Candy Dream Quotes

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And he leans in, so carefully. Breathing and not breathing and hearts beating between us and he’s so close, he’s so close and I can’t feel my legs anymore. I can’t feel my fingers or the cold or the emptiness of this room because all I feel is him, everywhere,filling everything and he whispers “Please.” He says “Please don’t shoot me for this.” And he kisses me. His lips are softer than anything I've ever known, soft like a first snowfall, like biting into cotton candy, like melting and floating and being weightless in water. It’s sweet, it’s so effortlessly sweet. And then it changes. “Oh God—” He kisses me again, this time stronger, desperate, like he has to have me, like he’s dying to memorize the feel of my lips against his own. The taste of him is making me crazy; he’s all heat and desire and peppermint and I want more. I've just begun reeling him in, pulling him into me when he breaks away. He’s breathing like he’s lost his mind andhe’s looking at me like something has brokeninside of him, like he’s woken up to find that his nightmares were just that, that they never existed, that it was all just a bad dream that felt far too real but now he’s awake and he’s safe and everything is going to be okay and I’m falling. I’m falling apart and into his heart and I’m a disaster.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
A broken heart in real life isn't half as dreadful as it is in books. It's a good deal like a bad tooth, though you won't think THAT a very romantic simile. It takes spells of aching and gives you a sleepless night now and then, but between times it lets you enjoy life and dreams and echoes and peanut candy as if there were nothing the matter with it.
L.M. Montgomery
Seth was a wonderful kisser. He gave the kind of kisses that melted into your mouth and filled you with sweetness. They were like cotton candy.
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
I had a dream about you last night.. You thought you were a candy vampire, you were standing in the sun screaming 'I'm melting.
Nicole Riekhof (I Had a Dream About You)
Want your boat, Georgie?' Pennywise asked. 'I only repeat myself because you really do not seem that eager.' He held it up, smiling. He was wearing a baggy silk suit with great big orange buttons. A bright tie, electric-blue, flopped down his front, and on his hands were big white gloves, like the kind Mickey Mouse and Donald Duck always wore. Yes, sure,' George said, looking into the stormdrain. And a balloon? I’ve got red and green and yellow and blue...' Do they float?' Float?' The clown’s grin widened. 'Oh yes, indeed they do. They float! And there’s cotton candy...' George reached. The clown seized his arm. And George saw the clown’s face change. What he saw then was terrible enough to make his worst imaginings of the thing in the cellar look like sweet dreams; what he saw destroyed his sanity in one clawing stroke. They float,' the thing in the drain crooned in a clotted, chuckling voice. It held George’s arm in its thick and wormy grip, it pulled George toward that terrible darkness where the water rushed and roared and bellowed as it bore its cargo of storm debris toward the sea. George craned his neck away from that final blackness and began to scream into the rain, to scream mindlessly into the white autumn sky which curved above Derry on that day in the fall of 1957. His screams were shrill and piercing, and all up and down Witcham Street people came to their windows or bolted out onto their porches. They float,' it growled, 'they float, Georgie, and when you’re down here with me, you’ll float, too–' George's shoulder socked against the cement of the curb and Dave Gardener, who had stayed home from his job at The Shoeboat that day because of the flood, saw only a small boy in a yellow rain-slicker, a small boy who was screaming and writhing in the gutter with muddy water surfing over his face and making his screams sound bubbly. Everything down here floats,' that chuckling, rotten voice whispered, and suddenly there was a ripping noise and a flaring sheet of agony, and George Denbrough knew no more. Dave Gardener was the first to get there, and although he arrived only forty-five seconds after the first scream, George Denbrough was already dead. Gardener grabbed him by the back of the slicker, pulled him into the street...and began to scream himself as George's body turned over in his hands. The left side of George’s slicker was now bright red. Blood flowed into the stormdrain from the tattered hole where his left arm had been. A knob of bone, horribly bright, peeked through the torn cloth. The boy’s eyes stared up into the white sky, and as Dave staggered away toward the others already running pell-mell down the street, they began to fill with rain.
Stephen King (It)
An incomplete list: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert states. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position – but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
I been working for Cabe Delgado for seven years. When I walked my ass into this place to interview for the job, I thought I'd died and gone to heaven. Hot guys everywhere. So much fine ass, shit! I woulda worked here for nothin'. First day, thirty minutes in, these boys, they became a pain in my ass. Sortin' their shit out is like herdin' cats. Luckily eye candy provides job satisfaction.
Kristen Ashley (Mystery Man (Dream Man, #1))
Down here in the deep, dark South we know and live with the real world. Candy-Land idealism is quietlly suffocated in the relentless humidity. This is the world where fist meets face. This is where the calluses on a man's hand are bigger than his conscience, and dreams get drowned in sweat and tears.
Damien Echols (Life After Death)
Ohmigod! This place is so cool!” This was Tracy, who was sashaying into the warehouse looking around like she just hit the candy garden with chocolate stream at Willy Wonka’s. Her eyes caught site of Elvira who was in the kitchen. “Hey girl! What’s up?” “Job satisfaction, beanpole, what’s up with you,” Elvira replied on a huge smile thus taking the sting out of her nickname for Tracy (I hoped). If Cam was yin to Tracy’s yang, Elvira was yang to all of our yins.
Kristen Ashley (Mystery Man (Dream Man, #1))
The media landscape of the present day is a map in search of a territory. A huge volume of sensational and often toxic imagery inundates our minds, much of it fictional in content. How do we make sense of this ceaseless flow of advertising and publicity, news and entertainment, where presidential campaigns and moon voyages are presented in terms indistinguishable from the launch of a new candy bar or deodorant? What actually happens on the level of our unconscious minds when, within minutes on the same TV screen, a prime minister is assassinated, an actress makes love, an injured child is carried from a car crash? Faced with these charged events, prepackaged emotions already in place, we can only stitch together a set of emergency scenarios, just as our sleeping minds extemporize a narrative from the unrelated memories that veer through the cortical night. In the waking dream that now constitutes everyday reality, images of a blood-spattered widow, the chromium trim of a limousine windshield, the stylised glamour of a motorcade, fuse together to provide a secondary narrative with very different meanings.
J.G. Ballard (The Atrocity Exhibition)
I'm so glad you're here, Anne,' said Miss Lavendar, nibbling at her candy. 'If you weren't I should be blue…very blue…almost navy blue. Dreams and make-believes are all very well in the daytime and the sunshine, but when dark and storm come they fail to satisfy. One wants real things then. But you don't know this…seventeen never knows it. At seventeen dreams do satisfy because you think the realities are waiting for you further on.
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
As for Sadie, she didn’t appear interested in strategy. She leaped from puddle to puddle in her combat boots. She hummed to herself, twirled like a little kid and occasionally pulled random things out of her backpack: wax animal figurines, some string, a piece of chalk, a bright yellow bag of candy. She reminded me of someone … Then it occurred to me. She looked like a younger version of Annabeth, but her fidgeting and hyperness reminded me of … well, me. If Annabeth and I ever had a daughter, she might be a lot like Sadie. Whoa. It’s not like I’d never dreamed about kids before. I mean, you date someone for over a year, the idea is going to be in the back of your mind somewhere, right? But still – I’m barely seventeen. I’m not ready to think too seriously about stuff like that. Also, I’m a demigod. On a day-to-day basis, I’m busy just trying to stay alive. Yet, looking at Sadie, I could imagine that someday maybe I’d have a little girl who looked like Annabeth and acted like me – a cute little hellion of a demigod, stomping through puddles and flattening monsters with magic camels.
Rick Riordan (The Crown of Ptolemy (Demigods & Magicians, #3))
Imagine: You've spent all day traipsing around London, lost in a maze of chaos, trying to find a hidden illusion; you've been living on hope, ignoring reality, fueled only by feelings you don't understand. You've been looking for a dream, never truly believing you'd find it, but now - incredibly - you have. It's right there in front of you - just behind that off-white door. It's there...
