“
A fight is like a fire. You think you have it under control, you think you can stop it whenever you want, but before you know it, it’s living, breathing thing and there’s no controlling it and you were a fool to think you could.
”
”
Jenny Han (We'll Always Have Summer (Summer, #3))
“
Then out spake brave Horatius,
The Captain of the gate:
‘To every man upon this earth
Death cometh soon or late.
And how can man die better
Than facing fearful odds,
For the ashes of his fathers,
And the temples of his Gods,
‘And for the tender mother
Who dandled him to rest,
And for the wife who nurses
His baby at her breast,
And for the holy maidens
Who feed the eternal flame,
To save them from false Sextus
That wrought the deed of shame?
‘Hew down the bridge, Sir Consul,
With all the speed ye may;
I, with two more to help me,
Will hold the foe in play.
In yon strait path a thousand
May well be stopped by three.
Now who will stand on either hand,
And keep the bridge with me?
Then out spake Spurius Lartius;
A Ramnian proud was he:
‘Lo, I will stand at thy right hand,
And keep the bridge with thee.’
And out spake strong Herminius;
Of Titian blood was he:
‘I will abide on thy left side,
And keep the bridge with thee.’
‘Horatius,’ quoth the Consul,
‘As thou sayest, so let it be.’
And straight against that great array
Forth went the dauntless Three.
For Romans in Rome’s quarrel
Spared neither land nor gold,
Nor son nor wife, nor limb nor life,
In the brave days of old.
Then none was for a party;
Then all were for the state;
Then the great man helped the poor,
And the poor man loved the great:
Then lands were fairly portioned;
Then spoils were fairly sold:
The Romans were like brothers
In the brave days of old.
Now Roman is to Roman
More hateful than a foe,
And the Tribunes beard the high,
And the Fathers grind the low.
As we wax hot in faction,
In battle we wax cold:
Wherefore men fight not as they fought
In the brave days of old.
”
”
Thomas Babington Macaulay (Horatius)
“
this is the 21st century and we need to redefine r/evolution. this planet needs a people’s r/evolution. a humanist r/evolution. r/evolution is not about bloodshed or about going to the mountains and fighting. we will fight if we are forced to but the fundamental goal of r/evolution must be peace.
we need a r/evolution of the mind. we need a r/evolution of the heart. we need a r/evolution of the spirit. the power of the people is stronger than any weapon. a people’s r/evolution can’t be stopped. we need to be weapons of mass construction. weapons of mass love. it’s not enough just to change the system. we need to change ourselves. we have got to make this world user friendly. user friendly.
are you ready to sacrifice to end world hunger. to sacrifice to end colonialism. to end neo-colonialism. to end racism. to end sexism.
r/evolution means the end of exploitation. r/evolution means respecting people from other cultures. r/evolution is creative.
r/evolution means treating your mate as a friend and an equal. r/evolution is sexy.
r/evolution means respecting and learning from your children. r/evolution is beautiful.
r/evolution means protecting the people. the plants. the animals. the air. the water. r/evolution means saving this planet.
r/evolution is love.
”
”
Assata Shakur
“
Jebediah has given up on you, but I never will. I can offer you the security you desire. If you'll but be mine, your heart will forever be sheltered in my care. Yes, we will quarrel incessantly and fight for dominance. And yes, there will be ravishes of passion, but there will also be gentle lulls. That is who we are together. You'll never need fear that your love is not reciprocated. For although you've made me feel things I am not equipped for... I cannot stop feeling them.
”
”
A.G. Howard (Ensnared (Splintered, #3))
“
A few minutes later, he said suddenly: 'Kath, can we stop? I'm sorry, I need to get out a minute.'
...I could make out in the mid-distance, near where the field began to fall away, Tommy's figure, raging, shouting, flinging his fists and kicking out. I caught a glimpse of his face in the moonlight, caked in mud and distorted with fury, then I reached for his failing arms and held on tight. He tried to shake me off, but I kept holding on, until he stopped shouting and I felt the fight go out of him. Then I realised he too had his arms around me. And so we stood together like that, at the top of the field, for what seemed like ages, not saying anything, just holding each other, while the wind kept blowing and blowing at us, tugging our clothes, and for a moment, it seemed like we were holding onto each other because that was the only way to stop us being swept away into the night.
”
”
Kazuo Ishiguro (Never Let Me Go)
“
I remember you was conflicted
Misusing your influence
Sometimes I did the same
Abusing my power, full of resentment
Resentment that turned into a deep depression
Found myself screaming in the hotel room
I didn’t wanna self destruct
The evils of Lucy was all around me
So I went running for answers
Until I came home
But that didn’t stop survivor’s guilt
Going back and forth trying to convince myself the stripes I earned
Or maybe how A-1 my foundation was
But while my loved ones was fighting the continuous war back in the city, I was entering a new one
A war that was based on apartheid and discrimination
Made me wanna go back to the city and tell the homies what I learned
The word was respect
Just because you wore a different gang color than mine's
Doesn’t mean I can’t respect you as a black man
Forgetting all the pain and hurt we caused each other in these streets
If I respect you, we unify and stop the enemy from killing us
But I don’t know, I’m no mortal man, maybe I’m just another nigga
”
”
Kendrick Lamar, To Pimp a Butterfly
“
The most important thing we've learned,
So far as children are concerned,
Is never, NEVER, NEVER let
Them near your television set --
Or better still, just don't install
The idiotic thing at all.
In almost every house we've been,
We've watched them gaping at the screen.
They loll and slop and lounge about,
And stare until their eyes pop out.
(Last week in someone's place we saw
A dozen eyeballs on the floor.)
They sit and stare and stare and sit
Until they're hypnotised by it,
Until they're absolutely drunk
With all that shocking ghastly junk.
Oh yes, we know it keeps them still,
They don't climb out the window sill,
They never fight or kick or punch,
They leave you free to cook the lunch
And wash the dishes in the sink --
But did you ever stop to think,
To wonder just exactly what
This does to your beloved tot?
IT ROTS THE SENSE IN THE HEAD!
IT KILLS IMAGINATION DEAD!
IT CLOGS AND CLUTTERS UP THE MIND!
IT MAKES A CHILD SO DULL AND BLIND
HE CAN NO LONGER UNDERSTAND
A FANTASY, A FAIRYLAND!
HIS BRAIN BECOMES AS SOFT AS CHEESE!
HIS POWERS OF THINKING RUST AND FREEZE!
HE CANNOT THINK -- HE ONLY SEES!
'All right!' you'll cry. 'All right!' you'll say,
'But if we take the set away,
What shall we do to entertain
Our darling children? Please explain!'
We'll answer this by asking you,
'What used the darling ones to do?
'How used they keep themselves contented
Before this monster was invented?'
Have you forgotten? Don't you know?
We'll say it very loud and slow:
THEY ... USED ... TO ... READ! They'd READ and READ,
AND READ and READ, and then proceed
To READ some more. Great Scott! Gadzooks!
One half their lives was reading books!
The nursery shelves held books galore!
Books cluttered up the nursery floor!
And in the bedroom, by the bed,
More books were waiting to be read!
Such wondrous, fine, fantastic tales
Of dragons, gypsies, queens, and whales
And treasure isles, and distant shores
Where smugglers rowed with muffled oars,
And pirates wearing purple pants,
And sailing ships and elephants,
And cannibals crouching 'round the pot,
Stirring away at something hot.
(It smells so good, what can it be?
Good gracious, it's Penelope.)
The younger ones had Beatrix Potter
With Mr. Tod, the dirty rotter,
And Squirrel Nutkin, Pigling Bland,
And Mrs. Tiggy-Winkle and-
Just How The Camel Got His Hump,
And How the Monkey Lost His Rump,
And Mr. Toad, and bless my soul,
There's Mr. Rat and Mr. Mole-
Oh, books, what books they used to know,
Those children living long ago!
So please, oh please, we beg, we pray,
Go throw your TV set away,
And in its place you can install
A lovely bookshelf on the wall.
Then fill the shelves with lots of books,
Ignoring all the dirty looks,
The screams and yells, the bites and kicks,
And children hitting you with sticks-
Fear not, because we promise you
That, in about a week or two
Of having nothing else to do,
They'll now begin to feel the need
Of having something to read.
And once they start -- oh boy, oh boy!
You watch the slowly growing joy
That fills their hearts. They'll grow so keen
They'll wonder what they'd ever seen
In that ridiculous machine,
That nauseating, foul, unclean,
Repulsive television screen!
And later, each and every kid
Will love you more for what you did.
”
”
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
“
You need to come with us right now," one of the queen's guards said. "If you resist, we'll take you by force."
"Leave him alone!" I yelled, looking from face to face. That angry darkness exploded within me. How could they still not believe? Why were they still coming after him? "He hasn't done anything! Why can't you guys accept that he's really a dhampir now?"
The man who'd spoken arched an eyebrow. "I wasn't talking to him."
"You're...you're here for me?" I asked. I tried to think of any new spectacles I might have caused recently. I considered the crazy idea that the queen had found out I'd spent the night with Adrian and was pissed off about it. That was hardly enough to send the palace guard for me, though...or was it? Had I really gone too far with my antics?
"What for?" demanded Dimitri. That tall, wonderful bod of his—the one that could be so sensual sometimes—was filled with tension and menace now.
The man kept his gaze on me, ignoring Dimitri. "Don't make me repeat myself: Come with us quietly, or we will make you." The glimmer of handcuffs showed in his hands.
My eyes went wide. "That's crazy! I'm not going anywhere until you tel me how the hell this—"
That was the point at which they apparently decided I wasn't coming quietly. Two of the royal guardians lunged for me, and even though we technically worked for the same side, my instincts kicked in. I didn't understand anything here except that I would not be dragged away like some kind of master criminal. I shoved the chair I'd been sitting in earlier at the one of the guardians and aimed a punch at the other. It was a sloppy throw, made worse because he was taller than me. That height difference allowed me to dodge his next grab, and when I kicked hard at his legs, a grunt told me I'd hit home.
[...]
Meanwhile, other guardians were joining the fray. Although I got a couple of good punches in, I knew the numbers were too overwhelming. One guardian caught hold of my arm and began trying to put the cuffs on me. He stopped when another set of hands grabbed me from the other side and jerked me away.
Dimitri.
"Don't touch her," he growled.
There was a note in his voice that would have scared me if it had been directed toward me. He shoved me behind him, putting his body protectively in front of mine with my back to the table. Guardians came at us from all directions, and Dimitri began dispatching them with the same deadly grace that had once made people call him a god. [...] The queen's guards might have been the best of the best, but Dimitri...well, my former lover and instructor was in a category all his own. His fighting skills were beyond anyone else's, and he was using them all in defense me.
"Stay back," he ordered me. "They aren't laying a hand on you.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
Sir, people never wanted me to make it to squire. They won't like it any better if I become a knight. I doubt I'll ever get to command a force larger than, well, just me.'
Raoul shook his head. 'You're wrong.' As she started to protest, he raised a hand. 'Hear me out. I have some idea of what you've had to bear to get this far, and it won't get easier. But there are larger issues than your fitness for knighthood, issues that involve lives and livelihoods. Attend,' he said, so much like Yayin, one of her Mithran teachers, that Kel had to smile.
'At our level, there are four kids of warrior,' he told Kel. He raised a fist and held up one large finger. 'Heroes, like Alanna the Lioness. Warriors who find dark places and fight in them alone. This is wonderful, but we live in the real world. There aren't many places without any hope or light.'
He raised a second finger. 'We have knights- plain, everyday knights, like your brothers. They patrol their borders and protect their tenants, or they go into troubled areas at the king's command and sort them out. They fight in battles, usually against other knights. A hero will work like an everyday knight for a time- it's expected. And most knights must be clever enough to manage alone.'
Kel nodded.
'We have soldiers,' Raoul continued, raising a third finger. 'Those warriors, including knights, who can manage so long as they're told what to do. These are more common, thank Mithros, and you'll find them in charge of companies in the army, under the eye of a general. Without people who can take orders, we'd be in real trouble.
'Commanders.' He raised his little finger. 'Good ones, people with a knack for it, like, say, the queen, or Buri, or young Dom, they're as rare as heroes. Commanders have an eye not just for what they do, but for what those around them do. Commanders size up people's strengths and weaknesses. They know where someone will shine and where they will collapse. Other warriors will obey a true commander because they can tell that the commander knows what he- or she- is doing.' Raoul picked up a quill and toyed with it. 'You've shown flashes of being a commander. I've seen it. So has Qasim, your friend Neal, even Wyldon, though it would be like pulling teeth to get him to admit it. My job is to see if you will do more than flash, with the right training. The realm needs commanders. Tortall is big. We have too many still-untamed pockets, too curse many hideyholes for rogues, and plenty of hungry enemies to nibble at our borders and our seafaring trade. If you have what it takes, the Crown will use you. We're too desperate for good commanders to let one slip away, even a female one. Now, finish that'- he pointed to the slate- 'and you can stop for tonight.
”
”
Tamora Pierce (Squire (Protector of the Small, #3))
“
It wasn't supposed to. It was just supposed to stop you from hurting yourself.” “It helps—” “No it doesn't. It just pushes it away temporarily. Just like the booze.” “But I need—” “You need to let yourself feel. Feel it, own it. Then move on.” “You make it sound so easy.” Bitterness drips from each syllable. “It’s not. It’s the fucking hardest thing a person can do.” I smooth a damp strand out of her face and away from my mouth. “It’s the hardest fucking thing. It’s why we drink and do drugs and fight. It’s why I play music and build engines.
”
”
Jasinda Wilder (Falling Into You (Falling, #1))
“
In regard to propaganda the early advocates of universal literacy and a free press envisaged only two possibilities: the propaganda might be true, or the propaganda might be false. They did not foresee what in fact has happened, above all in our Western capitalist democracies - the development of a vast mass communications industry, concerned in the main neither with the true nor the false, but with the unreal, the more or less totally irrelevant. In a word, they failed to take into account man's almost infinite appetite for distractions.
In the past most people never got a chance of fully satisfying this appetite. They might long for distractions, but the distractions were not provided. Christmas came but once a year, feasts were "solemn and rare," there were few readers and very little to read, and the nearest approach to a neighborhood movie theater was the parish church, where the performances though frequent, were somewhat monotonous. For conditions even remotely comparable to those now prevailing we must return to imperial Rome, where the populace was kept in good humor by frequent, gratuitous doses of many kinds of entertainment - from poetical dramas to gladiatorial fights, from recitations of Virgil to all-out boxing, from concerts to military reviews and public executions. But even in Rome there was nothing like the non-stop distractions now provided by newspapers and magazines, by radio, television and the cinema. In "Brave New World" non-stop distractions of the most fascinating nature are deliberately used as instruments of policy, for the purpose of preventing people from paying too much attention to the realities of the social and political situation. The other world of religion is different from the other world of entertainment; but they resemble one another in being most decidedly "not of this world." Both are distractions and, if lived in too continuously, both can become, in Marx's phrase "the opium of the people" and so a threat to freedom. Only the vigilant can maintain their liberties, and only those who are constantly and intelligently on the spot can hope to govern themselves effectively by democratic procedures. A society, most of whose members spend a great part of their time, not on the spot, not here and now and in their calculable future, but somewhere else, in the irrelevant other worlds of sport and soap opera, of mythology and metaphysical fantasy, will find it hard to resist the encroachments of those would manipulate and control it.
”
”
Aldous Huxley (Brave New World Revisited)
“
Do you know about the spoons? Because you should. The Spoon Theory was created by a friend of mine, Christine Miserandino, to explain the limits you have when you live with chronic illness. Most healthy people have a seemingly infinite number of spoons at their disposal, each one representing the energy needed to do a task. You get up in the morning. That’s a spoon. You take a shower. That’s a spoon. You work, and play, and clean, and love, and hate, and that’s lots of damn spoons … but if you are young and healthy you still have spoons left over as you fall asleep and wait for the new supply of spoons to be delivered in the morning. But if you are sick or in pain, your exhaustion changes you and the number of spoons you have. Autoimmune disease or chronic pain like I have with my arthritis cuts down on your spoons. Depression or anxiety takes away even more. Maybe you only have six spoons to use that day. Sometimes you have even fewer. And you look at the things you need to do and realize that you don’t have enough spoons to do them all. If you clean the house you won’t have any spoons left to exercise. You can visit a friend but you won’t have enough spoons to drive yourself back home. You can accomplish everything a normal person does for hours but then you hit a wall and fall into bed thinking, “I wish I could stop breathing for an hour because it’s exhausting, all this inhaling and exhaling.” And then your husband sees you lying on the bed and raises his eyebrow seductively and you say, “No. I can’t have sex with you today because there aren’t enough spoons,” and he looks at you strangely because that sounds kinky, and not in a good way. And you know you should explain the Spoon Theory so he won’t get mad but you don’t have the energy to explain properly because you used your last spoon of the morning picking up his dry cleaning so instead you just defensively yell: “I SPENT ALL MY SPOONS ON YOUR LAUNDRY,” and he says, “What the … You can’t pay for dry cleaning with spoons. What is wrong with you?” Now you’re mad because this is his fault too but you’re too tired to fight out loud and so you have the argument in your mind, but it doesn’t go well because you’re too tired to defend yourself even in your head, and the critical internal voices take over and you’re too tired not to believe them. Then you get more depressed and the next day you wake up with even fewer spoons and so you try to make spoons out of caffeine and willpower but that never really works. The only thing that does work is realizing that your lack of spoons is not your fault, and to remind yourself of that fact over and over as you compare your fucked-up life to everyone else’s just-as-fucked-up-but-not-as-noticeably-to-outsiders lives. Really, the only people you should be comparing yourself to would be people who make you feel better by comparison. For instance, people who are in comas, because those people have no spoons at all and you don’t see anyone judging them. Personally, I always compare myself to Galileo because everyone knows he’s fantastic, but he has no spoons at all because he’s dead. So technically I’m better than Galileo because all I’ve done is take a shower and already I’ve accomplished more than him today. If we were having a competition I’d have beaten him in daily accomplishments every damn day of my life. But I’m not gloating because Galileo can’t control his current spoon supply any more than I can, and if Galileo couldn’t figure out how to keep his dwindling spoon supply I think it’s pretty unfair of me to judge myself for mine. I’ve learned to use my spoons wisely. To say no. To push myself, but not too hard. To try to enjoy the amazingness of life while teetering at the edge of terror and fatigue.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
If we are to put an end to division, people from all political persuasions will have to stop fighting one another and seek true unity, not just a consensus that benefits one party.
”
”
Ben Carson (One Nation: What We Can All Do to Save America's Future)
“
If we can all agree that none of us really knows what God actually is, maybe we can stop fighting about what we imagine God to be.
”
”
Brad Warner (There Is No God and He Is Always with You: A Search for God in Odd Places)
“
This is an ode to all of those that have never asked for one.
A thank you in words to all of those that do not do
what they do so well for the thanking.
This is to the mothers.
This is to the ones who match our first scream
with their loudest scream; who harmonize in our shared pain
and joy and terrified wonder when life begins.
This is to the mothers.
To the ones who stay up late and wake up early and always know
the distance between their soft humming song and our tired ears.
To the lips that find their way to our foreheads and know,
somehow always know, if too much heat is living in our skin.
To the hands that spread the jam on the bread and the mesmerizing
patient removal of the crust we just cannot stomach.
This is to the mothers.
To the ones who shout the loudest and fight the hardest and sacrifice
the most to keep the smiles glued to our faces and the magic
spinning through our days. To the pride they have for us
that cannot fit inside after all they have endured.
To the leaking of it out their eyes and onto the backs of their
hands, to the trails of makeup left behind as they smile
through those tears and somehow always manage a laugh.
This is to the patience and perseverance and unyielding promise
that at any moment they would give up their lives to protect ours.
This is to the mothers.
To the single mom’s working four jobs to put the cheese in the mac
and the apple back into the juice so their children, like birds in
a nest, can find food in their mouths and pillows under their heads.
To the dreams put on hold and the complete and total rearrangement
of all priority. This is to the stay-at-home moms and those that
find the energy to go to work every day; to the widows and the
happily married.
To the young mothers and those that deal with the unexpected
announcement of a new arrival far later than they ever anticipated.
This is to the mothers.
This is to the sack lunches and sleepover parties, to the soccer games
and oranges slices at halftime. This is to the hot chocolate
after snowy walks and the arguing with the umpire
at the little league game. To the frosting ofbirthday cakes
and the candles that are always lit on time; to the Easter egg hunts,
the slip-n-slides and the iced tea on summer days.
This is to the ones that show us the way to finding our own way.
To the cutting of the cord, quite literally the first time
and even more painfully and metaphorically the second time around.
To the mothers who become grandmothers and great-grandmothers
and if time is gentle enough, live to see the children of their children
have children of their own. To the love.
My goodness to the love that never stops and comes from somewhere
only mothers have seen and know the secret location of.
To the love that grows stronger as their hands grow weaker
and the spread of jam becomes slower and the Easter eggs get easier
to find and sack lunches no longer need making.
This is to the way the tears look falling from the smile lines
around their eyes and the mascara that just might always be
smeared with the remains of their pride for all they have created.
This is to the mothers.
”
”
Tyler Knott Gregson
“
How could you do that to me?" I repeat. I don´t have to itemize. He knows what I speak of.
Eventually N produces three answers, in this order:
1. "Because I am a complete rotter." I silently agree, but it´s a cop-out: I have maggots, therefore I am dead.
2. "I was stressed at work and unhappy and we were always fighting...and you know I was just crazy..."
I cut him off, saying, "You don´t get to be crazy. You did exactly what you chose to do."
Which is true, he did. It is what he has always done. He therefore seems slightly puzzled at the need for further diagnosis, which may explain his third response:
3. "I don´t know."
This, I feel instinctively, is the correct answer. How can I stay angry with him for being what he is? I was, after all, his wife, and I chose him. No coincidences, that´s what Freud said. None. Ever.
I wipe my eyes on my sleeve and walk toward the truck, saying to his general direction, "Fine. At least now I know: You don´t know."
I stop and turn around and fire one more question: a bullet demanding attention in the moment it enters the skin and spreads outward, an important bullet that must be acknowledged.
