Canterbury Quotes

Patience is a conquering virtue.

people can die of mere imagination

If gold rusts, what then can iron do?

Nothing Ventured, Nothing Gained

No empty handed man can lure a bird

The Black Prince is entombed at Canterbury Cathedral. His effigy reads: “Such as thou art, sometimes was I, Such as I am, such thou shalt be, I thought little on hour of death, So long as I enjoyed breath, On earth I had great riches, Land, houses, great treasure, Horses money and gold, But now a wretched captive am I, Deep in the ground, lo I lie, My beauty great, is all quite gone, My flesh is wasted to the bone.

Forbid Us Something and That Thing we Desire

Reading list (1972 edition)[edit] 1. Homer – Iliad, Odyssey 2. The Old Testament 3. Aeschylus – Tragedies 4. Sophocles – Tragedies 5. Herodotus – Histories 6. Euripides – Tragedies 7. Thucydides – History of the Peloponnesian War 8. Hippocrates – Medical Writings 9. Aristophanes – Comedies 10. Plato – Dialogues 11. Aristotle – Works 12. Epicurus – Letter to Herodotus; Letter to Menoecus 13. Euclid – Elements 14. Archimedes – Works 15. Apollonius of Perga – Conic Sections 16. Cicero – Works 17. Lucretius – On the Nature of Things 18. Virgil – Works 19. Horace – Works 20. Livy – History of Rome 21. Ovid – Works 22. Plutarch – Parallel Lives; Moralia 23. Tacitus – Histories; Annals; Agricola Germania 24. Nicomachus of Gerasa – Introduction to Arithmetic 25. Epictetus – Discourses; Encheiridion 26. Ptolemy – Almagest 27. Lucian – Works 28. Marcus Aurelius – Meditations 29. Galen – On the Natural Faculties 30. The New Testament 31. Plotinus – The Enneads 32. St. Augustine – On the Teacher; Confessions; City of God; On Christian Doctrine 33. The Song of Roland 34. The Nibelungenlied 35. The Saga of Burnt Njál 36. St. Thomas Aquinas – Summa Theologica 37. Dante Alighieri – The Divine Comedy;The New Life; On Monarchy 38. Geoffrey Chaucer – Troilus and Criseyde; The Canterbury Tales 39. Leonardo da Vinci – Notebooks 40. Niccolò Machiavelli – The Prince; Discourses on the First Ten Books of Livy 41. Desiderius Erasmus – The Praise of Folly 42. Nicolaus Copernicus – On the Revolutions of the Heavenly Spheres 43. Thomas More – Utopia 44. Martin Luther – Table Talk; Three Treatises 45. François Rabelais – Gargantua and Pantagruel 46. John Calvin – Institutes of the Christian Religion 47. Michel de Montaigne – Essays 48. William Gilbert – On the Loadstone and Magnetic Bodies 49. Miguel de Cervantes – Don Quixote 50. Edmund Spenser – Prothalamion; The Faerie Queene 51. Francis Bacon – Essays; Advancement of Learning; Novum Organum, New Atlantis 52. William Shakespeare – Poetry and Plays 53. Galileo Galilei – Starry Messenger; Dialogues Concerning Two New Sciences 54. Johannes Kepler – Epitome of Copernican Astronomy; Concerning the Harmonies of the World 55. William Harvey – On the Motion of the Heart and Blood in Animals; On the Circulation of the Blood; On the Generation of Animals 56. Thomas Hobbes – Leviathan 57. René Descartes – Rules for the Direction of the Mind; Discourse on the Method; Geometry; Meditations on First Philosophy 58. John Milton – Works 59. Molière – Comedies 60. Blaise Pascal – The Provincial Letters; Pensees; Scientific Treatises 61. Christiaan Huygens – Treatise on Light 62. Benedict de Spinoza – Ethics 63. John Locke – Letter Concerning Toleration; Of Civil Government; Essay Concerning Human Understanding;Thoughts Concerning Education 64. Jean Baptiste Racine – Tragedies 65. Isaac Newton – Mathematical Principles of Natural Philosophy; Optics 66. Gottfried Wilhelm Leibniz – Discourse on Metaphysics; New Essays Concerning Human Understanding;Monadology 67. Daniel Defoe – Robinson Crusoe 68. Jonathan Swift – A Tale of a Tub; Journal to Stella; Gulliver's Travels; A Modest Proposal 69. William Congreve – The Way of the World 70. George Berkeley – Principles of Human Knowledge 71. Alexander Pope – Essay on Criticism; Rape of the Lock; Essay on Man 72. Charles de Secondat, baron de Montesquieu – Persian Letters; Spirit of Laws 73. Voltaire – Letters on the English; Candide; Philosophical Dictionary 74. Henry Fielding – Joseph Andrews; Tom Jones 75. Samuel Johnson – The Vanity of Human Wishes; Dictionary; Rasselas; The Lives of the Poets

