Capping Ceremony Quotes

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A graduation ceremony is an event where the commencement speaker tells thousands of students dressed in identical caps and gowns that "individuality" is the key to success.
Robert Orben
In 1911, the poet Morris Rosenfeld wrote the song “Where I Rest,” at a time when it was the immigrant Italians, Irish, Poles, and Jews who were exploited in the worst jobs, worked to death or burned to death in sweatshops.[*] It always brings me to tears, provides one metaphor for the lives of the unlucky:[19] Where I Rest Look not for me in nature’s greenery You will not find me there, I fear. Where lives are wasted by machinery That is where I rest, my dear. Look not for me where birds are singing Enchanting songs find not my ear. For in my slavery, chains a-ringing Is the music I do hear. Not where the streams of life are flowing I draw not from these fountains clear. But where we reap what greed is sowing Hungry teeth and falling tears. But if your heart does love me truly Join it with mine and hold me near. Then will this world of toil and cruelty Die in birth of Eden here.[*] It is the events of one second before to a million years before that determine whether your life and loves unfold next to bubbling streams or machines choking you with sooty smoke. Whether at graduation ceremonies you wear the cap and gown or bag the garbage. Whether the thing you are viewed as deserving is a long life of fulfillment or a long prison sentence. There is no justifiable “deserve.” The only possible moral conclusion is that you are no more entitled to have your needs and desires met than is any other human. That there is no human who is less worthy than you to have their well-being considered.[*] You may think otherwise, because you can’t conceive of the threads of causality beneath the surface that made you you, because you have the luxury of deciding that effort and self-discipline aren’t made of biology, because you have surrounded yourself with people who think the same.
Robert M. Sapolsky (Determined: A Science of Life without Free Will)
Because this tea kaiseki would be served so soon after breakfast, it would be considerably smaller than a traditional one. As a result, Stephen had decided to serve each mini tea kaiseki in a round stacking bento box, which looked like two miso soup bowls whose rims had been glued together. After lifting off the top dome-shaped cover the women would behold a little round tray sporting a tangle of raw squid strips and blanched scallions bound in a tahini-miso sauce pepped up with mustard. Underneath this seafood "salad" they would find a slightly deeper "tray" packed with pearly white rice garnished with a pink salted cherry blossom. Finally, under the rice would be their soup bowl containing the wanmori, the apex of the tea kaiseki. Inside the dashi base we had placed a large ball of fu (wheat gluten) shaped and colored to resemble a peach. Spongy and soft, it had a savory center of ground duck and sweet lily bulb. A cluster of fresh spinach leaves, to symbolize the budding of spring, accented the "peach," along with a shiitake mushroom cap simmered in mirin, sake, and soy. When the women had finished their meals, we served them tiny pink azuki bean paste sweets. David whipped them a bowl of thick green tea. For the dry sweets eaten before his thin tea, we served them flower-shaped refined sugar candies tinted pink. After all the women had left, Stephen, his helper, Mark, and I sat down to enjoy our own "Girl's Day" meal. And even though I was sitting in the corner of Stephen's dish-strewn kitchen in my T-shirt and rumpled khakis, that soft peach dumpling really did taste feminine and delicate.
Victoria Abbott Riccardi (Untangling My Chopsticks: A Culinary Sojourn in Kyoto)
I am here because I worked too hard and too long not to be here. But although I told the university that I would walk across the stage to take my diploma, I won’t. At age fifty-seven, I’m too damned old, and I’d look ridiculous in this crowd. From where I’m standing in the back of the hall, I can see that I am at least two decades older than most of the parents of these kids in their black caps and gowns. So I’ll graduate with this class, but I won’t walk across the stage and collect my diploma with them; I’ll have the school send it to my house. I only want to hear my name called. I’ll imagine what the rest would have been like. When you’ve had a life like mine, you learn to do that, to imagine the good things. The ceremony is about to begin. It’s a warm June day and a hallway of glass doors leading to the parking lot are open, the dignitaries march onto the stage, a janitor slams the doors shut, one after the other. That banging sound. It’s Christmas Day 1961 and three Waterbury cops are throwing their bulk against our sorely overmatched front door. They are wearing their long woolen blue coats and white gloves and they swear at the cold. They’ve finally come for us, in the dead of night, to take us away, just as our mother said they would.
