“
His hands are holding my cheeks, and he pulls back just to look me in the eye and his chest is heaving and he says, "I think," he says, "my heart is going to explode," and I wish, more than ever, that I knew how to capture moments like these and revisit them forever.
Because this.
This is everything.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
I know the expression love bloomed is metaphorical, but in my heart in this moment, there is one badass flower, captured in time-lapse photography, going from bud to wild radiant blossom in ten seconds flat.
”
”
Jandy Nelson (The Sky Is Everywhere)
“
I am black; I am in total fusion with the world, in sympathetic affinity with the earth, losing my id in the heart of the cosmos -- and the white man, however intelligent he may be, is incapable of understanding Louis Armstrong or songs from the Congo. I am black, not because of a curse, but because my skin has been able to capture all the cosmic effluvia. I am truly a drop of sun under the earth.
”
”
Frantz Fanon (Black Skin, White Masks)
“
Eyes can only capture objects that already seen in mind.
And mind can only see things that already written in heart.
”
”
Toba Beta (My Ancestor Was an Ancient Astronaut)
“
There are many different types of kisses. There’s a passionate kiss of farewell—like the kind Rhett gave Scarlett when he went off to war. The kiss of I-can’t-really-be-with-you-but-I-want-to-be—like with Superman and Lois Lane. There’s the first kiss—one that is gentle and hesitant, warm and vulnerable. And then there’s the kiss of possession—which was how Ren kissed me now.
It went beyond passion, beyond desire. His kiss was full of longing, need, and love, like all those other kisses. But, it was also filled with promises and pledges, some of which seemed sweet and tender while others seemed dangerous and exciting. He was taking me over. Staking a claim.
He seized me as boldly as the tiger captured his prey. There was no escape. And I didn’t want to. I would have happily died in his clutches. I was his. And he made sure I knew it. My heart burst with a thousand beautiful blooms, all tiger lilies. And I knew with a certainty more powerful than anything I’d ever felt before that we belonged together.
”
”
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
“
My siren had sung to me for way too long, capturing my heart, tempting me with her body, driving me slowly insane. Now, I expected her to pay up.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
My heart is not captured easily. I am disinterested in small talk, disillusioned with love, and too focused on my dreams and aspirations to lend anybody my attention for long.
”
”
Beau Taplin
“
He seized me as boldly as a tiger captures his prey. There was no escape. And I didn't want to. I would have happily died in his clutches. I was his, and he made sure I knew it. My heart burst with a thousand beautiful blooms, all tiger lilies. And I knew with a certainty more powerful than anything I'd ever felt before that we belonged together.
He finally lifted his head and murmured against my lips, "It's about bloody time, woman.
”
”
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
“
You have captured me utterly, and you hold my heart in your hands. Be gentle with it. It's more fragile than you might think.
”
”
J. Kenner (Claim Me (Stark Trilogy, #2))
“
The secret of the mountain is that the mountains simply exist, as I do myself: the mountains exist simply, which I do not. The mountains have no "meaning," they are meaning; the mountains are. The sun is round. I ring with life, and the mountains ring, and when I can hear it, there is a ringing that we share. I understand all this, not in my mind but in my heart, knowing how meaningless it is to try to capture what cannot be expressed, knowing that mere words will remain when I read it all again, another day.
”
”
Peter Matthiessen (The Snow Leopard)
“
I stare at him for a few more minutes, my heart expanding with love for him.
We'll be OK,' I whisper, letting the night capture my wish. We're owed that at least. A life of not scanning rooftops, of not being relieved the ceiling didn't cave in on us during the night.
He and I are owed a love story that doesn't end in tragedy.
”
”
Zoulfa Katouh (As Long as the Lemon Trees Grow)
“
His mouth hardened into a tight line for a moment. “I plead for nothing.” His voice deepened. “I beg for nothing.” He paused, searching her eyes. “You are my heart. I beg you to forgive me, beautiful. You come before everything to me. You even come before my own pride. I’m a Zorn warrior. I have fought many battles in war. I carry scars from lost lives I took in battle. I hunt and I do it well. I have never been captured and I have never been brought to my knees.” He reached out to caress her cheek. “Then I look into your eyes and remember your laugh. I am there, beautiful. You have caught me and I am on my knees to you.
”
”
Laurann Dohner (Kidnapping Casey (Zorn Warriors, #2))
“
He captured my heart. He loves me for who I am, not what I can bring to him."
- Lucinda Price, Rapture
”
”
Lauren Kate
“
We've made a beautiful mess of things lately, haven't we?" He flashed that sexy crooked smile at me, which made my heart flutter.
"But it's our crazy story," "It's been ours, only ours. There's been a lot of romance, sometimes way too much drama..." "very memorable comedy, a few pulse-racing action scenes..."
"We've also had our fair share of suspense and raw terror, and unfortunately gut-wrenching heartache too."
"I think we've covered it all, everything except fo being captured by aliens!"
"But through it all you've loved me unconditionally, and I know how fortunate I am to have your love. I don't want to live without you, not for one more minute, not for one more second. I want to spend the rest of my days living my story with you...only you."
"It is here that I fell in love with you"
"And as fate would have it, it is here that I humbly kneel before you and ask you to be my wife.
”
”
Tina Reber (Love Unscripted (Love, #1))
“
Maybe I write because I’ve learned to show certain parts of my heart on the page that I still struggle to capture in speech.
”
”
Common (One Day It'll All Make Sense)
“
She sat up, cheeks flushed and golden hair tousled. She was so beautiful that it made my soul ache. I always wished desperately that I could paint her in these moments and immortalize that look in her eyes. There was a softness in them that I rarely saw at other times, a total and complete vulnerability in someone who was normally so guarded and analytical in the rest of her life. But although I was a decent painter, capturing her on canvas was beyond my skill.
She collected her brown blouse and buttoned it up, hiding the brightness of turquoise lace with the conservative attire she liked to armor herself in. She’d done an overhaul of her bras in the last month, and though I was always sad to see them disappear, it made me happy to know they were there, those secret spots of color in her life.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
It’s a heavy, unbelievable kiss.
It’s the kind of kiss that inspires stars to climb into the sky and light up the world. The kind that takes forever and no time at all. His hands are holding my cheeks, and he pulls back just to look me in the eye and his chest is heaving and he says, “I think,” he says, “my heart is going to explode,” and I wish, more than ever, that I knew how to capture moments like these and revisit them forever.
Because this.
This is everything.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
You are my heart, my soul, my equal. You see the light in me when I’m lost within darkness. When I’m cold and distant, you’re as warm as autumn sunshine, bathing me in your glow. If I am the night, then you are the stars lighting up my endless dark.” His voice broke, wrenching my heart. “My best friend, the absolute love of my life, now until forevermore, I call you my wife.
”
”
Kerri Maniscalco (Capturing the Devil (Stalking Jack the Ripper, #4))
“
C. S. Lewis captured this so beautifully in one of my favorite quotes of all time: To love at all is to be vulnerable. Love anything and your heart will certainly be wrung and possibly be broken. If you want to make sure of keeping it intact, you must give it to no one, not even an animal. Wrap it carefully round with hobbies and little luxuries; avoid all entanglements. Lock it up safe in the casket or coffin of your selfishness. But in that casket, safe, dark, motionless, airless, it will change. It will not be broken; it will become unbreakable, impenetrable, irredeemable. To love is to be vulnerable.
”
”
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution.)
“
Champagne arrived in flûtes on trays, and we emptied them with gladness in our hearts... for when feasts are laid and classical music is played, where champagne is drunk once the sun has sunk and the season of summer is alive in spicy bloom, and beautiful women fill the room, and are generous with laughter and smiles... these things fill men's hearts with joy and remind one that life’s bounty is not always fleeting but can be captured, and enjoyed. It is in writing about this scene that I relive this night in my soul.
”
”
Roman Payne
“
they signaled my eternal gratitude to the boy sitting silently in the dark. The boy as gifted at photography as I was at music. He was my heart. The heart freely given to me as a child. The heart that made up one half of my own. The boy who, though breaking inside, loved me so deeply that he gave me this farewell. Gave me, in the present, the dream that my future never could. My soul mate who captured moments.
”
”
Tillie Cole (A Thousand Boy Kisses)
“
Yet if women are so flighty, fickle, changeable, susceptible, and inconstant (as some clerks would have us believe), why is it that their suitors have to resort to such trickery to have their way with them? And why don't women quickly succumb to them, without the need for all this skill and ingenuity in conquering them? For there is no need to go to war for a castle that is already captured. (...)
Therefore, since it is necessary to call on such skill, ingenuity, and effort in order to seduce a woman, whether of high or humble birth, the logical conclusion to draw is that women are by no means as fickle as some men claim, or as easily influenced in their behaviour. And if anyone tells me that books are full of women like these, it is this very reply, frequently given, which causes me to complain. My response is that women did not write these books nor include the material which attacks them and their morals. Those who plead their cause in the absence of an opponent can invent to their heart's content, can pontificate without taking into account the opposite point of view and keep the best arguments for themselves, for aggressors are always quick to attack those who have no means of defence. But if women had written these books, I know full well the subject would have been handled differently. They know that they stand wrongfully accused, and that the cake has not been divided up equally, for the strongest take the lion's share, and the one who does the sharing out keeps the biggest portion for himself.
”
”
Christine de Pizan (Der Sendbrief vom Liebesgott / The Letter of the God of Love (L'Epistre au Dieu d'Amours))
“
He has captured my heart wholly and stolen my soul for eternity.
”
”
Nicole Reed (Ruining You (Ruining, #2))
“
And then, on September 11, the world fractured.
It's beyond my skill as a writer to capture that day and the days that would follow--the planes, like specters, vanishing into steel and glass; the slow-motion cascade of the towers crumbling into themselves; the ash-covered figures wandering the streets; the anguish and the fear. Nor do I pretend to understand the stark nihilism that drove the terrorists that day and that drives their brethren still. My powers of empathy, my ability to reach into another's heart, cannot penetrate the blank stares of those would murder innocents with abstract, serene satisfaction.
”
”
Barack Obama (Dreams from My Father: A Story of Race and Inheritance)
“
The thing about capturing a prize fish is that everyone admires the fish, and soon forgets about the fisherman. You love the thing that makes you special, then hate it because it's the thing that makes you special.
”
”
Samuel Park (This Burns My Heart)
“
Because in truth, my love, if you have thought of me once then I have thought of you a thousand times.
You have captured my heart. It is yours.
I am at your mercy now
”
”
Kamand Kojouri
“
When you got captured, I didn't know..." He trailed off, had to chug whiskey before he could continue. "If it'd be like..."
"What?"
"Like it was with Clotile."
"Oh, Jackson, no. I was okay. I'm unharmed."
"Didn't know if I'd get there too late," he said with a shudder. Then he crossed over to me, until we stood toe-to-toe. "Evie, if you ever get taken from me again, you better know that I'll be coming for you." He cupped my face with a bloodstained hand. "So you stay the hell alive! You don't do like Clotile, you doan take that way out. You and me can get through anything, just give me a chance."--his voice broke lower "just give me a chance to get to you." He buried his face in my hair, inhaling deeply. "There is nothing that can happen to you that we can't get past."
...
"When you say we...?"
He pulled back, gazing down at me, his eyes blazing. "I'm goan to lay it all out there for you. Laugh in my face--I don't care. But I'm goan to get this off my chest."
"I won't laugh. I'm listening."
"Evie, I've wanted you from the first time I saw you. Even when I hated you, I wanted you." He raked his fingers through his hair. "I got it bad, me."
My heart felt like it'd stopped--so that I could hear him better.
"For as long as you've been looking down your nose at me, I've been craving you, an envie like I've never known."
"I don't look down at you! I'm too busy looking up to you."
...
"The corners of his lips curled for an instant before he grew serious again. "You asked me if I had that phone with your pictures, if I'd looked at it. Damn right, I did! I saw you playing with a dog at the beach, and doing a crazy-ass flip off a high dive, and making faces for the camera. I learned about you"- his voice grew hoarse -"and I wanted more of you. To see you every day." With a humourless laugh, he admitted, "After the Flash, I was constantly sourcing ways to charge a goddamned phone--that would never make a call."
I murmured, "I didn't know...I couldn't be sure."
"It's you for me, peekon.
”
”
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
“
It’s the kind of kiss that inspires stars to climb into the sky and light up the world. The kind that takes forever and no time at all. His hands are holding my cheeks, and he pulls back just to look me in the eye and his chest is heaving and he says, “I think,” he says, “my heart is going to explode,” and I wish, more than ever, that I knew how to capture moments like these and revisit them forever.
Because this.
This is everything.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
You are my heart, my soul, my equal. You see the light in me when I’m lost within darkness. When I’m cold and distant, you’re as warm as autumn sunshine, bathing me in your glow.
”
”
Kerri Maniscalco (Capturing the Devil (Stalking Jack the Ripper, #4))
“
Beyond life, beyond death. My love for thee is eternal."
"That's beautiful. Was that in the letter?"
"No. It's how I feel about you." I swore my heart stuttered a moment
”
”
Kerri Maniscalco (Capturing the Devil (Stalking Jack the Ripper, #4))
“
You killed my mother, who had a lion’s heart, and my sister, who laughed like the rain, and my father, who captured truth with a few strokes of a pen.
”
”
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
“
What gives a wriggle
And makes you giggle
When you eat'em?
Whose weensy little feet
Make my heart really beat?
Why, it's those little creepy crawlies
That make me feel so jolly.
For the darling centipede
My favorite buggy feed
I always want some more.
That's the insect I adore
More than beetles, more than crickets,
Which at times gives me the hiccups.
I crave only to feed
On a juicy centipede
And I shall be happy forevermore."
-Soren
”
”
Kathryn Lasky (The Capture (Guardians of Ga'Hoole, #1))
“
There are times...when we are in the midst of life-moments of confrontation with birth or death, or moments of beauty when nature or love is fully revealed, or moments of terrible loneliness-times when a holy and awesome awareness comes upon us. It may come as deep inner stillness or as a rush of overflowing emotion. It may seem to come from beyond us, without any provocation, or from within us, evoked by music or by a sleeping child. If we open our hearts at such moments, creation reveals itself to us in all it's unity and fullness. And when we return from such a moment of awareness, our hearts long to find some way to capture it in words forever, so that we can remain faithful to it's higher truth.
...When my people search for a name to give to the truth we feel at those moments, we call it God, and when we capture that understanding in timeless poetry, we call it praying.
”
”
Mary Doria Russell (The Sparrow (The Sparrow, #1))
“
Is it later yet?” Roth asked.
Casting him a lingering look, I grinned as I rose fluidly, with a grace I never thought I’d ever be capable of. “Only if you can catch me.”
Roth rose at once, capturing my hand before I could even take off, threading his fingers through mine. “Already did, Layla.”
And so he had, a long time ago, when he strutted into a dark alley and took out a Poser demon. Truth be told, I really didn’t even want to run.
This was love, and love could change people, even if that person was really a demon and the Crown Prince of Hell. “I love you,” I told him, and I told him that every day and I would tell him that over and over again.
Roth lowered his forehead to mine as he brought our joined hands to his chest, placing them above his heart. “And I love you,” he said. “With every breath I take, I will always love you.
”
”
Jennifer L. Armentrout (Every Last Breath (The Dark Elements, #3))
“
Your love is poetry in perpetual motion capturing my heart with centrifugal force.
”
”
Truth Devour (Unrequited (Wantin #2))
“
He captured my chin, holding me firm. “You are me. And I am you. We might have separate thoughts and minds, Buttercup, but we have the same heart and soul.
”
”
Pepper Winters (Sin & Suffer (Pure Corruption MC, #2))
“
Wakings are the worst times - almost before my eyes are open a great weight seems to roll on to my heart.
”
”
Dodie Smith
“
You have already captured my heart, body, and soul, Ava. I have no clue when it started, but at some point, my possessiveness and obsessiveness with you turned into this inferno of emotions where I was prepared to lose you if it meant protecting you. That’s when I realized I was in love with everything about you, whether it’s your obsession with pink, candy floss, or cheesy books and films. The lack of you has stripped my world of color and made me realize you’re my sole light in the darkness. It’s why I killed for you and would do it again in a heartbeat. I’d kill everyone if it meant I’d get to keep you. Perhaps that’s not the healthiest form of love, but it’s all I have. The heart you slowly awakened is entirely yours to do with as you please.
”
”
Rina Kent (God of War (Legacy of Gods, #6))
“
Abruptly, Elliot startles us all by standing and pulling his chair back so it scrapes across the tile floor. All eyes turn to him. He gazes down at Kate for one moment and then drops to one knee beside her.
Oh. My. God.
He reaches for her hand, and silence settles like a blanket over the entire restaurant as everyone stops eating, stops talking, stops walking, and stares.
"My beautiful Kate, I love you. Your grace, your beauty, and your fiery spirit have no equal, and you have captured my heart. Spend your life with me. Marry me."
Holy shit!
”
”
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
“
All children grow up, all but one. His name is Peter and by now, all the civilized world has heard of him. He has captured the public imagination and become a legend, a subject for poets, philosophers and psychologists to write about, and for children to dream of. The children’s tales might be lacking in some details, but on the whole they are more accurate than most other accounts, for children will always understand Peter intuitively, as I did when I first met him.
"I shall endeavor to tell you the true story of my friend Peter, because he cannot tell it to you himself. Afterward I hope you will love him and defend him as I have for the remainder of your days. Pass on to others a true account of the wild boy who would not grow up, who danced with kings and won the hearts of princesses. He defied logic and reason, lived and loved with an innocent heart, and found peace in the midst of a turbulent world.
”
”
Christopher Daniel Mechling (Peter: The Untold True Story)
“
We see with our hearts. Our eyes are simple catalysts that carry images. Our eyes capture flowers and out heart knows serenity. Our eyes capture a child at play and our heart knows joy. They capture beauty and we know love. They capture war and we are acquainted with mortality. My eyes captured hatred and suffering, and my heart knew sorrow. They captured death and destruction and my heart knew fear.
”
”
Leslie Haskin (Between Heaven and Ground Zero)
“
You are angry at the God you were taught to believe in as a child. The God who is supposed to watch over you and protect you, who answers your prayers and forgives your sins. This God is just a story. Religions try to capture God, but God is beyond religion. The true God lies beyond our comprehension. We can't understand His will; He can't be explained in a book. He didn't abandon us and He will not save us. He has nothing to do with our being here. God does not change. He simply is. I don't pray to God for forgiveness or favors, I only pray to be closer to Him, and when I pray, I fill my heart with love. When I pray this way, I know that God is love. When I feel that love, I remember that we don't need angels or a heaven, because we are a part of God already.
”
”
Nando Parrado (Miracle in the Andes: 72 Days on the Mountain and My Long Trek Home)
“
I think that I shall never know
Why I am thus, and I am so.
Around me, other girls inspire
In men the rush and roar of fire,
The sweet transparency of glass,
The tenderness of April grass,
The durability of granite;
But me- I don't know how to plan it.
The lads I've met in Cupid's deadlock
Were- shall we say?- born out of wedlock.
They broke my heart, they stilled my song,
And said they had to run along,
Explaining, so to sop my tears,
First came their parents or careers.
But ever does experience
Deny me wisdom, calm, and sense!
Though she's a fool who seeks to capture
The twenty-first fine, careless rapture,
I must go on, till ends my rope,
Who from my birth was cursed with hope.
A heart in half is chaste, archaic;
But mine resembles a mosaic-
The thing's become ridiculous!
Why am I so? Why am I thus?
”
”
Dorothy Parker
“
Life is an island in an ocean of solitude and seclusion.
Life is an island, rocks are its desires, trees its dreams, and flowers its loneliness, and it is in the middle of an ocean of solitude and seclusion.
Your life, my friend, is an island separated from all other islands and continents. Regardless of how many boats you send to other shores, you yourself are an island separated by its own pains,secluded its happiness and far away in its compassion and hidden in its secrets and mysteries.
I saw you, my friend, sitting upon a mound of gold, happy in your wealth and great in your riches and believing that a handful of gold is the secret chain that links the thoughts of the people with your own thoughts and links their feeling with your own.
I saw you as a great conqueror leading a conquering army toward the fortress, then destroying and capturing it.
On second glance I found beyond the wall of your treasures a heart trembling in its solitude and seclusion like the trembling of a thirsty man within a cage of gold and jewels, but without water.
I saw you, my friend, sitting on a throne of glory surrounded by people extolling your charity, enumerating your gifts, gazing upon you as if they were in the presence of a prophet lifting their souls up into the planets and stars. I saw you looking at them, contentment and strength upon your face, as if you were to them as the soul is to the body.
On the second look I saw your secluded self standing beside your throne, suffering in its seclusion and quaking in its loneliness. I saw that self stretching its hands as if begging from unseen ghosts. I saw it looking above the shoulders of the people to a far horizon, empty of everything except its solitude and seclusion.
I saw you, my friend, passionately in love with a beautiful woman, filling her palms with your kisses as she looked at you with sympathy and affection in her eyes and sweetness of motherhood on her lips; I said, secretly, that love has erased his solitude and removed his seclusion and he is now within the eternal soul which draws toward itself, with love, those who were separated by solitude and seclusion.