Purity in body and heart May please some--as for me, I make no boast. For, as you know, no master of a household Has all of his utensils made of gold; Some are wood, and yet they are of use.

The advantage to being a wicked bastard is that everyone pesters the Lord on your behalf; if volume of prayers from my saintly enemies means anything, I'll be saved when the Archbishop of Canterbury is damned. It's a comforting thought.

Love will not be constrain'd by mastery. When mast'ry comes, the god of love anon Beateth his wings, and, farewell, he is gone. Love is a thing as any spirit free.

And gladly wolde he lerne, and gladly teche.

Youth may outrun the old, but not outwit.

For if a priest be foul, on whom we trust, No wonder is a common man should rust" -The Prologue of Chaucers Canterbury Tales-

One more thing: Linda, can you get to Canterbury and take over my Chaucerian Society? They're at Dovecote Hostelry in the old city. We're visiting all the scenes of the great murders. Tomorrow they want to see where Becket was killed. They're a bloodthirsty lot, it seems.

Then you compared a woman's love to Hell, To barren land where water will not dwell, And you compared it to a quenchless fire, The more it burns the more is its desire To burn up everything that burnt can be. You say that just as worms destroy a tree A wife destroys her husband and contrives, As husbands know, the ruin of their lives.

Yet do not miss the moral, my good men. For Saint Paul says that all that’s written well Is written down some useful truth to tell. Then take the wheat and let the chaff lie still.

It seems to me that poverty is an eyeglass through which one may see his true friends.

And high above, depicted in a tower, Sat Conquest, robed in majesty and power, Under a sword that swung above his head, Sharp-edged and hanging by a subtle thread.

Some say the Tudors transcend this history, bloody and demonic as it is: that they descend from Brutus through the line of Constantine, son of St Helena, who was a Briton. Arthur, High King of Britain, was Constantine's grandson. He married up to three women, all called Guinevere, and his tomb is at Glastonbury, but you must understand that he is not really dead, only waiting his time to come again. His blessed descendant, Prince Arthur of England, was born in the year 1486, eldest son of Henry, the first Tudor king. This Arthur married Katharine the princess of Aragon, died at fifteen and was buried in Worcester Cathedral. If he were alive now, he would be King of England. His younger brother Henry would likely be Archbishop of Canterbury, and would not (at least, we devoutly hope not) be in pursuit of a woman of whom the cardinal hears nothing good: a woman to whom, several years before the dukes walk in to despoil him, he will need to turn his attention; whose history, before ruin seizes him, he will need to comprehend. Beneath every history, another history.

I liked reading about the nun who ate so dainty with her fingers she never dripped any grease on herself. I've never been able to make that claim and I use a fork.

But Christ's lore and his apostles twelve, He taught and first he followed it himself.

earn what you can since everything's for sale

I cud feal some thing growing in me it wer like a grean sea surging in me it wer saying, LOSE IT. Saying, LET GO. Saying, THE ONLYES POWER IS NO POWER The ruins of Canterbury Castle

we know little of the things for which we pray

Chaucer's The Canterbury Tales was expected to clock in at anywhere between 100 and 120 chapters. Unfortunately, the dude only managed to finish 24 tales before he suffered an insurmountable and permanent state of writer's block commonly known as death.

