame them; capture them within your soul forever so they never fade away—they burn themselves into your being until they’re a part of who you are.
Cassandra Giovanni (Flawed Perfection (Beautifully Flawed, #1))
Touch me with your bestial pupils, keep me in a floating air between us, clasp my shuddering thoughts below the moonlight captured in a candle jar.
Tatjana Ostojic (Moments of Eros: Poetry as the Language of Desire)
There are no absolute truths, and the best historians know that. You strive to capture a moment of time, and if your work is done properly, history becomes a written photograph.
Gloria Naylor
Kaylee, this means something to me.” His hands trailed down my arms to cup my elbows, and his gaze held mine. “With any luck, we’re going to have millions of moments over the course of eternity, and I plan to love every one of them. But we’ll never have this moment again, and this is very important to me.” The twists of blue in his eyes coiled so tightly the color was almost gone, lost among pale shades of a need so deep it couldn’t possibly be captured in a kiss, or a touch. “I need to know that this is important to you, too. I need to know that this isn’t like last time. That you’re not doing this just so you can say you’ve done it. Because that’s not good enough for me. That’s not good enough for us.
Rachel Vincent (Before I Wake (Soul Screamers, #6))
Sometimes I think you take photographs instead of seeing, you forget to look in your eagerness to grasp what is seen, to capture it in time's flight. You are absent from your own pictures, not only because you took them yourself, but also because you betray the moments you want to save from oblivion.
Jens Christian Grøndahl (Silence In October)
Abruptly, Elliot startles us all by standing and pulling his chair back so it scrapes across the tile floor. All eyes turn to him. He gazes down at Kate for one moment and then drops to one knee beside her. Oh. My. God. He reaches for her hand, and silence settles like a blanket over the entire restaurant as everyone stops eating, stops talking, stops walking, and stares. "My beautiful Kate, I love you. Your grace, your beauty, and your fiery spirit have no equal, and you have captured my heart. Spend your life with me. Marry me." Holy shit!
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
Sometimes, all you can take are memories But if you’re lucky enough to capture the moment, it lives forever, immortally fixed.
Keegan Allen (life.love.beauty)
Every time you find your attention captured by a poster, your awareness, and perhaps something more, has, if only for a moment, been appropriated without your consent.
Tim Wu (The Attention Merchants: The Epic Scramble to Get Inside Our Heads)
Capture every moments of your life.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
Your eyes sang to my soul, Your lips kissed my heart, Your smile captured my love, Your tender touch bonded my love for eternity, As you live in my heart For my eyes saw your beauty, My passion saw your fire, heat of million suns that burn, That first moment, I was yours, Complete, and forever. As time stood still, As forever for I knew you..
Ravinder Singh
symphaths treated everything like a chess match—right down to the moment they captured your king, turned your queen into a whore, and burned down your castles.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
Mercer opens hi mouth to argue, and Bastion Banister chooses this moment to open his mouth and snap at the circling bee. To his own evident surprise, he captures it, and there’s a curious little glonking noise as he swallows it whole. Mercer cringes slightly, as if expecting the dog to explode. Nothing happens. “All right,” Polly Cradle says, and then, pro forma, “Bastion, you’re a very naughty boy.” “Yes,” Mercer says acidly. “The dog has consumed a possibly lethal technological device of immense sophistication, deprived us of our only piece of tangible evidence and possibly doomed us all to some sort of arcane scientific retaliative strike. By all means, chide him severely with your voice. That will solve everyone’s problems.
Nick Harkaway (Angelmaker)
Are we riding far tonight, Gandalf?” asked Merry after a while. “I don’t know how you feel with small rag-tag dangling behind you; but the rag-tag is tired and will be glad to stop dangling and lie down.” “So you heard that?” said Gandalf. “Don’t let it rankle! Be thankful no longer words were aimed at you. He had his eyes on you. If it is any comfort to your pride, I should say that, at the moment, you and Pippin are more in his thoughts than the rest of us. Who you are; how you came here, and why; what you know; whether you were captured, and if so, how you escaped when all the orcs perished—it is with those little riddles that the great mind of Saruman is troubled. A sneer from him, Meriadoc, is a compliment, if you feel honoured by his concern.” “Thank you!” said Merry. “But it is a greater honour to dangle at your tail, Gandalf. For one thing, in that position one has a chance of putting a question a second time. Are we riding far tonight?” Gandalf laughed. “A most unquenchable hobbit! All wizards should have a hobbit or two in their care—to teach them the meaning of the world, and to correct them.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
There’ll be moments in life, sweet pea, that stand out in your memories like a photograph. Scenes captured perfectly in your mind, frozen in time with each detail as colorful as it was that first time you saw it. ‘Flashbulb memories,’ some people call them,” she’d told me, her eyes crinkling up and nearly disappearing in a face etched with too many laugh lines to count. “Most people don’t recognize those moments as they happen. They look back fifty years later, and realize that those were the most important parts of their entire life. But at the time, they’re so busy looking ahead to what’s coming down the line or worrying about their future, they don’t enjoy their present. Don’t be like them, sweet pea. Don’t get so caught up in chasing your dreams that you forget to live them.
Julie Johnson (Say the Word)
Sonnet I If thee must say that I am not who I am, That I am not real or true, Then thou must say you are not as well, For we either walk in fairytales and dance to our dreams, Or we die trying to capture a miracle between the ordinary moments, We rejoice in the gratitude for our needs met, But we pray for the staircases and open doors to our desires, We redefine our gratitude with another day, Another dance of praise to Thee for undoing are mistakes of unneeded wants and needs we want, but not met.
Shannon L. Alder
When you’re young, experiencing new relationships and first loves, nobody really knows what they’re doing. We chase the butterflies and try to capture the perfect moments. But the more you grow, the more you realize that’s not what it’s all about. Love becomes real when the ideal fades away. When that one person becomes more important than yourself. When you make the decision that no matter the cost, you’ll never stop fighting for them. When you can face each other, scarred and unashamed in this dark, lonely world, and feel like you’re finally home. Until we are ready to love with all our hearts, all our minds, and all our souls, we are nothing but lonesome people, just looking to use somebody.
Riley Jean (Use Somebody)
Capture the moment. It is your only sacred-memory.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
The act of writing by hand draws our mind into the present moment on a neurological level unlike any other capturing mechanism.
Ryder Carroll (The Bullet Journal Method: Track Your Past, Order Your Present, Plan Your Future)
Kuala Lumpur had a certain something… There was a sense of freedom perhaps, of anarchy even, that Singapore so sorely lacked. Perhaps it was the lack of deference to authority, the physical space, the ability to take a step back and enjoy a moment of quite that lent Kuala Lumpur its atmosphere. Singaporeans were always adding to the list of reasons each one kept to hand, in case they met a Malaysian, of why it was so much better on the island than the peninsula. They ranged from law and order to cleanliness, from clean government to good schools, and always ended on the strength of the Singaporean economy. But in the end, the Malaysian would nod as if to agree to the points made – and then shrug to indicate that they probably wouldn’t trade passports, not really. And if pressed for a reason they would fall back on that old chestnut which somehow seemed to capture everything that was wrong about Singapore – but your government bans chewing gum. The nanny state and the police state all rolled into one.
Shamini Flint (A Most Peculiar Malaysian Murder (Inspector Singh Investigates #1))
The pain we feel so deeply inside is the longing to capture moments in life. It is an illusion of the mind that this time can always be kept. We have to let the moments go and learn to accept the goodbyes. No matter the joy or sorrow, keep your heart open and your spirit willing. Embrace the highs and lows of life, cherishing each moment as it passes; that is the essence of living.
Rolf van der Wind
Technology allowed us to share our photos with more people now than ever before, but where would these captured moments in time be in twenty years? On some outdated piece of hardware at the bottom of a landfill site? What happened to memories you couldn’t hold between your thumb and forefinger?
Linwood Barclay (A Tap on the Window)
So, maybe we’re the generation of the selfie, but we’re also the generation that grew up in a tainted, Photoshopped world with every impossible beauty standard shoved down our throat through a tube because eating has become a guilty pleasure and condemning beauty ideals won’t go straight to our thighs. And if, by chance, we are able to destroy the demons that you’ve planted inside of us with your constant advertisements and rules that play behind our eyelids and take root in our brains, then let us take our fucking pictures and capture that moment when we felt beautiful because all this world has taught us is that our beauty is the greatest measure of our worth. Scoff at our phones all you like, these delicate extensions of our fingers, but know that through this technology that you couldn’t even begin to understand, we have smudged the entire world with our fingerprints. We are the generation of knowledge, and we are learning more than any that came before us. So, frown at my typing fingers; I am using them to grasp power by the throat. Try to invalidate us, but we’ve heard our parents talking about the world’s crashing and burning since we had sprung from the womb. We know you’ve fucked up, and we’re angry about it- the kind of anger that fuels knowledge, that I feel in my veins every time I read the news from my phone before school, that sticks in my throat like honey in a debate; the kind of anger that simmers, that sharpens teeth into daggers, that makes this generation more dangerous than you could have ever imagined. We are the generation of change, and goddammit, we’re coming.
E.P. .
Passion can seem intimidatingly out of reach at times - a distant tower of flame, accessible only to geniuses and to those who are specially touched by God. But curiosity is a milder, quieter, more welcoming, and more democratic entity. The stakes of curiosity are also far lower than the stakes of passion. [...] Curiosity only ever asks one simple question: "Is there anything you're interested in?" Anything? Even a tiny bit? No matter how mundane or small? The answer need not set your life on fire, or make you quit your job [...]; it just has to capture your attention for a moment. But in that moment, if you can pause and identify even one tiny speck of interest in something, then curiosity will ask you to turn your head a quarter of an inch and look at the thing a wee bit closer. Do it. It's a clue. It might seem like nothing, but it's a clue. Follow that clue. Trust it. See where curiosity will lead you next.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
When I met Thanatos," [Hazel] said, "you know...Death...he told me I wasn't on your list of rogue spirits to capture. He said maybe that's why you were keeping your distance. If you acknowledged me, you'd have to take me back to the Underworld." Pluto waited. "What is your question?" "You're here. Why don't you take me to the Underworld. Return me to the dead?" Pluto's form started to fade. He smiled, but Hazel couldn't tell if he was sad or pleased. "Perhaps that is not what I want to see, Hazel. Perhaps I was never here." (226)
Rick Riordan
It's not about getting by. It's about the stack of tiny little moments of joy and love that add up to a lifetime that's been worthwhile. You can't measure them; you can only capture them, like snapshots in your mind.
C. Robert Cargill (Sea of Rust (Sea of Rust, #1))
I stare mesmerized at the photo that you have sent, pushing your child on the swing... a precious moment captured and I am reminded of the distance separating us and how it seems like yesterday when I was swinging you, dear son
Vijaya Gowrisankar
These charms capture every moment of my life...and yours, too. None of us would be sitting here today without them. They tell the story of where we've been, how far we've come, and where we still hope to go. I still believe that my life is like that dragonfly charm I gave you when you were a girl: Despite any sadness, it has been filled with good fortune.