"What did you feel?"
After a lengthy pause, he answers. "I felt nothing."
And that, I realize too late, was not the whole truth, but was a valid part of the truth.
Oh, and welcome to the Serengeti. That too.
”
”
Suzanne Finnamore (Split: A Memoir of Divorce)
“
So, whatever it is that's stopping you
from being with me, like we both know what you want, then fight it, babe, because I can't be without you a moment longer.
”
”
Samantha Towle (Revved (Revved, #1))
“
Mr. Normal stepped forward and offered him a Scotch bottle. "You look like you could use some."
Yeah, you think? Butch took a swig. "Thanks."
"So can we kill him now?" said the one with the goatee and the baseball hat.
Beth's man spoke harshly. "Back off, V."
"Why? He's just a human."
"And my shellan is half-human. The man doesn't die just because he's not one of us."
"Jesus, you've changed your tune." "So you need to catch up, brother." Butch got to his feet. If his death was going to be debated, he wanted in on the discussion. "I appreciate the support," he said to Beth's boy. "But I don't need it."
He went over to the guy with the hat, discreetly switching his grip on the bottle's neck in case he had to crack the damn thing over a head. He moved in tight, so their noses were almost touching. He could feel the vampire heating up, priming for a fight.
"I'm happy to take you on, asshole," Butch said. "I'll probably end up losing, but I fight dirty, so I'll make you hurt while you kill me." Then he eyed the guy's hat.
"Though I hate clocking the shit out of another Red Sox fan."
There was a shout of laughter from behind him. Someone said, "This is gonna be fun to watch."
The guy in front of Butch narrowed his eyes into slits. "You true about the Sox?"
"Born and raised in Southie. Haven't stopped grinning since '04."
There was a long pause.
The vampire snorted. "I don't like humans."
"Yeah, well, I'm not too crazy about you bloodsuckers."
Another stretch of silence.
The guy stroked his goatee. "What do you call twenty guys watching the World
Series?"
"The New York Yankees," Butch replied.
The vampire laughed in a loud burst, whipped the baseball cap off his head, and slapped it on his thigh. Just like that, the tension was broken.
”
”
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
“
Well, I'm glad you're so amused," I said, running my fingers across the railing.
Maxon hopped up to sit on the railing, looking very relaxed. "You're always amusing. Get used to it."
Hmm. He was almost being funny.
"So...about what you said...," he started tentatively.
"Which part? The part about me calling you names or fighting with my mom or saying food was my motivation?" I rolled my eyes.
He laughed once. "The part about me being good..."
"Oh. What about it?" Those few sentences suddenly seemed more embarrassing than anything else I'd said. I ducked my head down and twisted a piece of my dress.
"I appreciate you making things look authentic, but you didn't need to go that far."
My head snapped up. How could he think that?
"Maxon, that wasn't for the sake of the show. If you had asked me a month ago what my honest opinion of you was, it would have been very different. But now I know you, and I know the truth, and you are everything I said you were. And more."
He was quiet, but there was a small smile on his face.
"Thank you," he finally said.
"Anytime."
Maxon cleared his throat. "He'll be lucky, too." He got down from his makeshift seat and walked to my side of the balcony.
"Huh?"
"Your boyfriend. When he comes to his senses and begs you to take him back," Maxon said matter-of-factly.
I had to laugh. No such thing would happen in y world.
"he's not my boyfriend anymore. And he made it pretty clear he was gone with me." Even I could hear the tiny bit of hope in my voice.
"Not possible. He'll have seen you on TV by now and fallen for you all over again. Though, in my opinion, you're still much too good for the dog." Maxon spoke almost as if he was bored, like he'd seen this happen a million times.
"Speaking of which!" he said a bit louder. "If you don't want me to be in love with you, you're going to have to stop looking so lovely. First thing tomorrow I'm having your maids sew some potato sacks together for you."
I hit his arm. "Shut up, Maxon."
"I'm not kidding. You're too beautiful for your own good. Once you leave, we'll have to send some of the guards with you. You'll never survive on your own, poor thing." He said all this with mock pity.
"I can't help it." I sighed. "One can never help being born into perfection." I fanned my face as if being so pretty was exhausting.
"No, I don't suppose you can help it.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
FORBIDDEN
Pain without learning is forbidden,
waking up one day not knowing what to do,
being afraid of your memories.
It is forbidden not to smile at problems,
not to fight for what you want,
to abandon all because of fears,
not to realize your dreams.
It is forbidden not to show your love,
to be ashamed of your tears,
to not laugh with children,
to make someone else pay your debts, bad humor.
It is forbidden to forget your friends,
to not try to understand why they live far away,
to treat people as disposable,
to call them only when you need them.
It is forbidden to not be yourself in front of others,
pretending around people you don’t care about,
trying to be funny just so you'll be remembered,
to forget about all the people who love you.
It is forbidden not to do things for yourself,
to be afraid of life and its commitments,
to not to live each day as if it were your last.
It forbidden to take someone out without having fun,
to forget their eyes, their laugh,
to not respect love even if it is past,
just because your paths have stopped crossing,
to forget your past and only live in the moment.
It is forbidden not to try to understand people,
to think that other’s lives are worth more than yours,
to not know that each one of us has our own way and our own happiness.
It is forbidden not create your own story,
to have no time for people who need you,
to not understand what life gives to you, and that it can also be taken away.
It is forbidden not find your happiness,
to not live your life with a positive attitude,
to not think we can do better and be better,
to feel that without you, this world would still be the same...
”
”
José N. Harris (Mi Vida)
“
... the girl remained unmoving. Dead. And yet the Fate continued to hold her.
'Bring her back,' he said softly.
'I am sorry,' said the queen who'd just awoken. She was a petite thing. She's tried to pull her son away from the girl to stop his unnatural feeding, but her hands were not strong enough. The queen could not fight immortals physically, but she had an iron will forged of mettle and mistakes. 'You know I cannot do that.'
The Fate finally looked up. 'Bring her back,' he repeated. For he also possessed an indomitable will. 'I know you can do it.'
The queen shook her head remorsefully. 'My heart breaks for you- for this. But I will not do this. After bringing back Castor and seeing what he became, I vowed to never use that sort of magic again.'
'Evangeline would be different.' The Fate glowered at the queen.
'No,' she repeated. 'You wouldn't be saving this girl, you would be damning her. Just as we did to Castor. She wouldn't want this life.'
'I don't care what she wants!' roared the Fate. 'I don't want her dead. She saved you, you need to save her.'
The queen took a shaky breath.
If the story curse could have breathed, it would have held its breath. It hoped the queen would say yes. Yes to bringing her back, to turning her in to another terrible immortal. Despite what this Fate believed, the girl would be horrible- the ones with endless life always were, eventually.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
All of life is change. When we learn to stop fighting it, that's when we can start to be happy.
”
”
Traci Depree
“
You’ll know for yourself what to fight. Grandma told me fighting can be making peace. She said sometimes we move forward by looking back and sometimes the onward can be knowing when to stop.
”
”
Miriam Toews (Fight Night)
“
Ridoc bedhops like a fucking frog, but no, let’s give me crap.” We make it a few steps before none of us can smother our laughs. “A frog?” Ridoc grins from Sawyer’s left. “That’s the best you can do? A frog?” “Tara and I are old news.” Rhi shrugs. “Leadership is hard on both our schedules. We’re together when we have time, but it’s not like we’re seeing other people.” She shoots a sideways glance my way. “But he’s right, you and Riorson bicker like you’ve been married fifty years and neither of you wants to do the dishes.” “That is not true,” I protest as Sawyer nods. “Agreed,” Ridoc says. “And it’s always the same fight.” He lifts his hand to his chest. “I’ll trust you if you stop keeping secrets!” He drops the hand and scowls. “It’s my secretive nature that attracted you, and why can’t you just stay out of harm’s way for five fucking minutes?” Rhi laughs so hard she nearly chokes. I narrow my gaze on Ridoc. “Keep talking, and I’ll plant my dagger somewhere that prevents all frog-like activity.
”
”
Rebecca Yarros (Onyx Storm (The Empyrean, #3))
“
I think you can tell by now that I'm not the type of man to beat around the bush. I'll tell you exactly what I want from you."
Maxon took a step closer.
My breath caught in my throat. I'd just walked into the very situation I feared. No guards, no cameras, no one to stop him from doing whatever he wanted.
Knee-jerk reaction. Literally. I kneed His Majesty in the thigh. Hard.
Maxon let out a yell and reached down, clutching himself as I backed away from him. "What was that for?"
"If you lay a single finger on me, I'll do worse!" I promised.
"What?"
"I said, if you-"
"No, no, you crazy girl, I heard you the first time." Maxon grimaced. "But just what in the world do you mean by it?"
I felt the heat run through my body. I'd jumped to the worst possible conclusion and set myself up to fight something that obviously wasn't coming.
The guards ran up, alerted by our little squabble. Maxon waved them away from an awkward, half-bent position.
We were quiet for a while, and once Maxon was over the worst of his pain, he faced me.
"What did you think I wanted?" he asked.
I ducked my head and blushed.
"America, what did you think I wanted?" He sounded upset. More than upset. Offended. He had obviously guessed what I'd assumed, and he didn't like that one bit. "In public? You thought...for heaven's sake. I'm a gentleman!"
He started to walk away but turned back.
"Why did you even offer to help if you think so little of me?"
I couldn't even look him in the eye. I didn't know how to explain I had been prepped to expect a dog, that the darkness and privacy made me feel strange, that I'd only ever been alone with one other boy and that was how we behaved.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
And what does it amount to?" said Satan, with his evil chuckle. "Nothing at all. You gain nothing; you always come out where you went in. For a million years the race has gone on monotonously propagating itself and monotonously reperforming this dull nonsense--to what end? No wisdom can guess! Who gets a profit out of it? Nobody but a parcel of usurping little monarchs and nobilities who despise you; would feel defiled if you touched them; would shut the door in your face if you proposed to call; whom you slave for, fight for, die for, and are not ashamed of it, but proud; whose existence is a perpetual insult to you and you are afraid to resent it; who are mendicants supported by your alms, yet assume toward you the airs of benefactor toward beggar; who address you in the language of master to slave, and are answered in in the language of slave to master; who are worshiped by you with your mouth, while in your heart--if you have one--you despise yourselves for it. The first man was hypocrite and a coward, qualities which have not yet failed in his line; it is the foundation upon which all civilizations have been built. Drink to their perpetuation! Drink to their augmentation! Drink to--" Then he saw by our faces how much we were hurt, and he cut his sentence short and stopped chuckling...
”
”
Mark Twain (The Mysterious Stranger and Other Stories)
“
Me and the bottle have always been friends, we've had a few old nasty fights but the bottle would always win, so when I go to answer that final curtain call, I can hear these words being whispered by all... Ol' George stopped drinking today.
”
”
George Jones
“
What's wrong with the world Peter?
God, I don't know. Where do you start? People give up. We're defeatists and we stop striving or fighting or enjoying things. It doesn't matter what you're talking about - war, work, marriage, democracy, love, it all fails because everybody gives up trying after a while, we can't help ourselves. And don't ask me to solve it because I am the worst. I'd escape tomorrow if I could, from every single thing I've always wanted.
”
”
Jenny Valentine (Finding Violet Park)
“
You will not remember much from school.
School is designed to teach you how to respond and listen to authority figures in the event of an emergency. Like if there's a bomb in a mall or a fire in an office. It can, apparently, take you more than a decade to learn this. These are not the best days of your life. They are still ahead of you. You will fall in love and have your heart broken in many different, new and interesting ways in college or university (if you go) and you will actually learn things, as at this point, people will believe you have a good chance of obeying authority and surviving, in the event of an emergency. If, in your chosen career path, there are award shows that give out more than ten awards in one night or you have to pay someone to actually take the award home to put on your mantlepiece, then those awards are more than likely designed to make young people in their 20's work very late, for free, for other people. Those people will do their best to convince you that they have value. They don't. Only the things you do have real, lasting value, not the things you get for the things you do. You will, at some point, realise that no trophy loves you as much as you love it, that it cannot pay your bills (even if it increases your salary slightly) and that it won't hold your hand tightly as you say your last words on your deathbed. Only people who love you can do that. If you make art to feel better, make sure it eventually makes you feel better. If it doesn't, stop making it. You will love someone differently, as time passes. If you always expect to feel the same kind of love you felt when you first met someone, you will always be looking for new people to love. Love doesn't fade. It just changes as it grows. It would be boring if it didn't. There is no truly "right" way of writing, painting, being or thinking, only things which have happened before. People who tell you differently are assholes, petrified of change, who should be violently ignored. No philosophy, mantra or piece of advice will hold true for every conceivable situation. "The early bird catches the worm" does not apply to minefields. Perfection only exists in poetry and movies, everyone fights occasionally and no sane person is ever completely sure of anything. Nothing is wrong with any of this. Wisdom does not come from age, wisdom comes from doing things. Be very, very careful of people who call themselves wise, artists, poets or gurus. If you eat well, exercise often and drink enough water, you have a good chance of living a long and happy life. The only time you can really be happy, is right now. There is no other moment that exists that is more important than this one. Do not sacrifice this moment in the hopes of a better one. It is easy to remember all these things when they are being said, it is much harder to remember them when you are stuck in traffic or lying in bed worrying about the next day. If you want to move people, simply tell them the truth. Today, it is rarer than it's ever been.
(People will write things like this on posters (some of the words will be bigger than others) or speak them softly over music as art (pause for effect). The reason this happens is because as a society, we need to self-medicate against apathy and the slow, gradual death that can happen to anyone, should they confuse life with actually living.)
”
”
pleasefindthis
“
Time is a hard-hearted rebel, we cannot fight him or can we beg him to slow down, wait for us or stop, all we have to do is to obey his strict rules, follow him and run, he doesn't get tired, and we musn't get tired too.
”
”
Michael Bassey Johnson
“
RAINBOW VOICES
I ask people of the world and children of light to start reflecting the stories of their souls to vibrate wisdom around the earth. Pick up a paintbrush or microphone. Press the inks of your pens to paper or tap words onto your screens, and start sharing what you know and have learned with the masses. Turn your personal painting into a piece of the earth's puzzle so that our unified assemblage of thoughts, experiences and lessons reveal common truths that cannot be denied. Imagine the changes that could happen if everyone suddenly stopped acting like someone else, became true to themselves, and celebrated the beauty of their uniqueness. Only after people have willingly removed their masks and costumes, and have begun pouring light from their hearts to reveal their vulnerability, dreams and pains, will we be able to see that beneath the surface we are all the same. After all, how can the world collectively fight for truth, if soldiers in its army are void of truth? We must first all be true by putting truth in our words and actions. And to do so, everyone must learn to think and react with their conscience. Imagine what Truth could do to neutralize the clutches of evil once this black and white world suddenly became embraced by a strong rainbow of loud powerful voices. We could put color back into every home, every school, every industry, every nation, and every garden on earth where flowers have been crushed by corruption.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
Citizens of Luna, I ask that you stop what you’re doing to listen to this message. My name is Selene Blackburn. I am the daughter of the late Queen Channary, niece to Princess Levana, and the rightful heir to Luna’s throne. You were told that I died thirteen years ago in a nursery fire, but the truth is that my aunt, Levana, did try to kill me, but I was rescued and taken to Earth. There, I have been raised and protected in preparation for the time when I would return to Luna and reclaim my birthright.
In my absence, Levana has enslaved you. She takes your sons and turns them into monsters. She takes your shell infants and slaughters them. She lets you go hungry, while the people in Artemisia gorge themselves on rich foods and delicacies. But Levana’s rule is coming to an end. I have returned and I am here to take back what’s mine.
Soon, Levana is going to marry Emperor Kaito of Earth and be crowned the empress of the Eastern Commonwealth, an honor that could not be given to anyone less deserving. I refuse to allow Levana to extend her tyranny. I will not stand aside while my aunt enslaves and abuses my people here on Luna, and wages a war across Earth. Which is why, before an Earthen crown can be placed on Levana’s head, I will bring an army to the gates of Artemisia.
I ask that you, citizens of Luna, be that army. You have the power to fight against Levana and the people that oppress you. Beginning now, tonight, I urge you to join me in rebelling against this regime. No longer will we obey her curfews or forgo our rights to meet and talk and be heard. No longer will we give up our children to become her disposable guards and soldiers. No longer will we slave away growing food and raising wildlife, only to see it shipped off to Artemisia while our children starve around us. No longer will we build weapons for Levana’s war. Instead, we will take them for ourselves, for our war.
Become my army. Stand up and reclaim your homes from the guards who abuse and terrorize you. Send a message to Levana that you will no longer be controlled by fear and manipulation. And upon the commencement of the royal coronation, I ask that all able-bodied citizens join me in a march against Artemisia and the queen’s palace. Together we will guarantee a better future for Luna. A future without oppression. A future in which any Lunar, no matter the sector they live in or the family they were born to, can achieve their ambitions and live without fear of unjust persecution or a lifetime of slavery.
I understand that I am asking you to risk your lives. Levana’s thaumaturges are powerful, her guards are skilled, her soldiers are brutal. But if we join together, we can be invincible. They can’t control us all. With the people united into one army, we will surround the capital city and overthrow the imposter who sits on my throne. Help me. Fight for me. And I will be the first ruler in the history of Luna who will also fight for you.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
Sand whispered behind him as Lorcan stepped up to his side. “I will go with you. I will help you get her back.” Gavriel rasped, “We’ll find her.” Aedion at last looked away from Lysandra at that. But he said nothing to his father—had said nothing to him at all since they’d landed on the beach. Elide took a limping step closer, her voice as raw as Gavriel’s. “Together. We’ll go together.” Lorcan gave the Lady of Perranth an assessing look that she made a point to ignore. His eyes flickered as he said to Rowan, “Fenrys is with her. He’ll know we’re coming for her—try to leave tracks if he can.” If Maeve didn’t have him on lockdown. But Fenrys had battled the blood oath every day since swearing it. And if he was all that now stood between Cairn and Aelin … Rowan didn’t let himself think about Cairn. About what Maeve had already had him do, or would do to her before the end. No—Fenrys would fight it. And Aelin would fight it. Aelin would never stop fighting. Rowan
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
There’s so much life and it just keeps going. Maybe not everyone’s life, but Life. (...) Because no matter how hard we try, we can’t stop life. No matter how much we fight, no matter how many we kill, things keep changing, and growing, and living, and people get lost, and fall away, and come back, and get born, and move on, and no matter what it’s all so much, it’s all so hard, the way life just keeps going and going.
”
”
Grady Hendrix (The Final Girl Support Group)
“
The night following the reading, Gansey woke up to a completely unfamiliar sound and fumbled for his glasses. It sounded a little like one of his roommates was being killed by a possum, or possibly the final moments of a fatal cat fight. He wasn’t certain of the specifics, but he was sure death was involved.
Noah stood in the doorway to his room, his face pathetic and long-suffering. “Make it stop,” he said.
Ronan’s room was sacred, and yet here Gansey was, twice in the same weak, pushing the door open. He found the lamp on and Ronan hunched on the bed, wearing only boxers. Six months before, Ronan had gotten the intricate black tattoo that covered most of his back and snaked up his neck, and now the monochromatic lines of it were stark in the claustrophobic lamplight, more real than anything else in the room. It was a peculiar tattoo, both vicious and lovely, and every time Gansey saw it, he saw something different in the pattern. Tonight, nestled in an inked glen of wicked, beautiful flowers, was a beak where before he’d seen a scythe.
The ragged sound cut through the apartment again.
“What fresh hell is this?” Gansey asked pleasantly. Ronan was wearing headphones as usual, so Gansey stretched forward far enough to tug them down around his neck. Music wailed faintly into the air.
Ronan lifted his head. As he did, the wicked flowers on his back shifted and hid behind his sharp shoulder blades. In his lap was the half-formed raven, its head tilted back, beak agape.
“I thought we were clear on what a closed door meant,” Ronan said. He held a pair of tweezers in one hand.
“I thought we were clear that night was for sleeping.”
Ronan shrugged. “Perhaps for you.”
“Not tonight. Your pterodactyl woke me. Why is it making that sound?”
In response, Ronan dipped the tweezers into a plastic baggy on the blanket in front of him. Gansey wasn’t certain he wanted to know what the gray substance was in the tweezers’ grasp. As soon as the raven heard the rustle of the bag, it made the ghastly sound again—a rasping squeal that became a gurgle as it slurped down the offering. At once, it inspired both Gansey’s compassion and his gag reflex.
“Well, this is not going to do,” he said. “You’re going to have to make it stop.”
“She has to be fed,” Ronan replied. The ravel gargled down another bite. This time it sounded a lot like vacuuming potato salad. “It’s only every two hours for the first six weeks.”
“Can’t you keep her downstairs?”
In reply, Ronan half-lifted the little bird toward him. “You tell me.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
We aren't fighting right now." I blurted out.
He gave me a sidelong look. "Do you want to fight?"
"No. I hate fighting with you. Verbally, I mean. I don't mind in the gym."
I thought I detected the hint of a smile. Always a half-smile for me. Rarely a full one. "I don't like fighting with you either."
Sitting next to him there, I marveled at the warm and happy emotions springing up inside me. There was something about being around him that felt so good, that moved me in a way Mason couldn't. You can't force love, I realized, It's there or it isn't. If it's not there, you've got to be able to admit it. If it is there, you've got to do whatever it takes to protect the ones you love.
The next words that came out of my mouth astonished me, both because they were completely unselfish and because I actually meant them.
"You should take it."
He flinched. "What?"
"Tasha's offer. You should take her up on it. It's a really great chance."
I remembered my mom's words about being ready for children. I wasn't. Maybe she hadn't been. But Tasha was. And I knew Dimitri was too. They got along really well. He could go be her guardian, have some kids with her...it would be a good deal for both of them.
"I never expected to hear you say anything like that," he told me, voice tight. "Especially after-"
"What a bitch I've been? Yeah." I tugged his coat tighter against the cold. It smelled like him. It was intoxicating, and I could half-imagine being wrapped in his embrace. Adrian might have been onto something about the power of scent. "Well. Like I said, I don't want to fight anymore. I don't want us to hate each other. And...well..." I squeezed my eyes shut and then opened them. "No matter how I feel about us...I want you to be happy."
