Cannonball Quotes

Ever had a flying burrito hit you? Well, it's a deadly projectile, right up there with cannonballs and grenades.

Now, if you have never been hit by a flying burrito, count yourself lucky. In terms of deadly projectiles, it's right up there with grenades and cannonballs.

A cannonball travels only two thousand miles an hour; light travels two hundred thousand miles a second. Such is the superiority of Jesus Christ over Napoleon.

Good luck hitting a skinny little schooner cutting through the waves bound for fortune and glory." "I'll quote you on that when a cannonball lands in my lap," said Nina.

At the front window was something that looked like a machine gun with a cluster of barrels. “Rocket launcher?” he wondered aloud. “Nope, nope! Potatoes. Ella doesn't like potatoes.” “Ella! Where are the others?” “Roof. Ogre-watching. Ella doesn't like ogres. Potatoes.” Potatoes? Frank didn't understand until he swiveled the machine gun around. Its eight barrels were loaded with spuds. At the base of the gun, a basket was filled with more edible ammunition… “They have cannonballs,” Frank said, “and we have a potato gun.” “Starch,” Ella said thoughtfully. “Starch is bad for ogres.

stones taught me to fly, love taught me to lie, courage teach me to be shy... because it's not hard to fall when you float like a cannonball.

You know what i like about buttons? They're very small things that hold bigger things together. Awfully important, buttons - little but strong.

Where were you? What happened?” I carved a chunk out of another lizard’s face. “I just took the kids to fight some ghouls,” Curran said. Oh, so it was fine, then . . . Wait. “You did what?” He kicked a lizard. It flew into the others like a cannonball. “I called Jim before we left the house to talk about ghouls, and he said they found some in the MARTA tunnels. So I grabbed the kids and did a little hunting.” I would kill him. “Just so I get it right, Jim calls you and says, ‘Hey, we found a horde of ghouls in the MARTA tunnels,’ and your first thought was, ‘Great, I’ll take the kids’?” “They had fun.” A careful note crept into his voice. Curran saw the shark fin in the water but wasn’t sure where the bite would be coming from. “You even took the dog.” Grendel chose that moment to try to shove past me. I shoved him back into the Guild and he began running back and forth behind us, growling. “He had fun, too. Look at him. He’s still excited.

A pirate at sea has a peg leg, a hook for a hand, and an eye patch. One of his companions asks him how he lost his leg.” “Please stop,” Kearan begs. “He answers, ‘A cannonball.’ Then his companion asks how he lost his hand. He answers, ‘A sword.’” “Enwen, I will knock you unconscious,” Kearan threatens, but I can tell he doesn’t have the energy to carry it out. “When the companion asks how he lost his eye, the man says, ‘A spray of the sea.’” Kearan stares at Enwen. “That doesn’t even make any sense.” “It was his first day with the hook.

Stones taught me to fly. Love taught me to lie. Life taught me to die. So it's not hard to fall, When you float like a cannonball.

It's not hard to grow when you know that you just don't know.

Then Grover had a brilliant, totally Grover-like idea. “Burrito fight!” he yelled, and flung his Guacamole Grande at the nearest skeleton. “Now, if you have never been hit by a flying burrito, count yourself lucky. In terms of deadly projectiles, it’s right up there with grenades and cannonballs.” (The Titan’s Curse - chapter 14, page 216)

Why there isn't any drama in my life So I'll crawl on the cottonfield with a fife Why to have a dream in vain my life begs Am a house gecko, I eat flies and lay eggs My death surely doesn't yield a headline and all I'll break law by pissing on a castle's wall For my death there wouldn't be a weeping meni From the name of Lady Canning there's ledikeni One foot on heaven and one foot on hell, hanging One cannon and two cannonballs dangling.

I was also sick of my neighbors, as most Parisians are. I now knew every second of the morning routine of the family upstairs. At 7:00 am alarm goes off, boom, Madame gets out of bed, puts on her deep-sea divers’ boots, and stomps across my ceiling to megaphone the kids awake. The kids drop bags of cannonballs onto the floor, then, apparently dragging several sledgehammers each, stampede into the kitchen. They grab their chunks of baguette and go and sit in front of the TV, which is always showing a cartoon about people who do nothing but scream at each other and explode. Every minute, one of the kids cartwheels (while bouncing cannonballs) back into the kitchen for seconds, then returns (bringing with it a family of excitable kangaroos) to the TV. Meanwhile the toilet is flushed, on average, fifty times per drop of urine expelled. Finally, there is a ten-minute period of intensive yelling, and at 8:15 on the dot they all howl and crash their way out of the apartment to school.” (p.137)

I don’t jump to conclusions. I cannonball into them like a motherfuckin’ boss.

Have you ever cannonballed into a cold lake? The shock of an old memory is kind of like that; every neuron singing a bright hosanna: here we are. You forgot about us, but we didn’t forget about you.

His expression softened, which made Sterling's throat tighten just a little. “You've cannonballed into the deep end when you don't know how to swim, haven't you?” Sterling looked at him solemnly and smiled. “Yes,” he said. “Don't let me drown.

Now, if you have never been hit by a flying burrito, count yourself lucky. In terms of deadly projectiles, it’s right up there with grenades and cannonballs.

Pulpy red slop seeped, then spewed from her eye sockets so forcefully that her eyeballs were propelled from her face like cannonballs blasting from a cannon.

This writer, he was going on about the lyrics to "Champagne Supernova", and he actually said to me: ‘You know, the one thing that’s stopping it being a classic is the ridiculous lyrics.’ And I went: ‘What do you mean by that?’ And he said: ‘Well, Slowly walking down the hall, faster than a cannonball — what’s that mean?’ And I went: ‘I don’t fucking know. But are you telling me, when you’ve got 60,000 people singing it, they don’t know what it means? It means something different to every one of them.

Spiderman: You're going to have to do something about those children, Stark. Tony: What children? Spiderman: The annoying, ill-mannered ones. Tony: I need more. Spiderman: Bomb Boy and Solar Flare. Tony: I think you mean Cannonball and Sunspot. What did they do this time? Spiderman: We were in the kitchen and they decided to - rather rudely - confront me about eating the leftovers in the refrigerator. Tony: Was it your food? Spiderman: No. Tony: Was it theirs? Spiderman: Possibly. It was an honest mistake. My point - I think THE point - is I won't be spoken to that way by infants. Tony: Then don't eat their food.

