“
You riding in the charger?"
"Nah. I'm going to see if I can get Abby on the back of my bike again. It's the closest I can get to the inside of her thighs
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
I want to rip off your logic and make passionate sense to you. I want to ride in the swing of your hips. My fingers will dig in you like quotation marks, blazing your limbs into parts of speech.
”
”
Jeffrey McDaniel
“
As your mother, I can appreciate that maybe this isn’t your fault, but as the president, all I want is to have the CIA fake your death and ride the dead-kid sympathy into a second term.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
I can’t promise you it’ll always be sweet and tender because you and I fight hard. But I’m pretty sure it won’t be a horror ride either because you and I love even harder. What I can promise is you’ll always mean more to me than my next breath, and it’ll always be you in my life. No one else.
”
”
Gail McHugh (Pulse (Collide, #2))
“
Come on, Cabel," Carrie says. "Let me give you a ride, at least. Unless you want Shay to- hey, here she comes now." Carrie titters, her eyes dancing.
Cabel's eyes grow wide. He slips into the backseat of Carrie's car without a word. "Get me outta here. Fuckin' creepy cheerleaders.
”
”
Lisa McMann (Wake (Wake, #1))
“
Cabel: Um, Janie?
Janie: Yesss, Cabel?
Cabel: I have another lie to confess.
Janie: Oh, dear. What is it?
Cabel: I do, actually, know what my GPA is.
Janie: And?
Cabel: And. I have a full-ride scholarship.
Cabel is pushed violently from the beanbag chair. And pounced upon. And told, repeatedly, what a bastard he is.
Janie is told that she will most certainly get a scholarship too, with her grades. Unless she plays hooky with drug dealers.
”
”
Lisa McMann (Wake (Wake, #1))
“
Horse: Fuckin' knight in shining armor. Might wanna trade your bike in for a pretty pink unicorn to ride, seein' as you're such a special snowflake and all.
”
”
Joanna Wylde (Reaper's Legacy (Reapers MC, #2))
“
A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained wedding veil and some in headgear or cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a Spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or sabre done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses' ears and tails worked with bits of brightly colored cloth and one whose horse's whole head was painted crimson red and all the horsemen's faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
Each leaf that brushed his face deepened his sadness and dread. Each leaf he passed he'd never pass again. They rode over his face like veils, already some yellow, their veins like slender bones where the sun shone through them. He had resolved himself to ride on for he could not turn back and the world that day was as lovely as any day that ever was and he was riding to his death.
”
”
Cormac McCarthy (Child of God)
“
Paul's last words to Linda: "You're up on your beautiful Appaloosa stallion. It's a fine spring day. We're riding through the woods. The bluebells are all out, and the sky is clear-blue".
”
”
Paul McCartney
“
Wanted, wanted: Dolores Haze.
Hair: brown. Lips: scarlet.
Age: five thousand three hundred days.
Profession: none, or "starlet"
Where are you hiding, Dolores Haze?
Why are you hiding, darling?
(I Talk in a daze, I walk in a maze
I cannot get out, said the starling).
Where are you riding, Dolores Haze?
What make is the magic carpet?
Is a Cream Cougar the present craze?
And where are you parked, my car pet?
Who is your hero, Dolores Haze?
Still one of those blue-capped star-men?
Oh the balmy days and the palmy bays,
And the cars, and the bars, my Carmen!
Oh Dolores, that juke-box hurts!
Are you still dancin', darlin'?
(Both in worn levis, both in torn T-shirts,
And I, in my corner, snarlin').
Happy, happy is gnarled McFate
Touring the States with a child wife,
Plowing his Molly in every State
Among the protected wild life.
My Dolly, my folly! Her eyes were vair,
And never closed when I kissed her.
Know an old perfume called Soliel Vert?
Are you from Paris, mister?
L'autre soir un air froid d'opera m'alita;
Son fele -- bien fol est qui s'y fie!
Il neige, le decor s'ecroule, Lolita!
Lolita, qu'ai-je fait de ta vie?
Dying, dying, Lolita Haze,
Of hate and remorse, I'm dying.
And again my hairy fist I raise,
And again I hear you crying.
Officer, officer, there they go--
In the rain, where that lighted store is!
And her socks are white, and I love her so,
And her name is Haze, Dolores.
Officer, officer, there they are--
Dolores Haze and her lover!
Whip out your gun and follow that car.
Now tumble out and take cover.
Wanted, wanted: Dolores Haze.
Her dream-gray gaze never flinches.
Ninety pounds is all she weighs
With a height of sixty inches.
My car is limping, Dolores Haze,
And the last long lap is the hardest,
And I shall be dumped where the weed decays,
And the rest is rust and stardust.
”
”
Vladimir Nabokov (Lolita)
“
Guilt and regret kill many a man before their time. Get off the ride. You are the author of the book of your life. Turn the page.
”
”
Matthew McConaughey (Greenlights)
“
I thought of you with your hair silver as snow all through that cold, slow journey from Sirle. I felt you troubled deep within me, and there was no other place in the world I would rather have been than in the cold night riding to you. When you opened your gates to me, I was home.
”
”
Patricia A. McKillip (The Forgotten Beasts of Eld)
“
We must plant trees, grow gardens instead of lawns, ride bicycles when we can and support responsible local businesses over big brands.
”
”
Bryant McGill (Voice of Reason)
“
Lovers do things together! They rent videos, they ride Ferris wheels, they go out for pizza, they play Scrabble. They . . . they talk!'
'Talk?' He lifted his head and frowned, his eyes puzzled. 'We talk all the time, Raine. I've never had such talkative sex.'
'That's just it!' She wiggled, flailed, but couldn't budge him. 'Two minutes alone with you, and I'm flat on my back. Every single time!'
A slow, knowing grin spread over his face. 'Is this your way of telling me you want to be on top?
”
”
Shannon McKenna (Behind Closed Doors (McClouds & Friends #1))
“
I didn't want to be a sweet boy's sweet girlfriend. I wanted to be Fawn's equal, the kind of girl who stood up for herself and took care of business, who cut guys loose when it was required.
”
”
Paula McLain (A Ticket to Ride)
“
Roller coasters are like math you can ride.
”
”
Seanan McGuire (Middlegame (Alchemical Journeys, #1))
“
I am a book.
Sheaves pressed from the pulp of oaks and pines
a natural sawdust made dingy from purses, dusty
from shelves.
Steamy and anxious, abused and misused,
kissed and cried over,
smeared, yellowed, and torn,
loved, hated, scorned.
