Cap Lover Quotes

We've searched our database for all the quotes and captions related to Cap Lover. Here they are! All 24 of them:

Butch repositioned the Sox cap, and as his wrist passed by his nose, he got another whiff of himself. "Ah, V. . . listen, there is something a little weird going down on me." "What?" "I smell like men's cologne." "Good for you. Females dig that kind of thing." "Vishous, I smell like Obsession for Men, only I'm not WEARING any, you feel me?" There was silence on the line. Then, "Humans don't bond." "Oh, really. You want to tell that to my central nervous system and my sweat glands? They'd appreciate the news flash, I'm sure.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
Tohrment spoke. "Bella's brother called. He's tabled the sehelusion request and asked that she stay here for a couple of days." Z jacked his head up. "Why?" "He didn't give a reason-" Tohr's eye's narrowed on Z's face. "Oh... my God." "What the fuck are you looking at?" Phury pointed to the antique mirror hanging on the wall next to the double doors. "See for yourself." Zsadist marched across the room, ready to give them all hell. Bella was what mattered- His mouth went lax at his reflection. With a shaky hand he reached out to the eyes in the old-fashioned leaded glass. His irises were no longer black. They were yellow. Just like his twin's. "Phury?" he said softly. "Phury... what happened to me?" As the male came up behind him, his brother's face appeared right beside Z's. And then Wrath's dark reflection showed up in the mirror, all long hair and sunglasses. Then Rhage's star-fallen beauty. And Vishous's Sox cap. And Tohrment's brush cut. And Butch's busted nose. One by one they reached out and touched him, their big hands gently on his shoulders. "Welcome back, my brother," Phury whispered. Zsadist stared at the males who were behind him. And the oddest thought that if he were to let himself go limp and fall backward... they would catch him.
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
A hand landed on his shoulder like an anvil. “How’d you like to stay for dinner?” Butch looked up. The guy was wearing a baseball cap and had some kind of marking—was that a tattoo, on his face? “How’d you like to be dinner?” said another one, who looked like some kind of model.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
Wanted, wanted: Dolores Haze. Hair: brown. Lips: scarlet. Age: five thousand three hundred days. Profession: none, or "starlet" Where are you hiding, Dolores Haze? Why are you hiding, darling? (I Talk in a daze, I walk in a maze I cannot get out, said the starling). Where are you riding, Dolores Haze? What make is the magic carpet? Is a Cream Cougar the present craze? And where are you parked, my car pet? Who is your hero, Dolores Haze? Still one of those blue-capped star-men? Oh the balmy days and the palmy bays, And the cars, and the bars, my Carmen! Oh Dolores, that juke-box hurts! Are you still dancin', darlin'? (Both in worn levis, both in torn T-shirts, And I, in my corner, snarlin'). Happy, happy is gnarled McFate Touring the States with a child wife, Plowing his Molly in every State Among the protected wild life. My Dolly, my folly! Her eyes were vair, And never closed when I kissed her. Know an old perfume called Soliel Vert? Are you from Paris, mister? L'autre soir un air froid d'opera m'alita; Son fele -- bien fol est qui s'y fie! Il neige, le decor s'ecroule, Lolita! Lolita, qu'ai-je fait de ta vie? Dying, dying, Lolita Haze, Of hate and remorse, I'm dying. And again my hairy fist I raise, And again I hear you crying. Officer, officer, there they go-- In the rain, where that lighted store is! And her socks are white, and I love her so, And her name is Haze, Dolores. Officer, officer, there they are-- Dolores Haze and her lover! Whip out your gun and follow that car. Now tumble out and take cover. Wanted, wanted: Dolores Haze. Her dream-gray gaze never flinches. Ninety pounds is all she weighs With a height of sixty inches. My car is limping, Dolores Haze, And the last long lap is the hardest, And I shall be dumped where the weed decays, And the rest is rust and stardust.
Vladimir Nabokov (Lolita)
The guy stroked his goatee. “What do you call twenty guys watching the World Series?” “The New York Yankees,” Butch replied. The vampire laughed in a loud burst, whipped the baseball cap off his head, and slapped it on his thigh.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
commonplace, adj. ... But then I'll walk into the bathroom and find you've forgotten to put the cap back on the toothpaste again, and it will be this splinter that I just keep stepping on.