Of course Alex was going to just rush right at it. She was a cannonball. She wasn’t good for much at rest, but give her a hard enough shove, let her build up enough momentum, and she’d punch a hole through anything.

I did not know how to deal with this sort of death, the one that comes slow and inevitable and does not let go. I am a solider, I deal in cannonballs and rifle shots. I understand how a wound can fester and kill a soldier, but there is still the initial wound, something that can be avoided with a little skill and a great deal of luck. Death that simply comes and settles is not a thing I had any experience with.

Like an exploding cannonball, he was blasted out of his body – feet forward, arms clutching at his sides – through a tunnel of cold, midnight sky. Mario’s human instinct told him screaming was appropriate, and yet some other side of him was in transcendental awe.

It was all he could do. To make her see what she was doing, what she was ending, and to punish her if she did so. Nobody would blame him. There might be finagling, there might be bargaining, there would certainly be humbling of herself, but there it was, like a round cold stone in her gullet, like a cannonball. And it would remain there unless she changed her mind entirely. The children stay,

NINA Your life is beautiful. TRIGORIN I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!

Have you ever cannonballed into a cold lake? The shock of an old memory is kind of like that; every neuron singing a bright hosanna: here we are. You forgot about us, but we didn’t forget about you.

You grow up with these ideas about Teenagers, about their wild, vibrant, dramatic lives of breaking rules and making out and Being Alive, and you know that it’s your destiny to become one of them someday, but suddenly you’re seventeen and you’re watching people cannonball into a swimming pool in the pouring rain, and you realize you still haven’t become a real Teenager, and maybe you never will.

Poshlust,” or in a better transliteration poshlost, has many nuances, and evidently I have not described them clearly enough in my little book on Gogol, if you think one can ask anybody if he is tempted by poshlost. Corny trash, vulgar clichés, Philistinism in all its phases, imitations of imitations, bogus profundities, crude, moronic, and dishonest pseudo-literature—these are obvious examples. Now, if we want to pin down poshlost in contemporary writing, we must look for it in Freudian symbolism, moth-eaten mythologies, social comment, humanistic messages, political allegories, overconcern with class or race, and the journalistic generalities we all know. Poshlost speaks in such concepts as “America is no better than Russia” or “We all share in Germany’s guilt.” The flowers of poshlost bloom in such phrases and terms as “the moment of truth,” “charisma,” “existential” (used seriously), “dialogue” (as applied to political talks between nations), and “vocabulary” (as applied to a dauber). Listing in one breath Auschwitz, Hiroshima, and Vietnam is seditious poshlost. Belonging to a very select club (which sports one Jewish name—that of the treasurer) is genteel poshlost. Hack reviews are frequently poshlost, but it also lurks in certain highbrow essays. Poshlost calls Mr. Blank a great poet and Mr. Bluff a great novelist. One of poshlost’s favorite breeding places has always been the Art Exhibition; there it is produced by so-called sculptors working with the tools of wreckers, building crankshaft cretins of stainless steel, Zen stereos, polystyrene stinkbirds, objects trouvés in latrines, cannonballs, canned balls. There we admire the gabinetti wall patterns of so-called abstract artists, Freudian surrealism, roric smudges, and Rorschach blots—all of it as corny in its own right as the academic “September Morns” and “Florentine Flowergirls” of half a century ago. The list is long, and, of course, everybody has his bête noire, his black pet, in the series. Mine is that airline ad: the snack served by an obsequious wench to a young couple—she eyeing ecstatically the cucumber canapé, he admiring wistfully the hostess. And, of course, Death in Venice. You see the range.

Your soul may well consist of artists and artisans, crooks and charlatans, writers and wanderers, poets and performers, vagabonds and visionaries, cigar box jugglers and contortionists, sword swallowers, storey-tellers and snake worshippers, fire eaters and fire dancers, human cannonballs, treasure hunters, swashbuckling pirates, pilgrims, Bedouin tribesmen and Gypsies. Everything that’s rash and wild inside of you is striving for freedom. And I’m not asking for this to hit you like an epiphany. It’s not supposed to. But if you read that list of misfits above and gave just the tiniest of nods – even at a deep subliminal level – then you understand

The startled girl dropped her watering-pot and clasped her hands together, and at that moment a stone cannon-ball crashed through her fair body.

Now, if you have never been hit by a flying burrito, count yourself lucky. In terms of deadly projectiles, it’s right up there with grenades and cannonballs. Grover’s lunch hit the skeleton and knocked his skull clean off his shoulders. I’m not sure what the other kids in the café saw, but they went crazy and started throwing their burritos and baskets of chips and sodas at each other, shrieking and screaming.

Amedeo loved thick tomes, and in tackling them he felt the physical pleasure of undertaking a great task. Weighing them in his hand, thick, closely printed, squat, he would consider with some apprehension the number of pages, the length of the chapters, then venture into them, a bit reluctant at the beginning, without any desire to perform the initial chore of remembering the names, catching the drift of the story; then he would entrust himself to it, running along the lines, crossing the grid of the uniform page, and beyond the leaden print the flame and fire of battle appeared, the cannonball that, whistling through the sky, fell at the feet of Prince Andrei, and the shop filled with engravings and statues where Frederic Moreau, his heart in his mouth, was to meet the Arnoux family. Beyond the surface of the page you entered a world where life was more alive than here on this side…

Some of the best advice I ever got about starting in a new organization is: Don’t cannonball. Ease into the pool. I’ve passed this advice on to those joining my own: no matter how talented you are, or how much you have to add, give yourself time to understand the organization before you try to impact

A cannon-ball only travels six hundred leagues an hour; light travels seventy thousand leagues a second. Such is the superiority of Jesus Christ over Napoleon.

If providence has created the stars and the planets, Man has called the cannon-ball into existence.

We are a volley of bullets, we are cannonballs.

We are a volley of bullets, we are cannonballs. We are the tip of the sword.

The fake sweet smile she was wearing has cannonballed clear off her face into a pool of confusion.

Of course Alex was going to just rush right at it. She was a cannonball. She wasn’t good for much at rest, but give her a hard enough shove, let her build up enough momentum, and

The following morning leaked through the cabin’s walls with the grace of a cannonball—hard and unwelcome.

We are a volley of bullets, sing the newest cadets, we are cannonballs. We are the tip of the sword.