I am a book.
I am a book that remembers,
days when I stood proud in good company
When the children came, I leapt into their arms,
when the women came, they cradled me against their soft breasts,
when the men came, they held me like a lover,
and I smelled the sweet smell of cigars and brandy as we sat together in leather chairs,
next to pool tables, on porch swings, in rocking chairs,
my words hanging in the air like bright gems, dangling,
then forgotten, I crumbled,
dust to dust.
I am a tale of woe and secrets,
a book brand-new, sprung from the loins of ancient fathers clothed in tweed,
born of mothers in lands of heather and coal soot.
A family too close to see the blood on its hands,
too dear to suffering, to poison, to cold steel and revenge,
deaf to the screams of mortal wounding,
amused at decay and torment,
a family bred in the dankest swamp of human desires.
I am a tale of woe and secrets,
I am a mystery.
I am intrigue, anxiety, fear,
I tangle in the night with madmen, spend my days cloaked in black,
hiding from myself, from dark angels,
from the evil that lurks within
and the evil we cannot lurk without.
I am words of adventure,
of faraway places where no one knows my tongue,
of curious cultures in small, back alleys, mean streets,
the crumbling house in each of us.
I am primordial fear, the great unknown,
I am life everlasting.
I touch you and you shiver, I blow in your ear and you follow me,
down foggy lanes, into places you've never seen,
to see things no one should see,
to be someone you could only hope to be.
I ride the winds of imagination on a black-and-white horse,
to find the truth inside of me, to cure the ills inside of you,
to take one passenger at a time over that tall mountain,
across that lonely plain to a place you've never been
where the world stops for just one minute
and everything is right.
I am a mystery.
-Rides a Black and White Horse
”
”
Lise McClendon
“
I believe in forever, and that’s what you and I are. We define eternity. This may sound cheesy, but you make me go there. You give me butterflies, Emily Cooper. I’ve never had that before, and I don’t want to let that go for anything. Ever. I asked you once to crash with me, and you did. Now... I’m asking you to take the full ride. Walk with me the rest of the way until we’re old, sitting in our rocking chairs and watching our sugar-high grandchildren play in our yard. I’ve seen this world a million times over, but I’ve never seen it with you by my side. I want you, no, I need you to be my wife. I need to wake up every morning knowing you’re Mrs. Emily Michelle Blake.” He paused, and Emily could see his eyes misting over. “Please. Take this last step with me.
”
”
Gail McHugh (Pulse (Collide, #2))
“
It took everything I had to bite back a little squee of excitement, because there’s not a woman on earth who doesn’t secretly want to ride off into the sunset with a bad man on a bike .
”
”
Joanna Wylde (Reaper's Stand (Reapers MC, #4))
“
Grief is an emotional rollercoaster.
You will have your ups and downs
and moments of terror
and brief moments of peace.
You can only go as fast
as the ride will take you.
Just remember:
It will end and you will be okay.
”
”
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge)
“
I couldn't picture heaven. How could a place be any good at all if it didn't have the things there you enjoyed doing? If there were no comic books, no monster movies, no bikes, and no country roads to ride them on? No swimming pools, no ice cream, no summer, or barbecue on the Fourth of July? No thunderstorms, and front porches on which to sit and watch them coming? Heaven sounded to me like a library that only held books about one certain subject, yet you had to spend eternity and eternity and eternity reading them. What was heaven without typewriter paper and a magic box?
”
”
Robert McCammon (Boy's Life)
“
Hopefully, anyone who saw a woman riding a screaming mermaid in a wheelchair down Leavenworth at a quarter to five in the morning would just think they'd had too much to drink.
”
”
Seanan McGuire (One Salt Sea (October Daye, #5))
“
I didn’t need to control her…Hell, I just wanted to sit back and watch her, try to figure out what made her tick and hold on for the ride.
”
”
Joanna Wylde (Devil's Game (Reapers MC, #3))
“
God, she loved this man. She loved his gruff, sweet, thoughtful sides. And his edgy side. She wasn’t in love with the perfect Cord McKay she’s been fantasizing over forever, but the real flesh and blood man. The real man. Flaws and all.
”
”
Lorelei James (Cowgirl Up and Ride (Rough Riders, #3))
“
Sugar, I cannot express to you how much the press does not give a fuck about who started what,” Ellen says. “As your mother, I can appreciate that maybe this isn’t your fault, but as the president, all I want is to have the CIA fake your death and ride the dead-kid sympathy into a second term.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
You flipped the bitch switch, so buckle up and enjoy the ride, asshole!
”
”
Lani Lynn Vale (Lights To My Siren (The Heroes of The Dixie Wardens MC, #1))
“
Class starts in five. You
riding in the Charger?”
“Nah. I’m going to see if I can get Abby on the back of my bike again. It’s the closest I can get to
the inside of her thighs.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
They crossed before the sun and vanished one by one and reappeared again and they were black in the sun and they rode out of that vanished sea like burnt phantoms with the legs of the animals kicking up the spume that was not real and they were lost in the sun and lost in the lake and they shimmered and slurred together and separated again and they were augmented by planes in lurid avatars and began to coalesce and there began to appear above them in the dawn-broached sky a hellish likeness of their ranks riding huge and inverted and the horses' legs incredibly elongate trampling down the high thin cirrus and the howling antiwarriors pendant from their mounts immense and chimeric and the high wild cries carrying that flat and barren pan like the cries of souls broke through some misweave in the weft of things into the world below.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
So what, you her daddy or something?” the little goon laughs at Tank. Tank steps around me right up to the guy. Tank’s got a good eighty pounds and nine inches on him. The little goon looks even smaller standing by Tank. “Only when I'm fuckin' her,” Tank retorts with a satisfied smile.
”
”
Jaci J. (The Ride (Hells Disciples MC, #1))
“
Gavin leaned in closer, brushing his lips against hers. "I can't promise you it'll always be sweet and tender because you and I fight hard. But I'm pretty sure it won't be a horror ride either because you and I love even harder. What I can promise is you'll always mean more to me than my next breath, and it'll always be you in my life. No one else.
”
”
Gail McHugh (Pulse (Collide, #2))
“
The moon grew full, then slowly pared itself down until it shriveled into a ghostly boat riding above the roiling dark. Then it fell out of the sky. They climbed into it, left land behind, and floated out to sea.
”
”
Patricia A. McKillip (Song for the Basilisk)
“
Sometimes the pieces fall together the way they want to, and you can't change the story; all you can do is try to ride it out.