Viola Shipman (The Charm Bracelet)
Anything well done has the feeling of death to me, of being finished. I don't want to "master" anything. I want to spy, and sneak, and capture things just as they are . . . record all that comes before and after the song—jokes and fights and private moments. Having an unfillable hole inside is a great catalyst. You're always trying new things to fill it. People with holes look good! Look ready for action. But then sometimes you're home alone, and there's nothing new to try, and the hole's still there. "Hey," it growls, poking you from inside, "I'm hungry." I get tired of it! We are like two living cells inside a just-dead body—doomed, terrified. She argues herself out of anything she's working on, halfway through. As I stand there in the downpour and pull the mailbox open and drop my letter down the hole, I think about how Cindy is more beautiful, intelligent, and intricate than me, but still I have the winning point: whatever I do, even when I'm wrong, I go all the way. It's dark humor, but it's rooted in something real. What you present to the world is light humor. You keep it fun and fast-paced. No one can relate to that long-term. Struggle is what makes life rich—not success.
Lisa Crystal Carver (Drugs are Nice: A Post-Punk Memoir)
Alizeh was no longer smiling. Her heart was beating so hard she thought it might bruise. "What shall I say, then?" "Your name. I want to hear it from your lips." She took a breath. Released it slowly. "My name," she said, "is Alizeh. I am Alizeh of Saam, the daughter of Siavosh and Kiana. Though you may know me better as the lost queen of Arya." He stiffened at that, went silent. Finally he moved, one hand capturing her face, his thumb grazing her cheek in a fleeting moment, there and gone again. His voice was a whisper when he said, "Do you wish to know my name, too, Your Majesty?" "Kamran," she said softly, "I already know who you are." She was unprepared when he kissed her, for the darkness had denied her a warning before their lips met, before he claimed her mouth with a need that stole from her an anguished sound, a faint cry that shocked her.
Tahereh Mafi (This Woven Kingdom (This Woven Kingdom #1))
You're right about it all. I wanted you. The moment I found out what you were, I wanted you like a prize to be captured and put on my shelf. And you, Vhalla, you made it so easy to manipulate you to walk right where I wanted you. You, with your transparent innocence.
Elise Kova (Air Awakens (Air Awakens, #1))
Watercolors couldn't have begun to capture the sky in that moment, just as it prepared to brighten for dawn. The cruelest truth about life is that it just goes on--the sun rises, gravity keeps your feet on the ground, flowers open their faces to greet the sky. Your world could be dissolving with grief or pain or anger, but the sky would still give you the most breathtaking sunrise of violet, warming to shell pink.
Alexandra Bracken (The Darkest Legacy (The Darkest Minds, #4))
What we discover when we begin practicing meditation is that there is no such thing as a boring object of attention. Boredom is simply a lack of attention. We only become convinced that we are bored because we have not found something compelling enough to capture our attention. Our attention is normally so blunt an instrument that we need something thrilling or terrifying to capture us. What pleases us most in those moments when we are fully captured by experience is the state of complete attention to the present. If you can muster that on your own through meditation, then any arbitrary object -- the feeling of the wind past your hand as you walk -- can be an exquisitely pleasurable thing to notice... Concentration is intrinsically pleasurable.
Sam Harris
You cannot capture happiness and put it inside a bottle. It is an emotion that lasts for a temporary period of time. And after you have felt it, it goes away subtly and sublimely. You will never realize the exact moment when it passed through your being and bid you goodbye! But you can wait for the next one!
Avijeet Das
The still air smelled of sweetgrass hanging from the rafters. What words can capture that smell? The fragrance of your mother’s newly washed hair as she holds you close, the melancholy smell of summer slipping into fall, the smell of memory that makes you close your eyes for a moment, and then a moment longer.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
He’s always drawn a lot, but there’s something different about him lately. He used to disappear into the background like he was part of it. Now when he draws, you can’t miss him. He’s there in the middle of things, with this new ferocity, like if he doesn’t capture this moment, he’ll never get the chance. That’s how it is these days. You hesitate, and your neighbors have vanished. You look away, and your friends have been stolen from you. You blink, and you’re gone.
Traci Chee (We Are Not Free)
I have no worries even if I die the very next moment, for I am sure that I will be around you even after that! Perhaps as an orphan cloud upon the blue skies, a drop of water falling onto your palms, a leaf of green that capture your vision or an invisible breeze caressing your skin - for I am the beauty of the universe!
Preeth Padmanabhan Nambiar (The Voyage to Eternity)
I could have been killed, and their response is to film me?...In that moment, the myth that every time your picture is taken, a part of your soul is stolen strikes me as a certain truth, because I feel my spirit being sucked out of me, into hundreds of all-seeing lenses that simply want to capture my fear, my anger, my performance.
Jeanne Ryan (Nerve)
Can you imagine? Fourteen-hundred-year-old views of history determining how neighbors interacted in the twentieth century? No. You can't. Because history here is a dead thing. Something captured in books that schoolchildren have to endure and which they forget about the moment the books are closed. In Pakistan, every conversation, however personal, is punctuated by the raspy, decrepit gasps of the past breathing down your neck; every generation has to fight out all the old arguments that have been fought before.
Nafisa Haji (The Sweetness of Tears)
The next time you feel a sense of dissatisfaction, of something being missing or not quite right, turn inward as an experiment. See if you can capture the energy of that very moment. Instead of picking up a magazine or going to the movies, calling a friend or looking for something to eat or acting up in one way or another, make a place for yourself. Sit down and enter into your breathing, if only for a few minutes. Don't look for anything - neither flowers not light nor a beautiful view. Don't extol the virtues of anything or condemn the inadequacy of anything. Don't even think to yourself, "I am going inward now." Just sit. Reside at the center of the world. Let things be as they are.
Jon Kabat-Zinn (Wherever You Go, There You Are: Mindfulness Meditation in Everyday Life)
Time and tide waits for no man, to capture time, treasure every moment in your life and let the time that slowly slips away memorable and worthy to be kept as sweet memories
M.O. Kenyan (Love Letters)
Distraction robs us of the ability to both live in the moment and discern what lasts.
Bob Goff (Undistracted: Capture Your Purpose. Rediscover Your Joy.)
If you think about it, the concept of a photograph is fucking mind-blowing. A moment in time. Captured. Preserved. Forever. I shouldn’t have torn your Polaroid of Reed.
Parker S. Huntington (Devious Lies (Cruel Crown, #1))
...a summer romance that showed her stability and love could walk hand in hand. That love wasn't really what she'd been taught by her own family. It wasn't supposed to be a Tasmanian devil of insecurity and obsession. "Life gets heavy,"she told us, "like hot summer nights. At first you toss and turn, but slowly you learn that if you keep very, very still your body can capture a random breeze that latches onto you and cools you for a moment. Infinite and blissful, your body soars to greet it and holds onto it, but it leaves. And that's love. That's what love does".
Suzanne Hayes
If she captured Tamlin’s power once, who’s to say she can’t do it again?” It was the question I hadn’t yet dared voice. “He won’t be tricked again so easily,” he said, staring up at the ceiling. “Her biggest weapon is that she keeps our powers contained. But she can’t access them, not wholly—though she can control us through them. It’s why I’ve never been able to shatter her mind—why she’s not dead already. The moment you break Amarantha’s curse, Tamlin’s wrath will be so great that no force in the world will keep him from splattering her on the walls.” A chill went through me. “Why do you think I’m doing this?” He waved a hand to me. “Because you’re a monster.” He laughed. “True, but I’m also a pragmatist. Working Tamlin into a senseless fury is the best weapon we have against her. Seeing you enter into a fool’s bargain with Amarantha was one thing, but when Tamlin saw my tattoo on your arm … Oh, you should have been born with my abilities, if only to have felt the rage that seeped from him.” I didn’t want to think much about his abilities. “Who’s to say he won’t splatter you as well?” “Perhaps he’ll try—but I have a feeling he’ll kill Amarantha first. That’s what it all boils down to, anyway: even your servitude to me can be blamed on her. So he’ll kill her tomorrow, and I’ll be free before he can start a fight with me that will reduce our once-sacred mountain to rubble.” He picked at his nails. “And I have a few other cards to play.” I lifted my brows in silent question. “Feyre, for Cauldron’s sake. I drug you, but you don’t wonder why I never touch you beyond your waist or arms?” Until tonight—until that damned kiss. I gritted my teeth, but even as my anger rose, a picture cleared. “It’s the only claim I have to innocence,” he said, “the only thing that will make Tamlin think twice before entering into a battle with me that would cause a catastrophic loss of innocent life. It’s the only way I can convince him I was on your side. Believe me, I would have liked nothing more than to enjoy you—but there are bigger things at stake than taking a human woman to my bed.” I knew, but I still asked, “Like what?” “Like my territory,” he said, and his eyes held a far-off look that I hadn’t yet seen. “Like my remaining people, enslaved to a tyrant queen who can end their lives with a single word. Surely Tamlin expressed similar sentiments to you.” He hadn’t—not entirely. He hadn’t been able to, thanks to the curse. “Why did Amarantha target you?” I dared ask. “Why make you her whore?” “Beyond the obvious?” He gestured to his perfect face. When I didn’t smile, he loosed a breath. “My father killed Tamlin’s father—and his brothers.” I started. Tamlin had never said—never told me the Night Court was responsible for that. “It’s a long story, and I don’t feel like getting into it, but let’s just say that when she stole our lands out from under us, Amarantha decided that she especially wanted to punish the son of her friend’s murderer—decided that she hated me enough for my father’s deeds that I was to suffer.” I might have reached a hand toward him, might have offered my apologies—but every thought had dried up in my head. What Amarantha had done to him … “So,” he said wearily, “here we are, with the fate of our immortal world in the hands of an illiterate human.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I find that most people serve practical needs. They have an understanding of the difference between meaning and relevance. And at some level my mind is more interested in meaning than in relevance. That is similar to the mind of an artist. The arts are not life. They are not serving life. The arts are the cuckoo child of life. Because the meaning of life is to eat. You know, life is evolution and evolution is about eating. It's pretty gross if you think about it. Evolution is about getting eaten by monsters. Don't go into the desert and perish there, because it's going to be a waste. If you're lucky the monsters that eat you are your own children. And eventually the search for evolution will, if evolution reaches its global optimum, it will be the perfect devourer. The thing that is able to digest anything and turn it into structure to sustain and perpetuate itself, for long as the local puddle of negentropy is available. And in a way we are yeast. Everything we do, all the complexity that we create, all the structures we build, is to erect some surfaces on which to out compete other kinds of yeast. And if you realize this you can try to get behind this and I think the solution to this is fascism. Fascism is a mode of organization of society in which the individual is a cell in the superorganism and the value of the individual is exactly the contribution to the superorganism. And when the contribution is negative then the superorganism kills it in order to be fitter in the competition against other superorganisms. And it's totally brutal. I don't like fascism because it's going to kill a lot of minds I like. And the arts is slightly different. It's a mutation that is arguably not completely adaptive. It's one where people fall in love with the loss function. Where you think that your mental representation is the intrinsically important thing. That you try to capture a conscious state for its own sake, because you think that matters. The true artist in my view is somebody who captures conscious states and that's the only reason why they eat. So you eat to make art. And another person makes art to eat. And these are of course the ends of a spectrum and the truth is often somewhere in the middle, but in a way there is this fundamental distinction. And there are in some sense the true scientists which are trying to figure out something about the universe. They are trying to reflect it. And it's an artistic process in a way. It's an attempt to be a reflection to this universe. You see there is this amazing vast darkness which is the universe. There's all these iterations of patterns, but mostly there is nothing interesting happening in these patterns. It's a giant fractal and most of it is just boring. And at a brief moment in the evolution of the universe there are planetary surfaces and negentropy gradients that allow for the creation of structure and then there are some brief flashes of consciousness in all this vast darkness. And these brief flashes of consciousness can reflect the universe and maybe even figure out what it is. It's the only chance that we have. Right? This is amazing. Why not do this? Life is short. This is the thing we can do.