On the second look I saw behind your soul another lonely soul, like a fog, trying in vain to become a drop of tears in the palm of that woman.
Your life, my friend, is a residence far away from any other residence and neighbors.
Your inner soul is a home far away from other homes named after you. If this residence is dark, you cannot light it with your neighbor's lamp; if it is empty you cannot fill it with the riches of your neighbor; were it in the middle of a desert, you could not move it to a garden planted by someone else.
Your inner soul, my friend, is surrounded with solitude and seclusion. Were it not for this solitude and this seclusion you would not be you and I would not be I. If it were not for that solitude and seclusion, I would, if I heard your voice, think myself to be speaking; yet, if I saw your face, i would imagine that I were looking into a mirror.
”
”
Kahlil Gibran (Mirrors of the Soul)
“
And no matter what I did, I couldn't save you. And I Couldn't bring myself to kill you.They..."He takes a deep breath and pull me against him."You might as well have eaten my heart straight from my living body.I would rather die a thousand times at your hands than see you captured.Even if you eat my heart. Because you already own it.
”
”
Bethany Wiggins (Stung (Stung, #1))
“
A free spirit is like the wind and can never be caught. But in four days, one man captured my heart.
”
”
Dannika Dark (Four Days (Seven, #4; Mageriverse #10))
“
You are poetry in perpetual motion capturing my heart with centrifugal force.
”
”
Truth Devour (Unrequited (Wantin #2))
“
Photoshop and Lightroom help me transform my photos into what my heart felt, but my camera couldn't quite capture!
”
”
Marius Vieth (Better Street Photos In 3 Powerful Steps)
“
I raised my camera and pressed the button. I captured this rare moment: the exact moment when someone’s heart broke.
”
”
Tillie Cole (A Thousand Boy Kisses)
“
i found my flower, there she was, she caught my eye and captured my heart. i listened to her...she called out to me with her colors and warmth, held me with her softness and beauty, silently asking only that i let her grow, and let her be, and love her for who she was: my flower
”
”
D. Bodhi Smith (Bodhi Smith Impressionist Photography (#6))
“
I want to say she's gorgeous. Heart-stopping. If I started, I don't know how I would stop. I've worked my entire adult life to marshal the English language into whatever I wanted. But were I try to capture Katrina with it, it would best even me.
”
”
Emily Wibberley (The Roughest Draft)
“
Your eyes sang to my soul,
Your lips kissed my heart,
Your smile captured my love,
Your tender touch bonded my love for eternity,
As you live in my heart
For my eyes saw your beauty,
My passion saw your fire,
heat of million suns that burn,
That first moment,
I was yours,
Complete, and forever.
As time stood still,
As forever for I knew you..
”
”
Ravinder Singh
“
How great is the love of God! He loved me long before I knew His name. He wooed me, chased me, enthralled me, and captured my heart. He didn’t prove His love at a candlelight dinner. There were no long-stemmed roses, but there were thorns. Yes, there were thorns.
”
”
Katherine J. Walden
“
Get out of my head,
You've overstayed your stay,
This head no longer can spare more thoughts,
Leave my aching heart alone,
You weaved your web all over my heart,
Captured what was never yours,
The aching in my chest can't bare more,
Get out of here,
My soul is no longer a safe place.
”
”
Tanzy Sayadi (Better to be able to love than to be loveable)
“
Champagne arrived in flûtes on trays, and we emptied them with gladness in our hearts… for when feasts are laid and classical music is played, where champagne is drunk once the sun has sunk and the season of summer is alive in spicy bloom, and beautiful women fill the room, and are generous with laughter and smiles… these things fill men’s hearts with joy and remind one that life’s bounty is not always fleeting but can be captured, and enjoyed. It is in writing about this scene that I relive this night in my soul.
”
”
Roman Payne (Rooftop Soliloquy)
“
I know I should look away, let him grieve in private, but I cannot. The sweet girl that I knew only briefly is the key to this gentle beast who has captured my heart.
”
”
Robin LaFevers (Dark Triumph (His Fair Assassin, #2))
“
Étienne came into my life like a thief and stole my heart. It makes perfect sense to me that I find a way back to him so I can capture his soul.
”
”
Calia Read (The Surviving Trace (Surviving Time, #1))
“
It's always been you for me, even when I didn't know who I was anymore. It will always be you, Thomas. No matter who tries to come between us. You are my heart. No one can take it.
”
”
Kerri Maniscalco (Capturing the Devil (Stalking Jack the Ripper, #4))
“
I learned long ago that conservation has no victories, that one must retain connections and remain involved with animals and places that have captured the heart, to prevent their destruction. I am sometimes asked why, given a world that is more wounded and scarred, I do not simply give up, burdened by pessimism. But conservation is my life, I must retain hope
”
”
George B. Schaller (A Naturalist and Other Beasts: Tales from a Life in the Field)
“
I came across an account of a young man named Kim Malthe-Bruun, who was eventually captured and executed by the Nazis when he was only twenty-one years old. I read his story as I had read many others, turning the pages, skimming here and there: this sabotage, that tactic, this capture, that escape. After a while even courage becomes routine to the reader. Then, quite unprepared, I turned the page and faced a photograph of Kim Malthe-Bruun. He wore a turtleneck sweater, and his thick, light hair was windblown. His eyes looked out at me, unwavering on the page. Seeing him there, so terribly young, broke my heart.
”
”
Lois Lowry (Number the Stars)
“
And yet as my eyes turned to Stephen facing the sunrise from Simon in the darkness of my mind, it was as if Simon had been the living face and Stephen's the one I was imagining - or a photograph, a painting, something beautiful but not really alive for me. My whole heart was so full of Simon that even my pity for Stephen wasn't quite real - it was only something I felt I ought to feel, more from my head than from my heart. And I knew I ought to pity him all the more because I could pity him so little.
”
”
Dodie Smith (I Capture the Castle)
“
My baby is five. She falls asleep in my arms . . . . Her breath is warm on my face, all that is alive and warm and breathing inside of her now, falling upon me, and I can't capture it, hold it, this, her life now, me in this moment. She is leaving me, she's growing up and moving away from me, and she stirs and I sweep back the crop of the golden ringlets. Stay, Little One, stay. Love's a deep wound and what is a mother without a child and why can't I hold on to now forever and her here and me here and why does time snatch away a heart I don't think mine can beat without? Why do we all have to grow old? Why do we have to keep saying good-bye?
”
”
Ann Voskamp (One Thousand Gifts: A Dare to Live Fully Right Where You Are)
“
Day-um." He whistled, keeping his voice low as he looked up and down my body. The tiny shorts and tank left very little to the imagination. "You look hot," he growled and came at me. I backed up a step and he caught me around the waist. Both of us fell back and landed on my bed. I laughed and looked up. But he wasn't laughing or smiling. His gaze was intense and it made my heart skip a beat. "What?" I whispered. Maybe he'd come to tell me how much he regretted earlier. "Has anyone ever told you just how beautiful you really are?" He breathed. The bottom fell out of my stomach and I shook my head. "That's a damn shame," he muttered and lowered his head to capture my lips.
- Romeo & Rimmel
”
”
Cambria Hebert (#Nerd (Hashtag, #1))
“
Stay."
The strangled word, spoken in anguish, tore at her heart, ripped through her resolve. She swiped at the tears raining over her cheeks and slowly turned, forcing the painful truth past her lips. "I can't stay. I can no longer give you what you want. I can't give you a son."
Dallas stepped off the veranda and extended a bouquet of wildflowers toward her. "Then stay and give me what I need."
Her heart lurched at the abundance of flowers wilting within his smothering grasp. She shook her head vigorously. "You don't need me. There are a dozen eligible women in Leighton who would happily give you a son and within the month there will be at least a dozen more—"
"I'll never love any of them as much as I love you. I know that as surely as I know the sun will come up in the morning."
Her breath caught, her trembling increased, words lodged in her throat. He loved her? She watched as he swallowed.
"I know I'm not an easy man. I don't expect you to ever love me, but if you'll tolerate me, I give you my word that I'll do whatever it takes to make you happy—"
Quickly stepping forward, she pressed her shaking fingers against his warm lips. "My God, don't you know that I love you? Why do you think I'm leaving? I'm leaving because I do love you—so much. Dallas, I want you to have your dream, I want you to have your son."
Closing his eyes, he laid his roughened hand over hers where it quivered against his lips and pressed a kiss against the heart of her palm.
"I can't promise that I won't have days when I'll look toward the horizon and feel the aching emptiness that comes from knowing we'll never have a child to pass our legacy on to…"Opening his eyes, he captured her gaze. "But I know the emptiness you'll leave behind will eat away at me every minute of every day."
-Dallas and Dee
”
”
Lorraine Heath (Texas Glory (Texas Trilogy, #2))
“
That little glow of comfort lasted me right through the evening but was gone when I woke up next morning. Wakings are the worst times--almost before my eyes are open a great weight seems to roll on to my heart.
”
”
Dodie Smith
“
I would have dropped everything to save you from any ounce of pain. If it is within my reach to do that now, know that I will never fucking let pain touch your heart, baby. It kills me to know how easy it was for the world to rip us apart. For years baby, I have spent years thinking you left me. That you chose to leave me. God... He trails off and leans down to capture my lips. This kiss is like nothing we have shared since coming back to us. This kiss is full of the sadness that of what we have lost but with the promise of what we will have. His lips make love to mine.
”
”
Harper Sloan (Axel (Corps Security, #1))
“
We didn't finish that dance."
"Here?"
"Why not?"
Echo's high heel tapped against the sidewalk, the telltale sign of nerves. I took a deliberate step forward and caught her waist before she coud back away from me. My siren had sung to me for way too long, capturing my heart, tempting me with her body, driving me slowly insane. Now, I expected her to pay up.
"Do you hear that?" I aked.
Echo raised an eyebrow when she heard nothing but the sound of water trickling in the fountain. "Hear what?"
I slid my right hand down her arm, cradled her hand against my chest and swayed us from side to side. "The music."
Her eyes danced. "Maybe if you could tell me what i'm supposed to be hearing."
"Slow drum beat." With one finger i tapped the beat into the small of her back. "Acoustic quitar." I leaned down and hummed my favorite song in her ear. Her sweet cinnamon smell intoxicated me.
She relaxed, fitting perfectly into my body. In the crisp, cold February air, we swayed together, moving to our own personal beat. For one moment, we escaped hell. No teachers, no therapist, no well-meaning friends, no nightmares-just the two of us, dancing.
My song ended, my finger stopped tapping the beat, and we ceased swaying from side to side. She held perfectly still, keeping her hand in mine, her head resting on my shoulder. I nuzzled into the warmth of her silky curls, tightening my hold on her. Echo was becoming essential, like air.
I eased my hand to her chin, lifting her face toward me. My thumb caressed her warm, smooth cheek. My heart beat faster.
A ghost of that siren smile graced her lips as she tilted her head closer to mine, creating the undeniable pull of the sailor lost to the sea to the beautiful goddess calling him home.
I kissed her lips. Soft, full, warm-everything i'd fantasized it would be and more, so much more. Echo hesitantly pressed back, a curious question for which i had a response. I parted my lips and teased her bottom one, begging, praying, for permission. Her smooth hands inched up my neck and pulled at my hair, bringing me closer.
She opened her mouth, her tongue seductively touching mine, almost bringing me to my knees. Flames licked through me as our kiss deepened. Her hands massaged my scalp and neck, only stoking the heat of the fire.
Forgetting every rule i'd created for this moment, my hands wandered up her back, twining in her hair, bringing her closer to me. I wanted Echo. I needed Echo.
Her eyes met mine again. "So what does this mean for us?"
I lowered my forehead to hers. "It means you 're mine.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
He might have been a criminal in the past, but now I was the one that wanted to steal something from him and keep it for my own … he was going to put up a fight once he realized I was after his heart. After all, it was my job to capture the bad guy … only this one I wasn’t planning on letting go of.
”
”
Jay Crownover (Asa (Marked Men, #6))
“
As we drove I remembered how I had told myself I would make Simon happy. I didn't feel the same person. For I now knew that I had been stuffing myself up with a silly fairy tale, that I could never mean to him what Rose had meant. I think I knew it first as I watched his face while he listened to her singing, and then more and more, as he talked about the whole wretched business - not angrily or bitterly, but quietly and without ever saying a word against Rose. But most of all I knew it because a change in myself. Perhaps watching someone you love suffer can teach you more than suffering yourself can.
Long before we got back to the castle, with all my heart and for my own heart's ease as well as his, I would have given her back to him if I could.
”
”
Dodie Smith (I Capture the Castle)
“
You have completely captured my heart. I promise to do everything in my power to make you as happy as you’ve already made me. I’d do anything for you, Channie. No sacrifice is too great. Will you accept this ring as a token of that promise?
”
”
Charlotte Abel (Enchantment (Channie, #1))
“
You touched my heart and captured my soul. You changed my life and all of its goals.
”
”
Charles Elwood Hudson
“
My dearest,
I write this letter by candlelight as you lie sleeping. And though I can't hear the soft sounds of your slumber, I know you are there, and soon I will be lying next to you again as I always have. And I will feel your warmth and your comfort, and your breaths will slowly guide me to the place where I dream of you and the wonderful man you are. I see the flame beside me and it reminds me of another fire, (with me in your soft clothes and you in your jeans) of me and you. I knew then we would always be together. My heart had been captured, and I knew inside that it had always been yours. Who was I to question a love that rode on shooting stars and roared like crashing waves? For that is what is was between us then and that is what it is today. You are my best friend as well as my lover, and I do not know which side of you I enjoy the most. I treasure each side, just as I have treasured our life together. You have something inside you, something beautiful and strong. Kindness, that's what I see when I look at you, that's what everyone sees. Kindness. You are the most forgiving and peaceful man I know. God is with you, He must be, for you are the closest thing to an angel that I've ever seen. We have lived a lifetime most couples never know, and yet, when I look at you, I am frightened by the knowledge that all this will be ending soon. (For we both know my prognosis and what it will mean to us.) I see your tears and I worry more about you than I do about me, because I fear the pain I know you will go through. There are no words to express my sorrow for this, and I am at a loss for words. So I love you so deeply, so incredibly much. Know that I love you, that I always will, and that no matter what happens, know I have led the greatest life possible. My life with you. I love you. I love you now as I write this, and I love you now as you read this. And I am so sorry if I am not able to tell you. I love you deeply. You are, and always have been, my dream.
”
”
Nicholas Sparks
“
I’m broken.
Fucked up.
I feel sick.
I can’t breathe.
It’s like someone’s snaked their fingers around my heart, capturing it in a crushing grip.
It’s Emma. This is her doing.
Well, it won’t fucking bleed for her.
It won’t bleed for anyone.
It’s black.
I’m dead inside.
”
”
Franca Storm (Comfort Zone)
“
I am so hot for Chevy. I have even imagined what my first line to him will be – the one that will capture his heart. ‘Chevy Chase?’ I will say, at a party very closely modelled on the ones I’ve seen in Dynasty. ‘Any relation to Cannock Chase?’ Cannock Chase is just off the A5 to Stafford. LA-born movie star and comedian Chevy is going to both get, and love, this joke.
”
”
Caitlin Moran (How to Be a Woman)
“
As I lay there, kissing both these men that’d so captured my soul, I realized that a heart is infinite. Love can expand and expand. My heart could hold as much as I was willing to let in.
”
”
Tillie Cole (Crux Untamed (Hades Hangmen, #6))
“
spine. Xaden is mine. My heart, my soul, my everything. He channeled from the earth to save me, and I’ll scour the world until I find a way to save him right back. Even if it takes bargaining with Tecarus for access to every book on the damned Continent or capturing dark wielders one by one to question, I’ll find a cure.
”
”
Rebecca Yarros (Onyx Storm (The Empyrean #3))
“
The Vicar and Miss Marcy had managed to by-pass the suffering that comes to most people - he by his religion, she by her kindness to others. And it came to me that if one does that, one is liable to miss too much along with the suffering - perhaps, in a way, life itself. Is that why Miss Marcy seems so young for her age - why the Vicar, in spite of all his cleverness, has that look of an elderly baby? I said aloud: 'I don't want to miss anything ' And then misery came rushing back like a river that has been dammed up. I tried to open my heart to it, to welcome it as a part of my life's experience, and at first that made it easier to bear. Then it got worse than ever before - it was physical as well as mental, my heart and ribs and shoulders and chest, even my arms, ached.
”
”
Dodie Smith (I Capture the Castle)
“
I don’t like that I didn’t know this essential truth about Theo. I know there’s more to him than I can ever capture and keep close to me, like his fleeting thoughts or his conversations with other people, but this is bigger. It’s so central to his heart, one of my favorite things about him—the way he loves me, the way he loves his parents and sister, the way he loves the squad, the way he loves discovering life’s mysteries and solving them. This
”
”
Adam Silvera (History Is All You Left Me)
“
A Wild Woman Is Not A Girlfriend.
She Is A Relationship With Nature.
But can you love me in the deep? In the dark? In the thick of it?
Can you love me when I drink from the wrong bottle and slip through the crack in the floorboard?
Can you love me when I’m bigger than you, when my presence blazes like the sun does, when it hurts to look directly at me?
Can you love me then too?
Can you love me under the starry sky, shaved and smooth, my skin like liquid moonlight?
Can you love me when I am howling and furry, standing on my haunches, my lower lip stained with the blood of my last kill?
When I call down the lightning, when the sidewalks are singed by the soles of my feet, can you still love me then?
What happens when I freeze the land, and cause the dirt to harden over all the pomegranate seeds we’ve planted?
Will you trust that Spring will return?
Will you still believe me when I tell you I will become a raging river, and spill myself upon your dreams and call them to the surface of your life?
Can you trust me, even though you cannot tame me?
Can you love me, even though I am all that you fear and admire?
Will you fear my shifting shape?
Does it frighten you, when my eyes flash like your camera does?
Do you fear they will capture your soul?
Are you afraid to step into me?
The meat-eating plants and flowers armed with poisonous darts are not in my jungle to stop you from coming. Not you.
So do not worry. They belong to me, and I have invited you here.
Stay to the path revealed in the moonlight and arrive safely to the hut of Baba Yaga: the wild old wise one… she will not lead you astray if you are pure of heart.
You cannot be with the wild one if you fear the rumbling of the ground, the roar of a cascading river, the startling clap of thunder in the sky.
If you want to be safe, go back to your tiny room — the night sky is not for you.
If you want to be torn apart, come in. Be broken open and devoured. Be set ablaze in my fire.
I will not leave you as you have come: well dressed, in finely-threaded sweaters that keep out the cold.
I will leave you naked and biting. Leave you clawing at the sheets. Leave you surrounded by owls and hawks and flowers that only bloom when no one is watching.
So, come to me, and be healed in the unbearable lightness and darkness of all that you are.
There is nothing in you that can scare me. Nothing in you I will not use to make you great.
A wild woman is not a girlfriend. She is a relationship with nature. She is the source of all your primal desires, and she is the wild whipping wind that uproots the poisonous corn stalks on your neatly tilled farm.
She will plant pear trees in the wake of your disaster.
She will see to it that you shall rise again.
She is the lover who restores you to your own wild nature.
”
”
Alison Nappi
“
Luke captured my gaze again and said, "If beauty were time, you'd be eternity." My heart stopped. I was paralysed to look away from him
(...)
Thankfully, another senior boy who apparently wasn't dating anyone spoke. And when the words came out of his mouth, I understood why he was girlfriendless. "If you were a booger, I'd pick you first."
A lot of yuck and that's gross penetrated the table's atmosphere. A rain of crumpled napkins showered over the boy. Of course, all the guys laughed at him, including Luke, who was finally looking away from me.
I was never so grateful for such a tactless comment.
”
”
Shannon Dermott (Waiting for Mercy (Cambion, #2))
“
Alizeh was no longer smiling. Her heart was beating so hard she thought it might bruise. "What shall I say, then?"
"Your name. I want to hear it from your lips."
She took a breath. Released it slowly.
"My name," she said, "is Alizeh. I am Alizeh of Saam, the daughter of Siavosh and Kiana. Though you may know me better as the lost queen of Arya."
He stiffened at that, went silent.
Finally he moved, one hand capturing her face, his thumb grazing her cheek in a fleeting moment, there and gone again. His voice was a whisper when he said, "Do you wish to know my name, too, Your Majesty?"
"Kamran," she said softly, "I already know who you are."
She was unprepared when he kissed her, for the darkness had denied her a warning before their lips met, before he claimed her mouth with a need that stole from her an anguished sound, a faint cry that shocked her.
”
”
Tahereh Mafi (This Woven Kingdom (This Woven Kingdom, #1))
“
My fairest Daphne,
Treasure of my eyes,
Pearl of my heart,
Whose beauty is as lovely,
As a blooming laurel tree in spring,
With eyes as green as sparkling emeralds,
And hair as bright as a burning fire,
At first sight, this fair maiden captured my heart,
As she silently sat there,
Reading underneath a laurel tree,
While patiently waiting for her prince to come,
One glimpse at her and I knew,
That I was lost to her forever,
Even in my curious green state,
With nothing else to hold,
But my lily pad floating above the pond,
Alas, I understood,
That she was the one,
The owner of my beating heart,
If only she but knew.