”
”
Seanan McGuire (Rosemary and Rue (October Daye, #1))
“
Reaper’s heart stumbled and ached, it hurt so bad because every instinct told him to ride back, sweep her up, kiss the ever-loving fuck out of her and never let her go.
Taste her.
Own her.
Belong to her.
”
”
V. Theia (Resurfaced Passion (Renegade Souls MC Romance Saga #6))
“
I'm sitting opposite you in the bar,
waiting for you to uncross your boundaries.
I want to rip off your logic
and make passionate sense to you.
I want to ride in the swing of your hips.
My fingers will dig in you like quotation marks,
blazing your limbs into parts of speech.
”
”
Jeffrey McDaniel (The Splinter Factory)
“
I just wasn't anticipating Goblin assassins with crossbows pushing me into a situation where the only viable exit involved riding a mermaid's wheelchair into the marina.
Sometimes I think my life is too complicated.
”
”
Seanan McGuire (One Salt Sea (October Daye, #5))
“
Doubt is a storm. We either ride it out, or we change our course. Neither is right or wrong--to stay or go. Twenty years ago, should you have really married X, or Y? This college, or that? A life-changing decision one makes becomes the right decision by the fact of simply having been made.
”
”
T.M. McNally
“
He changes when there's a threat to be overcome: it's like he pulls on a second skin, one he almost forgets the rest of the time, and becomes a hero again. A tired, old hero, one who wields a pen instead of a sword and rides waves of paperwork rather than a white charger, but still a hero.
”
”
Seanan McGuire (Rosemary and Rue (October Daye, #1))
“
I speak as a Republican I speak as a woman. I speak as a United States Senator. I speak as an American. I don’t want to see the Republican Party ride to political victory on the four horsemen of calumny— fear, ignorance, bigotry and smear.
”
”
Margaret Chase Smith
“
But there was something about Diesel... it started with his name and ended with his butt.
”
”
Erin McCarthy (Slow Ride (Fast Track, #5))
“
Did a cartwheel the other day. Found out it is most definitely not like riding a bike.
”
”
Lani Lynn Vale (Lights To My Siren (The Heroes of The Dixie Wardens MC, #1))
“
Men like us, we live to ride, and ride to live
”
”
Joanna Wylde (Reaper's Legacy (Reapers MC, #2))
“
There was something different about her, Jake had to admit. She had a beautiful face, a beautiful body, but also a distance in her such as he had never met in a woman. Certain mountains were that way, like the Bighorns .The air around them was so clear you could ride toward them for days without seeming to get any closer. And yet, if you kept riding, you would get to the mountains.
”
”
Larry McMurtry (Lonesome Dove (Lonesome Dove, #1))
“
Ride with an outlaw, die with him," he added. "I admit it's a harsh code. But you rode on the other side long enough to know how it works. I'm sorry you crossed the line, though."
Jake's momentary optimism had passed, and he felt tired and despairing. He would have liked a good bed in a whorehouse and a nice night's sleep.
"I never seen no line, Gus," he said. "I was just trying to get to Kansas without getting scalped.
”
”
Larry McMurtry (Lonesome Dove (Lonesome Dove, #1))
“
Whoo, he said when he saw them. I’m drunkern shit. They sat their horses and looked down at him. Can you ride or not? said Rawlins. Does a bear shit in the woods? Hell yes I can ride. I was ridin when I fell off.
”
”
Cormac McCarthy (All The Pretty Horses (The Border Trilogy, #1))
“
Why should I care if the tides rise again if I am only a corpse riding the waves?
”
”
Mindy McGinnis (Given to the Sea (Given Duet, #1))
“
One in three hitchhikers on the North American road died long before anyone offered them a ride, and for the most part, we’re pretty friendly.
”
”
Seanan McGuire (Sparrow Hill Road (Ghost Roads, #1))
“
Diesel better have a big dick, that's all she was saying.
”
”
Erin McCarthy (Slow Ride (Fast Track, #5))
“
It's funny, leaving a place, ain't it?" he said. "You never do know when you'll get back.
”
”
Larry McMurtry (Lonesome Dove (Lonesome Dove, #1))
“
Storytelling itself is an activity, not an object. Stories are the closest we can come to shared experience….Like all stories, they are most fundamentally a chance to ride around inside another head and be reminded that being who we are and where we are, and doing what we’re doing, is not the only possibility. —Harriet McBryde Johnson,
Too Late to Die Young: Nearly True Tales from a Life (2006)
”
”
Alice Wong (Disability Visibility : First-Person Stories from the Twenty-first Century)
“
I'm also old... and my own gift for writing fantasy grows out of very literal-minded, pragmatic soil: the things I do when I'm not telling stories have always been pretty three-dimensional. I used to say that the only strong attraction reality ever had for me was horses and horseback riding, but I've also been cooking and going for long walks since I was a kid (yes, the two are related), and I'm getting even more three dimensionally biased as I get older — gardening, bell ringing... piano playing... And the stories I seem to need to write seem to need that kind of nourishment from me — how you feed your story telling varies from writer to writer. My story-telling faculty needs real-world fresh air and experiences that create calluses (and sometimes bruises).
”
”
Robin McKinley
“
Dear teenagers complaining about life: You’ve only felt the tip of life’s dick. There’s a lot more to go. Pull your big girl panties up and hold on. It’s gonna be a rough ride. -Words of Wisdom
”
”
Lani Lynn Vale (Whiskey Neat (Uncertain Saints MC, #1))
“
He dreamt that night that he rode through the woods on a low ridge. Below him he could see deer in a meadow where the sun fell on the grass. The grass was still wet and the deer stood in it to their elbows. He could feel the spine of the mule rolling under him and he gripped the mule's barrel with his legs. Each leaf that brushed his face deepened his sadness and dread. Each leaf he passed, he'd never pass again. They rode over his face like veils, already some yellow, their veins slender like bones where the sun shone through them. He had resolved himself to ride on for he could not turn back and the world that day was as lovely as any day ever was and he was riding to his death.
”
”
Cormac McCarthy (Child of God)
“
Isn’t it something,” Hettie said softly, “what ol’ New York really is? We come here to be free and find life’s worse here than back home. The white folks here just color it different. They don’t mind you sitting next to ’em on the subway, or riding the bus in the front seat, but if you asks for the same pay, or wants to live next door, or get so beat down you don’t wanna stand up and sing about how great America is, they’ll bust down on you so hard pus’ll come out your ears.