Rod: Aurora came out June 13, 1978. And we didn’t hit with a splash. We hit with a cannonball.

But look at it this way. Anything is a commodity to someone. In a very large universe, your aunt Gracie’s cannonballs may be someone else’s favorite underwear.

I’m so glad you created this place. It’s going to be a town landmark, and it’s due to your hard work.” Lord, Jasper wanted to shake her. Her words were genuine, but they weren’t coming at the right time. They were unwelcome when good-bye was so close on the horizon. “I appreciate that. Everything your family did tonight.” A cannonball materialized in his stomach, dragging him down, down. He didn’t want anyone there to witness when he hit bottom. Especially her. “But this is where I let you go, Rita. I need you to go. I can’t look at you anymore without making a fool out of myself.” Rita

To Ejinar that cannonball was a monster with a will of its own. It showed him what war was: not a battery that exploded and sent matchstick soldiers fleeing, but a dragon that breathed hot fire on his naked heart.

The phrase “cold enough to freeze the balls off a brass monkey” is often said to refer to a metallic grid with circular holes in it, set under a pyramid of cannonballs on a ship’s deck to keep it stable. When this “brass monkey” got cold enough, the metal contracted and the cannonballs all popped out. In fact, the phrase means exactly what it says; the fake nautical euphemism is an attempt to make its rude humor more acceptable.

Before us stretched a corridor of meat, great torsos of meadow animals strung in glistening flayed exhibitions, heads with limp exhausted comic-book tongues dangling at too sharp an angle, heads with dull-eyed slaughter-greeting looks, heads smiling and winking, perhaps the subtlest camouflage this severed coyness, heads piled in pyramids like park cannonballs, some of them cruelly facing a sausage display of their missing extremities, a thick and thin suspended rain of sausages, a storm of jellied blood, and further down the corridor no recognizable animal shapes but chunks of their bodies, shaped not by hide or muscle but by cleaver, knife and appetite.

In water so fine, a few minutes of bad memory all but disappear downstream, washed away by ten thousand belly busters, a million cannonballs. Paradise was never heaven-high when I was a boy but waist-deep, an oasis of cutoff blue jeans and raggedy Converse sneakers, sweating bottles of Nehi Grape and Orange Crush, and this stream. I remember the antidote of icy water against my blistered skin, and the taste of mushy tomato and mayonnaise sandwiches, unwrapped from twice-used aluminum foil. I saw my first water moccasin here, and my first real girl, and being a child of the foot washers I have sometimes wondered if this was my Eden, and my serpent. If it was, I didn't hold out any longer than that first poor fool did.

If words were weapons, if they could wound physically, then he just shot a hundred-pound cannonball through the center of my body. The kind of artillery built to take out a battleship, and certainly equipped to sink a stupid, mean little girl.

To sum up, that despot, the cannon, can’t do all it would like to; strength is a great weakness. A cannonball does only six hundred leagues an hour; light does seventy thousand leagues a second. That is the superiority of Jesus Christ over Napoléon.

He adored the boy, who could induce strange reflections in him; once when the infant fell and slightly hurt himself, causing a great commotion, ‘the Emperor became very pensive and then said: “I’ve seen one cannonball take out a single line of twenty men.

I top it off with the sort of makeup that his mother would call “unseemly” or “unbecoming.” My lips are the color of fresh blood, making my mouth more eye-catching than the Babadook’s. My eyeliner is a thick swoop of black that extends way past its cue, and my eyelids glitter all the way up to my eyebrows like a pageant contestant. It’s not enough. I add pounds of blush and bronzer until my face is indistinguishable from a Mardi Gras float. I have bypassed “unseemly” and cannonballed head-first into Deborah’s nightmare.

He thought, but not for long, of soldiers and sailors, whose legs had been shot off by cannonballs, ending their days in some pauper ward, and of cardinal Wolsey's words: If I had served my God as I have served my king He would not have abandoned me in my old days.

Myla is the girl doing cannonballs in the pool on vacation and tossing random items into the deep end so she can impress you by retrieving them within seconds of hitting bottom. She’s not one to lie out by the pool, drink froufrou drinks, and dip her toe in the water momentarily.

Of all animal movements, flight is indisputably the finest. . . . The fact that a creature as heavy, bulk for bulk, as many solid substances, can by the unaided movements of its wings urge itself through the air with a speed little short of a cannonball, fills the mind with wonder.

Want to hear a joke?” “No.” “A pirate at sea has a peg leg, a hook for a hand, and an eye patch. One of his companions asks him how he lost his leg.” “Please stop,” Kearan begs. “He answers, ‘A cannonball.’ Then his companion asks how he lost his hand. He answers, ‘A sword.’” “Enwen, I will knock you unconscious,” Kearan threatens, but I can tell he doesn’t have the energy to carry it out. “When the companion asks how he lost his eye, the man says, ‘A spray of the sea.’” Kearan stares at Enwen. “That doesn’t even make any sense.” “It was his first day with the hook.

She’d agreed to work for The Villain to escape her chaotic life, to have order. Instead, she had been handed a healer who dressed in frilly pinks, a boss’s assistant who was the human version of a cannonball, and a filthy dragon trainer who smiled so brightly at her it burned her corneas.

And now on every date I go on I’ll hope they get the door for me—which they won’t, because half the women in the world hate it when a man gets their door and the other half love it, resulting in the man panicking and cannonballing into his side without ever asking what the woman actually prefers.

Agatha Chubb, expert in ancient wizarding artefacts, has identified no fewer than twelve lead Bludgers dating from this period, discovered both in Irish peat bogs and English marshes. "They are undoubtedly Bludgers rather than cannonballs," she writes. The faint indentations of magically reinforced Beaters' bats are visible and one can see the distinctive hallmarks of manufacture by a wizard (as opposed to a Muggle) - the smoothness of line, the perfect symmetry. A final clue was the fact that each and every one of them whizzed around my study and attempted to knock me to the floor when released from its case,

I still hadn't cried. It wasn't that kind of pain yet. Mostly, it was just this total feeling of emptiness in my gut. Like a cannonball had been shot cleanly through my middle. And I swear to god, I actually remember reaching under my sweatshirt and touching my stomach to see if you could feel the hole from the outside.

With the gates thrown open, the men of Charlie Company rushed the pool, in a flurry of cannonballs and belly flops. For a few happy minutes the teenagers within the warriors emerged. Splashing, diving – having fun. The water accepted them, didn’t care about their sins. They were back on Pismo Beach, the banks of Lake Michigan, the local pond.