John William Tuohy (No Time to Say Goodbye: A Memoir of a Life in Foster Care.)
I would return to my world, to my own city and my work. I would go back to being a doctor, an expensive New York doctor, the doctor into which I had been so expensively made. Wasn’t that what New York meant, expense? When I returned, everything would be expensive. Rent for my private office would be expensive. My hourly rate would be high. And however dizzying, the fee for my patients was only the beginning of the cost, the analytic undertaking promising neither comfort nor relief. It is instead a severe curriculum, Freud’s school of suffering: the universal conviction of shame, the pain of disclosure and of the resistance to disclosure, the awful vertigo of free association, the torment of encountering one’s hungers, hatreds, lusts, avowing them, claiming them as one’s own. I would become, anew, the minister of that suffering. In my costliness I would be a temple prostitute set apart and ceremonially dressed (in cardigan, gray flannels, polished cap- toe oxfords). My patients would pay me, not for something that they received from me, but instead for me to neutralize the account of whatever they had inserted or discharged into my person.
DeSales Harrison (The Waters & The Wild)
There was an office called the champion of England, which entailed none but ceremonial duties. The champion was to enter Westminster Hall on horseback, armed cap-a-pie, to challenge anyone disputing the king’s rights and to throw down a glove for any challenger to pick up. Three horsemen who represented the
Arthur H. Cash (John Wilkes: The Scandalous Father of Civil Liberty)
All rituals are grounded in repetition and rigidly fixed action sequences.17 But they differ from habits in one important way. Rituals lack a direct, immediate reward. Instead, we have to invent a meaning and impose it on them. We lift our glasses to toast, blow out candles on a birthday cake, and wear caps and gowns at graduation. The act of standing silently for a song, singing while candles burn, or wearing a ceremonial costume acts as feedback, reinforcing our belief that something meaningful is taking place—an act of respect for our country, a celebration of another year, or an educational accomplishment.
Wendy Wood (Good Habits, Bad Habits: The Science of Making Positive Changes That Stick)
Emma Sulkowicz, the Columbia University student who made waves as an activist against sexual assault, ended her school year as she began it: carrying a mattress. Ms. Sulkowicz carried her mattress around campus throughout her senior year to raise awareness to her school’s handling of sexual assault. On Tuesday, she brought it with her to her graduation ceremony, and walked with it during the processional. Four fellow female graduates helped her carry the mattress as she walked across the stage to cheers from the audience. Ms. Sulkowicz has said she was raped in her dorm by a classmate who was later cleared of the crime in what she said was a flawed university disciplinary proceeding. She has spent approximately the past nine months carrying her mattress on campus as part of a school-sanctioned art project, “Mattress Performance (Carry That Weight),” vowing to carry it as long as she and the accused student attend the same school. The project sparked debate on and off campus. In January, Ms. Sulkowicz was the guest of New York Sen. Kirsten Gillibrand at President Barack Obama’s State of the Union address. The accused student, Paul Nungesser, and Ms. Sulkowicz both graduated Tuesday. Mr. Nungesser has said he didn’t rape Ms. Sulkowicz and last month filed a lawsuit in Manhattan federal court against Columbia for allowing what he says is sustained harassment against him. As part of the lawsuit, his attorney requested that Columbia bar Ms. Sulkowicz from carrying the mattress at graduation. The school almost did. On Monday, it sent out graduation guidelines that said: “Graduates should not bring into the ceremonial area large objects which could interfere with the proceedings or create discomfort to others in close, crowded spaces shared by thousands of people.” Students saw the guidelines as a reference to Ms. Sulkowicz, they said. But she showed up on Tuesday, mattress in hand. Some students wore red tape on their graduation caps in solidarity with Ms. Sulkowicz, referencing No Red Tape, Columbia’s anti-sexual-assault activist group. Mr. Nungesser’s attorney, Andrew Miltenberg, criticized Columbia. “Once again, Columbia has irresponsibly allowed Ms. Sulkowicz to create a spectacle, the purpose of which is to vilify and humiliate Mr. Nungesser,” Mr. Miltenberg said. “Shame on Columbia for forcing the entire class of 2015 to bear silent witness to the victimization of Mr. Nungesser, on a day set aside to celebrate their academic achievements.” Ms. Sulkowicz, who graduated magna cum laude, and her
Anonymous
