Can You Edit Quotes

When you stop expecting people to be perfect, you can like them for who they are.

Put down everything that comes into your head and then you're a writer. But an author is one who can judge his own stuff's worth, without pity, and destroy most of it." (Casual Chance, 1964)

We're all born with selfish desires, so we can all relate to those feelings in others. But kindness is something made individually by each person...so it's easy to misunderstand when others are trying to be kind to you.

You can't edit a blank page

And once you live a good story, you get a taste for a kind of meaning in life, and you can't go back to being normal; you can't go back to meaningless scenes stitched together by the forgettable thread of wasted time.

You can't edit a blank page

The mind self-edits. The mind airbrushes. It's a different thing to be inside a body than outside. From outside, you can look, inspect, compare. From inside there is no comparison.

Be silent and listen: have you recognized your madness and do you admit it? Have you noticed that all your foundations are completely mired in madness? Do you not want to recognize your madness and welcome it in a friendly manner? You wanted to accept everything. So accept madness too. Let the light of your madness shine, and it will suddenly dawn on you. Madness is not to be despised and not to be feared, but instead you should give it life...If you want to find paths, you should also not spurn madness, since it makes up such a great part of your nature...Be glad that you can recognize it, for you will thus avoid becoming its victim. Madness is a special form of the spirit and clings to all teachings and philosophies, but even more to daily life, since life itself is full of craziness and at bottom utterly illogical. Man strives toward reason only so that he can make rules for himself. Life itself has no rules. That is its mystery and its unknown law. What you call knowledge is an attempt to impose something comprehensible on life.

You can always edit a bad page. You can't edit a blank page.

Tigerkit was nagging his mother. "Why can't I go out?" "You've just come in." "But it's a sunny day." "You need a nap." "I'm not tired." "You will be later." "I'll sleep then." "But you'll be grumpy all afternoon if you don't nap now." "No, I won't." "Yes, you will.

The only thing that can hurt me is being apart from you.

Springsteen is the king, don't you think? I was like, hell yeah, that guy can sing.

In a real sense all life is inter-related. All men are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly, affects all indirectly. I can never be what I ought to be until you are what you ought to be, and you can never be what you ought to be until I am what I ought to be... This is the inter-related structure of reality.

...you cannot eat every tadpole and frog in the pond, but you can eat the biggest and ugliest one, and that will be enough, at least for the time being.

The worst thing you can do is censor yourself as the pencil hits the paper. You must not edit until you get it all on paper. If you can put everything down, stream-of-consciousness, you'll do yourself a service.

When something happens to you, you have two choices in how to deal with it. You can either get bitter, or get better.

Chills run down my spine as our fingers intwine And your sighs harmonize with mine Unmistakably I can still feel your heart Beat fast when you dance with me.

Chance or accident is not responsible for the things that happen to you, nor is predestined fate the author of your fortune or misfortune. Your subconscious impressions determine the conditions of your world. The subconscious is not selective; it is impersonal and no respecter of persons. The subconscious is not concerned with the truth or falsity of your feeling. It always accepts as true that which you feel to be true. Feeling is the assent of the subconscious to the truth of that which is declared to be true. Because of this quality of the subconscious there is nothing impossible to man. Whatever the mind of man can conceive and feel as true, the subconscious can and must objectify. Your feelings create the pattern from which your world is fashioned, and a change of feeling is a change of pattern.

Over the long run, however, the real reason you fail to stick with habits is that your self-image gets in the way. This is why you can't get too attached to one version of your identity. Progress requires unlearning. Becoming the best version of yourself requires you to continuously edit your beliefs, and to upgrade and expand your identity.

I didn’t feel like buying him the jacket he asked for for Christmas, so I just got him a coat hanger with a sticky note attached that read, “Here’s something for you to hang your dreams on, pal.

Don't bend; don't water it down; don't try to make it logical; don't edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly. Only if you do that can you hope to make the reader feel every particle of what you, the writer, have known and feel compelled to share."---Forward to Kafka's Short stories

Perfectionism means that you try desperately not to leave so much mess to clean up. But clutter and mess show us that life is being lived. Clutter is wonderfully fertile ground - you can still discover new treasures under all those piles, clean things up, edit things out, fix things, get a grip. Tidiness suggests that something is as good as it's going to get. Tidiness makes me think of held breath, of suspended animation, while writing needs to breathe and move.

When Roseanne read the first script of mine that got into her hands without being edited by someone else she said, 'How can you write a middle-aged woman this well?' I said, 'If you met my mom you wouldn't ask'.

Try to see the past as a room separate from the one you live in now. You can go in there, but you don’t live there anymore.

Take from my palms, to soothe your heart, a little honey, a little sun, in obedience to Persephone's bees. You can't untie a boat that was never moored, nor hear a shadow in its furs, nor move through thick life without fear. For us, all that's left is kisses tattered as the little bees that die when they leave the hive. Deep in the transparent night they're still humming, at home in the dark wood on the mountain, in the mint and lungwort and the past. But lay to your heart my rough gift, this unlovely dry necklace of dead bees that once made a sun out of honey. ― Osip Mandelstam, The Selected Poems (NYRB Classics; 1st edition, August 31, 2004) Originally published 1972

I'll be out of my mind and you'll be out of ideas pretty soon. So let's spend the afternoon in a cold hot air balloon. Leave your jacket behind. Lean out and touch the tree tops over town. I can't wait to kiss the ground wherever we touch back down.

More recently, books, especially paperbacks, have been printed in massive and inexpensive editions. For the price of a modest meal you can ponder the decline and fall of the Roman Empire, the origin of species, the interpretation of dreams, the nature of things. Books are like seeds. They can lie dormant for centuries and then flower in the most unpromising soil.

Finished crap can be edited. Unfinished greatness languishes forever. The only bad writing is the thing you didn't write!

Let the reader find that he cannot afford to omit any line of your writing because you have omitted every word that he can spare.

