Cancel Monday Quotes

Don't equate activity with efficiency. You are paying your key people to see the big picture. Don't let them get bogged down in a lot of meaningless meetings and paper shuffling. Announce a Friday afternoon off once in a while. Cancel a Monday morning meeting or two. Tell the cast of characters you'd like them to spend the amount of time normally spent preparing for attending the meeting at their desks, simply thinking about an original idea.

The way he hated Sundays because they were always followed by a Monday, and a job that you hate will always destroy a Sunday.

Looks like they might cancel school on Monday. Woot! Information like this coming from Lucy is generally pretty reliable, since she happens to live right next door to Mrs. Crawford, the principal of Magnolia Branch High. Yay, I can sit home and watch more Weather Channel! I text back. This is an intervention--step away from the TV! NOW! I laugh aloud at that. It’s such a typical Lucy-like thing to say. My mom’s worried about you. Wants you to pack up and come over here. Can’t. But Ryder’s coming over if the storm gets bad. Lucy’s next text is just a line of googly eyes. Not funny, I type, even though it kind of us. You two can plan your wedding menu. Choose your linens. Stuff like that, she texts, followed by a smiley face. I gaze at my phone with a frown. Also not funny.

THE PARTY And at last the police are at the front door, summoned by a neighbor because of the noise, two large cops asking Peter, who had signed the rental agreement, to end the party. Our peace can’t be disturbed, one of the officers states. But when we receive a complaint we act on it. The police on the front stoop wear as their shoulder patch an artist’s palette, since the town likes to think of itself as an art colony, and indeed, Pacific Coast Highway two blocks inland, which serves as the main north-south street, is lined with commercial galleries featuring paintings of the surf by moonlight —like this night, but without anybody on the sand and with a bigger moon. And now Dennis, as at every party once the police arrive at the door, moves through the dancers, the drinkers, the talkers, to confront the uniforms and guns, to object, he says, to their attempt to stop people harmlessly enjoying themselves, and to argue it isn’t even 1 a.m. Then Stuart, as usual, pushes his way to the discussion happening at the door and in his drunken manner tries to justify to the cops Dennis’ attitude, believing he can explain things better to authority, which of course annoys Dennis, and soon those two are disputing with each other, tonight exasperating Peter, whose sole aim is to get the officers to leave before they are provoked enough to demand to enter to check ID or something, and maybe smell the pot and somebody ends up arrested with word getting back to the landlord and having the lease or whatever Peter had signed cancelled, and all staying here evicted. The Stones, or Janis, are on the stereo now, as the police stand firm like time, like death—You have to shut it down—as the dancing inside continues, the dancers forgetting for a moment a low mark on a quiz, or their draft status, or a paper due Monday, or how to end the war in Asia, or some of their poems rejected by a magazine, or the situation in Watts or of Chavez’s farmworkers, or that they wish they had asked Erin rather than Joan to dance. That dancing, that music, the party, even after the cops leave with their warning Don’t make us come back continues, the dancing has lasted for years, decades, across a new century, through the fear of nuclear obliteration, the great fires, fierce rain, Main Beach and Forest Avenue flooded, war after war, love after love, that dancing goes on, the dancing, the party, the night, the dancing

While the phone was handy, I also called Wendy and got her mother again. She said that Wendy had a sore throat and couldn’t talk. I wasn’t about to quit that easily. “Can she listen?” I asked. “I’ll do the talking, and she can tap once for yes and twice for no.” Mrs. Westfall laughed. “I’m serious. Can she do that?” “Only for a minute. I’ll get her.” The next thing I heard was a whispered, “Hi.” “No talking,” Mrs. Westfall called out. “Hi, Wendy. Did your mom tell you the code? One tap for yes, two for no, three if you’re being held prisoner against your will.” Three quick taps from her. “That’s what I figured. Well, you haven’t missed much at school. Same old stuff. Somebody tried to assassinate Mr. Crowell, but he was wearing a bulletproof vest. And then when the cops came, they found marijuana growing in the teacher’s lounge. But all the evidence was destroyed in the fire. I guess you heard that the whole junior class was trapped in the auditorium and got wiped out. All except for Delbert Markusson. He was out in the parking lot, sneaking a smoke. So Delbert’s now junior class president. He’s also vice-president and secretary. He says the junior prom may be canceled, or he may have it over at his house—if he can find a date.” “Wind it up,” Mrs. Westfall said. “Are you going to be back tomorrow?” Two taps. “How about Monday?” One loud tap. “I’m going to San Francisco this weekend. Shall I send you a postcard?” Tap. “I’ll see you on Monday.” She tapped, then hung up. “Are you in love with Eddie Carter?” I said into the dead phone. I gave the receiver a loud slap.

Opening the diary to this week, I just stare at the entries before reading them out. “Monday – meetings, interview, Tuesday – Meetings – all except one cancelled, Wednesday – meetings, Thursday – maybe meetings – Friday – books, Saturday Something is on, but I can't remember what. Sunday Closed.

The beginning of the end came in 1947, when ABC vice president Ed Boroff canceled the quarter-hour format. Boroff had been critical of juvenile cliffhangers for some time, and one particular Armstrong episode contained all the elements he had long disdained. Jack had bailed out of an airplane wearing a suit of armor and a parachute. The chute didn’t open, but wait!—there was a backup chute! When the second chute failed, there was Jack, encased in steel, plummeting to earth late one Friday afternoon, leaving his fans in the lurch until Monday. It was too much, Boroff decided: the serial had to go. Two weeks later, Jack Armstrong became a watered-down half-hour. It was never the same after that. Gone was the breathless pace, the sense of wonder.