”
”
Kristina Stangl (The Emerald Prince (The Enchanted Forest Saga, #3))
“
What would it mean to complete this piece? I still couldn't find the answer. But there was something that preceded this question and the answer. I wanted to capture all this before it scattered into the air. It wasn't to please anyone or to prove something. It wasn't even for myself. I just wanted to capture this emotion, pain, and fear, which were about to explode in my head and heart, with music. It didn't have to signal the beginning of something. It didn't have to mean anything. I just wanted to complete this music.
”
”
Big Hit Entertainment (花樣年華 HYYH The Notes 1 (The Most Beautiful Moment in Life, #1))
“
Every time I glanced at Ren, I saw that he was watching me.
When we finally reached the end of the tunnel and saw the stone steps that led to the surface, Ren stopped.
“Kelsey, I have one final request of you before we head up.”
“And what would that be? Want to talk about tiger senses or monkey bites in strange places maybe?”
“No. I want you to kiss me.”
I sputtered, “What? Kiss you? What for? Don’t you think you got to kiss me enough on this trip?”
“Humor me, Kells. This is the end of the line for me. We’re leaving the place where I get to be a man all the time, and I have only my tiger’s life to look forward to. So, yes, I want you to kiss me one more time.”
I hesitated. “Well, if this works, you can go around kissing all the girls you want to. So why bother with me right now?”
He ran a hand through his hair in frustration. “Because! I don’t want to run around kissing all the other girls! I want to kiss you!”
“Fine! If it will shut you up!” I leaned over and pecked him on the cheek. “There!”
“No. Not good enough. On the lips, my prema.”
I leaned over and pecked him on the lips. “There. Can we go now?”
I marched up the first two steps, and he slipped his hand under my elbow and spun me around, twisting me so that I fell forward into his arms. He caught me tightly around the waist. His smirk suddenly turned into a sober expression.
“A kiss. A real one. One that I’ll remember.”
I was about to say something brilliantly sarcastic, probably about him not having permission, when he captured my mouth with his. I was determined to remain stiff and unaffected, but he was extremely patient. He nibbled on the corners of my mouth and pressed soft, slow kisses against my unyielding lips. It was so hard not to respond to him.
I made a valiant struggle, but sometimes the body betrays the mind. He slowly, methodically swept aside my resistance. And, feeling he was winning, he pressed ahead and began seducing me even more skillfully. He held me tightly against his body and ran a hand up to my neck where he began to massage it gently, teasing my flesh with his fingertips.
I felt the little love plant inside me stretch, swell, and unfurl its leaves, like he was pouring Love Potion # 9 over the thing. I gave up at that point and decided what the heck. I could always use a rototiller on it. And I rationalized that when he breaks my heart, at least I will have been thoroughly kissed.
If nothing else, I’ll have a really good memory to look back on in my multi-cat spinsterhood. Or multi-dog. I think I will have had my fill of cats. I groaned softly. Yep. Dogs for sure.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
I do not write every day. I write to the questions and issues before me. I write to deadlines. I write out of my passions. And I write to make peace with my own contradictory nature. For me, writing is a spiritual practice. A small bowl of water sits on my desk, a reminder that even if nothing is happening on the page, something is happening in the room--evaporation. And I always light a candle when I begin to write, a reminder that I have now entered another realm, call it the realm of the Spirit. I am mindful that when one writes, one leaves this world and enters another.
My books are collages made from journals, research, and personal experience. I love the images rendered in journal entries, the immediacy that is captured on the page, the handwritten notes. I love the depth of ideas and perspective that research brings to a story, be it biological or anthropological studies or the insights brought to the page by the scholarly work of art historians.
When I go into a library, I feel like I am a sleuth looking to solve a mystery. I am completely inspired by the pursuit of knowledge through various references. I read newpapers voraciously. I love what newspapers say about contemporary culture. And then you go back to your own perceptions, your own words, and weigh them against all you have brought together. I am interested in the kaleidoscope of ideas, how you bring many strands of thought into a book and weave them together as one piece of coherent fabric, while at the same time trying to create beautiful language in the service of the story. This is the blood work of the writer.
Writing is also about a life engaged. And so, for me, community work, working in the schools or with grassroots conservation organizations is another critical component of my life as a writer. I cannot separate the writing life from a spiritual life, from a life as a teacher or activist or my life intertwined with family and the responsibilities we carry within our own homes. Writing is daring to feel what nurtures and breaks our hearts. Bearing witness is its own form of advocacy. It is a dance with pain and beauty.
”
”
Terry Tempest Williams
“
I was able to capture the beauty of a sunrise,
The joy of a child's laughter,
The warmth of a summer breeze,
The sparkle of a starry night.
I was able to take these moments and make them last,
preserving them in my heart and mind.
But the day you left without a word of goodbye,
darkness erased the light of my memories.
”
”
Rolf van der Wind
“
You asked me to promise that I would make you happy forever. That was the contract we made … after you captured my heart.
”
”
Nicole Conway (Mad Magic (Mad Magic Saga #1))
“
Finally releasing my hold on her, I raised my camera and pressed the button. I captured this rare moment: the exact moment when someone’s heart broke.
”
”
Tillie Cole (A Thousand Boy Kisses)
“
The world of books captured my heart.
”
”
Lailah Gifty Akita
“
he captured my heart so profoundly, I couldn't even write the words to say.
”
”
Nikki Rowe
“
I love you. Your grace, your beauty, and your fiery spirit have no equal, and you have captured my heart. Spend your life with me. Marry me.
~Elliot
”
”
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
“
I must confess that you captured my heart the moment I first beheld you, and every moment I’ve spent with you afterward has only confirmed your kind, unselfish nature.
”
”
Grace Hitchcock (Hearts of Gold Collection)
“
I picked Battista up and pressed him to my chest. Funnily enough, I had absolutely no trouble building a connection with this little boy. Just like his father, he’d captured my heart.
”
”
Cora Reilly (By Frenzy I Ruin (Sins of the Fathers, #5))
“
prowling within me is the resolve stiffening my spine. Xaden is mine. My heart, my soul, my everything. He channeled from the earth to save me, and I’ll scour the world until I find a way to save him right back. Even if it takes bargaining with Tecarus for access to every book on the damned Continent or capturing dark wielders one by one to question, I’ll find a cure.
”
”
Rebecca Yarros (Onyx Storm (The Empyrean #3))
“
Death is deceitful, pretending that peace is on the horizon. The truth is that chaos is left in its wake, claiming the souls of those stranded in life. Death is the enemy of love in its purest form. It's the one thing that can tear our souls out and rip our hearts to pieces. The miraculous part of this process is that all it needs to do is extinguish a single, solitary breath. That's all it takes to steal the future of someone; someone who deserves to live more than all the others. If only I could capture that breath before it was taken to replace it with my own.
”
”
J.D. Stroube (Caged in Spirit (Caged, #3))
“
But as I lay there, kissing both these men who’d so captured my soul, I realized that a heart is infinite. Love can expand and expand. My heart could hold as much as I was willing to let in.
”
”
Tillie Cole (Crux Untamed (Hades Hangmen, #6))
“
You fuckers!!” I scream. I look around for something to grab to protect myself with and the only thing that I can find within immediate arm’s reach makes my heart drop. A spork. A spork? Alright, a spork. I reach for the spork and hold on to it like it’s the deadliest weapon in the universe. And for a brief second, the alien actually looks a little taken aback. Like he’s unsure of what I’m holding and thinks it might actually be a deadly weapon. I’ll take it. “What? You’re afraid of a spork? That’s right, asshole! I’ll stab you to death with it and then scoop your heart out and eat it for dinner!
”
”
Mara Frost (Captured (Alien Space Pirates, #1))
“
I love you, Clarissa. From the first night we were together, I’ve loved you. Even when I thought I shouldn’t, I couldn’t stop. You’ve completely captured my heart and I don’t ever want you to let it go.
”
”
Sabrina Wagner (Tattooed Souls (Tattooed Duet #2))
“
I should be getting back to the bonfire. They’re going to think I’ve been kidnapped.” He pulled me toward him in one quick motion.
“Kidnapped insinuates some sort of struggle.” He said in a low voice with a sexy grin. “You’d enjoy being captured by me.” My heart jumped in my throat, but I tried to remain cool.
“I’d like to see you try,” I threw back at him, “but first you’ll have to escape your own sandy death trap” I wiggled my feet out of the sand, stood up and washed my hands off in the water. He followed my every move with curious eyes.
“Sweet dreams, Anastasia.” I wasn’t sure if there was an underlying meaning to his words. “Sweet dreams, Finn,” I responded, breathlessly.
”
”
Kristen Day (Forsaken (Daughters of the Sea, #1))
“
He was a dark and stormy knight. A latter-day rake with eyes the color of emeralds worth a queen's ransom. His smile promised voyages to the moon. And heaven alone knew how many females lay littered in his wake.
To a rousing burst of Rachmaninoff, he swept into my London flat one January evening and, with the hauteur of his greeting, captured my virgin heart forever and a day.
'Miss Ellie Simons? My car awaits. Shall we splurge on dinner or parking tickets?
”
”
Dorothy Cannell (Femmes Fatal (Ellie Haskell Mystery, #4))
“
I stare at the man who spent months capturing my son’s heart and wholly taking mine in the process.
“You’ve bared yourself to me in a hundred ways since you came into my life. I’ve fallen for every side of you, good and bad, I want it all.
”
”
Kate Stewart (The Guy on the Left (The Underdogs, #2))
“
He is my home. I don’t care that we aren’t heart-fated like he was with the mate he lost. I’ll tear the fabric of our souls and make knots in it to capture this moment for keeping. He’s mine by my demand alone, and I will not forfeit any ground.
”
”
Lillian Lark (Hoarded by the Dragon (Monstrous Matches, #4))
“
My whole heart was so full of Simon that even my pity for Stephen wasn't quite real - it was only something I felt I ought to feel , more from my head than my heart . And I knew I ought to pity him all the more because I could pity him so little
”
”
Dodie Smith (I Capture the Castle)
“
How does one capture, in words, the life he has lived? I needed the courage and open-hearted honesty, compassion, gratitude, and forgiveness of self that enabled me to complete this task. Only with these companions was I able to live my life twice.
”
”
J. Herman Kleiger (The 11th Inkblot: A Novel)
“
I always thought I'd find ultimate happiness within the pages of a book. I've been so convinced of that fact that I've devoted so much of my life to disappearing inside them, searching for that which has always eluded me. I should have known that I wouldn't find what I was looking for on ink and paper. Even the poets entrusted their foolish hearts into the hands of others. Especially the poets. That was both their salvation and their ultimate downfall; without knowing the joy of loving another human being, they would never have been able to write about the soaring joy that always made my heartbeat quicken. And they'd never have been able to capture true desolation and sorrow without enduring the kind of suffering that can only come from lost love.
”
”
Callie Hart (Riot House (Crooked Sinners, #1))
“
Doesn’t your heart just burst with a holy desire to bring Him joy and to walk worthy of your high calling as a child of the Father, seated with Jesus in heavenly places? With Paul, I desire to say at the end of my life, “I have fought the good fight, I have finished the race, I have kept the faith” (2 Tim. 4:7). And I can’t wait to hear Him say on that day, “Well done, my good and faithful servant. . . . Let’s celebrate together!” (Matt. 25:21, NLT). I am driven and carried and captured by love. Are you?
”
”
Michael L. Brown (Hyper-Grace: Exposing the Dangers of the Modern Grace Message)
“
I lost my breath, actually fought for breath at how stunning she looked. Before I had even thought it through, I had my camera in my hand. I felt the weight transfer into my hands, and closing my eyes, I let the urge succeed. Opening my eyes, I lifted the camera to my eye. Uncapping the lens, I found the most perfect angle of my girl dancing in the waves. And I clicked. I clicked the button on the camera, my heart stuttering at every snap of the shutter, sure in the knowledge that I was capturing Poppy in this moment—happy.
”
”
Tillie Cole (A Thousand Boy Kisses)
“
Blended Text
You have captured: pinned upon
my heart: the wall of my heart is your love
with one glance: as one
with one bead: as an exile of the kings of royalty
of your eyes: my heart
you have something of mine: a torn thing
again the moon: now
the rule: (who knows)
”
”
Anne Carson
“
Three eternities passed before she ran a hand under her red nose and nodded. "Fine. I'll go." Alex's lungs expanded as he let the air back in. "But the first woman who makes a crack about my hair--"
"I'll punch her lights out." Alex pulled her to her feet.
"You're supposed to love me, so it needs to be more severe than that."
"I'll yank out her heart with ice tongs."
"Aw." Lucy patted his chest. "You would do that for me?"
He captured her hand, felt its warmth all the way through his shirt. "No amount of carnage is too much for my girl.
”
”
Jenny B. Jones (Save the Date)
“
His mouth swooping in to capture mine the same way he’d captured my heart. Swiftly. Madly. Wholly. Plundering—body, mind, and soul. I felt beautiful in his arms. Bold and sexy. My mama would call it risqué. She’d be right because, with Kale, I was ready to take every risk.
”
”
A.L. Jackson (Follow Me Back (Fight for Me, #2))
“
You all gave me love at a time when I’d lost everything. You gave me hope when I felt hopeless. You gave me back the parts of myself that I never knew were missing. You captured my heart, we are all bound together for eternity, and I never want to be released from your love.
”
”
Rosa Lee (Released (Highgate Preparatory Academy, #3))
“
He flushes slightly. “I was mad about him when I was fifteen.”
“How didn’t I know this?” I say indignantly. “We tell each other everything.”
“Not anymore,” Dylan adds hastily, looking at Gabe, but he shrugs unconcerned.
“Don’t try and cover it up, Dylan. Jude’s our very own Camilla - the third person in our relationship.”
“Why am I the old woman in this scenario?” I say indignantly. “I want to be the younger, much fitter princess, who captured people’s hearts and minds.”
“You would have been, babe,” Dylan says hastily. “And you’d look way better with a tiara than she does.”
“I would,” I nod firmly. “I would be a very desirable addition to the royal family, and a very stabilizing influence, if I do say so myself. I also have a full head of my own hair.”
Gabe shakes his head. “I’m worried that I not only follow these odd flights of fancy, but I find myself actually wanting to weigh in with my own opinions.”
“What did you want to say?” Dylan asks immediately, but he shakes his head.
“I said I wanted to, not that I was going to. I’m looking through the windows of the mental asylum, not going through the door.
”
”
Lily Morton (Deal Maker (Mixed Messages, #2))
“
We’ve made a beautiful mess of things lately, haven’t we?” He flashed that sexycrooked smile at me, which made my heart flutter.I nodded, agreeing with him.“But it’s our crazy story,” he stated. “It’s been ours, only ours. There’s been a lot of romance, sometimes way too much drama…” He raised his eyebrows and smirked. “Verymemorable comedy, a few pulse-racing action scenes...”He shrugged and sighed.“We’ve also had our fair share of suspense and raw terror, and unfortunately gut-wrenching heartache too.“I think we’ve covered it all, everything except for being captured by aliens!”I couldn’t help but chuckle.“But through it all you’ve loved me, unconditionally, and I know how fortunate I amto have your love.“I don’t want to live without you, not for one more minute, not for one more second.I want to spend the rest of my days living my story with you… only you.”He walked to the edge and jumped off the table, landing in front of me.“It is here that I fell in love with you,” Ryan whispered, taking my hands in his.He dropped down on one knee.“And as fate would have it, it is
here
that I humbly kneel before you and ask you to be my wife.“Taryn Lynn Mitchell, will you marry me?” His glistening eyes, so blue, so full of emotion, gazed up at me… waiting patiently for my reply.Only one word rang through my heart.“Yes!” I nodded emphatically. My salted tears dripped across my lips. I said yes over and over again.
”
”
Tina Reber (Love Unscripted (Love, #1))
“
He was my heart. The heart freely given to me as a child. The heart that made up one half of my own. The boy who, though breaking inside, loved me so deeply that he gave me this farewell. Gave me, in the present, the dream that my future never could. My soul mate who captured moments.
”
”
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
“
If the way to the center were easy to find—if it were capable of being captured in doctrines or were subject to human control—it would not be the genuine way. If the path that opens the heart and the mind could be found by simple belief, all the true believers would be opening the doors and windows of their hearts with gestures of true compassion. They would readily understand the common threads in the words “Jesus was right,” “Moses led me along,” and “Mohammed opened doors in my heart.” When the great way opens even for a moment the path between mind and heart widens. The heart begins to find the thought of unity buried within it and the mind begins to see subtleties that were impossible to grasp just a minute before. Finding the great way requires a willingness to surrender again and again, not simply a zeal for bowing one’s head in the same old way.
”
”
Michael Meade (Why the World Doesn't End: Tales of Renewal in Times of Loss)
“
Lollipops and raindrops
Sunflowers and sun-kissed daisies
Rolling surf and raging sea
Sailing ships and submarines
Old Glory and “purple mountain’s majesty”
Screaming guitar and lilting rhyme
Flight of fancy and high-steppin’ dances
Set free my mind to wander…
Imagine the ant’s marching journeys.
Fly, in my mind’s eye, on butterfly wings.
Roam the distant depths of space.
Unfurl tall sails and cross the ocean.
Pictures made just to enthrall
Creating images from my truth
Painting hopes and dreams on my canvas
Capturing, through my lens, the ephemeral
Let me ruminate ‘pon sensual darkness…
Tremble o’er Hollywood’s fluttering Gothics…
Ride the edge of my seat with the hero…
Weep with the heroine’s desperation.
Yet… more than all these things…
Give me words spun out masterfully…
Terms set out in meter and rhyme…
Phrases bent to rattle the soul…
Prose that always miraculously inspires me!
The trill runs up my spine, as I recall…
A touch… a caress…a whispered kiss…
Ebony eyes embracing my soul…
Two souls united in beat of hearts.
A butterfly flutter in my womb
My lover’s wonder o’er my swelling
The testament of our love given life
Newly laid in my lover’s arms
Luminous, sweet ebony eyes
Just so much like his father’s
A gaze of wonder and contentment
From my babe at mother’s breast
Words of the Divine set down for me
Faith, Hope, Love, and Charity
Grace, Mercy, and undeserved Salvation
“My Shepherd will supply my need”
These are the things that inspire me.
”
”
D. Denise Dianaty (My Life In Poetry)
“
I glanced to the center of the floor. Jorie was standing still, watching me, tears in her eyes. Capturing her gaze, I placed my hand over my heart and mouthed, “Thank you … I love you … I’ll miss you.” Jorie’s eyes closed. When they opened again, she mouthed back, “I love you and I’ll miss you too.
”
”
Tillie Cole (A Thousand Boy Kisses)
“
Upon moving to Cornwall in 1991, I became bewitched by its enchanting timeless beauty, which captured my heart and holds me still. Brooding and mysterious, the south-eastern edge of Bodmin Moor provided the wild backdrop against which the introduction to my magical training and love of nature began.
”
”
Carole Carlton (Mrs Darley's Pagan Whispers: A Celebration of Pagan Festivals, Sacred Days, Spirituality and Traditions of the Year)
“
For you, I would
bring down the stars,
wreath their fire
around your neck
like diamonds,
and watch them
pulse
to the beat of your heart
For you, I would
capture the candlelight
in the palm of my hand
Give my breath
to give it life
A whisper,
'My love'
So that it may grow
Bright and hot
And burn me
For you, I would
drink the salted oceans
Until their depths
Were swallowed
into the depth of me
How deep it is, this life
This love, for you
I cannot touch bottom
I never will
For you, I would
mine the stony earth
Until it relinquished
The secrets of time
Cracks in the stone
wrinkles of the Earth
As she turns her face
to another new day
And so I wish to live
Every one of mine
With you
For you, I would
be myself
At long last
I would live in my skin
And breathe my words
in my own voice
Tinged with the accent
Of a child calling to a car
that will never stop
And in the fading echo
Nothing remains but the truth
of me
that is the love
of you
I have loved you with both
Hands tied behind my back
Bound with pen and ink
Paper and words
Sealed with someone else's name
until this moment
in which I am nothing
but a man
who loves a woman.
There is nothing left to say
Except to give
all of my heart
For you
”
”
Emma Scott (Bring Down the Stars (Beautiful Hearts, #1))
“
I knew your face before your heart, I saw your pain right from the start A stunning sight I won’t forget, Tears that flowed out of regret, So take your time and take your space
I’ll be here while you navigate My love for you alone will wait My love for you alone will wait You captured me before I knew A rare reward, a heart so true How could it be with just one look, My world was changed, my love unhooked So take your time and take your space I’ll be here while you navigate My love for you alone will wait My love for you alone will wait I only want to see you freed Outside the walls you cannot see So break away from debts not yours
Receive the grace that's been out-poured So take your time and take your space I’ll be here while you navigate My love for you alone will wait My love for you alone will wait”
Deese, Nicole (2013-01-22). All For Anna (Letting Go) (p. 234-235). . Kindle Edition.