You might not write well every day, but you can always edit a bad page. You can't edit a blank page.

The teachings of Buddha are eternal, but even then Buddha did not proclaim them to be infallible. The religion of Buddha has the capacity to change according to times, a quality which no other religion can claim to have... Now what is the basis of Buddhism? If you study carefully, you will see that Buddhism is based on reason. There is an element of flexibility inherent in it, which is not found in any other religion.

The inciting incident is how you get (characters) to do something. It's the doorway through which they can't return, you know. The story takes care of the rest.

So it is written - but so, too, it is crossed out. You can write it over again. You can make notes in the margins. You can cut out the whole page. You can, and you must, edit and rewrite and reshape and pull out the wrong parts like bones and find just the thing and you can forever, forever, write more and more and more, thicker and longer and clearer. Living is a paragraph, constantly rewritten. It is Grown-Up Magic. Children are heartless; their parents hold them still, squirming and shouting, until a heart can get going in their little lawless wilderness. Teenagers crash their hearts into every hard and thrilling thing to see what will give and what will hold. And Grown-Ups, when they are very good, when they are very lucky, and very brave, and their wishes are sharp as scissors, when they are in the fullness of their strength, use their hearts to start their story over again.

Customer: Do you have any medical textbooks? Bookseller: Sorry, no. They go out of date so quickly we don't stock them, but I can order one in for you. Customer: I'm not worried about it being in date. Bookseller: Does your university not request you have a specific edition? Customer: Oh, I'm not a medical student. I just want to learn how to do stitches. Bookseller: ... Right. Customer: Do you have a book on sewing instead?

Water: 35 Liters. Carbon: 20 Kg. Ammonia: 4 Liters. Lime: 1.5 Kg. Phosphorus: 800 g. Salt: 250 g. Saltpeter: 100g. Sulfur: 80g. Fluorine: 7.5 g. Iron: 5 g. Silicon: 3 g. And 15 other elements in small quantities... That's the total chemical makeup of the average adult body... For that matter, the elements found in a human being... is all junk that you can buy in any market with a child's allowance. Humans are pretty cheaply made. - Edward Elric

I wanted to help him but I guess ultimately you can only slay the dragon yourself. All that I could do was help him sharpen his sword if he needed me to.

Racing cars which have been converted for road use never really work. It's like making a hard core adult film, and then editing it so that it can be shown in British hotels. You'd just end up with a sort of half hour close up of some bloke's sweaty face.

Editing is the very edge of your knowledge forced to grow--a test you can't cheat on.

The most often repeated commandment in the Bible is 'Do not fear.' It's in there over two hundred times. That means a couple of things, if you think about it. It means we are going to be afraid, and it means we shouldn't let fear boss us around. Before I realized we were supposed to fight fear, I thought of fear as a subtle suggestion in our subconscious designed to keep us safe, or more important, keep us from getting humiliated. And I guess it serves that purpose. But fear isn't only a guide to keep us safe; it's also a manipulative emotion that can trick us into living a boring life.

I was told The average girl begins to plan her wedding at the age of 7 She picks the colors and the cake first By the age of 10 She knows time, And location By 17 She’s already chosen a gown 2 bridesmaids And a maid of honor By 23 She’s waiting for a man Who wont break out in hives when he hears the word “commitment” Someone who doesn’t smell like a Band-Aid drenched in lonely Someone who isn’t a temporary solution to the empty side of the bed Someone Who’ll hold her hand like it’s the only one they’ve ever seen To be honest I don’t know what kind of tux I’ll be wearing I have no clue what want my wedding will look like But I imagine The women who pins my last to hers Will butterfly down the aisle Like a 5 foot promise I imagine Her smile Will be so large that you’ll see it on google maps And know exactly where our wedding is being held The woman that I plan to marry Will have champagne in her walk And I will get drunk on her footsteps When the pastor asks If I take this woman to be my wife I will say yes before he finishes the sentence I’ll apologize later for being impolite But I will also explain him That our first kiss happened 6 years ago And I’ve been practicing my “Yes” For past 2, 165 days When people ask me about my wedding I never really know what to say But when they ask me about my future wife I always tell them Her eyes are the only Christmas lights that deserve to be seen all year long I say She thinks too much Misses her father Loves to laugh And she’s terrible at lying Because her face never figured out how to do it correctl I tell them If my alarm clock sounded like her voice My snooze button would collect dust I tell them If she came in a bottle I would drink her until my vision is blurry and my friends take away my keys If she was a book I would memorize her table of contents I would read her cover-to-cover Hoping to find typos Just so we can both have a few things to work on Because aren’t we all unfinished? Don’t we all need a little editing? Aren’t we all waiting to be proofread by someone? Aren’t we all praying they will tell us that we make sense She don’t always make sense But her imperfections are the things I love about her the most I don’t know when I will be married I don’t know where I will be married But I do know this Whenever I’m asked about my future wife I always say …She’s a lot like you

From p. 40 of Signet Edition of Thomas Wolfe's _You Can't Go Home Again_ (1940): Some things will never change. Some things will always be the same. Lean down your ear upon the earth and listen. The voice of forest water in the night, a woman's laughter in the dark, the clean, hard rattle of raked gravel, the cricketing stitch of midday in hot meadows, the delicate web of children's voices in bright air--these things will never change. The glitter of sunlight on roughened water, the glory of the stars, the innocence of morning, the smell of the sea in harbors, the feathery blur and smoky buddings of young boughs, and something there that comes and goes and never can be captured, the thorn of spring, the sharp and tongueless cry--these things will always be the same. All things belonging to the earth will never change--the leaf, the blade, the flower, the wind that cries and sleeps and wakes again, the trees whose stiff arms clash and tremble in the dark, and the dust of lovers long since buried in the earth--all things proceeding from the earth to seasons, all things that lapse and change and come again upon the earth--these things will always be the same, for they come up from the earth that never changes, they go back into the earth that lasts forever. Only the earth endures, but it endures forever. The tarantula, the adder, and the asp will also never change. Pain and death will always be the same. But under the pavements trembling like a pulse, under the buildings trembling like a cry, under the waste of time, under the hoof of the beast above the broken bones of cities, there will be something growing like a flower, something bursting from the earth again, forever deathless, faithful, coming into life again like April.