David Levithan (The Lover's Dictionary)
Mr. Normal stepped forward and offered him a Scotch bottle. "You look like you could use some." Yeah, you think? Butch took a swig. "Thanks." "So can we kill him now?" said the one with the goatee and the baseball hat. Beth's man spoke harshly. "Back off, V." "Why? He's just a human." "And my shellan is half-human. The man doesn't die just because he's not one of us." "Jesus, you've changed your tune." "So you need to catch up, brother." Butch got to his feet. If his death was going to be debated, he wanted in on the discussion. "I appreciate the support," he said to Beth's boy. "But I don't need it." He went over to the guy with the hat, discreetly switching his grip on the bottle's neck in case he had to crack the damn thing over a head. He moved in tight, so their noses were almost touching. He could feel the vampire heating up, priming for a fight. "I'm happy to take you on, asshole," Butch said. "I'll probably end up losing, but I fight dirty, so I'll make you hurt while you kill me." Then he eyed the guy's hat. "Though I hate clocking the shit out of another Red Sox fan." There was a shout of laughter from behind him. Someone said, "This is gonna be fun to watch." The guy in front of Butch narrowed his eyes into slits. "You true about the Sox?" "Born and raised in Southie. Haven't stopped grinning since '04." There was a long pause. The vampire snorted. "I don't like humans." "Yeah, well, I'm not too crazy about you bloodsuckers." Another stretch of silence. The guy stroked his goatee. "What do you call twenty guys watching the World Series?" "The New York Yankees," Butch replied. The vampire laughed in a loud burst, whipped the baseball cap off his head, and slapped it on his thigh. Just like that, the tension was broken.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
Lassiter skidded in from the billiards room, the fallen angel glowing from his black-and-blond hair and white eyes, all the way down to his shitkickers. Then again, maybe the illumination wasn’t his nature, but that gold he insisted on wearing. He looked like a living, breathing jewelry tree. “I’m here. Where’s my chauffeur hat?” “Here, use mine,” Butch said, outing a B Sox cap and throwing it over. “It’ll help that hair of yours.” The angel caught the thing on the fly and stared at the red S. “I’m sorry, I can’t.” “Do not tell me you’re a Yankees fan,” V drawled. “I’ll have to kill you, and frankly, tonight we need all the wingmen we’ve got.” Lassiter tossed the cap back. Whistled. Looked casual. “Are you serious?” Butch said. Like the guy had maybe volunteered for a lobotomy. Or a limb amputation. Or a pedicure. “No fucking way,” V echoed. “When and where did you become a friend of the enemy—” The angel held up his palms. “It’s not my fault you guys suck—” Tohr actually stepped in front of Lassiter, like he was worried that something a lot more than smack talk was going to start flying. And the sad thing was, he was right to be concerned. Apart from their shellans, V and Butch loved the Sox above almost everything else—including sanity.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
I do wish men, when they're taking their leave from a lady at dawn, wouldn't insist on adjusting their clothes to a nicety, or fussily tying their lacquered cap securely into place. After all, who would laugh at a man or criticize him if they happened to catch sight of him on his way home from an assignation in fearful disarray, with his cloak or hunting costume all awry?
Sei Shōnagon (The Pillow Book)
And Miriam also refused to be approached. She was afraid of being set at nought, as by her own brothers. The girl was romantic in her soul. Everywhere was a Walter Scott heroine being loved by men with helmets or with plumes in their caps. She herself was something of a princess turned into a swine-girl in her own imagination. And she was afraid lest this boy, who, nevertheless, looked something like a Walter Scott hero, who could paint and speak French, and knew what algebra meant, and who went by train to Nottingham every day, might consider her simply as the swine-girl, unable to perceive the princess beneath; so she held aloof.
D.H. Lawrence (Sons and lovers)
Unscrewing the cap, Gabriel squeezed a bit of clear jelly onto his fingers and understood. Covering Joey’s body with his own, Gabriel kissed his lips. “But you said – something we haven’t tried …” “We haven’t.” Reaching up, Joey cupped Gabriel’s cheek. “What happened before was one stranger attacking another. What happens now is between you and me.” “Joey.” Gabriel kissed the other man’s earlobe, his jawline, the hollow of his throat. “I can’t hurt you again. I’ll kill myself first.
S.A. Reid (Protection)
flagrant, adj. I would be standing right there, and you would walk out of the bathroom without putting the cap back on the toothpaste.
David Levithan (The Lover's Dictionary)
One of the policemen took off his cap and put it over the offensive member, but that did not conceal it completely.
