Cannes Quotes

The world spins. We stumble on. It is enough.

Literature can remind us that not all life is already written down: there are still so many stories to be told.

The thing about love is that we come alive in bodies not our own.

There's a part of me that thinks perhaps we go on existing in a place even after we've left it.

She's always thought that one of the beauties of New York is that you can be from anywhere and within moments of landing its yours.

Into the face of the young man who sat on the terrace of the Hotel Magnifique at Cannes there had crept a look of furtive shame, the shifty hangdog look which announces that an Englishman is about to speak French.

People are good or half good or a quarter good, and it changes all the time- but even on the best day nobody's perfect.

Yet she likes complications. She wishes she could turn and say: I like people who unbalance me.

The simple things come back to us. They rest for a moment by our ribcages then suddenly reach in and twist our hearts a notch backward.

Some people think love is the end of the road, and if you're lucky enough to find it, you stay there. Other people say it just becomes a cliff you drive off, but most people who've been around awhile know it's just a thing that changes day by day, and depending on how much you fight for it, you get it, or you hold on to it, or you lose it, but sometimes it's never even there in the first place.

Good days, they come around the oddest corners.

I gave them all the truth and none of the honesty.

He might have been naive, but he didn't care; he said he's rather die with his heart on his sleeve than end up another cynic.

She was tired of everyone wanting to go to heaven, nobody wanting to die. The only thing worth grieving over, she said, was that sometimes there was more beauty in this life than the world could bear.

There are rocks deep enough in this earth that no matter what the rupture, they will never see the surface. There is, I think, a fear of love. There is a fear of love.

The repeated lies become history, but they don't necessarily become the truth.

I guess this is what marriage is, or was, or could be. You drop the mask. You allow the fatigue in. You lean across and kiss the years because they're the things that matter.

I sit there thinking about how much courage it takes to live an ordinary life.

People think they know the mystery of living in your skin. They don't. There's no one who knows except the person who carts it around her own self.

Everything was fabulous, even our breakdowns.

With all respects to heaven, I like it here.

...it was necessary to love silence, but before you could love silence you had to have noise.

There are moments we return to, now and always. Family is like water - it has a memory of what it once filled, always trying to get back to the original stream.

It struck me that distant cities are designed precisely so you can know where you came from.

I don't want anything to happen to you. You being hurt...that thought fills me with dread. I can't promise not to interfere, not if I think you'll come to harm." He pauses and takes a deep breath. "I love you, Anastasia. I will do everything in my power to protect you. I cann't imagine my life without you.

Nobody falls halfway

Sooner or later, all games become serious.

I'm only telling you on the truth," he said. "If you can't stand the truth, don't ask for it.

There are no days more full than those we go back to.

Words are good for saying what things are, but sometimes they don't function for what things aren't.

Rather he consoled himself with the fact that, in the real world, when he looked closely into the darkness he might find the presence of a light, damaged and bruised, but a little light all the same.

The person we know at first, she thinks, is not the one we know at last.

Cynicism is easy. An optimist is a braver cynic.

If their work is satisfying people don't need leisure in the old-fashioned sense. No one ever asks what Newton or Darwin did to relax, or how Bach spent his weekends. At Eden-Olympia work is the ultimate play, and play the ultimate work.

Speak to me, Jacob, do not play the tyrant. Speak to me.

You can count the dead, but you can't count the cost. We've got no math for Heaven...

Let this be a lesson to us all, said the preacher. You will be walking someday in the dark and the truth will come shining through, and behind you will be a life that you never want to see again.

He realized that he had thought only about the first step, never imagined the last.

Well, I'd say fuck too, if I were me. I'd say it backward and forward and around the block, fuck this and fuck that and fuck it all at once, twice, three times.

Where happiness was not a possibility, the illusion of it was always more important.

He looks like the sort of man who can't afford to leave, and doesn't want to stay, and so he is doing both at once.

Sometimes we just walk into something that is not for us at all. We pretend it is. We think we can shrug it off like a coat, but it's not a coat at all, it's more like another skin. [...] All I wanted was to make my life thrilling for a while: to take the oridinary objects of my days and make a different argument out of them, no obligations to my past.

Memory has a heavy backspin, yet it’s still impossible to land exactly where we took off.

I followed him up the stairs. I was a fornicator, of unnatural appetite, in thrall to an Atheist. I repeated the words in my head and tried to feel the shock of them, but they remained strange and cruel, far removed from Ferris and me. It was simpler to say I was in love.

No shame in saying that I felt a loneliness drifting through me. Funny how it was, everyone perched in their own little world with the deep need to talk, each person with their own tale, beginning in some strange middle point, then trying so hard to tell it all, to have it all make sense, logical and final.

He felt for a moment uncreated. Another kind of awake.

The stars looked like nail heads in the sky--pull a few of them out and the darkness would fall.

If they ask you to stand still, you should dance.

Without stories, how do we know who we are? How can we imagine who we can be?