”
”
Nicole Deese (All for Anna (Letting Go #1))
“
My hands are shaking. he captures them and kisses my knuckles with a kind of reverence. ¨I want to tell you so many lies,¨ he says. I shudder, and my heart hammers as his hands skim over my skin,one sliding between my thighs. I mirror him, fumbling with the buttons of his breeches. He helps me push them down, his tail curling against his leg then twisting to coil against mine, soft as a whisper. I reach over to slide my hand over the flat plane of his stomach. I dont let myself hesitate, but my inexperince is obvious. His skin is hot under my palm, against my calluses. His fingers are too clever by half. I feel as though i am drowning in sensation. His eyes are open, watching my flushed face, my ragged breathing. I try to stop myself from making embarassing noises. Its more intimate than the way hes touching me, to be looked at like that. I hate that he knows what hes doing and i dont. I hate being vulnerable. I hate that I throw my head back, barring my throat. I hate the way i cling to him, the nails of one hand digging into his back, my thoughts splintering, and the single last thing in my head: that i like him better than ive ever liked anyone and that of all the things hes ever done to me, making me like him so much is by far the worst.
pages 145-146
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
Perched upon the stones of a bridge
The soldiers had the eyes of ravens
Their weapons hung black as talons
Their eyes gloried in the smoke of murder
To the shock of iron-heeled sticks
I drew closer in the cripple’s bitter patience
And before them I finally tottered
Grasping to capture my elusive breath
With the cockerel and swift of their knowing
They watched and waited for me
‘I have come,’ said I, ‘from this road’s birth,
I have come,’ said I, ‘seeking the best in us.’
The sergeant among them had red in his beard
Glistening wet as he showed his teeth
‘There are few roads on this earth,’ said he,
‘that will lead you to the best in us, old one.’
‘But you have seen all the tracks of men,’ said I
‘And where the mothers and children have fled
Before your advance. Is there naught among them
That you might set an old man upon?’
The surgeon among this rook had bones
Under her vellum skin like a maker of limbs
‘Old one,’ said she, ‘I have dwelt
In the heat of chests, among heart and lungs,
And slid like a serpent between muscles,
Swum the currents of slowing blood,
And all these roads lead into the darkness
Where the broken will at last rest.
‘Dare say I,’ she went on,‘there is no
Place waiting inside where you might find
In slithering exploration of mysteries
All that you so boldly call the best in us.’
And then the man with shovel and pick,
Who could raise fort and berm in a day
Timbered of thought and measured in all things
Set the gauge of his eyes upon the sun
And said, ‘Look not in temples proud,
Or in the palaces of the rich highborn,
We have razed each in turn in our time
To melt gold from icon and shrine
And of all the treasures weeping in fire
There was naught but the smile of greed
And the thick power of possession.
Know then this: all roads before you
From the beginning of the ages past
And those now upon us, yield no clue
To the secret equations you seek,
For each was built of bone and blood
And the backs of the slave did bow
To the laboured sentence of a life
In chains of dire need and little worth.
All that we build one day echoes hollow.’
‘Where then, good soldiers, will I
Ever find all that is best in us?
If not in flesh or in temple bound
Or wretched road of cobbled stone?’
‘Could we answer you,’ said the sergeant,
‘This blood would cease its fatal flow,
And my surgeon could seal wounds with a touch,
All labours will ease before temple and road,
Could we answer you,’ said the sergeant,
‘Crows might starve in our company
And our talons we would cast in bogs
For the gods to fight over as they will.
But we have not found in all our years
The best in us, until this very day.’
‘How so?’ asked I, so lost now on the road,
And said he, ‘Upon this bridge we sat
Since the dawn’s bleak arrival,
Our perch of despond so weary and worn,
And you we watched, at first a speck
Upon the strife-painted horizon
So tortured in your tread as to soak our faces
In the wonder of your will, yet on you came
Upon two sticks so bowed in weight
Seeking, say you, the best in us
And now we have seen in your gift
The best in us, and were treasures at hand
We would set them humbly before you,
A man without feet who walked a road.’
Now, soldiers with kind words are rare
Enough, and I welcomed their regard
As I moved among them, ’cross the bridge
And onward to the long road beyond
I travel seeking the best in us
And one day it shall rise before me
To bless this journey of mine, and this road
I began upon long ago shall now end
Where waits for all the best in us.
―Avas Didion Flicker
Where Ravens Perch
”
”
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
“
More than anything I want to be your husband, Cam. I want to walk beside you every day for the rest of our lives. I want to fall asleep beside you and wake up to your beautiful face. Your heart is the only one that’s ever captured me so completely and you would make me the happiest man in the world if you agreed to be my wife.
”
”
Elena Aitken (When We Left (Timber Creek Series, #1))
“
When I knew I liked them both, my biggest fear had been that I’d be drawn to one more than the other. Was my heart designed to allow only one in? But as I lay there, kissing both these men who’d so captured my soul, I realized that a heart is infinite. Love can expand and expand. My heart could hold as much as I was willing to let in.
”
”
Tillie Cole (Crux Untamed (Hades Hangmen, #6))
“
Cleo was surprised that he’d drawn so close to her. “I know.” “You could have been killed.” “Theon, I wasn’t thinking straight.” “Neither was I. And neither am I at this very moment.” She looked up at him just as he captured her mouth with his and kissed her deeply. This was not a chaste kiss of friendship. This was a kiss of true passion, such as she’d only dreamed of before. Her heart leapt in her chest and she wrapped her arms around him to pull him closer. When it finally ended, he stepped back from her, his eyes steady on the ground, a deep frown creasing his brow. “My humble apologies for that, princess.” She pressed her fingers against her lips. “Please, don’t apologize.
”
”
Morgan Rhodes (Falling Kingdoms (Falling Kingdoms, #1))
“
If you were trying to startle us half to death, you succeeded,” she told him as she closed the distance between them.
He responded with an angry growl, “The only thing I was trying to do was cool my a..., er, butt off.”
“What?” Not the reply she had expected to get from him.
“Those little shits,” he huffed, pointing in the direction of the boys’ cabins, “slipped Ex-Lax into my coffee this morning!”
“How do you know it’s not just a stomach bug?”
He grunted his impatience. “Because I discovered the laxative box in the boys’ bathroom garbage, alongside the empty jar of Icy Hot those delinquents thought would be funny to smear all over the toilet seat in the boys’ bathroom.” Water ran down his tanned face, spewing from his lips as he ranted angrily.
No wonder Dalton had virtually flew, pants half undone, into the lake. Her lips began to twitch. This isn’t funny, she told herself. “Are you okay?”
Was he okay? Dalton arched a wet brow. “My innards aren’t threatening to combust any longer, but my ass is still burning.
”
”
Lindsey Brookes (Kidnapped Cowboy (Captured Hearts, #1))
“
Lark is all those things and more. She’s everything. She’s fierce and unique and surprising and so goddamn gorgeous it sometimes feels like my heart is trapped in a vise when I just look at her. There isn’t a single word I can think of that captures what Lark has become to me. And when I try to open my mouth to say any of them, they dissolve on my tongue.
”
”
Brynne Weaver (Leather & Lark (Ruinous Love, #2))
“
People are bound to think that you have corrupted me with your worldly ways, and that you have stolen my heart from my wife."
"Well, haven't I?" she said, capturing his bishop. He waited for her to look up at him. After a moment she did.
"Madame, that which is not possessed by one, can never be stolen my another. My soul belonged to you long before she ever set foot in France.?
”
”
Diane Haeger (Courtesan)
“
She was so beautiful that it made my soul ache. I always wished desperately that I could paint her in these moments and immortalize that look in her eyes. There was a softness in them that I rarely saw at other times, a total and complete vulnerability in someone who was normally so guarded and analytical in the rest of her life. But although I was a decent painter, capturing her on canvas was beyond my skill.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
As beautiful as you are my lady,
You sick answers to why love is never by your side
Your heart wonders around trying to find your ideal love
But yet nothing is completing your need.
You’re a women of strength and resemble power within,
Filled with joy on your angelic face, yet no good man appreciates it
A laughter that one can capture for a lifetime, too bad that all the men you seem to meet erase it all
You display Emotions that one can wish to dwell in and feel the energy you hold within.
Take a stand my lady, no rose ever dies without growing back again,
You need no tears to fall for a man who sees less in you
You need no sad feeling to crush that happy self, he’ll never be worth the joy in you
Show him no sad emotions, you’re too strong to give in now.
As a flower you bloomed gracefully and a beautiful lady rose up from that seed the Lord God planted
As a pillar you balanced yourself against all negative forces of life and that was your strength
As an ocean you cried your tears out but that never hindered the ocean from being full again
As a beautiful picture frame you lit up the room and no soul will ever take that away from you.
Let yourself love you, is the greatest love one can ever behold,
I’m done seeing you cry!!!
”
”
Molemo Sylence
“
Much like Sylvia's Plath's famous line in The Bell Jar, as Esther tries to reassure herself of her place in the world - 'I took a deep breath and listened to the old brag of my heart. I am, I am, I am' - the fervour with which we create content, capture ourselves, our rooms, our outfits, our possessions, and the ardour with which we turn ourselves inside out in the digital realm feels like a repeated reassurance: I was here, I was here, I was here.
”
”
Ellen Atlanta (Pixel Flesh: How Toxic Beauty Culture Harms Women)
“
My sigh is loud, but the beating of my heart is louder. “Yes.” His mouth captures mine. He kisses me like he owns me. And he does. His fingers wrap around the back of my neck as he stares into my eyes. “Let’s go.” “Wait, what?” He kisses me again before pulling back with a smile, one so bright and beautiful that my heart melts. “When the woman of your dreams says she wants to marry you, you don’t let anything get in the way of her changing her mind.
”
”
Morgan Bridges (Now You're Mine (Possessing Her))
“
The heartwood," Rob murmured, looking at me. "You wanted to marry me in the heart of Major Oak." I beamed at him grateful that he understood. "And Scar," he whispered. I leaned in close. "Are you wearing knives to our wedding?" Nodding, I laughed, telling him, "I was going to get you here one way or another, Hood."
He laughed, a bright, merry sound. Standing in the heart of the tree, he reached again for my hand, fingers sliding over mine. Touching his hand, a rope of lightening lashed round my fingers, like it seared us together. Now, and for always. His fingers moved on mine, rubbing over my hand before capturing it tight and turning me to the priest.
The priest looked over his shoulder, watching as the sun began to dip. He led us in prayer, he asked me to speak the same words I'd spoken not long past to Gisbourne, but that whole thing felt like a bad dream, like I were waking and it were fading and gone for good. "Lady Scarlet." he asked me with a smile, "known to some as Lady Marian of Huntingdon, will thou have this lord to thy wedded husband, will thou love him and honour him, keep him and obey him, in health and in sickness, as a wife should a husband, forsaking all others on account of him, so long as ye both shall live?"
I looked at Robin, tears burning in my eyes. "I will," I promised. "I will, always."
Rob's face were beaming back at me, his ocean eyes shimmering bright. The priest smiled.
"Robin of Locksley, will thou have this lady to thy wedded wife, will thou love her and honor her, keep her and guard her, in health and in sickness, as a husband should a wife, forsaking all others on account of her, so long as ye both shall live?" the priest asked.
"Yes," Rob said. "I will."
"You have the rings?" the priest asked Rob.
"I do," I told the priest, taking two rings from where Bess had tied them to my dress. I'd sent Godfrey out to buy them at market without Rob knowing. "I knew you weren't planning on this," I told him.
Rob just grinned like a fool at me, taking the ring I handed him to put on my finger. Laughs bubbled up inside of me, and I felt like I were smiling so wide something were stuck in my cheeks and holding me open. More shy and proud than I thought I'd be, I said. "I take you as me wedded husband, Robin. And thereto I plight my troth." I pushed the ring onto his finger.
He took my half hand in one of his, but the other- holding the ring- went into his pocket. "I may not have known I would marry you today Scar," he said. "But I did know I would marry you." He showed me a ring, a large ruby set in delicate gold. "This," he said to me, "was my mother's. It's the last thing I have of hers, and when I met you and loved you and realized your name was the exact colour of the stone- " He swallowed, and cleared his throat, looking at me with the blue eyes that shot right through me. "This was meant to be Scarlet. I was always meant to love you. To marry you."
The priest coughed. "Say the words, my son, and you will marry her."
Rob grinned and I laughed, and Rob stepped closer, cradling my hand. "I take you as my wedded wife, Scarlet. And thereto I plight my troth." He slipped the ring on my finger and it fit. "Receive the Holy Spirit," the priest said, and kissed Robin on the cheek. Rob's happy grin turned a touch wolflike as he turned back to me, hauling me against him and angling his mouth over mine. I wrapped my arms around him and my head spun- I couldn't tell if we were spinning, if I were dizzy, if my feet were on the ground anymore at all, but all I knew, all I cared for, were him, his mouth against mine, and letting the moment we became man and wife spin into eternity.
”
”
A.C. Gaughen (Lion Heart (Scarlet, #3))
“
G took her hand in his and traced his finger over the delicate skin of her arm. What she didn't realize was that he was scrawling the words of a poem he had recently written. It was inspired by his lady and he had spent many long hours trying to find the words that adequately conveyed the feelings of his heart.
There were many false starts, because at first he tried to capture the moment a horse fell in love with a ferret.
Shall I compare thee to a barrel to apples?
Thou art more hairy, but sweeter inside.
Rough winds couldn't keep me from taking you to chapel,
When finally a horse would take a bride...
And then he tried to wax poetic about the ferret alone ...
Shall I compare thee to a really large rat?
Thou art more longer, with less disease.
One would never mistake you for a listless cat ...
Nor a filthy dog, because my dog has fleas.
He could never confess his passion for poetry with those poetry examples.
”
”
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
“
The dissolving, uniting forces combine what to us have been incompatible: attraction with repulsion, darkness with light, the erotic with the destructive. If we can allow these opposites to meet they move our inner resonance to a higher vibratory plane, expanding consciousness into new realms. It was exciting, through my explorations some of which I share in later chapters, to learn firsthand that the sacred marriage or coniunctio, the impulse to unite seeming opposites, does indeed seem to lie at the heart of the subtle body’s imaginal world. One important characteristic of the coniunctio is its paradoxical dual action. The creative process of each sacred marriage, or conjoining of opposites, involves not only the unitive moment of joining together in a new creation or ‘third,’ but also, as I have mentioned, a separating or darkening moment.5 The idea that “darkness comes before dawn” captures this essential aspect of creativity. To state an obvious truth we as a culture are just beginning to appreciate. In alchemical language, when darkness falls, it is said to be the beginning of the inner work or the opus of transformation. The old king (ego) must die before the new reign dawns. The early alchemists called the dark, destructive side of these psychic unions the blackness or the nigredo. Chaos, uncertainty, disillusionment, depression, despair, or madness prevails during these liminal times of “making death.” The experiences surrounding these inner experiences of darkness and dying (the most difficult aspects were called mortificatio) may constitute our culture’s ruling taboo. This taboo interferes with our moving naturally to Stage Two in the individuating process, a process that requires that we pass through a descent into the underworld of the Dark Feminine realities of birthing an erotic intensity that leads to dying. Entranced by our happily-ever-after prejudiced culture, we often do not see that in any relationship, project or creative endeavor or idea some form of death follows naturally after periods of intense involvement. When dark experiences befall, we tend to turn away, to move as quickly as possible to something positive or at least distracting, away from the negative affects of grieving, rage, terror, rotting and loss we associate with darkness and dying. As
”
”
Sandra Dennis (Embrace of the Daimon: Healing through the Subtle Energy Body: Jungian Psychology & the Dark Feminine)
“
My dear girl, would you care to explain how all of this came about?” King Garron asked, with a concerned tone.
“The usual way Father. Is that not what you said to me when I asked how you and Lady Ellos came to be involved? I am happy for you Father, I wish you to be happy for me as well. Goodnight, I am glad to be home,” Laurel said in a quiet but resolute voice, as she kissed her father and Phineas goodnight and walked up the stairs.
“I honestly do not know what to say Phineas,” King Garron spoke in a defeated tone, as he watched Laurel walk out of sight.
“There is nothing to say Sire. Your daughter has grown up, and captured the heart of her Prince,” Phineas replied with a warm smile, putting his hand on King Garron’s shoulder.
“She will hold the Heart of Heathwin. I will be damned, Milna was right,” King Garron said in a whisper, his eyes filling with tears, at remembering something his beloved late wife had told him.
”
”
MT Magee
“
I couldn’t speak, even though I wished I could. I wished I could weave words beautiful enough to capture this — the way that she made the past and the future seem, somehow, reconcilable.
She didn’t pull away, and I was grateful, because I wasn’t ready to let go. Perhaps I never would be.
I had always lived my life with one foot in the past, while Tisaanah relentlessly charged to the future. It was only here, when we were together, that we collided. It was only here that we stood still.
”
”
Carissa Broadbent (Children of Fallen Gods (The War of Lost Hearts, #2))
“
You make me feel amazing, I want you to feel the same."
"I do. When I touch you. When I see your skin tremble with desire. When your muscles tighten and draw me in. What is it you think you're doing to me other than making me feel more deeply than I ever have before?"
"But you're the one in control."
"No." He shakes his head. "That's an illusion. It's you, Nikki. You have captured me utterlyy, and you hold my heart in your hands. Be gentle with it. It's more fragile than you might think.
”
”
J. Kenner (Claim Me (Stark Trilogy, #2))
“
Anxiety isn’t an attack that explodes out of me; it’s not a volcano that lies dormant until it’s triggered by an earth-shattering event. It’s a constant companion. Like a blowfly that gets into the house in the middle of summer, flying around and around. You can hear it buzzing, but you can’t see it, can’t capture it, can’t let it out. My anxiety is invisible to others, but often it’s the focal point of my mind. Everything that happens on a day-to-day basis is filtered through a lens colored by anxiety. That nervousness that makes your palms sweat and your heart race before you get up and make a speech in front of an audience? That’s what I feel in a normal conversation at a dinner table. Or just thinking about having a conversation at a dinner table. The fear that other people feel on rare occasions, reserved only for when they jump out of a plane or hear a strange noise in the middle of the night—that’s my normal. That’s what I feel when the phone rings. When someone knocks on my door. When I go outside. When I’m alone. When I’m in line at a store. Everything feels like I’m on a stage, spotlight on me, all eyes on me, watching, judging. Like I’m one second away from total disaster. It’s invisible, it’s irrational, it’s never-ending. I could be standing there, smiling and chatting like everything is totally fine, while secretly wanting to scream and cry and run away. No one would ever know. In my mind, no one can hear me scream. I hide it because I know it’s not understood or acceptable—because I’m not understood or acceptable.
”
”
Jen Wilde (Queens of Geek)
“
It’s a long story,” he said, taking a sip of Mr. Braeburn’s whiskey, “so I will tell only a
very condensed version of it.
“Mrs. Marsden and I grew up on adjacent properties in the Cotswold. But the Cotswold, as
fair as it is, plays almost no part in this tale. Because it was not in the green, unpolluted
countryside that we fell in love, but in gray, sooty London. Love at first sight, of course, a
hunger of the soul that could not be denied.”
Bryony trembled somewhere inside. This was not their story, but her story, the determined
spinster felled by the magnificence and charm of the gorgeous young thing.
He glanced at her. “You were the moon of my existence; your moods dictated the tides of
my heart.”
The tides of her own heart surged at his words, even though his words were nothing but
lies.
“I don’t believe I had moods,” she said severely.
“No, of course not. ‘Thou art more lovely and more temperate’—and the tides of my heart
only rose ever higher to crash against the levee of my self-possession. For I loved you most
intemperately, my dear Mrs. Marsden.”
Beside her Mrs. Braeburn blushed, her eyes bright. Bryony was furious at Leo, for his
facile words, and even more so at herself, for the painful pleasure that trickled into her drop
by drop.
“Our wedding was the happiest hour of my life, that we would belong to each other always.
The church was filled with hyacinths and camellias, and the crowd overflowed to the steps,
for the whole world wanted to see who had at last captured your lofty heart.
“But alas, I had not truly captured your lofty heart, had I? I but held it for a moment. And
soon there was trouble in Paradise. One day, you said to me, ‘My hair has turned white. It is a
sign I must wander far and away. Find me then, if you can. Then and only then will I be yours
again.’”
Her heart pounded again. How did he know that she had indeed taken her hair turning white
as a sign that the time had come for her to leave? No, he did not know. He’d made it up out of
whole cloth. But even Mr. Braeburn was spellbound by this ridiculous tale. She had forgotten
how hypnotic Leo could be, when he wished to beguile a crowd.
“And so I have searched. From the poles to the tropics, from the shores of China to the
shores of Nova Scotia. Our wedding photograph in hand, I have asked crowds pale, red,
brown, and black, ‘I seek an English lady doctor, my lost beloved. Have you seen her?’”
He looked into her eyes, and she could not look away, as mesmerized as the hapless
Braeburns.
“And now I have found you at last.” He raised his glass. “To the beginning of the rest of
our lives.
”
”
Sherry Thomas (Not Quite a Husband (The Marsdens, #2))
“
I am not a child to be fought over.'
Nesta's pulse pounded throughout her body, 'Do you not remember the war? What we encountered? Do you not remember the Cauldron kidnapping you, bringing you into the heart of Hybern's camp?'
'I do,' Elain said coldly. 'And I remember Feyre rescuing me.'