Kevin Brooks (Candy)
Here dwells a snake, one thousand miles long Coiled, one thousand miles deep Eyes like candy, it has eyes like candy Hard and blue, but soft as kittens feet Out of sight or in the element of light It could be a devil, it could be an angel With spiders inside a vision from hell Its spine is a vertical scream Slow as concrete, blurred as a dream Fueled by inertia, depth, radius, and velocity, Its soul--a twisted wreckage of despair and pain And the spiders inside are just praying for rain Killing time killing time And praying for rain One thousand miles deep
James O'Barr
Mrs. Nightwing glances at the box in my hands. She clears her throat."I understand you've decided against Mr. Middleton."... It's best to be sure, through and through," she says, keeping her eyes steadfastly on the girls running and playing on the lawn. "Else you could find yourself one day coming home to an empty house, save for a note: I've gone out. You could wait all night for him to return. Nights turn into weeks, to years. It's horrible, the waiting. You can scarcely bear it. And perhaps years later on holiday in Brighton, you see him, walking along the boardwalk as if out of some dream. No longer lost. Your heartbeat quickens. You must call out to him. Someone else calls first. A pretty young woman with a child. He stops and bends to lift the child into his arms. His child. He gives a furtive kiss to his young wife. He hands her a box of candy, which you know to be Chollier's chocolates. He and his family stroll on. Something in you falls away. You will never be as you were. What is left to you is the chance to become something new and unsure. But at least the waiting is over.
Libba Bray (Rebel Angels (Gemma Doyle, #2))
I suppose you think you know what autumn looks like. Even if you live in the Los Angeles dreamed of by September’s schoolmates, you have surely seen postcards and photographs of the kind of autumn I mean. The trees go all red and blazing orange and gold, and wood fires burn at night so everything smells of crisp branches. The world rolls about delightedly in a heap of cider and candy and apples and pumpkins and cold stars rush by through wispy, ragged clouds, past a moon like a bony knee. You have, no doubt, experienced a Halloween or two. Autumn in Fairyland is all that, of course. You would never feel cheated by the colors of a Fairyland Forest or the morbidity of a Fairyland moon. And the Halloween masks! Oh, how they glitter, how they curl, how their beaks and jaws hook and barb! But to wander through autumn in Fairyland is to look into a murky pool, seeing only a hazy reflection of the Autumn Provinces’ eternal fall. And human autumn is but a cast-off photograph of that reflecting pool, half burnt and drifting through the space between us and Fairyland. And so I may tell you that the leaves began to turn red as September and her friends rushed through the suddenly cold air on their snorting, roaring high wheels, and you might believe me. But no red you have ever seen could touch the crimson bleed of the trees in that place. No oak gnarled and orange with October is half as bright as the boughs that bent over September’s head, dropping their hard, sweet acorns into her spinning spokes. But you must try as hard as you can. Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel to mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
Imagine: You've spent all day trapping around, lost in a maze of chaos, trying to fine a hidden illusion: You've been looking for hope, ignoring realty, fueled only but feelings you don't understand. Your've been looking for a dream, never truly believing you'll find it, but now- incredibly- you have. It's right there in front of you- just behind that off-white door. It's there….
Kevin Brooks (Candy)
Jimmy's eyes would turn as red and sticky as candy, and his head would fall back against the seat in a dream. If he were lucky tonight, maybe he would see something that he hadn't seen before. And then it would be my turn.
Donald Ray Pollock (Knockemstiff)
It was blurred in his memory, it had the melting, cotton-candy texture of dreams or of waking actions performed under a light haze of drugs.
Stephen King (Pet Sematary)
I'm staying right here," grumbled the rat. "I haven't the slightest interest in fairs." "That's because you've never been to one," remarked the old sheep . "A fair is a rat's paradise. Everybody spills food at a fair. A rat can creep out late at night and have a feast. In the horse barn you will find oats that the trotters and pacers have spilled. In the trampled grass of the infield you will find old discarded lunch boxes containing the foul remains of peanut butter sandwiches, hard-boiled eggs, cracker crumbs, bits of doughnuts, and particles of cheese. In the hard-packed dirt of the midway, after the glaring lights are out and the people have gone home to bed, you will find a veritable treasure of popcorn fragments, frozen custard dribblings, candied apples abandoned by tired children, sugar fluff crystals, salted almonds, popsicles,partially gnawed ice cream cones,and the wooden sticks of lollypops. Everywhere is loot for a rat--in tents, in booths, in hay lofts--why, a fair has enough disgusting leftover food to satisfy a whole army of rats." Templeton's eyes were blazing. " Is this true?" he asked. "Is this appetizing yarn of yours true? I like high living, and what you say tempts me." "It is true," said the old sheep. "Go to the Fair Templeton. You will find that the conditions at a fair will surpass your wildest dreams. Buckets with sour mash sticking to them, tin cans containing particles of tuna fish, greasy bags stuffed with rotten..." "That's enough!" cried Templeton. "Don't tell me anymore I'm going!
E.B. White (Charlotte’s Web)
After practice on lazy summer afternoons, he’d gather the kids around and tell stories about baseball players long dead, players from the old Negro leagues with names that sounded like brands of candy: Cool Papa Bell, Golly Honey Gibson, Smooth Rube Foster, Bullet Rogan, guys who knocked the ball five hundred feet high into the hot August air at some ballpark far away down south someplace, the stories soaring high over their heads, over the harbor, over their dirty baseball field, past the rude, red-hot projects where they lived. The Negro leagues, Sport said, were a dream. Why, Negro league players had leg muscles like rocks.
James McBride (Deacon King Kong)
I had a dream about candy canes and dolphins.
Kimberly Raiser (The Family Bones)
My father and mother fed my sister and me on a diet of romantic dreams just as though they were giving us candy. Gradually the dreams wore thin, until in the end they wasted away to nothing.
Natsuo Kirino
Listen, everything is possible in here. You can burn every spinning wheel in the kingdom. You can cut your hair before he ever gets the chance to climb up. It is possible to decline the beanstalk. You can let the old witch dance at your wedding, hand out the kind of forgiveness that would wake the dead and sleeping. You can just walk away, get on a horse, and go wake some other maiden from her narrative coffin, if you’re brave, if you’re strong. What do you want? Do you want to escape? Or were you looking for that candy house?
Catherynne M. Valente (The Bread We Eat in Dreams)
I think how heavenly it must be to nibble on tiny cakes and swirled caramels and plum ginger puffs all day. Tea with lemon petit fours in the afternoon; after-dinner mint truffles with butterscotch coffee in the evening. My mind swims with the notion of it. The easy, sugar-induced lull that would follow me into candy-tinted dreams each night. Life here, in Valentine's Town, would surely be simple and uncomplicated.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Screw write what you know, write what you dream and then do your research :) ~Pavarti K Tyler~
Candy Ann Little
I am cotton candy on a rainy day the unrealized dream of an idea unborn from Cotton Candy on a Rainy Day
Nikki Giovanni (Cotton Candy on a Rainy Day)
I live my life without fear because I know how to get up.
Candy Palmater (Running Down a Dream: A Memoir)
I slip a piece of ramune candy from my dress into my mouth, letting it melt on my tongue. Sweets are a part of my fundamental essence. That and skirts with pockets. Observe how I've married the two.