”
”
James McBride (Deacon King Kong)
“
Riding Hard: A bad boy crime boss MC menage forbidden second chance romance standalone.
”
”
Karina Halle (Smut)
“
since I’ve started watching Amelia, my sexual appetite knows only one thing. Her. And it’s time I fed myself because I’m feeling fucking ravenous.
”
”
Ella Goode (Captive Ride (Death Lords MC, #8))
“
Laugh when you wanna cry
”
”
Martina mcBride lyrics from "Ride"
“
Writing is like riding a bike. Once you gain momentum, the hills are easier. Editing, however, requires a motor and some horsepower.
”
”
Gina McKnight (The Blackberry Patch)
“
Jake, you’re a dern grasshopper,” Augustus said. “You ride in yesterday talking Montana, and today you’re talking California.
”
”
Larry McMurtry (Lonesome Dove (Lonesome Dove, #1))
“
Fuckin’ pussy thinks that maybe true love will conquer all, and then she’ll climb onto his bike and they’ll ride away into the sky on a rainbow while we all throw rose petals at them.
”
”
Joanna Wylde (Reaper's Stand (Reapers MC, #4))
“
To prepare for any struggle is largely a work of unburdening oneself. If you carry your past into battle you are riding to your death. Austerity lifts the heart and focuses the vision. Travel light. A few ideas are enough. Every remedy for loneliness only postpones it. And that day is coming in which there will be no remedy at all.
”
”
Cormac McCarthy (The Passenger (The Passenger #1))
“
When bad news is riding high and despair in fashion, when loud mouths and corruption seem to own center stage, when some keep crying that the country is going to the dogs, remember it’s always been going to the dogs in the eyes of some, and that 90 percent, or more, of the people are good people, generous-hearted, law-abiding, good citizens who get to work on time, do a good job, love their country, pay their taxes, care about their neighbors, care about their children’s education, and believe, rightly, as you do, in the ideals upon which our way of life is founded.
”
”
David McCullough (The American Spirit: Who We Are and What We Stand For)
“
Every moment is like a wheel with a hundred spokes in it. We ride always at the hub of the wheel and go forward as it turns. We ignore the array of other moments constantly turning around us. We are surrounded by doorways; we never open them.
”
”
Patricia A. McKillip (Alphabet of Thorn)
“
How he died hadn't been funny, Newt thought.
"It's all right, though," Augustus said. "It's mostly bones we're riding over anyway. Why, think of all the buffalo that have died on these plains. Buffalo and other critters too. And the Indians have been here forever; their bones are down there in the earth. I'm told that over in the Old Country you can't dig six feet without uncovering skulls and leg bones and such. People have been living there since the beginning, and their bones have kinda filled up the ground. It's interesting to think about, all the bones in the ground. But it's just fellow creatures, it's nothing to shy from.
”
”
Larry McMurtry (Lonesome Dove (Lonesome Dove, #1))
“
I've been practicing in my mind, trying to find some words, but they've all been taken, all used for ordinary considerations that mean nothing in comparison to what he has meant. We say "Thank you very much" and "I so appreciate what you have done" to people who fill our grocery bags, to people who offer us a ride across town. What are the words to say to someone who gave you back your life, who believed that you still had a soul, who acknowledged how bad it was possible to feel? Shouldn't there be another language for this? Different words altogether?
”
”
Laura McBride (We Are Called To Rise)
“
Life is not a journey to the grave With the intention of arriving safely in a well-preserved body, But rather to skid in sideways Thoroughly used up, totally worn out, and loudly proclaiming: “Wow, what a ride!
”
”
Duff McKagan (It's So Easy: And Other Lies)
“
Frank had turned into a giant eagle to fly to Delos, but Leo hitched a ride with Hazel on Arion’s back. No offense to Frank, but after the fiasco at Fort Sumter, Leo had become a conscientious objector to riding giant eagles. He had a one hundred percent failure rate. They found the island deserted, maybe because the seas were too choppy for the tourist boats. The windswept hills were barren except for rocks, grass, and wildflowers—and, of course, a bunch of crumbling temples. The rubble was probably very impressive, but ever since Olympia, Leo had been on ancient ruins overload. He was so done with white marble columns. He wanted to get back to the U.S., where the oldest buildings were the public schools and Ye Olde McDonald’s.
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
I’m just a girl, standing in front of a handbasket, waiting for my ride to hell.
”
”
Kayti McGee (Long Shot (Under the Covers #3))
“
That’s okay. I just want to live long enough to ride the scooter shopping cart at Walmart.” Mack
”
”
Nicole James (Wolf (Evil Dead MC, #4))
“
So, look, you can't leave," Doug said, sitting straight up and turning towards her. "if you do, Miller's gonna revert and Caleb and Ian are gonna ride roughshod and Sean'll go back to being ghost brother and Finn..."
Megan's heart slipped. "Finn what?"
"Finn will be destroyed," Doug said, looking her in the eye. "You got that dude all up in a twist, you know that, right?"
"What does that even mean?" Megan asked.
"All's I know is, he found out you left and he locked himself in the shed and barricaded the door. No one's seen him since," Doug said. "When I bolted, Sean and Evan were trying to boost Caleb up onto the roof so he could look through the skylight and make sure the kid wasn't dead or something."
Megan swallowed hard. "Wow.
”
”
Kate Brian (Megan Meade's Guide to the McGowan Boys)
“
Margaret Chase Smith “I speak as a Republican,” she said on that memorable day in the Senate. “I speak as a woman. I speak as a United States Senator. I speak as an American. I don’t want to see the Republican Party ride to political victory on the four horsemen of calumny—fear, ignorance, bigotry and smear.
”
”
David McCullough (The American Spirit: Who We Are and What We Stand For)
“
Do I get a bonus for letting him grab my boob?”
“Your boob, like the rest of you, belongs to the NYPSD. Besides, McNab’s going to ride you like a racehorse first chance. That’s your bonus.”
“You brought up sex and McNab!”
“This once, also your bonus.”
“I’ve got this outfit at home Dolly would wear. I’m going to put it on tonight and—”
“You didn’t earn that big a bonus.
”
”
J.D. Robb (Calculated in Death (In Death, #36))
“
You know, for a while there we kept horses for the boys, and we had a mare that had broken down. Couldn't ride it... You could feed it and brush it and water it and all. Sometimes, I've thought that's what most marriages get to. A horse you still care a little about but cannot any longer ride.