Silence yet again. I noticed then that my chest hurt.
Dimitri reached out and put his arm around me. He pulled me to him, and I rested my head on his chest. "Roza," was all he said.
It was the first time he'd really touched me since the night of the lust charm. The practice room had been something different...more animal. This wasn't even about sex. It was just about being close to someone you cared about, about the emotion that kind of connection flooded you with.
Dimitri might run off with Tasha, but I would still love him. I would probably always love him.
I cared about Mason. But I would probably never love him.
I sighed into Dimitri, just wishing I could stay like that forever. It felt right being with him. And-no matter how much the thought of him and Tasha made me ache-doing what was best for him felt right. Now, I knew, it was time to stop being a coward and do something else that was right. Mason had said I needed to learn something about myself. I just had.
Reluctantly, I pulled away and handed Dimitri his coat. I stood up. He regarded me curiously, sensing my unease.
"Where you going?" he asked.
"To break someone's heart," I replied.
I admired Dimitri for a heartbeat more-the dark, knowing eyes and silken hair. The I headed inside. I had to apologize to Mason...and tell him there'd never be anything between us.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
Mother. Father. I am sorry. I have failed you both. I made a promise to protect our people, Mother. I thought if I could stop the Templars, If I could keep the revolution free from their influence, then those I supported would do what was right. They did, I suppose, do what was right - what was right for them. As for you, Father, I thought I might unite us, that we would forget the past and forge a better future. In time, I believed you could be made to see the world as I do - to understand. But it was just a dream. This, too, I should have known. Were we not meant to live in peace, then? Is that it? Are we born to argue? To fight? So many voices - each demanding something else.
"It has been hard at times, but never harder than today. To see all I worked for perverted, discarded, forgotten. You would say I have described the whole of history, Father. Are you smiling, then? Hoping I might speak the words you long to hear? To validate you? To say that all along you were right? I will not. Even now, faced as I am with the truth of your cold words, I refuse. Because I believe things can still change.
"I may never succeed. The Assassins may struggle another thousand years in vain. But we will not stop."
"Compromise. That's what everyone has insisted on. And so I have learnt it. But differently than most, I think. I realize now that it will take time, that the road ahead is long and shrouded in darkness. It is a road which will not always take me where I wish to go - and I doubt I will live to see it end. But I will travel down it nonetheless."
"For at my side walks hope. In the face of all that insists I turn back, I carry on: this, this is my compromise.
”
”
Oliver Bowden (Forsaken (Assassin's Creed, #5))
“
No, see what I’m trying to say is that I watch people organizing themselves into these neat little conflicts: Atheists versus Christians Jews versus Muslims Fundamentalists versus basically everybody and I feel like a kid in a broken home who can’t get Mom and Dad to stop fighting. The assumption that every one of these groups is making— and I think it’s important to acknowledge that every group, from scientist to Sikh, assumes this—is that they are right. That they are somehow behaving rationally. But the fact that we can get so angry about this stuff means that it’s not rational and I think we could get a hell of a lot further by synthesizing these beliefs than by finding more and more nuanced ways to call each other dicks.
”
”
Cory O'Brien (Zeus Grants Stupid Wishes: A No-Bullshit Guide to World Mythology)
“
To the winter forest
And nowhere to go
This girl runs
From all she knows
The pressure rises to the top
The pressure rises (it won't stop)
They want your body
They want your soul
They want fake smiles
That's rock and roll
The wolves surrond you
A fever dream
The wolves surrond you
So start the scream
Howl, into the night,
Howl, until the light,
Howl, your turn to fight,
Howl, just make it right
Howl howl howl howl
(Motherfucker)
You can't fight fo ever
You have to comply
If your life isn't working
You have to ask why
Remember
When we were young enough
Not to fear tomorrow
Or mourn yesterday
And we were just
Us
And time was just
Now
And we were in
Life
Not rising through
Like arms in a sleeve
Because we had time
We had time to breathe
The bad times are here
The bad times have come
but life can't be over
When it hasn't begun
The lake shines and the water's cold
All that glitters can turn to gold
Silence the music to improve the tune
Stop the fake smiles and howl at the moon
Howl, into the night,
Howl, until the light,
Howl, your turn to fight,
Howl, just make it right
Howl howl howl howl
”
”
Matt Haig (The Midnight Library (The Midnight World, #1))
“
You’re fond of pretending to be weaklings,” Rin observed. “Does that always work?”
“Almost every time. The Mugenese are terribly attracted to easy targets.”
“And they never catch on?”
“Not as far as I’ve noticed. See, they’re bullies. Weakness is what they want to see. They’re so convinced that we’re just base, cowardly animals, they won’t stop to question it. They don’t want to believe we can fight back, so they won’t.
”
”
R.F. Kuang (The Burning God (The Poppy War, #3))
“
I had to stop him from arresting an old lady who let her dog urinate against the fire hydrant that was in front of Burgerville headquarters.
"You'll blow our cover."
"But what if there is a fire?"
"The fire department will come and put it out," I said.
"With what?"
"Water," I said.
"Not from that hydrant," Monk said. "It's inoperable."
"No, it's not," I said. "It can still be used."
"There is urine all over it," Monk said. "no fireman would dare touch it, nor would any other human being."
"Firefighters run into burning buildings," I said."They aren't going to care about some dog pee on a fire hydrant."
"They would if they knew," Monk said. "We should call and warn them. Call Joe right now. He can get the word out faster than we can."
"Every fire hydrant in the city has dog pee on it, Mr. Monk. It's how dogs mark their territory. I can guarantee you that every male dog that has passed that hydrant has pissed on it."
He looked at me, wide eyed, "No."
"It's what dogs do," I said. "The firefighters knows this."
Monk swallowed hard. "And they still use the hydrants?"
"Of course they do."
"They are the bravest men on earth," Monk said solemnly.
”
”
Lee Goldberg (Mr. Monk in Outer Space (Mr. Monk, #5))
“
i learnt from the autumn leaves, the formula of healing.
every year, they break, fall off the trees and die.
and then again in a few months, they find their way back home.
reborn, living a new life just to die again.
but never did that stop them growing again.
so why can't we humans just live up to them.
fall, get hurt, bear pain but have enough
courage and energy to stand up and fight back again.
”
”
Renesmee Stormer
“
Choosing authenticity is not an easy choice. E. E. Cummings wrote, “To be nobody-but-yourself in a world which is doing its best, night and day, to make you everybody but yourself—means to fight the hardest battle which any human being can fight—and never stop fighting.” “Staying real” is one of the most courageous battles that we’ll ever fight.
”
”
Brené Brown (The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are)
“
I don't like fighting,' he said. 'It makes me hurt inside. Like I'm a kid again. In the cupboard, in the dark. If the grown-ups are fighting, it must be my fault. That's why I don't do rows.' He blinked hard, to keep the tears at bay. She was the only person in the world who could make him feel so exposed. It din't always feel like a good thing. 'Carol, I'm going home tomorrow. I can't manage without you. Not in any sense. So can we stop this no? I can't do it.
”
”
Val McDermid (Beneath the Bleeding (Tony Hill & Carol Jordan, #5))
“
Hemingway never said any of this.
It's all AI-generated bullshit.
The hardest lesson I’ve had to learn as an adult is the relentless need to keep going, no matter how shattered I feel inside."
This truth is both raw and universal. Life doesn’t pause when our hearts are heavy, our minds are fractured, or our spirits feel like they’re unraveling. It keeps moving—unrelenting, unapologetic—demanding that we move with it. There’s no time to stop, no pause for repair, no moment of stillness where we can gently piece ourselves back together. The world doesn’t wait, even when we need it to.
What makes this even harder is that no one really prepares us for it. As children, we grow up on a steady diet of stories filled with happy endings, tales of redemption and triumph where everything always falls into place. But adulthood strips away those comforting narratives. Instead, it reveals a harsh truth: survival isn’t glamorous or inspiring most of the time. It’s wearing a mask of strength when you’re falling apart inside. It’s showing up when all you want is to retreat. It’s choosing to move forward, step by painful step, when your heart begs for rest.
And yet, we endure. That’s the miracle of being human—we endure. Somewhere in the depths of our pain, we find reserves of strength we didn’t know we possessed. We learn to hold space for ourselves, to be the comfort we crave, to whisper words of hope when no one else does. Over time, we realize that resilience isn’t loud or grandiose; it’s a quiet defiance, a refusal to let life’s weight crush us entirely.
Yes, it’s messy. Yes, it’s exhausting. And yes, there are days when it feels almost impossible to take another step. But even then, we move forward. Each tiny step is proof of our resilience, a reminder that even in our darkest moments, we’re still fighting, still refusing to give up. That fight—that courage—is the quiet miracle of survival.
”
”
Ernest Hemingway
“
Once the process of falsification is set in motion, it won't stop. We're in a country where everything that can be falsified has been falsified: paintings in museums, gold ingots, bus tickets. The counterrevolution and the revolution fight with salvos of falsification: the result is that nobody can be sure what is true and what is false, the political police simulate revolutionary actions and the revolutionaries disguise themselves as policemen."
And who gains by it, in the end?"
It's too soon to say. We have to see who can best exploit the falsifications, their own and those of the others: whether it's the police or our organization."
The taxi driver is pricking up his ears. You motion Corinna to restrain herself from making unwise remarks.
But she says, "Don't be afraid. This is a fake taxi. What really alarms me, though, is that there is another taxi following us."
Fake or real?"
Fake, certainly, but I don't know whether it belongs to the police or to us.
”
”
Italo Calvino (If on a Winter's Night a Traveler)
“
Look for some peace organization to join. It will look small at first, and pitiful and helpless, but that’s how movements start. That’s how the movement against the Vietnam War started. It started with handfuls of people who thought they were helpless, thought they were powerless. But remember, this power of the people on top depends on the obedience of the people below. When people stop obeying, they have no power. When workers go on strike, huge corporations lose their power. When consumers boycott, huge business establishments have to give in. When soldiers refuse to fight, as so many soldiers did in Vietnam, so many deserters, so many fraggings, acts of violence by enlisted men against officers in Vietnam, B-52 pilots refusing to fly bombing missions anymore, war can’t go on. When enough soldiers refuse, the government has to decide we can’t continue. So, yes, people have the power. If they begin to organize, if they protest, if they create a strong enough movement, they can change things.
”
”
Howard Zinn
“
Last spring, David had offered this crazy solution to our woes, only half in jest:... "What if we admitted that we make each other nuts, we fight constantly and hardly ever have sex, but we can't live without each other, so we deal with it? And then we could spend our lives together- in misery, but happy to not be apart." Let it be a testimony to how desperately I love this guy that I have spent the last ten months giving that offer serious consideration. The other alternative in the backs of our minds, of course, was that one of us might change. He might become more open and affectionate, not withholding himself from anyone who loves him on the fear that she will eat his soul. Or I might learn how to ... stop trying to eat his soul.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
I think that certain emotions can compromise you when you’re at war. If you stop to mourn the dead, or even to breathe in what you’ve done, you’ll be dead as well. Your brain goes to a primitive region, one inaccessible to feelings beyond pure anger and pure fear. Your brain is reduced to two impulses: fight or flight. Kill or be killed. No room for more delicate feelings. No room for a soul. All you’re thinking about is how to maneuver your body in space so it will survive.
”
”
Willa Strayhorn (The Way We Bared Our Souls)
“
Here, let me explain it to you in Jenny-speak. You know that movie we watched earlier tonight? Ajeossi. There's a quote Won Bin's character says that roughly translates to, 'People who live for tomorrow should fear the people who live for today.' Do you know why that is?"
"No," I drawl, "but you're going to tell me."
"Because the people who live for tomorrow don't take risks. They're afraid of the consequences. while the people who live for today have nothing to lose, so they fight tooth and nail. I'm saying that maybe you should stop caring so much about your future, about getting into music school, about what'll come after, and . . . live a little. Have new experiences, make new friends. I promise you can get the life you want now, if you just live in it.
”
”
Axie Oh (XOXO)
“
We're told in Psalms 46:10, to "be still," or to "cease striving," and know that He is God. Some people are familiar with this verse but not the larger context, which is that of someone looking over the remains of a battlefield. The original Hebrew is suggestive of stopping the fight, letting go, and relaxing.
God wants us to drop our arms.
No more defensiveness. No more taking things personally. He'll handle it. Really.
Trust Him. Rest.
”
”
Brant Hansen (Unoffendable: How Just One Change Can Make All of Life Better)
“
Very often in a conflict, we believe the problem is the other person or group. We think it is all their fault and that if they would just stop doing what they are doing or being the way they are, we would have peace and happiness. So we may be motivated by the desire to destroy the other side. We may wish they didn’t exist. But looking deeply, we know that we are not the only ones who have suffered—they have also suffered. When we take time to calm ourselves down and look deeply into the situation, we can see that we are co-responsible, that we have co-created the conflict by our way of thinking, acting, or speaking, either individually or as a group or nation.
”
”
Thich Nhat Hanh (How to Fight (Mindfulness Essentials #6))
“
You're the insane one. You don't even love the world you created. So how can you expect us to love and respect you?
An endless repetition of natural destruction and stupid, meaningless wars. Because we don't understand it, we have no way to stop it.
We may be stupid and not know what to do... But we fight to move forward towards that which we think is right. Not just sticking to the arbitrary boundaries you created.
We make lots of mistakes, and get hurt... But we keep believing in miracles. Looking for a truth we can't yet see.
We do it our own way. Because we believe our lives mean something.
”
”
Kaori Yuki (Angel Sanctuary, Vol. 20)
“
“Jebediah has given up on you, but I never will. I can offer you the security you desire. If you’ll but be mine, your heart will forever be sheltered in my care. Yes, we will quarrel incessantly and fight for dominance. And yes, there will be ravishes of passion, but there will also be gentle lulls. That is who we are together. You’ll never need fear that your love is not reciprocated. For although you’ve made me feel things I am not equipped for . . . I cannot stop feeling them.” His chin quavers. “You opened Pandora’s box within me. Set loose the imaginings and emotions of a mortal man. And there is no closing it ever again.” The jewels under his eyes twitch between dark purple and blue. “As much as I abhor being anything akin to human, Alyssa, I wouldn’t dare try to close it. Because that would mean losing you.”
The confession is lovely and brutal—laced with honesty that I not only hear in the rasp of his voice, but feel in the quaking of his muscles as he holds my hands over my head.
”
”
A.G. Howard (Ensnared (Splintered, #3))
“
We’re getting out of here,” she said. “The store will try to stop us. It’ll disorient you, get inside your head, try to confuse you and control you. But if you stay focused, you can block it out. You have to fight, do you understand?
”
”
Grady Hendrix (Horrorstör)
“
Nationalism is the uncritical celebration of one’s nation regardless of its moral or political virtue. It is summarized in the saying, “My country right or wrong.” Lump it or leave it. Nationalism is a harmful belief that can lead a country down a dangerous spiral of arrogance, or off a precipice of political narcissism. Nationalism is the belief that no matter what one’s country does—whether racist, homophobic, sexist, xenophobic, or the like—it must be supported and accepted entirely. Patriotism is a bigger, more uplifting virtue. Patriotism is the belief in the best values of one’s country, and the pursuit of the best means to realize those values. If the nation strays, then it must be corrected. The patriot is the person who, spotting the need for change, says so clearly and loudly, without hate or rancor. The nationalist is the person who spurns such correction and would rather take refuge in bigotry than fight it. It is the nationalists who wrap themselves in a flag and loudly proclaim themselves as patriots. That is dangerous, as glimpsed in Trump’s amplification of racist and xenophobic sentiments. In the end, Trump is a nationalist, and Kaepernick is a patriot. Beloved,
”
”
Michael Eric Dyson (Tears We Cannot Stop: A Sermon to White America)
“
Coddly slammed a fist on the table. “No one will take you seriously if you do not act decisively.”
There was a beat of silence after his voice stopped echoing around the room, and the entire table sat motionless.
“Fine,” I responded calmly. “You’re fired.”
Coddly laughed, looking at the other gentlemen at the table. “You can’t fire me, Your Highness.”
I tilted my head, staring at him. “I assure you, I can. There’s no one here who outranks me at the moment, and you are easily replaceable.”
Though she tried to be discreet, I saw Lady Brice purse her lips together, clearly determined not to laugh. Yes, I definitely had an ally in her.
“You need to fight!” he insisted.
“No,” I answered firmly. “A war would add unnecessary strain to an already stressful moment and would cause an upheaval between us and the country we are now bound to by marriage. We will not fight.”
Coddly lowered his chin and squinted. “Don’t you think you’re being too emotional about this?”
I stood, my chair screeching behind me as I moved. “I’m going to assume that you aren’t implying by that statement that I’m actually being too female about this. Because, yes, I am emotional.”
I strode around the opposite side of the table, my eyes trained on Coddly. “My mother is in a bed with tubes down her throat, my twin is now on a different continent, and my father is holding himself together by a thread.”
Stopping across from him, I continued. “I have two younger brothers to keep calm in the wake of all this, a country to run, and six boys downstairs waiting for me to offer one of them my hand.” Coddly swallowed, and I felt only the tiniest bit of guilt for the satisfaction it brought me. “So, yes, I am emotional right now. Anyone in my position with a soul would be. And you, sir, are an idiot. How dare you try to force my hand on something so monumental on the grounds of something so small? For all intents and purposes, I am queen, and you will not coerce me into anything.”
I walked back to the head of the table. “Officer Leger?”
“Yes, Your Highness?”
“Is there anything on this agenda that can’t wait until tomorrow?”
“No, Your Highness.”
“Good. You’re all dismissed. And I suggest you all remember who’s in charge here before we meet again.
”
”
Kiera Cass (The Crown (The Selection, #5))
“
Commenter Peregrine John summed it up: We want to relax. We want to be open and honest. We want to have a safe haven in which struggle has no place, where we gain strength and rest instead of having it pulled from us. We want to stop being on guard all the time, and have a chance to simply be with someone who can understand our basic humanity without begrudging it. To stop fighting, to stop playing the game, just for a while. We want to, so badly. If we do, we soon are no longer able to.
”
”
Rollo Tomassi (The Rational Male)
“
Ahimsa is a comprehensive principle. We are helpless mortals caught in the conflagration of himsa. The saying that life lives on life has a deep meaning in it. Man cannot for a moment live without consciously or unconsciously committing outward himsa. The very fact of his living - eating, drinking and moving about - necessarily involves some himsa, destruction of life, be it ever so minute. A votary of ahimsa therefore remains true to his faith if the spring of all his actions is compassion, if he shuns to the best of his ability the destruction of the tiniest creature, tries to save it, and thus incessantly strives to be free from the deadly coil of himsa. He will be constantly growing in self-restraint and compassion, but he can never become entirely free from outward himsa.
Then again, because underlying ahimsa is the unity of all life, the error of one cannot but affect all, and hence man cannot be wholly free from himsa. So long as he continues to be a social being, he cannot but participate in the himsa that the very existence of society involves. When two nations are fighting, the duty of a votary of ahimsa is to stop the war. He who is not equal to that duty, he who has no power of resisting war, he who is not qualified to resist war, may take part in war, and yet wholeheartedly try to free himself, his nation and the world from war.
”
”
Mahatma Gandhi
“
When you’re young, experiencing new relationships and first loves, nobody really knows what they’re doing. We chase the butterflies and try to capture the perfect moments. But the more you grow, the more you realize that’s not what it’s all about. Love becomes real when the ideal fades away. When that one person becomes more important than yourself. When you make the decision that no matter the cost, you’ll never stop fighting for them. When you can face each other, scarred and unashamed in this dark, lonely world, and feel like you’re finally home.
Until we are ready to love with all our hearts, all our minds, and all our souls, we are nothing but lonesome people, just looking to use somebody.
”
”
Riley Jean (Use Somebody)
“
Here's the problem: when every sin is seen as the same, we are less likely to fight any sins at all. Why should I stop sleeping with my girlfriend when there will still be lust in my heart? Why pursue holiness when even one sin in my life means I'm Osama bin Hitler in God's eyes? Again, it seems humble to act as if no sin is worse than another, but we lose the impetus for striving and the ability to hold each other accountable when we tumble down the slip-n-slide of moral equivalence. All of a sudden the elder who battles the temptation to take a second look at the racy section of the Lands End catalog shouldn't dare exercise church discipline ont he young man fornicating with reckless abandon. When we can no longer see the different gradations among sins and sinners and sinful nations, we have not succeeded in respecting our own badness; we've cheapened God's goodness.
”
”
Kevin DeYoung (What is the Mission of the Church?: Making sense of social justice, Shalom and the Great Commission)
“
What if life isn’t happening to you? What if the hard stuff, the amazing stuff, the love, the joy, the hope, the fear, the weird stuff, the funny stuff, the stuff that takes you so low you’re lying on the floor crying and thinking, How did I get here? . . . What if none of it is happening to you? What if all of it is happening for you? It’s all about perception, you guys. Perception means we don’t see things as they are; we see things as we are. Take a burning house. To a fireman, a burning house is a job to do—maybe even his life’s work or mission. For an arsonist? A burning house is something exciting and good. What if it’s your house? What if it’s your family who’s standing outside watching every earthly possession you own burning up? That burning house becomes something else entirely. You don’t see things as they are; you see things through the lens of what you think and feel and believe. Perception is reality, and I’m here to tell you that your reality is colored much more by your past experiences than by what is actually happening to you. If your past tells you that nothing ever works out, that life is against you, and that you’ll never succeed, then how likely are you to keep fighting for something you want? Or, on the flip side, if you quit accepting no as the end of the conversation whenever you run up against opposition, you can shift your perception and fundamentally reshape your entire life.
”
”
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
“
Feelings are much like waves. We can’t stop them from coming, but we can choose which one to surf. —Jonatan Mårtensson
”
”
Craig Groeschel (Fight: Winning the Battles That Matter Most)
“
When she says margarita she means daiquiri.
When she says quixotic she means mercurial.
