Canopy Love Quotes

My father took one hundred and thirty-two minutes to die. I counted. It happened on the Jellicoe Road. The prettiest road I’d ever seen, where trees made breezy canopies like a tunnel to Shangri-La. We were going to the ocean, hundreds of miles away, because I wanted to see the ocean and my father said that it was about time the four of us made that journey. I remember asking, 'What’s the difference between a trip and a journey?' and my father said, 'Narnie, my love, when we get there, you’ll understand,' and that was the last thing he ever said.

Do you know when they say soul-mates? Everybody uses it in personal ads. "Soul-mate wanted". It doesn't mean too much now. But soul mates- think about it. When your soul-whatever that is anyway-something so alive when you make music or love and so mysteriously hidden most of the rest of the time, so colorful and big but without color or shape-when your soul finds another soul it can recognize even before the rest of you knows about it. The rest of you just feels sweaty and jumpy at first. And your souls get married without even meaning to-even if you can't be together for some reason in real life, your souls just go ahead and make the wedding plans. A soul's wedding must be too beautiful to even look at. It must be blinding. In must be like all the weddings in the world-gondolas with canopies of doves, champagne glasses shattering, wings of veils, drums beating, flutes and trumpets,showers of roses. And after that happens-that's it, this is it. But sometimes you have to let that person go. When you are little, people , movie and fairy tales all tell you that one day you're going to meet this person. So you keep waiting and it's a lot harder than they make it sound. Then you meet and you think, okay, now we can just get on with it but you find out that sometimes your sould brother partner lover has other ideas about that.

Franz Kafka is Dead He died in a tree from which he wouldn't come down. "Come down!" they cried to him. "Come down! Come down!" Silence filled the night, and the night filled the silence, while they waited for Kafka to speak. "I can't," he finally said, with a note of wistfulness. "Why?" they cried. Stars spilled across the black sky. "Because then you'll stop asking for me." The people whispered and nodded among themselves. They put their arms around each other, and touched their children's hair. They took off their hats and raised them to the small, sickly man with the ears of a strange animal, sitting in his black velvet suit in the dark tree. Then they turned and started for home under the canopy of leaves. Children were carried on their fathers' shoulders, sleepy from having been taken to see who wrote his books on pieces of bark he tore off the tree from which he refused to come down. In his delicate, beautiful, illegible handwriting. And they admired those books, and they admired his will and stamina. After all: who doesn't wish to make a spectacle of his loneliness? One by one families broke off with a good night and a squeeze of the hands, suddenly grateful for the company of neighbors. Doors closed to warm houses. Candles were lit in windows. Far off, in his perch in the trees , Kafka listened to it all: the rustle of the clothes being dropped to the floor, or lips fluttering along naked shoulders, beds creaking along the weight of tenderness. It all caught in the delicate pointed shells of his ears and rolled like pinballs through the great hall of his mind. That night a freezing wind blew in. When the children woke up, they went to the window and found the world encased in ice. One child, the smallest, shrieked out in delight and her cry tore through the silence and exploded the ice of a giant oak tree. The world shone. They found him frozen on the ground like a bird. It's said that when they put their ears to the shell of his ears, they could hear themselves.

Howl pointed a shaky hand up toward the canopy of his bed. “That’s why I love spiders. ‘If at first you don’t succeed, try, try, try, again.’ I keep trying,” he said with great sadness. “But I brought it on myself by making a bargain some years ago, and I know I shall never be able to love anyone properly now.” The water running out of Howl’s eyes was definitely tears now.

But we shouldn't be concerned about trees purely for material reasons, we should also care about them because of the little puzzles and wonders they present us with. Under the canopy of the trees, daily dramas and moving love stories are played out. Here is the last remaining piece of Nature, right on our doorstep, where adventures are to be experienced and secrets discovered. And who knows, perhaps one day the language of trees will eventually be deciphered, giving us the raw material for further amazing stories. Until then, when you take your next walk in the forest, give free rein to your imagination-in many cases, what you imagine is not so far removed from reality, after all!

His own life suddenly seemed repellently formal. Whom did he know or what did he know and whom did he love? Sitting on the stump under the burden of his father's death and even the mortality inherent in the dying, wildly colored canopy of leaves, he somehow understood that life was only what one did every day.... Nothing was like anything else, including himself, and everything was changing all of the time. He knew he couldn't perceive the change because he was changing too, along with everything else. (from the novella, The Man Who Gave Up His Name)

Do you know when they say soulmates? Everybody uses it in personal ads. “Soul mate wanted.” It doesn’t mean too much now. But soulmates – think about it. When your soul – whatever that is anyway – something so alive when you make music or love and so mysteriously hidden most of the rest of the time, so colorful and big but without color or shape – when your soul finds another soul it can recognize even before the rest of you knows about it. The rest of you just feels sweaty and jumpy at first. And your souls get married without even meaning to – even if you can’t be together for some reason in real life, your souls just go ahead and make the wedding plans. A soul’s wedding must be too beautiful to even look at. It must be blinding. It must be like all the weddings in the world – gondolas with canopies of doves, champagne glasses shattering, wings of veils, drums beating, flutes and trumpets, showers of roses. And after that happens you know – that’s it. This is it.

In silence, they stared. Bells began pealing; people shouted. Not with fear. But in wonder. A hand rising to her mouth, Aelin scanned the broad sweep of the world. The mountain wind brushed away her tears, carrying with it a song, ancient and lovely. From the very heart of Oakwald. The very heart of the earth. Rowan twined his fingers in hers and whispered, awe in every word, “For you, Fireheart. All of it is for you.” Aelin wept then. Wept in joy that lit her heart, brighter than any magic could ever be. For across every mountain, spread beneath the green canopy of Oakwald, carpeting the entire Plain of Theralis, the kingsflame was blooming.

It was the most beautiful night of their lives – their wedding night. The moon was full, splashing its bright silver light all over and making the night shine, with a magical canopy of stars sprayed against a velvety sky.

Birthdays were wretched, delicious things when you lived in Beau Rivage. The clock stuck midnight, and presents gave way to magic. Curses bloomed. Girls bit into sharp apples instead of birthday cake, chocked on the ruby-and-white slivers, and collapsed into enchanted sleep. Unconscious beneath cobweb canopies, frozen in coffins of glass, they waited for their princes to come. Or they tricked ogres, traded their voices for love, danced until their glass slippers cracked. A prince would awaken, roused by the promise of true love, and find he had a witch to destroy. A heart to steal. To tear from the rib cage, where it was cushioned by bloody velvet, and deliver it to the queen who demanded the princess's death. Girls became victims and heroines. Boys became lovers and murderers. And sometimes... they became both.

The moon rose above the canopy and a dreamy mist swirled around our knees as we danced, fingers entwined and hearts in sync with the universe; just a prince and his princess, a boy and a girl, learning to love in a beautiful world.

With riddles as black as coals, and answers as invisible as our past, I can only depend upon the crest of the rolling wave I now traversed; a romance worshiped only by the dreamer in us all, a psithurism of trust making its way through the years of our ascension to one day climb above the kaleidoscopic canopy of this mortal coil.

In many places along this narrow, curving strand of pavement, the forest threads tree limbs overhead in a latticework canopy that leads one to think of the sacredness of cathedrals.  Once you enter this hallowed space, the temperature drops dramatically and a world of virtual silence wraps you in a cocoon of serenity and grace.  For Kate, it is a destination in and of itself, this magnificent temple of embracing trees, limbs arching overhead with long arms of wooded skin, reaching for their beloved partners on the other side of the road, seeking communion and the joining of lovers.

That night two lovers whispering under the lead canopy of the church were killed by their own passion. Their effusion of words, unable to escape through the Saturnian discipline of lead, so filled the spaces of the loft that the air was all driven away. The lovers suffocated, but when the sacristan opened the tiny door the words tumbled him over in their desire to be free, and were seen flying across the city in the shape of doves.

The spirit, my love, is stronger than laughter, stronger than the hungry panting of reckless lions that paw and shuffle underneath the canopy of bowed trees, stronger than the pace of a dying heart, that awaits to be pumped to life by episodes mothered by time, by hands of mankind, by slivers of hope hidden in the common mind.

Drop by drop rain slaps the banana leaves, Praise whoever sketched this desolate scene: the lush, dark canopies of the gnarled trees, the long river, sliding smooth and white. I lift my wine flask, drunk with rivers and hills. My backpack, breathing moonlight, sags with poems. Look, and love everyone. Whoever sees this landscape is stunned.

Sharply etched against the black velvet canopy, the lady in white watches as her husband awakens, his deep orange smile lighting up the ebony darkness.  Casting her alabaster glow across the dark firmament, she blows a kiss to her beloved solar mate as she prepares for her own descent into sleep.  “Remember,” she whispers, “remember the sweet fragrance of my words.  Soft, cherishing words spoken on the currents of timelessness as one life morphs into the next.  Words of love and remembrance.”  Smiling contentedly, her light dims into the erupting color of the daytime sky.

Put your arms around my waist, Hold me close for a kiss and savour the taste, I love you now I love you true, Can I drown please in your eyes so blue? Let’s hang our hearts on a crescent moon, And skinny-dip in starlit lakes to loves sweet tune, Let’s dance on boithrins grassy line, And waltz 'Neath the canopied leaves of nature fine. Lets sit afore fires on a winters night Let me read you poetry aloud by candlelight, Let’s lay under the skylight and tell constellations apart, And I’ll remind you of the place you have in my heart.

But Harry knew now that love was a soldier. It can invade the human heart. Build canopies through jungles. Scale castle walls. Cross moats. Love can probably walk on water.

Love thoughts lie rich when canopied with bowers.

Bare nocturne gleams, a canopy of star light above. A pent up constellation of our restrained love. Buried spirits we’ve become, forbidden by our families to surrender to our desires. [Bare Nocturne]

The spicy sweet fragrance of the large full blooms, which rambled over the side and top of an arched metal framework, welcomed them as they walked beneath them. Shafts of sunlight pierced the canopy, dust motes floating languorously in the golden beams that spotlighted clumps of wayward snowdrops growing in the lawn.

Only these four eyes can see the reflection of us, for the soul never lies confronted with its truth. Like the forest that's hiding the secrets in thick canopies, but the string of light always makes its way through.

The grassy park was lined with dozens of kissing booths. Twinkle lights draped back-and-forth between tall trees, making a canopy of stars above the red and pink tables below. People were lined up at each booth, applying lipstick and perfume as they readied for their purchased kisses. Behind the booths stood a large white gazebo housing a group of musicians. As a love song filled the air, couples intertwined their bodies and swayed to the melody. Here and there, children ran about wearing red hats and eating lip-shaped chocolates, while women waited impatiently for quickie makeovers under a flashy pink tent. The park was littered with couples kissing behind trees and making out on park benches. And paper stars were everywhere; in trees, on the ground, above heads, inside mouths…. It was like Valentine’s Day. On crack.