You can have this, too. Don’t be another heartbreak story. Start putting yourself first—get where you want to be, and make your man be all that he can be. Remember this: the number one cause of failure in this country is the fear of failure. Fear paralyzes you from taking action. Don’t be afraid to lose him, because if a man truly loves you, he’s not going anywhere.

...It was painful, exceedingly painful, to know that they were under obligations to a person who could never receive a return..." The paper fell. It was a limited edition of Pride and Prejudice. "You, you gave me-" "Mr. Darcy." Wes whispered in my ear. "As you can see, I also memorized some lines so that you'd swoon.

Love and death are very similar. They're the times in your life when you most want to believe in magic, when you yearn for some symbolic act or retrospective edit that can change the world you find yourself in.

Writing is therapeutic. It helps you cope with issues that seem gargantuan at the time. The process of expressing yourself about a problem, editing your thoughts, and writing some more can help you control issues that you face.

Write poorly. Suck. Write Awful. Terribly. Frightfully. Don’t care. Turn off the inner editor. Let yourself write. Let it flow. Let yourself fail. Do something crazy. Write 50,000 words in the month of November. I did it. It was fun. It was insane. It was 1,667 words per day. It was possible, but you have to turn off the inner critic off completely. Just write. Quickly. In bursts. With joy. If you can’t write, run away. Come back. Write again. Writing is like anything else. You won’t get good at it immediately. It’s a craft. You have to keep getting better. You don’t get to Juilliard unless you practice. You want to get to Carnegie Hall? Practice. Practice. Practice ..or give them a lot of money. Like anything else it takes 10,000 hours to get to mastery. Just like Malcolm Gladwell says. So write. Fail. Get your thoughts down. Let it rest. Let is marinate. Then edit, but don’t edit as you type. That just slows the brain down. Find a daily practice. For me it’s blogging. It’s fun. The more you write the easier it gets. The more it is a flow, the less a worry. It’s not for school, it’s not for a grade, it’s just to get your thoughts out there. You know they want to come out. So keep at it. Make it a practice. Write poorly. Write awfully. Write with abandon and it may end up being really really good.

Nothing discloses real character like the use of power. It is easy for the weak to be gentle. Most people can bear adversity. But if you wish to know what a man really is, give him power. This is the supreme test.

Years ago, in a motivational seminar by the master, Zig Ziglar, I heard a story about how mediocrity will sneak up on you. The story goes that if you drop a frog into boiling water, he will sense the pain and immediately jump out. However, if you put a frog in room-temperature water, he will swim around happily, and as you gradually turn the water up to boiling, the frog will not sense the change. The frog is lured to his death by gradual change. We can lose our health, our fitness, and our wealth gradually, one day at a time. It might be a cliché, but that’s because it is true: The enemy of “the best” is not “the worst.” The enemy of “the best” is “just fine.

If I have a hope, it's that God sat over the dark nothing and wrote you and me, specifically, into the story, and put us in with the sunset and the rainstorm as though to say, enjoy your place in my story. The beauty of it means you matter, and you can create within it even as I have created you.

Can you tell me why people go to such lengths to hide their real selves? Or why I always behave very differently when I’m in the company of others? Why do people have so little trust in one another? I know there must be a reason, but sometimes I think it’s horrible that you can’t ever confide in anyone, not even those closest to you.

In everything regarding your salvation and the attainment of mercy, you are dependent on your soul. Thus no sacrifice can be too great for you. If your virtues hinder you from salvation, discard them, since they have become evil to you. The slave to virtue finds the way as little as the slave to vices.

You can edit what you write. Why not edit what you say? If it hurts somebody, you can still offer an apology or withdraw your statements

CUSTOMER: Do you have any of those books where you can change the names of the main character to the name of the person you're giving the book to? Do you have Alice in Wonderland, but not Alice, I'd like Sarah in Wonderland. BOOKSELLER: I'm afraid you have to buy those from the publisher, as they're a print on demand service. CUSTOMER: Yeah, I don't really have time to do that. Do you have a copy of Alice? Then I can buy some Tipp-ex or something, and edit it.

There is, in fact, not much point in writing a novel unless you can show the possibility of moral transformation, or an increase in wisdom, operating in your chief character or characters. Even trashy bestsellers show people changing. When a fictional work fails to show change, when it merely indicates that human character is set, stony, unregenerable, then you are out of field of the novel and into that of the fable or the allegory. - from the introduction of the 1986 Norton edition

Don't sell yourself short. No one will value you. Set a fair price for you, your book, your services, whatever it is that you have to offer. Most of us set way too low a price. Put it a little higher than you would normally be inclined to do. The worst that can happen is someone will come along and steal it.

When you fly across the country in an airplane the country seems vast; but it isn't vast. It's all connected by roads one can ride a bike down. If you watch the news and there's a tragedy at a house in Kansas, that guy's driveway connects with yours, and you'd be surprised by how few roads it takes to get there.

Do not put statements in the negative form. And don't start sentences with a conjunction. If you reread your work, you will find on rereading that a great deal of repetition can be avoided by rereading and editing. Never use a long word when a diminutive one will do. Unqualified superlatives are the worst of all. De-accession euphemisms. If any word is improper at the end of a sentence, a linking verb is. Avoid trendy locutions that sound flaky. Last, but not least, avoid cliches like the plague.

Editors can be stupid at times. They just ignore that author’s intention. I always try to read unabridged editions, so much is lost with cut versions of classic literature, even movies don’t make sense when they are edited too much. I love the longueurs of a book even if they seem pointless because you can get a peek into the author’s mind, a glimpse of their creative soul. I mean, how would people like it if editors came along and said to an artist, ‘Whoops, you left just a tad too much space around that lily pad there, lets crop that a bit, shall we?’. Monet would be ripping his hair out.