And when she says, "I'll never speak to you again,"
she means, "Put your arms around me from behind
as I stand disconsolate at the window."
He's supposed to know that.
When a man loves a woman he is in New York and she is in Virginia
or he is in Boston, writing, and she is in New York, reading,
or she is wearing a sweater and sunglasses in Balboa Park and he
is raking leaves in Ithaca
or he is driving to East Hampton and she is standing disconsolate
at the window overlooking the bay
where a regatta of many-colored sails is going on
while he is stuck in traffic on the Long Island Expressway.
When a woman loves a man it is one ten in the morning
she is asleep he is watching the ball scores and eating pretzels
drinking lemonade
and two hours later he wakes up and staggers into bed
where she remains asleep and very warm.
When she says tomorrow she means in three or four weeks.
When she says, "We're talking about me now,"
he stops talking. Her best friend comes over and says,
"Did somebody die?"
When a woman loves a man, they have gone
to swim naked in the stream
on a glorious July day
with the sound of the waterfall like a chuckle
of water rushing over smooth rocks,
and there is nothing alien in the universe.
Ripe apples fall about them.
What else can they do but eat?
When he says, "Ours is a transitional era,"
"that's very original of you," she replies,
dry as the martini he is sipping.
They fight all the time
It's fun
What do I owe you?
Let's start with an apology
Ok, I'm sorry, you dickhead.
A sign is held up saying "Laughter."
It's a silent picture.
"I've been fucked without a kiss," she says,
"and you can quote me on that,"
which sounds great in an English accent.
One year they broke up seven times and threatened to do it
another nine times.
When a woman loves a man, she wants him to meet her at the
airport in a foreign country with a jeep.
When a man loves a woman he's there. He doesn't complain that
she's two hours late
and there's nothing in the refrigerator.
When a woman loves a man, she wants to stay awake.
She's like a child crying
at nightfall because she didn't want the day to end.
When a man loves a woman, he watches her sleep, thinking:
as midnight to the moon is sleep to the beloved.
A thousand fireflies wink at him.
The frogs sound like the string section
of the orchestra warming up.
The stars dangle down like earrings the shape of grapes.
”
”
David Lehman (When a Woman Loves a Man: Poems)
“
Violet: She was smart, stubborn, moody, funny, mean when she lost her temper, sweet, protective of the people she loved. Her favorite color was yellow. She always had my back, even if we fought sometimes. I could tell her anything because the thing about Eleanor was that she didn't judge. She was my best friend.
Finch: I've never had one. What's it like?
Violet: I don't know. I guess you can be yourself, whatever that means - the best and the worst of you. And they love you anyways. You can fight, but even when you're mad at them, you know they're not going to stop being your friend.
”
”
Jennifer Niven (All the Bright Places)
“
Helen, you would just have to sit still, close your eyes and think of me, and I would turn the universe inside out to find you. I would go anywhere and fight anything to get to you—witches, dragons, and even pirates. If I have to pass through a hundred lifetimes, I will do it to find you. I may be an old man and you may be an old woman. You may not even recognize me by the time it happens, but you will know and I will know, because nothing can separate us. We will always be together. I promise you. Now stop worrying.
”
”
Linda Becker (Where There Is Love)
“
To live a good life: We have the potential for it. If we can learn to be indifferent to what makes no difference. This is how we learn: by looking at each thing, both the parts and the whole. Keeping in mind that none of them can dictate how we perceive it. They don’t impose themselves on us. They hover before us, unmoving. It is we who generate the judgments—inscribing them on ourselves. And we don’t have to. We could leave the page blank—and if a mark slips through, erase it instantly. Remember how brief is the attentiveness required. And then our lives will end. And why is it so hard when things go against you? If it’s imposed by nature, accept it gladly and stop fighting it. And if not, work out what your own nature requires, and aim at that, even if it brings you no glory. None of us is forbidden to pursue our own good.
”
”
Marcus Aurelius (Meditations)
“
On the planet O there has not been a war for five thousand years, she read, and on Gethen there has never been a war." She stopped reading, to rest her eyes and because she was trying to train herself to read slowly. "There has never been a war." In her mind the words stood clear and bright, surrounded by and sinking into an infinite, dark, soft incredulity. What would that world be, a world without war? It would be the real world. Peace was the true life, the life of working and learning and bringing up children to work and learn. War, which devoured work, learning, and children, was the denial of reality. But my people, she thought, know only how to deny. Born in the dark shadow of power misused, we set peace outside our world, a guiding and unattainable light. All we know to do is fight. Any peace one of us can make in our life is only a denial that the war is going on, a shadow of the shadow, a doubled unbelief. So as the cloud-shadows swept over the marshes and the page of the book open on her lap, she sighed and closed her eyes. thinking, "I am a liar." Then she opened her eyes and read more about the other worlds, the far realities.
”
”
Ursula K. Le Guin (Four Ways to Forgiveness (Hainish Cycle, #7))
“
What’s Ephebe like?” said Ptraci.
“I’ve never been there. Apparently it’s ruled by a Tyrant.”
“I hope we don’t meet him, then”
Teppic shook his head. “It’s not like that,” he said. “They have a new Tyrant every five years and they do something to him first.” He hesitated. “I think they ee-lect him.”
“Is that something like they do to tomcats and bulls and things?”
“Er.”
“You know. To make them stop fighting and be more peaceful.”
Teppic winced. “To be honest, I’m not sure,” he said. “But I don’t think so. They’ve got something they do it with, I think it’s called a mocracy, and it means everyone in the whole country can say who the new Tyrant is. One man, one—” He paused. The political history lesson seemed a very long while ago, and had introduced concepts never heard of in Djelibeybi or in Ankh-Morpork, for that matter. He had a stab at it anyway. “One man, one vet.”
“That’s for the eelecting, then?”
He shrugged. It might be, for all he knew. “The point is, though, that everyone can do it. They’re very proud of it. Everyone has—” he hesitated again, certain now that things were amiss—“the vet. Except for women, of course. And children. And criminals. And slaves. And stupid people. And people of foreign extractions. And people disapproved of for, er, various reasons. And lost of other people. But everyone apart from them. It’s a very enlightened civilization.
”
”
Terry Pratchett (Pyramids (Discworld, #7))
“
Hey. Remember what I said when Shigaraki made swiss cheese outta me? 'Stop trying to with this on your own.' But I had more to say. I needed to tell you that I got stabbed cuz my body moved on its own.
You know, I always looked down on you cuz you were quirkless. You were s'posed to be beneath me...
...But I kept feeling like you were above me.
I hated it. I couldn't bear to look at you. I couldn't accept you the way you were. So I kept you at arm's length and bullied you. I tried to act all superior by rejecting you...
...But I kept losing that fight. Ever since we got into U.A....
...Nothing's worked out how I thought it would. Instead, this past year has forced me to understand your strength and my weakness.
Now I don't expect this to change a thing between us, but I gotta speak...
...My truth.
Izuku...
I'm sorry for everything.
There's nothing wrong with the path you've been walking down since inheriting One For All and following All Might's lead.
But now... You're barely standing. And those ideals alone ain't enough to get you over the wall your facing.
We're here to step in when you can't handle everything on your own. Because to live up to those ideals and surpass All Might...
...We gotta save you, the civilians at U.A., and the people on the streets. Because saving people is how we win.
We get it."
~Katsuki Bakugo -aka- Great Explosion Murder God Dynamite
”
”
Kohei Horikoshi (僕のヒーローアカデミア 33 [Boku no Hero Academia 33])
“
If, as is only too possible, we are to perish, let us see to it that we do not perish without having existed. The powerful forces that we have to fight are preparing to crush us; and it is true that they can prevent us from existing fully, that is to say from stamping the world with the seal of our will. But there is one sphere in which they are powerless. They cannot stop us from working towards a clear comprehension of the object of our efforts, so that, if we cannot accomplish that which we will, we may at least have willed it, and not just have blindly wished for it; and, on the other hand, our weakness may indeed prevent us from winning, but not from comprehending the force by which we are crushed. Nothing in the world can prevent us from thinking clearly.
”
”
Simone Weil (Oppression and Liberty)
“
What happens when you fight a dinosaur?” “Seriously?” I ask him even as I can’t stop myself from smiling back. “That’s what you want to say to me right now?” “It is,” he answers. “Then I have no idea.” His grin gets a little wider. “You get jurasskicked.” “Well, I guess it’s a good thing we’re just fighting an old-ass vampire, then.
”
”
Tracy Wolff (Court (Crave, #4))
“
A fight is like a fire. You think you have it under control, you think you can stop it whenever you want, but before you know it, it’s a living, breathing thing and there’s no controlling it and you were a fool to think you could.
”
”
Jenny Han (We'll Always Have Summer (Summer, #3))
“
We needn't quibble about numbers," I said, loftily.
"Oh, I think we do need," he said, and then just when I was about to relax, thinking I'd steered us back into safer waters, he dropped his arms again and his face went open and a little pale, leaving scared pink standing out on the edges of his collarbone. "I'd - - I'd like to ask. But not - - in here. After we - - if we - -"
"Don't even try. I'm not getting engaged to go out with you," I said rudely, shoving in before he could drag us back onto the shoals. "If you're not asking, that's sufficient unto the day! If we make it out of here alive and you slog across the pond to come ask me, I'll decide what I think of it at the time, and until then, you can keep your Disney movie fantasies," and your secret pet mal, my brain unhelpfully inserted, "to yourself."
He said, "Okay, okay, fine!" in a tone one-tenth irritation and nine-tenths relief, while I looked away, trying to stop my mouth contorting around the laugh I was having to fight so desperately to keep in yet again: thanks ever so, Aadhya. Her mum was a genius, actually.
”
”
Naomi Novik (A Deadly Education (The Scholomance, #1))
“
We’re loyal servants of the U.S. government. But Afghanistan involves fighting behind enemy lines. Never mind we were invited into a democratic country by its own government. Never mind there’s no shooting across the border in Pakistan, the illegality of the Taliban army, the Geneva Convention, yada, yada, yada. When we’re patrolling those mountains, trying everything we know to stop the Taliban regrouping, striving to find and arrest the top commanders and explosive experts, we are always surrounded by a well-armed, hostile enemy whose avowed intention is to kill us all. That’s behind enemy lines. Trust me. And we’ll go there. All day. Every day. We’ll do what we’re supposed to do, to the letter, or die in the attempt. On behalf of the U.S.A. But don’t tell us who we can attack. That ought to be up to us, the military. And if the liberal media and political community cannot accept that sometimes the wrong people get killed in war, then I can only suggest they first grow up and then serve a short stint up in the Hindu Kush. They probably would not survive. The truth is, any government that thinks war is somehow fair and subject to rules like a baseball game probably should not get into one. Because nothing’s fair in war, and occasionally the wrong people do get killed. It’s been happening for about a million years. Faced with the murderous cutthroats of the Taliban, we are not fighting under the rules of Geneva IV Article 4. We are fighting under the rules of Article 223.556mm — that’s the caliber and bullet gauge of our M4 rifle. And if those numbers don’t look good, try Article .762mm, that’s what the stolen Russian Kalashnikovs fire at us, usually in deadly, heavy volleys. In the global war on terror, we have rules, and our opponents use them against us. We try to be reasonable; they will stop at nothing. They will stoop to any form of base warfare: torture, beheading, mutilation. Attacks on innocent civilians, women and children, car bombs, suicide bombers, anything the hell they can think of. They’re right up there with the monsters of history.
”
”
Marcus Luttrell (Lone Survivor: The Eyewitness Account of Operation Redwing and the Lost Heroes of SEAL Team 10)
“
My heart is beating hard against my chest walls as her body starts to tremble. This is what we do. We fight, we make each other crazy, we push each other away, and then we crash back together.
Like a never-ending war that we keep fighting because we can’t stop.
”
”
Corinne Michaels (Indefinite (Salvation, #6; The Indefinite Duet, #1))
“
Every man I know, every father and brother and son, Always these clenched hands. Where did you get that idea from? Always this violence, always round holes and a square block, The absurd idea you were sold, that we want you to fight for us. If you want to do something for us, Put a weapon down for me, Close the maw of hell for me, Be a friend to me, Try to be good men for me. You boast about all you’re going to do for me. So when are you going to stop ruining things for me? Do you want to know what you can do for me? Start by hearing me.
”
”
Fredrik Backman (Us Against You (Beartown, #2))
“
Meg! I love you! I want to marry you!”
“That’s weird,” she said without stopping. “Only six weeks ago, you were telling me all about how Lucy broke your heart.”
“I was wrong. Lucy broke my brain.”
That finally stopped her. “Your brain?” She looked back at him.
“That’s right,” he said more quietly. “When Lucy ran out on me, she broke my brain. But when you left . . .” To his dismay, his voice cracked. “When you left, you broke my heart.”
He finally had her full attention, not that she looked at all dreamy-eyed or even close to being ready to throw herself into his arms, but at least she was listening.
He collapsed the umbrella, took a step forward, then stopped himself. “Lucy and I fit together so perfectly in my head. We had everything in common, and what she did made no sense. I had the whole town lining up feeling sorry for me, and I was damned if I was going to let anybody know how miserable I was. I—I couldn’t get my bearings. And there you were in the middle of it, this beautiful thorn in my side, making me “feel like myself again. Except . . .” He hunched his shoulders, and a trickle of rainwater ran down his collar. “Sometimes logic can be an enemy. If I was so wrong about Lucy, how could I trust the way I felt about you?”
She stood there, not saying a word, just listening.
“I wish I could say I realized how much I loved you as soon as you left town, but I was too busy being mad at you for bailing on me. I don’t have a lot of practice being mad, so it took me a while to understand that the person I was really mad at was myself. I was so pigheaded and stupid. And afraid. Everything has always come so easy for me, but nothing about you was easy. The things you made me feel. The way you forced me to look at myself.” He could barely breathe. “I love you, Meg. I want to marry you. I want to sleep with you every night, make love with you, have kids. I want to fight together and work together and—just be together. Now are you going to keep standing there, staring at me, or could you put “me out of my misery and say you still love me, at least a little?
”
”
Susan Elizabeth Phillips (Call Me Irresistible (Wynette, Texas, #6))
“
We are working! She was fine. You could see her. What the fuck is wrong with you? This is our job, asshole. You can't go doing shit like that when we have a packed house!"
Krit shoved him again. "Don't tell me what the fuck to do."
I had to stop them. This was about me. I wasn't sure why Krit had come offstage, but I knew it was about me. I had to fix this. I didn't want Krit fighting his best friend.
"Stop fucking shoving me, you pansy-ass motherfucker!" Green roared, and lunged for Krit.
I moved fast, putting up two hands and jumping in front of Krit to stop him. The force of impact when Green didn't stop hit me directly in the chest. It was as if someone had put a vacuum in my lungs and sucked all of the oxygen from the room. Nothing was getting in, and panic gripped me when I realized I couldn't breathe.
"Fuck!" Krit yelled, and his arms were around me. He was doing something to my chest as he begged me to breathe. I was trying to breathe. It wouldn't work.
"Baby, please breathe," he was pleading, and I wanted nothing more than to do that, but I couldn't. It hurt, and the terror that I was about to die settled over me.
"She got the air knocked out of her. She's gonna be okay," Matty said in a calmer voice.
And then the vacuum left, and the air I had been fighting for filled my chest as I gasped loudly and bent over. Krit was holding me against him as me muttered sweet things over and over while he rocked me back and forth.
"Take him out of here," Matty said.
I couldn't look up to see who he was talking to, but I grabbed Krit's arms to hold onto him in case they were talking about him.
"Not me, baby. I'm not leaving you," he said as his hand began running down my hair as if he were petting me. "Not going anywhere."
"When Krit is sure she's okay, he is going to beat the motherfucking hell out of you. Go with Legend and let him calm down first.
”
”
Abbi Glines (Bad for You (Sea Breeze, #7))
“
Equality for all is something I will always fight for, and a woman should never feel guilted or forced into or out of a career or the life she wants. But I also won’t tear someone down for choosing to live their life the way they want to live it. The problem with our society is that we’re so fixed on either outdated ideals or pushing for progress that we forget to just allow people to be who they want to be. Why the hell, as long as it isn’t hurting anyone, can we not just allow people to live their lives the way they want to and stop pressuring them to live it the way anyone else dictates they should?
”
”
Samantha Young (The Love Plot)
“
If he wasn't angry, he certainly did a good imitation. His voice was clipped and as hard as stone. She wrung her hands together. "I love you. Clay."
"No, you don't."
Meg felt as though he'd just slapped her. "Yes, I do. When you leave this town, I'll go with you."
Narrowing his eyes, he studied her. "Will you marry me?"
"Yes."
"Will you give me children?"
"If I can. Kirk and I were never able to conceive, but if I can have children, I want to have yours."
"In this town that we move to, wherever it is, will you walk down the street with me?"
"Of course."
"Holding my hand?"
"Yes."
"And the hands of my children?"
"Yes."
He unfolded his arms and took a step toward her. She wanted to fling herself into his embrace, but something hard in his eyes stopped her.
"And what happens, Mrs. Warner, when someone you know rides through town and points at me and calls me a yellow-bellied coward? What will you do then? Will you let go of my hand and take my children to the other side of the street? Will you pretend that you haven't kissed me, that you haven't lain with me beneath the stars?" With disgust marring his features, he turned away. "You think I'm a coward. Go home."
"I don't think that. I love you."
He spun around. "You don't believe in that love, you don't believe in me."
"Yes, I do."
He stalked toward her. She backed into the corner and bent her head to meet his infuriated gaze.
"How strongly do you believe in our love?" he asked, his voice ominously low. "If they threatened to strip off your clothes unless you denied our love, would you deny our love?"
He gave her no chance to respond, but continued on, his voice growing deeper and more ragged, as though he were dredging up events from the past.
"If they wouldn't let you sleep until you denied our love, would you deny our love so you could lay your head on a pillow?
"If they stabbed a bayonet into your backside every time your eyes drifted closed, would you deny our love so your flesh wouldn't be pierced?
"If they applied a hot brand to your flesh until you screamed in agony, would you deny our love so they'd take away the iron?
"If they placed you before a firing squad, would you say you didn't love me so they wouldn't shoot you?"
He stepped back and plowed his hands through his hair. "You think I'm a coward. You don't think I have the courage to stand beside you and risk the anger of your father. I'd die before I turned away from anyone or anything I believed in. You won't even walk by my side."
He looked the way she imagined soldiers who had lost a battle probably looked: weary, tired of the fight, disillusioned.
"You don't believe in me," he said quietly. "How can you believe in our love?
”
”
Lorraine Heath (Always to Remember)
“
Knock it off,Finn!" I tried to pull my arm from him, but physically he was still stronger than me. "Loki is right. You are my tracker. You need to stop dragging me around and telling me what to do."
"Loki?" Finn stopped so he could glare suspiciously at me. "You're on a first-name basis with the Vittra prisoner who kidnapped you? And you're lecturing me on propriety?"
"I'm not lecturing you on anything!" I shouted, and I finally got my arm free from him. "But if I were to lecture you, it would be about how you're being such a jerk."
"Hey,maybe you should just calm-" Duncan tried to interject. He'd been standing a few feet away from us, looking sheepish and worried.
"Duncan,don't you dare tell me how to do my job!" Finn stabbed a finger at him. "You are the most useless, incompetent tracker I have ever met, and first chance I get,I'm going to recommend that the Queen dismiss you. And trust me, I'm doing you a favor. She should have you banished!"
Duncan's entire face crumpled, and for a horrible moment I was certain he would cry. Instead,he just gaped at us, then lowered his eyes and nodded.
"Finn!" I yelled, wanting to slap him. "Duncan did nothing wrong!" Duncan turned to walk away, and I tried to stop him. "Duncan,no. You don't need to go anywhere."
He kept walking, and I didn't go after him. Maybe I should have,but I wanted to yell at Finn some more.
"He repeatedly left you alone with the Vittra!" Finn shouted. "I know you have a death wish, but it's Duncan's job to prevent you from acting on it."
"I am finding out more about the Vittra so I can stop this ridiculous fighting!" I shot back. "So I've been interviewing a prisoner. It's not that unusual,and I've been perfectly safe."
"Oh,yeah, 'interviewing,'" Finn scoffed. "You were flirting with him."
"Flirting?" I repeated and rolled my eyes. "You're being a dick because you think I was flirting? I wasn't, but even if I was,that doesn't give you the right to treat me or Duncan or anybody this way."
"I'm not being a dick," Finn insisted. "I am doing my job, and fraternizing with the enemy is looked down on, Princess. If he doesn't hurt you, the Vittra or Trylle will."
"We were only talking,Finn!"
"I saw you,Wendy," Finn snapped. "You were flirting. You even wore your hair down when you snuck off to see him."
"My hair?" I touched it. "I wore it down because I had a headache from training, and I wasn't sneaking. I was...No,you know what? I don't have to explain anything to you. I didn't do anything wrong, and I don't have to answer to you."
"Princess-"
"No,I don't want to hear it!" I shook my head. "I really don't want to do this right now.Just go away,Finn!
”
”
Amanda Hocking (Torn (Trylle, #2))
“
You son of a bitch. She was dying and you just stood there! And don't even tell me it was shock.
You would know, Jamie, about standing there and watching someone die.
Emily. it always comes back to Emily with you. You know what I think Gray? I think the whole martyr act was a lie you told yourself. I think you need an excuse to draw a line so you could stay safe on the other side.
You don't know what you're talking about.
You can't let go. You couldn't when Emily was alive, no matter what she did, and you can't now.
Are you done?
Avery was dying, and you couldn't run toward her. What do you want from me, Jamie?
You think I didn't fight the same fight? I halfway convinced myself that as long as Avery was just a riddle or a puzzle, as long as I was just playing, I'd be fine. Well, jokes on me, because somewhere along the way, I stopped playing.
What do you want from me?