When by my solitary hearth I sit, And hateful thoughts enwrap my soul in gloom; When no fair dreams before my "mind's eye" flit, And the bare heath of life presents no bloom; Sweet Hope, ethereal balm upon me shed, And wave thy silver pinions o'er my head. Whene'er I wander, at the fall of night, Where woven boughs shut out the moon's bright ray, Should sad Despondency my musings fright, And frown, to drive fair Cheerfulness away, Peep with the moon-beams through the leafy roof, And keep that fiend Despondence far aloof. Should Disappointment, parent of Despair, Strive for her son to seize my careless heart; When, like a cloud, he sits upon the air, Preparing on his spell-bound prey to dart: Chace him away, sweet Hope, with visage bright, And fright him as the morning frightens night! Whene'er the fate of those I hold most dear Tells to my fearful breast a tale of sorrow, O bright-eyed Hope, my morbid fancy cheer; Let me awhile thy sweetest comforts borrow: Thy heaven-born radiance around me shed, And wave thy silver pinions o'er my head! Should e'er unhappy love my bosom pain, From cruel parents, or relentless fair; O let me think it is not quite in vain To sigh out sonnets to the midnight air! Sweet Hope, ethereal balm upon me shed. And wave thy silver pinions o'er my head! In the long vista of the years to roll, Let me not see our country's honour fade: O let me see our land retain her soul, Her pride, her freedom; and not freedom's shade. From thy bright eyes unusual brightness shed-- Beneath thy pinions canopy my head! Let me not see the patriot's high bequest, Great Liberty! how great in plain attire! With the base purple of a court oppress'd, Bowing her head, and ready to expire: But let me see thee stoop from heaven on wings That fill the skies with silver glitterings! And as, in sparkling majesty, a star Gilds the bright summit of some gloomy cloud; Brightening the half veil'd face of heaven afar: So, when dark thoughts my boding spirit shroud, Sweet Hope, celestial influence round me shed, Waving thy silver pinions o'er my head. - To Hope

To be sure, this theological worldview has done great damage to those living outside the white Christian canopy. But what has been overlooked by most white Christian leaders is the damage this legacy has done to white Christians themselves. To put it succinctly, it has often put white Christians in the curious position of arguing that their religion and their God require them to aim lower than the highest human values of love, justice, equality, and compassion.

My parents kept a small cabin the mountains. It was a simple thing, just four walls, and very dark inside. A heavy felt curtain blotted out whatever light made it through the canopy of huge pines and down into the cabin's only window. There was a queen-size bed in there, an armchair, and a wood-burning stove. It wasn't an old cabin. I think my parents built it in the seventies from a kit. In a few spots the wood beams were branded with the word HOME-RITE. But the spirit of the place me think of simpler times, olden days, yore, or whenever it was that people rarely spoke except to say there was a store coming or the berries were poisonous or whatnot, the bare essentials. It was deadly quiet up there. You could hear your own heart beating if you listened. I loved it, or at least I thought I ought to love it - I've never been very clear on that distinction.

She walked down the lawn and surveyed the world as they'd both seen it--the wild limbs of the leaning apple tree, the golden-brown evening sky, the black silhouettes of the mountains. The trunk and the branches of the tree had bent over the years, under the weight of the heavy fruit. One of the biggest branches had grown down from the canopy of the leaves, all the way to the ground and straight along the grass...the end of that same branch had begun growing up again, at a right angle, the wood bending toward the sky.

Lottie stared blindly at the dark canopy overhead. “Nick,” she asked raggedly, “is this the usual way that people h-have relations?” His voice was muffled. “What is the usual way?” She inhaled sharply as he nipped at the inner curve of her thigh. “I’m not entirely certain. But I don’t think this is it.” His voice thickened with amusement. “I know what I’m doing, Lottie.” “I was not implying that you didn’t… oh, please don’t kiss me there!” Then she felt him shake with suppressed laughter. “For someone who has never done this before, you’re rather opinionated. Let me make love to you the way I want, hmmn? The first time, at least.” He grasped both her wrists and pinned them at her sides. “Lie still.

He was a loving god. Together, we were a man and a woman, making love in the forest, unconcerned with the snapping of nearby twigs or the passing of time as the sun peeked through the thinning forest canopy.

I’m lying on the ground looking up at the branches of an oak tree. Dappled light is shining through the canopy, the leaves whisper ancient incantations. This tree, in its living stage, rooted in sights and sounds that I’ll never know, has witnessed extinctions and wars, loves and losses. I wish we could translate the language of trees – hear their voices, know their stories. They host such an astonishing amount of life – there are thousands of species harbouring in and on and under this mighty giant. And I believe trees are like us, or they inspire the better parts of human nature. If only we could be connected in the way this oak tree is connected with its ecosystem.

I had a sense of preparation for a love to come. Like the extension of canopies, the unrolling of ceremonial carpets, as if I must first create a marvelous world in which to house it, in which to receive adequately this guest of honor.

— If love wants you; if you’ve been melted down to stars, you will love with lungs and gills, with warm blood and cold. With feathers and scales. Under the hot gloom of the forest canopy you’ll want to breathe with the spiral calls of birds, while your lashing tail still gropes for the waes. You’ll try to haul your weight from simple sea to gravity of land. Caught by the tide, in the snail-slip of your own path, for moments suffocating in both water and air. If love wants you, suddently your past is obsolete science. Old maps, disproved theories, a diorama. The moment our bodies are set to spring open. The immanence that reassembles matter passes through us then disperses into time and place: the spasm of fur stroked upright; shocked electrons. The mother who hears her child crying upstairs and suddenly feels her dress wet with milk. Among black branches, oyster-coloured fog tongues every corner of loneliness we never knew before we were loved there, the places left fallow when we’re born, waiting for experience to find its way into us. The night crossing, on deck in the dark car. On the beach wehre night reshaped your face. In the lava fields, carbon turned to carpet, moss like velvet spread over splintered forms. The instant spray freezes in air above the falls, a gasp of ice. We rise, hearing our names called home through salmon-blue dusk, the royal moon an escutcheon on the shield of sky. The current that passes through us, radio waves, electric lick. The billions of photons that pass through film emulsion every second, the single submicroscopic crystal struck that becomes the phograph. We look and suddenly the world looks back. A jagged tube of ions pins us to the sky. — But if, like starlings, we continue to navigate by the rear-view mirror of the moon; if we continue to reach both for salt and for the sweet white nibs of grass growing closest to earth; if, in the autumn bog red with sedge we’re also driving through the canyon at night, all around us the hidden glow of limestone erased by darkness; if still we sish we’d waited for morning, we will know ourselves nowhere. Not in the mirrors of waves or in the corrading stream, not in the wavering glass of an apartment building, not in the looming light of night lobbies or on the rainy deck. Not in the autumn kitchen or in the motel where we watched meteors from our bed while your slow film, the shutter open, turned stars to rain. We will become indigestible. Afraid of choking on fur and armour, animals will refuse the divided longings in our foreing blue flesh. — In your hands, all you’ve lost, all you’ve touched. In the angle of your head, every vow and broken vow. In your skin, every time you were disregarded, every time you were received. Sundered, drowsed. A seeded field, mossy cleft, tidal pool, milky stem. The branch that’s released when the bird lifts or lands. In a summer kitchen. On a white winter morning, sunlight across the bed.

Ode to Joy Joy, beautiful spark of Divinity, Daughter of Elysium, We enter, drunk with fire, Heavenly one, thy sanctuary! Thy magic binds again What custom strictly divided;* All people become brothers,* Where thy gentle wing abides. Whoever has succeeded in the great attempt, To be a friend's friend, Whoever has won a lovely woman, Add his to the jubilation! Yes, and also whoever has just one soul To call his own in this world! And he who never managed it should slink Weeping from this union! All creatures drink of joy At nature's breasts. All the Just, all the Evil Follow her trail of roses. Kisses she gave us and grapevines, A friend, proven in death. Salaciousness was given to the worm And the cherub stands before God. Gladly, as His suns fly through the heavens' grand plan Go on, brothers, your way, Joyful, like a hero to victory. Be embraced, Millions! This kiss to all the world! Brothers, above the starry canopy There must dwell a loving Father. Are you collapsing, millions? Do you sense the creator, world? Seek him above the starry canopy! Above stars must He dwell.

Relationships are tenuous, like a fragile seedling. You could ruin its chances at growing and thriving by carelessly trampling it or shrouding it in a canopy of darkness. And also like a seedling, if you give it light and love and time for the roots to grow deeply, it’ll flourish into a majestic redwood.

The city yawns and stretches. A lazy Sunday morning opens its eyes. Cesar’s always loved it down here. The water flowing beneath him. The city surrounding the ancient river. A bright green canopy of trees far off in the distance. Cesar’s always appreciated the beauty. He’s always thought it was a perfect juxtaposition of urban and God.

Come. You can borrow a horse and go to him. I will send word to Winterfrost that if Merrick returns, you have gone to find him.” “Why?” Cassius stopped and looked at her. “Why would you do all this? I have ruined his reputation. I…” “Love my brother, that is what you do and that is all that matters to me. You still love him, do you not?” she asked. “With every ounce of my heart and soul,” Cassius replied. “Nothing matters more than that.” No…no it didn’t. They hurried the rest of the way to the stables. Princess Marjorie watched while Cassius prepared Tabby to ride. When he finished, he hiked his bag more securely on his shoulder before using the stirrup to climb into the saddle. “Thank you, Your High—Marjorie,” he told her, and then he was gone, flying through the woods and to their magical place beneath the canopy of dreams where all their stories could come true.

Why the difference? We are one! Yes, we are one! We are one because we breathe the same air no matter where we go! Just as the fingers lean on the same hand for survival, so are we! God knew why He created the fingers with spaces! We are one! Let us not harm ourselves just because you don’t understand me and I don’t understand you! Let us miss misunderstanding, and we shall surely see that understanding! We are one! Just as the fingers come together to feed the same stomach that gives the hand they all stand on strength, so are we! When it is time for work, some of the fingers are very active and some stay dormant, but they all receive the same nutrient from the body! When it is time for thumbs-up, the thumb rises for the approval and glory and all other fingers come together in support of it! All the fingers have their own unique function that is vital for the good functioning of the hand! Let one finger get hurt, and you shall see how the others would never be comfortable! We are separated for a purpose, and we are one for a purpose! The glory of the thick forest is not in how the trees stand alone when you have a closer view, but how it looks so beautiful like a canopy from a distance! The difference is in how we see it! The difference is in how we understand it! Hello, we are one! The love of God is for all!

I love watching stars, counting them on my little finite fingers, those fragments of fire and crumbling dreams. I love to imagine their stories, their pain, their laughter, their love, and then when I feel how they paint dreams even while falling apart, I realise how Love binds this Universe, the sky of these infinite shining souls. I love breaking free into the nothingness of their eyes, as I smile at their gaze when they sing me a lullaby made of a cold glimmer, the cascading fire of Love of His Eternal Smile. I love watching stars kissing away the darkness like a distant breeze, beckoning a song of a wild night clutched in a cold sky, where the music dances in a wedding feast. I love breathing in His forever love through the heart of my stardust, as the infinite soul of my finite soul, caress Him in the contour of that eternal canopy of stars, and how I love watching stars!