Joscha Bach
Perfection should only exist for fleeting moments. In the face of a newborn, or a perfect summer’s evening; a moment in time you captured in your heart and your memories, to be treasured and taken out again when things were less than flawless.
Emma V. Leech (The Corinthian Duke (Rogues & Gentlemen #13))
He did atrocious things, but it was him I wanted. Always, only him. Troy stopped when we were nose to nose. Toe to toe. I loved watching those eyes from up-close. They were so ocean blue, no wonder they made my head swim. “I love you, Red. I love you determined, tough, innocent, resilient…” His brows furrowed as he drank me in, stroking the curve of my face with his calloused fingertips. “I love you broken, insecure, scared, furious and pissed off…” He let a small smile loose. I actually felt it, even though it was on his lips. “I love every part of you, the good and the bad, the hopeless and the assertive. We don’t just love. We heal each other with every touch and complete each other with ever kiss. And fuck, I know it’s corny as hell, but that’s what I need. You’re what I need.” My eyes fluttered shut, a lone tear hanging from the tip of my eyelash. “We don’t have ordinary words between us. You always set my fucking brain on fire when you talk to me. We don’t even have ordinary moments of silence. I always feel like I’m playing with you or being played by you when you’re around. And I refuse to let you walk out on this, on us.” He cupped my cheeks and I locked his palms in place, tightening my grip. I never wanted him to let go. He dipped his head down, tilting his forehead against mine. I knew he was right. Knew that I’d already forgiven him. Probably before I even knew what he did, when we were still living together. Hell, probably on that dance floor, when I was nine. My capturer. My monster. My savior. “I’m an asshole, was an asshole, and have every intention of staying an asshole. It’s the makeup of my fucking DNA. But I want to be your asshole. To you, I can be good. Maybe even great. For you, I’ll stop the rain from falling and the thunder from cracking and the wind from fucking blowing. And yes, I sure as hell knew you’d come back. You came straight back into my arms, flew back to your nest, lovebird. Now why would you do that if you didn’t love the shit out of me?” My eyes roamed his face. His hands felt delicious on my skin. It was like he was pumping life into me with his fingertips. Like he made me whole before I even knew parts of me were missing.
L.J. Shen (Sparrow)
The waves of mind demand so much of Silence. But She does not talk back does not give answers nor arguments. She is the hidden author of every thought every feeling every moment. Silence. She speaks only one word. And that word is this very existence. No name you give Her touches Her captures Her. No understanding can embrace Her. Mind throws itself at Silence demanding to be let in. But no mind can enter into Her radiant darkness Her pure and smiling nothingness. The mind hurls itself into sacred questions. But Silence remains unmoved by the tantrums. She asks only for nothing. Nothing. But you won’t give it to Her because it is the last coin in your pocket. And you would rather give her your demands than your sacred and empty hands. *** Everything leaps out in celebration of mystery, but only nothing enters the sacred source, the silent substance. Only nothing gets touched and becomes sacred, realizes its own divinity, realizes what it is without the aid of a single thought. Silence is my secret. Not hidden. Not hidden. —ADYASHANTI
Adyashanti (Emptiness Dancing)
You can capture a butterfly, and pin its wings down to study the colors and shape and design, but the moment that butterfly is still and you’re able to make the most precise and detailed observations about that butterfly is the moment the butterfly can’t fly anymore.
Rob Bell (Everything Is Spiritual: Finding Your Way in a Turbulent World)
The thought came to me that perhaps it is the loving that counts, not the being loved in return — that perhaps true loving can never know anything but happiness. For a moment I felt that I had discovered a great truth. And then I happened to catch sight of Miss Blossom’s silhouette and heard her say: “Well, you just hang on to that comforting bit of high-thinking, duckie, because you’re going to need it.” And in some strange, far-off way I knew that was true — yet it still made no difference. I fell asleep happier than I had ever been in my life.
Dodie Smith (I Capture the Castle)
Thank you for this, Megan. I have not enjoyed something—or someone—as much in too long to recall.” “Me neither.” She smiled at him, pulsing her hips upward as if trying to capture this moment for all time. “You’re one hell of a lover, Dante.” “I aim to please,” he joked. “Your aim is dead on, cowboy.
Bianca D'Arc (Inferno (Tales of the Were, #2))
The battleground is between our ears. What is it that is capturing your idle thoughts? What fear or frustration is filling your spare moments? Will you just listen to yourself, or will you start talking? No, preaching—not letting your concerns shape you, but forming your concerns by the power of the gospel.
David Mathis (Habits of Grace: Enjoying Jesus through the Spiritual Disciplines)
people in extreme poverty are those living on the equivalent of $1.90 a day. But those numbers don’t capture the desperation of their lives. What extreme poverty really means is that no matter how hard you work, you’re trapped. You can’t get out. Your efforts barely matter. You’ve been left behind by those who could lift
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
I see parents now at every one of my kids' events holding iPhones and iPads in front of their faces. It might be fun to look at those videos years down the road....But it;s definitely bad for the parents. Just be there in the moment, instead of missing it by trying to capture it. That's what your kid really wants They want you to be paying attention.
Adam Carolla (Daddy, Stop Talking! And Other Things My Kids Want But Won't Be Getting)
The pictorial paper kept to its word and printed a piece on “Nurseries for Women Workers” and included the photograph Bunty had taken of Anne bending down to adjust Ruby’s crown. Bunts had captured the moment when Anne was caring for her little girl while still pushing Tony in his pram. You could clearly see the sign saying MY MUMMY WANTS TO HELP WIN THE WAR.
A.J. Pearce (Yours Cheerfully (The Emmeline Lake Chronicles #2))
[At first, Calvin's at school, in his classroom.] CALVIN'S TEACHER: "We'll see what the principal has to say about your attention span, young man." A THOUGHT BUBBLE FANTASY FROM CALVIN's MIND (With visuals to match.) "The valiant Spaceman Spiff has been captured." A THOUGHT BUBBLE FANTASY FROM CALVIN's MIND (With visuals to match, coming from a space alien.) "The aliens doubtlessly want the secret formula to the Atomic Napalm Neutralizer!" ANOTHER THOUGHT BUBBLE FANTASY FROM CALVIN's MIND "Moments from the torture chamber, Spiff springs into ACTION." CALVIN, HIS TEACHER, AND THE PRINCIPAL. (The school principal is looking at Calvin, who seems intent on something...) THE PRINCIPAL: "Why is he eating his hall pass?
Bill Watterson (Calvin & Hobbes)
How the intelligent young do fight shy of the mention of God! It makes them feel both bored and superior.” I tried to explain: “Well, once you stop believing in an old gentleman with a beard … It’s only the word God, you know — it makes such a conventional noise.” “It’s merely shorthand for where we come from, where we’re going, and what it’s all about.” “And do religious people find out what it’s all about? Do they really get the answer to the riddle?” “They get just a whiff of an answer sometimes.” He smiled at me and I smiled back and we both drank our madeira. Then he went on: “I suppose church services make a conventional noise to you, too — and I rather understand it. Oh, they’re all right for the old hands and they make for sociability, but I sometimes think their main use is to help weather churches — like smoking pipes to colour them, you know. If any — well, unreligious person, needed consolation from religion, I’d advise him or her to sit in an empty church. Sit, not kneel. And listen, not pray. Prayer’s a very tricky business.” “Goodness, is it?” “Well, for inexperienced pray-ers it sometimes is. You see, they’re apt to think of God as a slot-machine. If nothing comes out they say ‘I knew dashed well it was empty’ — when the whole secret of prayer is knowing the machine’s full.” “But how can one know?” “By filling it oneself.” “With faith?” “With faith. I expect you find that another boring word. And I warn you this slot-machine metaphor is going to break down at any moment. But if ever you’re feeling very unhappy — which you obviously aren’t at present, after all the good fortune that’s come to your family recently — well, try sitting in an empty church.” “And listening for a whiff?” We both laughed and then he said that it was just as reasonable to talk of smelling or tasting God as of seeing or hearing Him. “If one ever has any luck, one will know with all one’s senses — and none of them. Probably as good a way as any of describing it is that we shall ‘come over all queer.’” “But haven’t you already?” He sighed and said the whiffs were few and far between. “But the memory of them everlasting,” he added softly.
Dodie Smith (I Capture the Castle)
9. Your Photo Album Many people have a photo album. In it they keep memories of the happiest of times. There may be a photo of them playing by the beach when they were very young. There may be the picture with their proud parents at their graduation ceremony. There will be many shots of their wedding that captures their love at one of its highest points. And there will be holiday snapshots too. But you will never find in your album any photographs of miserable moments of your life. Absent is the photo of you outside the principal’s office at school. Missing is any photo of you studying hard late into the night for your exams. No one that I know has a picture of their divorce in their album, nor one of them in a hospital bed terribly sick, nor stuck in busy traffic on the way to work on a Monday morning! Such depressing shots never find their way into anyone’s photo album. Yet there is another photo album that we keep in our heads called our memory. In that album, we include so many negative photographs. There you find so many snapshots of insulting arguments, many pictures of the times when you were so badly let down, and several montages of the occasions where you were treated cruelly. There are surprisingly few photos in that album of happy moments. This is crazy! So let’s do a purge of the photo album in our head. Delete the uninspiring memories. Trash them. They do not belong in this album. In their place, put the same sort of memories that you have in a real photo album. Paste in the happiness of when you made up with your partner, when there was that unexpected moment of real kindness, or whenever the clouds parted and the sun shone with extraordinary beauty. Keep those photos in your memory. Then when you have a few spare moments, you will find yourself turning its pages with a smile, or even with laughter.