Lord, give me what you have made me want; I praise and thank you for the desire that you have inspired; perfect what you have begun, and grant me what you have made me long for.

The man who has no wife is no cuckold.

Who shall give a lover any law?’ Love is a greater law, by my troth, than any law written by mortal man.

For he would rather have, by his bedside, twenty books, bound in black or red, of Aristotle and his philosophy, than rich robes or costly fiddles or gay harps.

Until we're rotten, we cannot be ripe.

Unfortunately, unless the job description included a translation of the prologue of The Canterbury Tales, I was dreadfully under-qualified.

Come now, insignificant man, fly for a moment from your affairs, escape for a little while from the tumult of your thoughts. Put aside now your weighty cares and leave your wearisome toils. Abandon yourself for a little to God and rest for a little in Him.

By God," quod he, "for pleynly, at a word, Thy drasty rymyng is nat worth a toord!

Youre tale anoyeth al this compaignye. Swich talkyng is nat worth a boterflye,

Thankfulness,” the Archbishop of Canterbury, Michael Ramsey, said, “is a soil in which pride does not easily grow.

High on a stag the Goddess held her seat, And there were little hounds about her feet; Below her feet there was a sickle moon, Waxing it seemed, but would be waning soon. Her statue bore a mantle of bright green, Her hand a bow with arrows cased and keen; Her eyes were lowered, gazing as she rode Down to where Pluto has his dark abode.

Do you wonder then that this man’s behaviour used to puzzle me tremendously? He was an ordinary clergyman at that time as well as being Headmaster, and I would sit in the dim light of the school chapel and listen to him preaching about the Lamb of God and about Mercy and Forgiveness and all the rest of it and my young mind would become totally confused. I knew very well that only the night before this preacher had shown neither Forgiveness nor Mercy in flogging some small boy who had broken the rules. So what was it all about? I used to ask myself. Did they preach one thing and practise another, these men of God? And if someone had told me at the time that this flogging clergyman was one day to become the Archbishop of Canterbury, I would never have believed it. It was all this, I think, that made me begin to have doubts about religion and even about God. If this person, I kept telling myself, was one of God’s chosen salesmen on earth, then there must be something very wrong about the whole business.

Whan that Aprill with his shoures soote The droghte of March hath perced to the roote, And bathed every veyne in switch licour Of which vertu engendred is the flour; Whan Zephirus eek with his sweete breeth Inspired hath in every holt and heeth The tendre croppes, and the yonge sonne Hath in the Ram his half cours yronne, And smale foweles maken melodye, That slepen al the nyght with open ye (So Priketh hem Nature in hir corages), Thanne longen folk to goon on pilgrimages, And palmeres for to seken straunge strondes, To ferne halwes, kowthe in sondry londes; And specially from every shires ende Of Engelond to Caunterbury they wende, The hooly blisful martir for to seke, That hem hath holpen whan that they were seeke

Then the Miller fell off his horse.

English poetic education should, really, not begin with The Canterbury Tales, not with the Odyssey, not even with Genesis, but with Song of Amergin.

It is too late! Ah, nothing is too late Till the tired heart shall cease to palpitate. Cato learned Greek at eighty; Sophocles Wrote his grand Oedipus, and Simonides Bore off the prize of verse from his compeers, When each had numbered more than fourscore years, And Theophrastus, at fourscore and ten, Had but begun his Characters of Men. Chaucer, at Woodstock with the nightingales, At sixty wrote the Canterbury Tales; Goethe at Weimar, toiling to the last, Completed Faust when eighty years were past, These are indeed exceptions; but they show How far the gulf-stream of our youth may flow Into the arctic regions of our lives. Where little else than life itself survives.