The management of the family and their affect during this period is heavily gendered in a series of conflicting moves. The masculine military manages the external business of dying, much as the men do in a traditional Punjabi household during a regular funeral. Thus the men in the family are rendered passive during military funerals. They are reduced to the helpless feminine, merely receiving instructions from the military. The father weeping helplessly at the side of the grave or breaking down during the ceremonial handing over of the cap and flag juxtaposed with the composed and stoic military reflect other emasculations. The way women grieve is a point of concern for the military. A brigadier from the military directorate, which organizes funerals, explains this preoccupation. The soldier’s family, especially the mother and wife, are very jazbati (emotional). The soldier has gone through training; he is more educated and less emotional. Grief affects the zehen and can demoralize and stop future generations [from joining the army]. We don’t want to distress them [the family] further, so sometimes it is best that they do not see or touch. We want to save them from pain and distress. 183/378
Maria Rashid (Dying to Serve: Militarism, Affect, and the Politics of Sacrifice in the Pakistan Army)
Communal recognitions of deaths were perfunctory, delayed, and conducted by rear-echelon officers who had no emotional connection to the dead or their comrades. One veteran from an elite unit bitterly resents that nothing ceremonial marked the death of his closest comrade: They didn't even have a fucking stand-down for the fucking kid. They had a fucking stand-down for all the fucking pot-head mother-fucking dope-stuffing motherfuckers. [Stand-down] is when guys in the outfit get killed, they'd bring the whole unit back, and they'd set his rifle up and put his helmet or his boonie cap on, and plays taps and shit. Pay him fucking respect. They do this for all these mother-fucking junkie motherfuckers around here. They can't do it for a fucking kid who did every fucking thing he was asked to do. Fucking kid never complained about nothing.
Jonathan Shay (Achilles in Vietnam: Combat Trauma and the Undoing of Character)
Ninety feet directly beneath the center courtyard café in the middle of the Pentagon—previously known as the Ground Zero Cafe, because when the bomb dropped that was where it would most likely detonate—there is a deep subbasement office with ferroconcrete walls and a filtered air supply, accessible by discreet elevators and staircases from all five wings of the main building. It was designed as a deep command bunker back when the worst threats were raids by long-range Luftwaffe bombers bearing conventional explosives. Obsolescent since the morning of July 16, 1945—it won’t withstand a direct ground burst from an atom bomb, much less more modern munitions—it still possesses certain uses. Being deep underground and equidistant from all the other wings, it was well suited as a switch for SCAN, the Army’s automatic switched communications system, and later for AUTOVON. AUTOVON led to ARPANET, the predecessor of the internet, and the secure exchange in the basement played host to one of the first IMPs—Interface Message Processors—outside of academia. By the early 1980s a lack of rackspace led the DoD to relocate their hardened exchanges to a site closer to the 1950s-sized mainframe halls. And it was then that the empty bunker was taken over by a shadowy affiliate of the National Security Agency, tasked with waging occult warfare against the enemies of the nation. The past six months have brought some changes. There is a pentagonal main room inside the bunker, and within it there is a ceremonial maze, inscribed in blood and silver that glows with a soft fluorescence, converging on a dais at the heart of the design. The labyrinth takes the shape of a pentacle aligned with the building overhead: at each corner stands a motionless sentinel clad head to toe in occlusive silver fabric. Robed in black and crimson silk and shod in slippers of disturbingly pale leather, the Deputy Director paces her way through the maze. In her left hand she bears a jewel-capped scepter carved from the femur of a dead pope, and in her right hand she bears a gold-plated chalice made from a skull that once served Josef Stalin as an ashtray. As she walks she recites a prayer of allegiance and propitiation, its cadences and grammar those of a variant dialect of Old Enochian.
Charles Stross (The Labyrinth Index (Laundry Files, #9))
In April 2020, Business Breakthrough (BBT) University in Tokyo, Japan held a graduation ceremony for students using avatar robots remotely controlled by graduating students from their homes. The avatar robots, dubbed “Newme”, were dressed in graduation caps and gowns for the ceremony, complete with tablets projecting the graduates’ face. BBT hoped the approach could be used as a model for other schools wishing to avoid large gatherings amid the COVID-19 pandemic.