Ajahn Brahm (Don't Worry, Be Grumpy: Inspiring Stories for Making the Most of Each Moment)
Don't you know that the less you tell someone, the more they want to know? You're better off to make something up than to say nothing at all." "I'm the youngest of twelve children of two South African missionaries," he said with such ease,she very nearly believed him. "When I was six,I wandered into the jungle and was taken in by a pride of lions.I still have a pechant for zebra meat.Then when I was eightteen,I was captured by hunters and sold to a circus.For five years I was the star of the sideshow." "The Lion Boy," Gennie put in. "Naturally.One night during a storm the tent caught fire.In the confusion I escaped.Living off the land, I wandered the country-stealing a few chickens now and again.Eventually an old hermit took me in after I'd saved him from a grizzly." "With your bare hands," Gennie added. "I'm telling the story," he reminded her. "He taught me to read and write. On his deathbead he told me where he'd buried his life savings-a quarter million in gold bullion. After giving him the Viking funeral he'd requested, I had to decide whether to be a stockbroker or go back to the wilderness." "So you decided against Wall Street, came here, and began to collect stamps." "That's about it." "Well," Gennie said after a moment. "With a boring story like that, I can see why you keep it to yourself." "You asked," Grant pointed out. "You might have made something up." "No imagination." She laughed then and leaned her head on his shoulder. "No,I can see you have a very literal mind.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
People are bound to think that you have corrupted me with your worldly ways, and that you have stolen my heart from my wife." "Well, haven't I?" she said, capturing his bishop. He waited for her to look up at him. After a moment she did. "Madame, that which is not possessed by one, can never be stolen my another. My soul belonged to you long before she ever set foot in France.?
Diane Haeger (Courtesan)
The door to the kitchen yard was open. A few snowflakes swirled into the hallway and vanished. Maybe now. Maybe now was the moment when she would flee. Kestrel took another step. Her heartbeat trembled in her throat. Then the door sang wide on its hinges, light flooded the hallway, and Arin walked in. She bit back a gasp. He, too, was surprised to see her. He straightened suddenly under the weight of the grain sack over his shoulder. Quick as thought, his eyes went to the open door. He set down the sack and locked the door behind him. “You’re back,” she said. “I’m leaving again.” “To steal more grain from a captured country estate?” His smile was perfectly mischievous. “Rebels must eat.” “And I suppose you use my horse in these battles and thefts of yours.” “He’s happy to support a good cause.” Kestrel huffed and would have turned to wend her way back through the workrooms, but he said, “Would you like to see him? Javelin?” She stood still. “He misses you,” said Arin. She said yes. After Arin had stacked his final load of grain in the pantry and given her his coat, they walked out into the kitchen yard and crossed its slate flagstones to reach the grounds and the stables.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
For you, I would bring down the stars, wreath their fire around your neck like diamonds, and watch them pulse to the beat of your heart For you, I would capture the candlelight in the palm of my hand Give my breath to give it life A whisper, 'My love' So that it may grow Bright and hot And burn me For you, I would drink the salted oceans Until their depths Were swallowed into the depth of me How deep it is, this life This love, for you I cannot touch bottom I never will For you, I would mine the stony earth Until it relinquished The secrets of time Cracks in the stone wrinkles of the Earth As she turns her face to another new day And so I wish to live Every one of mine With you For you, I would be myself At long last I would live in my skin And breathe my words in my own voice Tinged with the accent Of a child calling to a car that will never stop And in the fading echo Nothing remains but the truth of me that is the love of you I have loved you with both Hands tied behind my back Bound with pen and ink Paper and words Sealed with someone else's name until this moment in which I am nothing but a man who loves a woman. There is nothing left to say Except to give all of my heart For you
Emma Scott (Bring Down the Stars (Beautiful Hearts, #1))
Psychologists call missing information in plain sight inattentional blindness. You believe with confidence your eyes capture everything before them and your memories are recorded versions of those captured images. The truth, though, is you see only a small portion of your environment at any one moment. Your attention is like a spotlight, and only the illuminated portions of the world appear in your perception.
David McRaney (You Are Not So Smart: Why You Have Too Many Friends on Facebook, Why Your Memory Is Mostly Fiction, and 46 Other Ways You're Deluding Yourself)
He approached her, his voice taking on a seductive tenor. "Shall we seal it with a kiss, then?" Callie caught her breath and stiffened at the question. Ralston smiled at her obvious nerves. He ran a finger along the edge of her hairline, tucking a rogue lock of hair behind her ear gently. She looked up at him with her wide brown eyes, and he felt a burst of tenderness in his chest. He leaned close, moving slowly, as though she might scare at any moment, and his firm mouth brushed across hers, settling briefly, barely touching before she jumped back, one hand flying to her lips. He leveled her with a frank gaze and waited for her to speak. When she didn't, he asked, "Is there a problem?" "N-No!" she said, a touch too loudly. "Not at all, my lord. That is- Thank you." His breath exhaled on a half laugh. "I'm afraid that you have mistaken the experience." He paused, watching the confusion cross her face. "You see, when I agree to something, I do it wholeheartedly. That was not the kiss for which you came, little mouse." Callie wrinkled her nose at his words, and at the nickname he had used for her. "It wasn't?" "No." Her nervousness flared, and she resumed toying with her cloak tassel. "Oh, well. It was quite nice. I find I am quite satisfied that you have held up your end of our bargain." "Quite nice isn't what you should be aiming for," he said, taking her restless hands into his own and allowing his voice to deepen. "Neither should the kiss leave you satisfied." She tugged briefly, giving up when he would not free her and instead pulled her closer, setting her hands upon his shoulders. He trailed his fingers down her neck, leaving her breathless, her voice a mere squeak when she replied, "How should it leave me?" He kissed her then. Really kissed her. He pulled her against him and pressed his mouth to hers, possessing, owning in a way she could never have imagined. His lips, firm and warm, played across her own, tempting her until she was gasping for breath. He captured the sound in his mouth, taking advantage of her open lips to run his tongue along them, tasting her lightly until she couldn't bear the teasing. He seemed to read her thoughts, and just when she couldn't stand another moment, he gathered her closer and deepened the kiss, changing the pressure. He delved deeper, stroked more firmly. And she was lost. Callie was consumed, finding herself desperate to match his movements. Her hands seemed to move of their own volition, running along his broad shoulders and wrapping around his neck. Tentatively, she met Ralston's tongue with her own and was rewarded with a satisfied sound from deep in his throat as he tightened his grip, sending another wave of heat through her. He retreated, and she followed, matching his movements until his lips closed scandalously around her tongue and he sucked gently- the sensation rocked her to her core. All at once she was aflame.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
The heartwood," Rob murmured, looking at me. "You wanted to marry me in the heart of Major Oak." I beamed at him grateful that he understood. "And Scar," he whispered. I leaned in close. "Are you wearing knives to our wedding?" Nodding, I laughed, telling him, "I was going to get you here one way or another, Hood." He laughed, a bright, merry sound. Standing in the heart of the tree, he reached again for my hand, fingers sliding over mine. Touching his hand, a rope of lightening lashed round my fingers, like it seared us together. Now, and for always. His fingers moved on mine, rubbing over my hand before capturing it tight and turning me to the priest. The priest looked over his shoulder, watching as the sun began to dip. He led us in prayer, he asked me to speak the same words I'd spoken not long past to Gisbourne, but that whole thing felt like a bad dream, like I were waking and it were fading and gone for good. "Lady Scarlet." he asked me with a smile, "known to some as Lady Marian of Huntingdon, will thou have this lord to thy wedded husband, will thou love him and honour him, keep him and obey him, in health and in sickness, as a wife should a husband, forsaking all others on account of him, so long as ye both shall live?" I looked at Robin, tears burning in my eyes. "I will," I promised. "I will, always." Rob's face were beaming back at me, his ocean eyes shimmering bright. The priest smiled. "Robin of Locksley, will thou have this lady to thy wedded wife, will thou love her and honor her, keep her and guard her, in health and in sickness, as a husband should a wife, forsaking all others on account of her, so long as ye both shall live?" the priest asked. "Yes," Rob said. "I will." "You have the rings?" the priest asked Rob. "I do," I told the priest, taking two rings from where Bess had tied them to my dress. I'd sent Godfrey out to buy them at market without Rob knowing. "I knew you weren't planning on this," I told him. Rob just grinned like a fool at me, taking the ring I handed him to put on my finger. Laughs bubbled up inside of me, and I felt like I were smiling so wide something were stuck in my cheeks and holding me open. More shy and proud than I thought I'd be, I said. "I take you as me wedded husband, Robin. And thereto I plight my troth." I pushed the ring onto his finger. He took my half hand in one of his, but the other- holding the ring- went into his pocket. "I may not have known I would marry you today Scar," he said. "But I did know I would marry you." He showed me a ring, a large ruby set in delicate gold. "This," he said to me, "was my mother's. It's the last thing I have of hers, and when I met you and loved you and realized your name was the exact colour of the stone- " He swallowed, and cleared his throat, looking at me with the blue eyes that shot right through me. "This was meant to be Scarlet. I was always meant to love you. To marry you." The priest coughed. "Say the words, my son, and you will marry her." Rob grinned and I laughed, and Rob stepped closer, cradling my hand. "I take you as my wedded wife, Scarlet. And thereto I plight my troth." He slipped the ring on my finger and it fit. "Receive the Holy Spirit," the priest said, and kissed Robin on the cheek. Rob's happy grin turned a touch wolflike as he turned back to me, hauling me against him and angling his mouth over mine. I wrapped my arms around him and my head spun- I couldn't tell if we were spinning, if I were dizzy, if my feet were on the ground anymore at all, but all I knew, all I cared for, were him, his mouth against mine, and letting the moment we became man and wife spin into eternity.
A.C. Gaughen (Lion Heart (Scarlet, #3))
It’s the “If only I could understand this or that, then I’d be secure” way of living. But it never works. In your most brilliant moment, you will still be left with mystery in your life; sometimes even painful mystery. We all face things that appear to make little sense and don’t seem to serve any good purpose. So rest is never found in the quest to understand it all. No, rest is found in trusting the One who understands it all and rules it all for his glory and our good. Few passages capture that rest better than Psalm 62:5–7: “For God alone, O my soul, wait in silence, for my hope is from him. He only is my rock and my salvation, my fortress; I shall not be shaken. On God rests my salvation and my glory; my mighty rock, my refuge is God.” In moments when you wish you knew what you can’t know, there is rest to be found. There is One who knows. He loves you and rules what you don’t understand with your good in mind.