Roaring erupted in Nesta's head.
For a heartbeat, it appeared that Elain might say something to soften the words. But Nesta cut her off, seething at the pity about to be thrown her way. 'Look who decided to grow claws after all,' she crooned. 'Maybe you've become interesting at last, Elain.'
Nesta saw the blow land, like a physical impact, in Elain's face, her posture. No one spoke, though shadows gathered in the corners of the room, like snakes preparing to strike.
Elain's eyes brightened with pain. Something imploded in Nesta's chest at that expression. She opened her mouth, as if it could somehow be undone. But Elain said, 'I went into the Cauldron, too, you know. And it captured me. And yet somehow all you think of is what my trauma did to you.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #5))
“
WRITER'S NIGHTMARE"
"I felt a grip on my arm that shook my body, forcefully pulling me toward a tunnel of darkness. The threat of consciousness stole my steady breath. For a moment I believed myself to be under siege; ripped from the sky in mid flight, my wings useless against the monstrous claws shredding my reality. I struggled to remain, to be left alone, aloft. Reaching with wings that through the power of imagination were suddenly feathered arms, I grabbed at the air. My hands clutched at something solid. Wooden. A desk. My head spun as I held the furniture, suffering the illusion of falling.
"I was flying," I gasped, realizing suddenly that it had all been a dream. "My best fantasy ever."
Lifting my head from its resting spot on the writing desk, I worked mentally to secure the fading images, hoping to capture their essence to memory before they faded away forever. Bitterness tainted my heart against the hand that had jerked me into sensibility. Why was I always so callously awakened while doing my best work? Why not let me dream?
”
”
Richelle E. Goodrich
“
Heaven’s Door"
I’d search the world for Heaven’s Door,
Over mountains and valleys, each sandy shore.
I’d find the stairway, soaring through clouds,
I'd climb each step, without making a sound.
I’d arrive at the door of glimmering gold,
I’d slip through unnoticed, not stirring a soul.
I’d gasp at its beauty, at its rivers and trees,
I’d stray from the paths, I’d hide among leaves.
I’d tiptoe unseen, under sun and sky blue,
I’d search every corner until I found you.
I’d capture a tear, catch a glimpse of your hair,
As you danced and you twirled, without any care.
You’d smile and you’d laugh, like a bird you’d be free,
I’d try not to cry, you’re there without me.
I’d stay my hand from touching your face,
From calling your name, to feel your embrace.
You’d open your mouth and your voice would be pure,
I’d treasure the sound, no more pain you’d endure.
I’d stay ‘til the sunset, when I’d have to leave,
A pain in my heart, my spirit in grief.
I’d blow you a kiss, let it drift to the sky,
I’d whisper ‘I love you’ and bid you goodbye.
I'd pass through the door, I’d descend out of view,
Knowing that one day, some day, I’d again be with you.
- Elsie
”
”
Tillie Cole (Sweet Soul (Sweet Home, #4; Carillo Boys, #3))
“
My father says there are more than twenty thousand turned out for the king. It seems that most men think that we will win, that York will be captured and killed, though the king in his tender heart has said he will forgive them all if they will surrender.
~Will there be another battle?
~Unless York decides he cannot face the king in person. It is one sort of sin to kill your friends and cousins, quite another to order your bowmen to fire at the king's banner and him beneath it. What if the king is killed in battle? What if York brings his broadsword down on the king's sanctified head?
”
”
Philippa Gregory (The Red Queen (The Plantagenet and Tudor Novels, #3))
“
But consider the Lord’s Prayer for a moment. It doesn’t look anything like what I’ve just described. This prayer is a prayer of worship and surrender. It recognizes, at the deepest level, the war that still goes on in my heart between the kingdom of self and the kingdom of God. It faces the fact that I can be so blind to the glory of God, and as I am, I become captured by the small glories of the created world. It does more surrendering and celebrating than it does asking. And the asking that it does is in the context not of self-glory wishing, but rather in the context of submission and worship.
”
”
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
“
Fetch? Balls and sticks capture my attention
seconds at a time. Catch? I don’t think so.
Bunny, tumbling leaf, a squirrel who’s—oh
joy—actually scared. Sniff the wind, then
I’m off again: muck, pond, ditch, residue
of any thrillingly dead thing. And you?
Either you’re sunk in the past, half our walk,
thinking of what you never can bring back,
or else you’re off in some fog concerning
—tomorrow, is that what you call it? My work:
to unsnare time’s warp (and woof!), retrieving,
my haze-headed friend, you. This shining bark,
a Zen master’s bronzy gong, calls you here,
entirely, now: bow-wow, bow-wow, bow-wow.
”
”
Mark Doty (The Poetry Pharmacy: Tried-and-True Prescriptions for the Mind, Heart and Soul)
“
the Sac and Fox Indians of Illinois were removed, after the Black Hawk War (in which Abraham Lincoln was an officer, although he was not in combat). When Chief Black Hawk was defeated and captured in 1832, he made a surrender speech: I fought hard. But your guns were well aimed. The bullets flew like birds in the air, and whizzed by our ears like the wind through the trees in the winter. My warriors fell around me. . . . The sun rose dim on us in the morning, and at night it sunk in a dark cloud, and looked like a ball of fire. That was the last sun that shone on Black Hawk. . . . He is now a prisoner to the white men. . . . He has done nothing for which an Indian ought to be ashamed. He has fought for his countrymen, the squaws and papooses, against white men, who came year after year, to cheat them and take away their lands. You know the cause of our making war. It is known to all white men. They ought to be ashamed of it. Indians are not deceitful. The white men speak bad of the Indian and look at him spitefully. But the Indian does not tell lies. Indians do not steal. An Indian who is as bad as the white men could not live in our nation; he would be put to death, and eaten up by the wolves. The white men are bad schoolmasters; they carry false books, and deal in false actions; they smile in the face of the poor Indian to cheat him; they shake them by the hand to gain their confidence, to make them drunk, to deceive them, and ruin our wives. We told them to leave us alone, and keep away from us; they followed on, and beset our paths, and they coiled themselves among us, like the snake. They poisoned us by their touch. We were not safe. We lived in danger. We were becoming like them, hypocrites and liars, adulterous lazy drones, all talkers and no workers. . . . The white men do not scalp the head; but they do worse—they poison the heart. . . . Farewell, my nation! . . . Farewell to Black Hawk.
”
”
Howard Zinn (A People's History of the United States: 1492 to Present)
“
he leans over me, cupping my face in his hands, his thumbs two parentheses around my mouth and he pulls me close and he kisses me, kisses me until time topples over and my head spins into oblivion. It’s a heavy, unbelievable kiss. It’s the kind of kiss that inspires stars to climb into the sky and light up the world. The kind that takes forever and no time at all. His hands are holding my cheeks, and he pulls back just to look me in the eye and his chest is heaving and he says, “I think,” he says, “my heart is going to explode,” and I wish, more than ever, that I knew how to capture moments like these and revisit them forever. Because this. This is everything.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
Fifty minutes, huh?” he muttered.
“Too long?” she managed with a teasing smile, knowing she longer had the strength to turn him away. She wanted Dalton to make love to her again. Needed him to.
He arched a brow. “You questioning my stamina?”
Laughing softly, she reached for his shirt, pulling him to her. “Not on your life. I know better. I was just thinking that for a man who spent years perfecting the eight second ride, fifty minutes might be quite a stretch.”
Threading his fingers through her hair, he looked down at her. “The stretching part is no longer in question. Hell, much longer and it’s gonna take a crow bar to get me out of these jeans.”
“Then what are you waiting for?
”
”
Lindsey Brookes (Kidnapped Cowboy (Captured Hearts, #1))
“
I began to notice that when I was tired or anxious, there were certain sentences I would say in my head that lead me to a very familiar place. The journey to this place would often start with me walking around disturbed, feeling as if there was something deep inside that I needed to put into words but couldn't quite capture. I felt the "something" as an anxiety, a loneliness, and a need for connection with someone. If no connection came, I would start to say things like, "Life really stinks. Why is it always so hard? It's never going to change." If no one noticed that I was struggling and asked me what was wrong, I found my sentences shifting again to a more cynical level, "Who cares? Life really is a joke." Surprisingly, I noticed by the time I was saying these last sentences, I was feeling better. The anxiety had greatly diminished.
My "comforter", my abiding place, was cynicism and rebellion. From this abiding place, I would feel free to use some soul - cocaine - a violence video with maybe a little sexual titillation thrown in, perhaps having a little more alcohol with a meal than I might normally drink - things that would allow me to feel better for just a little while. I had always thought of these things as just bad habits. I began to see that they were much more; they were spiritual abiding places that were my comforters and friends in a very spiritual way; literally, other lovers.
”
”
John Eldredge (The Sacred Romance: Drawing Closer to the Heart of God)
“
Thank, God,” Jason said as the tide of his blue eyes washed over her.
“What?” Alexis asked, her own smile turning the corners of her mouth up.
“You’re really here. It wasn’t just a dream,” Jason responded, kissing her forehead.
“I plan on always being here,” she said, her hands drawing circles on his bare chest.
He pulled her closer, their fronts molding together, one of her legs rested on his hip.
“You’ve sufficiently invaded every part of me, Alexis; my heart, my mind, and now my dreams.”
“You don’t have to dream to have me, Jason.” Alexis’ heart melted, realizing just how true his statement had become. This man had invaded every part of her, captured it exclusively for himself; her heart, mind, dreams, and body belonged to this man.
”
”
Lindsay Chamberlin (The Shoreline (Following the Crest, #1))
“
You are angry at the God you were taught to believe in as a child,” Arturo answered. “The God who is supposed to watch over you and protect you, who answers your prayers and forgives your sins. This God is just a story. Religions try to capture God, but God is beyond religion. The true God lies beyond our comprehension. We can’t understand His will; He can’t be explained in a book. He didn’t abandon us and He will not save us. He has nothing to do with our being here. God does not change, He simply is. I don’t pray to God for forgiveness or favors, I only pray to be closer to Him, and when I pray, I fill my heart with love. When I pray this way, I know that God is love. When I feel that love, I remember that we don’t need angels or a heaven, because we are a part of God already.” I
”
”
Nando Parrado (Miracle in the Andes: 72 Days on the Mountain and My Long Trek Home)
“
How do I begin to tell you about Dana and all that she meant to my life? A writer can describe spring in technical terms; the scent of cherry blossoms awakening from their long winter's sleep; the first whiff of honeysuckle in the air; and the bright cool promise of the sun before it turns harsh in summer. Through some gift from God, perhaps he is able to imbue it so vividly for the reader that they can envision spring in all its loveliness. But can he ever truly capture on paper that feeling of spring in his heart? How could he find words to describe the rush of joy his heart feels at discovering life can be beautiful? Could the poetry of his prose ever paint a feeling, or recount his soul's wistfulness that when this moment passes, life will never be as beautiful again? All I can say is that is how I felt the first time I saw her.
”
”
Bobby Underwood (Requiem)
“
This is your fault,” I snarled, my instinct to flee, to protect the fragile shell my heart had become, stronger than ever.
“Don’t you think I know that?” He captured my face in his hands, his forehead pressing against mine, those dark eyes pulling me in. “I know that I am fucking this up again, because I always do, and it kills me. Lyr, Baradaz…” His voice dropped to an anguished whisper. “Do you have any idea how much I want you? How much I have always wanted you? What it is doing to me to have you so close to me every single day and not be allowed to touch you, to kiss you, to make love to you? I am burning alive, and you chastise me for begging for more. You wanted me to be truthful to you. So here is the truth. I don’t care if it is madness. I don’t care if you’re a goddess, a queen, or a mortal farmer. I want you to be mine. Mine alone. And that will never change.
”
”
Sarah Lee Wohn (Darkness Births the Stars)
“
We were in Julie’s room one night, my eldest daughter and I, maybe a decade ago now. I wanted to show her how the canvas painting she had carefully labored over for her little sister's Christmas gift was framed and hung on the wall.
I said, gazing at her masterpiece with no small amount of motherly pride, “Now it looks like a real work of art”.
Bella looked at me quizzically, wondering yet again how her mother could possibly understand so little about the world.
“Mama, every time you make something, or draw something, or paint something, it is already real art. There is no such thing as art that is not real”
And so I said that she was right, and didn’t it look nice, and once again, daughter became guru and mother became willing student.
Which is, I sometimes think, the way it was meant to be.
~~~~~
art is always real.
all of it.
even the stuff you don’t understand.
even the stuff you don’t like.
even the stuff that you made that you would be embarrassed to show your best friend
that photo that you took when you first got your DSLR, when you captured her spirit perfectly but the focus landed on her shoulder?
still art.
the painting you did last year the first time you picked up a brush, the one your mentor critiqued to death?
it’s art.
the story you are holding in your heart and so desperately want to tell the world?
definitely art.
the scarf you knit for your son with the funky messed up rows?
art. art. art.
the poem scrawled on your dry cleaning receipt at the red light.
the dress you want to sew.
the song you want to sing.
the clay you’ve not yet molded.
everything you have made
or will one day make
or imagine making in your wildest dreams.
it’s all real, every last bit.
because there is no such thing
as art that is not real.
”
”
Jeanette LeBlanc
“
I HAVE ALWAYS BEEN most interested in the question of what makes a house a home. What are the elements that move a house beyond its physical structure and provide the warmth that we all crave? In my fifteen years as a designer, I’ve come to understand that the answer is simple: It is about surrounding ourselves with things we love.
(...) And in this case, the beauty comes from the owners’ love of books.
Books are beautiful objects in their own right—their bindings and covers—and the space they fill on shelves or stacked on coffee tables in colorful piles add balance and texture to any room. And just like any other part of a home, books require maintenance: They need to be dusted, categorized, rearranged, and maintained. Our relationship with them is dynamic and ever changing.
But our connection to them goes beyond the material. In each house we visited, the libraries were the heart of the home, meaningful to the collectors’ lives. In this book, we tried to capture what they brought to the home—the life and spirit books added. Some subjects have working libraries they constantly reference; others fill their shelves with the potential pleasures of the unread. When we visited the homes, many people could find favorite books almost by osmosis, using systems known only to themselves.
(...) As we found repeatedly, surrounding yourself with books you love tells the story of your life, your interests, your passions, your values. Your past and your future. Books allow us to escape, and our personal libraries allow us to invent the story of ourselves—and the legacy that we will leave behind.
There’s a famous quote attributed to Cicero: “A room without books is like a body without a soul.” If I suspected this before, I know it now. I hope you’ll find as much pleasure in discovering these worlds as we did.
”
”
Nina Freudenberger (Bibliostyle: How We Live at Home with Books)
“
Keeping a new church outwardly focused from the beginning is much easier than trying to refocus an inwardly concerned church.
In order to plant a successful church, you have to know that you know that you are undeniably called by God.
The call to start a new church plant is not the same as the call to serve in an existing church or work in a ministry-related organization. You may be the greatest preacher this side of Billy Graham but still not be called to start a church.
If you think you may have allowed an improper reason, voice or emotion to lead you to the idea of starting a new church, back away now. Spend some more time with God. You don’t want to move forward on a hunch or because you feel “pretty sure” that you should be planting a church. You have to be completely certain.
“You’re afraid? So what. Everybody’s afraid. Fear is the common ground of humanity. The question you must wrestle to the ground is, ‘Will I allow my fear to bind me to mediocrity?’”
When you think of a people group that you might be called to reach, does your heart break for them? If so, you may want to consider whether God is specifically calling you to reach that group for His kingdom.
Is your calling clear? Has your calling been confirmed by others? Are you humbled by the call? Have you acted on your call?
Do you know for certain that God has called you to start a new church? Nail it down. When exactly were you called? What were the circumstances surrounding your call? How did it match up with the sources of proper calling? Do you recognize the four specific calls in your calling? How? How does your call measure up to biblical characteristics? What is the emerging vision that God is giving you with this call?
As your dependence on God grows, so will your church.
One of the most common mistakes that enthusiastic and well-meaning church starters make is to move to a new location and start trying to reach people without thinking through even a short-term strategy.
Don’t begin until you count the cost.
why would you even consider starting a church (the only institution Jesus left behind and the only one that will last forever) without first developing a God-infused, specific, winning strategy?
There are two types of pain: the pain of front-end discipline and the pain of back-end regret. With the question of strategy development, you get to choose which pain you’d rather live with.
Basically, a purpose, mission and vision statement provides guiding principles that describe what God has called you to do (mission), how you will do it (purpose) and what it will look like when you get it done (vision). Keep your statement simple. Be as precise as possible. Core values are the filter through which you fulfill your strategy. These are important, because your entire strategy will be created and implemented in such a way as to bring your core values to life.
Your strategic aim will serve as the beacon that guides the rest of your strategy. It is the initial purpose for which you are writing your strategy.
He will not send more people to you than you are ready to receive. So what can you do? The same thing Dr. Graham does. Prepare in a way that enables God to open the floodgates into your church. If you are truly ready, He will send people your way. If you do the work we’ve described in this chapter, you’ll be able to build your new church on a strong base of God-breathed preparation. You’ll know where you are, where you’re going and how you are going to get there. You’ll be standing in the rain with a huge bucket, ready to take in the deluge. However, if you don’t think through your strategy, write it down and then implement it, you’ll be like the man who stands in the rainstorm with a Dixie cup. You’ll be completely unprepared to capture what God is pouring out. The choice is yours!
”
”
Nelson Searcy (Launch: Starting a New Church from Scratch)
“
Ideally, work is consecrated. It is something that happens within the present moment . . . Ideally, work is just another beautiful form of joining the cosmic sparkle. But this is an ideal.
. . . I worked as a psychiatrist in public institutions . . . for nearly 20 years. During the last 12 of those years, I was consciously trying to be mindful of love, to practice the presence of God. It was the most frustrating thing I ever tried to do. . . . as soon as I entered the ward everything changed. I was immediately kidnapped. I was gone: away from the present, away from any sense of love or its source, away from even appreciating my own being. . . Looking back, it seems clear that I went into my sense of responsibility for the diagnosis and care of the patients. . . . And there was so much paperwork!
Most days I would remain forgetful until my work was done and I was driving home. Then I would remember, and such sadness would fill me. Where had I been? How could I have allowed myself to be so captured? I can remember driving home one day after I had spent a long time feeling helpless with a very disturbed patient. I actually slapped myself in the face when I realized I could have been praying for her and praying for myself instead of just worrying about what to do. I tried everything . . . and still it did not “work”. . . . It stopped only when I left the psychiatric institutions and started working full-time with Shalem.
. . . I go into this detail because what I am saying does not apply only to psychiatric institutions. It applies, to some extent, to almost every institution we have. It applies to education and social work, to government and business, and to religious institutions as well. People are stuck in all these places, and they can neither get out of them nor find a loving quality of presence within them. Love demands defenselessness, and in many if not most of our workplaces that is just too high a price.
”
”
Gerald G. May (The Awakened Heart: Opening Yourself to the Love You Need)
“
When she finally reached it, she bent forward and looked through the peephole.
Jay was grinning back at her from outside.
Her heart leaped for a completely different reason.
She set aside her crutches and quickly unbolted the door to open it.
"What took you so long?"
Her knee was bent and her ankle pulled up off the ground. She balanced against the doorjamb. "What d'you think, dumbass?" she retorted smartly, keeping her voice down so she wouldn't alert her parents. "You scared the crap out of me, by the way. My parents are already in bed, and I was all alone down here."
"Good!" he exclaimed as he reached in and grabbed her around the waist, dragging her up against him and wrapping his arms around her.
She giggled while he held her there, enjoying everything about the feel of him against her. "What are you doing here? I thought I wouldn't see you till tomorrow."
"I wanted to show you something!" He beamed at her, and his enthusiasm reached out to capture her in its grip. She couldn't help smiling back excitedly.
"What is it?" she asked breathlessly.
He didn't release her; he just turned, still holding her gently in his arms, so that she could see out into the driveway. The first thing she noticed was the officer in his car, alert now as he kept a watchful eye on the two of them. Violet realized that it was late, already past eleven, and from the look on his face, she thought he must have been hoping for a quiet, uneventful evening out there.
And then she saw the car. It was beautiful and sleek, painted a glossy black that, even in the dark, reflected the light like a polished mirror. Violet recognized the Acura insignia on the front of the hood, and even though she could tell it wasn't brand-new, it looked like it had been well taken care of.
"Whose is it?" she asked admiringly. It was way better than her crappy little Honda.
Jay grinned again, his face glowing with enthusiasm. "It's mine. I got it tonight. That's why I had to go. My mom had the night off, and I wanted to get it before..." He smiled down at her. "I didn't want to borrow your car to take you to the dance."
"Really?" she breathed. "How...? I didn't even know you were..." She couldn't seem to find the right words; she was envious and excited for him all at the same time.
"I know right?" he answered, as if she'd actually asked coherent questions. "I've been saving for...for forever, really. What do you think?"
Violet smiled at him, thinking that he was entirely too perfect for her. "I think it's beautiful," she said with more meaning than he understood. And then she glanced back at the car. "I had no idea that you were getting a car. I love it, Jay," she insisted, wrapping her arms around his neck as he hoisted her up, cradling her like a small child."