They lie on their mats, all in a row, and they stare at the tree canopy that hides the sky. When the sun is gone and there are no stars above, they turn to their memory. They hear a hundred bronze drums, a hundred cow horns, a hundred wood gourds in the shape of frogs. They hear flutes chirp and bells echo. They hear the gurgling brook music any god would love. Together, they sing in perfect harmony: We are together and that is what matters.

Life’s shrouded crossing seems to jump off with a hunger to take a blood-quickening journey, a desire to search for enchantment over the next hillock. We launch our feral voyage with a primitive pulsation to explore unknown lands and a desire to become acquainted with both village people and sophisticated ancient civilizations. Along the way, we will meet friends and foes. In our lightest moments, we will make love to a beautiful mate under a canopy of stars. In the darkest hours, we will fret about how to evade danger and scheme how best to conquer our enemies. The rainbow of experiences that we endure will undoubtedly bemuse, bruise, batter, and occasionally sully us. These hard on the hide shards of experience will also reveal our polychromatous character. By undertaking vivid encounters in the wilderness, with any luck, we will discover a numinous interior world. With immersion into a myriad of life shaping experiences, an undeterred person will stumble onto a path leading to personal illumination. The passage of liberation that a crusader must inevitably endure leads to a shocking psychological transformation, a spiritual overhaul allowing the seeker to finally overcome infantile images and febrile delusions that would otherwise continue to derail their fervent urge to forge an emergent personality, acquire wisdom, and attain bliss.

I never wanted it to end. I wondered if it felt like this the first time. Seeing him. Really seeing him. He wiped his eyes. “You really want to know, don’t you.” “Yeah.” “Why?” I gave in. I couldn’t not. I reached over and put my hand on his knee. He tensed briefly but settled when I curled my fingers over his leg, just letting my hand rest there. I couldn’t look at him. I thought my face was on fire. He said, “That’s….” His voice broke. He cleared his throat. “After the hunters came, something shifted. Between us. I don’t know how or why exactly. You stopped being weird around me.” “Seems like I’ve picked that right up again.” He chuckled. “A little. It’s okay, though. It’s like… a beginning. You came to me one day. You were sweating. I remember thinking something bad had happened because you kept wringing your hands until I thought you were going to break your bones. I asked you what was wrong. And you know what you said? “Probably something stupid.” “You said that you didn’t think you could ever give up on me. That no matter how long it took, you would be there until I told you otherwise. That you weren’t going to push me for anything but you thought I should know that you had… intentions.” “Oh dear god,” I said in horror. “And that worked?” Kelly snorted, and I felt his hand on the back of mine. “Not quite. But what you said next did.” I looked over at him. “What did I say?” He was watching me with human eyes, and I thought I could love him. I saw how easy it could be. I didn’t, not yet, but oh, I wanted to. “You said you thought the world of me. That we’d been through so much and you couldn’t stand another day if I didn’t know that. You told me that you were a good wolf, a strong wolf, and if I’d only give you a chance, you’d make sure I’d never regret it.” I had to know. “Have you?” “No,” he whispered. “Not once. Not ever.” He looked away. “It was good between us. We took it slow. You smiled all the time. You brought me flowers once. Mom was pissed because you ripped them up from her flower bed and there were still roots and dirt hanging from the bottom, but you were so damn proud of yourself. You said it was romantic. And I believed you.” He plucked a blade of grass and held it in the palm of his hand. “There was something… I don’t know. Endless. About you and me.” He took my hand off his knee and turned it over. He set the blade of grass in my palm and closed his hand over mine. He looked toward the sky and the stars through the canopy of leaves. “We came here sometimes. Just the two of us. And you would pretend to know all the stars. You would make up stories that absolutely weren’t true, and I remember looking at you, thinking how wonderful it was to be by your side. And if we were lucky, there’d be—ah. Look. Again.” His voice was wet and soft, and it cracked me right down the middle. Fireflies rose around us, pulsing slowly. At first there were only two or three, but then more began to hang heavy in the air. They were yellow-green, and I wondered how this could be real. Here. Now. This moment. How I ever could have forgotten this. Forgotten him. It had to have been the strongest magic the world had ever known. That was the only way I’d have ever left his side. He reached out with his other hand, quick and light, and snatched a firefly out of the air. He was careful not to crush it. He leaned his head toward mine like he was about to tell me a great secret. Instead he opened his hand between us. The firefly lay near the bottom of his ring finger. Its shell was black with a stripe down the middle. It barely moved. “Just wait,” Kelly whispered. I did. It only took a moment. The firefly pulsed in his hand. “There it is,” he said. He pulled away and lifted his hand. The firefly took to its wings, lifting off and flying away. He stared after it. I only had eyes for him.

I do love these ancient ruins — We never tread upon them but we set Our foot upon some reverend history: And, questionless, here, in this open court (Which now lies naked to the injuries Of stormy weather), some men lie interr’d, Loved the Church so well, and gave so largely to it, They thought it should have canopied their bones Till doomsday; — but all things have their end — Churches and cities, which have diseases like to men, Must have like death which we have. Duchess o/Malfy. The

Bree rubbed her belly. Figured; Alessandro wasn’t one to live in quiet but strained tension. She stared up at the fabric of the canopy and then squeezed her eyes shut. “Alessandro, considering that the outside world has the sterile hospital rooms, not to mention the epidurals, yeah. For goodness sake, Alessandro. You know we can’t stay here forever. I’m entering my eighth month here.” “I must say, I’m surprised you’re so anxious to leave.” “Why?” Bree asked, turning to look at his strong profile. “You know why, Brianna. As soon as we walk out that door, you and I are over.” Bree felt a guilty tightening in her chest. “Perhaps that’s what you want, though.” “That’s not fair,” Bree whispered even as she feared he was right. No. He’s wrong. I love him. She wasn’t going to let anyone shake what she and Alessandro had built here. She’d let her family know that she wanted Alessandro in her life and that she wanted to be a family with him. “Thanks for your confidence in me, though. Really.

In the deep, wet tangled, wild jungle where even natives won't go is a mystical, dangerous river. The river's got no name because naming it would make it real, and no one wanted to believe that river be real. They say you get there only inside a dream-but don't you think of it at bedtime, now, 'cause not everyone who goes there be able to leave! That jungle canopy, it so leafy true daylight can never break in the riverbank, it be wet muck thick with creatures that eat you alive if you stay still too long. To miss that fate, you gots to go into the black water. But the water be heavy as hot tar; once you in, it bind you and pull you along, bit by bit, 'til you come to the end of the land, and then over the water goes in a dark, slow cascade, the highest falls in the history of the world ever. There be demons in that cascading water, and snakes, and wraiths that whisper in your ears. They love you, they say. You should give yourself to them, stay with them, become one of them, they say. 'Isn't it good here?' they say. 'No pain, no trouble.' But also no light and no love and no joy and no ground. You tumble and tumble as you fall, and you try and choose, but your mind be topsy-turvy and maybe you can't think so well, and maybe you can't choose right, and maybe you never wake up. "It felt like that," I tell Tootsie, "even after you got me out and Scott moved me to Highland. I couldn't choose. I couldn't shut out the wraiths...But you would say, 'Hang on, sweetie,' and Scottie would say, 'I miss you, Mama,' and Scott would hold me, just hold me and say nothing at all." Tootsie snorts. "Scott was useless the whole while." "Scott was in the river, too.

Her. Her. Her. Future breezes implore me to stay. But I'm no future. I'm no past. Only ever contemporary of this path. I'll sacrifice everything for all her seasons give from losing. She, I sigh from The Mountain top. By her now. My only role. And for that freedom, spread my polar chill, reaching even the warmest times, a warning upon the back of every life that would by harming Hailey's play, ever wayward around this vegetative rush of orbit & twine, awaken among these cascading cliffs of bellicose ice me. And my Vengeance. At once. The Justice of my awful loss set free upon this crowded land. An old terror violent for the glee of ends. But to those who would tend her, harrowed by such Beauty & Fleeting Presence to do more, my cool cries will kiss their gentle foreheads and my tears will kiss their tender cheeks, and then if the Love of their Kindness, which only Kindness ever finds, spills my ear, for a while I might slip down and play amidst her canopies of gold. Solitude. Hailey's bare feet. And all her patience now assumes. Garland of Spring's Sacred Bloom. By you, ever sixteen, this World's preserved. By you, this World has everything left to lose. And I, your sentry of ice, shall allways protect what your Joy so dangerously resumes. I'll destroy no World so long it keeps turning with flurry & gush, petals & stems bending and lush, and allways our hushes returning anew. Everyone betrays the Dream but who cares for it? O Hailey no, I could never walk away from you. - Haloes! Haleskarth! Contraband! I can walk away from anything. Everyone loves the Dream but I kill it. Bald Eagles soar over me: —Reveille Rebel! I jump free this weel. On fire. Blaze a breeze. I'll devastate the World. \\ Samsara! Samarra! Grand! I can walk away from anything. Everyone loves the Dream but I kill it. Atlas Mountain Cedars gush over me: —Up Boogaloo! I leap free this spring. On fire. How my hair curls. I'll destroy the World. - Him. Him. Him. Future winds imploring me to stay. But I'm no tomorrow. I'm no yesterday. Only ever contemporary of this way. I will sacrifice everything for all his seasons miss of soaring. He, I sigh from The Mountain top. By him now. My only role. And for that freedom, spread my polar chill, reaching even the warmest climes, a warning upon the back of every life that would by harming Sam's play, ever wayward around this animal streak of orbit & wind, awaken among these cataracts of belligerent ice me. And my Justice. At once. The Vengeance of my awful loss set free upon this crowded land. An old terror violent for the delirium of ends. But to those who would protect him, frightened by such Beauty & Savage Presence to do more, my cool cries will kiss their tender foreheads and my tears will kiss their gentle cheeks, and then if the Kindness of their Love, which only Loving ever binds, spills my ear, for a while I might slip down and play among his foals so green. My barrenness. Sam's solitude. And all his patience now presumes. Luster of Spring's Sacred Brood. By you, ever sixteen, this World's reserved. By you, this World has everything left to lose. And I, your sentry of ice, shall allways protect what your Joy so terrifyingly elects. I'll destroy no World so long it keeps turning with scurry & blush, fledgling & charms beading with dews, and allways our rush returning renewed. Everyone betrays the Dream but who cares for it? O Sam no, I could never walk away from you.