”
”
Tom McNeal (To Be Sung Underwater)
“
Forty minutes later he saw her and stopped and sat the horse and watched. She was riding along a red dirt ridge to the south sitting with her hands crossed on the pommel, looking toward the last of the sun, the horse slogging slowly through the loose sandy dirt, the red stain of it following them in the still air. That’s my heart yonder, he told the horse. It always was.
”
”
Cormac McCarthy (No Country for Old Men)
“
Riding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged trot like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
Look at this,” he went on using a hand to shape the long—so long pipe curved along his thigh. She looked, of course. It was as if her eyes were on a string and he demanded her gaze. All the spit in her mouth dried up. “This is for you, Winter. You want to ride it? Good. You want to suck on it until I pop in your mouth? Fucking awesome. You want to direct me like traffic, telling me what to do with this hard-fucking dick that’s all for you. Make me wait for it, beg for it, spill over my fingers while you let me look at your tits? You only gotta say the word, babe.
”
”
V. Theia (Finally Winter (Renegade Souls MC Romance Saga #5))
“
This one, I guess," he says. I look over at the counter, he is looking back at me. He is holding a riding crop: "I'd like to try it out." There is a peculiar shift: from one second to the next I have become disoriented, I am on alien territory, in a foreign century. He walks a few steps to where I am half sitting on the desk, one foot on the floor, the other dangling. He pulls my skirt up my left leg, which is resting on the desk, steps back and strikes me across the inner thigh.
The searing pain is an inextricable part of a wave of excitement; every cell in my body is awash with lust.
It is silent in the small, dusty room. The clerks behind the counter have frozen.
He slowly smooths down my skirt and turns to the older man, who is wearing a suit and still looks like an accountant, though a deep flush is spreading upward from his shirt collar.
"This one will do.
”
”
Elizabeth McNeill (Nine and a Half Weeks: A Memoir of a Love Affair)
“
Christmas Day has come and gone, the New Year lies ahead. Strange things happen Between the Years, in the days outside of time. Minutes go wild, hours vanish. Idleness becomes a clever thief, stealing the names of the days of the week, muting the steady tick of watches and clocks. These are the hours when angels, ghosts, demons and meddlers ride howling wind and flickering candlelight, keen to stir unguarded hearts and restless minds.
”
”
Ami McKay (Half Spent Was the Night (Witches of New York, #2))
“
Our story is the raft we ride in our ocean of life. We cling to it even while we might lament our story because it feels safer to be on the raft than swimming in the currents of possibilities. When you are ready for change, jump off the raft and swim with a different story.
”
”
Jeanne McElvaney
“
I went off to play the hero myself, once. I’d do it again, if I had to.” His smile turned wistful. “I’d do it all again, and I’d do it differently. When certain people wanted to walk away, well . . . it would be different. But we can’t change the past, and now I get to watch you ride away. I saw you born. I watched you grow from a confused little girl into one of my finest knights. I shouldn’t have to see you die.
”
”
Seanan McGuire
“
Now come days of begging, days of theft. Days of riding where there rode no soul save he. He's left behind the pinewood country and the evening sun declines before him beyond an endless swale and dark falls here like a thunderclap and a cold wind sets the weeds to gnashing. The night sky lies so sprent with stars that there is scarcely space of black at all and they fall all night in bitter arcs and it is so that their numbers are no less.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
Another inventor, J. B. McComber, representing the Chicago-Tower Spiral-Spring Ascension and Toboggan Transportation Company, proposed a tower with a height of 8,947 feet, nearly nine times the height of the Eiffel Tower, with a base one thousand feet in diameter sunk two thousand feet into the earth. Elevated rails would lead from the top of the tower all the way to New York, Boston, Baltimore, and other cities. Visitors ready to conclude their visit to the fair and daring enough to ride elevators to the top would then toboggan all the way back home.
”
”
Erik Larson (The Devil in the White City)
“
Going home in the trolley, Francie held the shoebox in her lap because Mama had no lap now. Francie thought deep thoughts during her ride. 'If what Granma Mary Rommely said is true, then it must be that no one ever dies, really. Papa is gone, but he's still here in many ways. He's here in Neeley who looks just like him and in Mama who knew him so long. He's here in his mother who began him and who is still living. Maybe I will have a boy some day who looks like Papa and has all of Papa's good without the drinking. And that boy will have a boy. And that boy will have a boy. It might be there is no real death.' Her thougths went to McGarrity. 'No one would ever believe there was any part of Papa in him.
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
My friend Dick Bass (now in his 70s) has travelled far and wide and had many adventures. His achievements include being the first person to climb the highest peak on each of the seven continents, as well as being the oldest person (by five years) to climb Mount Everest (at the age of 55.) He once told me a story of a plane ride, on which he sat next to a nice man who listened to him go on about the treacherous peaks of Everest and McKinley, the time he almost died in the Himalayas, and his upcoming plan to reclimb Everest. Just before the plane landed, Bass turned to the man sitting next to him and said, ‘After all this, I don’t think I’ve introduced myself. My name is Dick Bass.’ The man shook his hand, and responded, ‘Hi, I’m Neil Armstrong.
”
”
Roger Horchow
“
One day Augustus asked Newt to ride along with him, much to Newt’s surprise. In the morning they saw a grizzly, but the bear was far upwind and didn’t scent them. It was a beautiful day—no clouds in the sky. Augustus rode with his big rifle propped across the saddle—he was in the highest of spirits. They rode ahead of the herd some fifteen miles or more, and yet when they stopped to look back they could still see the cattle, tiny black dots in the middle of the plain, with the southern horizon still far behind them.
”
”
Larry McMurtry (Lonesome Dove (Lonesome Dove, #1))
“
It's not the theme parks of Paradiso and Inferno that I dread most - the heavenly rides, the hellish crowds - and I could live with the insult of eternal oblivion. I don't even mind not knowing which it will be. What I fear is missing out. Health desire or mere greed, I want my life first, my due, my infinitesimal slice of endless time and one reliable chance of a consciousness. I'm owed a handful of decades to try my luck on a freewheeling planet. That's the ride for me - the Wall of Life. I want my go. I want to become. Put another way, there's a book I want to read, not yet published, not yet written, though a start's been made. I want to read to the end of My History of the Twenty-First Century. I want to be there, on the last page, in my early eighties, frail but sprightly, dancing a jig on the evening of December 31, 2099.
”
”
Ian McEwan (Nutshell)
“
The ring is simple with a diamond and a plain gold band but it symbolizes our time together. We have been on a roller coaster ride this entire year and I think we deserve some simplicity. That's what this ring is because asking you to marry me is the simplest thing ever.