Emiko Jean (Tokyo Dreaming (Tokyo Ever After, #2))
Dreams are fairy tales Opened by the heart’s desires Tasting the candy-coated lies They place by your pillow Nightmares are terror tales Unlocked by an eclipsed heart Broken from a shattered soul Screaming truths into your pillow
Kathy-Lynn Cross (So Shall I Reap)
I'll tell you what I miss. I miss that throbbing heart telling me to take a leap when the sky looks too dark. I miss the walk that I took in the narrow cobblestoned pathways that fumed of history and undying stories of love and loss. I miss the coffee that scented like mist in a frozen dream in a land of strange beauty. I miss the afternoon tea that followed my pen to hours of happy melancholy. I miss the muse I saw dance in a foreign land of near heart. I miss the stranger smiling at me from a corner and teaching me his language to smile at my twinkled happiness. I miss that symphony of mad evenings ending in a sky full of stars to fill my soul with an unknown ecstasy. I miss that hand of an old woman trying to tell me her story. I miss that child running up to me in a crowd of unknown faces to hand me her candy. I miss that night where I lay back on a distant balcony gazing at the solitary moon for hours knowing that it is shining at my homeland just as bright. I miss that stranger listening to my heart and telling me how beautiful it is. I miss a wandering soul, who went on filling her breath with life of eternal love in the wings of Life. And I'll tell you now when I look back I see how wonderful Time has treated me and how grateful I am to have lived in moments that roar of a beautiful Life lived with a heart throbbing to take a leap once again in that ocean of Life's beguiling journey.
Debatrayee Banerjee
A Baby Elephant Right now my love for you is a baby elephant Born in Berlin or in Paris, And treading with its cushioned feet Around the zoo director's house. Do not offer it French pastries, Do not offer it cabbage heads, It can eat only sections of tangerines, Or lumps of sugar and pieces of candy. Don't cry, my sweet, because it will be put Into a narrow cage, become a joke for mobs, When salesman blow cigar smoke into its trunk To the cackles of their girl friends. Don't imagine, my dear, that the day will come When, infuriated, it will snap its chains And rush along the streets, Crushing howling people like a bus. No, may you dream of it at dawn, Clad in bronze and brocade and ostrich feathers, Like that magnificent beast which once Bore Hannibal to trembling Rome.
Nikolay Gumilyov
Twas the night before Christmas, and all through the base Only sentries were stirring--they guarded the place. At the foot of each bunk sat a helmet and boot For the Santa of Soldiers to fill up with loot. The soldiers were sleeping and snoring away As they dreamed of “back home” on good Christmas Day. One snoozed with his rifle--he seemed so content. I slept with the letters my family had sent. When outside the tent there arose such a clatter. I sprang from my rack to see what was the matter. Away to the window I flew like a flash. Poked out my head, and yelled, “What was that crash?” When what to my thrill and relief should appear, But one of our Blackhawks to give the all clear. More rattles and rumbles! I heard a deep whine! Then up drove eight Humvees, a jeep close behind… Each vehicle painted a bright Christmas green. With more lights and gold tinsel than I’d ever seen. The convoy commander leaped down and he paused. I knew then and there it was Sergeant McClaus! More rapid than rockets, his drivers they came When he whistled, and shouted, and called them by name: “Now, Cohen! Mendoza! Woslowski! McCord! Now, Li! Watts! Donetti! And Specialist Ford!” “Go fill up my sea bags with gifts large and small! Now dash away! Dash away! Dash away, all!” In the blink of an eye, to their trucks the troops darted. As I drew in my head and was turning around, Through the tent flap the sergeant came in with a bound. He was dressed all in camo and looked quite a sight With a Santa had added for this special night. His eyes--sharp as lasers! He stood six feet six. His nose was quite crooked, his jaw hard as bricks! A stub of cigar he held clamped in his teeth. And the smoke, it encircled his head like a wreath. A young driver walked in with a seabag in tow. McClaus took the bag, told the driver to go. Then the sarge went to work. And his mission today? Bring Christmas from home to the troops far away! Tasty gifts from old friends in the helmets he laid. There were candies, and cookies, and cakes, all homemade. Many parents sent phone cards so soldiers could hear Treasured voices and laughter of those they held dear. Loving husbands and wives had mailed photos galore Of weddings and birthdays and first steps and more. And for each soldier’s boot, like a warm, happy hug, There was art from the children at home sweet and snug. As he finished the job--did I see a twinkle? Was that a small smile or instead just a wrinkle? To the top of his brow he raised up his hand And gave a salute that made me feel grand. I gasped in surprise when, his face all aglow, He gave a huge grin and a big HO! HO! HO! HO! HO! HO! from the barracks and then from the base. HO! HO! HO! as the convoy sped up into space. As the camp radar lost him, I heard this faint call: “HAPPY CHRISTMAS, BRAVE SOLDIERS! MAY PEACE COME TO ALL!
Trish Holland (The Soldiers' Night Before Christmas (Big Little Golden Book))
Candied Sin I can hold you in my arms Feeling your soul’s embrace I can make it hard to breath Standing face to face Lips of sweetest candied sin Wisps of thoughts ignite within Makes the hours infinite Observations intricate Touch of skin, heat and lace Skimmed upon a jaded face Into your depths, here I go Swept into my very soul.
Alexia Purdy (Whispers of Dreams (A Poetic Collection))
You and I, my son, are that “below.” That was true in 1776. It is true today. There is no them without you, and without the right to break you they must necessarily fall from the mountain, lose their divinity, and tumble out of the Dream. And then they would have to determine how to build their suburbs on something other than human bones, how to angle their jails toward something other than a human stockyard, how to erect a democracy independent of cannibalism. But because they believe themselves to be white, they would rather countenance a man choked to death on film under their laws. And they would rather subscribe to the myth of Trayvon Martin, slight teenager, hands full of candy and soft drinks, transforming into a murderous juggernaut. And they would rather see Prince Jones followed by a bad cop through three jurisdictions and shot down for acting like a human. And they would rather reach out, in all their sanity, and push my four-year-old son as though he were merely an obstacle in the path of their too-important day.
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
They expected life would march on. Things had to be done, and I got shunted along their logistics with the numbness that had taken the place of whatever had made me Evie. My love of cinnamon hard candies, what I dreamed - that had all been exchanged for this new self, the changeling who nodded when spoken to and rinsed and dried the dinner plates, hands reddening in the hot water.
Emma Cline (The Girls)
A few weeks ago I had a dream. I dreamed I was back at the house, in the red room, reading my microeconomics textbook. Maddy outside playing with Hope, and Agnes was preparing dinner. It was just like old times. I was elated. I knew all along that they weren't really dead. It was all just a terrible mistake. Maddy joined me in the library. Strangely, she didn't smell like anything. Not her usual crème brulee or green apples or candy. That's when I realized she was dead, though I didn't know I was dreaming. She apologized for everything and then proceeded to explain why things had turned out the way they had. Her story made complete sense. It was what I needed to hear. Finally I had an answer. Finally I could let go. And then she vanished When I woke up, in a pool of sweat, I couldn't remember a thing Maddy had said.
Katherine Easer (Vicious Little Darlings)
TV monsters and movie monsters and comic-book monsters were not real. Not until you went to bed and couldn’t sleep; not until the last four pieces of candy, wrapped in tissues and kept under your pillow against the evils of the night, were gobbled up; not until the bed itself turned into a lake of rancid dreams and the wind screamed outside and you were afraid to look at the window because there might be a face there,
Stephen King (It)
TV monsters and movie monsters and comic-book monsters were not real. Not until you went to bed and couldn't sleep; Not until the last four pieces of candy, wrapped in tissues and kept under your pillow against the evils of the night, were gobbled up; not until the bed itself turned into a lake of rancid dreams and the wind screamed outside and you were afraid to look out the window because there might be a face there...