Look at her Gray. Look at her, damn it! Est unus ex nobis. Nos defendant eius. -She's one of us. We protect her-
”
”
Jennifer Lynn Barnes (The Hawthorne Legacy (The Inheritance Games, #2))
“
Among us English-speaking peoples especially do the praises of poverty need once more to be boldly sung. We have grown literally afraid to be poor. We despise any one who elects to be poor in order to simplify and save his inner life. If he does not join the general scramble and pant with the money-making street, we deem him spiritless and lacking in ambition. We have lost the power even of imagining what the ancient idealization of poverty could have meant: the liberation from material attachments, the unbribed soul, the manlier indifference, the paying our way by what we are or do and not by what we have, the right to fling away our life at any moment irresponsibly—the more athletic trim, in short, the moral fighting shape. When we of the so-called better classes are scared as men were never scared in history at material ugliness and hardship; when we put off marriage until our house can be artistic, and quake at the thought of having a child without a bank-account and doomed to manual labor, it is time for thinking men to protest against so unmanly and irreligious a state of opinion. It is true that so far as wealth gives time for ideal ends and exercise to ideal energies, wealth is better than poverty and ought to be chosen. But wealth does this in only a portion of the actual cases. Elsewhere the desire to gain wealth and the fear to lose it are our chief breeders of cowardice and propagators of corruption. There are thousands of conjunctures in which a wealth-bound man must be a slave, whilst a man for whom poverty has no terrors becomes a freeman. Think of the strength which personal indifference to poverty would give us if we were devoted to unpopular causes. We need no longer hold our tongues or fear to vote the revolutionary or reformatory ticket. Our stocks might fall, our hopes of promotion vanish, our salaries stop, our club doors close in our faces; yet, while we lived, we would imperturbably bear witness to the spirit, and our example would help to set free our generation. The cause would need its funds, but we its servants would be potent in proportion as we personally were contented with our poverty. I recommend this matter to your serious pondering, for it is certain that the prevalent fear of poverty among the educated classes is the worst moral disease from which our civilization suffers.
”
”
William James (Varieties of Religious Experience, a Study in Human Nature)
“
Plants and animals don’t fight the winter; they don’t pretend it’s not happening and attempt to carry on living the same lives that they lived in the summer. They prepare. They adapt. They perform extraordinary acts of metamorphosis to get them through. Winter is a time of withdrawing from the world, maximising scant resources, carrying out acts of brutal efficiency and vanishing from sight; but that’s where the transformation occurs. Winter is not the death of the life cycle, but its crucible. Once we stop wishing it were summer, winter can be a glorious season in which the world takes on a sparse beauty and even the pavements sparkle. It’s a time for reflection and recuperation, for slow replenishment, for putting your house in order. Doing those deeply unfashionable things—slowing down, letting your spare time expand, getting enough sleep, resting—is a radical act now, but it is essential. This is a crossroads we all know, a moment when you need to shed a skin. If you do, you’ll expose all those painful nerve endings and feel so raw that you’ll need to take care of yourself for a while. If you don’t, then that skin will harden around you. It’s one of the most important choices you’ll ever make.
”
”
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
“
Long black hair and deep clean blue eyes and skin pale white and lips blood red she's small and thin and worn and damaged. She is standing there.
What are you doing here?
I was taking a walk and I saw you and I followed you.
What do you want.
I want you to stop.
I breathe hard, stare hard, tense and coiled. There is still more tree for me to destroy I want that fucking tree. She smiles and she steps towards me, toward toward toward me, and she opens he r arms and I'm breathing hard staring hard tense and coiled she puts her arms around me with one hand not he back of my head and she pulls me into her arms and she holds me and she speaks.
It's okay.
I breathe hard, close my eyes, let myself be held.
It's okay.
Her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and my heart slows and I stop shaking an the Fury melts into her safety an she holds me and she says.
Okay.
Okay.
Okay.
Something else comes and it makes me feel weak and scared and fragile and I don't want to be hurt and this feeling is the feeling I have when I know I can be hurt and hurt deeper and more terribly than anything physical and I always fight it and control it and stop it but her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and if she let me go right now I would fall and the need and confusion and fear and regret and horror and shame and weakness and fragility are exposed to the soft strength of her open arms and her simple word okay and I start to cry. I start to cry. I want to cry.
It comes in waves. THe waves roll deep and from deep the deep within me and I hold her and she holds me tighter and i let her and I let it and I let this and I have not felt this way this vulnerability or allowed myself to feel this way this vulnerability since I was ten years old and I don't know why I haven't and I don't know why I am now and I only know that I am and that it is scary terrifying frightening worse and better than anything I've ever felt crying in her arms just crying in her ams just crying.
She guides me to the ground, but she doesn't let me go. THe Gates are open and thirteen years of addiction, violence, hell and their accompaniments are manifesting themselves in dense tears and heavy sobs and a shortness of breath and a profound sense of loss. THe loss inhabits, fills and overwhelms me. It is the loss of a childhood of being a Teeenager of normalcy of happiness of love of trust anon reason of God of Family of friends of future of potential of dignity of humanity of sanity f myself of everything everything everything. I lost everything and I am lost reduced to a mass of mourning, sadness, grief, anguish and heartache. I am lost. I have lost. Everything. Everything.
It's wet and Lilly cradles me like a broken Child. My face and her shoulder and her shirt and her hair are wet with my tears. I slow down and I start to breathe slowly and deeply and her hair smells clean and I open my eyes because I want to see it an it is all that I can see. It is jet black almost blue and radiant with moisture. I want to touch it and I reach with one of my hands and I run my hand from the crown along her neck and her back to the base of her rib and it is a thin perfect sheer and I let it slowly drop from the tips of my fingers and when it is gone I miss it. I do it again and again and she lets me do it and she doesn't speak she just cradles me because I am broken. I am broken. Broken.
THere is noise and voices and Lilly pulls me in tighter and tighter and I know I pull her in tighter and tighter and I can feel her heart beating and I know she can feel my heart beating and they are speaking our hearts are speaking a language wordless old unknowable and true and we're pulling and holding and the noise is closer and the voices louder and Lilly whispers.
You're okay.
You're okay.
You're okay.
”
”
James Frey
“
We can continue to fight. We can continue to kill—and continue to be killed. But we can also try to put a stop to this never-ending cycle of blood. We can also give peace a chance.
”
”
Sandy Tolan (The Lemon Tree: An Arab, a Jew, and the Heart of the Middle East)
“
Sideways, ladders, mazes, a mess, like we need a map, anything but straight roads ahead. Chaos inside my head, one that gets lit on fire every time I try to go to bed. Plans that spiral, dreams drew like art, decisions like ice-cold water pouring out on my injured heart. Thoughts vanishing into thin air like smoke after your very first fight. Fears that speed up your heart and make it feel like it's going to stop. They call them "the monsters under your bed", they are monsters that can make me crumble inside my head. "Have no fear my sweet innocent lady" another lie, she said. Can we just call it something else, can you tell me something else. Say it's the fear that you drives out of this. Say it's my thoughts that make me different like this. Tell me that the monsters teach me how to win battles for the people I love like I always do. And the maze, it gives me something to do while I'm stuck here with you.
”
”
Mennah al Refaey
“
It doesn't matter if you're seventeen or fifty-seven, if you come from a poor background or a rich one, if you went to the best schools or the worst. It. Doesn't. Matter.
What matters is listening to the small voice at the back of your head that says *This is what gives me joy.*
It's about fighting naysayers and self-doubt when you feel you can't fight for even one more second. It's about standing up when all you want to do is lie down until life stops hitting you. It's not easy. It was never *meant* to be easy. But it can be done if we *choose* to do it.
”
”
J. Michael Straczynski (Becoming Superman: My Journey from Poverty to Hollywood with Stops Along the Way at Murder, Madness, Mayhem, Movie Stars, Cults, Slums, Sociopaths, and War Crimes)
“
If we want to enable people to start fighting before such warped beliefs are utterly ingrained in their minds, I believe that we really need to change the language around mental health — from ‘You are anorexic’ to ‘You are struggling with anorexia’, and from ‘You are depressed’ to ‘You are struggling with depression’. If we can disassociate the illness from the person’s identity and instead present it as something separate from who they are and something they are simply struggling with, hopefully it will mean that people will feel there is a point in trying to fight.
”
”
Jazz Thornton (Stop Surviving Start Fighting)
“
Love pushes us to believe, even when reason tells us we should stop. Love compels us to move carefully, to consider the consequences of our actions. Love reminds us what’s worth fighting for, what isn’t. Love begs us to stop being passive and finally act. If you can’t write about us with a love for who we are as a people, what we’ve survived, what we’ve accomplished despite all attempts to keep us from doing so; if you can’t look at us as we are and feel your pupils go wide, rendering all stereotypes a sham, a poor copy, a disgrace—then why are you writing about us at all?
”
”
Alicia Elliott (A Mind Spread Out on the Ground)
“
Why do we need to be pardoned? What are we to be pardoned for? For not dying of hunger? For not accepting humbly the historic burden of disdain and abandonment? For having risen up in arms after we found all other paths closed? For not heeding the Chiapas penal code, one of the most absurd and repressive in history? For showing the rest of the country and the whole world that human dignity still exists even among the world’s poorest peoples? For having made careful preparations before we began our uprising? For bringing guns to battle instead of bows and arrows? For being Mexicans? For being mainly indigenous? For calling on the Mexican people to fight by whatever means possible for what belongs to them? For fighting for liberty, democracy and justice? For not following the example of previous guerrilla armies? For refusing to surrender? For refusing to sell ourselves out? Who should we ask for pardon, and who can grant it? Those who for many years glutted themselves at a table of plenty while we sat with death so often, we finally stopped fearing it? Those who filled our pockets and our souls with empty promises and words? Or should we ask pardon from the dead, our dead, who died “natural” deaths of “natural causes” like measles, whooping cough, break-bone fever, cholera, typhus, mononucleosis, tetanus, pneumonia, malaria and other lovely gastrointestinal and pulmonary diseases? Our dead, so very dead, so democratically dead from sorrow because no one did anything, because the dead, our dead, went just like that, with no one keeping count with no one saying, “Enough!” which would at least have granted some meaning to their deaths, a meaning no one ever sought for them, the dead of all times, who are now dying once again, but now in order to live? Should we ask pardon from those who deny us the right and capacity to govern ourselves? From those who don’t respect our customs and our culture and who ask us for identification papers and obedience to a law whose existence and moral basis we don’t accept? From those who oppress us, torture us, assassinate us, disappear us from the grave “crime” of wanting a piece of land, not too big and not too small, but just a simple piece of land on which we can grow something to fill our stomachs? Who should ask for pardon, and who can grant it?
”
”
Subcomandante Marcos
“
12. If we do not wish to fight, we can prevent the enemy from engaging us even though the lines of our encampment be merely traced out on the ground. All we need do is to throw something odd and unaccountable in his way. [This extremely concise expression is intelligibly paraphrased by Chia Lin: “even though we have constructed neither wall nor ditch.” Li Ch’uan says: “we puzzle him by strange and unusual dispositions;” and Tu Mu finally clinches the meaning by three illustrative anecdotes—one of Chu-ko Liang, who when occupying Yang-p’ing and about to be attacked by Ssu-ma I, suddenly struck his colors, stopped the beating of the drums, and flung open the city gates, showing only a few men engaged in sweeping and sprinkling the ground. This unexpected proceeding had the intended effect; for Ssu-ma I, suspecting an ambush, actually drew off his army and retreated. What Sun Tzu is advocating here, therefore, is nothing more nor less than the timely use of “bluff.”]
”
”
Sun Tzu (The Art of War)
“
All misbehavior is a cry for help or connection. Respond to the need, and the behavior will change. If a child isn’t meeting our expectations, she needs more support to do so, whether that’s teaching, connection, or help in working through the emotions that are getting in her way. Much of what we consider “misbehavior” is normal childishness and can be “corrected” simply through loving guidance.
”
”
Laura Markham (Peaceful Parent, Happy Siblings: How to Stop the Fighting and Raise Friends for Life (The Peaceful Parent Series))
“
In language that would have been unthinkable just a few years ago, a young Moroccan named Brother Rachid last year called out President Obama on YouTube for claiming that Islamic State was “not Islamic”: Mr President, I must tell you that you are wrong about ISIL. You said ISIL speaks for no religion. I am a former Muslim. My dad is an imam. I have spent more than 20 years studying Islam. . . . I can tell you with confidence that ISIL speaks for Islam. . . . ISIL’s 10,000 members are all Muslims. . . . They come from different countries and have one common denominator: Islam. They are following Islam’s Prophet Muhammad in every detail. . . . They have called for a caliphate, which is a central doctrine in Sunni Islam. I ask you, Mr. President, to stop being politically correct—to call things by their names. ISIL, Al-Qaeda, Boko Haram, Al-Shabaab in Somalia, the Taliban, and their sister brand names, are all made in Islam. Unless the Muslim world deals with Islam and separates religion from state, we will never end this cycle. . . . If Islam is not the problem, then why is it there are millions of Christians in the Middle East and yet none of them has ever blown up himself to become a martyr, even though they live under the same economic and political circumstances and even worse? . . . Mr. President, if you really want to fight terrorism, then fight it at the roots. How many Saudi sheikhs are preaching hatred? How many Islamic channels are indoctrinating people and teaching them violence from the Quran and the hadith? . . . How many Islamic schools are producing generations of teachers and students who believe in jihad and martyrdom and fighting the infidels?1
”
”
Ayaan Hirsi Ali (Heretic: Why Islam Needs a Reformation Now)
“
When the NSSF fights against legislation designed to prevent mass shootings because it “won’t work and is a violation of rights,” we understand that many people agree with that argument. But that’s not, at all, even a little bit why the organization lobbies so hard. It works hand in hand with the NRA and certain senators, and spends millions of dollars per year for one reason and one reason only: to make more money. And every time a shooting happens, it makes even more money.
Yes. For real. When a mass shooting makes national headlines, the gun lobby purposefully stokes up fear and paranoia over proposed new gun laws so that scared citizens get out their checkbooks and buy a new AR-15 (or sporting rifle). So why would the NSSF have any interest in stopping mass shootings? Why would it engage politically and invest in compromise, a reform plan that attempts to make all Americans safer, or any sort of reckoning of the role guns play in gun violence? It won’t.
However you feel about guns and their place in America—whether we’re talking about rifles for hunting or assault rifles, or anything in between—it’s undeniable that the gun lobby has refused to acknowledge or entertain any sort of regulation or reform aimed at making us a safer and saner nation. The reason why: because that does not make it more money. A customer base kept terrified at all times that this will be “the last chance before the government bans” whatever gun manufacturers are peddling is much more valuable. A customer base absolutely convinced that the just-about-anyone-can-buy culture we have is politically necessary without seeing that it serves those companies is what they’re after. They have achieved it.
”
”
Trae Crowder (The Liberal Redneck Manifesto: Draggin' Dixie Outta the Dark)
“
Any serious social encounter with knives has one main goal: to stop the action. Beyond that, you have a little flexibility: to kill, or merely get away, or what have you. But first comes the cessation of hostilities.
There are many ways to handle this. You can run, shoot, call the cops, or even try to organize a discussion group to talk the problem out. But I’m talking knives, so I’ll limit myself to that.
All wounds are painful and pain is a great tool for stopping fights. So is the loss of use of various parts of the body. Therefore, it follows that although we wish to inflict any wound we can, the more painful it is, the better.
”
”
Hank Reinhardt (Hank Reinhardt's Book of Knives: A Practical and Illustrated Guide to Knife Fighting)
“
So here is what I see when we reclaim the church ladies: a woman loved and free is beautiful. She is laughing with her sisters, and together they are telling their stories, revealing their scars and their wounds, the places where they don't have it figured out. They are nurturers, creating a haven where the young, the broken, the tenderhearted, and the at-risk can flourish. These women are dancing and worshiping, hands high, faces tipped toward heaven, tears streaming. They are celebrating all shapes and sizes, talking frankly and respectfully about sexuality and body image, promising to stop calling themselves fat. They are saving babies tossed in rubbish heaps, rescuing child soldiers, supporting mamas trying to make ends meet halfway around the world, thinking of justice when they buy their daily coffee. They are fighting sex trafficking. They are pastoring and counseling. They are choosing life consistently, building hope, doing the hard work of transformation in themselves. They are shaking off the silence of shame and throwing open the prison doors of physical and sexual abuse, addictions, eating disorders, and suicidal depression. Poverty and despair are being unlocked - these women know there are many hands helping turn that key. There isn't much complaining about husbands and chores, cattiness, or jealousy when a woman knows she is loved for her true self. She is lit up with something bigger than what the world offers, refusing to be intimidated into silence or despair.
”
”
Sarah Bessey (Jesus Feminist: An Invitation to Revisit the Bible's View of Women)
“
There's so much life and it just keeps going. Maybe not everyone's life, but Life. It doesn't stop for anyone...no matter how hard we try, we can't stop life. No matter how much we fight, no matter how many we kill, things keep changing, and growing, and living, and people get lost, and fall away, and come back, and get born, and move on, and no matter what it's all so much, it's all so hard, the way life just keeps going and going.
”
”
Grady Hendrix (The Final Girl Support Group)
“
Timing is something that none of us can seem to get quite right with relationships. We meet the person of our dreams the month before they leave to go study abroad. We form an incredibly close friendship with an attractive person who is already taken. One relationship ends because our partner isn’t ready to get serious and another ends because they’re getting serious too soon.
“It would be perfect,” We moan to our friends, “If only this were five years from now/eight years sooner/some indistinct time in the future where all our problems would take care of themselves.” Timing seems to be the invariable third party in all of our relationships. And yet we never stop to consider why we let timing play such a drastic role in our lives.
Timing is a bitch, yes. But it’s only a bitch if we let it be. Here’s a simple truth that I think we all need to face up to: the people we meet at the wrong time are actually just the wrong people.
You never meet the right people at the wrong time because the right people are timeless. The right people make you want to throw away the plans you originally had for one and follow them into the hazy, unknown future without a glance backwards. The right people don’t make you hmm and haw about whether or not you want to be with them; you just know. You know that any adventure you had originally planned out for your future isn’t going to be half as incredible as the adventures you could have by their side. That no matter what you thought you wanted before, this is better. Everything is better since they came along.
When you are with the right person, time falls away. You don’t worry about fitting them into your complicated schedule, because they become a part of that schedule. They become the backbone of it. Your happiness becomes your priority and so long as they are contributing to it, you can work around the rest.
The right people don’t stand in the way of the things you once wanted and make you choose them over them. The right people encourage you: To try harder, dream bigger, do better. They bring out the most incredible parts of yourself and make you want to fight harder than ever before. The right people don’t impose limits on your time or your dreams or your abilities. They want to tackle those mountains with you, and they don’t care how much time it takes. With the right person, you have all of the time in the world.
The truth is, when we pass someone up because the timing is wrong, what we are really saying is that we don’t care to spend our time on that person. There will never be a magical time when everything falls into place and fixes all our broken relationships. But there may someday be a person who makes the issue of timing irrelevant.
Because when someone is right for us, we make the time to let them into our lives. And that kind of timing is always right.
”
”
Heidi Priebe (This Is Me Letting You Go)
“
We have lived in the shadow of the rights and laws of men. But when the world is reborn, it will be of our own making. You’re fighting for that world, and you have the same right to armour as the rest of us. You are surrounded by women who want to see you empowered, and that is stronger than any fucking army in these realms. Don’t let the world – don’t let anyone convince you that you’re not enough. Only you define your story. You and you alone. When they tell you what you’re not, when they tell you what you can’t do, remember: you are the storm, Elwren. You split the skies and flood the plains. You make the ground tremble beneath their boots. No one can fucking stop you.
”
”
Helen Scheuerer (Shadow & Storms (The Legends of Thezmarr, #4))
“
I wasn’t around, and I guess if I had been, I would have been part of the oppressor class and think it was the way things should be. But I have been told that things are a lot better now. I won’t say they’re perfect. Things don’t get perfect. But most of the women I know are happy. They don’t think there’s many battles left to fight.” “You’d better stop there,” Robin cautioned. “Most women have always been happy with the way things were, or at least they said so. That goes back to before peckish society allowed women to vote. Just because we of the Coven believe some things that I now know are overstated or incorrect, don’t draw the conclusion that we are foolish about everything. We know that the majority is always willing to let things remain as they are until they are led to something better. A slave may not be happy with her lot, but most do nothing to improve it. Most do not believe it can be improved.
”
”
John Varley (Wizard (Gaea, #2))
“
Hawk and I had a dream that shattered to bloody fragments right in front of our eyes. That dream dripped down my legs and I couldn’t stop it from leaving my body.
I didn’t properly grieve our child and every child we’ll never have because I had to stay strong and fight for Hawk and me.
But now, as he hugs me, his breathing deepening and his face burying in my neck, I can finally grieve.
Because the only other person who can feel the loss is grieving with me.
”
”
Rina Kent (Misted (Team Zero, #5))
“
Something creaked beneath me! A soft step on rotting wood!
I jumped startled, scared, and turned, expecting to see-God
knows what! Then I sighed, for it was only Chris standing in the gloom, silently staring at me. Why? Did I look prettier than
usual? Was it the moonlight, shining through my airy clothes?
All random doubts were cleared when he said in a voice
gritty and low, "You look beautiful sitting there like that." He
cleared the frog in his throat. "The moonlight is etching you with silver-blue, and I can see the shape of your body through
your clothes."
Then, bewilderingly, he seized me by the shoulders, digging
in his fingers, hard! They hurt. "Damn you, Cathy! You kissed
that man! He could have awakened and seen you, and demanded
to know who you were! And not thought you only a part of his
dream!"
Scary the way he acted, the fright I felt for no reason at all.
"How do you know what I did? You weren't there; you were
sick that night."
He shook me, glaring his eyes, and again I thought he seemed a stranger. "He saw you, Cathy-he wasn't soundly asleep!"
"He saw me?" I cried, disbelieving. It wasn't possible . . .
wasn't!
"Yes!" he yelled. This was Chris, who was usually in such
control of his emotions. "He thought you a part of his dream!
But don't you know Momma can guess who it was, just by
putting two and two together-just as I have? Damn you and
your romantic notions! Now they're on to us! They won't leave money casually about as they did before. He's counting, she's
counting, and we don't have enough-not yet!"