I had an idea forever ago for you to move in with me and it's the best thing that has ever happened to me. I thought I knew all there was to know about life and then you ran into mine. The second I saw you I knew one day you were going to be Mrs. Mitchell. Before I had time to think or breathe all of the pieces were falling together and now we're here. And as simple as taking my next breath I can say that I want you forever. So Isabelle Katherine Clark . . . Will you marry me?
”
”
Emily McKee (A Beautiful Idea (Beautiful, #1))
“
I lick my lips as his teeth nibble on my earlobe. Between my muscles melting under his touch, my blood tingling with the teasing of my ear and the way my foot rubs against his calf, my thoughts become hazy.
My shirt rides up and Isaiah rubs his thumb in small circles on the bare skin of my stomach. The sensation causes me to arch my back and Isaiah groans as I kiss his neck. I like these feelings. Actually, I more than like them. They’re addicting, and I love how every little thing I do causes Isaiah to kiss and touch me more.
He rolls and I move with him. Our tangled legs become unraveled as my thighs fall open, accepting his weight. Isaiah’s body over mine is heavier than I would have imagined, but it’s a weight I craved without knowing it.
Isaiah kisses up my neck and when his lips meet mine again, he rocks his hips. Suddenly very aware parts of him are touching very aware parts of me, and my head falls to the side as a new sensation spikes through my body.
”
”
Katie McGarry (Crash into You (Pushing the Limits, #3))
“
Zach finally acknowledges me when my elbow smacks against his side as I shove my way between him and Rachel. He straightens and mumbles so only I can hear, “Damn, she gives me a hard-on. Gorgeous, and she knows cars.”
“I suggest you back the f*ck off,” I mutter.
Zach smirks. > “Hey, you’re the one that left her here with me.”
“What are you guys talking about?” Rachel asks.
“Cars,” I say. “You said you needed to be home by ten. It’s nine-thirty.”
She blinks as if she just woke up. “Crap. Already?”
I step aside so Rachel can exit the driver’s seat. Because Rachel is every guy’s fantasy, Zach begs her to stay: she should see the engine, she can ride in his car, she can drive his car. Each of his attempts to lure her to stay causes me to think of one more way to hide the body parts after I kill him.
”
”
Katie McGarry (Crash into You (Pushing the Limits, #3))
“
It’s 1991. Can you believe it? We’re poised on the edge of a new century, for better or worse. I guess we’ll all make up our own minds which. The year 1964 seems like ancient history now. The Polaroids taken in that year have turned yellow. No one wears their hair like that anymore, and the clothes have changed. People have changed, too, I think. Not just in the South, but everywhere. For better or worse? You can decide for yourself. And what we and the world have been through since 1964! Think of it! It’s been a faster, more brain-busting ride than ever could be devised by the Brandywine Carnival. We’ve lived through Vietnam — if we’ve been fortunate — and the era of Flower Power, Watergate and the fall of Nixon, the Ayatollah, Ronnie and Nancy, the cracking of the Wall and the beginning of the end of Communist Russia. We truly are living in the time of whirlwinds and comets. And like rivers that flow to the sea, time must flow into the future. It boggles the mind to think what might be ahead. But, as the Lady once said, you can’t know where you’re going until you figure out where you’ve been. Sometimes I think we have a lot of figuring out to do.
”
”
Robert McCammon (Boy's Life)
“
Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and pu the far side of the ruined ranks in a piping of boneflutes and dropping down off the sides of their mounts with one heel hung in the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, riding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged trot like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, head, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
Another inventor, J. B. McComber, representing the Chicago-Tower Spiral-Spring Ascension and Toboggan Transportation Company, proposed a tower with a height of 8,947 feet, nearly nine times the height of the Eiffel Tower, with a base one thousand feet in diameter sunk two thousand feet into the earth. Elevated rails would lead from the top of the tower all the way to New York, Boston, Baltimore, and other cities. Visitors ready to conclude their visit to the fair and daring enough to ride elevators to the top would then toboggan all the way back home. “As the cost of the tower and its slides is of secondary importance,” McComber noted, “I do not mention it here, but will furnish figures upon application.” A third proposal demanded even more courage from visitors. This inventor, who gave his initials as R. T. E., envisioned a tower four thousand feet tall from which he proposed to hang a two-thousand-foot cable of “best rubber.” Attached at the bottom end of this cable would be a car seating two hundred people. The car and its passengers would be shoved off a platform and fall without restraint to the end of the cable, where the car would snap back upward and continue bouncing until it came to a stop. The engineer urged that as a precaution the ground “be covered with eight feet of feather bedding.
”
”
Erik Larson (The Devil in the White City)
“
He stood hat in hand over the unmarked earth. This woman who had worked for his family fifty years. She had cared for his mother as a baby and she had worked for his family long before his mother was born and she had known and cared for the wild Grady boys who were his mother's uncles and who had all died so long ago and he stood holding his hat and he called her his abuela and he said goodbye to her in Spanish and then turned and put on his hat and turned his wet face to the wind and for a moment he held out his hands as if to steady himself or as if to bless the ground there or perhaps as if to slow the world that was rushing away and seemed to care nothing for the old or the young or rich or poor or dark or pale or he or she. Nothing for their struggles, nothing for their names. Nothing for the living or the dead.
In four days' riding he crossed the Pecos at Iraan Texas and rode up out of the river breaks where the pumpjacks in the Yates Field ranged against the skyline rose and dipped like mechanical birds. Like great primitive birds welded up out of iron by hearsay in a land perhaps where such birds once had been…..The desert he rode was red and red the dust he raised, the small dust that powdered the legs of the horse he rode, the horse he led. In the evening a wind came up and reddened all the sky before him. There were few cattle in that country because it was barren country indeed yet he came at evening upon a solitary bull rolling in the dust against the bloodred sunset like an animal in sacrificial torment.
The bloodred dust blew down out of the sun. He touched the horse with his heels and rode on. He rode with the sun coppering his face and the red wind blowing out of the west across the evening land and the small desert birds flew chittering among the dry bracken and horse and rider and horse passed on and their long shadows passed in tandem like the shadow of a single being. Passed and paled into the darkening land, the world to come.
”
”
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
“
All right then, you should know that you missed out on mocha sugar donuts.”
My mouth falls open. “How’d you get those? I thought the shop didn’t open that early!”
“I went out and got them last night specifically for the bus ride,” Peter says. “For you and me.”
Aw. I’m touched. “Well, are there any left?”