The cheapest orbit available is LEO (Low Earth Orbit). People often think that "orbit" means there's no gravity. This is incorrect. In fact, the International Space Station (which is in LEO right now) is usually around 250 miles high and experiences about 90% of the gravity you experience on Earth. So why do the astronauts float around like there's no gravity? Although they are pulled toward the Earth all the time, they always "miss" it. Think of it like this: Imagine you fire a cannonball from the top of a tower. If you fire it softly, the ball will go a little ways then fall to the ground. If you fire it incredibly fast, it will just fly off into space. But between falling right down and going off into space, there are a lot of intermediate regimes. For a given height, there is some speed that is slow enough that it can't leave Earth, but fast enough that you'll never plop to the ground. If you were ridong that cannonball, you'd be falling, because gravity is tugging you down. At the same time, because you're going so fast, you'd be able to see Earth's curve. As you move from a point on the globe in a straight line, Earth curves down and away from you, increasing your distance from the surface. At this particular speed, you have two balanced effects: Gravity wants you down low, but your speed keeps you up high. So you just keep going around and around. You "orbit.

CONTROVERSY, n. A battle in which spittle or ink replaces the injurious cannon-ball and the inconsiderate bayonet.

Insomnia , at times hits you like a cannonball , Breaking every wall of your estranged mind and making you loose your “ sanity “ ! You have been trying to befriend the demons , feeding on your fears , But, Some nights, would just last for ever with no end in sight, Some nights are just cold . And you remind yourself that you are an “ invisible “ hero; And wait for the daybreak .

I did not know how to deal with this sort of death, the one that comes slow and inevitable and does not let go. I am a soldier. I deal in cannonballs and rifle shots. I understand how a wound can fester and kill a soldier, but there is still the initial wound, something that can be avoided with a little skill and a great deal of luck. Death that simply comes and settles is not a thing I had any experience with.

A dark carriage pulled by four strong horses shot through the forest like a cannonball. A pair of swinging lanterns illuminated the path ahead and made the carriage resemble an enormous creature with glowing eyes. Two French soldiers of Napoleon’s Grande Armée rode beside the carriage. Black cloaks covered the soldiers’ colorful uniforms so they could travel in secrecy – the world was never to know what their agenda was tonight

Another effect of the heavy rainfall of the night of 17–18 June that worked against Napoleon was the way that it softened the ground, to the extent that cannonballs tended to plough into the mud, rather than bounce along hardened ground. A cannonball fired at sun-baked ground might bounce as many as five or six times, leaving death and carnage in its wake, while one that merely buried itself after its initial impact had only a fraction of that lethal capacity.

The Englishmen were clean and enthusiastic and decent and strong. They sang boomingly well. They had been singing together every night for years. The Englishmen had also been lifting weights and chinning themselves for years. Their bellies were like washboards. The muscles of their calves and upper arms were like cannonballs. They were all masters of checkers and chess and bridge and cribbage and dominoes and anagrams and charades and Ping-Pong and billiards, as well.

Baron von Munchausen (1720–97) was a real person who had fought as a soldier in Russia. On his return home he told stories about his exploits that nobody believed. These included riding on a cannonball, taking a brief trip to the moon, and escaping from a marsh by pulling himself out by his own hair. This latter feat is impossible, for the upward force on the Baron’s hair would have been cancelled out by the downward force on his arm. It’s a nice idea, though, and von Munchausen’s preposterous principle was later taken up by Americans, but instead of talking about hair, the Americans started in the late nineteenth century to talk of pulling themselves up by their own bootstraps. What’s impossible in physics is possible in computing, and a computer that’s able to load its own programs is, metaphorically, pulling itself up by its own bootstraps. In 1953 the process was called a bootstrap. By 1975 people had got bored with the strap, and from then on computers simply booted up.

BOP / SOUL JAZZ: RECOMMENDED LISTENING Cannonball Adderley, “Mercy, Mercy, Mercy,” October 20, 1966 Art Blakey, “Moanin’,” October 30, 1958 Clifford Brown and Max Roach, “Sandu,” February 25, 1955 Art Farmer and Benny Golson, “Killer Joe,” February 6–10, 1960 Herbie Hancock, “Cantaloupe Island,” June 17, 1964 Lee Morgan, “The Sidewinder,” December 21, 1963 Wayne Shorter, “Witch Hunt,” December 24, 1964 Horace Silver, “Señor Blues,” November 10, 1956 Jimmy Smith, “Midnight Special,”April 25, 1960

…for now I float in a sea of undifferentiated information and pray no one asks me something I should know, but don’t. That’s how I feel for weeks on end, actually, only I’m not floating on the water, I’ve been shot from a cannon to the bottom of the sea and have to make my way back to the surface, mostly unassisted, and weighted down by salt and seaweed, by figuring out which starfish and shells and old cannonballs I need, and how they fit together. It’s not that I’m being hazed, my coworkers are kind and helpful, but they are above the surface, so to reach one I have to stretch my arm up blindly and hope I’m grabbing at the right person, and that they have time to come hang with me under the sea. And even when they do, I can tell from their eyes that they don’t really have time. That every minute spent orienting me is one where something else might be blowing up, just out of sight. And Arjun is right, everyone here is operating on partial information, no one really knows what the fuck is going on.

He’d been at Mier where they fought until the draintiles and the gutters and the spouts from the azoteas ran with blood by the gallon and he told them how the brittle old Spanish bells would explode when hit and how he sat against a wall with his shattered leg stretched out on the cobbles before him listening to a lull in the firing that grew into a strange silence and in this silence there grew a low rumbling that he took for thunder until a cannonball came around the corner trundling over the stones like a wayward bowl and went past and down the street and disappeared from sight.

Three hundred years ago mathematicians were learning to break the cannonball's rise and fall into stairsteps of range and height, Δx and Δy, allowing them to grow smaller and smaller, approaching zero as armies of eternally shrinking midgets galloped upstairs and down again, the patter of their diminishing feet growing finer, smoothing out into continuous sound. This analytic legacy has been handed down intact–it brought the technicians at Peenemünde to peer at the Askania films of Rocket flights, frame by frame, Δx by Δy, flightless themselves . . . film and calculus, both pornographies of flight.