Stephen King (It)
It was around the time of the divorce that all traces of decency vanished, and his dream of being the next great Southern writer was replaced by his desire to be the next published writer. So he started writing these novels set in Small Town Georgia about folks with Good American Values who Fall in Love and then contract Life-Threatening Diseases and Die. I'm serious. And it totally depresses me, but the ladies eat it up. They love my father's books and they love his cable-knit sweaters and they love his bleachy smile and orangey tan. And they have turned him into a bestseller and a total dick. Two of his books have been made into movies and three more are in production, which is where his real money comes from. Hollywood. And, somehow, this extra cash and pseudo-prestige have warped his brain into thinking that I should live in France. For a year.Alone.I don't understand why he couldn't send me to Australia or Ireland or anywhere else where English is the native language.The only French word I know is oui, which means "yes," and only recently did I learn it's spelled o-u-i and not w-e-e. At least the people in my new school speak English.It was founded for pretentious Americans who don't like the company of their own children. I mean, really. Who sends their kid to boarding school? It's so Hogwarts. Only mine doesn't have cute boy wizards or magic candy or flying lessons. Instead,I'm stuck with ninety-nine other students. There are twenty-five people in my entire senior class, as opposed to the six hundred I had back in Atlanta. And I'm studying the same things I studied at Clairemont High except now I'm registered in beginning French. Oh,yeah.Beginning French. No doubt with the freshman.I totally rock.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Candies Available for Civilian Consumption: Masha and Bear / Bear in the North / Little Bear / Clumsy Bear / Stratosphere / Strike! / Brighter! / Little Squirrel / Thumbelina / Moscow in Evening / Kiev in Evening / Fantastic Bird / Little Lemon / Little Lenin / Snowflake / Jelly / Fuzzy / Iris / Fudgy Cow / Little Red Hat / Alyonka / Little Miracle / Solidarity / Leningrad / Bird’s Milk / Red Poppy / Mask / Meteorite / Vizit / Red Moscow / Dream / Caramel Crab Necks / Goose Feet / Duck Beaks / Kiss Kiss / Golden Key / Snow / Crazy Bee…And So Many More!
Maria Reva (Good Citizens Need Not Fear: Stories)
Scavenger Hunt Day. We pair up in teams pulled out of a hat and disperse around Park City to collect photo evidence of a long list of random things Ricky and Lisa dream up for us—a silver ornament, a giant candy cane, a dog wearing a sweater, things like that. Occasionally video evidence is needed, like last year when we had to get video of a group of people doing the cancan. Permission is required, and asking strangers to do weird things can be mortifying, but mostly it’s a blast. The hunt also gives us the chance to do any last-minute Christmas shopping we might need
Christina Lauren (In a Holidaze)
SOPHIE HADN’T ASKED Physic what was in the sugary pink sedative, knowing the answer would probably make her not want to take it. So she wasn’t prepared for the interesting dreams. The second she crawled under her covers, she floated off to rainbow-glitterland, complete with kittens in tiaras and cartwheeling puppies and candy islands surrounded by twirling dolphins in tutus. Everything was so happy and sparkly and bright—it made her head spin and her stomach woozy. But maybe that was the point. To make her grateful to return to reality—even if it wasn’t nearly so cute. And to be glad to wake up and find people in her room, instead of dancing anthropomorphic animals.
Shannon Messenger (Nightfall (Keeper of the Lost Cities, #6))
No, they were not real. TV monsters and movie monsters and comic-book monsters were not real. Not until you went to bed and couldn’t sleep; not until the last four pieces of candy, wrapped in tissues and kept under your pillow against the evils of the night, were gobbled up; not until the bed itself turned into a lake of rancid dreams and the wind screamed outside and you were afraid to look at the window because there might be a face there, an ancient grinning face that had not rotted but simply dried like an old leaf, its eyes sunken diamonds pushed deep into dark sockets; not until you saw one ripped and clawlike hand holding out a bunch of balloons: See the sights, have a balloon, feed the elephants, ride the Chute-the-Chutes! Ben, oh, Ben, how you’ll float—
Stephen King (It)
Laila grinned widely. “My hero.” She kissed him on the cheek, and Enrique beamed. He wasn’t quite like the heroes he’d dreamed of becoming. He hadn’t saved a country from oppression or rescued anyone on his white horse … but he still felt rather impressive. He turned to Zofia, about to congratulate her, when she crossed her arms over her chest. “I’m not going to kiss you like Laila did.” Black ash streaked Zofia’s arms and the tops of her cheekbones. It made her eyes look like blue fire, her hair a wisp of candlelight. The farthest thing from his mind was her mouth on his, but when she said it, he couldn’t help but look at her lips. They were red as candy. Abruptly, Enrique pinched the bridge of his nose. He must have hit his head because the strangest thoughts kept darting through it.
Roshani Chokshi (The Gilded Wolves (The Gilded Wolves, #1))
AN INCOMPLETE LIST: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take photographs of concert stages. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one’s hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position—but no, this wasn’t true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
Good luck with everything. Oh, the world will treat at least half of you like half a person at best, not worth any investment cause you’re already damaged and undereducated and emotionally weird, even though yeah, they can see something kind of great in you, but isn’t it just a losing battle, throwing good money after bad? Your environment is so fucked that your behavior gets more and more impossible, till society claims they can hardly use you for anything but its lowest tasks—an orderly at an old folks’ home, garbage-truck guy—and you’ll barely support yourself. BUT you could try this little piece of candy you put in a pipe, and you’ll be beamed into white light and heavenly love, which will in five minutes turn into a greater problem than you ever knew, so you’ll then have a new problem to solve, and you’ll solve it by doing things you never dreamed of doing. Good luck with that!
Jardine Libaire (White Fur)
But Lucy liked to hear about the next territory, and the next one, even farther East. Those flat plains where water is abundant and green stretches in every direction. Where towns have shade trees and paved roads, houses of wood and glass. Where instead of wet and dry there are seasons with names like song: autumn, winter, summer, spring. Where stores carry cloth in every color, candy in every shape. Civilization holds the word civil in its heart and so Lucy imagines kids who dress nice and speak nicer, storekeepers who smile, doors held open instead of slammed, and everything—handkerchiefs, floors, words—clean. A new place, where two girls might be wholly unremarkable. In Lucy’s fondest dream, the one she doesn’t want to wake from, she braves no dragons and tigers. Finds no gold. She sees wonders from a distance, her face unnoticed in the crowd. When she walks down the long street that leads her home, no one pays her any mind at
C Pam Zhang (How Much of These Hills Is Gold)
My mother’s true appeal went beyond the clash of the beautiful trust fund darling as the arm candy of an overweight trailer salesman. Carl grew up in harsh, chaotic poverty. His escape was the alcoholism that was conceived during puberty and flourished throughout adulthood. His initial career was a diesel mechanic wearing faded coveralls with oil up his nails and sweat on his brow. His earliest homes were the dingy trailers he would later profit from. His first marriage was doused with benders, acid trips, and sex crazed parties packed with orgies with a first wife who’d lost track of number of dicks shoved down her throat in the midst of intoxication. I don’t know what sparked his revelation, but at some point, Carl decided to fiercely pursue the world he envied. He wanted a life of starched, white shirts, ties, SUVs, and picket fences. He ached for the scent of steaks grilling on his sunny patio. He dreamed of white-collar southern beauty and my mother, in all her naïve innocence, was the loveliest possession he could ever obtain.
Magda Young
The candy-colored pavillions and exhibit halls, fitted out with Saturn rings, lightning bolts, shark's fins, golden grilles and honeycombs, the Italian pavillion with its entire facade dissolving in a perpetual cascade of water, the gigantic cash register, the austere and sinuous temples of the Detroit gods, the fountains, the pylons and sundials, the statues of George Washington and Freedom of Speech and Truth Showing the Way to Freedom had been peeled, stripped, prized apart, knocked down, bulldozed into piles, loaded onto truck beds, dumped into barges, towed out past the mouth of the harbor, and sent to the bottom of the sea. It made him sad, not because he saw some instructive allegory or harsh sermon on the vanity of all human hopes and Utopian imaginings in this translation of a bright summer dream into an immense mud puddle freezing over at the end of a September afternoon - he was too young to have such inklings - but because he had so loved the Fair, and seeing it this way, he felt in his heart what he had known all along, that, like childhood, the Fair was over, and he would never be able to visit again.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
I’m sorry,” said the kitty. “I’ve wrecked your broomstick ride.” “No matter,” said Witch Mildred. “We’re here. Let’s go inside!” The clock atop the castle read twenty after eight, but the promised buffet table held only emptied plates! “No eye or newt? No sautéed slug? No pickleworm pate? No casserole of cockroach! No spiderweb soufflé! Those greedy gobbling goblins left zilch for us to eat.” Said the starving skeleton, “Why don’t we trick-or-treat?” They passed a lighted cottage, from which rose song and laughter. The mummy boldly rang the bell, All others traipsing after. The children squealed and giggled as they greeted their new guests, for of all the trick-or-treaters, these costumes were the best! The hostess asked the callers to join them at their party. “Check out this spread!” the mummy said. The hostess said, “Eat hearty.” “Taffy apples! Candy corn! Purple punch, ice-cold! My tongue’s not touched such tastiness since I was six years old!” In the corner of the kitchen Witch Mildred found a mop. “I think this will do nicely while my broom is in the shop.” “May I, please?” asked Mildred, and seated her new friends. With a loud “Thank you!” away they flew, in loopy swoops and bends. That night Witch Mildred dreamed of cakes and lemonade, but far more sweet than party treats were the friendships she had made!