He yanked me down from the widow sill! He appeared wild
and furious enough to slap my face-and not once in all our
lives had he ever struck me, though I'd given him reason to
when I was younger. But he shook me until my eyes rolled, until
I was dizzy and crying out: "Stop! Momma knows we can't pass
through a looked door!"
This wasn't Chris . . . this was someone I'd never seen
before . . . primitive, savage.
He yelled out something like, "You're mine, Cathy! Mine!
You'll always be mine! No matter who comes into your future,
you'll always belong to me! I'll make you mine . . . tonight . . .
now!"
I didn't believe it, not Chris!
And I did not fully understand what he had in mind, nor, if I
am to give him credit, do I think he really meant what he said,
but passion has a way of taking over.
We fell to the floor, both of us. I tried to fight him off. We
wrestled, turning over and over, writhing, silent, a frantic strug-
gle of his strength against mine.
It wasn't much of a battle.
I had the strong dancer's legs; he had the biceps, the greater weight and height . . . and he had much more determination than
i to use something hot, swollen and demanding, so much it stile reasoning and sanity from him.
And I loved him. I wanted what he wanted-if he wanted it
that much, right and wrong.
Somehow we ended up on that old mattress-that filthy,
smelly, stained mattress that must have known lovers long
before this night. And that is where he took me, and forced in
that swollen, rigid male sex part of him that had to be satisfied.
It drove into my tight and resisting flesh which tore and bled.
Now we had done what we both swore we'd never do.
”
”
V.C. Andrews (Flowers in the Attic/Petals on the Wind (Dollganger, #1-2))
“
I have another scan this week," I say lightly, hoping to reassure my loved ones that it is safe to rejoin my orbit. There is always another scan, because this is my reality. But the people I know are often busy contending with mildly painful ambition and the possibility of reward. I try to begrudge them nothing, except I'm not alongside them anymore.
In the meantime, I have been hunkering down with old medical supplies and swelling resentment. I tried— haven't I tried? — to avoid fights and remember birthdays. I showed up for dance recitals and listened to weight-loss dreams and kept the granularity of my medical treatments in soft focus. A person like that would be easier to love, I reasoned.
I try a small experiment and stop calling my regular rotation of friends and family, hoping that they will call me back on their own. _This is not a test. This is not a test._ The phone goes quiet, except for a handful of calls. I feel heavy with strange new grief. Is it bitter or unkind to want everyone to remember what I can't forget? Who wants to be confronted with the reality that we are all a breath away from a problem that could alter our lives completely? A friend with a very sick child said it best: I'm everyone's inspiration and and no one's friend.
I am asked all the time to say that, given what I've gained in perspective, I would never go back. Who would want to know the truth? Before was better.
”
”
Kate Bowler (No Cure for Being Human: And Other Truths I Need to Hear)
“
Today, I feel free about the past and about what I have lost. All I want is this compactness and enclosed space—this lucid and patient fervor. And like the warm bread that one kneads and presses I simply want to hold my life between my hands, like the men who knew how to enclose their life between these flowers and these columns. The same is true of those long nights spent on trains, where one can talk to oneself, prepare oneself for life, and feel marvelously patient in taking up ideas again, stopping them in their fight, and then once more moving forward. To lick one's life like a stick of barley sugar, to form, sharpen, and finally fall in love with it, in the same way as one searches for the word, the image, the definitive sentence, the word or image which marks a close or a conclusion, from which one can start out again and which will color the way we see the world. I can easily stop now, and finally reach the end of a year of unrestrained and over restrained life. My effort now is to carry this presence of myself to myself through to the very end, to maintain it whatever aspect my life takes on—even at the price of the loneliness which I know is so difficult to bear. Not to give way—that is the whole secret. Not to surrender, not to betray. All the violent part of my character helps me in this, carrying me to the point where I am rejoined by my love, and by the furious passion for life which gives meaning to my days.
”
”
Albert Camus (Notebooks 1935-1942)
“
Chrissy said there were only two forces in the world and they balance each other: life and death. Creation and destruction. But she’s wrong. There’s only one. Because no matter how hard we try, we can’t stop life. No matter how much we fight, no matter how many we kill, things keep changing, and growing, and living, and people get lost, and fall away, and come back, and get born, and move on, and no matter what it’s all so much, it’s all so hard, the way life just keeps going and going.
”
”
Grady Hendrix (The Final Girl Support Group)
“
Plants and animals don’t fight the winter; they don’t pretend it’s not happening and attempt to carry on living the same lives that they lived in the summer. They prepare. They adapt. They perform extraordinary acts of metamorphosis to get them through. Winter is a time of withdrawing from the world, maximising scant resources, carrying out acts of brutal efficiency and vanishing from sight; but that’s where the transformation occurs. Winter is not the death of the life cycle, but its crucible. Once we stop wishing it were summer, winter can be a glorious season in which the world takes on a sparse beauty and even the pavements sparkle. It’s a time for reflection and recuperation, for slow replenishment, for putting your house in order. Doing
”
”
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
“
...Not yet dry behind the ears, not old enough to buy a beer, but old enough to die for his country.
He can recite to you the nomenclature of a machine gun or grenade launcher and use either one effectively if he must.
He digs foxholes and latrines and can apply first aid like a professional.
He can march until he is told to stop, or stop until he is told to march.
He obeys orders instantly and without hesitation, but he is not without spirit or individual dignity. He is self-sufficient.
...He sometimes forgets to brush his teeth, but never to clean his rifle. He can cook his own meals, mend his own clothes, and fix his own hurts.
If you're thirsty, he'll share his water with you; if you are hungry, food. He'll even split his ammunition with you in the midst of battle when you run low.
He has learned to use his hands like weapons and weapons like they were his hands.
He can save your life-or take it, because that is his job. He will often do twice the work of a civilian, draw half the pay, and still find ironic humor in it all. He has seen more suffering and death than he should have in his short lifetime. He has wept in public and in private, for friends who have fallen in combat and is unashamed.
He feels every note of the National Anthem vibrate through his body while at rigid attention, while tempering the burning desire to "square-away" those around him who haven't bothered to stand, remove their hat, or even stop talking.
...Just as did his father, grandfather, and great-grandfather, he is paying the price for our freedom. Beardless or not, he is not a boy. He is the American Fighting Man that has kept this country free for over two hundred years.
He has asked nothing in return, except our friendship and understanding.
Remember him, always, for he has earned our respect and admiration with his blood.
And now we have women over there in danger, doing their part in this tradition of going to war when our nation calls us to do so.
As you go to bed tonight, remember this. A short lull, a little shade, and a picture of loved ones in their helmets.
”
”
Sarah Palin (America by Heart: Reflections on Family, Faith, and Flag)
“
A given symptom is responded to by a phobia, the phobia triggers the symptom, and the symptom, in turn, reinforces the phobia. A similar chain of events, however, can be observed in obsessive-compulsive cases in which the patient fights the ideas which haunt him. Thereby, however, he increases their power to disturb him, since pressure precipitates counter-pressure. Again the symptom is reinforced! On the other hand, as soon as the patient stops fighting his obsessions and instead tries to ridicule them by dealing with them in an ironical way-by applying paradoxical intention-the vicious circle is cut, the symptom diminishes and finally atrophies. In the fortunate case where there is no existential vacuum which invites and elicits the symptom, the patient will not only succeed in ridiculing his neurotic fear but finally will succeed in completely ignoring it.
As we see, anticipatory anxiety has to be counteracted by paradoxical intention; hyper-intention as well as hyper-reflection have to be counteracted by dereflection; dereflection, however, ultimately is not possible except by the patient's orientation toward his specific vocation and mission in life.
It is not the neurotic's self-concern, whether pity or contempt, which breaks the circle formation; the cue to cure is self-transcendence.
”
”
Viktor E. Frankl (Man's Search for Meaning)
“
She sat, and when he joined her, she laid a hand over his. “I feel confident and streamlined. I woke up that way because you were with me last night, because you loved me. And because you were sitting here this morning, doing what you always do instead of worrying about me.”
“Does that mean you’re going to stop worrying about me worrying?”
“It’s moving that way. We probably just need to have a good fight over something, finish it off. A good fight can work like a good orgasm, and clear things out.”
“Well now, I’m longing for a good fight. We’ll have to schedule one in.”
“Better, I think, when they’re more … organic.”
“Organic orgasm through temper.” He laughed as he passed her the syrup he knew she’d pour on in a flood. “I’m filled with anticipation.”
“Remember that when I piss you off next time.
”
”
J.D. Robb (Celebrity in Death (In Death, #34))
“
I am strange,
my mind is tinted with the colors of madness,
they fight in silent furor in their effort to possess each other,
I am strange.
I have approached a degree of love that is so unwise,
In one world that it is wisdom in another,
I am strange,
I no longer have respect for hate,
I'm stronger than hate.
I'm contemptuous of both those who hate and those who destroy,
I'm not a part of the world which hates and the world which destroys,
I want a better world and not only do I want a better world,
I seek to live a better life,
that I might have a right to be a part of a better world,
if I hate and destroy I have no right to speak of love,
love is greater than hate,
and I have chosen love above all else in the world.
I am strange,
I know a secret truth,
I have a secret rendesvouz,
and the wind touches against my window pane,
come with me! it says, come with me,
I am a force, you are a force.
We are brothers.
Though I am invisible, I cover the leaf when I unravel, no wall can hold me,
nothing can withstand my will. What is your god? What is your desire?
Come my brother, you are dear to me, I cannot come to you in full force,
for you are too weak to contain me, I might lift you from the ground and frighten you,
at this careless moment, I might drop you in my jaw that you want me to come to you,
I cannot approach you in your weakness, I am too strong, come to me! as cautious as you will,
I will accept you, for the spirit of man is more like myself than anything on earth.
All the most I think I am the power for the spirit of man,
for the spirit of man is strong,
no power on earth is greater and no world can contain it,
it will cover the breadth and the width of earth,
for like I, the wind, an aroused spirit is greatly to be feared,
but weapons of that you will cast invisible,
only fools seek to harm the wind,
only fools seek to harm the brother of the wind.
Come spirit of man, I will take you to new worlds,
I will take you to inner unseen worlds,
greater in splendors than anything life contains,
if you are fearful, you will die in your fear,
but if you become as I you will be strong and do as I,
I the wind come and go as I choose,
and none can stop me.
”
”
Sun Ra
“
We go quiet as the next episode picks up exactly where it left off. Antoine manages to subdue Marie-Thérèse, and the two proceed to argue for ten minutes. Don’t ask me about what, because it’s in French, but I do notice that the same word—héritier—keeps popping up over and over again during their fight.
“Okay, we need to look up that word,” I say in aggravation. “I think it’s important.”
Allie grabs her cell phone and swipes her finger on the screen. I peek over her shoulder as she pulls up a translation app. “How do you think you spell it?” she asks.
We get the spelling wrong three times before we finally land on a translation that makes sense: heir.
“Oh!” she exclaims. “They’re talking about the father’s will.”
“Shit, that’s totally it. She’s pissed off that Solange inherited all those shares of Beauté éternelle.”
We high five at having figured it out, and in the moment our palms meet, pure clarity slices into me and I’m able to grasp precisely what my life has become.
With a growl, I snatch the remote control and hit stop.
“Hey, it’s not over yet,” she objects.
“Allie.” I draw a steady breath. “We need to stop now. Before my balls disappear altogether and my man-card is revoked.”
One blond eyebrow flicks up. “Who has the power to revoke it?”
“I don’t know. The Man Council. The Stonemasons. Jason Statham. Take your pick.”
“So you’re too much of a manly man to watch a French soap opera?”
“Yes.” I chug the rest of my margarita, but the salty flavor is another reminder of how low I’ve sunk. “Jesus Christ. And I’m drinking margaritas. You’re bad for my rep, baby doll.” I shoot her a warning look. “Nobody can ever know about this.”
“Ha. I’m going to post it all over the Internet. Guess what, folks—Dean Sebastian Kendrick Heyward-Di Laurentis is over at my place right now watching soaps and drinking girly drinks.” She sticks her tongue out at me. “You’ll never get laid again.”
She’s right about that. “Can you at least add that the night ended with a blowjob?” I grumble. “Because then everyone will be like, oh, he suffered through all that so he could get his pole waxed.”
“Your pole waxed? That’s such a gross description.” But her eyes are bright and she’s laughing as she says it.
”
”
Elle Kennedy (The Score (Off-Campus, #3))
“
I need to be the greatest fighter of the Omehi,” Tau said, fighting for calm, his fingernails digging into his palms. “Can you give me that?”
Jayyed grew serious. “I can’t give you anything. It might be something you can take, if you’re willing.”
“I am.”
“We’ll see. The cost for greatness is high.”
“I’ll pay anything.”
“Your life?” Jayyed asked, causing Tau to stop. “That’s the price. Life is nothing more than moments in time. To achieve greatness, you have to give up those moments. You have to give your life to your goal.”
“Easily paid,” Tau told him.
”
”
Evan Winter
“
You're really not frightened of what might happen"
"No, I mean, of course I am," he says. "It definitely stays a secret until after the election. And I know it'll be messy. But if we can get ahead of the narrative, wait for the right time and do it on our own terms, I think it could be okay."
"How long have you been thinking about this?"
"Consciously? Since, like, the DNC. Subconsciously, in total denial? A long-ass time. At least since you kissed me."
Henry stares at him from the pillow. "That's... kind of incredible."
"What about you?"
"What about me?" Henry says. "Christ, Alex. The whole bloody time."
"The whole time?"
"Since the Olympics."
"The Olympics." Alex yanks Henry's pillow out from under him. "But thats', that's like --"
"Yes Alex, the day we met, nothing gets past you, does it?" Henry says, reaching to steal the pillow back. "'What about you,' he says, as if he doesn't know--"
"Shut your mouth," Alex says, grinning like an idiot, and he stops fighting Henry for the pillow and instead straddles hima nd kisses him into the mattress. He pulls the blankets up and they disappear into the pile, a laughing mess of mouths and hands, until Henry rolls onto the phone and his ass presses the button on the voicemail.
"Diaz, you insane, hopeless romantic little shit," says the voice of the President of the United States, muffled on the bed. "It had better be forever. Be safe.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
He wet a paper towel, and took my chin, lifting and wiping my face.
"Derek? I'm not hurt."
"You're covered in blood."
"But it's not mine. Honest. It's from—"
"The werewolf. I know." He picked up my hand and started cleaning it. "That's why I have to get it off."
"Derek?" I leaned down, trying to see his face. "Are you okay?"
He kept scrubbing. "There are two ways to become a werewolf. Either you're born or you get bitten by one. If you get saliva in your bloodstream, it's like a virus."
"Blood, too?"
"Dad says no, it's just saliva. But he could be wrong, and you've got cuts and scrapes and blood all over."
I had a few cuts and scrapes, and I was only flecked with blood, but I kept my mouth shut and let him clean.
As he did, I tried to check out how badly he was hurt. His scraped cheeks were pitted with gravel. His nose was bloodied. Broken? One eye was already darkening. Was that blood in the corner? His lip was cut and swollen. Were any teeth loose? MIssing?
"Stop fidgeting, Chloe."
I couldn't help it. His injuries obviously needed more attention than mine, but here was no sense saying anything until he was done.
Finally, when he seemed to have scrubbed off every fleck of blood—and a few layers of skin—I said, "Okay, now on to you."
"Take off your jacket and sweatshirt."
"Derek, I'm clean. Trust me, I've never been this clean."
"You've got blood on your cuffs."
***
"Okay, now can we take care of the guy that was actually in the fight? There's a lot of blood. It seems to be mostly from your nose."
"It is."
"You got hit in the chest a few times. How are your ribs?"
"Maybe bruised. Nothing critical."
"Shirt off."
He sighed, like now I was the one fussing too much
”
”
Kelley Armstrong (The Awakening (Darkest Powers, #2))
“
We’ll fight them. We took down my dad. We’ve taken down so many since then. We’ll take down these jokesters too.”
“I will never let anything happen to you,” Nick growls into my hair. “I will die before you get hurt again. So help me God, Zara. I will die."
“Me too.”
“What?”
“I will die before I let anyone hurt you or Issie or Dev or Gram or . . .” I stop and pull my head away from his chest so I can look up at him. “This list is getting kind of long and melodramatic, isn’t it?”
He laughs. His hand moves slowly up my spine. He starts leaning down for a kiss. “Yeah. It is.
”
”
Carrie Jones (Captivate (Need, #2))
“
We’re all in a time river that doesn’t stop flowing, currently ending with a drop into the abyss.The further along the river we get the more we understand about it. So, we can accept our fate, and drift until we fall off the edge, or fight to figure out how to extend the length of the river.
”
”
Jack Jay
“
How did the American people ever reach this point where they believe that US aggression in the Middle East will make us safe when it does the opposite? How did the American people ever reach the point where they believe that fighting unconstitutional wars is required to protect our freedoms and our Constitution? Why do we allow the NSA, CIA, FBI, TSA, etc. to destroy our liberty at home, as part of the Global War on Terror, with a pretext that they are preserving our liberty? Why are the lying politicians reelected and allowed to bankrupt our country, destroy our money, and enter wars without the proper consent? Why do the American people suffer in silence and not scream “Enough is enough!”? We’ve had enough of the “humanitarian do-gooders” and the proponents of “American exceptionalism” who give us nothing but war, economic suffering, and less freedom. This can and must be stopped.
”
”
Ron Paul (Swords into Plowshares: A Life in Wartime and a Future of Peace and Prosperity)
“
Chust a little farther. Keep your shoes on.”
Peter whispered to me. “Where does he get this stuff, anyway? Isn’t it pants? Aren’t we supposed to keep our pants on?”
“Maybe for Bodo shoes are more important. Maybe it’s a German thing.”
“You know, Chermans can hear very good. You are talking about me not very nice, I know it.”
“We were just talking about your creative colloquialisms,” said Peter.
I had no idea what that word meant, but it was fun to mess with Bodo, which is exactly what Peter was trying to do.
“Is dat like a fucktart?”
“What?” asked Peter, half choking.
“Fucktart. Dat’s a new word I learned today. Isn’t it a good one?”
“I told you before, Bodo,” I said, “it’s not fucktart. It’s fucktard. And you were right before. It’s not a nice word, so stop saying it.”
“I didn’t say fucktart. Dat was you. You are the lady saying all the fucktart words today. Or moron. She likes dat one, too. I think it means boy I luff.”
“Wow. You guys have one of the most messed up relationships I have ever seen,” said Peter, shaking his head. “Seriously. You fight to lighten the mood. You call each other names …”
“And we take showers togedder sometimes. Don’t forget dat.”
“Shut up, Bodo!”
“You do? Ew. That’s a public shower, you know.”
“We do not take showers together.”
“Yesss weeee doooo … ”
“One time! Okay? One time. And it’ll never happen again, I can promise you that.”
“I can promise you different!” said Bodo in a singsong voice.
”
”
Elle Casey (Warpaint (Apocalypsis, #2))
“
We are engaged in a world war of stories—a war between incompatible versions of reality—and we need to learn how to fight it. A tyrant has arisen in Russia and brutality engulfs Ukraine, whose people, led by a satirist turned hero, offer heroic resistance, and are already creating a legend of freedom. The tyrant creates false narratives to justify his assault—the Ukrainians are Nazis, and Russia is menaced by Western conspiracies. He seeks to brainwash his own citizens with such lying stories. Meanwhile, America is sliding back towards the Middle Ages, as white supremacy exerts itself not only over Black bodies, but over women’s bodies too. False narratives rooted in antiquated religiosity and bigoted ideas from hundreds of years ago are used to justify this, and find willing audiences and believers. In India, religious sectarianism and political authoritarianism go hand in hand, and violence grows as democracy dies. Once again, false narratives of Indian history are in play, narratives that privilege the majority and oppress minorities; and these narratives, let it be said, are popular, just as the Russian tyrant’s lies are believed. This, now, is the ugly dailiness of the world. How should we respond? It has been said, I have said it myself, that the powerful may own the present, but writers own the future, for it is through our work, or the best of it at least, the work which endures into that future, that the present misdeeds of the powerful will be judged. But how can we think of the future when the present screams for our attention, and what, if we turn away from posterity and pay attention to this dreadful moment, can we usefully or effectively do? A poem will not stop a bullet. A novel cannot defuse a bomb. Not all our satirists are heroes. But we are not helpless. Even after Orpheus was torn to pieces, his severed head, floating down the river Hebrus, went on singing, reminding us that the song is stronger than death. We can sing the truth and name the liars, we can join in solidarity with our fellows on the front lines and magnify their voices by adding our own to them. Above all, we must understand that stories are at the heart of what’s happening, and the dishonest narratives of oppressors have proved attractive to many. So we must work to overturn the false narratives of tyrants, populists, and fools by telling better stories than they do, stories within which people want to live. The battleground is not only on the battlefield. The stories we live in are contested territories too. Perhaps we can seek to emulate Joyce’s Dedalus, who sought to forge, in the smithy of his soul, the uncreated conscience of his race. We can emulate Orpheus and sing on in the face of horror, and not stop singing until the tide turns, and a better day begins.
”
”
Salman Rushdie (Knife: Meditations After an Attempted Murder)
“
Is it true?” I ask him.
“Is what true?” His eyes are the color of honey. These are the eyes I remember from my dreams.
“That you still love me,” I say, breathless. “I need to know.”
Alex nods. He reaches out and touches my face—barely skimming my cheekbone and brushing away a bit of my hair. “It’s true.”
“But . . . I’ve changed,” I say. “And you’ve changed.”
“That’s true too,” he says quietly. I look at the scar on his face, stretching from his left eye to his jawline, and something hitches in my chest.
“So what now?” I ask him. The light is too bright; the day feels as though it’s merging into dream.
“Do you love me?” Alex asks. And I could cry; I could press my face into his chest and breathe in, and pretend that nothing has changed, that everything will be perfect and whole and healed again.
But I can’t. I know I can’t.
“I never stopped.” I look away from him. I look at Grace, and the high grass littered with the wounded and the dead. I think of Julian, and his clear blue eyes, his patience and goodness. I think of all the fighting we’ve done, and all the fighting we have yet to do. I take a deep breath. “But it’s more complicated than that.”