An irregular birthmark stood out on the crest of her hip, like a splash of wine on snow. He touched a finger to it, and she stirred. “Don’t look at that,” she mumbled, rubbing sleep from her eyes. “I know it’s horrid.” “Horrid?” Despite the pained expression on her face, he had to laugh. “Sweetheart, I can honestly say that there is nothing about you that’s horrid in the least.” “My painting master would not agree.” The bitter taste of envy filled his mouth. “Do you know, that Frenchman of yours had better hope I never meet with him. “Oh, no,” she said quickly. “Not Gervais. Never Gervais. My painting master was an old, balding prig called Mr. Turklethwaite.” Gray’s bafflement must have been obvious. She went on, “There was never any Gervais. I mean, you know that I’d never taken a man to my bed, but you must understand…I’ve never allowed another man into my heart, either.” She kissed his brow, then his lips. “I love you, only you.” God. How brave she was. Tossing those words about as though they were feathers. Could she possibly suspect how they landed in his chest like cannonballs, detonating deep in his heart? Struggling for equanimity, he asked casually, “So when did this other painting master have occasion to see your birthmark?” She laughed. “He didn’t. But I painted something like it once, on a portrait of Venus. I told him I thought it lent her an air of reality. Oh, how he scolded me. A lady who paints, he said-“ She gave Gray a teasing look. “He would not apply the term “artist” to a female, you see.” “I see.” “A lady who paints, he said, should approach the art as she would any other genteel accomplishment. Her purpose is to please; her goal is to create an example of refinement. A true lady would not paint an imperfection, he said, any more than she would strike a false note in a sonata. Beauty is not real, and reality is not beautiful.” Gray shook his head. “Remarkable. I believe I despise your real painting master even more than I hated the fictional one. I wouldn’t have thought it possible.

CHAPTER 17 The Lie: I AM DEFINED BY MY WEIGHT When people talk about divorce, they use words like irreconcilable or messy. But those words are too light—too easy for the destruction of a family. Divorce is a book falling onto a house made of Legos. It’s a cannonball shot over the bow that crashes through the deck and sinks the other ship. Divorce is destruction that starts at the top and breaks everything apart on the way down. So, no. Messy isn’t the right adjective. Horrible, ugly, hateful, annihilating—these are closer. When I was sixteen, my parents were in the middle of a horrible, ugly, hateful, annihilating divorce that had been on again, off again since I was nine years old.

This here is God, bragging on how he create the horse.” He cleared his throat and read aloud in a preacher voice. Who gives the horse its strength or clothes his mane with thunder? Who makes him spring like a locust? His splendid snort is terror. He churns up the earth, rejoicing in his power, And charges towards the clash of arms. He laughs at fear, afraid of nothing; He does not shy away from the sword. Over him rattles the quiver, the glittering spear and blade. In frenzy he devours the ground; He cannot stand still when the trumpet sounds. At the blast of the trumpet he snorts, “Hurrah!” And from afar he scents the fray, Hears the clamor of the captains, the battle cry. When he finished reading, he patted the page. “I think that’s mighty fine, don’t you?” Jarret ran the words through in his mind. “Clothes his mane with thunder,” he repeated softly. “That’s good. It makes you see the power in the neck. And the part about how he devours the ground, rejoicing in his strength. It feels just that way some time. But I don’t know about being afraid of nothing. Most horses I know are afraid of plenty.” “Well, the Scripture here is talking about war horses. I guess they’s trained to be brave.” “That ain’t it. A cavalry horse will charge a cannon because he don’t know the cannonball can kill him. All he wants is to stay close to the rest of the herd. Army just learned to use that fear they have, of being left behind.” “Well,

She was especially taken with Matt. Until he said, “It’s time to fess up, hon. Tell Trace how much you care. You’ll feel better when you do.” Climbing up the ladder, Chris said, “Better sooner than later.” He nodded at the hillside behind them. “Because here comes Trace, and he doesn’t look happy.” Both Priss and Matt turned, Priss with anticipation, Matt with tempered dread. Dressed in jeans and a snowy-white T-shirt, Trace stalked down the hill. Priss shielded her eyes to better see him. When he’d left, being so guarded about his mission, she’d half wondered if he’d return before dinner. Trace wore reflective sunglasses, so she couldn’t see his eyes, but his entire demeanor—heavy stride, rigid shoulders, tight jaw—bespoke annoyance. As soon as he was close enough, Priss called out, “What’s wrong?” Without answering her, Trace continued onto the dock. He didn’t stop until he stood right in front of . . . Matt. Backing up to the edge of the dock, Matt said, “Uh . . . Hello?” Trace didn’t say a thing; he just pushed Matt into the water. Arms and legs flailing out, Matt hit the surface with a cannonball effect. Stunned, Priss shoved his shoulder. “What the hell, Trace! Why did you do that?” Trace took off his sunglasses and looked at her, all of her, from her hair to her body and down to her bare toes. After working his jaw a second, he said, “If you need sunscreen, ask me.” Her mouth fell open. Of all the nerve! He left her at Dare’s, took off without telling her a damn thing and then had the audacity to complain when a friend tried to keep her from getting sunburned. “Maybe I would have, if you’d been here!” “I’m here now.” Emotions bubbled over. “So you are.” With a slow smile, Priss put both hands on his chest. The shirt was damp with sweat, the cotton so soft that she could feel every muscle beneath. “And you look a little . . . heated.” Trace’s beautiful eyes darkened, and he reached for her. “A dip will cool you down.” Priss shoved him as hard as she could. Taken by surprise, fully dressed, Trace went floundering backward off the end of the dock. Priss caught a glimpse of the priceless expression of disbelief on Trace’s face before he went under the water. Excited by the activity, the dogs leaped in after him. Liger roused himself enough to move out of the line of splashing. Chris climbed up the ladder. “So that’s the new game, huh?” He laughed as he scooped Priss up into his arms. “Chris!” She made a grab for his shoulders. “Put me down!” “Afraid not, doll.” Just as Trace resurfaced, Chris jumped in with her. They landed between the swimming dogs. Sputtering, her hair in her face and her skin chilled from the shock of the cold water, Priss cursed. Trace had already waded toward the shallower water off the side of the dock. His fair hair was flattened to his head and his T-shirt stuck to his body. “Wait!” Priss shouted at him. He was still waist-deep as he turned to glare at her. Kicking and splashing, Priss doggy-paddled over to him, grabbed his shoulders and wrapped her legs around his waist. “Oh, no, you don’t!” Startled, Trace scooped her bottom in his hands and struggled for balance on the squishy mud bottom of the lake. “What the hell?” And then lower, “You look naked in this damn suit.” Matt and Chris found that hilarious. Priss looked at Trace’s handsome face, a face she loved, and kissed him. Hard. For only a second, he allowed the sensual assault. He even kissed her back. Then he levered away from her. “You ruined my clothes, damn it.” “Only because you were being a jealous jerk.” His expression dark, he glared toward Matt. Christ started humming, but poor Matt said, “Yeah,” and shrugged. “If you think about it, you’ll agree that you sort of were—and we both know there’s no reason.