Elizabeth Spurr (Halloween Sky Ride)
But most of all, where did this deeply complex sweetness come from?! It's far too nuanced to be solely brown sugar!" "Oh, the answer to that is in the flavoring I used." "Soy sauce?!" "Oh my gosh, she added soy sauce to a dessert?!" "I used it at the very end of the recipe. To make the whipped-cream filling, I used heavy cream, vanilla extract, light brown sugar and a dash of soy sauce. Once the cakes were baked, I spread the whipped cream on top, rolled them up and chilled them in the fridge for a few minutes. All of that made the brown sugar in the cake both taste and look even cuter than it did before." "Aah, I see. The concept is similar to that of salted caramels. Add salt to something sweet.. ... and by comparison the sweetness will stand out on the tongue even more strongly. She's created a new and unique dessert topping- Soy Sauce Whipped Cream!" "Soy sauce whipped cream, eh? I see! So that's how it works!" Since it isn't as refined as white sugar, brown sugar retains trace amounts of minerals, like iron and sodium. The unique layered flavor these minerals give to it matches beautifully with the salty body of soy sauce! "Without brown sugar as the main component, this exquisite deliciousness would not be possible!" "It tastes even yummier if you try some of the various fruits in between each bite of cake. The candy sculptures are totally edible too. If you break one up into crumbs and crunch on it while taking a bite of the cake, it's super yummy." How wonderfully surprising! Each and every bite... ... is an invitation to a land of dreams!
Yūto Tsukuda (食戟のソーマ 29 [Shokugeki no Souma 29] (Food Wars: Shokugeki no Soma, #29))
In the nineties…yes, we were ecstatic; there’s no way back to that naïveté. We thought that the choice had been made and that communism had been defeated forever. But it was only the beginning… Twenty years have gone by…“Don’t try to scare us with your socialism,” children tell their parents. From a conversation with a university professor: “At the end of the nineties, my students would laugh when I told them stories about the Soviet Union. They were sure that a new future awaited them. Now it’s a different story…Today’s students have truly seen and felt capitalism: the inequality, the poverty, the shameless wealth. They’ve witnessed the lives of their parents, who never got anything out of the plundering of our country. And they’re oriented toward radicalism. They dream of their own revolution, they wear red T-shirts with pictures of Lenin and Che Guevara.” There’s a new demand for everything Soviet. For the cult of Stalin. Half of the people between the ages of nineteen and thirty consider Stalin an “unrivaled political figure.” A new cult of Stalin, in a country where he murdered at least as many people as Hitler?! Everything Soviet is back in style. “Soviet-style cafés” with Soviet names and Soviet dishes. “Soviet” candy and “Soviet” salami, their taste and smell all too familiar from childhood. And of course, “Soviet” vodka. There are dozens of Soviet-themed TV shows, scores of websites devoted to Soviet nostalgia. You can visit Stalin’s camps—Solovki, Magadan—as a tourist. The advertisements promise that for the full effect, they’ll give you a camp uniform and a pickaxe. They’ll show you the newly restored barracks. Afterward, there will be fishing…
Svetlana Alexievich (Secondhand Time: The Last of the Soviets)
Legacy items. That’s the term we used to describe these golden moments. Sometimes we even knew what it meant. Taking out bin Laden was a legacy item. So was rescuing the auto industry, bringing troops home from Iraq and Afghanistan, or repealing “Don’t Ask, Don’t Tell.” But just as often, we imagined our legacy with the starry eyes of a hobo describing the Big Rock Candy Mountain. We dreamed of a distant utopia, a sunny political paradise, where the credit flows like a waterfall and approvals stay sky-high. We weren’t there yet. With twenty months to go until POTUS left office, our place in history was far from certain. But inside the building, something had undoubtedly changed. President Obama’s jaunty, let’s-go-for-it attitude was infectious. We no longer felt like turtles in our shells. Our growing confidence was matched by growing competence as well. That’s not to disparage the early days: as White Houses go, Obama’s functioned fairly smoothly from the start. Still, the longer POTUS ran the institution, the more we learned from our mistakes. After the Healthcare.gov disaster, we began “red-teaming” a growing number of big decisions, assigning designated cynics to guard against undiluted hope. Confronted with its lack of diversity, Obamaworld gradually became a place where rooms full of white guys were the exception and not the rule. Baby steps, I know. But these baby steps made us a unicorn among bureaucracies—we improved over time. Somewhat to my astonishment, so did I. At the risk of sounding boastful, I had now gone two full years without angering a sovereign nation. Even better, the White House finally felt like home. There was no one moment when the transformation happened. I didn’t burst forth from a cocoon. It was more like learning a language. You study, you practice, you embarrass yourself. And then one day someone cuts you off in traffic and you call them a motherfucker in perfect Portuguese. Whoa, you think. I guess I’m learning.
David Litt (Thanks, Obama: My Hopey, Changey White House Years)
Go crazy. Dig deep into your madness. Dance around like a lunatic. Grab handfuls of stars and eat them like candy. Live. Dream. WRITE.
Ksenia Anske (Blue Sparrow: Tweets on Writing, Reading, and Other Creative Nonsense)
My name is Charlie Chucky, I am in the sixth grade, I love playing Minecraft, and I am learning to become a Super Spy. My Dad is the world’s best Super Spy, and he is starting to teach me all his tricks. Lately, I’ve been battling invisible giants, crazy zombie teachers, and super ninjas! Life has been pretty crazy, and I’ve enjoyed every second of it. My best friend Harley is different to me. He doesn’t want to become a Super Spy. He doesn’t want to battle bad guys and save the world each week. Nope. He wants to sit indoors and stare at numbers all day. Harley’s dream is to become the world’s greatest math professor. He loves school, he loves studying, and he absolutely loves math tests.  He goes mad for them. It is the one thing he is really good at. He just loves numbers.  Numbers are like candy for him – he can’t get enough of it. He even asked Mrs. Jackson for extra math homework last night. Mrs. Jackson then decided to give the whole class extra math homework. Let’s just say Harley wasn’t that popular after school.  This is Harley. Mrs. Jackson always says that someday math will save our lives, but I can’t see how it will. Maybe one day, four giant numbers will attack our school, and I will defeat them using an algebra equation… or maybe the numbers in my textbook will go bad, and start attacking all the words on the pages, and I will stop them using a calculator!