In the quiet of an early morning, honesty finds me. It calls to me through a crack in my soul and invites the real me to come out, come out, wherever you are. Not the carefully edited edition of the me I am this year. No, honesty wants to speak to the least tidy version of the woman I’ve become. The one I can’t make look more alive with a few swipes of mascara and a little color on my lips.

I wrote this because someone put a gun to my head and said, “Write.” And do you know how long it takes to type with one hand while your other hand is shaking from holding a loaded Sig Sauer? Well, at least twice as long.

Nora Stephens,” he says, “I’ve racked my brain and this is the best I can come up with, so I really hope you like it.” His gaze lifts, everything about it, about his face, about his posture, about him made up of sharp edges and jagged bits and shadows, all of it familiar, all of it perfect. Not for someone else, maybe, but for me. “I move back to New York,” he says. “I get another editing job, or maybe take up agenting, or try writing again. You work your way up at Loggia, and we’re both busy all the time, and down in Sunshine Falls, Libby runs the local business she saved, and my parents spoil your nieces like the grandkids they so desperately want, and Brendan probably doesn’t get much better at fishing, but he gets to relax and even take paid vacations with your sister and their kids. And you and I—we go out to dinner. “Wherever you want, whenever you want. We have a lot of fun being city people, and we’re happy. You let me love you as much as I know I can, for as long as I know I can, and you have it fucking all. That’s it. That’s the best I could come up with, and I really fucking hope you say—” I kiss him then, like there isn’t someone reading one of the Bridgerton novels five feet away, like we’ve just found each other on a deserted island after months apart. My hands in his hair, my tongue catching on his teeth, his palms sliding around behind me and squeezing me to him in the most thoroughly public groping we’ve managed yet. “I love you, Nora,” he says when we pull apart a few inches to breathe. “I think I love everything about you.

IF YOU CAN KEEP YOUR HEAD WHEN ALL ABOUT YOU ARE LOSING THEIRS AND BLAMING IT ON YOU

Pursuing an artistic existence can let you experience emotions you wouldn’t know otherwise. It gives you hope and helps you see the beauty in life even in the most unlikely of places.

I guess that’s all forever is,’ his father replied. ‘Just one long trail of nows. And I guess all you can do is try and live one now at a time without getting too worked up about the last now or the next now.

BELIZE: Louis, I’d even pray for you.      He was a terrible person. He died a hard death. So maybe . . . A queen can forgive her vanquished foe. It isn’t easy, it doesn’t count if it’s easy, it’s the hardest thing. Forgiveness. Which is maybe where love and justice finally meet. Peace, at least. Isn’t that what the Kaddish asks for?

When you pick a partner, you pick a story. So what kind of story are you going to write? You are the editors of your life stories. Write well and edit often. And remember ... a life story is not a love story. You can love a lot more people than you can make a life with.

Augustus Waters was a self-aggrandizing bastard. But we forgive him. We forgive him not because he had a heart as figuratively good as his literal one sucked, or because he knew more about how to hold a cigarette than any nonsmoker in history, or because he got eighteen years when he should've gotten more." "Seventeen," Gus corrected. "I'm assuming you've got some time, you interrupting bastard. "I'm telling you," Isaac continued, "Augustus Waters talked so much that he'd interrupt you at his own funeral. And he was pretentious: Sweet Jesus Christ, that kid never took a piss without pondering the abundant metaphorical resonances of human waste production. And he was vain: I do not believe I have ever met a more physically attractive person who was more acutely aware of his own physical attractiveness. "But I will say this: When the scientists of the future show up at my house with robot eyes and they tell me to try them on, I will tell the scientists to screw off, because I do not want to see a world without him." [...] "And then, having made my rhetorical point, I will put my robot eyes on, because I mean, with robot eyes you can probably see through girls’ shirts and stuff. Augustus, my friend, Godspeed." Augustus nodded for a while, his lips pursed, and then gave Isaac a thumbs-up. After he'd recovered his composure, he added, "I would cut the bit about seeing through girls' shirts." Isaac was still clinging to the lectern. He started to cry. He pressed his forehead down to the podium and I watched his shoulders shake, and then finally, he said, "Goddamn it, Augustus, editing your own eulogy.

Not long ago, I advertised for perverse rules of grammar, along the lines of "Remember to never split an infinitive" and "The passive voice should never be used." The notion of making a mistake while laying down rules ("Thimk," "We Never Make Misteaks") is highly unoriginal, and it turns out that English teachers have been circulating lists of fumblerules for years. As owner of the world's largest collection, and with thanks to scores of readers, let me pass along a bunch of these never-say-neverisms: * Avoid run-on sentences they are hard to read. * Don't use no double negatives. * Use the semicolon properly, always use it where it is appropriate; and never where it isn't. * Reserve the apostrophe for it's proper use and omit it when its not needed. * Do not put statements in the negative form. * Verbs has to agree with their subjects. * No sentence fragments. * Proofread carefully to see if you any words out. * Avoid commas, that are not necessary. * If you reread your work, you will find on rereading that a great deal of repetition can be avoided by rereading and editing. * A writer must not shift your point of view. * Eschew dialect, irregardless. * And don't start a sentence with a conjunction. * Don't overuse exclamation marks!!! * Place pronouns as close as possible, especially in long sentences, as of 10 or more words, to their antecedents. * Writers should always hyphenate between syllables and avoid un-necessary hyph-ens. * Write all adverbial forms correct. * Don't use contractions in formal writing. * Writing carefully, dangling participles must be avoided. * It is incumbent on us to avoid archaisms. * If any word is improper at the end of a sentence, a linking verb is. * Steer clear of incorrect forms of verbs that have snuck in the language. * Take the bull by the hand and avoid mixed metaphors. * Avoid trendy locutions that sound flaky. * Never, ever use repetitive redundancies. * Everyone should be careful to use a singular pronoun with singular nouns in their writing. * If I've told you once, I've told you a thousand times, resist hyperbole. * Also, avoid awkward or affected alliteration. * Don't string too many prepositional phrases together unless you are walking through the valley of the shadow of death. * Always pick on the correct idiom. * "Avoid overuse of 'quotation "marks."'" * The adverb always follows the verb. * Last but not least, avoid cliches like the plague; seek viable alternatives." (New York Times, November 4, 1979; later also published in book form)

They say to keep what you have, you have to give it away. I believe that. I also believe that you can be cool as fuck, not give a fuck and fucking kick ass in life, and not be fucked up. I’m still the first person to say “Fuck you” but I’m faster to say “I love you.” If life is what you make it, I’ve made mine great. It took a lot of hard work and if you need to, you can do it too.