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
Has someone made you feel shame for taking selfies? For daring to believe so much in your beauty, in your style, in your badassery, in your joy, in your body, in your sensuality, in your humanity that you'd be so audacious, so bold, so (insert judgmental word of choice here) to want to witness and be witnessed for who and what you are. ⠀ ⠀ Has someone out there sold you their own truth that this is conceited or narcissistic or superficial? How dare you think so much of yourself that you stop to take a photo?⠀ ⠀ Forget. those. people. ⠀ ⠀ Seriously. You are worthy of capture. Of celebration. Of admiration. You are worthy of being seen and witnessed. Of being looked at with awe and with joy. Just as you are, right now. All made up and wearing the outfit that makes you feel like you can take on the world or just waking up in bed, bare skin and messy hair and eyes hazy with dreams. ⠀ ⠀ Here's the thing. Self-portraiture in art is as old as time. We are fascinated with the visible proof of our own existence, our own reality, and for damn good reason. We are infinite and complex and ever changing. We are majestic and mundane. Self-portraits, regardless of the medium, offer us a way to capture ourselves at a specific moment in time. ⠀ ⠀ For me, this is an act of self-love. Of self-honoring. Of owning myself as beautiful and sovereign. It is the way I learned to look at myself without needing to look away. It is how I learned to trace the lines of my own being with the sort of admiration I used to reserve for others, for those I loved or for rarified celebrities I never thought I could live up to. ⠀ ⠀ When I stop to take a photo of myself, it is a way to say that I am here. I have something to say that can't be spoken in words. It might be deep and poetic, or maybe I just damn well love my outfit and think you should see it. And that yes, it is a way to say I want to be seen and I no longer hold shame in that wanting.
Jeanette LeBlanc
she wished she could capture the moment and make it physical somehow, turn it into something that she could hold in her hands, or put somewhere safe like she would a book or a vase. But life wasn’t like that. You didn’t get to hold on to the moments that defined you or touch the things that touched you—not in the palm of your hand or with the tips of your fingers, at least. Destiny’s machinations were as elusive as a sculptor’s tool, swooping in, changing your contours, and then moving on to the next piece of clay.
J.R. Ward (Rapture (The Fallen Angels, #4))
Hey, pervert! My eyes are up here.” Busted. But I take my sweet time in raising my eyes. And, when I meet hers, I give her a cocky smile. “I know exactly where your eyes are, Speedy. You just have great tits. It’s hard not to look at them, especially when you insist on drawing my attention to them.” I point at her cleavage. She looks down and drops her arms. “God, you’re crass and disgusting and rude and-and…” “You at a loss for words, Speedy? That’s a first. Hang on, let me get my camera out to capture the moment.
Samantha Towle (Breaking Hollywood (Wardrobe, #2))
It’s a long story,” he said, taking a sip of Mr. Braeburn’s whiskey, “so I will tell only a very condensed version of it. “Mrs. Marsden and I grew up on adjacent properties in the Cotswold. But the Cotswold, as fair as it is, plays almost no part in this tale. Because it was not in the green, unpolluted countryside that we fell in love, but in gray, sooty London. Love at first sight, of course, a hunger of the soul that could not be denied.” Bryony trembled somewhere inside. This was not their story, but her story, the determined spinster felled by the magnificence and charm of the gorgeous young thing. He glanced at her. “You were the moon of my existence; your moods dictated the tides of my heart.” The tides of her own heart surged at his words, even though his words were nothing but lies. “I don’t believe I had moods,” she said severely. “No, of course not. ‘Thou art more lovely and more temperate’—and the tides of my heart only rose ever higher to crash against the levee of my self-possession. For I loved you most intemperately, my dear Mrs. Marsden.” Beside her Mrs. Braeburn blushed, her eyes bright. Bryony was furious at Leo, for his facile words, and even more so at herself, for the painful pleasure that trickled into her drop by drop. “Our wedding was the happiest hour of my life, that we would belong to each other always. The church was filled with hyacinths and camellias, and the crowd overflowed to the steps, for the whole world wanted to see who had at last captured your lofty heart. “But alas, I had not truly captured your lofty heart, had I? I but held it for a moment. And soon there was trouble in Paradise. One day, you said to me, ‘My hair has turned white. It is a sign I must wander far and away. Find me then, if you can. Then and only then will I be yours again.’” Her heart pounded again. How did he know that she had indeed taken her hair turning white as a sign that the time had come for her to leave? No, he did not know. He’d made it up out of whole cloth. But even Mr. Braeburn was spellbound by this ridiculous tale. She had forgotten how hypnotic Leo could be, when he wished to beguile a crowd. “And so I have searched. From the poles to the tropics, from the shores of China to the shores of Nova Scotia. Our wedding photograph in hand, I have asked crowds pale, red, brown, and black, ‘I seek an English lady doctor, my lost beloved. Have you seen her?’” He looked into her eyes, and she could not look away, as mesmerized as the hapless Braeburns. “And now I have found you at last.” He raised his glass. “To the beginning of the rest of our lives.
Sherry Thomas (Not Quite a Husband (The Marsdens, #2))
Vanity is by far my favorite of all sins, and the camera lens is the ultimate vanity mirror. The camera captures all moods and nuances; immortalizes the soft and silky continuum that is humanity. Those still life moments seem so fluid, so representative of continuity. They are a single moment captured, yet an eternity expressed. All your youth; all your ages, captured and expressed in a single click. Of all the indulgences, vanity is certainly my favorite which we should otherwise resist, but are inexplicably captivated by and addicted. What other animal would spend so much time pouting and preening for its reflection? Only humanity would participate in such self-adoration. You would think we have the most colorful feathers or softest of manes. Rather, we are a naked biped that feels incomplete without some decorative element, accessory, or embellishment of the self. We are intoxicated by the image of the body, no different than we are seduced by fine wines, foods, or mind altering elements. We devour the skin, and peel away clothes as if they were the skin of some tropical fruit, covering a colorful and juicy interior. We hunt for bodily pleasures, and collect them as prizes; show them off in social situations as if our companions were some sort of extended adornment to ourselves. We are revealed in our sensuality. To touch beneath the surface; to connect beyond facades, that unattainable discourse between individuals is put tentatively within reach in intimacy. To capture those moments is to capture the essence of what makes us human, and what ultimately sets us above and aside from the rest of nature. Capturing humanity in its most extravagant expressions is intoxicating. Vanity is by far my favorite sin, and it is an endless tale as infinite as humanity. Every person is but a stitch in a giant tapestry.
A.E. Samaan
I should know; perfectionism has always been a weakness of mine. Brene' Bown captures the motive in the mindset of the perfectionist in her book Daring Greatly: "If I look perfect and do everything perfectly, I can avoid or minimize the painful feelings of shame, judgment, and blame." This is the game, and I'm the player. Perfectionism for me comes from the feelings that I don't know enough. I'm not smart enough. Not hardworking enough. Perfectionism spikes for me if I'm going into a meeting with people who disagree with me, or if I'm giving a talk to experts to know more about the topic I do … when I start to feel inadequate and my perfectionism hits, one of the things I do is start gathering facts. I'm not talking about basic prep; I'm talking about obsessive fact-gathering driven by the vision that there shouldn't be anything I don't know. If I tell myself I shouldn't overprepare, then another voice tells me I'm being lazy. Boom. Ultimately, for me, perfectionism means hiding who I am. It's dressing myself up so the people I want to impress don't come away thinking I'm not as smart or interesting as I thought. It comes from a desperate need to not disappoint others. So I over-prepare. And one of the curious things I've discovered is that what I'm over-prepared, I don't listen as well; I go ahead and say whatever I prepared, whether it responds to the moment or not. I miss the opportunity to improvise or respond well to a surprise. I'm not really there. I'm not my authentic self… If you know how much I am not perfect. I am messy and sloppy in so many places in my life. But I try to clean myself up and bring my best self to work so I can help others bring their best selves to work. I guess what I need to role model a little more is the ability to be open about the mess. Maybe I should just show that to other people. That's what I said in the moment. When I reflected later I realized that my best self is not my polished self. Maybe my best self is when I'm open enough to say more about my doubts or anxieties, admit my mistakes, confess when I'm feeling down. The people can feel more comfortable with their own mess and that's needs your culture to live in that. That was certainly the employees' point. I want to create a workplace where everyone can bring the most human, most authentic selves where we all expect and respect each other's quirks and flaws and all the energy wasted in the pursuit of perfection is saved and channeled into the creativity we need for the work that is a cultural release impossible burdens and lift everyone up.
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
What we discover when we begin practicing meditation is that there is no such thing as a boring object of attention. Boredom is simply a lack of attention. We only become convinced that we are bored because we have not found something compelling enough to capture our attention. Our attention is normally so blunt an intrument that we need something thrilling or terrifying to capture us. What pleases us most in those moments when we are fully captured by experience is the state of complete attention to the present. If you can muster that on your own through meditation, then any arbitrary object -- the feeling of the wind past your hand as you walk -- can be an exquisitely pleasureable thing to notice... Concentration is intrinsically pleasureable.
Sam Harris
What we discover when you begin practicing meditation is that there is no such thing as a boring object of attention. Boredom is simply a lack of attention. We only become convinced that we are bored because we have not found something compelling enough to capture our attention. Our attention is normally so blunt an intrument that we need something thrilling or terrifying to capture us. What pleases us most in those moments when we are fully captured by experience is the state of complete attention to the present. If you can muster that on your own through meditation, then any arbitrary object -- the feeling of the wind past your hand as you walk -- can be an exquisitely pleasureable thing to notice... Concentration is intrinsically pleasureable.
Sam Harris
For the attitude of society towards the criminal appears to be that of a community of stark lunatics. In effect, society addresses the professional criminal somewhat thus: "' You wish to practice crime as a profession, to gain a livelihood by appropriating--by violence or otherwise--the earnings of honest and industrious men. Very well, you may do so on certain conditions. If you are skilful and cautious you will not be molested. You may occasion danger, annoyance and great loss to honest men with very little danger to yourself unless you are clumsy and incautious; in which case you may be captured. If you are, we shall take possession of your person and detain you for so many months or years. During that time you will inhabit quarters better than you are accustomed to; your sleeping-room will be kept comfortably warm in all weathers; you will be provided with clothing better than you usually wear; you will have a sufficiency of excellent food; expensive officials will be paid to take charge of you; selected medical men will be retained to attend to your health; a chaplain (of your own persuasion) will minister to your spiritual needs and a librarian will supply you with books. And all this will be paid for by the industrious men whom you live by robbing. In short, from the moment that you adopt crime as a profession, we shall pay all your expenses, whether you are in prison or at large.' Such is the attitude of society; and I repeat it is that of a community of madmen. ~ Humphrey Challoner
R. Austin Freeman (The Uttermost Farthing (A Savant's Vendetta))
One of the most remarkable aspects of awe is its ability to help us feel more connected to others. Find a place where you can be alone and then use the A.W.E. Method while thinking of a person who has been most dear to you in your life. They may be living or passed away. Take time to create a clear picture of that person, maybe a particular memory or scene that captures their essence. Hold the image in your mind, give it your full attention. Wait the length of a full inhalation or maybe more than one, while you take time to appreciate this person. Imagine looking into their eyes. Consider what they mean to you, what you learned from them or how you grew as a result of knowing them. We can be in the moment while remembering. While you remember and feel, just remember and feel. Then, when you're ready, exhale fully and allow yourself a moment of awe.