Peter Patrick (Middle School Super Spy: Space! (Diary Of A Super Spy Book 4))
Masters are under no cosmic compulsion to limit their residence.” My companion glanced at me quizzically. “The Himalayas in India and Tibet have no monopoly on saints. What one does not trouble to find within will not be discovered by transporting the body hither and yon. As soon as the devotee is willing to go even to the ends of the earth for spiritual enlightenment, his guru appears nearby.” I silently agreed, recalling my prayer in the Benares hermitage, followed by the meeting with Sri Yukteswar in a crowded lane. “Are you able to have a little room where you can close the door and be alone?” “Yes.” I reflected that this saint descended from the general to the particular with disconcerting speed. “That is your cave.” The yogi bestowed on me a gaze of illumination which I have never forgotten. “That is your sacred mountain. That is where you will find the kingdom of God.” His simple words instantaneously banished my life-long obsession for the Himalayas. In a burning paddy field I awoke from the monticolous dreams of eternal snows. “Young sir, your divine thirst is laudable. I feel great love for you.” Ram Gopal took my hand and led me to a quaint hamlet. The adobe houses were covered with coconut leaves and adorned with rustic entrances. The saint seated me on the umbrageous bamboo platform of his small cottage. After giving me sweetened lime juice and a piece of rock candy, he entered his patio and assumed the lotus posture. In about four hours, I opened my meditative eyes and saw that the moonlit figure of the yogi was still motionless. As I was sternly reminding my stomach that man does not live by bread alone, Ram Gopal approached me. “I see you are famished; food will be ready soon.” A fire was kindled under a clay oven on the patio; rice and dal were quickly served on large banana leaves. My host courteously refused my aid in all cooking chores. ‘The guest is God,’ a Hindu proverb, has commanded devout observance from time immemorial. In my later world travels, I was charmed to see that a similar respect for visitors is manifested in rural sections of many countries. The city dweller finds the keen edge of hospitality blunted by superabundance of strange faces.
Paramahansa Yogananda (The Autobiography of a Yogi ("Popular Life Stories"))
Wait. Didn’t you say Simon was in his underwear?” “Yeah. Christmas green boxers with an explosion of red and white candy canes. So?” “So there you go, the audience was just as naked as you were. Problem solved.
Gina Salamon (Dream A Wicked Dream)
The diner’s candy-apple-red jukebox, recently named Gina after songstress Regina Belle,
Beverly Jenkins (Chasing Down a Dream (Blessings #8))
It had been rose candy day in the Waverley house, the scent still permeating the air, even though the kitchen was closed for the evening. It smelled as if there were a garden hidden in the walls somewhere. The back labels on all the rose candy jars read: 'Rose essence is for memory of long ago first loves, have a taste and you will see the one you once dreamed of.
Sarah Addison Allen (First Frost (Waverley Family, #2))
The first door she opened was carved with a picture of a pastry goblin tossing sweets. The room on the other side was even more delightful, decorated with apothecary jars full of colourful candies. The pillows on the bed all looked like sweets as well- wrapped taffy, gumdrops, and fluffy marshmallows. It felt tempting to lie down, just for a minute. She could almost hear the bed say If you sleep here, your dreams will be sweet, too.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
Your lack of espionage training is what makes your record clean and neutral. You are an ordinary person undertaking an extraordinary task. You need not be remarkable for your skills, only for your bravery and equilibrium. Knowing that you are one of hundreds should not diminish you. In the new heroism, the goal is to merge with something larger than yourself. In the new heroism, the goal is to throw off the scourge of self-involvement. In the new heroism, the goal is to renounce the modern fixation with being seen and recognized. In the new heroism, the goal is to dig beneath your shiny persona. You’ll be surprised by what lies underneath: a rich, deep crawl space of possibility. Some liken this discovery to a dream in which a familiar home acquires new wings and rooms. The power of individual magnetism is nothing against the power of combined selfless effort.
Jennifer Egan (The Candy House)
But recently I'd been crafting some truly surprising and yummy combinations---elderflower limeade with clover blossoms, coconut water with rose syrup and candied rose petals, a strawberry-basil concoction sprinkled with marigold petals. I loved dreaming up unique combinations and then creating them. A few ingredients and a wooden stick. It was simple, local, and environmentally friendly. Not to mention delicious.
Rachel Linden (The Magic of Lemon Drop Pie)
I been working for Cabe Delgado for seven years. When I walked my ass into this place to interview for the job, I thought I’d died and gone to heaven. Hot guys everywhere. So much fine ass, shit! I woulda worked here for nothin’. First day, thirty minutes in, these boys, they became a pain in my ass. Sortin’ their shit out is like herdin’ cats. Luckily, eye candy provides job satisfaction, if it didn’t, I’d have gone to the supply cabinet and got myself a baton and wailed on some commando ass long before now.
Kristen Ashley (Mystery Man (Dream Man, #1))
Budget Amnesia - Travel-deprived to the point that once you finally do travel, you spend as if the bill will never come in - like the kid who eats all the Halloween candy in one sitting.
Russell Hannon (Stop Dreaming Start Traveling: The Ultimate Guide to Traveling More and Spending Less - Revised & Updated)
Three windows, three faces. And the first face: the moon-face of Toby Dance. The first window, the parlor window of that solid frame house and the Christmas-dreaming, bright-eye gleaming face of five year old Toby Dance who, no more than a twinkling instant before, has sent a tissue paper letter up the roaring red throat of the parlor chimney; a prayerful inventory of certain wonders he should like to find beneath the enchanted tree next morning. And now he watches from the window all the capricious white wizardry of snow and the swathed, candied hills beyond the river and the Chinese Elm in the backyard now lofty and up-thrust against the pearled sky like a black, ermined dancer, and Toby sighs and sees his breath suddenly being upon the icy window pane and that printed breath is a faith that already ancient, faery legions of the Ice King are bearing his letter high and away for the right eyes to read.
Davis Grubb (A Tree Full of Stars)
Who You Love” The life you always thought you wanted before you knew any different. The sea change you didn’t see coming, the sweeping vistas and cotton candy sunsets. The meeting point between how you imagined it would be and how it has transpired. The willingness to take a chance on something that could take you somewhere new. The dream you chose to give up on, or the one that you were coaxed into following. Who you love and who loves you back determines so much in your life.
Lang Leav, Sea of Strangers
I left Candy Cane Key to work in the fire department, saving strangers. When I couldn’t be bothered to help a girl, I dreamed of each night.
L.M. Fox (Hot Chicken)
There were swirls and whirls in my head, a whole dream world of candy canes and chocolate dipping fountains bursting to life before my eyes. The Grim Reaper was there, floating along a peppermint brick road, tending to flowers which bloomed with petals made of sugar and cherries. Skeletons were hanging from a tree made of marshmallows, their feet kicking in an eternal jig while a squirrel peeped at me from the Coco Pop branches. No! Get out of here you peeping motherfucker of a-
Caroline Peckham (Society of Psychos (Dead Men Walking, #2))
I thought about a game we loved to play called The Heavenly City. All the kids would design our mansions in Heaven, the ultimate reward we were told we'd be granted in exchange for all the deprivations and pain during our lives on Earth. Different kids had different dreams: Many wanted a house all to themselves, all the food they could imagine. And typical kid desires too: pets, toys, candy. All the things we never had. But not me. I didn't care about streets of gold or all the clothes in the world, or the real jewelry that Dorothea and the other girls fancied. I wanted books. I had a secret dream that my mansion in Heaven would be a giant library, beautiful, with tall shelves in every room, filled with every book that had ever been written. I pictured myself like the cartoon Belle, a sparkling girl with a worldly name that didn't come from anywhere in the Bible and meant beautiful, who'd been gifted the most precious thing I could imagine- the freedom to read, the ability to teach herself anything she wanted. Even though she was a prisoner in the Beast's castle, Belle had the freedom of her own mind.
Daniella Mestyanek Young (Uncultured: A Memoir)
Bucket list,” Julie said in session as we tried to envision her Holland. “It’s such a funny term, isn’t it?” I had to agree. What do we want to do before we kick the bucket? Often people think about bucket lists when somebody close to them dies. That’s what happened for Candy Chang, an artist who, in 2009, created a space on a public wall in New Orleans with the prompt Before I die _____. Within days the wall was completely filled. People wrote things like Before I die, I want to straddle the international dateline. Before I die, I want to sing for millions. Before I die, I want to be completely myself. Soon the idea spawned over a thousand such walls all over the world: Before I die, I would like to have a relationship with my sister. Be a great dad. Go skydiving. Make a difference in someone’s life. I don’t know if people followed through, but based on what I’ve seen in my office, a good number may have had momentary awakenings, done a little soul-searching, added more to their lists—and then neglected to tick things off. People tend to dream without doing, death remaining theoretical.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
You don’t smell like sex and candy to me. You smell like every dream I’ve ever had. Every hope, every secret wish. You’re the missing piece of my life, Phae, and I’m not letting anything happen to you.