[M]any people believe that memory works like a recording device. You just record the information, then you call it up and play it back when you want to answer questions or identify images. But decades of work in psychology has shown that this just isn't true. Our memories are constructive. They're reconstructive. Memory works a little bit more like a Wikipedia page: You can go in there and change it, but so can other people.

If you want to, you can let go of any feelings of resentment, of regret, of anger. You can accept that you are a fabulous human being because of all the bad things that have happened to you, not in spite of them. What is done is done, and you need to just get on with your life. Don’t use the labels “good” and “bad.” Yes, I know some of it is indeed bad, but it is how we let it affect us that is the real “bad.” You could let all these things get you down, fizzle away internally like some emotional acid making you ill and resentful and stuck. But you will let them go, embrace them as character forming, and in general as positive rather then negative.

How do text messages make you feel existential? I start thinking about exactly that: how people can edit a thought before sending it out to the world. They can make themselves seem more well spoken than they are, or funnier, smarter. I start thinking that no one in the world is who they say the are, then my mind goes to how I also edit myself, not just online but in real life, except for those rare instances like right now where I'm ranting- even though that's a lie because I've had this train of thought before and damned if I didn't tweak it in my head a few times to make it sound better- and then my mind starts racing so furiously I can't control my thoughts, and I start thinking about robots and wondering if I'm even a real person.

A CRUSH, A KISS, AND CRUSHING HEARTACHE: [ARE YOU GUYS KIDDING ME??? THIS HAS SOOOOOO BEEN REDACTED. AND AS SOON AS I CAN FIGURE OUT HOW TO EDIT THE SUBHEADINGS ON THESE FILES, THAT’S GETTING REDACTED TOO! BE GLAD I’M NOT PULLING A KEEFE AND EDITING MY ENTIRE FILE. AND SERIOUSLY, STAY OUT OF MY PERSONAL LIFE! GAH—WHY WOULD THE REGISTRY BE TRACKING THIS???????]

I’m okay.” Zayne staggered to his feet. “I can fight.” “I sure hope so.” Roth lifted his arm and Bambi came off his skin, coiling on the floor between us. “Because if you’re just going to lay there and bleed, you suck.” Armentrout, Jennifer L. (2014-03-01). White Hot Kiss (The Dark Elements Book 1) (p. 368). Harlequin. Kindle Edition.

My husband claims I have an unhealthy obsession with secondhand bookshops. That I spend too much time daydreaming altogether. But either you intrinsically understand the attraction of searching for hidden treasure amongst rows of dusty shelves or you don't; it's a passion, bordering on a spiritual illness, which cannot be explained to the unaffected. True, they're not for the faint of heart. Wild and chaotic, capricious and frustrating, there are certain physical laws that govern secondhand bookstores and like gravity, they're pretty much nonnegotiable. Paperback editions of D. H. Lawrence must constitute no less than 55 percent of all stock in any shop. Natural law also dictates that the remaining 45 percent consist of at least two shelves worth of literary criticism on Paradise Lost and there should always be an entire room in the basement devoted to military history which, by sheer coincidence, will be haunted by a man in his seventies. (Personal studies prove it's the same man. No matter how quickly you move from one bookshop to the next, he's always there. He's forgotten something about the war that no book can contain, but like a figure in Greek mythology, is doomed to spend his days wandering from basement room to basement room, searching through memoirs of the best/worst days of his life.) Modern booksellers can't really compare with these eccentric charms. They keep regular hours, have central heating, and are staffed by freshly scrubbed young people in black T-shirts. They're devoid of both basement rooms and fallen Greek heroes in smelly tweeds. You'll find no dogs or cats curled up next to ancient space heathers like familiars nor the intoxicating smell of mold and mildew that could emanate equally from the unevenly stacked volumes or from the owner himself. People visit Waterstone's and leave. But secondhand bookshops have pilgrims. The words out of print are a call to arms for those who seek a Holy Grail made of paper and ink.

An SEP,’ he said, ‘is something that we can’t see, or don’t see, or our brain doesn’t let us see, because we think that it’s somebody else’s problem. That’s what SEP means. Somebody Else’s Problem. The brain just edits it out, it’s like a blind spot. If you look at it directly you won’t see it unless you know precisely what it is. Your only hope is to catch it by surprise out of the corner of your eye.

I was by myself for a pretty long time. I needed to do that. I think everyone that I know has wanted to do that or needed to do that at some point. I think when you spend enough time when it’s quiet around you and you don’t open your mouth for three or four days, there’s parts of your brain that can kind of rest. I think when we’re out in the world and we have to talk to people, we edit ourselves. You know, we have to like, act a little bit. As honest as we may be as humans, when we’re out here, we’re all kind of wearing mirrors on our faces. You know, constantly reacting to how to react to the people around you. And I think when you’re alone for a long enough time, you can feel a lot more peace.

Many people never see God part the Jordan River in their lives because their feet are firmly planted on dry ground. We’re waiting for God to make a move while God is waiting for us to make a move. We say to God, “Why don’t you part this river?” And God says to us, “Why don’t you get your feet wet?” But if you make a move, you’ll see God move. And He can move heaven and earth.