Isabel Allende (Lovers at the Museum)
I’m here. Where’s my chauffeur hat?” “Here, use mine,” Butch said, outing a B Sox cap and throwing it over. “It’ll help that hair of yours.” The angel caught the thing on the fly and stared at the red S. “I’m sorry, I can’t.” “Do not tell me you’re a Yankees fan,” V drawled. “I’ll have to kill you, and frankly, tonight we need all the wingmen we’ve got.” Lassiter tossed the cap back. Whistled. Looked casual.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
Werner shyly. “Oh, come on, you didn’t already know?” With his glasses on, Frederick’s expression seems to ease; his face makes more sense—this, Werner thinks, is who he is. A soft-skinned boy in glasses with taffy-colored hair and the finest trace of a mustache needled across his lip. Bird lover. Rich kid. “I barely hit anything in marksmanship. You really didn’t know?” “Maybe,” says Werner. “Maybe I knew. How did you pass the eye exams?” “Memorized the charts.” “Don’t they have different ones?” “I memorized all four. Father got them ahead of time. Mother helped me study.” “What about your binoculars?” “They’re prescription. Cost a fortune.” They sit in a big kitchen at a butcher’s block with a marble cap. The maid named Fanni emerges with a dark loaf and a round of
Anthony Doerr (All the Light We Cannot See)
She is everything to me in life. Night after night I go to see her play. One evening she is Rosalind, and the next evening she is Imogen. I have seen her the in the gloom of an Italian tomb, sucking the poison from her lover’s lips. I have watched her wandering through the forest of Arden, disguised as a pretty boy in hose and doublet and dainty cap. She has been mad, and has come into the presence of a guilty king, and given him rue to wear, and bitter herbs to taste of. She has been innocent, and the black hands of jealousy have crushed her reed-like throat. I have seen her in every age and in every costume. Ordinary women never appeal to one’s imagination. They are limited to their century. No glamour ever transfigures them. One knows their minds as easily as one knows their bonnets. One can always find them. There is no mystery in any of them:
Oscar Wilde (The Picture of Dorian Gray (Everyman S))
Why should I not love her? Harry, I do love her. She is everything to me in life. Night after night I go to see her play. One evening she is Rosalind, and the next evening she is Imogen. I have seen her die in the gloom of an Italian Tomb, sucking the poison from her lover's lips. I have watched her wandering through the forest of Arden, disguised as a pretty boy in hose and doublet and dainty cap. She has been mad, and has come into the presence of a guilty king, and given him rue to wear, and bitter herbs to taste of. She has been innocent, and the black hands of jealousy have crushed her reed-like throat. I have seen her in every age and in every costume. Ordinary women never appeal to one's imagination. They are limited to their century. No glamour ever transfigures them. One knows their minds as easily as one knows their bonnets. One can always find them. There is no mystery in one of them.
Oscar Wilde (The Picture of Dorian Gray)
We have become fools who reject the walls, wearing a cap with bells and tagging judgments just so that others can hear our crying out for attention. ‘We have become its jester.’ We have grown into hermits to the screen's lights, we are seeking the answers alone in the dark. Even so, the soft light is no comfortable, why? Because it needs to come from the sun and its hope, and we must learn to shine in the absence of the light of the lit walls of cyberspace, to become lovers to one another, and the world.
Marcel Ray Duriez
To sit indoors was silly. I postponed the search for Savchenko and Ludmila till the next day and went wandering about Paris. The men wore bowlers, the women huge hats with feathers. On the café terraces lovers kissed unconcernedly - I stopped looking away. Students walked along the boulevard St. Michel. They walked in the middle of the street, holding up traffic, but no one dispersed them. At first I thought it was a demonstration - but no, they were simply enjoying themselves. Roasted chestnuts were being sold. Rain began to fall. The grass in the Luxembourg gardens was a tender green. In December! I was very hot in my lined coat. (I had left my boots and fur cap at the hotel.) There were bright posters everywhere. All the time I felt as though I were at the theatre.
Ilya Ehrenburg (Ilya Ehrenburg: Selections from People, Years, Life)
I’ve been around the world twice, talked to everyone once, seen two whales fuck, been to three world fairs, and I even know a man in Thailand with a wooden cock. Push more peter, more sweeter and more completer than any other peter pusher around. I’m a hard bodied, hairy chested, rootin, tootin, shootin, parachutin, demolition double cap crimping, Frogman. “There ain’t nothing I can’t do, no sky too high, no sea to rough, no muff too tough. “Learnt a lot of lessons in my life, never shoot a large calibre man with a small calibre bullet. Drive all kinds of truck 2 bys, 4 bys, 6 bys, those big motherfuckers that bend and go tshhhh, tshhhh, when you step on the breaks. Anything in life worth doing, is worth overdoing, moderation is for cowards. I’m a lover, I’m a fighter, I’m a UDT Navy Seal Diver, I wine, dine, intertwine and sneak out the back door when the revealing is done. So, if you’re feeling froggy you better jump because this Frogman’s been there, done that, and is going back for more. Cheers Boys!