Jake Eagle LPC (The Power of Awe: Overcome Burnout & Anxiety, Ease Chronic Pain, Find Clarity & Purpose―In Less Than 1 Minute Per Day)
When she finally reached it, she bent forward and looked through the peephole. Jay was grinning back at her from outside. Her heart leaped for a completely different reason. She set aside her crutches and quickly unbolted the door to open it. "What took you so long?" Her knee was bent and her ankle pulled up off the ground. She balanced against the doorjamb. "What d'you think, dumbass?" she retorted smartly, keeping her voice down so she wouldn't alert her parents. "You scared the crap out of me, by the way. My parents are already in bed, and I was all alone down here." "Good!" he exclaimed as he reached in and grabbed her around the waist, dragging her up against him and wrapping his arms around her. She giggled while he held her there, enjoying everything about the feel of him against her. "What are you doing here? I thought I wouldn't see you till tomorrow." "I wanted to show you something!" He beamed at her, and his enthusiasm reached out to capture her in its grip. She couldn't help smiling back excitedly. "What is it?" she asked breathlessly. He didn't release her; he just turned, still holding her gently in his arms, so that she could see out into the driveway. The first thing she noticed was the officer in his car, alert now as he kept a watchful eye on the two of them. Violet realized that it was late, already past eleven, and from the look on his face, she thought he must have been hoping for a quiet, uneventful evening out there. And then she saw the car. It was beautiful and sleek, painted a glossy black that, even in the dark, reflected the light like a polished mirror. Violet recognized the Acura insignia on the front of the hood, and even though she could tell it wasn't brand-new, it looked like it had been well taken care of. "Whose is it?" she asked admiringly. It was way better than her crappy little Honda. Jay grinned again, his face glowing with enthusiasm. "It's mine. I got it tonight. That's why I had to go. My mom had the night off, and I wanted to get it before..." He smiled down at her. "I didn't want to borrow your car to take you to the dance." "Really?" she breathed. "How...? I didn't even know you were..." She couldn't seem to find the right words; she was envious and excited for him all at the same time. "I know right?" he answered, as if she'd actually asked coherent questions. "I've been saving for...for forever, really. What do you think?" Violet smiled at him, thinking that he was entirely too perfect for her. "I think it's beautiful," she said with more meaning than he understood. And then she glanced back at the car. "I had no idea that you were getting a car. I love it, Jay," she insisted, wrapping her arms around his neck as he hoisted her up, cradling her like a small child." "I'd offer to take you for a test-drive, but I'm afraid that Supercop over there would probably Taser me with his stun gun. So you'll have to wait until tomorrow," he said, and without waiting for an invitation he carried her inside, dead bolting the door behind him. He settled down on the couch, where she'd been sitting by herself just moments before, without letting her go. There was a movie on the television, but neither of them paid any attention to it as Jay reclined, stretching out and drawing her down into the circle of his arms. They spent the rest of the night like that, cradled together, their bodies fitting each other perfectly, as they kissed and whispered and laughed quietly in the darkness. At some point Violet was aware that she was drifting into sleep, as her thoughts turned dreamlike, becoming disjointed and fuzzy and hard to hold on to. She didn't fight it; she enjoyed the lazy, drifting feeling, along with the warmth created by the cocoon of Jay's body wrapped protectively around her. It was the safest she'd felt in days...maybe weeks... And for the first time since she'd been chased by the man in the woods, her dreams were free from monsters.
Kimberly Derting (The Body Finder (The Body Finder, #1))
The glances of women are like certain apparently peaceful but really formidable machines. You pass them every day quietly, with impunity and without suspicion of danger. There comes a moment when you forget even that they are there. You come and go, you muse, and talk, and laugh. Suddenly you feel that you are seized! It is done. The wheels have caught you, the glance has captured you. It has taken you, no matter how or where, by any portion whatever of your thought which was trailing, through any absence of mind. You are lost. You will be drawn in entirely. A train of mysterious forces has gained possession of you. You struggle in vain. No human succor is possible. You will be drawn down from wheel to wheel, from anguish to anguish, from torture to torture. You, your mind, your fortune, your soul; and you will not escape from the terrible machine, until, according as you are in the power of a malevolent nature, or a noble heart, you will be disfigured by shame or transfigured by love.
Victor Hugo (Les Misérables)
The glances of women are like certain apparently peaceful but really formidable machines. You pass them every day quietly, with impunity, and without suspicion of danger. There comes a moment when you forget even that they are there. You come and go, you muse, and talk, and laugh. Suddenly you feel that you are seized! it is done. The wheels have caught you, the glance has captured you. It has taken you, no matter how or where, by any portion whatever of your thought which was trailing, through any absence of mind. You are lost. You will be drawn in entirely. A train of mysterious forces has gained possession of you. You struggle in vain. No human succour is possible. You will be drawn down from wheel to wheel from anguish to anguish, from torture to torture. You, your mind, your fortune, your future, your soul; and you will not escape from the terrible machine, until, according as you are in the power of a malevolent nature, or a noble heart, you shall be disfigured by shame or transfigured by love.
Victor Hugo (Les Misérables)
Lachlan frowned as he misjudged the distance and his forehead hit Cormag's head with a bump. He wrapped his arms around his neck to steady himself, two big hands reaching up to hold onto his arms as if to offer extra support. “You,” he began, talking quietly into his ear, “are so beautiful,” he confessed, resting his heavy skull against Cormag's for a moment. He meant it as well. Cormag was stunning. He was taller and broader than he was, very much the fine figure of hotness. His dark hair was well kept, but a little messy, he had amazing bone structure; the type that made him look more like a model than a museum manager. A chiselled jaw, nicely defined cheekbones and a rugged quality that made him so appealing. He had never noticed how handsome a male face could be until those eyes drew him in. “And so are you,” his companion chuckled, “but we discussed this…I've ruined every relationship I've ever had. I get needy, possessive and my baggage gets in the way. Besides,” he lowered his voice to a whisper and brushed his hand over his upper arm, “You're not gay,” he protested, reminding him yet again that they were different. “Nope. Not gay,” he agreed with that, nodding his head as he pulled back a little to see him better. “But that doesn't make you any less beautiful. Why is it wrong that I can see how special you are?” he asked, having difficulty understanding why part of his brain was telling him he was being a drunken idiot and that the man before him wasn't attractive. But the rest of his brain – about ninety-eight percent of it – was telling him that he was the most attractive person he'd ever seen. “It's not, Lachlan. It really isn't.” “But it's somehow wrong for me to tell you?” Lachlan wondered, glancing across the bar to see Matteo smiling at him. He didn't know what it meant. Cormag cupped his face, capturing his undivided attention again. “No. Not that either. But it makes it hard for me to keep my distance. You're stunning. Inside and out,” he claimed, with chocolatey eyes that said he meant every word.
Elaine White (Decadent (Decadent, #1))
At last they came to the lower slopes of the great mountains. Here she met a wild and bedraggled boy. He stumbled across her when she had stopped to rest and suckle the baby. The boy stared at the unlikely pair for a moment, then seated himself on the ground at a respectful distance, obviously preparing to converse. He was the strangest looking boy she had ever seen. Evidently a changeling like herself, for he was tall and straight with long slender limbs, but his hair was golden like the sun and his eyes a deep blue like the sky. He looked to be about fifteen years old, not quite a man, yet man enough to survive. She guessed he must have originated from the fabled district of Shor, in the far south, where it was rumoured that all the people were changelings, and all golden-haired. Astelle tensed, fully expecting Torking to deliver one of his pain bolts to the curious boy, but the child seemed unperturbed, and simply carried on suckling. This boy's attention was obviously not deemed as a threat. She relaxed and smiled at the youth. He returned the smile, white teeth startling against his tanned and dirty face. ‘Why are you travelling all alone?’ he asked. Encouraged by Torking's mindwhispers, Astelle managed to concoct a story very close to the truth. ‘As you can see, my child is rather unusual,’ she explained. ‘I could not bear to raise him among mortals who would constantly deride and insult him – and his father has left me, so I had no choice but to run from my tribe.’ Sympathy appeared in the deep blue eyes. ‘I understand that very well,’ he said. ‘I am an escaped slave. I was captured in infancy, and have no memory of my own people, but all my life I have been mocked and abused because I am different. My name is Bren. I would like to travel with you, if you don't mind. I could take care of you both.’ ‘Keep him,’ Torking mindwhispered. ‘He will be useful to fish and hunt for us. But do not tell him that I speak to you.’ Astelle smiled. ‘Thank you Bren,’ she said. ‘I will be glad of your company. I am called Astelle.’ ‘A Faen name...’ he said wonderingly. They began to climb the mountains of Clor.
Bernie Morris (The Fury of the Fae)
You wouldn’t dare,” Ghastek told him. Curran glanced at Jim. “Would I dare?” Jim chuckled. “You would. In fact, I can’t understand why you haven’t dared yet. Mulradin is already dead. If Ghastek doesn’t make it out, the People will experience a power vacuum. Either they’ll fight it out or they’ll get a new boss from above who doesn’t know anything about Atlanta. Either way it’s a win for us.” “We don’t really have to kill you,” Thomas said. “It can be a happy accident. You could step into a dark hole and break your neck. Or you and Jim could linger behind for a moment or two, and then you’ll slip and fall.” “On my claws,” Jim added. “Very unfortunate.” “Or I could accidentally shoot you,” Andrea offered from behind. “It was dark, I saw something move. Everybody knows I’m a terrible shot.” “Ha-ha,” I told her. “We’d get back,” Robert said. “And the People would ask us ‘Where is Ghastek?’ and we’d say ‘Terribly sorry, couldn’t find him. Mishmar is a big place, you know.’” “I feel like I’ve been captured by a horde of savages,” Ghastek said dryly.
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
You fool of a jinni! LET ME OUT! Startled from my thoughts, I pull Zhian’s jar from my sleeve and turn it over. I can easily imagine him swirling inside, a cloud of smoke and fury. Be silent, Zhian. I’ll decide when you’re let out, and right now, you’re not inspiring my merciful side. He howls and hurls insults, which I try to ignore as I trail after Aladdin. I have Zhian at last. At any moment I could break open the jar and free him, fulfilling my end of the bargain and claiming my freedom. But what happens next? The humiliation of being captured by the humans will have made Zhian furious. He’s had two moons to feed his hatred of humans, and by now it is ravenous, destructive. If I let him out now, Parthenia will not stand a chance. He’ll destroy the city from the inside out, regardless of my deal with his father. I have to release him outside the city walls and trust that the wards will protect everyone inside from his inevitable wrath. Aladdin heads back toward his rooms, and I follow at a distance, my chest feeling emptier than ever. It’s time to say goodbye.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
Tonight, an old ache awakens within me, a yearning that threads through my veins like a distant song. I am consumed by a passion that seizes every corner of my soul, an urgent fire that longs to be stoked by your touch. The thought of you ignites a blaze that refuses to be contained, a hunger for the nights we could share, where our bodies speak the language of longing, and every moment is a tender exploration of desire. I feel us entwined already, as if our souls have danced together before. Without you, I wander in a sea of echoes, lost in the silent spaces where your presence should be. You are not just a lover; you are the very pulse of my heart. In your embrace, I find a completeness that words cannot capture, a connection that feels ancient and profound— a bond that burns fiercely, beautifully, even as it breaks my heart. Please, let us come together soon. I am aching with a fervor that only you can soothe, burning with a passion that is both a comfort and a torment, an insatiable need to be near you, to lose myself in the warmth of our union. All I desire is to be with you, to surrender to the depth of our shared longing, for you are the world to me, the fire that lights my darkest nights.