People who make snide comments to authors like "anyone can write a book" or "well, you did it, so obviously I can/it can't be that hard" or poke at a book because it's "romance" or "genre fiction" and act like that somehow makes it substandard because they don't read it... well, ok, go ahead. Write a bestseller. Don't forget to go through the correct edit process. We'll wait.

Anyone and everyone taking a writing class knows that the secret of good writing is to cut it back, pare it down, winnow, chop, hack, prune, and trim, remove every superfluous word, compress, compress, compress... Actually, when you think about it, not many novels in the Spare tradition are terribly cheerful. Jokes you can usually pluck out whole, by the roots, so if you're doing some heavy-duty prose-weeding, they're the first to go. And there's some stuff about the whole winnowing process I just don't get. Why does it always stop when the work in question has been reduced to sixty or seventy thousand words--entirely coincidentally, I'm sure, the minimum length for a publishable novel? I'm sure you could get it down to twenty or thirty if you tried hard enough. In fact, why stop at twenty or thirty? Why write at all? Why not just jot the plot and a couple of themes down on the back of an envelope and leave it at that? The truth is, there's nothing very utilitarian about fiction or its creation, and I suspect that people are desperate to make it sound manly, back-breaking labor because it's such a wussy thing to do in the first place. The obsession with austerity is an attempt to compensate, to make writing resemble a real job, like farming, or logging. (It's also why people who work in advertising put in twenty-hour days.) Go on, young writers--treat yourself to a joke, or an adverb! Spoil yourself! Readers won't mind!

If you create and market a product or service through a business that is in alignment with your personality, capitalizes on your history, incorporates your experiences, harnesses your talents, optimizes your strengths, complements your weaknesses, honors your life's purpose, and moves you towards the conquest of your own fears, there is ABSOLUTELY NO WAY that anyone in this or any other universe can offer the same value that you do!

The smallest smile finally graced his face as he handed me a paper plate. Nestled in the center was a slice of lemon cake. I stared at it for a moment before a tear escaped the corner of my eye. Braxton laughed . “You are still the only supe I know to cry about cake.” I sucked down my sob . “There are very few things in this world which can move me to tears.” I hugged the plate close to my chest. “This is just beautiful.” Eve, Jaymin (2015-01-29). Dragon Marked: Supernatural Prison #1 (pp. 307-308). . Kindle Edition.

It is difficult to speak adequately or justly of London. It is not a pleasant place; it is not agreeable, or cheerful, or easy, or exempt from reproach. It is only magnificent. You can draw up a tremendous list of reasons why it should be insupportable. The fogs, the smoke, the dirt, the darkness, the wet, the distances, the ugliness, the brutal size of the place, the horrible numerosity of society, the manner in which this senseless bigness is fatal to amenity, to convenience, to conversation, to good manners – all this and much more you may expatiate upon. You may call it dreary, heavy, stupid, dull, inhuman, vulgar at heart and tiresome in form. [...] But these are occasional moods; and for one who takes it as I take it, London is on the whole the most possible form of life. [...] It is the biggest aggregation of human life – the most complete compendium of the world.

HENRY: Leave me out of it. They don’t count. Maybe Brodie got a raw deal, maybe he didn’t. I don’t know. It doesn’t count. He’s a lout with language. I can’t help somebody who thinks, or thinks he thinks, that editing a newspaper is censorship, or that throwing bricks is a demonstration while building tower blocks is social violence, or that unpalatable statement is provocation while disrupting the speaker is the exercise of free speech…Words don’t deserve that kind of malarkey. They’re innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they’re no good any more, and Brodie knocks their corners off. I don’t think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little or make a poem which children will speak for you when you’re dead. Act II, Scene 5, HENRY and ANNIE

There are different ways people make this place. Sweat, exercise and pain is one way. You can see them in the gyms, in the well-ordered swimming pools. You can see them jogging in the small, worn parks. Another way to make your place is TV. A bright, brash place, always well lit, full of fun and jokes that tell you when to laugh so you never miss them. World news carefully edited so that it’s not too disturbing, but disturbing enough to make you glad that you weren’t born in a foreign country. News with music to tell you who to hate, who to feel sorry for, and who laugh at.

one reason to have a Total Money Makeover is to build wealth that allows you to have fun. So have some fun! Taking your family, even the extended ones, on a seven-day cruise, buying large diamonds, or even buying a new car are things you can afford to do when you have millions of dollars. You can afford to do these things because when you do them, your money position is hardly even affected. If you like travel, travel. If you like clothes, buy some. I am releasing you to have some fun with your money, because money is to be enjoyed. That guilt-free enjoyment is one of the three reasons to have a Total Money Makeover.

KEEPER . . . Never gives in easily, and the standards/requirements start the moment you open your mouth. See, she understands her power and wields it like a samurai sword. She commands—not demands—respect, just by the way she carries herself. You can walk up to her and give her your best game, and while she may be impressed by what you say, that’s no guarantee that she’s going to let the conversation go any further, much less give you her phone number and agree to give you some of her valuable time. Men automatically know from the moment she opens her mouth that if they want her, they’ll have to get in line with her standards and requirements, or keep it moving because she’s done with the games and isn’t interested in playing. But she will also send all the signals that she is capable of being loyal to a man and taking good care of him, appreciative of what he’s bringing to the relationship, and ready for love—true, long-lasting love.   Newsflash: it’s not the guy who determines whether you’re a sports fish or a keeper—it’s you. (Don’t hate the player, hate the game.) When a man approaches

Of course I know what she means. To make art in fandom is to follow your passion at the risk of never being taken seriously. I've written dozens of fics-put them together and you'd have several novels-but who knows what a college admissions officer will think of that as a pastime. Where does 12,000 Tumbler followers rate in relation to a spot in the National Honor Society in their minds? Every week I get anonymous messages in my inbox telling me I should write a real book. Well, haven't I already? What makes what I do different from "real writing"? Is it that I don't use original characters? I guess that makes every Hardy Boys edition, every Star Wars book, every spinoff, sequel, fairy-tale re-telling, historical romance, comic book reboot, and the music Hamilton "not real writing". Or is it that a real book is something printed, that you can hold in your hand, not something you write on the internet? Or is "real writing" something you sell in a store, not give away for free? No, I know it's none of these things. It's merely this: "real writing" is done by serious people, whereas fanfiction is written by weirdos, teenagers, degenerates, and women.