Interestingly, a point that never emerged in the press but that Tim Donovan revealed to the police was that Annie had specifically "asked him to trust her" for that night's doss money. This "he declined to do." Had this incident become common knowledge, it's likely that Donovan would have faced an even worse public backlash for his role in Annie's demise. "You can find money for your beer, and you can't find money for your bed." the deputy keeper is said to have spoken in response to her request. Annie, not quite willing to admit defeat, or perhaps in a show of pride, responded with a sigh: "Keep my bed for me. I shan't be long." Ill and drunk, she went downstairs and "stood in the door for two or three minutes," considering her options. Like the impecunious lodger described by Goldsmith, she too would have been contemplating from whom among her "pals" it might have been "possible to borrow the halfpence necessary to complete {her} doss money." More likely, Annie was mentally preparing "to spend the night with only the sky for a canopy." She then set off down Brushfield Street, toward Christ Church, Spitalfields, where the homeless regularly bedded down. Her thoughts as she stepped out onto Dorest Street, as the light from Crossingham's dimmed at her back, can never be known. What route she wove through the black streets and to whom she spoke along the will never be confirmed. All that is certain is her final destination. Of the many tragedies that befell Annie Chapman in the final years of her life, perhaps one of the most poignant was that she needn't have been on the streets on that night, or on any other. Ill and feverish, she needn't have searched the squalid corners for a spot to sleep. Instead, she might have lain in a bed in her mother's house or in her sisters' care, on the other side of London. She might have been treated for tuberculosis; she might have been comforted by the embraces of her children or the loving assurances of her family. Annie needn't have suffered. At every turn there had been a hand reaching to pull her from the abyss, but the counter-tug of addiction was more forceful, and the grip of shame was just as strong. It was this that pulled her under, that had extinguished her hope and then her life many years earlier. What her murderer claimed on that night was simply all that remained of what drink had left behind.

They reached the summit of a shallow incline and were greeted with a surprising vista of bluebells that blanketed the forest floor. It was like stumbling into a dream, the cerulean haze seeping between the trunks of oak and beech and ash. The smell of bluebells was everywhere, the perfumed air feeling heavy and rich in her lungs. Pausing by a slender tree trunk, Annabelle curled her arm around it loosely and stared at the stands of bluebells with surprised pleasure. "Lovely," she murmured, her face gleaming in the shadow cast by the canopy of ancient, interlaced branches. "Yes." But Hunt was looking at her, not the bluebells, and one glance at his expression caused the blood to tingle in her veins.

For what is in this world but grief and woe? O God! methinks it were a happy life To be no better than a homely swain; To sit upon a hill, as I do now, To carve out dials quaintly, point by point, Thereby to see the minutes how they run- How many makes the hour full complete, How many hours brings about the day, How many days will finish up the year, How many years a mortal man may live. When this is known, then to divide the times- So many hours must I tend my flock; So many hours must I take my rest; So many hours must I contemplate; So many hours must I sport myself; So many days my ewes have been with young; So many weeks ere the poor fools will can; So many years ere I shall shear the fleece: So minutes, hours, days, months, and years, Pass'd over to the end they were created, Would bring white hairs unto a quiet grave. Ah, what a life were this! how sweet! how lovely! Gives not the hawthorn bush a sweeter shade To shepherds looking on their silly sheep, Than doth a rich embroider'd canopy To kings that fear their subjects' treachery? O yes, it doth; a thousand-fold it doth. And to conclude: the shepherd's homely curds, His cold thin drink out of his leather bottle, His wonted sleep under a fresh tree's shade, All which secure and sweetly he enjoys, Is far beyond a prince's delicates- His viands sparkling in a golden cup, His body couched in a curious bed, When care, mistrust, and treason waits on him.

The day we visited, mothers were chatting comfortably on one of the benches while their children ran around happily exploring and playing games. The beauty of natural playgrounds is that they tap directly into children’s passions. In traditional playspaces constructed of metal and plastic, decisions about what to play are made by the designers. First you swing. Then you go down the slide. Too often, the result is competition, with kids arguing over who gets to do what, followed by frustration and tears. Conversely, in natural play areas, the child is boss. Imaginations are fired up as kids invent games with the available loose parts. Studies show that interactions tend to be more cooperative as well. Bullying is greatly decreased, and both vandalism and aggressive behavior also go down if there is a tree canopy. And with greater engagement comes longer play intervals, about three times longer compared with old-style play equipment.

Do you know what makes me the happiest? When I see somebody's dream getting the light of morn. When I see the happy giggle of a child with the most enchanting twinkle in that eye. When I see the breaking dawn to watch the rising sun. When I see a smile walking along the horizon painting the crimson rays of a setting sun. When I see a sobbing heart finally taking a flight to a deep unknown within the canvas of its soul. When I see the rain touch the earth and caress its voice in a mirthful melody of stories unfinished. When I see a rainbow dancing along a silver lining of a roaring storm. When I see the radiance on a freckled face of an old woman holding the hand of her forever old man. When I see the moist mist of that coffee slowly becoming the poison of my muse. When I see my wandering heart falling in love with beautiful lands and strangers of soulful cord. When I see how Life is beautiful in all its breathtaking shortness marked in moments of happy surprise lulling across the door of my distant dream clutched in a canopy of dreams lived. And now when I see that beguiling smile of Life, I know how happiest that stardust shines which twinkles in my eye and the soul of my distant dream.

For one moment, she stood stock-still, drinking in the simple beauty of the marble fountain, the base of its pedestal wreathed in delicate fronds, that stood, glowing lambently in the soft white light, in the center of a small, secluded, fern-shrouded clearing. Water poured steadily from the pitcher of the partially clad maiden frozen forever in her task of filling the wide, scroll-lipped basin. The area had clearly been designed to provide the lady of the house with a private, refreshing, calming retreat in which to embroider, or simply rest and gather thoughts. In the moonlit night, surrounded by mysterious shadow and steeped in a silence rendered only more intense by the distant sighing of music and the silvery tinkle of the water, it was a hauntingly magical place. For three heartbeats, the magic held Patience immobile. Then, through the fine silk of her gown, she felt the heat of Vane's body. He did not touch her, but that heat, and the flaring awareness that raced through her, had her quickly stepping forward. Hauling in a desperate breath, she gestured to the fountain. "It's lovely." "Hmm," came from close behind. Too close behind. Patience found herself heading for a stone bench, shaded by a canopy of palms. Stifling a gasp, she veered away, toward the fountain.

Psalm 5 Song of the Clouded Dawn For the Pure and Shining One, for her who receives the inheritance.11 By King David. 1Listen to my passionate prayer! Can’t You hear my groaning? 2Don’t You hear how I’m crying out to You? My King and my God, consider my every word, For I am calling out to You. 3At each and every sunrise You will hear my voice As I prepare my sacrifice of prayer to You. Every morning I lay out the pieces of my life on the altar And wait for Your fire to fall upon my heart.12 4I know that You, God, Are never pleased with lawlessness, And evil ones will never be invited As guests in Your house. 5Boasters collapse, unable to survive Your scrutiny, For Your hatred of evildoers is clear. 6You will make an end of all those who lie. How You hate their hypocrisy And despise all who love violence! 7But I know the way back home, And I know that You will welcome me Into Your house, For I am covered by Your covenant of mercy and love. So I come to Your sanctuary with deepest awe, To bow in worship and adore You. 8Lord, lead me in the pathways of Your pleasure, Just like You promised me You would, Or else my enemies will conquer me. Smooth out Your road in front of me, Straight and level so that I will know where to walk. 9For you can’t trust anything they say. Their hearts are nothing but deep pits of destruction, Drawing people into their darkness with their speeches. They are smooth-tongued deceivers Who flatter with their words! 10Declare them guilty, O God! Let their own schemes be their downfall! Let the guilt of their sins collapse on top of them, For they rebel against You. 11But let them all be glad, Those who turn aside to hide themselves in You, May they keep shouting for joy forever! Overshadow them in Your presence As they sing and rejoice, Then every lover of Your name Will burst forth with endless joy. 12Lord, how wonderfully You bless the righteous. Your favor wraps around each one and Covers them Under Your canopy of kindness and joy. 11. 5:Title The Hebrew word used here is Neliloth, or “flutes.” It can also be translated “inheritances.” The early church father, Augustine, translated this: “For her who receives the inheritance,” meaning the church of Jesus Christ. God the Father told the Son in Psalm 2 to ask for His inheritance; here we see it is the church that receives what Jesus asks for. We receive our inheritance of eternal life through the cross and resurrection of the Son of God. The Septuagint reads “For the end,” also found in numerous inscriptions of the Psalms. 12. 5:3 Implied in the concept of preparing the morning sacrifice. The Aramaic text states, “At dawn I shall be ready and shall appear before You.

The LORD Is My Rock and My Fortress To the choirmaster. A Psalm of David,  f the servant of the LORD,  g who addressed the words of this  h song to the LORD on the day when the LORD delivered him from the hand of all his enemies, and from the hand of Saul. He said: PSALM 18 I love you, O LORD, my strength. 2 The LORD is my  i rock and my  j fortress and my deliverer, my God, my i rock, in k whom I take refuge, my l shield, and m the horn of my salvation, my n stronghold. 3 I call upon the LORD, who is  o worthy to be praised, and I am saved from my enemies. 4  p The cords of death encompassed me; q the torrents of destruction assailed me; [1] 5  p the cords of Sheol entangled me; the snares of death confronted me. 6  r In my distress I called upon the LORD; to my God I cried for help. From his  s temple he heard my voice, and my cry to him reached his ears. 7 Then the earth  t reeled and rocked; the foundations also of the mountains trembled and quaked, because he was angry. 8 Smoke went up from his nostrils, [2] and devouring  u fire from his mouth; glowing coals flamed forth from him. 9 He v bowed the heavens and w came down;  x thick darkness was under his feet. 10 He rode on a cherub and flew; he came swiftly on  z the wings of the wind. 11 He made darkness his covering, his  a canopy around him, thick clouds b dark with water.

In that moment Ned felt a swelling, a ripping expansion, a hugeness that rang through him for the length of his life, a feeling that was sometimes rivalled but never quite matched. Not at weddings, not at births, not at funerals. Not when he worked his way north to Longreach, where he finally saw Toby again, finding him cocky, funny and largely unchanged. Not during good seasons or bad. Not when he was alone on cold waterways, not when he was in the grip of people he loved. Not as he poured dirt into graves, not as he watched his children, then his grandchildren, play. Not on the white sands of hidden beaches. Not in the shade of ancient trees, in whose canopies he imagined he could see the darting of cream-brown quolls. Not on rocky mountain roofs. Not in the presence of whales, not while viewing fine ships. Not at the scent of Huon pine. Not as Callie's last breath eased out of her, in their house overlooking kanamaluka, the eastern sun warming her face right up to the final moments of her life. Not at his ninetieth birthday, surrounded by his family and what was left of his friends, as he felt both powerfully loved and profoundly alone. Not even then, at the very end of his life, did he feel it again, although he always remembered it: this hugeness of feeling. This undamming of a whole summer's fear, this half-sickening lurch to joy. (pp.225-6)

Every man and every woman is a star: we all come from the same source, made from the same stuff, and it is that stuff that also makes the rest of the universe. When we are created, we contain within ourselves a spark of the divine, a star within our bodies of flesh that is eternal and a direct reflection of every other star contained within every other person and being upon the earth and in the heavens. Together we are constellations, and we come together in groups to create patterns in the sky. We move about in the heavens and in our orbits, and some of us collide while some of us find a mutually beneficial orbit; still others unite in the most beautiful constellations that their union will be seen and remembered throughout the ages. But we are all star-children, siblings under the canopy of heaven, and we all seek reunion with that from which we came bursting into life. The stars within us speak to their source and origin, and we yearn to return to it. The journey is long, but we find every now and then in another person a star that is closest to that which we yearn for, and we see in them the source of light, and they see it in us. We join with them, in yearning and desire and passion, and through them we are completed. This is love: the joining of two stars contained in the bodies of two human beings, expressed in their bridging of the gap between them and the gap between them and the divine. Yet do not curse the gap, Lover; do not bemoan the space that you must traverse to achieve reunion and love, for it is only by virtue of this gap that you might feel yearning and desire and love at all.