He who repeats a tale after a man, Is bound to say, as nearly as he can, Each single word, if he remembers it, However rudely spoken or unfit, Or else the tale he tells will be untrue, The things invented and the phrases new.

Marshall,” he said levelly, “I don’t know what you’re talking about, but any organization that claims you for a member doesn’t get to call itself sinister, whether you’re left-handed or not. I would be insulted to be offered membership in such a namby-pamby organization. It would be like the Archbishop of Canterbury calling a select club of his compatriots ‘Bad, Bad Bishops’.” Marshall sniggered. “Watch out for the clergy,” Edward said. “They’re absolutely wild. Sometimes they have an extra biscuit at tea.

Colin mustered a perfunctory leer, but his mind was obviously elsewhere. 'Do you know...' he began. I knew many things, but I didn't think he needed to hear the entirety of the Prologue to the Canterbury Tales right at just this moment.

people have managed to marry without arithmetic

If you are poor your very brother hates you And all your friends avoid you, sad to say.

The vile John Morton, who was now Archbishop of Canterbury, had created a process of extortion known as “Morton’s Fork.” If a man was well off, he had plenty to share with his king. If he had little, he was adept at getting along on less and could give to the king.

Be nat wrooth, my lord, though that I pleye. Ful ofte in game a sooth I have herd seye!

Shepherds too soft who let their duty sleep, Encourage wolves to tear the lambs and sleep.

doctors & druggists wash each other's hands

This world nys but a thurghfare ful of wo, And we been pilgrymes, passynge to and fro.

La moraleja de todas las tragedias es la misma: que la Fortuna siempre ataca a los reinos prepotentes cuando menos lo esperan.

And shame it is, if that a priest take keep, To see a shitten shepherd and clean sheep:

you are the cause by which I die

Though there was nowhere one so busy as he/ He was less busy than he seemed to be.

if gold rust, what shall iron do? For if a Priest, upon whom we trust, be foul, no wonder a layman may yield to lust.

O woman’s counsel is so often cold! A woman’s counsel brought us first to woe, Made Adam out of Paradise to go Where he had been so merry, so well at ease.

The only really detestable character in Chaucer’s company of Canterbury pilgrims is the Pardoner with his stringy locks, his eunuch’s hairless skin, his glaring eyes like a hare’s, and his brazen acknowledgment of the tricks and deceits of his trade.

Her statue, glorious in majesty, Stood naked, floating on a vasty sea, And from the navel down there were a mass Of green and glittering waves as bright as glass. In her right hand a cithern carried she And on her head, most beautiful to see, A garland of fresh roses, while above There circles round her many a flickering dove.

In general, my liege lady,’ he began, ‘Women desire to have dominion Over their husbands, and their lovers too; They want to have mastery over them. That’s what you most desire—even if my life Is forfeit. I am here; do what you like.

But for to telle yow al hir beautee, It lyth nat in my tonge, n'yn my konnyng; I dar nat undertake so heigh a thyng. Myn Englissh eek is insufficient. It moste been a rethor excellent That koude his colours longynge for that art, If he sholde hire discryven every part. I am noon swich, I moot speke as I kan.

For naturally a beast desires to flee From any enemy that he may see, Though never yet he's clapped on such his eye.

Three years went by in happiness and health; He bore himself so well in peace and war That there was no one Theseus valued more.

God has made nothing more valuable than rational existence capable of enjoying him;

For I do not seek to understand so that I may believe; but I believe so that I may understand. For I believe this also, that unless I believe, I shall not understand.

One shouldn’t be too inquisitive in life Either about God’s secrets or one’s wife. You’ll find God’s plenty all you could desire; Of the remainder, better not enquire.

In the aftermath of the recent wave action in the Indian Ocean, even the archbishop of Canterbury, Dr. Rowan Williamson [sic], proved himself a latter-day Voltairean by whimpering that he could see how this might shake belief in a friendly creator. Williamson is of course a notorious fool, who does an almost perfect imitation of a bleating and frightened sheep, but even so, one is forced to rub one's eyes in astonishment. Is it possible that a grown man could live so long and still have his personal composure, not to mention his lifetime job description, upset by a large ripple of seawater?