With technology and everything, compact discs are going to be, like, vintage soon, right? The way vinyl is now. Like, if I ever have kids, they’re going to look at CDs and think, ‘What is this crap, geez, how clunky.’ By then everyone will have the fiftieth edition of iPods—or maybe they’ll just have music downloaded directly into their brains, like with microchips, or something. And I’ll be the old lady in the corner going, ‘Back when I was a kid, we had mix tapes, and floppy disks, and gas didn’t cost twenty bucks a gallon, and oh, yeah, MTV actually played music videos, if you can believe it.’ And they’ll probably say, ‘Oh, Mom, you and your stories, we’re jetting to the oxygen bar, see you later,’ and take off in their flying cars. You know there’ll be flying cars, it’s only a matter of time.

Saving for a down payment or cash purchase of a home should occur after becoming debt-free in Step Two and after finishing the emergency fund in Step Three. That makes saving for a down payment Baby Step Three (b). You should save for the home if you have the itch before moving on to the next step. Many people are worried about getting a home, but please let it be a blessing rather than a curse. It will be a curse if you buy something while you are still broke. There are all sorts of folks who are eager to “work with you” so you can make it happen sooner, but the definition of “Creative Financing” is “Too Broke to Buy a House.

Due to Jade's fortresslike manner, which, like any well-built castle, made access challenging, girls found her existence not only threatening but flat-out wrong. Although Bartelby Athletic Center featured the latest advertising campaign of Ms. Sturd's three member Benevolent Body-Image Club (laminated Vogue and Maxim covers above captions, “You Can't Have Thighs Like This and Still Walk" and "All Airbrushing"), Jade would only have to swan by, munching on a Snickers to reveal a disturbing truth: You could have thighs like that and still walk. She emphasized what few wanted to accept, that some people did win Trivial Pursuit: The Deity Looks Edition, and there wasn't a thing you could do about it, except come to terms with the fact that you'd only played Trivial Pursuit: John Doe Genes and come away with three pie pieces.

Feeling that Mommy is happy is a great boon to a child. Imagine for a moment a snapshot of Mother smiling and laughing. She’s happy to be here. She’s happy with you and anyone else in the picture, and she doesn’t need things to be any different than they are in that moment. She is relaxed! When Mommy is relaxed and smiling, we sense that her world is right. And when her world is right, then our world is right. But when Mommy is distracted or worried or depressed, we don’t have the same kind of support, and it’s harder for us to relax and be fully present. It doesn’t feel quite right to be expansive and expressive when Mommy is withdrawn or frazzled. There isn’t really a place to be happy, unless we’re putting on a happy face trying to cheer Mother up. Mother’s happiness relieves us of these burdens, and we can simply express ourselves as we are.

they determine you without you understanding their language.53 One would like to learn this language, but who can teach and learn it? Scholarliness alone is not enough; there is a knowledge of the heart that gives deeper insight.54 The knowledge of the heart is in no book and is not to be found in the mouth of any teacher, but grows out of you like the green seed from the dark earth. Scholarliness belongs to the spirit of this time, but this spirit in no way grasps the dream, since the soul is everywhere that scholarly knowledge is not. But how can I attain the knowledge of the heart? You can attain this knowledge only by living your life to the full. You live your life fully if you also live what you have never yet lived, but have left for others to live or to think.55 You will say: “But I cannot live or think everything that others live or think.” But you should say: “The life that I could still live, I should live, and the thoughts that I could still think, I should think.” It appears as

Carol would not be a bad one to [settle down] with. She's pretty and bright, and maybe this is what love is. She's good company: her interests broaden almost every day. She reads three books to my one, and I read a lot. We talk far into the night. She still doesn't understand the first edition game: Hemingway, she says, reads just as well in a two-bit paperback as he does in a $500 first printing. I can still hear myself lecturing her the first time she said that. Only a fool would read a first edition. Simply having such a book makes life in general and Hemingway in particular go better when you do break out the reading copies. I listened to myself and thought, This woman must think I'm a government-inspected horse's ass. Then I showed her my Faulkners, one with a signature, and I saw her shiver with an almost sexual pleasure as she touched the paper where he signed. Faulkner was her most recent god[.]

Well I want something to do, to create, to achieve, to whatever.... Something I can’t get enough of. You know something that I can't wait to get up in the morning to do something I can't get enough of, something that brings me joy and makes my heart sing. It could be anything, could be more than one thing but something that grabs me. Even a job, if it grabs me so that I could hardly wait to get there. Something that makes me feel good, allows me to be me, gives me freedom to grow and expand, something that grasps my heart, my joy, my excitement and leads me down the path to more joyful things, exciting challenges and challenging things. Barely stopping to take a breath I continued. Need a new journey a new destination, I want to grow to be or become, tread a new path, see what I haven't seen be what I haven't been ask what I haven't asked dare to what I haven't dared to . . . I don't even think it is so much a physical thing or mental it's just sort of un-learning some of what I learned It’s being happy, while I am happy but I want something to do that creates even more. (..) Doing it for the joy of doing it not for any other reason; also I want it from and un-edited creativity free flowing something… I have some things that seem very interesting and somehow just don’t feel right almost like I’m taking the wrong path and yet there are other things that I could be doing like writing but it seems that it does not feel good to sit and write but yet some part of me seems to love it and something in me hates it sort of like it could be the thing for me to do and yet it might not be.