Nayden Kostov (323 Disturbing Facts about Our World)
holster, and Ridge let him. “Yes, sir.” He waited for Bockenhaimer to point out that neither pilots nor colonels had the experience necessary to command army installations, but the general merely leaned forward to squint at the papers. “Retirement?” He leaned closer, a delighted smile stretching his lips. “Retirement!” Ridge resisted the urge to roll his eyes. He wondered if the general had been a drunk before they shipped him out here—could this place have been a punishment for him as well?—or if commanding a remote prison full of felons had driven him to drink. “Yes, sir,” Ridge said. “If you could tell me about the S.O.P. here and give me a few—” Bockenhaimer jumped to his feet, wobbled—Ridge caught him and held him upright despite being surprised—and lunged for the window. “Is that my flier? I can leave today?” “Yes, sir. But I’d appreciate it if you—” The general threw open the window and waved to the pilot. “Wait for me, son. I’m already packed!” Oddly, the wobbling didn’t slow Bockenhaimer down much when he ran around the desk and out the door. Ridge’s mouth was still hanging open when the general appeared in the courtyard below, a bag tucked under his arm as he raced along the cleared sidewalks. “That’s… not exactly how the change-of-command ceremonies I’ve seen usually go.” Ridge hadn’t been expecting a parade and a marching band, not in this remote hole, but a briefing would have been nice. He removed his fur cap and pushed a hand through his hair, surveying his new office. He wondered how long it would take to get rid of the alcohol odor. He also wondered how long that poor potted plant in the corner had been dead. Hadn’t that young captain been the general’s aide? He couldn’t have had some private come in to make sure the place was cleaned? Maybe the staff was too busy guarding the prisoners, and the officers had to wield their own brooms here. Ridge was looking for the fort’s operations manuals when a knock came at the door. “Sir?” Captain Heriton, the officer who had met him at the flier, leaned in, an apprehensive look on his face. His pale hair and pimples made him look about fifteen instead of the twenty-five or more he must be. “Yes?” “It’s about that woman… she said she was dropped off yesterday—we got a big load of new convicts—and that she doesn’t remember the number she was issued.” “The number?” “Yes, sir. The prisoners are issued numbers instead of being called by name. Keeps down the in-fighting. Some of them are prisoners of war and pirates, and there are a few former soldiers, and some of those clansmen from up in the north hills. It’s easier if they start out with new identities here. The general didn’t brief you?” The captain glanced toward the window—the flier had already taken off. “I guess he did leave abruptly.” “Abruptly, yes, that’s a word.” Not the word Ridge would have used, but he couldn’t bring himself to badmouth the general yet, not until he had spent a couple of weeks here and gotten a true feel for where he had landed. “You don’t happen to know where the operations manuals are, do you?” “They should be in here somewhere, sir.” The captain started to lean back into the hall. “The woman’s report, Captain,” Ridge said dryly. He knew the man hadn’t found it, but wasn’t ready to let some prisoner wander around without
Lindsay Buroker (The Dragon Blood Collection, Books 1-3)
I flew home with Iran Air, which gave me six and a half hours to truly appreciate the impact of the international sanctions first hand. The scratchy seat fabric, cigarette-burned plastic washbasins and whiff of engine oil throughout the cabin reminded me of late seventies coach travel, which was probably the last time these planes had had a facelift. I tried to convince myself that Iran Air had prioritised the maintenance of engines and safety features over the interior decor but I wasn’t convinced, especially when the seatbelt refused to budge. The in-flight entertainment had certainly been spared an upgrade, consisting of one small television at the front of the plane showing repeat screenings of a gentle propaganda film featuring chador-clad women gazing at waterfalls and flowers with an appropriately tinkly soundtrack. The stewardesses’ outfits were suitably dreary too. Reflecting Iran Air’s status as the national carrier of the Islamic Republic, they were of course modest to the point of unflattering, with not a single glimpse of neck or hair visible beneath the military style cap and hijab. As we took off, I examined my fellow passengers. Nobody was praying and as soon as we were airborne, every female passenger removed her headscarf without ceremony.
Lois Pryce (Revolutionary Ride: On the Road in Search of the Real Iran)
I graduated on a May afternoon. When the director of ceremonies ended her speech, I had no desire to triumphantly fling my graduation cap into the air as a gesture of my newfound freedom. There was nothing liberating about leaving college: I’d ended one series of obligations only to enter into another. I looked with fear and uncertainty at the long road ahead.
Ken Ilgunas (Walden on Wheels: On the Open Road from Debt to Freedom)