“Nope. I ate them all.”
He looks so smug that I reach out and swat at his hoodie strings. “You creep,” I say, but I mean it affectionately.
Peter grabs my hand mid-swat and says, “Wanna hear something funny?”
“What?”
“I think I started liking you.”
I go completely still. Then I pull my hand away from his, and I start to gather my hair into a ponytail, and then I remember I don’t have a hair tie. My heart is thudding in my chest and it’s hard to think all of a sudden. “Stop teasing.”
“I’m not teasing. Why do you think I kissed you that day at McClaren’s house back in seventh grade? It’s why I went along with this thing in the first place. I’ve always thought you were cute.”
My face feels hot. “In a quirky way.”
Peter grins his perfect grin. “So? I guess I must like quirky, then.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
A small container of Rocky Road lands on the counter next to me.
“I figured Rocky Road was appropriate to pave the way to brown town,” she says with a laugh.
The man in front of me takes his receipt, and the cashier, a younger woman, reaches for our purchases as soon as Banner starts laughing at her own joke. The cashier’s eyes go wide when she comprehends.
“Brown Town? Is that up in the foothills, Logan? I’m not sure I’ve heard of it,” a familiar voice says from behind me.
Oh, for Christ’s sake.
I turn around to face Mrs. Harris, her hands full with a box of tea and a bottle of melatonin, but when I open my mouth to respond, nothing comes out.
Banner smiles sweetly and says, “It’s just south of Pussy Ridge. At least, I’m pretty sure it is.”
I choke, and the cashier’s face turns red.
“Pussy Ridge. I haven’t heard of that either. I’ll have to ask Mr. Harris to get out the Rand McNally so we can take a drive there this weekend. I do love my weekend drives.”
I have no idea how Banner is keeping a straight face, but she replies, “I love a good long ride too. Especially when it gets a little rough.”
The older woman smiles. “Me too. Emmy has never been a fan, though. She’s always gotten carsick at the littlest bump.”
Banner finally grins. “That explains so much about her.”
The cashier’s eyes are tearing up as I shove money at her before I bag the ice cream, Doritos, and lube myself.
“See you later, Mrs. Harris. You’ll have to let us know how that drive goes.
”
”
Meghan March (Real Good Man (Real Duet, #1))
“
A woman named Cynthia once told me a story about the time her father had made plans to take her on a night out in San Francisco. Twelve-year-old Cynthia and her father had been planning the “date” for months. They had a whole itinerary planned down to the minute: she would attend the last hour of his presentation, and then meet him at the back of the room at about four-thirty and leave quickly before everyone tried to talk to him. They would catch a tram to Chinatown, eat Chinese food (their favourite), shop for a souvenir, see the sights for a while and then “catch a flick” as her dad liked to say. Then they would grab a taxi back to the hotel, jump in the pool for a quick swim (her dad was famous for sneaking in when the pool was closed), order a hot fudge sundae from room service, and watch the late, late show. They discussed the details over and over again before they left. The anticipation was part of the whole experience. This was all going according to plan until, as her father was leaving the convention centre, he ran into an old college friend and business associate. It had been years since they had seen each other, and Cynthia watched as they embraced enthusiastically. His friend said, in effect: “I am so glad you are doing some work with our company now. When Lois and I heard about it we thought it would be perfect. We want to invite you, and of course Cynthia, to get a spectacular seafood dinner down at the Wharf!” Cynthia’s father responded: “Bob, it’s so great to see you. Dinner at the wharf sounds great!” Cynthia was crestfallen. Her daydreams of tram rides and ice cream sundaes evaporated in an instant. Plus, she hated seafood and she could just imagine how bored she would be listening to the adults talk all night. But then her father continued: “But not tonight. Cynthia and I have a special date planned, don’t we?” He winked at Cynthia and grabbed her hand and they ran out of the door and continued with what was an unforgettable night in San Francisco. As it happens, Cynthia’s father was the management thinker Stephen R. Covey (author of The Seven Habits of Highly Effective People) who had passed away only weeks before Cynthia told me this story. So it was with deep emotion she recalled that evening in San Francisco. His simple decision “Bonded him to me forever because I knew what mattered most to him was me!” she said.5 One simple answer is we are unclear about what is essential. When this happens we become defenceless. On the other hand, when we have strong internal clarity it is almost as if we have a force field protecting us from the non-essentials coming at us from all directions. With Rosa it was her deep moral clarity that gave her unusual courage of conviction. With Stephen it was the clarity of his vision for the evening with his loving daughter. In virtually every instance, clarity about what is essential fuels us with the strength to say no to the non-essentials. Stephen R. Covey, one of the most respected and widely read business thinkers of his generation, was an Essentialist. Not only did he routinely teach Essentialist principles – like “The main thing is to keep the main thing the main thing” – to important leaders and heads of state around the world, he lived them.6 And in this moment of living them with his daughter he made a memory that literally outlasted his lifetime. Seen with some perspective, his decision seems obvious. But many in his shoes would have accepted the friend’s invitation for fear of seeming rude or ungrateful, or passing up a rare opportunity to dine with an old friend. So why is it so hard in the moment to dare to choose what is essential over what is non-essential?
”
”
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
“
In two days they began to come upon bones and cast-off apparel. They saw halfburied skeletons of mules with the bones so white and polished they seemed incandescent even in that blazing heat and they saw panniers and packsaddles and the bones of men and they saw a mule entire, the dried and blackened carcass hard as iron. They rode on. The white noon saw them through the waste like a ghost army, so pale they were with dust, like shades of figures erased upon a board. The wolves loped paler yet and grouped and skittered and lifted their lean snouts on the air. At night the horses were fed by hand from sacks of meal and watered from buckets. There was no more sickness. The survivors lay quietly in that cratered void and watched the whitehot stars go rifling down the dark. Or slept with their alien hearts beating in the sand like pilgrims exhausted upon the face of the planet Anareta, clutched to a namelessness wheeling in the night. They moved on and the iron of the wagontires grew polished bright as chrome in the pumice. To the south the blue cordilleras stood footed in their paler image on the sand like reflections in a lake and there were no wolves now. They took to riding by night, silent jornadas save for the trundling of the wagons and the wheeze of the animals. Under the moonlight a strange party of elders with the white dust thick on their moustaches and their eyebrows. They moved on and the stars jostled and arced across the firmament and died beyond the inkblack mountains. They came to know the nightskies well. Western eyes that read more geometric constructions than those names given by the ancients. Tethered to the polestar they rode the Dipper round while Orion rose in the southwest like a great electric kite. The sand lay blue in the moonlight and the iron tires of the wagons rolled among the shapes of the riders in gleaming hoops that veered and wheeled woundedly and vaguely navigational like slender astrolabes and the polished shoes of the horses kept hasping up like a myriad of eyes winking across the desert floor. They watched storms out there so distant they could not be heard, the silent lightning flaring sheetwise and the thin black spine of the mountain chain fluttering and sucked away again in the dark. They saw wild horses racing on the plain, pounding their shadows down the night and leaving in the moonlight a vaporous dust like the palest stain of their passing.