Truly she was of elegant deportment, and very pleasing and amiable in bearing. She took pains to counterfeit the manners of the court and to be dignified in behavior and to be held worthy of reverence.

There’s the story of a person who does this, does that, but it isn’t I, I have nothing in common with him. He travels through countries I know no more about than if I had never been there. Sometimes, in my story, it happens that I pronounce these fine names you read in atlases, Aranjuez or Canterbury. New images are born in me, images such as people create from books who have never travelled. My words are dreams, that is all.

And what we say - that what He willeth is right and what He doth not not will is wrong, is not so to be understood, as if, should God will something inconsistent, it would be right because He willed it. For it does not follow that if God would lie it would be right to lie, but rather that he were not God.

He kept his tippet stuffed with pins for curls, And pocket-knives, to give to pretty girls.

Well is it said that neither love nor power Admit a rival, even for an hour.

la virtud que corona la perfección es la paciencia".

Well did he know the taverns in every town, and every hosteller and bar-maid, far better than he knew any leper or beggar.

So astute was he in his buying and selling, and in his borrowings, that no one knew if he was in debt.

High in moral virtue was his speech, and gladly would he learn and gladly teach.

Yet from the wise take this for common sense That to the poor all times are out of joint Therefore beware of reaching such a point.

Fortune has dealt us this adversity: Some malign aspect or disposition Of Saturn in some adverse position Has brought it on us; nothing's to be done: It stood thus in our stars when we were born; The long and short of it is this: Endure.

The Second Table of the Ten Commandments reads in Hebrew something like this: 'Don't kill; don't be vile; don't steal; don't tell lies about others; don't envy any man his wife or house or animals, or anything he has.' This sounds shockingly wrong in English. For the English genius, religion is solemn and stately; Canterbury Cathedral, not a shul. The grand slow march of "Thou Shalt Nots" is exactly right. Religion for the Jews is intimate and colloquial, or it is nothing.

There are no footnotes or endnotes in this translation. If any explanations or clarifications are required, they are embedded in the body of the text, so as not to interrupt the flow of the words. After all, as Noel Coward once famously remarked, “Having to read a footnote resembles having to go downstairs to answer the door while in the midst of making love.

The time always flees; it will wait for no man. And through you are still in the flower of your young manhood, age creeps on steadily, as quiet as a stone, and death meanaces every age and strikes in every rank, for no one escapes. As surely as we know that we will die, so we are uncertain of the day when death shall fall on us.

In a way it is even humiliating to watch coal-miners working. It raises in you a momentary doubt about your own status as an ‘intellectual’ and a superior person generally. For it is brought home to you, at least while you are watching, that it is only because miners sweat their guts out that superior persons can remain superior. You and I and the editor of the Times Lit. Supp., and the Nancy poets and the Archbishop of Canterbury and Comrade X, author of Marxism for Infants – all of us really owe the comparative decency of our lives to poor drudges underground, blackened to the eyes, with their throats full of coal dust, driving their shovels forward with arms and belly muscles of steel.

nadie debe echar sobre sus espaldas fardo que no pueda llevar.

¿De qué sirve tener posesiones si un hombre carece de conocimientos?

Jesús de Sirach afirma: «Quien tiene el corazón alegre y contento se conserva vigoroso a través de los años, pero un corazón entristecido reseca los huesos».

Full is my heart of revelry and grace." But suddenly he fell in grievous case; For ever the latter end of joy is woe. God knows that worldly joys do swiftly go; And if a rhetorician could but write, He in some chronicle might well indite And mark it down as sovereign in degree.

I do not endeavor, O Lord, to penetrate thy sublimity, for in no wise do I compare my understanding with that; but I long to understand in some degree thy truth, which my heart believes and loves. For I do not seek to understand that I may believe, but I believe in order to understand.