Susan Hayes (No Limit (The Drift, #5))
But, Anne, a broken heart in real life isn’t half as dreadful as it is in books. It’s a good deal like a bad tooth … though you won’t think that a very romantic simile. It takes spells of aching and gives you a sleepless night now and then, but between times it lets you enjoy life and dreams and echoes and peanut-candy as if there were nothing the matter with it.
Lucy Maud Montgomery (Anne Of Avonlea)
I take a deep breath. I can do this. It won’t be like when I tried confessing to Raymond at last year’s school fair and got caught in the cotton candy machine’s vicious pink web. Or, like freshman year, when I gave Toby a valentine that caught on fire for no reason at all. I might always forget exactly what the boy I dream about every night looks like the moment I wake up, but this time is different.
C.J. Aralore (Gravity’s Fire)
No question, prowling the Russian steppe for wolf meat and potato vodka takes a certain amount of admirable grit. Far more frightening to me, though, is the prospect of exploring the comely mermaid fantasy of Ariel’s Grotto inside the walls of a twenty-six-square-mile temple of consumerism dedicated to celebrating synthetic American culture at its overcrowded, fake-dreams, corndog-and-cotton-candy-inhaling worst, pushing a CEO-manufactured, ultraconformist mass “fantasy” presented fait accompli to American children. If it turns out there’s more horror to shrink from in Disney World than in Africa, I for one won’t be all that surprised.
Chuck Thompson (To Hellholes and Back: Bribes, Lies, and the Art of Extreme Tourism)
It is never fun to feel the reins being pulled from our hands, sometimes snatched from them. But sometimes it is necessary, and the stark contrast between what we dream and what God dreams becomes vividly clear: We are a poor substitute for God. We are not in control. (Does this thought absolutely scare anyone else?) And in the midst of our subconscious quest for control, the broken justice system of our minds sometimes manifests itself in the form of ultimatums. It’s almost foolish to think, but we place faith ultimatums on God quite often as a way of exerting our skewed justice and false control, all the while maintaining the mirage of omniscience.
Candi Pearson-Shelton (Desperate Hope: When Faith in God Overcame My Despair)
At The Hop" Put me in your suitcase Let me help you pack 'Cause you're never coming back No, you're never coming back Cook me in your breakfast And put me on your plate 'Cause you know I taste great Yeah, you know I taste great At the hop, it's greaseball heaven With candy pants and Archie too Put me in your dry dream Or put me in your wet If you haven't yet No, if you haven't yet Light me with your candle And watch the flames grow high No, it doesn't hurt to try It doesn't hurt to try Well, I won't stop all of my pretending That you'll come home You'll be coming home someday soon Put me in your blue skies Or put me in your grey There's gotta be some way There's gotta be some way Put me in your tongue tie Make it hard to say That you ain't gonna stay That you ain't gonna stay Wrap me in your marrow Stuff me in your bones Sing a mending moan A song to bring you home
Devendra Banhart
Set foot in his classroom, and you’ll see that he hasn’t quite given up on these dreams. True to his compulsive nature and eclectic taste, he punctuates his courses with entertaining routines to keep his students engaged, playing four songs at the start of each class and tossing candy bars to the first students who shout out the correct answers to music trivia. This is how a poster of a rapper ended up on his wall. “If you want to engage your audience, if you really want to grab their attention, you have to know the world they live in, the music they listen to, the movies they watch,” he explains. “To most of these kids, accounting is like a root canal. But when they hear me quote Usher or Cee Lo Green, they say to themselves, ‘Whoa, did that fat old white-haired guy just say what I thought he said?’ And then you’ve got ’em.
Adam M. Grant (Give and Take: Why Helping Others Drives Our Success)
Your love is my candy, and I wouldn’t dream of trying to give it away to strange children.
Jarod Kintz (This Book is Not for Sale)
I had the dream again. I was leaning in the back corner of the elevator in my building looking down at the bundle of keys in my hand. Below my hand were the blurred outlines of my black leather lace-up boots and my frayed black jeans. There was ink all over my legs from the screen-printers in my shop. There was ink on the skin beneath the rips at my knee and my thigh where the rough edge of my work table had worn through... The detail was vivid, but there was an ethereal sparkle to everything around the edges. The periphery washed out of focus as if I was looking through a narrow lens... Then the elevator stopped and the door opened. A woman climbed on board. Her face was concealed behind large sunglasses. The realism of the dream became unsteady and I lost grip. The images became fleeting close-ups, stills, and sensations. She was looking at me and my heart began to race... A part of me worried that I was drunk and about to make an embarrassing pass at some poor woman from my building. But when I reached for her, she reached for me too... She pulled my hand down and then the elevator began to plummet. I realized I didn’t have much time. I was surrounded by her scent and warmth... I was so overwhelmed with the sensuality of everything that I lost myself in her... Then I watched her eyes fade into the blackness of my apartment as I woke up.
Giselle Fox (Rock Candy)
I adjusted my pajama pants; glow in the dark moons with mice chewing on them.  My mom had given them to me for Easter and yes, at twenty-eight, I still got an Easter basket.  That said, the candy had been eaten mostly by her, I had mainly wanted the pajamas.
Hadena James (Battered Dreams (Dreams and Reality #8))
The truck pulled away. When the girl finally opened her eyes, the strange man was looking down at her. She trembled under his gaze, praying that none of this day had ever happened and she was really only dreaming. Why had she walked so far from home? Walking and walking until she couldn’t have found her way back, even if she tried? Why hadn’t she brought any candy with her? And why did she have to wear these shoes? Why was any of this happening?
Leigh Winterstine (Caught in a Stilled Flame)
Swimming in bewilderment, Fiona somehow managed to remain relatively calm while the man who'd starred in her dreams for months sat beside her on the sofa. Relatively calm - in her dictionary - loosely translated to not drooling or humiliating herself.
Candis Terry (Sweet Surprise (Sweet, Texas, #4))
Their hair in curlers and their heads wrapped in loud scarves, young mothers, fattish in trousers, lounge about in the speedwash, smoking cigarettes, eating candy, drinking pop, thumbing magazines, and screaming at their children above the whir and rumble of the machines. At the bank a young man freshly pressed is letting himself in with a key. Along the street, delicately teetering, many grandfathers move in a dream. During the murderous heat of the summer, they perch on window ledges, their feet dangling just inside the narrow shelf of shade the store has made, staring steadily into the street. Where their consciousness has gone I can’t say. It’s not in the eyes. Perhaps it’s diffuse, all temperature and skin, like an infant’s, though more mild. Near the corner there are several large overalled men employed in standing. A truck turns to be weighed on the scales at the Feed and Grain. Images drift on the drugstore window. The wind has blown the smell of cattle into town. Our eyes have been driven in like the eyes of the old men. And there’s no one to have mercy on us.
William H. Gass
He could make a new life here. There might be bags of cotton candy and pretzels. Those things never go bad. Though a life lived on stale pretzels seems like a pretty steep sentence for crimes of the heart.
Addison Lane (Blackpines: The Antlers Witch: The Light in Her Dreams)
Sometimes when I sleep the girls play like old seventies home movies in my head, flickering and jerky, saturated with color that always look slightly artificial – –twirling through that insurance office, taking candy off the old ladies' desks as they titter and pretend not to notice. Rebecca is such a scamp. –double-bouncing on the trampoline. A girl's laughter. Not mine. Do it again! Do it again, I beg. Sure thing, Sammy! –the unforgiving press of the pew against my back, my head bent in prayer. Pastor Elijah tugs the sleeve of my sweater down to cover the bruises. Keep sweet, Haley. –the stifling air in Joseph's house. How my skin prickles when I step inside the first time. Don't you want to be a good girl, Katie? –the sand under my bare feet. The knife in my hand. Raymond's body feet away. The plan to get me out depends on it. What are you capable of, Ashley?