Stephen Makk (The Iranian Blockade (USS Stonewall Jackson #4))
To sit indoors was silly. I postponed the search for Savchenko and Ludmila till the next day and went wandering about Paris. The men wore bowlers, the women huge hats with feathers. On the café terraces lovers kissed unconcernedly - I stopped looking away. Students walked along the boulevard St. Michel. They walked in the middle of the street, holding up traffic, but no one dispersed them. At first I thought it was a demonstration - but no, they were simply enjoying themselves. Roasted chestnuts were being sold. Rain began to fall. The grass in the Luxembourg gardens was a tender green. In December! I was very hot in my lined coat. (I had left my boots and fur cap at the hotel.) There were bright posters everywhere. All the time I felt as though I were at the theatre. I have lived in Paris off and on for many years. Various events, snatches of conversation have become confused in my memory. But I remember well my first day there: the city electrified my. The most astonishing thing is that is has remained unchanged; Moscow is unrecognizable, but Paris is still as it was. When I come to Paris now, I feel inexpressibly sad - the city is the same, it is I who have changed. It is painful for me to walk along the familiar streets - they are the streets of my youth. Of course, the fiacres, the omnibuses, the steam-car disappeared long ago; you rarely see a café with red velvet or leather settees; only a few pissoirs are left - the rest have gone into hiding underground. But these, after all, are minor details. People still live out in the streets, lovers kiss wherever they please, no one takes any notice of anyone. The old houses haven't changed - what's another half a century to them; at their age it makes no difference. Say what you will, the world has changed, and so the Parisians, too, must be thinking of many things of which they had no inkling in the old days: the atom bomb, mass-production methods, Communism. But with their new thoughts they still remain Parisians, and I am sure that if an eighteen-year-old Soviet lad comes to Paris today he will raise his hands in astonishment, as I did in 1908: "A theatre!
Ilya Ehrenburg (Ilya Ehrenburg: Selections from People, Years, Life)
I have many lovers. Where ever I look, I find them. There is no place devoid of them. They are everywhere: In the enchanting Cottonwood trees, The rivers, the rocky roads, the hills, the mystic trails, The snow capped mountains, The skies, the clouds, the soaring Eagles, The blackness of night, as black as the Raven, The absolute brave Cactus, Listening to me, and the whispers I breathe. Where ever I, look I find them. There is no place devoid of them. My lovers are everywhere. They are everywhere: In the rains, the freezing winds, The sun, the moonlight, The darkness of despair, The days of pain and sorrow, They never leave me, or betray me, Or ever forsake me, Even in my unfaithfulness, They remain mine. Am I blessed, crazy, or blind? However much I dare, Even in those careless moments; they care. Where ever I look, I find them, There is no place devoid of them, My lovers are everywhere. They are everywhere: I close my eye’s, I see them, They appear to me patiently, like some ancient melody, in my waking dreams, they are like wise prophets, twirling in compassionate dances of forgiveness. Allowing me my mistakes of existence, They give me, ‘me’, Reach for my fears, cradle and hold me. They are everywhere. I will regenerate, and shine through their presence. Through their guidance, from their quiet empowerment, I will gather myself, pick up my pride, Understand ‘life’, and remember reality. Finally, when my ‘being’ remains not with me, they will once again redefine, re-collect me, recreate the aura around me, find another place to replant me. They are everywhere. No place is devoid of them. Countless lovers. Their love: Omnipresent. Only if one can ‘see’, These lovers are everywhere .
Ansul Noor (Soul Fire- A Mystical Journey through Poetry)
The wilderness is not a landscape you visit; it is all around you, wherever you are. We persuade ourselves that our taming of the world is profound, we lay water mains and sewers and read thousand year old books, we drive our autobahns through solid rock, we huddle together in caves lit by the incandescence of television screens. We do everything we can to be safe, and still the planet spins, the winds roar, the great ice caps creak and heave, the continental plates shudder and bring cities crashing to the ground, the viruses infect us and the oceans toy with us, lapping against the edges of our precarious land. We are in the midst of wilderness, even curled up with our lovers in bed.
Paul Shepheard
Karl Marx wrote...'The plains of Hindustan are strewn with the bleached bones of the weavers of Bengal" (sic). And so it is with our poor down-trodden Russulas. Just listen to how so called "mushroom lovers" malign this proletarian genus. Casting their broken bodies aside we mutter phrases like 'garbage mushroom' with disgust. It sounds almost like 'untouchable', or 'outcast'. Are not Russulas truly abundant even in drier months when the petit bourgeois genera are safely underground? Are they not toiling in mycorrhizal labors while capitalist [that is, parasitic] genera such as Honey Caps and Sulfur Shelf sponge off our forests? And are they not more colorful than the aristocratic Morchella of spring? Yes, yes, and yes. Perhaps their inscrutability, their resistance to macroscopic identification are what give rise to such unprovoked antagonism.
Jeff Donaghue