The beatings at Repton were more fierce and more frequent than anything I had yet experienced. And do not think for one moment that the future Archbishop of Canterbury objected to these squalid exercises. He rolled up his sleeves and joined in with gusto. His were the bad ones, the really terrifying occasions. Some of the beatings administered by this man of God, this future Head of the Church of England, were very brutal. To my certain knowledge he once had to produce a basin of water, a sponge and a towel so that the victim could wash the blood away afterwards. No joke, that. Shades of the Spanish Inquisition.

By Pluto sent at the request of Saturn. Arcita’s horse in terror danced a pattern And leapt aside and foundered as he leapt, And ere he was aware Arcite was swept Out of the saddle and pitched upon his head Onto the ground, and there he lay for dead; His breast was shattered by the saddle-bow.

I thought you did,' said the Mouse. `--I proceed. "Edwin and Morcar, the earls of Mercia and Northumbria, declared for him: and even Stigand, the patriotic archbishop of Canterbury, found it advisable--"' `Found WHAT?' said the Duck. `Found IT,' the Mouse replied rather crossly: `of course you know what "it" means.' `I know what "it" means well enough, when I find a thing,' said the Duck: `it 's generally a frog or a worm. The question is, what did the archbishop find?' The Mouse did not notice this question, but hurriedly went on, `"--found it advisable to go with Edgar Atheling to meet William and offer him the crown. William's conduct at first was moderate. But the insolence of his Normans--" How are you getting on now, my dear?' it continued, turning to Alice as it spoke.

Ye sey right sooth; this Monk he clappeth lowde. He spak how Fortune covered with a clowde I noot nevere what; and als of a tragedie Right now ye herde, and pardee, no remedie It is for to biwaille ne compleyne That that is doon, and als it is a peyne, As ye han seyd, to heere of hevynesse. Sire Monk, namoore of this, so God yow blesse! Youre tale anoyeth al this compaignye. Swich talkyng is nat worth a boterflye,

MADONNA OF THE EVENING FLOWERS All day long I have been working Now I am tired. I call: “Where are you?” But there is only the oak tree rustling in the wind. The house is very quiet, The sun shines in on your books, On your scissors and thimble just put down, But you are not there. Suddenly I am lonely: Where are you? I go about searching. Then I see you, Standing under a spire of pale blue larkspur, With a basket of roses on your arm. You are cool, like silver, And you smile. I think the Canterbury bells are playing little tunes, You tell me that the peonies need spraying, That the columbines have overrun all bounds, That the pyrus japonica should be cut back and rounded. You tell me these things. But I look at you, heart of silver, White heart-flame of polished silver, Burning beneath the blue steeples of the larkspur, And I long to kneel instantly at your feet, While all about us peal the loud, sweet Te Deums of the Canterbury bells

Here is nature once more at her old game of self-preservation. This train of thought, she perceives, is threatening mere waste of energy, even some collision with reality, for who will ever be able to lift a finger against Whitaker’s Table of Precedency? The Archbishop of Canterbury is followed by the Lord High Chancellor; the Lord High Chancellor is followed by the Archbishop of York. Everybody follows somebody, such is the philosophy of Whitaker; and the great thing is to know who follows whom. Whitaker knows, and let that, so Nature counsels, comfort you, instead of enraging you; and if you can’t be comforted, if you must shatter this hour of peace, think of the mark on the wall.   11   I understand Nature’s game—her prompting to take action as a way of ending any thought that threatens to excite or to pain. Hence, I suppose, comes our slight contempt for men of action—men, we assume, who don’t think. Still, there’s no harm in putting a full stop to one’s disagreeable thoughts by looking at a mark on the wall.

When kindled was the fire, with sober face Unto Diana spoke she in that place. “O thou chaste goddess of the wildwood green, By whom all heaven and earth and sea are seen, Queen of the realm of Pluto, dark and low, Goddess of maidens, that my heart dost know For all my years, and knowest what I desire, Oh, save me from thy vengeance and thine ire That on Actaeon fell so cruelly. Chaste goddess, well indeed thou knowest that I Desire to be a virgin all my life, Nor ever wish to be man’s love or wife. I am, thou know’st, yet of thy company, A maid, who loves the hunt and venery, And to go rambling in the greenwood wild, And not to be a wife and be with child. I do not crave the company of man.