Corrigan told me once that Christ was quite easy to understand. He went where He was supposed to go. He stayed where He was needed. He took little or nothing along, a pair of sandals, a bit of a shirt, a few odds and ends to stave off the loneliness. He never rejected the world. If He had rejected it, He would have been rejecting mystery. And if He rejected mystery, He would have been rejecting faith.

There is always room for at least two truths.

What Corrigan wanted was a fully believable God, one you could find in the grime of the everyday...he consoled himself with the fact that, in the real world, when he looked closely into the darkness he might find the presence of a light, damaged and bruised, but a little light all the same. He wanted, quite simply, for the world to be a better place, and he was in the habit of hoping for it.

And I suddenly think, as I look across the table at him, that these are the days as they will be. This is the future as we see it. The swerve and the static. The confidence and the doubt.

I wondered at him, so wise and so foolish, to have lived with me all these months and not know that the worst storms break inside a man.

She likes the people with the endurance to tolerate the drudge, the ones who know that pain is a requirement, not a curse.

She wanted to tell him so mach, on the tarmac, the day he left. The world is run by brutal men and the surest proof is their armies. If they ask you to stand still, you should dance. If they ask you to burn the flag, wave it. If they ask you to murder, re-create.

Things in life have no real beginning, though our stories about them always do.

It had never occurred to me before but everything in New York is built upon another thing, nothing is entirely by itself, each thing as strange as the last, and connected.

Seriously, Jack, I think you might be the only guy in this city who hasn’t read his stuff. Collin McCann is like the Carrie Bradshaw of Chicago men.” “You mean Terry Bradshaw,” Jack corrected. “No, Carrie,” Wilkins repeated. “You know, Sarah Jessica Parker. Sex and the City.” A silence fell over the room as Collin and Jack stared at Wilkins, seriously fearing for the fate of men.

I know already that I will return to this day whenever I want to. I can bid it alive. Preserve it. There is a still point where the present, the now, winds around itself, and nothing is tangled. The river is not where it begins or ends, but right in the middle point, anchored by what has happened and what is to arrive. You can close your eyes and there will be a light snow falling in New York, and seconds later you are sunning upon a rock in Zacapa, and seconds later still you are surfing through the Bronx on the strength of your own desire. There is no way to find a word to fit around this feeling. Words resist it. Words give it a pattern it does not own. Words put it in time. They freeze what cannot be stopped. Try to describe the taste of a peach. Try to describe it. Feel the rush of sweetness: we make love.

The twentieth century ended with its dreams in ruins. The notion of the community as a voluntary association of enlightened citizens has died forever. We realize how suffocatingly humane we've become, dedicated to moderation and the middle way. The suburbanization of the soul has overrun our planet like the plague.

I know already that I will return to this day whenever I want to. I can bid it alive. Preserve it. There is a still point where the present, the now, winds around itself, and nothing is tangled. The river is not where it begins or ends, but right in the middle point, anchored by what has happened and what is to arrive.

But what virtue I do have is in me and of me. Men deny the good that comes from themselves, calling it God. So do they with their won evil, calling it the Devil.

The luxury of age was the giving up of vanity.

She was forever tilted sideways by the notion that pain was inevitable, chance was cruel, and all human ingenuity should go towards the making of a good cup of tea.

This is not my life. These are not my cobwebs. This is not the darkness I was designed for.

He said to me once that most of the time people use the word love as just another way to show off they're hungry. The way he said it went something like: Glorify their appetites.

So much of her time spent like this: dreaming up things to say and never quite saying them.

What was a life anyway? An accumulation of small shelves of incident.

We stumble on, thinks Jaslyn, bring a little noise into the silence, find in others the ongoing of ourselves. It is almost enough.

Rumi: Yesterday I was clever, so I wanted to change the world. Today I am wise, so I have begun to change myself.

Give life long enough and it will solve all your problems, including the one of being alive.

Even if people laughed at the notion of goodness, if they found it sentimental, or nostalgic, it didn't matter -- it was none of those things, he said, and it had to be fought for.

...and it strikes her, as she walks, that borders, like hatred, are exaggerated precisely because otherwise they would cease to exist altogether. 

Ma perché questo, Efix, dimmi, tu che hai girato il mondo: è da per tutto così? Perché la sorte ci stronca così, come canne? – Sì, – egli disse allora, – siamo proprio come le canne al vento, donna Ester mia. Ecco perché! Siamo canne, e la sorte è il vento.

The world does not turn without moments of grace. Who cares how small.

I suppose one finally learns, after much searching, that we really only belong to ourselves.

She takes another long haul, lets the smoke settle in her lungs-- she has heard somewhere that cigarettes are good for grief. One long drag and you forget how to cry. The body too busy dealing with the poison.

We seldom know what we're hearing when we hear something for the first time, but one thing is certain: we hear it as we will never hear it again. We return to the moment to experience it, I suppose, but we can never really find it, only its memory, the faintest imprint of what really was, what it meant.

We seldom know what echo our actions will find, but our stories will most certainly outlast us.