Tess Sharpe (The Girl in Question)
SHADOW ARTISTS ONE OF OUR CHIEF needs as creative beings is support. Unfortunately, this can be hard to come by. Ideally, we would be nurtured and encouraged first by our nuclear family and then by ever-widening circles of friends, teachers, well-wishers. As young artists, we need and want to be acknowledged for our attempts and efforts as well as for our achievements and triumphs. Unfortunately, many artists never receive this critical early encouragement. As a result, they may not know they are artists at all. Parents seldom respond, “Try it and see what happens” to artistic urges issuing from their offspring. They offer cautionary advice where support might be more to the point. Timid young artists, adding parental fears to their own, often give up their sunny dreams of artistic careers, settling into the twilight world of could-have-beens and regrets. There, caught between the dream of action and the fear of failure, shadow artists are born. I am thinking here of Edwin, a miserable millionaire trader whose joy in life comes from his art collection. Strongly gifted in the visual arts, he was urged as a child to go into finance. His father bought him a seat on the stock exchange for his twenty-first birthday. He has been a trader ever since. Now in his mid-thirties, he is very rich and very poor. Money cannot buy him creative fulfillment. Surrounding himself with artists and artifacts, he is like the kid with his nose pressed to the candy-store window. He would love to be more creative but believes that is the prerogative of others, nothing he can aspire to for himself. A generous man, he recently gifted an artist with a year’s living expenses so she could pursue her dreams. Raised to believe that the term artist could not apply to him, he cannot make that same gift for himself.
Julia Cameron (The Artist's Way: A Spiritual Path to Higher Creativity)
Dreams are like cotton candy: they just melt away.
Stephen King (You Like It Darker: Stories)
But, Anne, a broken heart in real life isn’t half as dreadful as it is in books. It’s a good deal like a bad tooth . . . though you won’t think that a very romantic simile. It takes spells of aching and gives you a sleepless night now and then, but between times it lets you enjoy life and dreams and echoes and peanut candy as if there were nothing the matter with it. And
L.M. Montgomery (Anne of Avonlea (Union Square Kids Unabridged Classics))
I don’t want to get to the end of my life and look back and realize that the best thing about me was I was organized. That I executed well, that I ran a tight ship, that I never missed a detail. I want to look back and remember all the times I threw candy, even when it didn’t make sense. Especially when it didn’t make sense. I know how hard it is to juggle everything. I’m right in it, with little kids and a full-time job and dreams for the future and regrets about the past. And that’s why I’m throwing candy every chance I get.
Shauna Niequist (Present Over Perfect: Leaving Behind Frantic for a Simpler, More Soulful Way of Living)
Sometimes the second chance is better than the first time ever dreamed of being.
Jiffy Kate (Eye Candy (Fighting for Love #3))
Alfred began, on occasion, to scream in public: on the L train; in Times Square; at Whole Foods; at the Whitney. He can recall, with remarkable clarity (for someone who was screaming), the tableaux of chaotic reaction that followed, although these descriptions are curiously inert for the listener, like hearing someone recount a dream. The exception is Duane Reade on Union Square, because of what happened after: Escorted brusquely from the store by two security guards, Alfred encountered a girl whose look of rapt curiosity had stood out among the panicked shoppers inside. Now she leaned against a wall, apparently waiting for him. “What were you doing in there?” she asked, the very question thrilling Alfred. Most people would have said he’d been screaming, but Kristen had seen beyond that. Over latkes and hot apple tea at Veselka, Alfred explained his screaming project.
Jennifer Egan (The Candy House)
But maybe cotton candy dreams show a person where the bones of real dreams may lie. Maybe
Amy Lane (String Boys)
She prefers having dreams of the future to using up her dreams here and now. On one of the rare occasions she was invited to a children’s birthday party and given candy, she saved it for years. Until a white coating appeared on the sweets, and Mamma said that they had to be thrown away. This made Rakel so upset that she cried.
Klara Hveberg (Lean Your Loneliness Slowly Against Mine)
He tipped back his head to look at the sky, its torn beauty rinsed and salved by fog, and imagined he was seeing their opioid dreams rising into heaven.
Jennifer Egan (The Candy House)
I pluck the package of yuzu gummies from Eriku's palm and pop one in my mouth. "Umai!" I moan. "Now I know where all your energy comes from." I am fueled by sugar and love. The rest of the afternoon, I eat yuzu gummies, and by the end of our session, I know the ins and outs of ionic, metallic, and covalent bonds. After that, he brings a new sweet every day. "It will help with your memory," he asserts. "Scents and flavors create specialized neurological pathways." He flips open a textbook. "Today is Tokyo Banana and intermolecular force." It goes on. Meito Cola Mochi Candy paired with changes of substances. Hokkaido melon with mascarpone-cheese-flavored Kit Kats and inorganic chemistry. We finish with Eiwa coffee-flavored marshmallows and organic chemistry.
Emiko Jean (Tokyo Dreaming (Tokyo Ever After, #2))
Seven Devils” by Florence + The Machine “Paint it, Black” by Ciara “Monsters” by Ruelle “One Way or Another” by Until The Ribbon Breaks “Paranoid” by Post Malone “Royals” by Lorde “So Thick” by Whipped Cream featuring Baby Goth “Sweet But Psycho” by Parker Jenkins “My Blood” by Twenty One Pilots “Candy” by Guccihighwaters “Birthday Cake” by Rihanna “Horns” by Bryce Fox “No One” by Mothica “All The Time” by Jeremih, Lil Wayne and Natasha Mosley “I Wanna Be Yours” by Arctic Monkeys “Monster” by Meg Myers “Soldier” by Fleurie “Fuck It I Love You” by Lana Del Rey “Kill Our Way to Heaven” by Michl “Sweet Dreams” by Emily Browning “Everybody Wants to Rule The World” by Lorde
Ivy Fox (See No Evil (The Society, #1))
Crash Into Me" You've got your ball You've got your chain Tied to me tight tie me up again Who's got their claws In you my friend Into your heart I'll beat again Sweet like candy to my soul Sweet you rock And sweet you roll Lost for you I'm so lost for you Oh, when you come crash into me And I come into you And I come into you In a boy's dream In a boy's dream Touch your lips just so I know In your eyes, love, it glows so I'm bare-boned and crazy for you Oh, when you come crash into me, baby And I come into you In a boy's dream In a boy's dream If I've gone overboard Then I'm begging you to forgive me Oh, in my haste When I'm holding you so, girl Close to me Oh, and you come crash into me, baby And I come into you Oh, hike up your skirt a little more You show the world to me Hike up your skirt a little more You show your world to me In a boy's dream In a boy's dream Oh, I watch you there Through the window and I stare At you wear nothing But you wear it so well Tied up and twisted The way I'd like to be For you, for me Come crash into me, baby Come crash into me, yeah Crash into me Crash into me Crash into me Crash into me Oh, you know I'm the king of the castle You're the dirty rascal Crash into me Please, crash into me I see the wave coming crash into me See the wave coming crash into me Crash into me Dave Matthews Band, Crash (1996)
Dave Matthews Band (Dave Matthews Band - Crash)
He managed to find some mango varieties on the outskirts of Manila that he thought people might appreciate in Florida. His instinct turned out to be sharp when the carabao mango, as sweet as candy and not too fibrous, became known as the "champagne mango" in warm states that could grow it. Its slender body and buttery flesh shocked American taste buds that had never tasted anything so saccharine aside from pure sugar. The mango left such an impression on growers and breeders that its genes found their way into almost every American mango variety for the next century, the stuff of plant breeding dreams.
Daniel Stone (The Food Explorer: The True Adventures of the Globe-Trotting Botanist Who Transformed What America Eats)
A broken heart in real life isn't half as dreadful as it is in books. It's a good deal like a bad tooth…It takes spells of aching and gives you a sleepless night now and then, but between times, it lets you enjoy life, and dreams, and echoes, and peanut candy as if there were nothing the matter with it
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))