Alex reaches out and places his hands on my shoulders. “I’m not going to run away again,” he says.
“I don’t want you to,” I tell him.
His fingers find my cheek, and I rest for a second against his palm, letting the pain of the past few months flow out of me, letting him turn my head toward his. Then he bends down and kisses me: light and perfect, his lips just barely meeting mine, a kiss that promises renewal.
”
”
Lauren Oliver (Requiem (Delirium, #3))
“
Galen punched his brother hard. "You bastard! You married and din't tell me?"
Bathymaas moved to blast him. Aricle stopped her. "I'ts alright my lady. That's his normal reaction."
"He needs to find another." Bathymaas
"How could you have not told me? I'm your brother! Your twin! When did you marry?" Galen
"While you were all gone." Aricles
"Have you any idea the shit storm you are about to unleash?" Caleb
"It's why I backed down from the fighting. I didn't want anyone hurt. Least of all Bathymaas." Aricles
Malphas growled. "Now I want to punch you. . . . But I understand." He rubbed his gold necklace that never left him. "The heart wants what it wants, and nothing will deny it. But damn . . ." He turned his glare to Bathymaas. "Damn."
"So what does this mean?" Monokles
"The gods will attack her for this. Openly. Those who hate her will say that she can no longer perform her duties because she's been corrupted by the thouch of a mortal. And they will be after Aricles with everything they have." Caleb
"I still don't trust him. He bowed out when we needed him the most." Phelix
"To protect his wife." Haides reminded Phelix. "Right or wrong, I doubt there's a one of us who wouldn't do whatever he had to to keep his woman safe." Haides
"he's right, there's nothing I wouldn't do to protect my wife and her honor." Monokles
Galen hugged Bathymaas and then his brother. "I hate you." galen
"I hate you too." Aricles
Bathymaas scowled. "We don't mean it, my lady. Rather, it's our way of saying that we're still mad, but are willing to forgive." Aricles
"Mortals are so strange." Bathymaas
”
”
Sherrilyn Kenyon (Dark Bites (Dark-Hunter #22.5; Hellchaser, #0.5; Dream-Hunter, #0.5; Were-Hunter, #3.5))
“
Things I've Learned in 18 Years of Life 1) True love is not something found, rather [sic] something encountered. You can’t go out and look for it. The person you marry and the person you love could easily be two different people. So have a beautiful life while waiting for God to bring along your once-in-a-lifetime love. Don't allow yourself to settle for anything less than them. Stop worrying about who you're going to marry because God's already on the front porch watching your grandchildren play. 2) God WILL give you more than you can handle, so you can learn to lean on him in times of need. He won't tempt you more than you can handle, though. So don't lose hope. Hope anchors the soul. 3) Remember who you are and where you came from. Remember that you are not from this earth. You are a child of heaven, you're invaluable, you are beautiful. Carry yourself that way. 4) Don't put your faith in humanity, humanity is inherently flawed. We are all imperfect people created and loved by a perfect God. Perfect. So put your faith in Him. 5) I fail daily, and that is why I succeed. 6) Time passes, and nothing and everything changes. Don't live life half asleep. Don't drag your soul through the days. Feel everything you do. Be there physically and mentally. Do things that make you feel this way as well. 7) Live for beauty. We all need beauty, get it where you can find it. Clothing, paintings, sculptures, music, tattoos, nature, literature, makeup. It's all art and it's what makes us human. Same as feeling the things we do. Stay human. 8) If someone makes you think, keep them. If someone makes you feel, keep them. 9) There is nothing the human brain cannot do. You can change anything about yourself that you want to. Fight for it. It's all a mental game. 10) God didn’t break our chains for us to be bound again. Alcohol, drugs, depression, addiction, toxic relationships, monotony and repetition, they bind us. Break those chains. Destroy your past and give yourself new life like God has given you. 11) This is your life. Your struggle, your happiness, your sorrow, and your success. You do not need to justify yourself to anyone. You owe no one an explanation for the choices that you make and the position you are in. In the same vein, respect yourself by not comparing your journey to anyone else's. 12) There is no wrong way to feel. 13) Knowledge is everywhere, keep your eyes open. Look at how diverse and wonderful this world is. Are you going to miss out on beautiful people, places, experiences, and ideas because you are close-minded? I sure hope not. 14) Selfless actions always benefit you more than the recipient. 15) There is really no room for regret in this life. Everything happens for a reason. If you can't find that reason, accept there is one and move on. 16) There is room, however, for guilt. Resolve everything when it first comes up. That's not only having integrity, but also taking care of your emotional well-being. 17) If the question is ‘Am I strong enough for this?’ The answer is always, ‘Yes, but not on your own.’ 18) Mental health and sanity above all. 19) We love because He first loved us. The capacity to love is the ultimate gift, the ultimate passion, euphoria, and satisfaction. We have all of that because He first loved us. If you think about it in those terms, it is easy to love Him. Just by thinking of how much He loves us. 20) From destruction comes creation. Beauty will rise from the ashes. 21) Many things can cause depression. Such as knowing you aren't becoming the person you have the potential to become. Choose happiness and change. The sooner the better, and the easier. 22) Half of happiness is as simple as eating right and exercising. You are one big chemical reaction. So are your emotions. Give your body the right reactants to work with and you'll be satisfied with the products.
”
”
Scott Hildreth (Broken People)
“
Sam, no!” Edilio snapped.
Sam missed a step, then stopped. He looked at Edilio, puzzled.
“We’re scattered. And we can’t risk you. You die and the light dies with you.”
“Are you out of your mind? You think I’m going to let Drake come in here and take Diana?”
“Not you, Sam. Dekka, yes. Orc, yes. He’s out there, too. And send Jack as well. Anyone but you.”
Sam looked like he’d been punched. Like someone had knocked the wind out of him. He blinked and started to say something and stopped.
“You aren’t replaceable, Sam. Figure it out, okay? It’s going dark and you make light. So this isn’t going to be your battle. Not now. It’s on the rest of us to step up.
”
”
Michael Grant (Fear (Gone, #5))
“
The assistant director of the Office of Economic Opportunity, Hyman Bookbinder, in a frank statement on December 29, 1966, declared that the long-range costs of adequately implementing programs to fight poverty, ignorance and slums will reach one trillion dollars. He was not awed or dismayed by this prospect but instead pointed out that the growth of the gross national product during the same period makes this expenditure comfortably possible. It is, he said, as simple as this: “The poor can stop being poor if the rich are willing to become even richer at a slower rate.” Furthermore, he predicted that unless a “substantial sacrifice is made by the American people,” the nation can expect further deterioration of the cities, increased antagonisms between races and continued disorders in the streets. He asserted that people are not informed enough to give adequate support to antipoverty programs, and he leveled a share of the blame at the government because it “must do more to get people to understand the size of the problem.
”
”
Martin Luther King Jr. (Where Do We Go from Here: Chaos or Community? (King Legacy Book 2))
“
The Civil War was ABOUT something. It was fought FOR something. And—let us never for a moment forget it—it WON something.
Under everything else, the war was about Negro slavery.
It was fought for freedom—and if ever anything was worth fighting a war for, freedom was and is the cause. . . .
And that is why the Civil War is worth remembering. It gave us a broader freedom, and it laid upon us the obligation to live up to that freedom and to make it unlimited, for everybody. Freedom is indivisible. Winning it for the Negro, we won it also for all of the people who then were or ever would become Americans—for the man who has fled from oppression, misery and discrimination overseas as well as for the fugitive from the American slave pen and auction block. We can never have, permanently, a second-class citizenship in this country; because of the Civil War, we are no longer that kind of country. We might just as well stop trying to find a comfortable middle ground between the ideas of Abraham Lincoln and Adolf Hitler. There simply isn't any such place.
”
”
Bruce Catton (The Meaning of the Civil War: An Address Delivered at the Chicago Historical Society, April 12, 1961)
“
I do have a bad habit,” he says. “of falling in love. With regularity and to spectacular effect. You see, it never goes well.”
I wonder if this conversation makes him think of our kiss, but then, I was the one who kissed him. He’d only kissed back.
“As charming as you are, how can that be?” I say.
He laughs again. “That’s what my sister Taryn always says. She tells me that I remind her of her late husband. Which makes some sense, since I would be his half brother. But it’s also alarming, because she’s the one who murdered him.”
Much as when he spoke about Madoc, it’s strange how fond Oak can sound when he tells me a horrifying thing a member of his family has done. “Whom have you fallen in love with?” I ask.
“Well, there was you,” the prince says. “When we were children.”
“Me?” I ask incredulously.
“You didn’t know?” He appears to be merry in the face of my astonishment. “Oh yes. Though you were a year my senior, and it was hopeless, I absolutely mooned over you. When you were gone from Court, I refused any food but tea and toast for a month.”
I cannot help snorting over the sheer absurdity of his statement.
He puts a hand to my heart. “Ah, and now you laugh. It is my curse to adore cruel women.
He cannot expect me to believe he had real feelings. “Stop with your games.”
“Very well,” he says. “Shall we go to the next? Her name was Lara, a mortal at the school I attended when I lived with my eldest sister and her girlfriend. Sometimes Lara and I would climb into the crook of one of the maple trees and share sandwiches. But she had a villainous friend, who implicated me in a piece of gossip—which resulted in Lara stabbing me with a lead pencil and breaking off our relationship.”
“You do like cruel women,” I say.
“Then there was Violet, a pixie. I wrote terrible poetry about how I adored her. Unfortunately, she adored duels and would get into trouble so that I would have to fight for her honor. And even more unfortunately, neither my sister nor my father bothered to teach me how to fight for show.
I thought of the dead-eyed expression on his face before his bout with the ogre and Tiernan’s angry words.
“That resulted in my accidentally killing a person she liked better than me.”
“Oh,” I say. “That is three levels of unfortunate.”
“Then there was Sibi, who wanted to run away from Court with me, but as soon as we went, hated it and wept until I took her home. And Loana, a mermaid, who found my lack of a tail unbearable but tried to drown me anyway, because she found it equally unbearable that I would ever love another.”
The way he tells these stories makes me recall how he’s told me many painful things before. Some people laugh in the face of death. He laughed in the face of despair. “How old were you?”
“Fifteen, with the mermaid,” he said. “And nearly three years later, I must surely be wiser.”
“Surely,” I say, wondering if he was. Wondering if I wanted him to be.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
...kissing Locke never felt the way that kissing Cardan does, like taking a dare to run over knives, live an adrenaline strike of lightning, like the moment when you've swum too far out in the sea and there is no going back, only cold black water closing over your head.
Cardan's cruel mouth is surprisingly soft, and for a long moment after our lips touch, he's still as a statue. His eyes close, lashes brushing my cheek. I shudder, as you're supposed to when someone walks over your grave. Then his hands come up, gentle as they glide over my arms. If I didn't know better, I'd say his touch was reverent, but I do know better. HIs hands are moving slowly because he is trying to stop himself. He doesn't want this. He doesn't want to want this.
He tastes like sour wine.
I can feel the moment he gives in and gives up, pulling me to him despite the threat of the knife. He kisses me hard, with a kind of devouring desperation, fingers digging in to my hair. Our mouths slide together, teeth over lips over tongues. Desire hits me like a kick to the stomach. It's like fighting, except what we're fighting for is to crawl inside each other's skin.
That's the moment when terror seizes me. What kind of insane revenge is there in exulting in his revulsion? And worse, far worse, I like this. I like everything about kissing him- the familiar buzz of fear, the knowledge I am punishing him, the proof he wants me.
The knife in my hand is useless. I throw it at the desk, barely registering as the point sinks in to the wood. He pulls back from me at the sound, startled. HIs mouth is pink, his eyes dark. He sees the knife and barks out a startled laugh.
Which is enough to make me stagger back. I want to mock him, to show up his weakness without revealing mine, but I don't trust my face not to show too much.
'Is that what you imagined?' I ask, and am relieved to find that my voice sounds harsh.
'No,' he said tonelessly.
'Tell me,' I say.
He shakes his head, somewhere chagrined. 'Unless you're really going to stab me, I think I won't. And I might not tell you even if you were going to stab me.'
I get up on Dain's desk to put some distance between us. My skin feels too tight, and the room seems suddenly too small. He almost made me laugh there.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
I need to yell at you for so many more things," I say as he grits his teeth. "And you need to fix these bracelets, because I blew them right up, and then you need to help me set terms for the war we just stopped, because there's nothing we can't do together. Things are going to be perfect now." I believe it with everything I have, If my magic can will others to do what I want, then maybe it can will him to live. "We're going to go back, and you're going to be Mestrah and we're going to keep pulling each other up whenever we need it, because that's how stories like this are supposed to end. Good things happen when you do good things. And we're going to get along and be happy..."
"I need this in writing." But his voice is fading. "I'm going to bring it out every time you argue with me."
"That's it." I grab his hand when it slips from my cheek. "Stay awake and fight with me. Think of all the fights we haven't had yet. Who's going to suggest all the irrational, terrible ideas if you're not there?"
A flicker of a smile. His eyes are closing. "You'll do that just fine on your own."
I let out half a laugh, half a cry, and stifle it. "Please don't. Please stay with me.
”
”
Natalie Mae (The Sweetest Betrayal (Kinder Poison #3))
“
Things changed after that between me and Mark. I stopped being mortified that people might mistake me for one of his acolytes. I was his Boswell, don’t you know. I interviewed him about his childhood—his father was a psychiarist in Beverly Hills. I cataloged the contents of his van. I followed him around at work, sitting in while he examined patients. He had been a bit of a prodigy when we were in college. After his father developed a tumor, Mark, who was pre-med, started studying cancer with an intensity that convinced many of his friends that his goal was to find a cure in time to save his father. As it turned out, his father didn’t have cancer. But Mark kept on with his cancer studies. His interest was not in fact in oncology—in finding a cure—but in cancer education and prevention. By the time he entered medical school, he had created, with another student, a series of college courses on cancer and coauthored The Biology of Cancer Sourcebook, the text for a course that was eventually offered to tens of thousands of students. He cowrote a second book, Understanding Cancer, that became a bestselling university text, and he continued to lecture throughout the United States on cancer research, education, and prevention. “The funny thing is, I’m not really interested in cancer,” Mark told me. “I’m interested in people’s response to it. A lot of cancer patients and suvivors report that they never really lived till they got cancer, that it forced them to face things, to experience life more intensely. What you see in family practice is that families just can’t afford to be superficial with each other anymore once someone has cancer. Corny as it sounds, what I’m really interested in is the human spirit—in how people react to stress and adversity. I’m fascinated by the way people fight back, by how they keep fighting their way to the surface.” Mark clawed at the air with his arms. What he was miming was the struggle to reach the surface through the turbulence of a large wave.
”
”
William Finnegan (Barbarian Days: A Surfing Life)
“
Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond.
But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen.
Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now.
Now, not then.
I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it.
There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together.
There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.'
I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now.
He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on.
Even when broken it still works.
”
”
Cecelia Ahern (Thanks for the Memories)
“
Is that...the Looney Tunes theme?"
Mer and St. Clair cock their ears.
"Why,yes.I believe it is," St. Clair says.
"I heard 'Love Shack' a few minutes ago," Mer says.
"It's official," I say. "America has finally ruined France."
"So can we go now?" St. Clair holds up a small bag. "I'm done."
"Ooo,what'd you get?" Mer asks. She takes his bag and pulls out a delicate, shimmery scarf. "Is it for Ellie?"
"Shite."
Mer pauses. "You didn't get anything for Ellie?"
"No,it's for Mum.Arrrgh." He rakes a hand through his hair. "Would you mind if we pop over to Sennelier before we go home?" Sennelier is a gorgeous little art supply sore,the kind that makes me wish I had an excuse to buy oil paints and pastels. Mer and I went with Rashmi last weekend. She bought Josh a new sketchbook for Hanukkah.
"Wow.Congratulations,St. Clair," I say. "Winner of today's Sucky Boyfriend award.And I thought Steve was bad-did you see what happened in calc?"
"You mean when Amanda caught him dirty-texting Nicole?" Mer asks. "I thought she was gonna stab him in the neck with her pencil."
"I've been busy," St. Clair says.
I glance at him. "I was just teasing."
"Well,you don't have to be such a bloody git about it."
"I wasn't being a git. I wasnt even being a twat, or a wanker, or any of your other bleeding Briticisms-"
"Piss off." He snatches his bag back from Mer and scowls at me.
"HEY!" Mer says. "It's Christmas. Ho-ho-ho. Deck the halls. Stop fighting."
"We weren't fighting," he and I say together.
She shakes her head. "Come on,St. Clair's right. Let's get out of here. This place gives me the creeps."
"I think it's pretty," I say. "Besides, I'd rather look at ribbons than dead rabbits."
"Not the hares again," St. Clair says. "You're as bad as Rashmi."
We wrestle through the Christmas crowds. "I can see why she was upset! The way they're hung up,like they'd died of nosebleeds. It's horrible. Poor Isis." All of the shops in Paris have outdone themselves with elaborate window displays,and the butcher is no exception. I pass the dead bunnies every time I go to the movies.
"In case you hadn't noticed," he says. "Isis is perfectly alive and well on the sixth floor.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
How the intelligent young do fight shy of the mention of God! It makes them feel both bored and superior.”
I tried to explain: “Well, once you stop believing in an old gentleman with a beard … It’s only the word God, you know — it makes such a conventional noise.”
“It’s merely shorthand for where we come from, where we’re going, and what it’s all about.”
“And do religious people find out what it’s all about? Do they really get the answer to the riddle?”
“They get just a whiff of an answer sometimes.” He smiled at me and I smiled back and we both drank our madeira. Then he went on: “I suppose church services make a conventional noise to you, too — and I rather understand it. Oh, they’re all right for the old hands and they make for sociability, but I sometimes think their main use is to help weather churches — like smoking pipes to colour them, you know. If any — well, unreligious person, needed consolation from religion, I’d advise him or her to sit in an empty church. Sit, not kneel. And listen, not pray. Prayer’s a very tricky business.”
“Goodness, is it?”
“Well, for inexperienced pray-ers it sometimes is. You see, they’re apt to think of God as a slot-machine. If nothing comes out they say ‘I knew dashed well it was empty’ — when the whole secret of prayer is knowing the machine’s full.”
“But how can one know?”
“By filling it oneself.”
“With faith?”
“With faith. I expect you find that another boring word. And I warn you this slot-machine metaphor is going to break down at any moment. But if ever you’re feeling very unhappy — which you obviously aren’t at present, after all the good fortune that’s come to your family recently — well, try sitting in an empty church.”
“And listening for a whiff?”
We both laughed and then he said that it was just as reasonable to talk of smelling or tasting God as of seeing or hearing Him. “If one ever has any luck, one will know with all one’s senses — and none of them. Probably as good a way as any of describing it is that we shall ‘come over all queer.’”
“But haven’t you already?”
He sighed and said the whiffs were few and far between. “But the memory of them everlasting,” he added softly.
”
”
Dodie Smith (I Capture the Castle)
“
I have to tell you, Major, if we don't get these bombs and stop this Jap fleet, they're gonna come in here and bomb the hell out of this place and maybe recapture it. Then their planes will be dropping these bombs on you. I've gotta have these bombs, sir, or we'll have a disaster on our hands.' Lupo asked who the major's superior was.
The Army officer mentioned a colonel who stationed out toward the front. 'He's out fighting a war, and I'm not going to bother him."
'Well," Lupo said, "that's just too bad." The pilot pulled out his service revolver and pointed it at the major. Then Lupo handed the pistol to his radioman, Earl Gifford, instructing the flabbergasted aircrewman to hold the Army officer at bay. Lupo climbed into the cockpit of his plane and hailed the Fanshaw Bay on the radio. His fellow pilots from VC-68 and other Taffy 3 squadrons were already inbound
”
”
James D. Hornfischer (The Last Stand of the Tin Can Sailors: The Extraordinary World War II Story of the U.S. Navy's Finest Hour)
“
When he got out, I rolled my window down. “You look like you’re going to throw up.”
He grimaced, pressing a hand to his stomach. “I don’t know if it’s from this, or if I actually am sick. I think Avery got sick from the weekend. She was puking this morning when I left.”
“Avery, huh? At your place?”
He rolled his eyes. “Don’t even start.”
“But you see, I have to. I have to start. Avery’s my friend. I’m hanging out with your brother. You and I are classmates. I think we can develop our friendship to the stage where I give you shit. We should even start sitting next to each other in class.”
“Don’t press your luck.”
I kept going, “It’s a natural progression. Don’t fight it, Marcus. It’s like evolution. Don’t fight evolution. You’ll never win. Mother nature is a bitch. She’s always going to win.”
“What the fuck are you talking about?”
“How I get to give you shit. It’s an amazing experience in life, like giving birth. It’s painful for one person, but breathtaking for another. I’m the baby here. I get to feel air for the first time on my skin. Let me breathe, Marcus. Let me put my baby lungs to work and scream.”
“I swear you’re making me even sicker.”
“If you gotta puke, don’t suppress. It’s a natural body process.”
He eyed me a moment. “Did you rhyme that on purpose?”
“Maybe. Or I might be crazy?” I winked. “Or just a classy lady?”
“Stop. I’m really going to puke now.” He groaned, pressing his arm against his forehead. “I was going to tease you back about Caden, but forget it. I don’t think I have the energy to deal with your rhyming.”
“I’ve been told I’m amazing like that.”
“Who told you that?”
“Who hasn’t is the real question.”
“You’re not making sense.”
“I do that too. That’s very true.” I wondered if I should find him a bag, in case he actually was going to upchuck.