him to turn out and find a dry twig; and if he can't do it, go and borrow one. In fact, the Leather Stocking Series ought to have been called the Broken Twig Series. I am sorry there is not room to put in a few dozen instances of the delicate art of the forest, as practised by Natty Bumppo and some of the other Cooperian experts. Perhaps we may venture two or three samples. Cooper was a sailor — a naval officer; yet he gravely tells us how a vessel, driving towards a lee shore in a gale, is steered for a particular spot by her skipper because he knows of an undertow there which will hold her back against the gale and save her. For just pure woodcraft, or sailorcraft, or whatever it is, isn't that neat? For several years Cooper was daily in the society of artillery, and he ought to have noticed that when a cannon-ball strikes the ground it either buries itself or skips a hundred feet or so; skips again a hundred feet or so — and so on, till finally it gets tired and rolls. Now in one place he loses some "females" — as he always calls women — in the edge of a wood near a plain at night in a fog, on purpose to give Bumppo a chance to show off the delicate art of the forest before the

When we stepped out of the car, I heard the ghosts. Lots of them here, too many, swirling and battling for my attention. My father’s won out. The lake was hold-your-breath still, but I swore I could still hear Dad’s howl of delight as he cannonballed off the dock, his knees pressed tightly against his chest, his smile just south of sane, the upcoming splash a virtual tidal wave in the eyes of his only son. Dad liked to land near my sunbathing mother’s raft. She’d scold him, but she couldn’t hide the laugh. I blinked and the images were gone. But I remembered how the laugh and the howl and the splash would ripple and echo in the stillness of our lake, and I wondered if ripples and echoes like those ever fully die away, if somewhere in the woods my father’s joyful yelps still bounced quietly off the trees.

...because a man on the scent of the White House is rarely rational. He is more like a beast in heat: a bull elk in the rut, crashing blindly through the timber in a fever for something to fuck. Anything! A cow, a calf, a mare--any flesh and blood beast with a hole in it.The bull elk is a very crafty animal for about fifty weeks of the year; his senses are so sharp that only an artful stalker can get within a thousand yards of him...butwhen the rut comes on, in the autumn, any geek with the sense to blow an elk-whistle can lure a bull elk right up to his car in ten minutes if he can drive within hearing range. The dumb bastards lose all control of themselves when the rut comes on. Their eyes glaze over, their ears pack up with hot wax, and their loins get heavy with blood. Anything that sounds like a cow elk in heat will fuse the central nervous systems of every bull on the mountain. They will race through the timbers like huge cannonballs, trampling small trees and scraping off bloody chunks of their own hair on the unyielding bark of the big ones. They behave like sharks in a feeding frenzy, attacking each other with all the demented violence of human drug dealers gone mad on their own wares. A career politician finally smelling the White House is not Much different from a bull elk in the rut. He will stop at nothing, trashing anything that gets in his way; and anything he can't handle personally, he will hire out--or, failing that, make a deal. It is a difficult syndrome for most people to understand, because so few of us ever come close to the kind of Ultimate Power and Achievement that the White House represents to a career politician.

I know what you’re thinking, Gray,” O’Shea’s brogue lilted down through the skylight one warm morning, while Sophia was hard at work. Mr. Grayson responded, a raw longing in his voice. “Aye. It would be so easy to take her.” Sophia nearly dropped her quill. “We’ve the advantage of the wind,” O’Shea said. “And a faster ship,” Gray replied. “We’d be on her stern in no time.” Ships. Sophia breathed again. They were speaking of ships. “Those were the days.” O’Shea gave a low whistle. “One cannonball to the rudder…” “Wouldn’t even need that. She’d accept our terms with little more than a signal shot and a smile.” She could hear that smile in his voice. He continued, “Cannons are for amateurs. Seizing a ship intact…it’s all in the approach. From the moment that sail appears on the horizon, you act as though it’s already yours. All that remains is to inform the other captain.

A notion of character, not so much discredited as simply forgotten, once held that people only came into themselves partway through their lives. They woke up, were they lucky enough to have consciousness, in the act of doing something they already knew how to do: feeding themselves with currants. Walking the dog. Knotting up a broken bootlace. Singing antiphonally in the choir. Suddenly: This is I, I am the girl singing this alto line off-key, I am the boy loping after the dog, and I can see myself doing it as, presumably, the dog cannot see itself. How peculiar! I lift on my toes at the end of the dock, to dive into the lake because I am hot, and while isolated like a specimen in the glassy slide of summer, the notions of hot and lake and I converge into a consciousness of consciousness–in an instant, in between launch and landing, even before I cannonball into the lake, shattering both my reflection and my old notion of myself.

Hallo! A great deal of steam! The pudding was out of the copper. A smell like a washing-day! That was the cloth. A smell like an eating-house and a pastrycook’s next door to each other, with a laundress’s next door to that! That was the pudding! In half a minute Mrs. Cratchit entered—flushed, but smiling proudly—with the pudding, like a speckled cannon-ball, so hard and firm, blazing in half of half-a-quartern of ignited brandy, and bedight with Christmas holly stuck into the top.

At the moment when you know that the projectile is flying towards you, it will infallibly occur to you that this shot will kill you; but the feeling of self-love upholds you, and no one perceives the knife which is cutting your heart. But when the shot has flown past without touching you, you grow animated, and a certain cheerful, inexpressibly pleasant feeling overpowers you, but only for a moment, so that you discover a peculiar sort of charm in danger, in this game of life and death, you want cannon-balls or bombs to strike nearer to you.