One night the citizens of Rome revolted Against his tyrannies and mad ambition And, when he heard them mutiny, he bolted Alone and sought his friends for coalition. The more he knocked and begged them for admission The more they shut their doors and said him nay. And then he saw that of his own perdition He was sole author and he fled away. The people yelled for him and rumbled round So that their shouts were dinning in his ear: ‘Where’s Nero? Where’s the tyrant? Treacherous hound!

Sir Thomas More, son of Sir John More, a justice of the King's Bench, was born in 1478, in Milk Street, in the city of London. After his earlier education at St. Anthony's School, in Threadneedle Street, he was placed, as a boy, in the household of Cardinal John Morton, Archbishop of Canterbury and Lord Chancellor. It was not unusual for persons of wealth or influence and sons of good families to be so established together in a relation of patron and client. The youth wore his patron's livery, and added to his state. The patron used, afterwards, his wealth or influence in helping his young client forward in the world. Cardinal Morton had been in earlier days that Bishop of Ely whom Richard III. sent to the Tower; was busy afterwards in hostility to Richard; and was a chief adviser of Henry VII., who in 1486 made him Archbishop of Canterbury, and nine months afterwards Lord Chancellor. Cardinal Morton—of talk at whose table there are recollections in "Utopia"—delighted in the quick wit of young Thomas More. He once said, "Whoever shall live to try it, shall see this child here waiting at table prove a notable and rare man.

Tony Williams: You’ve often mentioned that Tales of Hoffmann (1951) has been a major influence on you. George Romero: It was the first film I got completely involved with. An aunt and uncle took me to see it in downtown Manhattan when it first played. And that was an event for me since I was about eleven at the time. The imagery just blew me away completely. I wanted to go and see a Tarzan movie but my aunt and uncle said, “No! Come and see a bit of culture here.” So I thought I was missing out. But I really fell in love with the film. There used to be a television show in New York called Million Dollar Movie. They would show the same film twice a day on weekdays, three times on Saturday, and three-to-four times on Sunday. Tales of Hoffmann appeared on it one week. I missed the first couple of days because I wasn’t aware that it was on. But the moment I found it was on, I watched virtually every telecast. This was before the days of video so, naturally, I couldn’t tape it. Those were the days you had to rent 16mm prints of any film. Most cities of any size had rental services and you could rent a surprising number of films. So once I started to look at Tales of Hoffmann I realized how much stuff Michael Powell did in the camera. Powell was so innovative in his technique. But it was also transparent so I could see how he achieved certain effects such as his use of an overprint in the scene of the ballet dancer on the lily ponds. I was beginning to understand how adept a director can be. But, aside from that, the imagery was superb. Robert Helpmann is the greatest Dracula that ever was. Those eyes were compelling. I was impressed by the way Powell shot Helpmann sweeping around in his cape and craning down over the balcony in the tavern. I felt the film was so unique compared to most of the things we were seeing in American cinema such as the westerns and other dreadful stuff I used to watch. Tales of Hoffmann just took me into another world in terms of its innovative cinematic technique. So it really got me going. Tony Williams: A really beautiful print exists on laserdisc with commentary by Martin Scorsese and others. George Romero: I was invited to collaborate on the commentary by Marty. Pat Buba (Tony’s brother) knew Thelma Schoonmaker and I got to meet Powell in later years. We had a wonderful dinner with him one evening. What an amazing guy! Eventually I got to see more of his movies that I’d never seen before such as I Know Where I’m Going and A Canterbury Tale. Anyway, I couldn’t do the commentary on Tales of Hoffmann with Marty. But, back in the old days in New York, Marty and I were the only two people who would rent a 16mm copy of the film. Every time I found it was out I knew that he had it and each time he wanted it he knew who had it! So that made us buddies.