The next room was a great round ballroom. Its walls were arrayed in gold-painted moldings; its floor was a swirling mosaic of blue and gold; its dome was painted with the loves of all the gods, a vast tangle of plump limbs and writhing fabric. The air was cool, still, and hugely silent. My footsteps were only a soft tap-tap-tap, but they echoed through the room. After that came what seemed like a hundred more rooms and hallways. In every one, the air was different: hot or cold, fresh or stuffy, smelling of rosemary, incense, pomegranates, old paper, pickled fish, cedarwood. None of the rooms frightened me like the first hallway. But sometimes--especially when sunlight glowed through a window--I thought I heard the faint laughter. Finally, at the end of a long hallway with a cherrywood wainscot and lace-hung windows between the doors, we came to my room. I could see why the Gentle Lord called it the "bridal suite": the walls were papered with a silver pattern of hearts and doves, and most of the room was taken up by a huge canopied bed, more than big enough for two. The four posts were shaped like four maidens, coiffed and dressed in gauzy robes that clung to their bodies, their faces serene. They were exactly like the caryatids holding up the porch of a temple. The bed curtains were great falls of white lace, woven through with crimson ribbons. A vase of roses sat on the bedside table. Their red petals had blossomed wide to expose their gold centers, and their musk wove through the air. It was a bed that had been built for pleasure, just like my dress, and as I stared at it I felt hot and cold at once.

Like noiseless nautilus shells, their light prows sped through the sea; but only slowly they neared the foe. As they neared him, the ocean grew still more smooth; seemed drawing a carpet over its waves; seemed a noon-meadow, so serenely it spread. At length the breathless hunter came so nigh his seemingly unsuspecting prey, that his entire dazzling hump was distinctly visible, sliding along the sea as if an isolated thing, and continually set in a revolving ring of finest, fleecy, greenish foam. He saw the vast, involved wrinkles of the slightly projecting head beyond. Before it, far out on the soft Turkish-rugged waters, went the glistening white shadow from his broad, milky forehead, a musical rippling playfully accompanying the shade; and behind, the blue waters interchangeably flowed over into the moving valley of his steady wake; and on either hand bright bubbles arose and danced by his side. But these were broken again by the light toes of hundreds of gay fowl softly feathering the sea, alternate with their fitful flight; and like to some flag-staff rising from the painted hull of an argosy, the tall but shattered pole of a recent lance projected from the white whale's back; and at intervals one of the cloud of soft-toed fowls hovering, and to and fro skimming like a canopy over the fish, silently perched and rocked on this pole, the long tail feathers streaming like pennons. A gentle joyousness—a mighty mildness of repose in swiftness, invested the gliding whale. Not the white bull Jupiter swimming away with ravished Europa clinging to his graceful horns; his lovely, leering eyes sideways intent upon the maid; with smooth bewitching fleetness, rippling straight for the nuptial bower in Crete; not Jove, not that great majesty Supreme! did surpass the glorified White Whale as he so divinely swam.

That night, Marjan dreamt of Mehregan. The original day of thanksgiving, the holiday is celebrated during the autumn equinox in Iran. A fabulous excuse for a dinner party, something that Persians the world over have a penchant for, Mehregan is also a challenge to the forces of darkness, which if left unheeded will encroach even on the brightest of flames. Bonfires and sparklers glitter in the evening skies on this night, and in homes across the country, everyone is reminded of their blessings by the smell of roasting 'ajil', a mixture of dried fruit, salty pumpkin seeds, and roasted nuts. Handfuls are showered on the poor and needy on Mehregan, with a prayer that the coming year will find them fed and showered with the love of friends and family. In Iran, it was Marjan's favorite holiday. She even preferred it to the bigger and brasher New Year's celebrations in March, anticipating the festivities months in advance. The preparations would begin as early as July, when she and the family gardener, Baba Pirooz, gathered fruit from the plum, apricot, and pear trees behind their house. Along with the green pomegranate bush, the fruit trees ran the length of the half-acre garden. Four trees deep and rustling with green and burgundy canopies, the fattened orchard always reminded Marjan of the bejeweled bushes in the story of Aladdin, the boy with the magic lamp. It was sometimes hard to believe that their home was in the middle of a teeming city and not closer to the Alborz mountains, which looked down on Tehran from loftier heights. After the fruit had been plucked and washed, it would be laid out to dry in the sun. Over the years, Marjan had paid close attention to her mother's drying technique, noting how the fruit was sliced in perfect halves and dipped in a light sugar water to help speed up the wrinkling. Once dried, it would be stored in terra-cotta canisters so vast that they could easily have hidden both both young Marjan and Bahar. And indeed, when empty the canisters had served this purpose during their hide-and-seek games.

His feelings were rooted in his inability to process life under the canopy of the grace and the love of God. Here’s how Eliab expressed his anger—verbally.

Beyond the canopy of my embrace, you shall feel the blistering heat of the Desert.

She looked up and a seagull was flying slowly backward and forward, seeming to gather all the light of the place with his shining wings and to trail it in long threads of silver after him, as though weaving a pattern in the air over her head, like one of those canopies powdered with stars that one sees in old pictures over the heads of queens. She looked up at him, loving him. He was a symbol of prayer, of the prayer that went on day and night in the great convent that was towering up above her, the convent that was home.

This was true mountain country, now, and true wilderness. Valley meadows, leafy trees halfway up the slopes, then evergreens gradually taking over at the higher altitudes... their road wound its way up and down through tree-tunnels that only intermittently allowed them to see the sky. It would have been a lovely journey under other circumstances. The weather remained fair, and remarkably pleasant, even if the night was going to be cold. She had only read about the wilderness, never experienced it for herself, and she found herself liking it a lot. Or- parts of it, anyway. The way it was never entirely silent, but simply 'quiet'- birdsong and insect noises, the rustle of leaves, the distant sound of water. She had never before realized how noisy people were. And the forest was so beautiful. She wasn't at all used to deep forest; it was like being inside a living cathedral, with beams of light penetrating the tree-canopy and illuminating unexpected treasures, a moss-covered rock, a small cluster of flowers, a spray of ferns. These woods were 'old', too, the trees had trunks so big it would take three people to put their arms around them, and there was a scent to the place that somehow conveyed that centuries of leaves had fallen here and become earth.

We were in the Crocodile Environmental Park at the zoo when Steve first told me the story of Acco’s capture. I just had to revisit him after hearing his story. There he was, the black ghost himself, magnificently sunning on the bank of his billabong. Standing there next to this impressive animal, I tried to wrap my mind around the idea that people had wanted him dead. His huge, intimidating teeth made him look primeval, and his osteodermal plates gleamed black in the sun--a dinosaur, living here among us. I felt so emotional, contemplating the fear-based cruelty that prompted humans to hate these animals. For his part, Acco still remembered his capture, even though it had happened nearly a decade before. Whenever Steve went into his enclosure, Acco would stalk him and strike, exploding out of the water with the intent to catch Steve unaware. Despite the conflict in Steve’s soul over whether he had done the right thing, I decided that Acco’s capture had to be. In the zoo, Acco had his own territory to patrol and a beautiful female crocodile, Connie, who loved him dearly. Left in the wild, somebody would have eventually shot him. If the choice is between a bullet and living in the Crocodile Environmental Park, I think his new territory was much more preferable. When I met Steve in 1991, he had just emerged from a solid decade in the bush, either with Bob or on his own, with just his dog Chilli, and later Sui. Those years had been like a test of fire. As a boy all Steve wanted to do was to be like his dad. At twenty-nine he’d become like Bob and then some. He had done so much more than catch crocs. In the western deserts, he and Bob helped researchers from the Queensland Museum understand the intricacies of fierce snake behavior. Steve also embarked on a behavioral study of a rare and little-understood type of arboreal lizard, the canopy goanna, scrambling up into trees in the rain forests of Cape York Peninsula in pursuit of herpetological knowledge. As much as Steve had become a natural for television, over the course of the 1980s he had become a serious naturalist as well. His hands-on experience, gleaned from years in the bush, meshed well with the more abstract knowledge of the academics. No one had ever accomplished what he had, tracking and trapping crocodiles for months at a time on his own. He would hand Bindi and Robert his knowledge of nature and the bush, just as Bob and Lyn had handed it down to him. This is what few people understood about Steve--his relationship with his family, and the tradition of passion and commitment and understanding that passed from generation to generation. Later on, that Irwin family tradition would bring Steve untold grief, when outsiders misjudged his effort to educate his children and crucified him for it.

All life depends upon the opportunistic interplay between elemental forces, the mysterious dualities of the numinous universe. Ying and yang forces of the natural world (lightness and darkness, fire and water, expansion and contraction) create tangible dualities that are complementary, interconnected, and independent. Without the firmament in the midst of the waters, without both sunshine and water, no life forms could subsist on this rocky orb. Without the rich soil surrounded by a canopy of an illimitable sky how could we feed ourselves, how could we breathe?

His own life suddenly seemed repellently formal. Whom did he know or what did he know and whom did he love? Sitting on the stump under the burden of his father's death and even the mortality inherent in the dying, wildly colored canopy of leaves, he somehow understood that life was only what one did every day.... Nothing was like anything else, including himself, and everything was changing all of the time. He knew he couldn't perceive the change because he was changing too, along with everything else. (from the novella, The Man Who Gave Up His Name)

I looked toward the small vent in the corner of the ceiling through which the music entered my cell. The source must have been far away, for it was just a faint stirring of notes, but when I closed my eyes, I could hear it more clearly. I could... see it. As if it were a grand painting, a living mural. There was beauty in the music- beauty and goodness. The music folded over itself like batter being poured from a bowl, one note atop another, melting together to form a whole, rising, filling me. It wasn't wild music, but there was a violence of passion in it, a swelling kind of joy and sorrow. I pulled my knees to my chest, needing to feel the sturdiness of my skin, even with the slime of the oily paint upon it. The music built a path, an ascent founded upon archways of colour. I followed it, walking out of that cell, through layers of earth, up and up- into fields of cornflowers, past a canopy of trees, and into the open expanse of sky. The pulse of the music was like hands that gently pushed me onward, pulling me higher, guiding me through the clouds. I'd never seen clouds like these- in their puffy sides, I could discern faces fair and sorrowful. They faded before I could view them too clearly, and I looked into the distance to where the music summoned me. It was either a sunset or a sunrise. The sun filled the clouds with magenta and purple, and its orange-gold rays blended with my path to form a band of shimmering metal. I wanted to fade into it, wanted the light of that sun to burn me away, to fill me with such joy that I would become a ray of sunshine myself. This wasn't music to dance to- it was music to worship, music to fill in the gaps of my soul, to bring me to a place where there was no pain. I didn't realise I was weeping until the wet warmth of a tear splashed upon my arm. But even then I clung to the music, gripping it like a ledge that kept me from falling. I hadn't realised how badly I didn't want to tumble into that deep dark- how much I wanted to stay here among the clouds and colour and light. I let the sounds ravage me, let them lay me flat and run over my body with their drums. Up and up, building to a palace in the sky, a hall of alabaster and moonstone, where all that was lovely and kind and fantastic dwelled in peace. I wept- wept to be so close to that palace, wept for the need to be there. Everything I wanted was there- the one I loved was there- The music was Tamlin's fingers strumming my body; it was the gold of his eyes and the twist of his smile. It was that breathy chuckle, and the way he said those three words. It was this I was fighting for, this I had sworn to save. The music rose- louder, grander, faster, from wherever it was played- a wave that peaked, shattering the gloom of my cell. A shuddering sob broke from me at the sound faded into silence. I sat there trembling and weeping, too raw and exposed, left naked by the music and the colour in my mind.