"I'd offer to take you for a test-drive, but I'm afraid that Supercop over there would probably Taser me with his stun gun. So you'll have to wait until tomorrow," he said, and without waiting for an invitation he carried her inside, dead bolting the door behind him.
He settled down on the couch, where she'd been sitting by herself just moments before, without letting her go. There was a movie on the television, but neither of them paid any attention to it as Jay reclined, stretching out and drawing her down into the circle of his arms. They spent the rest of the night like that, cradled together, their bodies fitting each other perfectly, as they kissed and whispered and laughed quietly in the darkness.
At some point Violet was aware that she was drifting into sleep, as her thoughts turned dreamlike, becoming disjointed and fuzzy and hard to hold on to. She didn't fight it; she enjoyed the lazy, drifting feeling, along with the warmth created by the cocoon of Jay's body wrapped protectively around her.
It was the safest she'd felt in days...maybe weeks...
And for the first time since she'd been chased by the man in the woods, her dreams were free from monsters.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
Cursing himself, he glided his fingertips from her shoulder inward along the elegant line of her collarbone.
She responded to him with a sigh of intoxicated pleasure, arching her head back, lifting her breasts slightly as her body rose to his touch. His eyes glazed over as he realized then that she was awake enough to know what she wanted.
He leaned down at once and kissed her shoulder softly, whispering her name. "Wake to me." She touched his head in answer, draping her arm weakly over his neck.
He moved onto the bed with her, his heart pounding. He lay beside her, close enough to consume with his lips the small, heady sigh that escaped hers.
He watched the dreamy smile that curved her lips as he began caressing her with seductive reassurance, letting her get accustomed to his touch.
"That's right. You just relax," he breathed. He skimmed his palm down her arm, but at her elbow, he diverted his explorations to her slender waist. From there, he ran his hand down lower, to her hip.
She stretched a little like a pampered cat under his patient stroking. He bent his head at length and pressed a kiss to the white line of her tender neck.
He was rewarded with another enticing undulation of her body, drawing him closer. As his lips worked his way higher, Kate turned her mouth to his invitingly. She met his gaze for a fleeting instant before he kissed her; her glittering, heavy-lidded eyes teemed with feverish desire.
"Hullo there," he whispered, then he bent his head and claimed her mouth. Her low moan passed from her lips to his. Rohan answered in kind as he deepened the kiss, capturing her chin between his finger and thumb. She clutched two fistfuls of his shirt for a passing instant.
Her mouth tasted of red wine. He drank deeper. As she opened her mouth to his hungry kiss, he skimmed his fingertips down her throat to her chest. He slipped his hand into her gown and cupped her breast.
With tingling hands, he took her nipple between his finger and thumb and held it lightly as he kissed her. Her approving groan asked wordlessly for more. She touched his shoulders, arms, and chest as he moved downward over her body to indulge himself in sampling her breasts.
She made no move to stop him, no longer cold or shivering as she had been in the great hall, but panting, her skin aglow with newfound heat as he undid the bodice of her skimpy gown and bared her lovely breasts.
Closing his eyes, he took her nipple into his mouth and sucked until it swelled to glorious fullness against his tongue. The kiss went on and on, for she was even sweeter than he had already fantasized in the great hall. Now that he had her nipple in his mouth, he could not get enough of her.
But when she began to writhe hungrily beneath him, her moans climbing, he obliged her, taking his hand down slowly over her quivering stomach through her gown. She was wanton, but he stoked her fire by keeping a leisurely pace for now. He put his hand between her legs, giving her a taste of what she craved. She began rubbing restlessly against the snug hold of his hand cupping her mound.
He was rock hard, and enjoyed pleasuring her for a while further, feeling the dampness of her core permeating the thin cloth of her gown
”
”
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
“
We wrote our own vows; I take them to heart even today:
I give you my heart, soul, and everlasting love.
I promise to be there during both laughter and tears and to protect you in the days to come.
I will be faithful and truthful, whether near or far, and will never give you cause for doubt.
I will embrace your happiness and hold you when you are sad.
I will be your biggest supporter and your constant friend.
I will remind you of who you are when you forget.
I will consider your happiness with every action.
I will celebrate your soul and work to enrich your life as you enrich mine.
Most of all, I will love you and show my love all the days of my life.
Instead of traditional wedding music, we chose Enya’s version of “How Can I Keep from Singing.” The words of the song talk of a hymn that can always be heard, no matter how dark the night or how difficult the day. The song speaks of faith and endurance, and through it all, music. It seemed to perfectly capture our love and commitment to each other. The words and tune-hypnotic and soaring-would come to me at various parts of my life. I gave birth to it. I hear it in my head today.
”
”
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
“
How was the consultation?” he asks, and looking up from the crunchy gravel, I think for a moment before responding, “They’re bringing him into the station Saturday for questioning.”
“They are?” Aaron says, his tone surprised.
We approach the car before he unlocks the doors, yet we continue to stand still beside the trunk. “Yeah. Enough evidence to report it as an assault,” I add, my tone bland.
I take a nervous swallow as I part from Aaron’s side, and as he walks along the drivers’ side of the car, he gives me a worrying look. “You okay?” he asks, and without speaking, I nod. “Yeah,” I murmur. My hands grasp onto the door handle before I abruptly open it.
“Just a bit,” I pause, trying to form my thoughts.
The words sit scarcely on my tongue, unable to escape as I think.
“Scared.”
“Scared?” Aaron repeats, and I nod.
Placing his arm onto the roof of the car, he stands for a moment, one leg propped on the inside. “Of what?”
“Of shit becoming harsh on me.”
“Why would that happen?”
“Because, Aaron” I respond lightly, and Aaron raises an eyebrow. “Because?”
“Because that’s the way shit works. Nothing ever traces back to people like Chris. You hear me, Aaron? Ever.
”
”
Zoë Aviya Harris (To Capture a Heart)
“
I am sorry, Raven. I had no idea Romanov would force my hand. If we had not put you in the earth, we both would have died.”
“I’m well aware of that.”
“I believe I can make you happy in spite of everything, Raven. Just give us a chance.”
Raven took his hand. “You know, my love, you are not responsible for my happiness, or even for my health. I’ve had a choice every step of the way, from our very first meeting. I chose you. Clearly, in my heart and in my head, I chose you. If I had it to do over again, even knowing what I would have to go through, I would choose you without hesitation.”
His smile could melt her heart. Mikhail cupped her face in his hands, lowered his head to capture her mouth with his. Instantly electricity crackled between them. She could taste his love in the moist darkness of his mouth. Hunger rose, sharp and gnawing. The sound of blood surging hotly, the beating of hearts, the instant explosive chemistry, was nearly overwhelming for both of them. His arms slipped around her, dragged her close against his hard frame; his tender mouth carried the unmistakable flavor of intense love. Mikhail’s fingers tangled in her silky hair as if he would hold her for all eternity.
”
”
Christine Feehan (Dark Prince (Dark, #1))
“
You’ve got spirit, I’ll give you that,” Ezmia said. “Perhaps this will humble you.” Ezmia placed the glass jar she had been carrying on a small table close to Charlotte’s cage. Charlotte was horrifed to see a miniature ghostly version of the Fairy Godmother trapped inside. “That’s my… my… grandmother!” Charlotte said, almost forgetting she was still pretending to be her own daughter. “What have you done to her?” A smile appeared on Ezmia’s face, matching the satisfaction in her eyes. “I captured her soul,” she said. The thought almost made Charlotte sick. She’d had no idea such a thing was possible, even in the fairy-tale world. “What do you want with her soul?” Charlotte asked. “It’s a bit of a hobby of mine, actually,” Ezmia said and walked to her fireplace. Displayed proudly on the mantel were five other turquoise jars, each containing a ghostly substance. “You’re a soul collector?” Charlotte asked. “Is it to make up for being soulless?” “What a clever play on words,” Ezmia said mockingly. “You know that phrase forgive and forget? Well, I always disagreed with it—I found it impossible, actually. People would do me wrong and then forget about me, as if their actions didn’t matter—because I didn’t matter. How was I supposed to forgive people like that?” “So you imprisoned their souls instead of forgiving?” Charlotte said. “Precisely,” Ezmia said. “I found taking away their life force to be much more appealing than simply forgiving. To forgive would be to allow them to continue living their lives, free of consequence. But by taking their souls and preventing them from all future happiness, I could heal and find peace.” Charlotte couldn’t believe what she was hearing. “Do you honestly expect anyone to sympathize with that?” Charlotte asked her. Ezmia stared into the fire at the burning skulls, almost in a trance. “I don’t want the world to understand; I want it to grovel,” she said. The confession made Charlotte’s heart heavier. She wondered if she would ever escape the clutches of a person who thought like this. But thinking about her children, Bob, and the life she had been stolen from gave Charlotte the strength to survive the Enchantress’s imprisonment. “I find it hard to believe that the Fairy Godmother, who is known for her generosity, would harm you in any way,” Charlotte said. “Sometimes help can be just as destructive as harm,” Ezmia said. “But I imagine someone who helps for a
”
”
Chris Colfer (The Enchantress Returns (The Land of Stories, #2))
“
Tonight, an old ache awakens within me,
a yearning that threads through my veins like a distant song.
I am consumed by a passion that seizes every corner of my soul,
an urgent fire that longs to be stoked by your touch.
The thought of you ignites a blaze that refuses to be contained,
a hunger for the nights we could share, where our bodies speak the language of longing,
and every moment is a tender exploration of desire.
I feel us entwined already,
as if our souls have danced together before.
Without you, I wander in a sea of echoes,
lost in the silent spaces where your presence should be.
You are not just a lover; you are the very pulse of my heart.
In your embrace, I find a completeness that words cannot capture,
a connection that feels ancient and profound—
a bond that burns fiercely, beautifully, even as it breaks my heart.
Please, let us come together soon.
I am aching with a fervor that only you can soothe,
burning with a passion that is both a comfort and a torment,
an insatiable need to be near you,
to lose myself in the warmth of our union.
All I desire is to be with you,
to surrender to the depth of our shared longing,
for you are the world to me,
the fire that lights my darkest nights.
”
”
Anna Curto
“
In any case, we should expect that in due time we will be moved into our eternal destiny of creative activity with Jesus and his friends and associates in the “many mansions” of “his Father’s house.” Thus, we should not think of ourselves as destined to be celestial bureaucrats, involved eternally in celestial “administrivia.” That would be only slightly better than being caught in an everlasting church service. No, we should think of our destiny as being absorbed in a tremendously creative team effort, with unimaginably splendid leadership, on an inconceivably vast plane of activity, with ever more comprehensive cycles of productivity and enjoyment. This is the “eye hath not seen, neither ear heard” that lies before us in the prophetic vision (Isa. 64:4). This Is Shalom When Saint Augustine comes to the very end of his book The City of God, he attempts to address the question of “how the saints shall be employed when they are clothed in immortal and spiritual bodies.”15 At first he confesses that he is “at a loss to understand the nature of that employment.” But then he settles upon the word peace to describe it, and develops the idea of peace by reference to the vision of God—utilizing, as we too have done, the rich passage from 1 Corinthians 13. Thus he speaks of our “employment” then as being “the beatific vision.” The eternal blessedness of the city of God is presented as a “perpetual Sabbath.” In words so beautiful that everyone should know them by heart, he says, “There we shall rest and see, see and love, love and praise. This is what shall be in the end without end. For what other end do we propose to ourselves than to attain to the kingdom of which there is no end?” And yet, for all their beauty and goodness, these words do not seem to me to capture the blessed condition of the restoration of all things—of the kingdom come in its utter fullness. Repose, yes. But not as quiescence, passivity, eternal fixity. It is, instead, peace as wholeness, as fullness of function, as the restful but unending creativity involved in a cosmoswide, cooperative pursuit of a created order that continuously approaches but never reaches the limitless goodness and greatness of the triune personality of God, its source. This, surely, is the word of Jesus when he says, “Those who overcome will be welcomed to sit with me on my throne, as I too overcame and sat down with my Father on his throne. Those capable of hearing should listen to what the Spirit is saying to my people” (Rev. 3:21
”
”
Dallas Willard (The Divine Conspiracy: Rediscovering Our Hidden Life In God)
“
Please. Do this for me one more time and I’ll give you…” A thought struck her and she let out an exalted laugh. “I’ll give you my firstborn child!”
He balked. “What?”
She gave him a chagrined smile, a helpless shrug. And though the words had been said in jest, she was already beginning to wonder.
Her firstborn child.
The likelihood that she would ever conceive a child was so minuscule. Ever since the fiasco with Thomas Lindbeck, she’d felt resigned to a future of solitude. And given that the only other boy who had captured her interest was dead…
What did it matter if she promised away a nonexistent child?
“Assuming I live long enough to birth any children,” she said. “Even you have to admit that’s a good deal. What could possibly be more valuable than a child?”
He held her gaze, his expression intense and, she thought, just the tiniest bit saddened.
Under the soft fabric of his sleeves, she imagined that she could feel his pulse. But no, it was only her own heartbeat, fluttering in her fingers. And in the sudden silence, she caught the tremulous rhythm of her own shallow breaths.
The moments ticking by, too fast.
The candle flickering in the corner.
The spinning wheel, waiting.
Gild shivered and tore his gaze from her face. He looked down at her hands, the pried his arms away.
Serilda released him, heart sinking.
But in the next moment, he’d taken her fingers into his. His head lowered, avoiding her gaze, as he wrapped his fingers around hers.
“You are very persuasive.”
Hope skittered inside her. “You’ll do it? You’ll accept that offer?”
He sighed, the sound long and drawn out, as if it physically pained him to agree to this. “Yes. I will do this in exchange for…your firstborn child. But” —his grip tightened, squashing the jolt of euphoria that threatened to have her throwing her arms around him— “this bargain is binding and unbreakable, and I fully expect you to stay alive long enough to fulfill your end of it. Do you understand me?”
She gulped, feeling the magical pull of the bargain. The air pressing in around her. Stifling, squeezing in against her chest.
A magical bargain, binding and unbreakable. A deal struck beneath the Chaste Moon, with a ghostly thing, and unliving thing. A prisoner of the veil.
She knew she couldn’t really promise to stay alive. The Erlking would have her killed as soon as it pleased him to do so. And yet, she heard her own words as if whispered from a distant place. “You have my word.”
The air shuddered and released.
It was done.
”
”
Marissa Meyer (Gilded (Gilded, #1))
“
If you hurt her, you will not leave here alive,” I growled at him. “I will kill you with my bare fucking hands, Bayle.”
Bayle started to laugh. “Oh, you really think so?”
Something flashed in Tilda’s eyes, and her body tensed up. Her expression hardened, and there was a resolve in her that I knew all too well from training with her. Tilda was a master of restraint, but she could destroy someone if she wanted to.
“Wait,” Tilda said in a stilted voice. “This is Bayle Lundeen? Bayle, who conspired with Kennet? Bayle, who’s one of the reasons my husband is dead?”
I nodded once. “Yeah. That’s him.”
For the first time, Bayle seemed to realize he might have bitten off more than he could chew, and he looked down at Tilda with new appreciation. Tilda may be pregnant, but she was still tall and strong, with muscular arms and powerful legs.
I was sure that when Bayle had first captured her, she’d been more docile so as not to risk him hurting the baby. But now she was pissed.
With one sudden jerk, she flung her head backward, smashing into Bayle’s face. From where I stood several feet away from her, I heard the sound of his nose crunching. Before he could tilt the knife toward her, she grabbed his wrist, bent it backward, and, using her other arm as leverage, she broke his arm with a loud snap.
It all happened within a few seconds, and Bayle screamed in pain and stumbled back. His arm hung at a weird angle, and blood streamed down his face. But Tilda wasn't done yet.
With a swipe of her leg, she kicked his legs out from under him. He fell back into the mud, and Tilda kicked him hard in the groin, causing Konstantin to wince behind me. Then she jumped on top of him, punching him repeatedly in the face with both fists.
His body had gone limp but I wasn't sure if that was because he was unconscious or dead. Either way, Tilda apparently decided that she wanted to be certain. She grabbed the knife that he’d dropped on the ground beside them, and she stabbed him straight through the heart.
And then she just sat there, kneeling on his dead body and breathing hard. None of us said anything or moved. It felt like she needed the moment to herself.
When she finally stood up, she shook her arms out, probably both because her fists hurt from hitting Bayle so hard and also to get rid of some of the blood.
“Do you feel better?” I asked her.
She nodded, still catching her breath as she walked over to me. “Yeah. We have to do something about these bodies, though. The humans will get suspicious.”
“That girl is a fucking beast,” Konstantin whispered as she walked by, and he looked at her with newfound admiration.
“You should see her when she’s not pregnant,” I said.
”
”
Amanda Hocking (Crystal Kingdom (Kanin Chronicles, #3))
“
I had been walking through the Chakara Forest. Fat moths the size of palms wreathed my hair like pearls and moonstones. And then, as I had done since before language burgeoned in the velvet clefts of the mind--I danced.
Not a slow dance, but sharp, punctual movements. My dance organized the shadows of trees, canceled the cloying plumes of wind-fallen fruit, aligned the moonbeams themselves. My back arced gracefully as I moved, neck extended like an oryx, fingers conjuring sharp kathas of rhythm, when a sound crunched not far from me.
I spun around. “Who’s there?”
From beneath the heart-shaped leaves of a peepal tree, something rustled. And a voice, so lush it made ambrosia acrid, answered me.
“Only the lowly painter who tries each night, in vain, to capture evening herself.”
“What do you want? Show yourself.”
The stranger stepped out of the peepal tree. He was broad-shouldered, his features as severely beautiful as a strike of lightning. He wore a crown of blackbuck horns that arced in graceful whorls of onyx, catching the light. But it was his gaze that robbed the clamoring rhythm in my chest.
His stare slipped beneath my skin. And when he saw my eyes widen, he smiled. And in that moment, his smile banished my loneliness and limned the hollows of my anima with starlight, pure and bright. He moved toward me, grasping my hand, and his touch hummed in my bones like an aria. A song to my dance. The beginning of a promise.
”
”
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
“
My kingdom isn’t the sort that grows in this world,’ replied Jesus. ‘If my kingdom were from this world, my supporters would have fought, to stop me being handed over to the Judaeans. So then, my kingdom is not the sort that comes from here.’ (John 18:36) This translation captures something that many commentators gloss over. Yes, Jesus’ kingdom is not like the kingdoms of this world. It doesn’t originate the same way or behave like the kingdoms of this world. But Jesus’ kingdom is still for this world, for the benefit and blessing of this world, for the redemption and rescue of this world. If Jesus were an earthly king of this age, then there would be soldiers killing to bring about his kingdom, just as they do for every other earthly kingdom: victory through violence. Yet that’s not how Jesus’ kingdom will come. The kingdom will come rather through the imperial violence done to him on the cross and through the anti-imperial, death-reversing, justice-loving power of resurrection. Then the kingdom spreads, not through conquest, but through the spirit’s life-giving and liberating power being experienced by more and more people and through their life-giving contributions to the world. At the heart of John’s kingdom-theology is God’s love revealed in the death of his Son, the Lamb, the Messiah. This is conquest, but by love. This is power, but in weakness. This is kingship, but in self-giving suffering for others. This kingdom is not one that arises from within the world. But as it advances, as it spreads, it dispels and displaces the dark forces in the world.24
”
”
N.T. Wright (Jesus and the Powers: Christian Political Witness in an Age of Totalitarian Terror and Dysfunctional Democracies)
“
But this isn't standard Japanese picnic fare: not a grain of rice or a pickled plum in sight. Instead, they fill the varnished wooden tables with thick slices of crusty bread, wedges of weeping cheese, batons of hard salamis, and slices of cured ham. To drink, bottles of local white wine, covered in condensation, and high-alcohol microbews rich in hops and local iconography.
From the coastline we begin our slow, dramatic ascent into the mountains of Hokkaido. The colors bleed from broccoli to banana to butternut to beet as we climb, inching ever closer to the heart of autumn. My neighbors, an increasingly jovial group of thirtysomethings with a few words of English to spare, pass me a glass of wine and a plate of cheese, and I begin to feel the fog dissipate.
We stop at a small train station in the foothills outside of Ginzan, and my entire car suddenly empties. A husband-and-wife team has set up a small stand on the train platform, selling warm apple hand pies made with layers of flaky pastry and apples from their orchard just outside of town. I buy one, take a bite, then immediately buy there more.
Back on the train, young uniformed women flood the cars with samples of Hokkaido ice cream. The group behind me breaks out in song, a ballad, I'm later told, dedicated to the beauty of the season. Everywhere we go, from the golden fields of empty cornstalks to the dense forest thickets to the rushing rivers that carve up this land like the fat of a Wagyu steak, groups of camouflaged photographers lie in wait, tripods and shutter releases ready, hoping to capture the perfect photo of the SL Niseko steaming its way through the hills of Hokkaido.
”
”
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
“
Beauty
Void lay the world, in nothingness concealed,
Without a trace of light or life revealed,
Save one existence which second knew-
Unknown the pleasant words of We and You.
Then Beauty shone, from stranger glances free,
Seen of herself, with naught beside to see,
With garments pure of stain, the fairest flower
Of virgin loveliness in bridal bower.