Anna Curto
Please. Do this for me one more time and I’ll give you…” A thought struck her and she let out an exalted laugh. “I’ll give you my firstborn child!” He balked. “What?” She gave him a chagrined smile, a helpless shrug. And though the words had been said in jest, she was already beginning to wonder. Her firstborn child. The likelihood that she would ever conceive a child was so minuscule. Ever since the fiasco with Thomas Lindbeck, she’d felt resigned to a future of solitude. And given that the only other boy who had captured her interest was dead… What did it matter if she promised away a nonexistent child? “Assuming I live long enough to birth any children,” she said. “Even you have to admit that’s a good deal. What could possibly be more valuable than a child?” He held her gaze, his expression intense and, she thought, just the tiniest bit saddened. Under the soft fabric of his sleeves, she imagined that she could feel his pulse. But no, it was only her own heartbeat, fluttering in her fingers. And in the sudden silence, she caught the tremulous rhythm of her own shallow breaths. The moments ticking by, too fast. The candle flickering in the corner. The spinning wheel, waiting. Gild shivered and tore his gaze from her face. He looked down at her hands, the pried his arms away. Serilda released him, heart sinking. But in the next moment, he’d taken her fingers into his. His head lowered, avoiding her gaze, as he wrapped his fingers around hers. “You are very persuasive.” Hope skittered inside her. “You’ll do it? You’ll accept that offer?” He sighed, the sound long and drawn out, as if it physically pained him to agree to this. “Yes. I will do this in exchange for…your firstborn child. But” —his grip tightened, squashing the jolt of euphoria that threatened to have her throwing her arms around him— “this bargain is binding and unbreakable, and I fully expect you to stay alive long enough to fulfill your end of it. Do you understand me?” She gulped, feeling the magical pull of the bargain. The air pressing in around her. Stifling, squeezing in against her chest. A magical bargain, binding and unbreakable. A deal struck beneath the Chaste Moon, with a ghostly thing, and unliving thing. A prisoner of the veil. She knew she couldn’t really promise to stay alive. The Erlking would have her killed as soon as it pleased him to do so. And yet, she heard her own words as if whispered from a distant place. “You have my word.” The air shuddered and released. It was done.
Marissa Meyer (Gilded (Gilded, #1))
If the hunger for paradise is wired into your heart (and it is), either you will realize that this present life has been designed as a preparation for the paradise to come, or you will do your best and work your hardest to turn the present moment into the paradise it will never be. You and I live in a broken world that right now will not be the paradise we seek. You and I are flawed people, living with flawed people, and collectively we have no ability whatsoever to deliver paradise to one another. Every place you go and every created thing you handle has been damaged by the fall. This simply is not and won’t be the paradise you seek. For all who have placed their trust in the Savior, paradise is a secure reality. The paradise for which your heart longs is coming, but you will not experience it right here, right now. No, God has chosen to keep you in this broken world in order to use its brokenness to prepare you for what is to come. The brokenness you live in the middle of, and the difficulties you face there, are not in the way of God’s good plan for you; they are an important ingredient in it. Right now, God is not so much working to change your surroundings but to change you so that you are ready for the new surroundings he has planned and purchased for you in his grace. Simply said, either you are waiting by faith for the paradise to come, or you are working with your hands to build paradise in the here and now. Looking for paradise in the here and now is another ingredient of the money madness inside many of us and has overtaken the culture around us. We frenetically spend on material things, physical experiences, and new locations in the search of a piece of paradise. Our hearts long for the freedom from external difficulty and internal emptiness that we so often feel. We instinctively know that there must be more, that this can’t be it. Deep within us we feel like we’re missing something. So in our eternity amnesia we don’t lift up our eyes to look afar and consider the glories that are coming. No, we open our wallets and look around at what may have the potential to give us the paradise we are seeking. And because nothing can deliver it, we spend from thing to thing to thing, hoping that the next thing will deliver. But we don’t end up with paradise. We end up with houses that are bigger and more luxurious than we need, cars that are more identity markers than means of transportation, a pile of possessions, many of which lie unused, amassed debt, and wallets that are empty. But the paradise that we’ve spent to get has eluded us. Sure, budgets are helpful, but only if they are a piece of handling our money with eternity in view. When it comes to money, the PMP that lives inside us and that has captured our culture just cannot work. It will cause you to spend too much, it will tempt you to spend unwisely, and for all of your investment, it will leave you empty in the end.
Paul David Tripp (Sex and Money: Pleasures That Leave You Empty and Grace That Satisfies)
Previously, leaving the couch and walking up to the television to change the channel might cost more effort than merely enduring the awful advertisement and associated anxiety. But with a remote in hand, the viewer can click a button and move away effortlessly. Add cable television and the ability to change channels without returning the set (not to mention hundreds of channels to watch instead of just three), and the audience's orientation to the program has utterly changed. The child armed with the remote control is no longer watching a television program, but watching television—moving away from anxiety states and into more pleasurable ones. Take note of yourself as you operate a remote control. You don't click the channel button because you are bored, but because you are mad: Someone you don't trust is attempting to make you anxious. You understand that it is an advertiser trying to make you feel bad about your hair (or lack of it), your relationship, or your current SSRI medication, and you click away in anger. Or you simply refuse to be dragged still further into a comedy or drama when the protagonist makes just too many poor decisions. Your tolerance for his complications goes down as your ability to escape becomes increasingly easy. And so today's television viewer moves from show to show, capturing important moments on the fly. Surf away from the science fiction show's long commercial break to catch the end of a basketball game's second quarter, make it over to the first important murder on the cop show, and then back to the science fiction show before the aliens show up.
Douglas Rushkoff (Present Shock: When Everything Happens Now)
With global advances in technology, our society is becoming more engrossed in personal gadgets than in the world around them. We hold our phones more than we hold real conversations, and each other. We’re so busy looking down at screens and engaging in digital interactions that we forget about the environment around us. It seems people would rather experience an event through a camera than use their eyes to enjoy what’s in front of them. Concert audiences are lit up by the shimmering of phone screens. This isn’t to say that we shouldn’t capture mementos of these precious times. But living through a screen prevents us from being present in the moment. As we continue to distract ourselves from the present moment, we become more anxious, fearful and stressed. Worries overwhelm us in our everyday lives because we’re now conditioned to live elsewhere, rather than right here. What’s more, we ignore the people around us and our personal relationships pay the price. This is often why we feel distressed, disconnected and lost. Our vibration is lowered because we feel like we’re in some imagined situation that doesn’t match up with our lived reality. We relive moments of the past, fear the future and create obstacles in our minds. We devote creative energy to destructive ideas – and this invites turmoil into our lives. Now is the only time you have. Once your past is gone, it doesn’t exist, no matter how many times you recreate it mentally. The future hasn’t even arrived; but again, you keep taking yourself there mentally. Tomorrow comes disguised as today and some of us don’t even notice. Nothing is more valuable than the present moment because you can never get it back.
Vex King (Good Vibes, Good Life: How Self-Love Is the Key to Unlocking Your Greatness: OVER 2 MILLION COPIES SOLD)
It’s one thing to confront militant Islamists on pickup trucks, armed with Kalashnikov rifles,” I said, referring to the ISIS terrorist threat that still captured the world’s attention. “It’s another thing to confront militant Islamists armed with weapons of mass destruction. Imagine how much more dangerous the Islamic state of ISIS would be if it possessed chemical weapons. Now imagine how much more dangerous the Islamic state of Iran would be if it possessed nuclear weapons.”3 But there was a silver lining. “I believe we have an historic opportunity,” I said. “After decades of seeing Israel as their enemy, leading states in the Arab world increasingly recognize that together we face the same dangers, a nuclear-armed Iran and militant Islamist movements.” Foreshadowing the Abraham Accords, I said, “Many have long assumed that an Israeli-Palestinian peace can help facilitate a broader rapprochement between Israel and the Arab world. I think it may work the other way around: a broader rapprochement between Israel and the Arab world may help facilitate an Israeli-Palestinian peace. To achieve that peace, we must look not only to Jerusalem and Ramallah, but also to Cairo, Amman, Abu Dhabi, Riyadh and elsewhere.”4 Two days later I repeated these themes in my meeting with Obama in the White House. As usual, my main emphasis was on Iran. “As you know, Mr. President,” I said, “Iran seeks a deal that would lift the tough sanctions that you worked so hard to put in place and leave it as a threshold nuclear power, and I fervently hope that under your leadership that will not happen.”5 While my warnings on Iran didn’t move Obama, they registered loud and clear in American public opinion and in Congress. This was soon to have momentous consequences.
Benjamin Netanyahu (Bibi: My Story)
Four Years Since Today I remember the day but to be honest it is everyday That day then, the moment then, when you left us all here More than just a father I call, a gem I treasure, that day I lost We four girls, my mom’s other half, my brothers best bud, our first love, we lost Holding the key to the future called You, I stand still facing the gate of the past Why I keep on asking the same question? Why you? Why out of all those people? Why too soon? Why? It has been years, 4 years exact, it seems like yesterday yes You were taken too soon, words aren’t enough to express It’s not fair, but who I am to blame, who Am I to question? My eyes express longing you cannot fathom From my open mouth my broken heart pours Words that try to capture that image so faint He is the picture I could not ever paint Yet our memories is in the solid bowl being kept Spare me even just 5 or 10 minutes of your presence To build up this longing I feel, I am asking I want to hear your nag; I want to hear your laugh In my dreams please see me there I won’t get afraid nor get frightened Like a waterfalls my tears keeps on flowing Like a bubble your voice keeps on vanishing He, his shadow, he himself starts from fading I don’t want to forget you please stop time from ticking I don’t want to open my eyes don’t wake me from dreaming You are the art of my painting, the muse of my poem My strength, my inspiration why I’m still holding on My king, my superman, name them all, you are my only one I miss the old golden days when you used to carry us one by one Look papa, how I am now, hoping always, you’ll be proud It pains me to know this inevitable truth, yes That I can’t see you for now yes it’s the truth, but My father’s love undeniable not easily obtained Something that few, many people rather don’t have But I’m blessed and proud I have mine claimed.