There are a number of good books that draw upon fox legends -- foremost among them, Kij Johnson's exquisite novel The Fox Woman. I also recommend Neil Gaiman's The Dream Hunters (with the Japanese artist Yoshitaka Amano);  Larissa Lai's unusual novel, When Fox Is a Thousand; Helen Oyeyemi's recent novel, Mr. Fox; and Ellen Steiber's gorgeous urban fantasy novel, A Rumor of Gems, as well as her heart-breaking novella "The Fox Wife" (published in Ruby Slippers, Golden Tears). For younger readers, try the "Legend of Little Fur" series by Isobelle Carmody.  You can also support a fine mythic writer by subscribing to Sylvia Linsteadt's The Gray Fox Epistles: Wild Tales By Mail.  For the fox in myth, legend, and lore, try: Fox by Martin Wallen; Reynard the Fox, edited by Kenneth Varty; Kitsune: Japan's Fox of Mystery, Romance, and Humour by Kiyoshi Nozaki;Alien Kind: Foxes and Late Imperial Chinese Narrative by Raina Huntington; The Discourse on Foxes and Ghosts: Ji Yun and Eighteenth-Century Literati Storytelling by Leo Tak-hung Chan; and The Fox and the Jewel: Shared and Private Meanings in Contemporary Japanese Inari Worship, by Karen Smythers.

I don’t understand how, up to now, an atheist could know there is no God and not kill himself at once. To recognize that there is no God, and not to recognize at the same time that you have become God, is an absurdity, otherwise you must necessarily kill yourself. Once you recognize it, you are king, and you will not kill yourself but will live in the chiefest glory. But one, the one who is first, must necessarily kill himself, otherwise who will begin and prove it? It is I who will necessarily kill myself in order to begin and prove it. I am still God against my will, and I am unhappy, because it is my duty to proclaim self-will. Everyone is unhappy, because everyone is afraid to proclaim self-will. That is why man has been so unhappy and poor up to now, because he was afraid to proclaim the chief point of self-will and was self-willed only on the margins, like a schoolboy. I am terribly unhappy, because I am terribly afraid. Fear is man’s curse … But I will proclaim self-will, it is my duty to believe that I do not believe. I will begin, and end, and open the door. And save. Only this one thing will save all men and in the next generation transform them physically; for in the present physical aspect, so far as I have thought, it is in no way possible for man to be without the former God. For three years I have been searching for the attribute of my divinity, and I have found it: the attribute of my divinity is—Self-will! That is all, by which I can show in the main point my insubordination and my new fearsome freedom. For it is very fearsome. I kill myself to show my insubordination and my new fearsome freedom.” Dostoevsky, Fyodor (2010-05-06). Demons (Vintage Classics) (p. 619). Random House, Inc.. Kindle Edition.

Write poorly. Suck Write awful Terribly Frightfully Don't care Turn off the inner editor Let yourself write Let it flow Let yourself fail Do something crazy Write fifty thousand words in the month of November. I did it. It was fun , it was insane , it was one thousand six hundred and sixty-seven words a day. It was possible. But you have to turn off your inner critic. Off completely. Just write. Quickly. In bursts. With joy. If you can't write, run away for a few. Come back. Write again. Writing is like anything else. You won't get good at it immediately. It's a craft, you have to keep getting better. You don't get to Juilliard unless you practice. If you want to get to Carnegie Hall, practice, practice, practice. ...Or give them a lot of money. Like anything else, it takes ten thousand hours to master. Just like Malcolm Gladwell says. So write. Fail. Get your thoughts down. Let it rest. Let it marinate. Then edit. But don't edit as you type, that just slows the brain down. Find a daily practice, for me it's blogging every day. And it's fun. The more you write, the easier it gets. The more it is a flow, the less a worry. It's not for school, it's not for a grade, it's just to get your thoughts out there. You know they want to come out. So keep at it. Make it a practice. And write poorly, write awfully, write with abandon and it may end up being really really good.

To me, the single biggest mark of the amateur writer is a sense of hurry. Hurry to finish a manuscript, hurry to edit it, hurry to publish it. It’s definitely possible to write a book in a month, leave it unedited, and watch it go off into the world and be declared a masterpiece. It happens every fifty years or so. For the rest of us, the single greatest ally we have is time. There’s no page of prose in existence that its author can’t improve after it’s been in a drawer for a week. The same is true on the macro level – every time I finish a story or a book, I try to put it away and forget it for as long as I can. When I return, its problems are often so obvious and easy to fix that I’m amazed I ever struggled with them. Amateur writers are usually desperate to be published, as soon as possible. And I understand that feeling – you just want it to start, your career, your next book, whatever. But I wonder how many self-published novels might have had a chance at getting bought, and finding more readers, if their authors had a bit more patience with them?

Paper: Some inexpensive plain bond paper A pad of Strathmore Drawing Paper, 80 lb., 11" × 14" Pencils: A #2 ordinary yellow writing pencil with an eraser at the top A #4 drawing pencil—Faber-Castell, Prismacolor Turquoise, or other brand Marking pens: Sharpie (or other brand) fine point non-permanent black A second marker, fine point permanent black Graphite stick: #4 General’s is a good brand, or other brand Pencil sharpener: A small handheld sharpener is fine Erasers: A Pink Pearl eraser A Staedtler Mars white plastic eraser A kneaded eraser—Lyra, Design, or other brand Masking tape: 3M Scotch Low Tack Artist Tape Clips: Two 1-inch-wide black clips Drawing board: A firm surface large enough to hold your 11" × 14" drawing paper—about 15" × 18" is a good size. This can be improvised from a kitchen cutting board, a piece of foam board, a piece of Masonite, or thick cardboard. Picture plane: This too can be improvised using an 8" × 10" piece of glass (you will need to tape the edges), or an 8" × 10" piece of clear plastic, about 1⁄16" thick. Viewfinders: You will make these from black paper—“construction” paper is a good thickness, or you could use thin black cardboard. You will find instructions for making the viewfinders here A small mirror: About 5" × 7" that can be taped to a wall, or any available wall mirror.