No combing hand had smoothed a flowing tress,
No mirror shown her eyes their loveliness
No surma dust those cloudless orbs had known,
To the bright rose her cheek no bulbul flown.
No heightening hand had decked the rose with green,
No patch or spot upon that cheek was seen.
No zephyr from her brow had fliched a hair,
No eye in thought had seen the splendour there.
Her witching snares in solitude she laid,
And love's sweet game without a partner played.
But when bright Beauty reigns and knows her power
She springs indignant from her curtained bower.
She scorns seclusion and eludes the guard,
And from the window looks if doors be barred.
See how the tulip on the mountain grown
Soon as the breath of genial Spring has blown,
Bursts from the rock, impatient to display
Her nascent beauty to the eye of day.
When sudden to thy soul reflection brings
The precious meaning of mysterious things,
Thou canst not drive the thought from out thy brain;
Speak, hear thou must, for silence is such pain.
So beauty ne'er will quit the urgent claim
Whose motive first from heavenly beauty came
When from her blessed bower she fondly strayed,
And to the world and man her charms displayed.
In every mirror then her face was shown,
Her praise in every place was heard and known.
Touched by her light, the hearts of angels burned,
And, like the circling spheres, their heads were turned,
While saintly bands, whom purest at the sight of her,
And those who bathe them in the ocean sky
Cries out enraptured, "Laud to God on high!"
Rays of her splendour lit the rose's breast
And stirred the bulbul's heart with sweet unrest.
From her bright glow its cheek the flambeau fired,
And myriad moths around the flame expired.
Her glory lent the very sun the ray
Which wakes the lotus on the flood to-day.
Her loveliness made Laila's face look fair
To Majnún, fettered by her every hair.
She opened Shírín's sugared lips, and stole
From Parvíz' breast and brave Farhád's the soul.
Through her his head the Moon of Canaan raised,
And fond Zulaikha perished as she gazed.
Yes, though she shrinks from earthly lovers' call,
Eternal Beauty is the queen of all;
In every curtained bower the screen she holds,
About each captured heart her bonds enfolds.
Through her sweet love the heart its life retains,
The soul through love of her its object gains.
The heart which maidens' gentle witcheries stir
Is, though unconscious, fired with love of her.
Refrain from idle speech; mistake no more:
She brings her chains and we, her slaves, adore.
Fair and approved of Love, thou still must own
That gift of beauty comes from her alone.
Thou art concealed: she meets all lifted eyes;
Thou art the mirror which she beautifies.
She is that mirror, if we closely view
The truth- the treasure and the treasury too.
But thou and I- our serious work is naught;
We waste our days unmoved by earnest thought.
Cease, or my task will never end, for her
Sweet beauties lack a meet interpreter.
Then let us still the slaves of love remain
For without love we live in vain, in vain.
Jámí, "Yúsuf and Zulaikha". trans. Ralph T. H. Griffith. Ballantyne Press 1882. London. p.19-22
”
”
Nūr ad-Dīn 'Abd ar-Rahmān Jāmī
“
A stir of motion, like a swirl of muddy water, disturbed the surface of the tablet. Then colors--red, blue, green, yellow--bloomed on the slate and began to form lines and shapes even as they intermingled to form other, subtler shades. After a few seconds, an image of Arya appeared.
Once it was complete, he released the spell and studied the fairth. He was pleased with what he saw. The image seemed to be a true and honest representation of Arya, unlike the fairth he had made of her in Ellesméra. The one he held now had a depth that the other one had lacked. It was not a perfect image with regard to its composition, but he was proud that he had been able to capture so much of her character. In that one image, he had managed to sum up everything he knew about her, both the dark and the light.
He allowed himself to enjoy his sense of accomplishment for a moment more, then he threw the tablet off to the side, to break it against the ground.
“Kausta,” said Arya, and the tablet curved through the air and landed in her hand.
Eragon opened his mouth, intending to explain or to apologize, but then he thought better of it and said nothing.
Holding up the fairth, Arya stared at it with an intent gaze. Eragon watched her closely, wondering how she would react.
A long, tense minute passed.
Then Arya lowered the fairth.
Eragon stood and held out his hand for the tablet, but she made no move to return it. She appeared troubled, and his heart sank; the fairth had upset her.
Looking him straight in the eye, she said in the ancient language, “Eragon, if you are willing, I would like to tell you my true name.”
Her offer left him dumbstruck. He nodded, overwhelmed, and, with great difficulty, managed to say, “I would be honored to hear it.
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
“
He walked me to the door, and we stood on the top step. Wrapping his arms around my waist, he kissed me on the nose and said, “I’m glad I came back.” God, he was sweet.
“I’m glad you did, too,” I replied. “But…” I paused for a moment, gathering courage. “Did you have something you wanted to say?”
It was forward, yes--gutsy. But I wasn’t going to let this moment pass. I didn’t have many more moments with him, after all; soon I’d be gone to Chicago. Sitting in coffee shops at eleven at night, if I wanted. Working. Eventually going back to school. I’d be danged if I was going to miss what he’d started to say a few minutes earlier, before my mom and her cashmere robe showed up and spoiled everything.
Marlboro Man looked up at me and smiled, apparently pleased that I’d shown such assertiveness. An outgoing middle child all my life, with him I’d become quiet, shy--an unrecognizable version of myself. He’d captured my heart so unexpectedly, so completely, I’d been rendered utterly incapable of speaking. He had this uncanny way of sucking the words right out of me and leaving nothing but pure, unadulterated passion in their place.
He grabbed me even more tightly. “Well, first of all,” he began, “I really…I really like you.” He looked into my eyes in a seeming effort to transmit the true meaning of each word straight into my psyche. All muscle tone disappeared from my body.
Marlboro Man was so willing to put himself out there, so unafraid to put forth his true feelings. I simply wasn’t used to this. I was used to head games, tactics, apathy, aloofness. When it came to love and romance, I’d developed a rock-solid tolerance for mediocrity. And here, in two short weeks, Marlboro Man had blown it all to kingdom come.
There was nothing mediocre about Marlboro Man.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Four Years Since
Today I remember the day but to be honest it is everyday
That day then, the moment then, when you left us all here
More than just a father I call, a gem I treasure, that day I lost
We four girls, my mom’s other half, my brothers best bud, our first love, we lost
Holding the key to the future called You, I stand still facing the gate of the past
Why I keep on asking the same question?
Why you? Why out of all those people? Why too soon? Why?
It has been years, 4 years exact, it seems like yesterday yes
You were taken too soon, words aren’t enough to express
It’s not fair, but who I am to blame, who Am I to question?
My eyes express longing you cannot fathom
From my open mouth my broken heart pours
Words that try to capture that image so faint
He is the picture I could not ever paint
Yet our memories is in the solid bowl being kept
Spare me even just 5 or 10 minutes of your presence
To build up this longing I feel, I am asking
I want to hear your nag; I want to hear your laugh
In my dreams please see me there
I won’t get afraid nor get frightened
Like a waterfalls my tears keeps on flowing
Like a bubble your voice keeps on vanishing
He, his shadow, he himself starts from fading
I don’t want to forget you please stop time from ticking
I don’t want to open my eyes don’t wake me from dreaming
You are the art of my painting, the muse of my poem
My strength, my inspiration why I’m still holding on
My king, my superman, name them all, you are my only one
I miss the old golden days when you used to carry us one by one
Look papa, how I am now, hoping always, you’ll be proud
It pains me to know this inevitable truth, yes
That I can’t see you for now yes it’s the truth, but
My father’s love undeniable not easily obtained
Something that few, many people rather don’t have
But I’m blessed and proud I have mine claimed.
”
”
Venancio Mary Ann
“
Reaching the bottom of the ladder, she turned around, but had only taken a few steps down the swaying passageway when her path was blocked by a large, formidable silhouette: Rohan stepped out of his cabin and stood waiting for her.
He loomed in the darkness ahead as she approached, his angular face cast in shadow, his black shirt hanging open down his sculpted chest.
Kate felt an instantaneous awareness of him in her most primal core, but she hesitated before the fevered intensity in his stare. "I-I thought you went to bed."
"Can't sleep."
She did not need to ask why. Who could sleep after the night he'd had? She stopped in front of him, wondering what to say. His hungry gaze stayed fixed on her, and something in his silvery eyes made her heart begin to pound. "What did you think of what my father said?"
"I don't want to talk." As he reached out and cupped her cheek, Kate swallowed hard, but she hardly had to ask what he wanted to do. She could feel the heat of his need coming off him in waves.
She drew in her breath as he ran his hand down from her cheek along the side of her neck. He threaded his fingers into her hair, moving closer as he drew her toward him. He bent his head and claimed her mouth, his lips, burning, silken, against hers; she quivered with temptation as he consumed her tongue. The fierce demand in his kiss threatened to overwhelm her.
"I want you," he whispered, breathing heavily.
His bold advance jarred her somewhat back to her senses. "You must be joking," she uttered, yanking away from him and trying to hide her mad desire behind a mask of self-possession. "I'm not your harlot anymore."
"You said you love me. Prove it," he murmured. He captured her hand and brought her palm to his loins, making her feel the massive evidence of his sincerity.
She bit her lower lip, striving to reason against passion. Letting her palm linger on his rigid shaft a heartbeat too long, she withdrew her touch, determined to get around him. "Rohan."
"Sleep with me," he ordered in a whisper, too proud to beg, but then again, he'd never have to.
”
”
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
“
I raised two daughters,” Ronica pointed out gently. “I know how painful victory can be sometimes.”
“Not over me,” Keffria said dully. There was self-loathing in her tone as she added, “I don’t think I ever gave you and Father a sleepless night. I was a model child, never challenging anything you told me, keeping all the rules, and earning the rewards of such virtue. Or so I thought.”
“You were my easy daughter,” Ronica conceded. “Perhaps because of that, I under-valued you. Over-looked you.” She shook her head to herself. “But in those days, Althea worried me so that I seldom had a moment to think of what was going right…”
Keffria exhaled sharply. “And you didn’t know the half of what she was doing! As her sister, I… but in all the years, it hasn’t changed. She still worries us, both of us. When she was a little girl, her willfulness and naughtiness always made her Papa’s favorite. And now that he has gone, she has disappeared, and so managed to capture your heart as well, simply by being absent.”
“Keffria!” Ronica rebuked her for the heartless words. Her sister was missing, and all she could be was jealous of Ronica worrying about her? But after a moment, Ronica asked hesitantly, “You truly feel that I give no thoughts to you, simply because Althea is gone?”
“You scarcely speak to me,” Keffria pointed out. “When I muddled the ledger books for what I had inherited, you simply took them back from me and did them yourself. You run the household as if I was not there. When Cerwin showed up on the doorstep today, you charged directly into battle, only sending Rache to tell me about it as an afterthought. Mother, were I to disappear as Althea has, I think the household would only run more smoothly. You are so capable of managing it all.” She paused and her voice was almost choked as she added, “You leave no room for me to matter.” She hastily lifted her mug and took a long sip of coffee. She stared deep into the fireplace.
Ronica found herself wordless. She drank from her own mug. She knew she was making excuses when she said, “But I was always just waiting for you to take things over from me.”
“And always so busy holding the reins that you had no time to teach me how. ‘Here, give me that, it’s easier if I just do it myself.’ How many times have you said that to me? Do you know how stupid and helpless it always made me feel?” The anger in her voice was very old.
”
”
Robin Hobb (Ship of Magic (Liveship Traders, #1))
“
When I launched my AI career in 1983, I did so by waxing philosophic in my application to the Ph.D. program at Carnegie Mellon. I described AI as “the quantification of the human thinking process, the explication of human behavior,” and our “final step” to understanding ourselves. It was a succinct distillation of the romantic notions in the field at that time and one that inspired me as I pushed the bounds of AI capabilities and human knowledge.
Today, thirty-five years older and hopefully a bit wiser, I see things differently. The AI programs that we’ve created have proven capable of mimicking and surpassing human brains at many tasks. As a researcher and scientist, I’m proud of these accomplishments. But if the original goal was to truly understand myself and other human beings, then these decades of “progress” got me nowhere. In effect, I got my sense of anatomy mixed up. Instead of seeking to outperform the human brain, I should have sought to understand the human heart.
It’s a lesson that it took me far too long to learn. I have spent much of my adult life obsessively working to optimize my impact, to turn my brain into a finely tuned algorithm for maximizing my own influence. I bounced between countries and worked across time zones for that purpose, never realizing that something far more meaningful and far more human lay in the hearts of the family members, friends, and loved ones who surrounded me. It took a cancer diagnosis and the unselfish love of my family for me to finally connect all these dots into a clearer picture of what separates us from the machines we build.
That process changed my life, and in a roundabout way has led me back to my original goal of using AI to reveal our nature as human beings. If AI ever allows us to truly understand ourselves, it will not be because these algorithms captured the mechanical essence of the human mind. It will be because they liberated us to forget about optimizations and to instead focus on what truly makes us human: loving and being loved.
Reaching that point will require hard work and conscious choices by all of us.
Luckily, as human beings, we possess the free will to choose our own goals that AI still lacks. We can choose to come together, working across class boundaries and national borders to write our own ending to the AI story.
Let us choose to let machines be machines, and let humans be humans. Let us choose to simply use our machines, and more importantly, to love one another.
”
”
Kai-Fu Lee (AI Superpowers: China, Silicon Valley, and the New World Order)
“
I cast my gangly body into the shadow of the stable and watched them, curious to see my uncle with a triumphant smile on his mouth. He called for Jedha, the Master-at-Arms, and they spoke in low, swift voices before turning in to the house. I stayed in the shadows and trailed them through the hall into the mahogany library, the wooden doors left slightly ajar. I can’t remember what they said to one another—how my uncle had gotten the Providence Card away from the highwaymen—only that they were consumed with excitement. I waited for them to leave, my uncle fool enough not to lock the Card away, and I stole into the heart of the room. Writ on the top of the Card were two words: The Nightmare. My mouth opened, my childish eyes round. I knew enough of The Old Book of Alders to know this particular Providence Card was one of only two of its kind, its magic formidable, fearsome. Use it, and one had the power to speak into the minds of others. Use it too long, and the Card would reveal one’s darkest fears. But it wasn’t the Card’s reputation that ensnared me—it was the monster. I stood over the desk, unable to tear my eyes away from the ghastly creature depicted on the Card’s face. Its fur was coarse, traveling across its limbs and down its hunched spine to the top of its bristled tail. Its fingers were eerily long, hairless and gray, tipped by great, vicious claws. Its face was neither man nor beast, but something in between. I leaned closer to the Card, drawn by the creature’s snarl, its teeth jagged beneath a curled lip. Its eyes captured me. Yellow, bright as a torch, slit by long, catlike pupils. The creature stared up at me, unmoving, unblinking, and though it was made of ink and paper, I could not shake the feeling it was watching me as intently as I was watching it. Trying to grasp what happened next was like mending a shattered mirror. Even if I could realign the pieces, cracks in my memory still remained. All I’m certain of was the feel of the burgundy velvet—the unbelievable softness along the ridges of the Nightmare Card as my finger slipped across it. I remember the smell of salt and the white-hot pain that followed. I must have fallen or fainted, because it was dark outside when I awoke on the library floor. The hair on the back of my neck bristled, and when I sat up, I was somehow aware I was no longer alone in the library. That’s when I first heard it, the sound of those long, vicious claws tapping together. Click. Click. Click. I jumped to my feet, searching the library for an intruder. But I was alone. It wasn’t until it happened again—click, click, click—that I realized the library was empty. The intruder was in my mind.
”
”
Rachel Gillig (One Dark Window (The Shepherd King, #1))
“
A wealthy man and his son loved to collect works of art. They had in their collection works ranging from Picasso to Raphael and Rembrandt. When the Vietnam War broke out, the son was drafted and sent to fight in ’Nam. He was very courageous and died in battle. The father was notified and grieved deeply for his only son. About a month later, a young lad appeared at the door to his house and said, “Sir, you don’t know me, but I am the soldier for whom your son gave his life that fateful day. He was carrying me to safety when a bullet struck him in the heart. He died instantly. He used to often talk about you and your love for art. Here’s something for you,” he added, holding out a package. “It is something that I drew. I know I am not much of an artist, but I wanted you to have this from me as a small measure of memory and thanks.” It was a portrait of his son, painted by the young man. It captured the personality of his son. The father’s eyes welled up with tears as he thanked the young man for the painting. He offered to pay for the picture, but the man replied, “Oh! No, sir. I could never repay what your son did for me. It is my gift to you.” The father hung the portrait over his mantel and showed it proudly to all his visitors along with all of the great works of art he possessed. Some time later, the old man died. As decreed in his will, his paintings were all to be auctioned. Many influential and rich people gathered together, excited over the prospect of owning one of the masterpieces. On a platform nearby also sat the painting of his son. The auctioneer pounded his gavel. “Let’s start the bidding with the picture of his son. Who will bid for this picture?” There was silence. A voice shouted from the back, “Let’s skip this one. We want the famous masters.” But the auctioneer persisted. “Ten dollars, twenty dollars, what do I hear?” Another voice came back angrily, “We didn’t come here for this. Let’s have the Picassos, the Matisses, the van Goghs.” Still the auctioneer persisted. “The son. Anyone for the son? Who’ll take the son?” Finally a quavering voice came from the back. It was the longtime gardener of the house. “I’ll take the son for ten dollars. I am sorry, but that’s all I have.” “Ten dollars once, ten dollars twice, anybody for twenty dollars? Sold for ten dollars.” “Now let’s get on with the auction,” said a wealthy art aficionado sitting in the front row. The auctioneer laid down his gavel and spoke. “I am sorry, but the auction is over.” “But what about the other paintings? The masters?” “The auction is over,” said the auctioneer. “I was asked to conduct the auction with a stipulation, a secret stipulation that said that only the painting of the son would be auctioned. Whoever bought that painting would inherit the entire estate, paintings and all. The one who took the son gets everything.