Let our love be a radiant sun, casting warmth on all it touches.. Offer compassion like a sheltering canopy, understand like a soothing balm, be kind like a gentle breeze that carries hope. For we never know who might be weathering a silent storm.

It means that we are loved, like all living things that Gaia sustains. There is a poetry in the canopies of forests and in the gentle roll of hills, a song in the wind and a benediction in the kiss of the sun. There are stories

Lovely,” she murmured, her face gleaming in the shadow cast by the canopy of ancient, interlaced branches. “Yes.” But Hunt was looking at her.

Alexander said as soon as it got cold, they would leave. September came and it was still warm; he liked that. Better still, not only was Tatiana making them a little money, she was drinking some sparkling wine, some Bisol Brut, for which she developed a bit of a taste. After work, she would sit with Anthony, have bread and cheese, and a glass of sparkler. She closed the winery, counted the money, played with the boy, waited for Alexander to finish work, and sipped her drink. By the time they drove to the B&B, had dinner, chocolate cake, more wine, a bath, put Anthony to bed, and she fell down onto the goose down covers, arms flung above her head, Tatiana was so bubbled up, so pliant, so agreeable to all his relentless frenzies, and so ceaselessly and supernally orgasmic that Alexander would not have been a mortal man if he allowed anything to come between his wife and her Bisol Brut. Who would do a crazy thing like quit to go into dry country? This country was flowing with foaming wine, and that is just how they both liked it. He started whispering to her again, night by night, little by little. Tania . . . you want to know what drives me insane? Yes, darling, please tell me. Please whisper to me. When you sit up straight like this with your hands on your lap, and your breasts are pushed together, and your pink nipples are nice and soft. I lose my breath when your nipples are like that. The trouble is, as soon as I see you looking at me, the nipples stop being nice and soft. Yes, they are quite shameful, he whispers, his breath lost, his mouth on them. But your hard nipples also drive me completely insane, so it’s all good, Tatia. It’s all very very good. Anthony was segregated from them by an accordion room partition. A certain privacy was achieved, and after a few nights of the boy not being woken up, they got bolder; Alexander did unbelievable things to Tatiana that made her sparkler-fueled moaning so extravagant that he had to invent and devise whole new ways of sustaining his usually impeccable command over his own release. Tell me what you want. I’ll do anything you want, Tania. Tell me. What can I do—for you? Anything, darling . . . anything you want, you do . . . There was nothing Gulag about their consuming love in that enchanted bed by the window, the bed that was a quilted down island with four posters and a canopy, with pillows so big and covers so thick . . . and afterward he lay drenched and she lay breathless, and she murmured into his chest that she should like a soft big bed like this forever, so comforted was she and so very pleased with him. Once she asked in a breath, Isn’t this better than being on top of the hard stove in Lazarevo? Alexander knew she wanted him to say yes, and he did, but he didn’t mean it, and though she wanted him to say it, he knew she didn’t want him to mean it either. Could anything come close to crimson Lazarevo where, having been nearly dead, without champagne or wine or bread or a bed, without work or food or Anthony or any future other than the wall and the blindfold, they somehow managed for one brief moon to live in thrall sublime? They had been so isolated, and in their memories they still remained near the Ural Mountains, in frozen Leningrad, in the woods of Luga when they had been fused and fevered, utterly doomed, utterly alone. And yet!—look at her tremulous light— as if in a dream—in America—in fragrant wine country, flute full of champagne, in a white quilted bed, her breath, her breasts on him, her lips on his face, her arms in rhapsody around him are so comforting, so true—and so real.

The moment Lucas stepped beside her, she felt as if her shelter were complete. The canopy might ward off the sun, but it was having Lucas at her side that made her feel protected, fulfilled . . . loved. She glanced up at him, and though she saw that his tie was still askew, she resisted the urge to straighten it. There would be a lifetime to indulge such impulses.

She was trying--for Carolyn, for herself, for her darling Mr. Darcy, she was trying to live this, and Martin’s presence had the effect of shining a light on how shallow it all was, besides reminding her of every guy who had tossed her aside. She was having a grand time and his judgment was souring the punch. She turned her shoulder to him and addressed Mr. Nobley. “Thank you, sir. Thus far the highlight of my stay has been making love to you.” Mr. Nobley bowed in acknowledgment. The conversation completely quieted. Jane thought she detected Martin sort of slump his shoulders. “Well, good night, all,” Jane said, and made a quick getaway to her room… …where she lay on her bed, stared at her canopy, and wished that encounter didn’t stick to her still, that she could just scrape it off her shoe. What would Martin have said if she’d let him speak? No, never mind, these things never end well. Wait, there had been something good, coiling on the edge of her memory…ah yes, Mr. Nobley had been about to kiss her. She closed her eyes and held to that moment as she would to the tatters of a really great dream in the waking gray of dawn.

Beatrix was transfixed by the subtle changes in his face, the heightening color, the silver brightness of his eyes. Possibilities entered the quietness, like sun breaking through forest canopy. She wondered if he were going to kiss her. And a single word flashed through her mind. Please.

Isaac dared not move and she did not stir either, both staring up at the canopy above. If he reached over, if he –no, no. It was better to keep a small shield between them, to preserve the little progress they had made in their standoffish, untested relationship, two strangers forced together under impossible circumstances. The last thing he needed was to push her away, to frighten her, to be the brute she’d taken him for. It had been three weeks since they’d been in this very same position and so much had changed and yet so little. A ridiculous, naïve hope drifted into his head before he found sleep: perhaps one day, a long time from now, they would be friends. He would settle for that, if he could have nothing more. Even though he wanted everything.

FEBRUARY 20 I WILL BE YOUR DEFENSE AND REFUGE I HAVE GIVEN you refuge in the shadow of My wings, and I will keep you in safety until the disaster has passed. My glory will be a canopy of protection for you. It will be a shelter and shade from the heat of the day, and a refuge and hiding place from the storm and rain. I am your shelter from the wind and your refuge in the storm. I will be like streams of water in the desert and the shadow of a great rock in a thirsty land. I have put My words in your mouth and covered you with the shadow of My hand. Gladness and joy will overtake you, and sorrow and sighing will flee away. I am He who comforts you. PSALM 91; ISAIAH 4:6; 32:1–2; 51:11–16 Prayer Declaration I will trust in the covering of Your wings, and in the shadow of Your wings I will trust. Be my defense and refuge in times of trouble. I will sing of Your strength. In the morning I will sing of Your love, for You are my fortress. You are my strength. I sing praise to You, for on You I can rely.

Pelewen still wanders the night Under the canopy of long-dead days, A knight sword-sworn to duty and might, A knight faith-sealed with truth and right.   Nerena still wanders the misty eve, Under the canopy of long-dead days, A witch evil-sworn to lies believe, A witch dark-sealed to darkness wreathe.   What brought you, knight, to wander that wood? What brought the thieves who cut you down? Where, dark witch, did you find the good, To succor he who for goodness stood?   With secrets whispered in secluded shade, She healed you, knight, your life returned, With kisses, witch, the first he gave, Your soul was healed and holy made.   Love, you too we see this night Under the canopy of long-dead days; A blessing sworn to the good and right, A love that sealed a witch and knight.   What partings made upon the morn, Under wind and sun and forest song: One body whole and one soul born, Four eyes wet and two hearts torn.   What drove you, Knight, to the distant glade? What drove you to confess, dear maid? Why, Knight, did heart turn horse ‘round again? And why, Pureman, could you not forgive her stain?   One maid burned at morning’s light. One horse rides through ash at night. One soul to tell the Knight the tale. One Knight upon his sword impaled.   Death, you too we see this eve, Under the canopy of long-dead days; A death dark-sworn to love bereave, A death dark-sealed to sadness wreathe.   “Well, that was depressing,” Chertanne derided

At dusk the four of them stopped en route home to sit on the riverbank under a canopy of cottonwood trees. Loretta hugged her bent knees, gazing at the reflection of leaves and fading sunlight on the water, only half-aware of Amy and Swift Antelope’s chatter. Hunter stretched out beside her, head propped on one hand, his eyes never leaving her. She was acutely conscious of his gaze, and when it started to unnerve her, she finally turned to look at him. Banked embers of passion glowed in his eyes. Smiling, he plucked a blade of grass and feathered it along her arm, reaching up under her loose sleeve. Next he directed his attention to her leg, tracing a circle around the top of her moccasin, grazing the curve of her calf, the back of her thigh beneath her skirt. Loretta’s belly knotted, and delicious shivers coursed down her spine. She felt a blush creeping up her neck. He was deliberately calling to her mind the things he had done to her last night, something a white man would never dream of doing, not in the company of others. Hunter had grown up running wild on the plains with other children, boys and girls alike, garbed in nothing but a string and cloth. She had been stifled by rules of propriety and layer upon layer of muslin. To him, making love was as natural as eating when one was hungry or drinking to slake one’s thirst. He felt no shame, no shyness, no sense of secrecy. I want, I take. It is a very simple thing. It wasn’t simple, though. Not for her.

My song says I will one day leave my people. I am Comanche. Without them, I will be as nothing, Blue Eyes.” Loretta stared sightlessly into the shifting shadows, watching the play of firelight. “It’s only a legend, Hunter. A silly legend. Hatred going away on the wind? High places and great canyons of blood! New tomorrows and new nations?” She turned her face toward him. “Look into my eyes. Do you see a new morning with new beginnings?” He searched her gaze, and then, in a husky voice that reached way down inside her, he whispered, “Yes.” He drew out the word until it seemed to echo and reecho in her mind. It was then that Loretta knew. He had fallen in love with her. She stared up at his dark face, so close to her own that they breathed the same air, and her heart broke a little, for him, and for herself. She would never love him in return. A canyon of hatred and bitterness separated them. In that, at least, the prophecy was correct. “Oh, Hunter, don’t look at me like that.” In one liquid movement he rose on an elbow above her, his broad chest a canopy of bronze, his shoulders eclipsing the light so only her face was illuminated. “You have stolen my heart.” “No,” she whispered rawly. “Don’t say that, don’t even think it. Can’t you understand? I’ll never love you back, Hunter.” Her pulse started to slam. “I’m terrified of--” He crossed her lips with a gentle finger, his eyes clouding with warmth. “Of lying with me? I am not blind, Blue Eyes. Your heart is laid upon the ground with memories. That will pass. You will come to me. You will want my hand upon you. It will be so. The Great Ones have spoken it.