”
”
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
“
Said Red Molly to James that's a fine motorbike
A girl could feel special on any such like
Said James to Red Molly, my hat's off to you
It's a Vincent Black Lightning, 1952
And I've seen you at the corners and cafes it seems
Red hair and black leather, my favourite colour scheme
And he pulled her on behind
And down to Boxhill they did ride
Said James to Red Molly, here's a ring for your right hand
But I'll tell you in earnest I'm a dangerous man
I've fought with the law since I was seventeen
I robbed many a man to get my Vincent machine
Now I'm 21 years, I might make 22
And I don't mind dying, but for the love of you
And if fate should break my stride
Then I'll give you my Vincent to ride
Come down, come down, Red Molly, called Sergeant McRae
For they've taken young James Adie for armed robbery
Shotgun blast hit his chest, left nothing inside
Oh, come down, Red Molly to his dying bedside
When she came to the hospital, there wasn't much left
He was running out of road, he was running out of breath
But he smiled to see her cry
And said I'll give you my Vincent to ride
Says James, in my opinion, there's nothing in this world
Beats a 52 Vincent and a red headed girl
Now Nortons and Indians and Greeveses won't do
They don't have a soul like a Vincent 52
He reached for her hand and he slipped her the keys
He said I've got no further use for these
I see angels on Ariels in leather and chrome
Swooping down from heaven to carry me home
And he gave her one last kiss and died
And he gave her his Vincent to ride
”
”
Richard L. Thompson
“
I have put you on a horse—that same horse—and watched you ride away from me before. I thought I should never get over it that first time. I think I followed you for that; not for any noble desire to help you save Damar; only to pick up whatever pieces Agsded might have left of you.… I know I shall never get over it this time. If you do it, someday, a third time, it will probably kill me.” Aerin tried to smile, but Luthe stopped her with a kiss. “Go now. A quick death is the best, I believe.”
“You can’t scare me,” Aerin said, almost succeeding in keeping her voice level. “You told me long ago that you aren’t mortal.”
“I never said I can’t be killed,” replied Luthe. “If you wish to chop logic with me, my dearest love, you must make sure of your premises.”
“I shall practice them—while—I shall practice, that I may dazzle you when next we meet.”
There was a little silence, and Luthe said, “You need not try to dazzle me.”
“I must go,” Aerin said hopelessly, and flung herself at Talat just as she had done once before. “I will see you again.”
Luthe nodded.
She almost could not say the words: “But it will be a long time—long and long.”
Luthe nodded again.
“But we shall meet.”
Luthe nodded a third time.
“Gods of all the worlds, say something,” she cried, and Talat startled beneath her.
“I love you,” said Luthe. “I will love you till the stars crumble, which is a less idle threat than is usual to lovers on parting. Go quickly, for truly I cannot bear this.”
She closed her legs violently around the nervous Talat, and he leaped into a gallop. Long after Aerin was out of sight, Luthe lay full length upon the ground, and pressed his ear to it, and listened to Talat’s hoofbeats carrying Aerin farther and farther away.
”
”
Robin McKinley (The Hero and the Crown (Damar, #2))
“
Did you ever notice how very fickle males are?” she asked the horse. “And how very foolish females are about them?” she added, aware of how inexplicably deflated she felt. She realized as well that she was being completely irrational-she had not intended to come here, had not wanted him to be waiting, and now she felt almost like crying because he wasn’t!
Giving the ribbons of her bonnet an impatient jerk, she untied them. Pulling the bonnet off, she pushed the back door of the cottage open, stepped inside-and froze in shock!
Standing at the opposite side of the small room, his back to her, was Ian Thornton. His dark head was slightly bent as he gazed at the cheery little fire crackling in the fireplace, his hands shoved into the back waistband of his gray riding breeches, his booted foot upon the grate. He’d taken off his jacket, and beneath his soft lawn shirt his muscles flexed as he withdrew his right hand and shoved it through the side of his hair. Elizabeth’s gaze took in the sheer male beauty of his wide, masculine shoulders, his broad back and narrow waist.
Something in the somber way he was standing-added to the fact that he’d waited more than two hours for her-made her doubt her earlier conviction that he hadn’t truly cared whether she came or not. And that was before she glanced sideways and saw the table. Her heart turned over when she saw the trouble he’d taken: A cream linen tablecloth covered with crude china, obviously borrowed from Charise’s house. In the center of the table a candle was lit, and a half-empty bottle of wine stood beside a platter of cold meat and cheese.
In all her life Elizabeth had never known that a man could actually arrange a luncheon and set a table. Women did that. Women and servants. Not men who were so handsome they made one’s pulse race. It seemed she’d been standing there for several minutes, not mere seconds, when he stiffened suddenly, as if sensing her presence. He turned, and his harsh face softened with a wry smile: “You aren’t very punctual.”
“I didn’t intend to come,” Elizabeth admitted, fighting to recover her balance and ignore the tug of his eyes and voice. “I got caught in the rain on my way to the village.”
“You’re wet.”
“I know.”
“Come over by the fire.”
When she continued to watch him warily, he took his foot off the grate and walked over to her. Elizabeth stood rooted to the floor, while all of Lucinda’s dark warnings about being alone with a man rushed through her mind. “What do you want?” she asked him breathlessly, feeling dwarfed by his towering height.
“Your jacket.”
“No-I think I’d like to keep it on.”
“Off,” he insisted quietly. “It’s wet.”
“Now see here!” she burst out backing toward the open door, clutching the edges of her jacket.
“Elizabeth,” he said with reassuring calm, “I gave you my word you’d be safe if you came today.”
Elizabeth briefly closed her eyes and nodded, “I know. I also know I shouldn’t be here. I really ought to leave. I should, shouldn’t I?” Opening her eyes again, she looked beseechingly into his-the seduced asking the seducer for advice.
“Under the circumstances, I don’t think I’m the one you ought to ask.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))