Geoffrey Chaucer’s ‘The Merchant’s Tale’ masterfully explores the theme of self-deception and the intricate dynamics of marital relationships. As the narrative unfolds, it illuminates the ironic nature of marriage, where love and treachery often coexist. By restoring January’s sight, Chaucer metaphorically portrays his willful ignorance, allowing him to live in blissful ignorance of his wife’s infidelity. This allegory provokes readers to question the nature of self-deception and the precarious illusions individuals construct in their pursuit of happiness within the confines of marriage. ‘The Merchant’s Tale’ serves as a cautionary tale, addressing the complexities and pitfalls of love, trust, and the frailties of human nature. Chaucer’s exploration of self-deception requires readers to critically examine the choices and illusions woven throughout the tale, shedding light on the paradoxical nature of love and marriage. Through this literary masterpiece, Chaucer prompts us to question the realities of our own lives, reminding us of the delicate balance between truth and the seductive allure of self-imposed blindness. (from an article titled "Chaucer’s ‘The Merchant’s Tale’: Unveiling the Harsh Realities of Matrimony")

The great self-limitation practiced by man for ten centuries yielded, between the fourteenth and seventeenth centuries, the whole flower of the so-called "Renaissance." The root, usually, does not resemble the fruit in appearance, but there is an undeniable connection between the root's strength and juiciness and the beauty and taste of the fruit. The Middle Ages, it seems, have nothing in common with the Renaissance and are opposite to it in every way; nonetheless, all the abundance and ebullience of human energies during the Renaissance were based not at all on the supposedly "renascent" classical world, nor on the imitated Plato and Virgil, nor on manuscripts torn from the basements of old monasteries, but precisely on those monasteries, on those stern Franciscians and cruel Dominicans, on Saints Bonaventure, Anselm of Canterbury, and Bernard of Clairvaux. The Middle Ages were a great repository of human energies: in the medieval man's asceticism, self-abnegation, and contempt for his own beauty, his own energies, and his own mind, these energies, this heart, and this mind were stored up until the right time. The Renaissance was the epoch of the discovery of this trove: the thin layer of soil covering it was suddenly thrown aside, and to the amazement of following centuries dazzling, incalculable treasures glittered there; yesterday's pauper and wretched beggar, who only knew how to stand on crossroads and bellow psalms in an inharmonious voice, suddenly started to bloom with poetry, strength, beauty, and intelligence. Whence came all this? From the ancient world, which had exhausted its vital powers? From moldy parchments? But did Plato really write his dialogues with the same keen enjoyment with which Marsilio Ficino annotated them? And did the Romans, when reading the Greeks, really experience the same emotions as Petrarch, when, for ignorance of Greek, he could only move his precious manuscripts from place to place, kiss them now and then, and gaze sadly at their incomprehensible text? All these manuscripts, in convenient and accurate editions, lie before us too: why don't they lead us to a "renascence" among us? Why didn't the Greeks bring about a "renascence" in Rome? And why didn't Greco-Roman literature produce anything similar to the Italian Renaissance in Gaul and Africa from the second to the fourth century? The secret of the Renaissance of the fourteenth-fifteenth centuries does not lie in ancient literature: this literature was only the spade that threw the soil off the treasures buried underneath; the secret lies in the treasures themselves; in the fact that between the fourth and fourteenth centuries, under the influence of the strict ascetic ideal of mortifying the flesh and restraining the impulses of his spirit, man only stored up his energies and expended nothing. During this great thousand-year silence his soul matured for The Divine Comedy; during this forced closing of eyes to the world - an interesting, albeit sinful world-Galileo was maturing, Copernicus, and the school of careful experimentation founded by Bacon; during the struggle with the Moors the talents of Velasquez and Murillo were forged; and in the prayers of the thousand years leading up to the sixteenth century the Madonna images of that century were drawn, images to which we are able to pray but which no one is able to imitate. ("On Symbolists And Decadents")