How inevitable it is; we step into an ordinary moment and never come out again.

That was the sort of everyday love I had to learn to contend with: if you grow up with it, it's hard to think you'll ever match it. I used to think it was difficult for children of folks who really loved each other, hard to get out from under that skin because sometimes it's just so comfortable you don't want to have to develop your own.

The tunnels of our lives connect, coming to daylight at the oddest moments, and then plunge us into the dark again. We return to the lives of those who have gone before us, a perplexing möbius strip until we come home, eventually, to ourselves.

The house was silent, but somewhere in the garden was a swimming pool filled with unsettled water.

When you divide death by life you find a circle.

It was a silence that heard itself, awful and beautiful.

He told me once that there was no better faith than a wounded faith and sometimes I wonder if that is what he was doing all along --trying to wound his faith in order to test it--and I was just another stone in the way of his God.

Pain is not wat you get, it is wat you give.

Sometimes thinking back on things is a mistake arising out of pride, but I guess you live inside a moment for years, move with it and feel it grow, and it sends out roots until it touches everything in sight.

The war was about vanity, he said. It was about old men who couldn't look in the mirror anymore and so they sent the young out to die. Was was a get-together of the vain. They wanted it simple--hate your enemy, know nothing of him.

Goodness was more difficult than evil. Evil men knew that more than good men. That's why they became evil. That's why it stuck with them. Evil was for those who could never reach the truth. It was a mask for stupidity and lack of love. Even if people laughed at the notion of goodness, if they found it sentimental, or nostalgic, it didn't matter -- it was none of those things, he said, and it had to be fought for.

Something's about to end. Or start. I'm not sure. I just know we're not in the middle anymore. It's safer in the middle.

I told him that I loved him and that I'd always love him and I felt like a child who throws a centavo into a fountain and then she has to tell someone her most extraordinary wish even though she knows that the wish should be kept secret and that, in telling it, she is quite probably losing it. He replied that I was not to worry, that the penny could come out of the fountain again and again and again.

Why did You bid me drown the letter? I have lost something that he touched, and the destruction of it has gained You nothing, for now I no longer read the words, I hear them, as if he implored me face to face. Speak to me, Jacob, do not play the tyrant. Speak to me.

The city was bigger than its buildings, bigger than its inhabitants too. It had its own nuances. It accepted whatever came its way, the crime and the violence and the little shocks of good that crawled out from underneath the everyday.

One of those out-of-the-ordinary days that made sense of the slew of ordinary days. New York had a way of doing that. Every now and then the city shook its soul out. It assailed you with an image, or a day, or a crime, or a terror, or a beauty so difficult to wrap your mind around that you had to shake your head in disbelief.

I am of the opinion, and even more so the older I get, that it is more difficult to have hope than it is to despair. And I mean this in the sense that in order to have hope you must acknowledge the despair and then you have to get beyond it. Taken from a radio interview given on BBC Radio 4's Open Book

One of those out-of-the-ordinary days that made sense of the slew of ordinary days. New York had a way of doing that. Every now and then the city shook its soul out. It assailed you with an image, or a day, or a crime, or a terror, or a beauty so difficult to wrap your mind around that you had to shake your head in disbelief. He had a theory about it. It happened, and re-happened, because it was a city uninterested in history. Strange things occurred precisely because there was no necessary regard for the past. The city lived in a sort of everyday present. It had no need to believe in itself as a London, or an Athens, or even a signifier of the New World, like a Sydney, or a Los Angeles. No, the city couldn’t care less about where it stood. He had seen a T-shirt once that said: NEW YORK FUCKIN’ CITY. As if it were the only place that ever existed and the only one that ever would. New York kept going forward precisely because it didn’t give a good goddamn about what it had left behind. It was like the city that Lot left, and it would dissolve if it ever began looking backward over its own shoulder. Two pillars of salt. Long Island and New Jersey.

C'è chi pensa che l'amore sia la fine della strada, e che se si è abbastanza fortunati da trovarlo ci si ferma lì. Altri dicono che è come un burrone nel quale si precipita. Ma chiunque abbia vissuto almeno un po' sa che muta con il passare dei giorni, e secondo l'energia che gli si dedica, lo si conserva o ci si aggrappa, oppure lo si perde, ma a volte capita che non sia nemmeno mai stato lì, sin dall'inizio."( Questo bacio vada al mondo intero)

What Corrigan wanted was a fully believable God, one you could find in the grime of the everyday. The comfort he got from the hard, cold truth--the filth, the war, the poverty--was that life could be capable of small beauties. He wasn't interested in a honey-soaked heaven. To him that was a dressing room for hell. Rather he consoled himself with the fact that, in the real world, when he looked closely into the darkness he might find the presence of a light, damaged and bruised, but a little light all the same. He wanted, quite simply, for the world to be a better place, and he was in the habit of hoping for it. Out of that came some sort of triumph that went beyond theological proof, a cause for optimism against all the evidence.