”
”
Ramesh Richard (Preparing Evangelistic Sermons: A Seven-Step Method for Preaching Salvation)
“
All the many successes and extraordinary accomplishments of the Gemini still left NASA’s leadership in a quandary. The question voiced in various expressions cut to the heart of the problem: “How can we send men to the moon, no matter how well they fly their ships, if they’re pretty helpless when they get there? We’ve racked up rendezvous, docking, double-teaming the spacecraft, starting, stopping, and restarting engines; we’ve done all that. But these guys simply cannot work outside their ships without exhausting themselves and risking both their lives and their mission. We’ve got to come up with a solution, and quick!” One manned Gemini mission remained on the flight schedule. Veteran Jim Lovell would command the Gemini 12, and his space-walking pilot would be Buzz Aldrin, who built on the experience of the others to address all problems with incredible depth and finesse. He took along with him on his mission special devices like a wrist tether and a tether constructed in the same fashion as one that window washers use to keep from falling off ledges. The ruby slippers of Dorothy of Oz couldn’t compare with the “golden slippers” Aldrin wore in space—foot restraints, resembling wooden Dutch shoes, that he could bolt to a work station in the Gemini equipment bay. One of his neatest tricks was to bring along portable handholds he could slap onto either the Gemini or the Agena to keep his body under control. A variety of space tools went into his pressure suit to go along with him once he exited the cabin. On November 11, 1966, the Gemini 12, the last of its breed, left earth and captured its Agena quarry. Then Buzz Aldrin, once and for all, banished the gremlins of spacewalking. He proved so much a master at it that he seemed more to be taking a leisurely stroll through space than attacking the problems that had frustrated, endangered, and maddened three previous astronauts and brought grave doubts to NASA leadership about the possible success of the manned lunar program. Aldrin moved down the nose of the Gemini to the Agena like a weightless swimmer, working his way almost effortlessly along a six-foot rail he had locked into place once he was outside. Next came looping the end of a hundred-foot line from the Agena to the Gemini for a later experiment, the job that had left Dick Gordon in a sweatbox of exhaustion. Aldrin didn’t show even a hint of heavy breathing, perspiration, or an increased heartbeat. When he spoke, his voice was crisp, sharp, clear. What he did seemed incredibly easy, but it was the direct result of his incisive study of the problems and the equipment he’d brought from earth. He also made sure to move in carefully timed periods, resting between major tasks, and keeping his physical exertion to a minimum. When he reached the workstation in the rear of the Gemini, he mounted his feet and secured his body to the ship with the waist tether. He hooked different equipment to the ship, dismounted other equipment, shifted them about, and reattached them. He used a unique “space wrench” to loosen and tighten bolts with effortless skill. He snipped wires, reconnected wires, and connected a series of tubes. Mission Control hung on every word exchanged between the two astronauts high above earth. “Buzz, how do those slippers work?” Aldrin’s enthusiastic voice came back like music. “They’re great. Great! I don’t have any trouble positioning my body at all.” And so it went, a monumental achievement right at the end of the Gemini program. Project planners had reached all the way to the last inch with one crucial problem still unsolved, and the man named Aldrin had whipped it in spectacular fashion on the final flight. Project Gemini was
”
”
Alan Shepard (Moon Shot: The Inside Story of America's Race to the Moon)
“
III. But we must close with a third remark. Christ really underwent yet a third trial. He was not only tried before the ecclesiastical and civil tribunals, but, he was really tried before the great democratical tribunal, that is, the assembly of the people in the street. You will say, "How?" Well, the trial was somewhat singular, but yet it was really a trial. Barabbas—a thief, a felon, a murderer, a traitor, had been captured; he was probably one of a band of murderers who were accustomed to come up to Jerusalem at the time of the feast, carrying daggers under their cloaks to stab persons in the crowd, and rob them, and then he would be gone again; besides that, he had tried to stir up sedition, setting himself up possibly as a leader of banditti. Christ was put into competition with this villain; the two were presented before the popular eye, and to the shame of manhood, to the disgrace of Adam's race, let it be remembered that the perfect, loving, tender, sympathizing, disinterested Savior was met with the word, "Crucify him!" and Barabbas, the thief, was preferred. "Well," says one, "that was atrocious." The same thing is put before you this morning—the very same thing; and every unregenerate man will make the same choice that the Jews did, and only men renewed by grace will act upon the contrary principle. I say, friend, this day I put before you Christ Jesus, or your sins. The reason why many come not to Christ is because they cannot give up their lusts, their pleasures, their profits. Sin is Barabbas; sin is a thief; it will rob your soul of its life; it will rob God of his glory. Sin is a murderer; it stabbed our father Adam; it slew our purity. Sin is a traitor; it rebels against the king of heaven and earth. If you prefer sin to Christ, Christ has stood at your tribunal, and you have given in your verdict that sin is better than Christ. Where is that man? He comes here every Sunday; and yet he is a drunkard? Where is he? You prefer that reeling demon Bacchus to Christ. Where is that man? He comes here. Yes; and where are his midnight haunts? The harlot and the prostitute can tell! You have preferred your own foul, filthy lust to Christ. I know some here that have their consciences open pricked, and yet there is no change in them. You prefer Sunday trading to Christ; you prefer cheating to Christ; you prefer the theater to Christ; you prefer the harlot to Christ; you prefer the devil himself to Christ, for he it is that is the father and author of these things. "No," says one, "I don't, I don't." Then I do again put this question, and I put it very pointedly to you—"If you do not prefer your sins to Christ, how is it that you are not a Christian?" I believe this is the main stumbling-stone, that "Men love darkness rather than light, because their deeds are evil." We come not to Christ because of the viciousness of our nature, and depravity of our heart; and this is the depravity of your heart, that you prefer darkness to light, put bitter for sweet, and choose evil as your good. Well, I think I hear one saying, "Oh! I would be on Jesus Christ's side, but I did not look at it in that light; I thought the question was. "Would he be on my side? I am such a poor guilty sinner that I would fain stand anywhere, if Jesu's blood would wash me." Sinner! sinner! if thou talkest like that, then I will meet thee right joyously. Never was a man one with Christ till Christ was one with him. If you feel that you can now stand with Christ, and say, "Yes, despised and rejected, he is nevertheless my God, my Savior, my king. Will he accept me? Why, soul, he has accepted you; he has renewed you, or else you would not talk so. You speak like a saved man. You may not have the comfort of salvation, but surely there is a work of grace in your heart, God's divine election has fallen upon you, and Christ's precious redemption has been made for you, or else you would not talk so. You cannot be willing to come to Christ, and y
”
”
Anonymous
“
a serious contender for my book of year. I can't believe I only discovered Chris Carter a year ago and I now consider him to be one of my favourite crime authors of all time. For that reason this is a difficult review to write because I really want to show just how fantastic this book is.
It's a huge departure from what we are used to from Chris, this book is very different from the books that came before. That said it could not have been more successful in my opinion. After five books of Hunter trying to capture a serial killer it makes sense to shake things up a bit and Chris has done that in best possible way. By allowing us to get inside the head of one of the most evil characters I've ever read about. It is also the first book based on real facts and events from Chris's criminal psychology days and that makes it all the more shocking and fascinating.
Chris Carter's imagination knows no bounds and I love it. The scenes, the characters, whatever he comes up with is both original and mind blowing and that has never been more so than with this book. I feel like I can't even mention the plot even just a little bit. This is a book that should be read in the same way that I read it: with my heart in my mouth, my eyes unblinking and in a state of complete obliviousness to the world around me while I was well and truly hooked on this book. This is addictive reading at its absolute best and I was devastated when I turned the very last page.
Robert Hunter, after the events of the last few books is looking forward to a much needed break in Hawaii. Before he can escape however his Captain calls him to her office. Arriving, Hunter recognises someone - one of the most senior members of the FBI who needs his help. They have in custody one of the strangest individuals they have ever come across, a man who is more machine than human and who for days has uttered not a single word. Until one morning he utters seven: 'I will only speak to Robert Hunter'. The man is Hunter's roommate and best friend from college, Lucien Folter, and found in the boot of his car are two severed and mutilated heads. Lucien cries innocence and Hunter, a man incredibly difficult to read or surprise is played just as much as the reader is by Lucien.
There are a million and one things I want to say but I just can't. You really have to discover how this story unfolds for yourself. In this book we learn so much more about Hunter and get inside his head even further than we have before. There's a chapter that almost brought me to tears such is the talent of Chris to connect the reader with Hunter. This is a character like no other and he is now one of my favourite detectives of all time. We go back in time and learn more about Hunter when he was younger, and also when he was in college with Lucien. Lucien is evil. The scenes depicted in this book are some of the most graphic I've ever read and you know what, I loved it. After five books of some of the scariest and goriest scenes I've ever read I wondered whether Chris could come up with something even worse (in a good way), but trust me, he does. This book is horrifying, terrifying and near impossible to put down until you reach its conclusion. I spent my days like a zombie and my nights practically giving myself paper cuts turning the pages.
If when reading this book you think you have an idea of where it will go, prepare to be wrong. I've learnt never to underestimate Chris, keeping readers on their toes he takes them on an absolute rollercoaster of a ride with the twistiest of turns and the biggest of drops you will finish this book reeling. I am on a serious book hangover, what book can I read next that can even compare to this? I have no idea but if you are planning on reading An Evil Mind I cannot reccommend it enough. Not only is this probably my book of the year it is probably the best crime fiction book I have ever read. An exaggeration you might say but my opinion is my own and this real
”
”
Ayaz mallah
“
I am a poet and Frank said to me that I couldn’t say certain things, but if I put it in a poem?’ He then agreed to recite his poem aloud for the pair: ‘There is a full force hurricane, storming, circulating, swirling, angry, aggressive and vengeful, around the outside of my head. Yet because of beauty and love and thoughts of you, I remain calm in the eye of the hurricane. And in the bonfiring of my dreams, at that final moment, between the laughter and the tears, at the tumult of my fears, with thoughts of beauty and love and you, I am able to stay as calm as the stilled mill pond.’ Concluding the poem, he said it perfectly captured where he was at that precise moment in time. ‘That is from the heart. I am not acting calmly in a hurricane–I am.’ He acknowledged he was a ‘bit worried about herself’, in reference to his partner, Ms Thomas, who was not participating in the interview but who was painting in her studio just a few metres away. ‘She is a bit shook,’ he said. The poetry dominated coverage of the case over the coming days, most likely as intended. The striking photograph taken by Mark Condren, a multiple winner of the prestigious Irish Press Photographer of the Year Award, dominated the front page the following day. Such was the impact of the image it was reproduced several times over the coming weeks for use with various updates on the Paris trial and verdict.
”
”
Ralph Riegel (A Dream of Death: How Sophie Toscan du Plantier’s Dream Became a Nightmare and a West Cork Village Became the Centre of Ireland’s Most Notorious Unsolved Murder)
“
Afriend who belonged to my prayer group for Israel and the Jewish people told me how she came to believe that such prayer was important. Some years ago she was what she called “a baby Christian”; she had only been a believer in Jesus for a few months. One night she had a dream about a Father with two sons, one adopted and one biological. The biological son was in intensive care in a coma and every day the Father would visit his son. He just knew that one day this son would come out of his coma. When he tried to raise the subject with his much-loved adopted son, this son did not show any interest. This greatly upset the Father as he loved both very much and could not understand the adopted son’s lack of interest for his brother. When my friend woke up she sensed that the Lord was showing her something close to Father God’s heart and this eventually led her to read Romans Chapter 11. From then on she understood the importance of the Jewish people in God’s eyes and that he wanted her to care about them too, she herself being part of the adopted son – a saved Gentile Christian. For me this story captures exactly the reason why we should pray for Israel and the Jewish people.
”
”
Mark Dunman (Has God really finished with Israel?: God's Covenants with Abraham, Israel and the Church)
“
Do you think I understand any of this, Poppy? None of this was supposed to happen. I had plans. Capture you and use you. Free my brother and, maybe, if the gods were good, prevent a war- or at least lessen the bloodshed.'
Casteel turned sideways, shoving a hand through his hair. 'That was the plan. And fuck if it didn't go off the rails the moment you walked into the godsdamn Red Pearl.' His eyes closed. 'And each time- every damn time- I spoke to you, each time I saw your smile or heard you laugh, and the more I got to know you, the less those plans made sense. And trust me, Poppy, those plans made way more fucking sense than this- than all of this.'
The breath I took got stuck as I grew incredibly still.
'I'm a Prince. A kingdom of people is counting on me to solve their problems- even the ones they're unaware of, but I... I couldn't do it. I couldn't give you to them, not even for my brother.' He turned to me, his eyes nearly luminous. 'All because when I'm with you, I don't think about the kingdom full of people counting on me. I don't find myself in the middle of the day, when it's too quiet, back in those fucking cages. I don't sit and think of everything I know they're doing to my brother. Beating him. Starving him. Raping him. Turning him into a monster worse than even they can imagine. When I'm with you, I don't think about that.'
I curled my hands against my chest- against my thundering heart as his features blurred. And finally, I felt him. HIs pain. His confusion. His wonder.
'I forget.' He quieted as he shook his head in confusion. 'I forget about him- about my people, and I don't even understand how that's possible. But I did. I do...'
...
'And truthfully, I have no idea how you can even bear my touch after my lies, after what I did and caused. All I do know is that I didn't plan any of this in the beginning, Poppy. I didn't plan on being drawn to you. I didn't plan to want you. I didn't plan on risking everything to keep you.
”
”
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
“
What do you need,” I growl into her hair.
“I need to feel something other than the sensation of running without ever fucking stopping for once in my life,” she chokes. She lifts her head, her eyes big and so full of pain and need as they look into mine. “I need to feel something that isn’t sadness. Please.”
My hand lifts, cupping her face possessively. Something dark and voracious flickers, sparks, and catches between us like wildfire.
Like a force of fucking nature.
A compulsion.
The crackle of a storm cloud right before it thunders.
“Please,” she chokes. “Please, let me feel—” She whimpers, moaning as my mouth captures hers. As my lips bruise hers so hard as to make her feel it always.
“Please,” she whispers into my mouth as I scoop her into my arms and storm down the hall to my bedroom. “Make it hurt.
”
”
Jagger Cole (Vicious Hearts (Dark Hearts, #2))
“
Seven-headed Lubia, who made the mistake of surfacing from the caves of the deep ocean to prey on girls along the western coast. Blue Annis, who was a terror to behold—cobalt skin and iron claws and, like Lubia, a taste for female flesh. Lubia, at least, swallowed her prey swiftly. Annis … she took longer. Annis was like Lanthys in that regard.” His throat bobbed, and he tugged back the collar of his shirt to reveal another scar: the horrific, thick one above his left pectoral. She’d spied it the other day in the training ring. “That’s all that remains of it now, but Annis had shredded through my chest with those iron claws and was nearly at my heart when Azriel intervened. So I suppose her capture is shared between the two of us.” He drummed his fingers on the table. “And then there was—” “I’ve heard enough.” Her words were breathless. “I’ll never sleep tonight.” She shook her head, taking another bite of food. “I don’t know how you can, having faced all that.” He leaned back in his seat. “You learn to live with it. How to block the horrors from your present thoughts.” He added a touch quietly, “But they still lurk there. In the back of your mind.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
Pure happiness spilled from Elise and my muscular, muddy Lionesses and it was the most blissful feeling of my existence. Somehow, my lazy ass had grown into someone capable of creating a whole pride, of winning the academy Pitball tournament and of impossibly capturing the heart of this perfect creature in front of me. And I realised I may have longed for this Pitball dream to come true for years, but my truest dream was standing right in front of me. And I’d never let her go.
”
”
Caroline Peckham (Warrior Fae (Ruthless Boys of the Zodiac, #5))
“
I’m sorry,” he croaks softly, slowing, gently rolling into me, capturing my mouth and thrusting his tongue to match his pace. It’s then I taste the salt in his kiss, as desperate sounds begin to pour out of him. My eyes sting as I try my best to soothe him. “Tobias,” I murmur as he lowers his mouth peppering apologetic kisses along my neck. “Je t’ai perdue,” I lost you, he rasps out as he lifts his head, the rawness in his gaze grabs hold of me, fisting my heart so tightly I whimper at the loss of the last of the protection I held so dear. This isn’t fucking or making love. It’s the reunification of two souls ripped apart at the peak of discovery. And I know that’s what he feels now as awareness flows between us and we again become one, leaving no trace any space existed.
”
”
Kate Stewart (The Finish Line (The Ravenhood, #3))
“
His hand travels to the middle of my chest, resting his palm over my heart as he takes my hand, placing it over the exact same spot on his chest. I lean down, capturing his soft lips with mine. He kisses me slowly, achingly slow. His tongue drags along the length of mine before he angles his head and does it again with more force. The passion between us building, the heat between us, never more evident. What we do to each other is unimaginable. It’s chaotic, it’s wild, it’s nothing short of beautiful.
”
”
Jescie Hall (Hawke)
“
Whispers of the Sou
In the quiet realm where shadows play,
A restless mind lost in the endless fray.
No respite was found in the arms of sleep,
Just wandering thoughts, in silence, deep.
No words exist to capture the ache,
The soul's turmoil, a relentless quake.
In this vast expanse of unspoken pain,
A heart's echo, a lone refrain.
I walk the corridors of my own mind,
A ceaseless journey, no rest to find.
Words falter to describe the unknown,
A symphony of thoughts in a world of their own.
If emotion had language, would it speak of woe?
Of dreams deferred and seeds that never grow.
A paradox unfolds, reality's bitter twist,
In the paradox of existence, a mystery persist.
I am, yet why not, a question unanswered,
In the tapestry of life, a thread unmastered.
The universe weaves its cosmic design,
Yet, in waiting, I linger, in the labyrinth of time.
Thoughts dance like shadows, elusive, untamed,
Yet consciousness binds, a truth unclaimed.
A grand plan unfolds in the cosmic scheme,
Yet, in the unfolding, reality may seem.
I ponder the grandeur of the universe's art,
Yet reality echoes, tearing worlds apart.
For in the waiting, a patience wears thin,
A relentless yearning for a destiny to begin.
In the symphony of silence, a poet's plea,
To articulate the ineffable, set emotions free.
No language coined, no verse complete,
In the corridors of thought, where echoes repeat.
And as the stars bow to the night's embrace,
A revelation dawns, a celestial grace.
For in the quiet realm where shadows play,
A serenade of hope whispers, lighting the way.
In the tapestry of silence, a new verse is spun,
A symphony of resilience, a battle not yet won.
As the echoes fade, a metamorphosis takes flight,
In the dance of shadows, emerges the eternal light.
”
”
Manmohan Mishra
“
Let’s say I have cancer.” He opens his eyes to glare at me. “I don’t like this.” “Just hear me out. I have cancer, and there’s nothing more they can do for me.” He goes still, and for a moment I don’t even feel his heartbeat through his chest, like the thought of my heart stopping stopped his. “I don’t have much time left,” I whisper, letting him feel the possibility of me being gone. “But then someone discovers the cure for cancer.” He tips his mouth to the left and he traces the curves of my knees. “There’s just one catch.” I dip my head to capture his eyes. “The man who discovered the cure—he’s a white supremacist.” He looks back at me unblinkingly for a second before allowing himself one blink—just one. “Do you accept the cure for cancer?” “What good is this when—” “Answer the question. Do you accept the cure for cancer from a white supremacist to save my life?” “I’d accept the cure from the devil himself to save you. You know that.” He sighs. “It’s not the same.” “What’s the title of Dr. Hammond’s book?” He rolls his eyes. “You know the title, Bris.” “Humor me.” “Virus. The title of his book is Virus.” “And the point is that racism is a virus that’s constantly changing, constantly adapting, right?” I ask. “That it adapted when slavery was outlawed and when Jim Crow was eradicated and when segregation was legally struck down. It works its way into our systems, like our penal system, right? It’s a nasty bastard that just keeps morphing and surviving like a cockroach.” Now I have his attention. He’s stopped countering my every word, stopped protesting and thinking this is a useless exercise. He’s finally listening. “The person who finally cures cancer won’t be perfect,” I tell him. “They’ll just be the person who figured out the cure for cancer, and the people who live because of that won’t care that he cheated on his taxes or stepped out on his wife. They’ll care that he cured cancer. Dr. Hammond has a cure, at least for part of the problem. With his ideas and your resources and influence, imagine how much good you can do.” “He doesn’t think we should be together, thinks I’ve been societally conditioned to ‘acquire’ you.” Grip’s flinty look doesn’t dissuade me, even though that is some bullshit. “I bet there are more things you agree on than disagree.” I prop my elbows on his shoulders, leaning into him and persisting. “I bet when he gets to know me, I’ll go from being a ‘they’ to being Bristol. Isn’t that what you said months ago when you performed ‘Bruise’ for the Black and Blue Ball? That sometimes it takes us being around each other and getting to know each other, at least giving us the chance to go from being a category to who we really are? As individuals, who we really are?” He shakes his head, genuine humor apparent for the first time since his steps stuttered through our front door. “So, what?” A grin tilts his mouth. “You remember every word I say?” He really has no idea. “If I only get one life with you,” I mutter into his neck, “then, yes, I’m holding on to every moment and every word you say.” He pulls me away from the crook of his neck, studying my face. His eyes darken, emotion redolent in the air between us. “You’re so precious to me, Bristol,” he says, his voice the perfect blend of raw and reverent.
”
”
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
“
As my finger hovers over the camera app, I hear a peal of laughter from Emzee and realize that I’ve just missed a great joke—and that’s when it hits me. I don’t need my phone to capture this moment. All I need is to keep my eyes and ears and my heart open, to live in the here and now. My experiences with these people mean far more than the photos I was planning on getting.
”
”
Stella Gray (The Contract (Convenience, #2))
“
I know in my heart even a lifetime won’t be enough with my pretty human. She’s captured me, body and soul.
”
”
Ruby Dixon (Pretty Human (Risdaverse, #0.75))
“
I blamed my absent husband for so many things, but I have come to see—life in general is to blame. Edward would have stayed home if there had been another way. I was too stubborn to recognize the truth.
What will he say when I meet him at the depot? For that matter, what am I to say? Perhaps neither of us will need to speak. We will embrace and hopefully capture our hearts in our gaze, which will be enough.
”
”
Jenny Knipfer (In a Grove of Maples (Sheltering Trees #1))
“
With a triumphant smile, he slipped the ring onto my finger and stood, capturing my lips with his. The rock shuddered under our feet, nothing more than a pleasing vibration, Jerry giving his congratulations. Red rose petals caught the sun as they fluttered out over the ocean and danced in the air, Donovan’s touch. Lightning came down from a suddenly building storm, curving into the shape of a heart, over and over, Dylan’s support. Large rainbows blossomed into light shows, Boman’s congrats. A dead body pitched over the side and gave a thumbs-up on the way down.
“Bria’s magic doesn’t really match this scene,” I said, watching it like I might a car wreck.
”
”
K.F. Breene (Sin & Lightning (Demigods of San Francisco, #5))
“
He was able to capture my heart, but unfortunately, he didn’t like to play by the rules. He knew I was fragile, but he dropped me anyways.
”
”
Brittany Fust (Royals)
“
No – wait! Listen to me,” Miguel begged. “You were there the night I was freed, Lance Orion. The night Darcy Vega killed my wife Drusilla with her Phoenix fire.” I paused, sensing Darius pulling on my psyche urgently, but then I recalled this man shouting at us to run that day, like he’d wanted us to escape that place. “What do you want?” I asked hesitantly. “I want to repay Darcy for what she did. She returned my mind to me. Drusilla had me bound to her control by the will of the Shadow Princess. Many years ago, I was captured and enslaved by her, for my power is strong and so long as it runs in my veins, my strength aids the Shadow Princess. Drusilla wanted to birth a son equally strong, combining my power with hers, but I was simply a pawn, fed so much of the shadows that I was drowned in them. The darkness infected my mind for so many years as Drusilla prayed to Lavinia to keep me drunk on their endless power, to keep me compliant and practically braindead. But now Drusilla is gone and I have awoken. I see my life clearly for what it has been. My poor son is dead. I hardly got to know him at all and now I have nothing left but an ache for vengeance in my heart.
”
”
Caroline Peckham (Heartless Sky)
“
There is no one,” he says, quieter and softer than I’ve ever heard him before. “There is no one in my heart but you, Zirelle.
”
”
Lyonne Riley (Capturing the Orc's Heart (Trollkin Lovers, #3))