Look into my eyes. Do you see a new morning with new beginnings?” He searched her gaze, and then, in a husky voice that reached way down inside her, he whispered, “Yes.” He drew out the word until it seemed to echo and reecho in her mind. It was then that Loretta knew. He had fallen in love with her. She stared up at his dark face, so close to her own that they breathed the same air, and her heart broke a little, for him, and for herself. She would never love him in return. A canyon of hatred and bitterness separated them. In that, at least, the prophecy was correct. “Oh, Hunter, don’t look at me like that.” In one liquid movement he rose on an elbow above her, his broad chest a canopy of bronze, his shoulders eclipsing the light so only her face was illuminated. “You have stolen my heart.

But Aelin didn’t turn as he rushed onto the balcony. And halted, too. In silence, they stared. Bells began pealing; people shouted. Not with fear. But with wonder. A hand rising to her mouth, Aelin scanned the broad sweep of the world. The mountain wind brushed away her tears, carrying with it a song, ancient and lovely. From the very heart of Oakwald. The very heart of the earth. Rowan twined his fingers in hers and whispered, awe in every word, “For you, Fireheart. All of it is for you.” Aelin wept then. Wept in joy that lit her heart, brighter than any magic could ever be. For across every mountain, spread beneath the green canopy of Oakwald, carpeting the entire Plain of Theralis, the kingsflame was blooming.

Those whom love has not given wings cannot fly the cloud of appearances to see the magic world in which Selma`s spirit and mine existed together in that sorrowfully happy hour. Those whom Love has not chosen as followers do not hear when Love calls. This story is not for them. Even if they should comprehend these pages, they would not be able to grasp the shadowy meanings which are not clothed in words and do not reside on paper, but what human being is he who has never sipped the wine from the cup of love, and what spirit is it that has never stood reverently before that lighted altar in the temple whose pavement is the hearts of men and women and whose ceiling is the secret canopy of dreams? What flower is that on whose leaves the dawn has never poured a drop of dew; what streamlet is that which lost its course without going to the sea?

All his life, he has been as strong and tall as an oak tree, towering over the world. She sees through the canopy of leaves and the protective layer of bark that surrounds him. She sees the new green shoots of growth curling towards the light, and the way his roots reach towards stability. All his life, he has needed to be strong, but with her, he can be vulnerable. Underneath the soil, their roots tangle together, like two hands reaching out.

However, the words died on my tongue when I stepped fully onto the rooftop and saw what he’d planned for our first date. Oh my God. A giant standing TV screen dominated one side of the rooftop, kitty-corner to a table covered with every snack one could think of. There were white ceramic dishes filled with M&M’s, pretzels, gummy bears, and other candies I couldn’t identify at this distance; plates groaning with chips, cookies, and sundry snacks; massive bowls containing six different types of popcorn; and a full charcuterie board. A champagne bucket sat next to tea, coffee, and three bottles of wine (one red, one white, one rosé). Beneath the table, a glass-fronted minifridge boasted an assortment of water, juice, and soda. Area rugs and potted plants scattered across the floor, lending the scene a cozy feel. Strategically placed candles and the canopy of lights overhead illuminated the rooftop in lieu of the setting sun while portable heat lamps warded off the cold. However, the real star of the show was the giant mattress laid out in front of the screen. Piled high with pillows, cushions, and cashmere blankets, it looked so cozy I wanted to dive right into the middle and never get up. The entire setup was so cheesy, it looked like something out of a rom-com. And I loved it.

And when the sun sets, it doesn't even matter. In a canopy of shadows, the life inside a soul never fails to peep through, as if a spark, a flicker holding on to that tunnel of hope, that bird of chained gallows. Yet in the shadows, a muffling voice keeps murmuring a tune that holds the chord of a surreal dream. They scream of scars yet each scar shines in the redolence of a fumed melody. And each time the breeze touches by, the setting sun smiles with a sketch of a dawn, a dusk that kisses the symphony of a crimson morn. And there in a sky of shadows lurks a setting dream, in a mirage of a rainbow, a rainbow of scattered stars, all along a setting sun. And when the sun sets, it doesn't even matter.

Over me hangs a silver canopy of stars, like the diamonds set in chandeliers out East. But I'd take these stars and the pines stretching tall enough to rake them out of the dark sky over those diamonds any day. The beautiful stillness of the night overtakes me and my eyes well with tears. There is nothing more beautiful than one's home, one's stars, and the smell of the trees standing like sentinels around the land you love.

No one loved him. His head burnt up lies and licentiousness in twilit rooms. The blue rustling of a woman's dress turned him into a pillar of stone and in the doorway stood the night-dark figure of his mother. Over his head reared the shadow of Evil. O, you nights and stars. At evening he walked by the mountain with the cripple; upon the icy summit lay the roseate gleam of sunset and his heart rang quietly in the twilight. The stormy pines sank heavily over them and the red huntsman stepped out of the forest. When night fell, his heart broke like crystal and darkness beat his brow. Beneath bare oak trees with icy hands he strangled a wild cat. At the right hand appeared the white form of an angel lamenting, and in the darkness the cripple's shadow grew. But he took up a stone and threw it at the man that he fled howling, and sighing the gentle countenance of the angel vanished in the shadow of the tree. Long he lay on the stony field and gazed astonished at the golden canopy of the stars. Pursued by bats he plunged into darkness. Breathless he stepped into the derelict house. In the courtyard he, a wild animal, drank from the blue waters of the well till he felt the chill. Feverish he sat on the icy steps, raging against God that he was dying. O, the grey countenance of terror, as he raised his round eyes over the slit throat of a dove. Hastening over strange stairways he encountered a Jewish girl and clutched at her black hair and he took her mouth. A hostile force followed him through gloomy streets and an iron clash rent his ear. By autumnal walls he, now an altar boy, quietly followed the silent priest; under arid trees in ecstasy he breathed the scarlet of that venerated garment. O, the derelict disc of the sun. Sweet torments consumed his flesh. In a deserted half-way house a bleeding figure appeared to him rigid with refuse. He loved the sublime works of stone more deeply; the tower which assails the starry blue firmament with fiendish grimace; the cool grave in which Man's fiery heart is preserved. Woe to the unspeakable guilt which declares all this. But since he walked down along the autumn river pondering glowing things beneath bare trees, a flaming demon in a mantle of hair appeared to him, his sister. On awakening, the stars about their heads went out.

no matter what decorate the branches, stretch out beneath the ground -intertwined with other trees that might not look the same but have identical systems of growth. Turn instead to what has always been. Crawl into the shade of the trees that protect you, collapse beneath the canopy of what you know is true. Feel how you are loved and love them back.

A child´s love is the most precious gift a mother can ever receive. A child's love is given unintentionally. It is pure and given without reason and is the most extraordinary honor, yet it is the most fragile love there is. It is the easiest to damage and the hardest to repair.

It means that we are loved, like all living things that Gaia sustains. There is a poetry in the canopies of forests and in the gentle roll of hills, a song in the wind and a benediction in the kiss of the sun. There are stories in the chuckle of waters in creeks, and epics told in the tides of oceans. There are trees, Granuaile, that seem sometimes like they have grown all their lives just to feel the touch of my hand upon their trunks, they are so welcoming to me. You will feel that welcome in your hands someday. You’ll feel it in your toes as you walk upon the earth. I cannot wait to see that love bloom in your eyes.

Cards on the table, girls? Karl has served a sentence at Exeter prison for assault; Antony for theft. Karl was merely sticking up for a friend, you understand, and – hand on heart – would do the same again. His friend was being picked on in a bar and he hates bullying. Me, I am struggling with the paradox – bullying versus assault, and do we really lock people up for minor altercations? – but the girls seem fascinated, and in their sweet and liberal naivety are saying that loyalty is a good thing and they had a bloke from prison who came into their school once and told them how he had completely turned his life around after serving time over drugs. Covered in tattoos, he was. Covered. ‘Wow. Jail. So what was that really like?’ It is at this point I consider my role. Privately I am picturing Anna’s mother toasting her bottom by her Aga, worrying with her husband if their little girl will be all right, and he is telling her not to fuss so. They are growing up fast. Sensible girls. They will be fine, love. And I am thinking that they are not fine at all. For Karl is now thinking that the safest thing for the girls would be to have someone who knows London well chaperoning them during their visit. Karl and Antony are going to stay with friends in Vauxhall and fancy a big night to celebrate their release. How about they meet the girls after the theatre and try the club together? This is when I decide that I need to phone the girls’ parents. They have named their hamlet. Anna lives on a farm. It’s not rocket science. I can phone the post office or local pub; how many farms can there be? But now Anna isn’t sure at all. No. They should probably have an early night so they can hit the shops tomorrow morning. They have this plan, see, to go to Liberty’s first thing because Sarah is determined to try on something by Stella McCartney and get a picture on her phone. Good girl, I am thinking. Sensible girl. Spare me the intervention, Anna. But there is a complication, for Sarah seems suddenly to have taken a shine to Antony. There is a second trip to the buffet and they swap seats on their return – Anna now sitting with Karl and Sarah with Antony, who is telling her about his regrets at stuffing up his life. He only turned to crime out of desperation, he says, because he couldn’t get a job. Couldn’t support his son. Son? It sweeps over me, then. The shadow from the thatched canopy of my chocolate-box life –

What's going on under Serena Joy's canopy, is not exciting. It has nothing to with passion or love or romance or any of those other notions we used to titillate ourselves with. It has nothing to do with sexual desire, at least for me, and certainly not for Serena. Additional and organ are no longer thought necessary; they would be a symptom of frivolity merely, like jazz garters or beauty spots ; superfluous distractions for the light-minded. Outdated.

Thus, brothers, you should run your race, Like a hero going to victory! You millions, I embrace you. This kiss is for all the world! Brothers, above the starry canopy There must dwell a loving father. Do you fall in worship, you millions? World, do you know your creator? Seek Him in the heavens; Above the stars must he dwell.

He came out of the night so beautiful male that he took her breath away. His black eyes moved over her possessively, curiously predator. Shea shook her head. “I’m not strong enough, Jacques.” The wind whipped at her, nearly drove her sideways. “Choose life for us, Shea, for our children. I will not be easy to live with, but I swear to you, no one could love you more. I will do anything to make you happy.” “Don’t you see? You can’t make another person happy. I’m the only one who can do that for myself. And I can’t do this.” “You are just afraid. We both have some problems, Shea. You fear the intimacy and I lack of it. It is simply a matter of meeting somewhere in the middle.” His voice was so soft, she felt it on her very skin, as if his fingertips were skimming over satin in the lightest caress. Jacques stepped closer, beneath the tree’s canopy, his dark eyes intense. “Choose me now, Shea. Need me. Want me. Love me. Choose life for us.” “It shouldn’t be like this.” “We are not human. We are Carpathian, of the earth. We command the wind and the rain. The animals are our brethren. We can run with the wolf, soar with the owl, and become one with the rain itself. We are not human, Shea. We do not feed on flesh as humans do, and we do not love as humans do. We are different.” “We are hunted all the time.” “And we hunt. It is the cycle of life.