Oh, it's you, sir," she exclaimed. She drew the door right back. A look of highly pleasurable excitement spread over her face. "Come in, sir, if you please, sir." We entered the hall. From beneath the door on the left, loud snuffling sounds proceeded, interspersed with growls. Bob was endeavoring to "place" us correctly. "You can let him out", I suggested. "I will, sir. He's quite all right, really, but he makes such a noise and rushes at people so it frightens them. He's a splendid watchdog though." She opened the morning room door, and Bob shot through like a suddenly projected cannonball. "Who is it? Where are they? Oh, there you are. Dear me, don't I seem to remember -" sniff- sniff- sniff- prolonged snort. "Of course! We have met!" "Hullo, old man," I said. "How goes it?" Bob wagged his tail perfunctorily. "Nicely, thank you. Let me just see -" he resumed his researches. "Been talking to a spaniel lately, I smell. Foolish dogs, I think. What's this? A cat? That is interesting. Wish we had her here. We'd have rare sport. H'm - not a bad bull terrier." Having correctly diagnosed a visit I had paid recently to some doggy friends, he transferred his attention to Poirot, inhaled a noseful of benzine and walked away reproachfully. "Bob", I called. He threw me a look over his shoulder. "It's all right. I know what I am doing. I'll be back in a jiffy.

Isaac Newton is perhaps the greatest scientist who ever lived. In a world obsessed with witchcraft and sorcery, he dared to write down the universal laws of the heavens and apply a new mathematics he invented to study forces, called the calculus. As physicist Steven Weinberg has written, 'It is with Isaac Newton that the modern dream of a final theory really begins.' In its time, it was considered to be the theory of everything-that is, the theory that described all motion. It all began when he was twenty-three years old. Cambridge University was closed because of the black plague. One day in 1666, while walking around his country estate, he saw an apple fall. Then he asked himself a question that would alter the course of human history. If an apple falls, then does the moon also fall? Before Newton, the church taught that there were two kinds of laws. The first were the laws found on Earth, which were corrupted by the sin of mortals. The second were the pure, perfect, and harmonious laws of the heavens. The essence of Newton's idea was to propose a unified theory that encompassed the heavens and the Earth. In his notebook, he drew a fateful picture (see figure 1). If a cannonball is fired from a mountaintop, it goes a certain distance before hitting the ground. But if you fire the cannonball at increasing velocities, it travels farther and farther before coming back to Earth, until it eventually completely circles the Earth and returns to the mountaintop. He concluded that the natural law that governs apples and cannonballs, gravity, also grips the moon in its orbit around the Earth. Terrestrial and heavenly physics were the same.

The girl circled in my arm was clean and fresh, and her sleeping breath was humid against the base of my throat. Something stirred in me in response to her helplessness, and yet at the same time I resented her. I had seen too damn many of these brisk and shining girls, so lovely, so gracious, and so inflexibly ambitious. They had counted their stock in trade and burnished it and spread it right out there on the counter. It was all yours for the asking. All you had to do was give her all the rest of your life, and come through with the backyard pool, cookouts, Eames chairs, mortgage, picture windows, two cars, and all the rest of the setting they required for themselves. These gorgeous girls, with steel behind their eyes, were the highest paid whores in the history of the world. All they offered was their poised, half-educated selves, one hundred and twenty pounds of healthy, unblemished, arrogant meat, in return for the eventual occupational ulcer, the suburban coronary. Nor did they bother to sweeten the bargain with their virginity. Before you could, in your hypnoid state, slip the ring on her imperious finger, that old-fashioned prize was long gone, and even its departure celebrated many times, on house parties and ski weekends, in becalmed sailboats and on cruise ships. This acknowledged and excused promiscuity was, in fact, to her advantage. Having learned her way through the jungly province of sex, she was less likely to be bedazzled by body hunger to the extent that she might make a bad match with an unpromising young man. Her decks were efficiently cleared, guns rolled out, fuses alight, cannonballs stacked, all sails set. She stood on the bridge, braced and ready, scanning the horizon with eyes as cold as winter pebbles. One

He adopted his standard mocking approach. “Having trouble getting out of the pool, Lily? There’s a ladder on the side for the old ladies who come and do aqua aerobics.” Everything inside her stilled. That condescending wretch. She felt him come closer, and was careful not to stir an inch, not even a hair. “You should get out of the pool and take a long hot shower. It’ll make you feel better,” he suggested, not ungently. His brow furrowed with worry. She ignored the thread of concern in his voice and concentrated on not moving too suddenly. Slowly, as if in unbearable agony, she lifted her head. He was dressed once more in his khakis and shirt, his sneakers were in one hand, his gear bag in the other. Good. She let her face crumble, her expression slip into wretchedness. Her lower lip trembled, a special added effect. “I—I’m not sure I can even make it to the ladder,” she confessed haltingly. “My whole body’s shot.” Damn, she must be hurting worse than he’d imagined. Trying not to stare at her lush lower lip quivering helplessly, Sean dropped his gear bag and stepped forward. “Here,” he said, leaning over, stretching out his hand. “Grab my hand. I’ll pull you out.” She’d braced her feet against the wall of the pool, knowing she’d have to strike fast. They grasped hands. The second his tightened about her forearm, she jerked backward with all her strength. Physics were on her side. Caught off balance, Sean somersaulted through the air, with only enough time to yell, “Shit!” before he landed with a cannonball-sized splash. Lily braced her arms on the pool deck. She’d intended to jump out and make a mad dash for the ladies’ locker room but her efforts were hampered by her convulsive laughter. A surprised “Oof!” flew from her lips. Sean’s arm had snaked out and wrapped around her waist, dumping her backward into the water. She pushed to the surface to find Sean glowering menacingly. He was sopping wet and just as furious. Lily’s laughter redoubled, then died away when his hands took her by the shoulders and pulled her close. Mere inches separated their bodies. “What are you doing?” Her voice came out an alarmed squeak. Her eyes flew to his. They sparkled with green and gold lights. “Payback time, Lily. You’ve pushed me once too often. I had my cell phone in my pocket. I don’t think it’s waterproof. My leather wallet is in my rear pocket, crammed with pictures of my adorable niece and nephew. Basically, Banyon, you owe me. Big time.” His tanned face, with drops of water still clinging to its chiseled planes, descended. He was going to kiss her, she realized, panic-stricken at the thought. “Don’t, Sean, don’t!” “I think I have to. It’s been a long time coming. Oh, by the way, I like lots of tongue.” Indignant, her mouth opened, ready to skewer him. But Sean was quicker. He shut Lily up the way he’d been dreaming of for so long. For years she’d driven him mad, made him crazed with desire. Now, by God, he was going to taste her. The passion and frustration inside him erupted. He seized her mouth, molding her lips to his own. Carnal fantasies gave way to a reality a thousand times sweeter. Starved for her, Sean’s lips plundered, boldly claiming her as his.