Venancio Mary Ann
‌* When the coughing stopped, there was nothing but the nothingness of life moving on with a shuffle, or a near-silent twitch. ‌* Mistakes, mistakes, it’s all I seem capable of at times ‌*No matter how many times she was told that she was loved, there was no recognition that the proof was in the abandonment. ‌*It’s much easier, she realized, to be on the verge of something than to actually be it ‌*When death captures me,” the boy vowed, “he will feel my fist on his face.”. ‌*he’d turned for one last look at his family as he left the apartment. Perhaps then the guilt would not have been so heavy. No final goodbye. No final grip of the eyes. Nothing but goneness. ‌ *Wrecked, but somehow not torn into pieces. ‌*Life had altered in the wildest possible way, but it was imperative that they act as if nothing at all had happened. ‌*“If we gamble on a Jew,” said Papa soon after, “I would prefer to gamble on a live one,” and from that moment, a new routine was born. *‌you should know it yourself—a young man is still a boy, and a boy sometimes has the right to be stubborn.” ‌*The fire was nothing now but a funeral of smoke, dead and dying, simultaneously. ‌*Even death has a heart.. ‌* In truth, I think he was afraid. Rudy Steiner was scared of the book thief’s kiss. He must have longed for it so much. He must have loved her so incredibly hard. So hard that he would never ask for her lips again and would go to his grave without them. ‌*There is death. Making his way through all of it. On the surface: unflappable, unwavering. Below: unnerved, untied, and undone. *‌That damn snowman,” she whispered. “I bet it started with the snowman—fooling around with ice and snow in the cold down there.” Papa was more philosophical. “Rosa, it started with Adolf.” *‌There were broken bodies and dead, sweet hearts. Still, it was better than the gas ‌*They were French, they were Jews, and they were you. ‌*Sometimes she sat against the wall, longing for the warm finger of paint to wander just once more down the side of her nose, or to watch the sandpaper texture of her papa’s hands. If only she could be so oblivious again, to feel such love without knowing it, mistaking it for laughter and bread with only the scent of jam spread out on top of it. *‌Himmel Street was a trail of people, and again, Papa left his accordion. Rosa reminded him to take it, but he refused. “I didn’t take it last time,” he explained, “and we lived.” War clearly blurred the distinction between logic and superstition. ‌*Silence was not quiet or calm, and it was not peace. ‌*“I should have known not to give the man some bread. I just didn’t think.” “Papa, you did nothing wrong.” “I don’t believe you. ‌ * I’m an idiot.” No, Papa. You’re just a man.. ‌*What someone says and what happened are usually two different things ‌* despised by his homeland, even though he was born in it ‌ *“Of course I told him about you,” Liesel said. She was saying goodbye and she didn’t even know it. ‌*Say something enough times and you never forget it ‌*robbery of his life? ‌*Those kinds of souls always do—the best ones. The ones who rise up and say, “I know who you are and I am ready. Not that I want to go, of course, but I will come.” Those souls are always light because more of them have been put out. More of them have already found their way to other places ‌*One could not exist without the other, because for Liesel, both were home. Yes, that’s what Hans Hubermann was for Liesel Meminger ‌*DEATH AND LIESEL It has been many years since all of that, but there is still plenty of work to do. I can promise you that the world is a factory. The sun stirs it, the humans rule it. And I remain. I carry them away.
Markus Zusak (THE BOOK THIEF)
I raised two daughters,” Ronica pointed out gently. “I know how painful victory can be sometimes.” “Not over me,” Keffria said dully. There was self-loathing in her tone as she added, “I don’t think I ever gave you and Father a sleepless night. I was a model child, never challenging anything you told me, keeping all the rules, and earning the rewards of such virtue. Or so I thought.” “You were my easy daughter,” Ronica conceded. “Perhaps because of that, I under-valued you. Over-looked you.” She shook her head to herself. “But in those days, Althea worried me so that I seldom had a moment to think of what was going right…” Keffria exhaled sharply. “And you didn’t know the half of what she was doing! As her sister, I… but in all the years, it hasn’t changed. She still worries us, both of us. When she was a little girl, her willfulness and naughtiness always made her Papa’s favorite. And now that he has gone, she has disappeared, and so managed to capture your heart as well, simply by being absent.” “Keffria!” Ronica rebuked her for the heartless words. Her sister was missing, and all she could be was jealous of Ronica worrying about her? But after a moment, Ronica asked hesitantly, “You truly feel that I give no thoughts to you, simply because Althea is gone?” “You scarcely speak to me,” Keffria pointed out. “When I muddled the ledger books for what I had inherited, you simply took them back from me and did them yourself. You run the household as if I was not there. When Cerwin showed up on the doorstep today, you charged directly into battle, only sending Rache to tell me about it as an afterthought. Mother, were I to disappear as Althea has, I think the household would only run more smoothly. You are so capable of managing it all.” She paused and her voice was almost choked as she added, “You leave no room for me to matter.” She hastily lifted her mug and took a long sip of coffee. She stared deep into the fireplace. Ronica found herself wordless. She drank from her own mug. She knew she was making excuses when she said, “But I was always just waiting for you to take things over from me.” “And always so busy holding the reins that you had no time to teach me how. ‘Here, give me that, it’s easier if I just do it myself.’ How many times have you said that to me? Do you know how stupid and helpless it always made me feel?” The anger in her voice was very old.
Robin Hobb (Ship of Magic (Liveship Traders, #1))
APRIL 14 You can rest in God’s care. If he freely offered up his Son for you, will he forget you now? It is the irrefutable and comforting logic of redemption, so powerfully captured by Paul in Romans 8:31–39: What then shall we say to these things? If God is for us, who can be against us? He who did not spare his own Son but gave him up for us all, how will he not also with him graciously give us all things? Who shall bring any charge against God’s elect? It is God who justifies. Who is to condemn? Christ Jesus is the one who died—more than that, who was raised—who is at the right hand of God, who indeed is interceding for us. Who shall separate us from the love of Christ? Shall tribulation, or distress, or persecution, or famine, or nakedness, or danger, or sword? As it is written, “For your sake we are being killed all the day long; we are regarded as sheep to be slaughtered.” No, in all these things we are more than conquerors through him who loved us. For I am sure that neither death nor life, nor angels nor rulers, nor things present nor things to come, nor powers, nor height nor depth, nor anything else in all creation, will be able to separate us from the love of God in Christ Jesus our Lord. Now, it simply defies redemptive logic to allow yourself at any moment in your life to think that God would go to the extent that he has gone to provide you with salvation and then lose you along the way. If he controlled nature and history so that at the right time Jesus came to live, die, and rise again on your behalf; if he worked by grace to expose you to the truth and gave you the heart to believe; and if he now works to bring the events of the universe to a final glorious conclusion, does it make any sense to think that he would fail to provide you with everything you need between your conversion and your final resurrection? Paul is arguing that God’s gift of and sacrifice of his Son is your guarantee that he will grace you with every good thing you need until you are finally free of this broken world and with him forever in eternity. You do not have to wonder about God’s presence or his care. You do not have to fear that he will leave you on your own. You do not have to wonder if he will be there for you in your moment of need. When you give way to these fears, you commit an act of gospel irrationality. If he gave you Jesus, he will give you along with him everything you need.
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
MARCH 31 The cross is evidence that in the hands of the Redeemer, moments of apparent defeat become wonderful moments of grace and victory. At the center of a biblical worldview is this radical recognition—the most horrible thing that ever happened was the most wonderful thing that ever happened. Consider the cross of Jesus Christ. Could it be possible for something to happen that was more terrible than this? Could any injustice be greater? Could any loss be more painful? Could any suffering be worse? The only man who ever lived a life that was perfect in every way possible, who gave his life for the sake of many, and who willingly suffered from birth to death in loyalty to his calling was cruelly and publicly murdered in the most vicious of ways. How could it happen that the Son of Man could die? How could it be that men could capture and torture the Messiah? Was this not the end of everything good, true, and beautiful? If this could happen, is there any hope for the world? Well, the answer is yes. There is hope! The cross was not the end of the story! In God’s righteous and wise plan, this dark and disastrous moment was ordained to be the moment that would fix all the dark and disastrous things that sin had done to the world. This moment of death was at the same time a moment of life. This hopeless moment was the moment when eternal hope was given. This terrible moment of injustice was at the very same time a moment of amazing grace. This moment of extreme suffering guaranteed that suffering would end one day, once and for all. This moment of sadness welcomed us to eternal joy of heart and life. The capture and death of Christ purchased for us life and freedom. The very worst thing that could happen was at the very same time the very best thing that could happen. Only God is able to do such a thing. The same God who planned that the worst thing would be the best thing is your Father. He rules over every moment in your life, and in powerful grace he is able to do for you just what he did in redemptive history. He takes the disasters in your life and makes them tools of redemption. He takes your failure and employs it as a tool of grace. He uses the “death” of the fallen world to motivate you to reach out for life. The hardest things in your life become the sweetest tools of grace in his wise and loving hands. So be careful how you make sense of your life. What looks like a disaster may in fact be grace. What looks like the end may be the beginning. What looks hopeless may be God’s instrument to give you real and lasting hope. Your Father is committed to taking what seems so bad and turning it into something that is very, very good.
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
Besides the fact that you’re a scoundrel at the gaming tables,” she responded tartly, “I’m beginning to suspect that you’re a womanizing rake.” Christopher grinned leisurely as his perusal swept her. “I’ve been a long time at sea. However, I doubt that in your case my reaction would vary had I just left the London Court.” Erienne’s eyes flared with poorly suppressed ire. The insufferable egotist! Did he dare think he could find a willing wench at the back door of the mayor’s cottage? “I’m sure that Claudia Talbot would welcome your company, sir. Why don’t you ride on over to see her? I hear his lordship traveled off to London this morning.” He laughed softly at her sneering tones. “I’d rather be courting you.” “Why?” she scoffed. “Because you want to thwart my father?” His smiling eyes captured hers and held them prisoner until she felt a warmth suffuse her cheeks. He answered with slow deliberation. “Because you are the prettiest maid I’ve ever seen, and I’d like to get to know you better. And of course, we should delve into this matter of your accidents more thoroughly, too.” Twin spots of color grew in her cheeks, but the deepening dusk did much to hide her blush. Lifting her nose primly in the air, Erienne turned aside, tossing him a cool glance askance. “How many women have you told that to, Mr. Seton?” A crooked smile accompanied his reply. “Several, I suppose, but I’ve never lied. Each had their place in time, and to this date, you are the best I’ve seen.” He reached out and taking a handful of the cracklings, he chewed the crisp morsels as he awaited her reaction. A flush of anger spread to the delicate tips of her ears, and icy fire smoldered in the deep blue-violet pools. “You conceited, unmitigated boor!” Her voice was as cold and as flat as the Russian steppes. “Do you think to add me to your long string of conquests?” Her chilled contempt met him face to face until he rose and towered above her. His eyes grew distant, and he reached out a finger to flip a curl that had strayed from beneath the kerchief. “Conquest?” His voice was soft and deeply resonant. “You mistake me, Erienne. In the rush of a moment’s lust, there are purchased favors, and these are for the greater part forgotten. The times that are cherished and remembered are not taken, are not given, but shared, and are thus treasured as a most blissful event.” He lifted his coat on his fingertips and slung it over his shoulder. “I do not ask that you yield to me, nor do I desire to conquer you. All I plead is that you grant me moments now and then that I might present my case, to the end that we could share a tender moment at some distant time.” -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)