The most poignant image of all is one she only notices as she takes another turn and gazes at the ceiling. In a single patch of blue sky, a solitary gap in the dense canopy, she sees the outline of a familiar bird: a sparrowhawk flying free. She smiles to see it, remembering that first day with Jack in their woodland cathedral. It's then that she realizes, finally, what the room represents. It isn't just a playful depiction of their woodland place, a triumph of the mastery of illusion. This painted room is something else entirely. It is a declaration of love. It is a veiled tribute to their love affair- a depiction of the most precious moments they have shared, laid out in a secret code only she will understand. Lillian spins around, astounded, drinking it all in.

On 1 April AD 527 the Illyrian soldier was officially named Justin’s successor. When Justinian was acclaimed emperor he made his way in through Constantinople’s Golden Gate, down the processional route of the Mese, bordered originally with those wide vegetable gardens – the stuff of life of the city – and then with canopied walkways and sculptures (canopies and shops are still here, selling everything from apple tea to diamond-studded handguns). The shouts of acclamation for Constantinople’s new ruler would have bounced off the marble colonnades and the bronze statuary lining the processional way. And one in the city in particular must have listened to this brouhaha with great pleasure. Three years before, a rather extraordinary woman had moved into Justinian’s palace apartments to share his bed, and just three days after his investiture Justinian and his new wife, his showgirl-bride Theodora, were crowned together as joint emperor and empress. Enjoying a flurry of revived interest in the twenty-first century, Empress Theodora deserves every moment of her late-found fame. Now honoured as a saint by the Greek Orthodox Church, this player in Constantinople’s history has not been universally loved: ‘This degenerate woman [Theodora] was another Eve who heeded the serpent. She was a denizen of the Abyss and mistress of Demons. It was she who, drawn by a satanic spirit and roused by diabolic rage, spitefully overthrew a peace redeemed by the blood of martyrs,’ wrote Cardinal Baronius. Our most detailed source for Theodora’s life is a lascivious, spittle-flecked diatribe, a Secret History written by our key source for Justinian and Theodora’s reign, Procopius (Procopius would write both hagiographies and damnations of the imperial couple and their works). Clearly gorged with literary and rhetorical tropes, Procopius’ account has to be taken with a large amphora of salt – but many of the details ring true both for the age and as a backstory to the remarkable life of this girl from Constantinople.

With tinny drumbeats, the rain pounds the roof My teary eyes compete They can't keep up Breathe Let it go Breathe The vice on my chest tightens its razoring grip I gasp No relief If only tears could soothe the pain Then, I would look upon the tidal waves against these walls without fear Crush and roll me, I'd plead, Mold my body anew But with these tears come no healing, Just death, slow and determined This old girl, this old woman, this old soul lives here inside A tortoise outgrowing this hare's body This youthful skin encasing a crumbling frame I smooth the matted web of curls off my sweaty neck And roll my eyes at the clock How slowly the time squeaks by here in this room, In this comfortless bed I abandon the warmth from under my blanket tower and shiver The draft rattles my spine One by one, striking my vertebrae Like a spoon chiming empty wine glasses, Hitting the same fragile note till my neck shakes the chill away I swipe along the naked floor with a toe for the slippers beneath the bed Plush fabric caresses my feet Stand! Get up With both hands, Gravity jerks me back down Ugh! This cursed bed! No more, I want no more of it I try again My legs quiver in search of my former strength Come on, old girl, Come on, old woman, Come on, old soul, Don't quit now The floor shakes beneath me, Hoping I trip and fall To the living room window, I trudge My joints grind like gravel under tires More pain no amount of tears can soothe away Pinching the embroidered curtain between my knuckles, I find solace in the gloom The wind humming against the window, Makes the house creak and groan Years ago, the cold numbed my pain But can it numb me again, This wretched body and fractured soul? Outside I venture with chants fluttering my lips, Desperate solemn pleas For comfort, For mercy For ease, For health I open the plush throw spiraled around my shoulders And tiptoe around the porch's rain-soaked boards The chilly air moves through me like Death on a mission, My body, an empty gorge with no barriers to stop him, No flesh or bone My highest and lowest extremities grow numb But my feeble knees and crippling bones turn half-stone, half-bone Half-alive, half-dead No better, just worse The merciless wind freezes my tears My chin tumbles in despair I cover myself and sniffle Earth’s scent funnels up my nose: Decay with traces of life in its perfume The treetops and their slender branches sway, Defying the bitter gusts As I turn to seek shelter, the last browned leaf breaks away It drifts, it floats At the weary tree’s feet, it makes its bed alongside the others Like a pile of corpses, they lie Furled and crinkled with age No one mourns their death Or hurries to honor the fallen with thoughtful burials No rage-filled cries echo their protests at the paws trampling their fragile bodies, Or at the desecration by the animals seeking morning relief And new boundaries to mark Soon, the stark canopy stretching over the pitiful sight Will replace them with vibrant buds and leaves Until the wasting season again returns For now, more misery will barricade my bones as winter creeps in Unless Death meets me first to end it

(Home) ‘This land is beautiful, but the people are horrible.’ The people took this beautiful land and raped it, and put up a bunch of ugly boxes, however, my home is in the Victorian-style and it is old and has a handcrafted personality. There is an ancient oak tree outside my window, sometimes I step out my window then onto the roof of the porch, and sit in the tree branch that hangs over, and watches all the stars as they appear to turn on and off. Yes, I have wished upon a shooting star, that things will change, and that the towers will be no more. Looking straight ahead, I can see all the lights that go on the horizon, some days the sunsets are blazing before the lights turn on. Then there are some days that the window is shut because it is cold windy while everything is chilled with the color of blue. (Frame of mind) My mood can change just like this and that it seems. Yes, just like all the summer turns into winter, and the winters turn into spring, and all of these thoughts running in my mind fall like the leaves through my brain, and they most likely do not mean a thing. I guess you could blame it on my ADD, ADHD, dyslexia, bipolar disorder, or OCD. I do not have any of these… I do not have anything wrong with me. But, if you are like one of the sisters or someone from my school, you would say my mood changes are because of my- STD’s, HIV, or being as they say GAY or BI, and LEZ-BO. They have also said, I am a pedophile and a child stocker, and I get moody if I do not get some from them. That is why I am so sober at times, or so they say. Whatever…! They also have said that I am a schizophrenic- psycho and that I could not even buy love. I would not try that anyways. I think that having money does not give you happiness; I am okay being a humble farm- girl, the guy that finds me… needs to be happy with that also. I am sure there are more things they say. However, those are just some of them that I can dredge up as of now, off the top of my head. They have murdered me and my life, in so many ways. So now, do you wonder as to why I am afraid of talking to people or even looking at them? You know you and they can try to destroy me, and my life. However, I do not have any of those listed either; none of these random arrangements of letters defines me as the person I truly am. (Sight) Looking out the windows, I can see the golden hayfields of ecstasy, I see the windmills that twist and tumble. I can see the abandoned railroad track that lies not far from my home. I can hear the cries of the swing as the wind gusts in spurts. But yet I am still in my room, but that is just okay with me. Because I know that there will someday soon be someone there for me. (Household) My room is a land of peace and tranquility without all the gloom, with a bed and a canopy overhead but still, I am not truly happy? There is nothing- like the sounds of the crickets speaking up often in the cool August night breeze. It is relaxing to me, however; it is a reminder to me of how the last glimmers of summer are ending. Besides the sounds slowly fade away, yes- I can hear this music from my bedroom window. It is just like in the spring the birds sing in the morning and leave in the cool gusts to come. It is just like the hummingbirds that flutter by, and then before I know it, all has changed; so, it seems by the time I walk out my bedroom door, to start my day. ‘Life goes in cycles of tunes it seems, and nature is its synchronization in its symphony you just have to listen.

Somehow one feels unfettered by any of the harsh, restricting influences of human existence as we live it these days. There are no buildings, no roads, no street lights, no artificial or even natural noises, no hustle and bustle, no need for anyone to shout or to have money or to pretend about anything; those human beings who are with you are probably fairly well known to you, and are there for the same reason that you are—they know the dangers and delights of solitude just the same as you do, and they will react to the unblemished and staggering loveliness of a huge expanse of desert sky, deep blue by day and of a marvellous purple at night sprinkled haphazardly with hundreds and thousands of stars silently lighting up that great canopy of night-time that drifts down with the close of day. I personally think I know of nothing more restorative than lying on the soft sand—cool now after the retirement of the day’s sun— and just staring at the miracle of such a sky. And then you fall asleep, rolled up in a sleeping bag against the considerable fall in temperature as the night goes on, perhaps waking an hour or two before dawn for just long enough to notice that those little stars are still there—as bright as ever—and do not even look as though they are getting ready to be extinguished by the advent of another day. It is a lovely, comforting feeling when the world around you is quite still; and there is no sound anywhere to penetrate the delightful peace that surrounds you. When the dawn comes, and the stars have all gone away, there is something sharp and exhilarating about the smell in the air. It is fresh and clean and tantalisingly different to the atmosphere which will pervade the day once the sun has come up over the distant horizon. Then there will be no escape from its merciless and desiccating heat, which drains you of energy and leaves you burned and incapable of any prolonged activity. And the bright reflection of the sun off the light-coloured sand can be piercing and painful to the eyes. There is probably not even a tiny breeze to move that sullen, sultry air, and there can be no relief from its effects until once more, and inevitably, the great ball of fire that is the sun will slide slowly below the land and allow it to grow cool. It would be foolish to pretend that all of those who served with the LRDG saw the desert in the way that I have described it, all or even much of the time. But I am quite sure that when their minds were not diverted by rather more pressing considerations concerning the enemy, there were few who were not moved by the beauty of the sky at night. They all spent quite a number of hours on sentry duty, when, alone with his thoughts and in such surroundings, no man can be oblivious of such a miraculous revelation.

Three-thousand-year-old gossip.” “What about Aphrodite’s husband?” “Well, you know,” she said. “Hephaestus. The blacksmith. He was crippled when he was a baby, thrown off Mount Olympus by Zeus. So he isn’t exactly handsome. Clever with his hands, and all, but Aphrodite isn’t into brains and talent, you know?” “She likes bikers.” “Whatever.” “Hephaestus knows?” “Oh sure,” Annabeth said. “He caught them together once. I mean, literally caught them, in a golden net, and invited all the gods to come and laugh at them. Hephaestus is always trying to embarrass them. That’s why they meet in out-of-the-way places, like…” She stopped, looking straight ahead. “Like that.” In front of us was an empty pool that would’ve been awesome for skateboarding. It was at least fifty yards across and shaped like a bowl. Around the rim, a dozen bronze statues of Cupid stood guard with wings spread and bows ready to fire. On the opposite side from us, a tunnel opened up, probably where the water flowed into when the pool was full. The sign above it read, THRILL RIDE O’ LOVE: THIS IS NOT YOUR PARENTS’ TUNNEL OF LOVE! Grover crept toward the edge. “Guys, look.” Marooned at the bottom of the pool was a pink-and-white two-seater boat with a canopy