Miles Davis, John Coltrane, Julian “Cannonball” Adderley, Paul Chambers, Bill Evans, and Jimmy Cobb playing “All Blues,” a moody, blues form piece in 6/8, off the 1959 album Kind of Blue.

Looks like we’re tied,” he said, not at all angry she’d tricked him. Dear God, was that a dimple in his cheek, a small one, but combined with the twinkle in his blue eyes, her heart almost stopped. “Does that make us both winners?” she asked. They could exchange a prize. A sixty-nine went two ways. “Tiebreaker. Betcha I can make a bigger splash than you with a cannonball.” She snorted. “Pookie, you are delusional if you think those tight glutes of yours can spray more water than this ass of mine.” And so they spent the rest of the afternoon playing. Best damned time she’d had in years. Even better, her accidents didn’t bother Leo one bit. When she tossed a pile of mud at him, hitting him in the chest, he didn’t freak out because the slime she tossed had a leech in it. Nor did he scream as if a brain-eating zombie was after him when she wrestled the bloodsucking critter off his skin. Although she did feel a little sheepish when he reminded her they had salt in the picnic basket. Leo could also handle her rambunctious side. A good thing, or she might have really hurt him. When she saw his bare back as she climbed the rocks for a dive, she jumped on it, only realizing as she soared through the air that she might cause some serious damage. He barely stumbled as she hit him, and she kissed him when he said rather dryly, “Next time can you at least yell Geronimo?” Next time? Hell yeah. -Leo & Meena

Physically, I’m five foot nine, though at a recent doctor’s visit, I was told I’m closer to five foot seven. It’s pretty shocking when you spend your whole life thinking you’re one height and then find out you’re another. I still consider myself to be five nine. That doctor and his stupid science measuring stuff were full of shit. I was born weighing six pounds, twelve ounces, on September 17, 1982, in Pekin, Illinois, though I’ve gained a significant amount of weight since then. I currently weigh in around 175 pounds. With my semishort height and my weight, I’m a little dumpy. One friend described me as being a sad little cannonball. I feel that’s accurate.

it’s cold enough to freeze the nuts off a brass monkey,” Mikey said. The kids giggled. “Mikey said nuts,” Nina said. Kate held up a hand, the sign for silence. “The saying comes from the Civil War days, when the cannonballs were stacked in a pyramid formation called a brass monkey. When it got extremely cold outside they’d crack and break off. Breaking the nuts off the brass monkey. Get it?

The chaos came to an abrupt halt as everybody held their breath when Brian pulled the trigger on one of the Nerf guns Paulie had brought and accidentally shot Beth in the forehead. “Brian,” Lisa shouted at her third son. Beth blinked in surprise, then carefully set her gifts to one side and rose from her chair. Kevin stood, too, in case she was going to try to lock herself in the bathroom or make a break for the front door. She did neither. Grabbing a gun from under the tree, she very calmly started loading darts into the clip, and then she smiled at Brian and cocked it. “You are so gonna get it.” Brian screamed and took off toward the dining room, Beth on his heels. Bobby grabbed his gun with a whoop and took after them as the sounds of running headed toward the kitchen. Joey and Danny, being older and wiser, headed in the other direction with stealth, readying to cut the others off. “Epic Nerf Gun Battle of Doom!” Keri shouted, and all the adults laughed. Joe’s new bride had already suffered through the Tandem Cannonballs of Doom and the Annual Kowalski Volleyball Death Match Tournament of Doom over the summer, but she wrestled Stephanie’s gun away from her and took after the crowd.

Figure 3.3 Newton’s drawing of a cannon on a mountain In Newton’s famous cannon-on-a-mountain sketch, the dropped cannonball falls straight downward, while those fired with larger

In the 16th century, it was widely believed by scientists that projectiles, like cannonballs fired toward an enemy, fell straight down after they reached their apex, because gravity pulled them down in a linear fashion, as specified by Aristotle. Practitioners (in this case, soldiers) said that this theory was nonsense: cannonballs followed a curved path. They knew, because they were busy knocking down castles. Not until Descartes' work in the 17th century would mathematicians admit that they (and Aristotle) had been wrong.

Hercules came through the roof like a cannonball, his lion-skin trench coat wrapped around him. When I say cannonball, I mean both the metal ball and the type people do off a diving board. It was especially impressive when you realize we were in a five story building. Hermes

It is as I say, War was the fire beneath the boiling pot, unleashing those atavistic fumes, pulling back that slight and insecure lid called civilization. Rousseau was right: Savagery is not to be found in far off exotic places but in our own recondite depths. At the slightest excuse the savage in us will come storming out to the fore, bowling down the civilized part like a cannonball. - Not that Voltaire ever understood, that insufferable dandy" Victus - Book 3

hatch our survival plan in the coolest place we could find. We made our way into the cluttered room at the windowed front of the deckhouse—what our boat builders back in Hong Kong called the “lavish grand salon” in their sales brochures. With us, it was more like the messy rumpus room. True, the room had, as advertised, “a curved couch, sleek teak paneling, and hardwood cabinetry with a built-in sink.” But the sink had dirty dishes and empty soda bottles in it, the paneled walls were cluttered with a collection of my parents’ favorite treasures (including a conquistador helmet, a rare African tribal mask, a grog jug shaped like a frog, a rusty cannonball from a Confederate gunboat, a bronze clock covered with cherubs that probably belonged to King Louis XIV, and, in a glass shadow box, a rusty steak knife from the Titanic). There were assorted trinkets, necklaces, and coconut heads suspended from the ceiling. Add a heap of scuba and snorkel gear and assorted socks, shoes, and T-shirts on the floor (the floor is our laundry basket), and our grand salon looked more like a live-in recycling bin. “Have we even seen a map for this treasure hunt?” asked Beck. “Nope. Dad just said we needed to be in the Caymans.” “Then we need to find his map.

even if he were on all the drugs in the world, Hunter S. Thompson would not go down the Cannonball Loop.