”
”
Tijan (Anti-Stepbrother)
“
I ask people of the world and children of light to start reflecting the stories of their souls to vibrate wisdom around the earth. Pick up a paintbrush or microphone. Press the inks of your pens to paper or tap words onto your screens, and start sharing what you know and have learned with the masses. Turn your personal painting into a piece of the earth's puzzle so that our unified assemblage of thoughts, experiences and lessons reveal common truths that cannot be denied. Imagine the changes that could happen if everyone suddenly stopped acting like someone else, became true to themselves, and celebrated the beauty of their uniqueness? Only after people have willingly removed their masks and costumes, and have begun pouring light from their hearts to reveal their vulnerability, dreams and pains, will we be able to see that beneath the surface we are all the same. After all, how can the world collectively fight for Truth, if soldiers in its army are void of truth? We must first all be true by putting truth in our words and actions. And to do so, everyone must learn to think and react with their conscience. Imagine what Truth could do to neutralize the clutches of evil once this black and white world suddenly became embraced by a strong rainbow of loud powerful voices. We could put color back into every home, every school, every industry, every nation, and every garden on earth where flowers have been crushed by corruption.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
A moment later, as he pulls away from the curb, I’m assuming the ride to school will be awkward with my sister in the back. It’s confirmed when she asks, “So what’s the deal with you and my sister?”
He laughs shortly and rubs the back of his neck like something is there, tickling, tapping.
“Tamra.” Clutching the dashboard, I turn and glare at her. “There is no deal.”
She snorts. “Well, we wouldn’t be sitting here if that was the case now, would we?”
I open my mouth to demand she end the interrogation when Will’s voice stops me.
“I like your sister. A lot.”
I look at him dumbly.
He looks at me, lowers his voice to say, “I like you.”
I know that, I guess, but heat still crawls over my face. I swing forward in my seat, cross my arms over my chest and stare straight ahead. Can’t stop shivering. Can’t speak. My throat hurts too much.
“Jacinda,” he says.
“I think you’ve shocked her,” Tamra offers, then sighs. “Look, if you like her, you have to make it legit. I don’t want everyone at school whispering about her like she’s some toy you get your kicks with in a stairwell.”
Now I really can’t speak. My blood burns. I already have one mother doing her best to control my life. I don’t need my sister stepping in as mother number two.
I know,” he says. “That’s what I’m trying to do now—if she’ll let me.”
I feel his gaze on the side of my face. Anxious. Waiting. I look at him. A breath shudders from me at the intensity in his eyes.
He’s serious. But then he would have to be. If he’s willing to break free of his self-imposed solitude for me, especially when he suspects there’s more to me than I’m telling him . . . he means what he’s saying.
His thumb beats a staccato rhythm on the steering wheel as he drives. “I want to be with you, Jacinda.” He shakes his head. “I’m dong fighting it.”
“Jeez,” Tamra mutters.
And I know what she means. It seems too much. The declaration extreme. Fast. After all, we’re only sixteen . . .
I start, jerk a little.
I think he’s sixteen.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
No one ever changed the world by being beautiful," she said. "If you want to make a difference, you can't let something as trivial as appearance get in your way. A daisy doesn't need the roses' permission to bloom - and neither do you."
"I may not need permission, but I do need support," the woman argued. "I can't fight an army on my own - I'll need others to join me. But I'm afraid they'll only see my looks and won't listen to my words. I'm afraid they'll only laugh at my hopes of rescuing my loved ones."
The little girl placed her hands on her hips and stared at the woman with the confidence of someone twice her age.
"Only idiots listen with their eyes," she said. "If people don't hear your words, then shout them. If people silence you, then write your message with fire. Demanding respect is never easy, but if something you love is at stake, then I'd say it's worth the price. Besides, if you can't get villagers to take you seriously, you'll never defeat an army! Sometimes we're meant to face the demons at home so we know how to fight the demons abroad."
The little girl had waited years to give someone that advice, and it appeared to do the trick. As if a sudden electric charge had run through the woman's body, she stood taller and straighter, and her eyes beamed with determination.
"You're right, child," she said. "With all the energy I've wasted moping in front of the mirror, I could have accomplished great things by now. Well, I'm going to stop moping at once and get to work.
”
”
Chris Colfer (Worlds Collide (The Land of Stories, #6))
“
Lots of people have been taught to see homeless folks as the epitome of laziness, and to believe that laziness is the root cause of homeless people's suffering. This tendency to blame people for their own pain is comforting, in a twisted way; it allows us to close up our hearts and ignore the suffering of others. This same tendency also keeps us running endlessly on the hamster wheel of hyperproductivity.
When we view homeless, unemployed, or impoverished people as victims of their own "laziness," our motivations to work backbreakingly hard gets stronger than ever. The fear of ending up homeless morphs into the fear of not working hard enough, which in turn makes life an endless slog of pushing ourselves past the brink and judging anyone who doesn't do the same. Lacking compassion for a struggling group of people actually makes it harder for us to be gentle with ourselves.
Fighting the Laziness Lie can't stop at just encouraging people with full-time jobs to relax a bit and take more breaks.
”
”
Devon Price (Laziness Does Not Exist)
“
You may attempt to defy me, but I assure you, it is a waste of your energy." He spoke gently, that mocking male superiority setting her teeth on edge. "I am your lifemate, cherie, and I will give any order I deem necessary for your safety."
She thumped his chest hard with her clenched fist. "You make me so mad, Gregori! I'm trying very hard to get along with you and your arrogant orders. You don't even change expression! We could be discussing the weather instead of having a fight."
His eyebrows shot up. "This is no fight, ma petite. A fight is where we both are angry and have a contest of wills,a battle.There cannot be such a thing between us.I do not feel anger when I look at you,only the need to care for you and protect you. I am responsible for your health and safety, Savannah. I can do no other than to protect you,even from your own folly.You cannot hope to win.I know this absolutely, so there is no reason to become agitated over the issue."
She thumped him again.He looked startled, then caught her flying fist in his hand and gently pried her fingers open.Very carefully he pressed a kiss into the exact center of her palm. "Savannah? Were you trying to hit me?"
"I did hit you-twice,you scum.You didn't even notice the first time." She sounded very irritated with him.
For some reason it made him want to smile. "I apologize,mon amour. Next time,I promise I will notice when you strike me." The hard edge to his mouth softened into a semblance of a smile. "I will even go so far as to pretend that it hurts,if you wish it."
Her blue eyes flashed at him. "Ha,ha, ha, you're so funny,Gregori. Stop being so smug."
"It is not being smug to know my own power, cherie. I am trying to care for you as best I know how.YOu do not make it easy for me. I find myself making poor decisions just to see that smile on your face," he admitted reluctantly.
Savannah laid her head on his chest. "I'm sorry I'm so much trouble, Gregori." She wasn't certain if that was the strict truth.She rather liked stirring him up.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Scared?”
Terrified. “Of you? Nah. If you grow claws, I might get my sword, but I’ve fought you in your human shape.” It took all my will to shrug. “You aren’t that impressive.”
He cleared the distance between us in a single leap. I barely had time to jump to my feet. Steel fingers grasped my left wrist. His left arm clasped my waist. I fought, but he outmuscled me with ridiculous ease, pulling me close as if to tango.
“Curran! Let . . . “
I recognized the angle of his hip but I could do nothing about it. He pulled me forward and flipped me in a classic hip-toss throw. Textbook perfect. I flew through the air, guided by his hands, and landed on my back. The air burst from my lungs in a startled gasp. Ow.
“Impressed yet?” he asked with a big smile.
Playing. He was playing. Not a real fight. He could’ve slammed me down hard enough to break my neck. Instead he had held me to the end, to make sure I landed right.
He leaned forward a little. “Big bad merc, down with a basic hip toss. In your place I’d be blushing.”
I gasped, trying to draw air into my lungs.
“I could kill you right now. It wouldn’t take much. I think I’m actually embarrassed on your behalf. At least do some magic or something.”
As you wish. I gasped and spat my new power word. “Osanda.” Kneel, Your Majesty.
He grunted like a man trying to lift a crushing weight that fell on his shoulders. His face shook with strain. Ha-ha. He wasn’t the only one who got a boost from a flare.
I got up to my feet with some leisure. Curran stood locked, the muscles of his legs bulging his sweatpants. He didn’t kneel. He wouldn’t kneel. I hit him with a power word in the middle of a bloody flare and it didn’t work. When he snapped out of it, he would probably kill me.
All sorts of alarms blared in my head. My good sense screamed, Get out of the room, stupid! Instead I stepped close to him and whispered in his ear, “Still not impressed.”
His eyebrows came together, as a grimace claimed his face. He strained, the muscles on his hard frame trembling with effort. With a guttural sigh, he straightened.
I beat a hasty retreat to the rear of the room, passing Slayer on the way. I wanted to swipe it so bad, my palm itched. But the rules of the game were clear: no claws, no saber. The second I picked up the sword, I’d have signed my own death warrant.
He squared his shoulders. “Shall we continue?”
“It would be my pleasure.”
He started toward me. I waited, light on my feet, ready to leap aside. He was stronger than a pair of oxen, and he’d try to grapple. If he got ahold of me, it would be over. If all else failed, I could always try the window. A forty-foot drop was a small price to pay to get away from him.
Curran grabbed at me. I twisted past him and kicked his knee from the side. It was a good solid kick; I’d turned into it. It would’ve broken the leg of any normal human.
“Cute,” Curran said, grabbed my arm, and casually threw me across the room. I went airborne for a second, fell, rolled, and came to my feet to be greeted by Curran’s smug face. “You’re fun to play with. You make a good mouse.”
Mouse?
“I was always kind of partial to toy mice.” He smiled. “Sometimes they’re filled with catnip. It’s a nice bonus.”
“I’m not filled with catnip.”
“Let’s find out.”
He squared his shoulders and headed in my direction. Houston, we have a problem. Judging by the look in his eyes, a kick to the face simply wouldn’t faze him.
“I can stop you with one word,” I said.
He swiped me into a bear hug and I got an intimate insight into how a nut feels just before the nutcracker crushes it to pieces. “Do,” he said.
“Wedding.”
All humor fled his eyes. He let go and just like that, the game was over.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
And anger is not just damaging in the moment; for days afterward, venters have repair work to do with their partners. Despite the popular fantasy of fabulous sex after fighting, many couples say that it takes time to feel loving again. What can Greg do to calm down when he feels his fury mounting? He can take a deep breath. He can take a ten-minute break. And he can ask himself whether the thing that’s making him so angry is really that important. If not, he might let it go. But if it is, then he’ll want to phrase his needs not as personal attacks but as neutral discussion items. “You’re so antisocial!” can become “Can we figure out a way to organize our weekends that works for us both?” This advice would hold even if Emily weren’t a sensitive introvert (no one likes to feel dominated or disrespected), but it so happens that Greg’s married to a woman who is especially put off by anger. So he needs to respond to the conflict-avoidant wife he has, not the confrontational one that he wishes, at least in the heat of the moment, he were married to.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
ordinary Americans can take steps toward recovering their country by overcoming fear. Stop being afraid of everyday interactions due to COVID. Return to a healthy social life. Go out with friends or enjoy time with your family. If you’re a religious person, renew your spiritual commitments by attending a local house of worship. Most importantly, be grateful that we still live in a free country where these rights are protected by our Constitution. Do these things while being mindful about your overall risk in all health issues.
”
”
Simone Gold (I Do Not Consent: My Fight Against Medical Cancel Culture)
“
Otter did this! I didn’t do anything wrong. He tricked me! He tricked me and left! Just like I knew he would! I think I hear him call my name, but my ears are pounding too hard to be sure. It sounds like the ocean. Im about to start running when I feel strong arms wrap around me from behind, clasping on my chest. I turn around to swing at him but can only get partway before I get caught in a vise grip.
“Let go of me!” I snarl, wanting to kick and bite and punch and hurt.
“Bear,” he says, his voice grumbling in my ear. “Bear.”
“Im not like you!” I say, still struggling to get away. “Im not like that!”
“I know, Bear. I know.” His breath is hot against my cold skin. “Dont you think I know that? I shouldnt have let it happen. Im sorry. Im so sorry.”
I stop fighting him, feeling all the anger fall out of me like someone flipped a switch. “Why are you here?” I moan. “Why did you come back?”
He grabs me by the chin, forcing me to stare into his eyes. “It has nothing to do with what happened between us. As far as I am concerned, that was a mistake. We never should have kissed.
”
”
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
“
One of the big problems in North Korea was a fertilizer shortage. When the economy collapsed in the 1990s, the Soviet Union stopped sending fertilizer to us and our own factories stopped producing it. Whatever was donated from other countries couldn’t get to the farms because the transportation system had also broken down. This led to crop failures that made the famine even worse. So the government came up with a campaign to fill the fertilizer gap with a local and renewable source: human and animal waste. Every worker and schoolchild had a quota to fill. You can imagine what kind of problems this created for our families. Every member of the household had a daily assignment, so when we got up in the morning, it was like a war. My aunts were the most competitive. “Remember not to poop in school!” my aunt in Kowon told me every day. “Wait to do it here!” Whenever my aunt in Songnam-ri traveled away from home and had to poop somewhere else, she loudly complained that she didn’t have a plastic bag with her to save it. “Next time I’ll remember!” she would say. Thankfully, she never actually did this. The big effort to collect waste peaked in January, so it could be ready for growing season. Our bathrooms in North Korea were usually far away from the house, so you had to be careful that the neighbors didn’t steal from you at night. Some people would lock up their outhouses to keep the poop thieves away. At school the teachers would send us out into the streets to find poop and carry it back to class. So if we saw a dog pooping in the street, it was like gold. My uncle in Kowon had a big dog who made a big poop—and everyone in the family would fight over it. This is not something you see every day in the West.
”
”
Yeonmi Park (In Order to Live: A North Korean Girl's Journey to Freedom)
“
They sit and stare and stare and sit
Until they're hypnoti[z]ed by it,
Until they're absolutely drunk
With all that shocking ghastly junk.
Oh yes, we know it keep them still,
They don't climb out the window sill,
They never fight or kick or punch,
They leave you free to cook the lunch
And wash the dishes in the sink-
But did you ever stop to think,
To wonder just exactly what
This does to your beloved tot?
It rots the senses in the head!
It kills imagination dead!
It clogs and clutters up the mind!
It makes a child so dull and blind
He can no longer understand
A fantasy, a fairyland!
His brain becomes as soft as cheese!
His powers of thinking rust and freeze!
He cannot think-he only sees!
'All right' you'll cry. 'All right' you'll say,
'But if we take the set away,
What shall we do to entertain
Our darling children? Please explain!'
We'll answer this by asking you,
'How used they keep themselves contented
Before this monster was invented?'
Have you forgotten? Don't you know?
We'll say it very loud and slow:
They... used ... to... read! They'd read and read,
And read and read, and then proceed
To read some more, Great Scott! Gadzooks!
One half their lives was reading books!...
Oh books, what books they used to know,
Those children living long ago!
So please, oh please, we beg, we pray,
Go throw your TV set away,
And in its place you can install
A lovely bookshelf on the wall...
...They'll now begin to feel the need
Of having something good to read.
And once they start-oh boy, oh boy!
You watch the slowly growing joy
That fills their hearts. They'll grow so keen
They'll wonder what they'd ever seen
In that ridiculous machine,
That nauseating, foul, unclean,
Repulsive television screen!
And later, each and every kid
Will love you more for what you did...
”
”
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
“
That’s the thing. The people you’re controlling don’t have a voice in how you control them. As long as everyone’s on the same page, things may be great, but when there’s a question, you win. Right?”
“There has to be a way to come to a final decision.”
“No, there doesn’t. Every time someone starts talking about final anythings in politics, that means the atrocities are warming up. Humanity has done amazing things by just muddling through, arguing and complaining and fighting and negotiating. It’s messy and undignified, but it’s when we’re at our best, because everyone gets to have a voice in it. Even if everyone else is trying to shout it down. Whenever there’s just one voice that matters, something terrible comes out of it.”
“And yet, I understand from Ms. Fisk that the Transport Union was condemning whole colonies that didn’t follow its rule.”
“Right?” Holden said. “And so I disobeyed that order and I quit working for them. I was all set to go retire in Sol system. Can you do that?”
“Can I do what?”
“If you are given an immoral order, can you resign and walk away? Because everything I’ve seen about how you’re running this place tells me that isn’t an option for you.”
Singh crossed his arms. He had the sense that the interrogation was getting away from him.
“The high consul is a very wise, very thoughtful man,” he said. “I have perfect faith that—”
“No. Stop. ‘Perfect faith’ really tells me everything I need to know,” Holden said. “You think this is a gentle, bloodless conquest, don’t you?”
“It is, to the degree that you allow it to be.”
“I was there for the war Duarte started to cover his tracks. I was there for the starving years afterward. Your empire’s hands look a lot cleaner when you get to dictate where history begins and what parts of it don’t count.
”
”
James S.A. Corey (Persepolis Rising (The Expanse, #7))
“
In combat, focus comes pretty easily because the battle is right in front of your face. You have no choice but to focus. But sometimes, in day-to-day life, you can lose track of the long-term goal. It fades from your vision. It slips from your mind. Wrong. I want that long-term goal to be so embedded in my mind, that I never lose sight of it. Ever. The little tasks and projects and short-term goals that you tackle need to lead toward strategic victory – winning the long war.
But we want results now. We want the shortcut to the winner’s podium. We need the instant gratification. And when we don’t get the short-term glory, sometimes we lose sight of those long-term goals. They fade. We lose focus. So we stop the daily tasks and disciplines that allow us to achieve those goals. And a day slips by. Then another day. And a day turns into a week and a week into a year. And you look up in six weeks or six months or six years … And you’ve made no progress. Maybe you even went backwards.
You lost sight of the long-term goal. And it faded. It faded from memory and the passion dried up and you began to rationalize: Maybe I can’t. Maybe I don’t really want to. Maybe this goal isn’t for me. And so you give up. You let it go. And you settle for a status quo. For the easy road. No. Don’t do that. Embed that long-term goal in your mind. Burn it into your soul. Think about it, write about it, talk about it. Hang it up on your wall. But most important: Do something about it. Every single day.
So I trained. And I prepared. And I did everything I could to be ready for that day. When I became a leader I took pains to prepare my men in the same way: brutally and without mercy so we could fight brutally and without mercy. And then that day came. We met the enemy on the battlefield. We fought, and we won.
”
”
Jocko Willink (Discipline Equals Freedom: Field Manual)
“
You said not to fall for you. Did you change your mind?'
'Absolutely not.' His jaw tenses.
'Right.' I don't expect that to hurt as much as it does, which is part of the problem. I'm already too emotionally involved to separate out the sex, no matter how phenomenal it is. 'Here's the thing. I don't think I can separate sex from emotion when it comes to you.' Well, shit, now I've said it. 'We're already too close for that, and if we hook up again, I'm going to eventually fall for you.' My heart pounds at the rushed confession, waiting for his response.
'You won't.' Something akin to panic flares in his eyes, and he crosses his arms. I swear I can actually see the man building his defenses against his own feelings. 'You don't really know me. Not at my core.'
And whose fault is that?
'I know enough,' I argue softly. 'And we'd have all the time in the world to figure it out if you'd stop acting like such an emotional chickenshit and just admit that you're going to fall for me, too, if we keep this up.' There's no way he would have designed that saddle, spent all that time training me to fight and fly, if he didn't feel something. He's going to have to fight for this, too, or it will never work.
'I have absolutely no intention of falling for you, Sorrengail.' His eyes narrow and he enunciates every word, like I could possibly take that any other way.
Fuck. That. He let me in. He told me about his scars. He had an arsenal crafted for me. He cares. He's just as wrapped up in this as I am, even if he's shitty at showing it.
'Ouch,' I wince. 'Well, it's apparent that you're not ready to admit where this is going. So yeah, I think it's best we agree that this was just a onetime thing.' I force my shoulders to shrug. 'We both needed to blow off some steam, and we did, right?'
'Right,' he agrees, apprehension lining his forehead.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
1) Levophed—a common blood pressure medication. Used to be called “leave ’em dead” because people used it for the sickest of the sick in sepsis and those patients still frequently died, but it has now come back into favor. We were maxed. 2) Vasopressin—another BP med. Not titratable. Left on normal dose. 3) Phenylephrine, aka Neo, from its brand name, Neosynephrine—another BP med—maxed. Pharmacy was mixing higher concentrations of this for us, so that we could give it in less fluid volume for the patient’s sake. 4) Sodium Bicarb—also high-concentrated dose for fluid reasons—given to attempt to combat patient’s acidosis. 5) Fentanyl—pain control—not maxed. 6) Versed—an amnesiac—hopefully makes you “less aware” of WTF is happening to you. Also not maxed, because they were also on…. 7) Nimbex—a paralytic we give to patients to make them “ride the vent” so that they don’t fight it and can save energy, as the vent does the work of breathing for them. 8) Heparin—blood thinner, to reduce the clotting that covid can cause. 9) Amiodarone—heart med, stops arrhythmias. 10) Insulin—which requires hourly insulin checks to titrate effectively. Unfortunately, many covid patients are also on steroids, which means their blood sugars fluctuate all over the place.
”
”
Cassandra Alexander (Year of the Nurse: A Covid-19 Pandemic Memoir)
“
I want to tell you a story about bravery. I want you to forget every over-romanticized notion you’ve ever heard about fearlessness; replace it with the idea that bravery is not an absence of fear but a rebellion against it. that it’s taking the risk. reaching for the person you want. chasing your dream. fighting for it all (despite despite despite). Bravery is hoping it’s worth it. Stop holding your humanity like a failure and wondering why you can’t succeed. Fear is an instinct to keep us safe and alive— it’s healthy to carry it as long as you don’t allow it to control you. Perpetuating the idea that we can scrape it from us completely only serves to breed more fear, make us feel alone, and create shame for something that exists (and should exist) in every breathing thing. Make no mistake: everyone is afraid of something. Everyone is taking a risk, in their own way. Every day, people are finding their dreams. surviving. falling in love. letting go. moving forward. stepping back. staying. healing. Every single one of them is doing so despite the fear, not without it. Set your sights on what you genuinely want and not just what is easy. Hold hope with both hands. be afraid. jump anyway. What I’m trying to tell you is: don’t aspire to be fearless. aspire to be brave.
”
”
Chloe Frayne (The Gravity Inside Us: Poetry and Prose)
“
The general, whom the boys knew as the commander of their division, looked at the other officer and spoke coolly, as if he were criticising his clothes. "Th' enemy's formin' over there for another charge," he said. "It'll be directed against Whiterside, an' I fear they'll break through there unless we work like thunder t' stop them." The other swore at his restive horse, and then cleared his throat. He made a gesture toward his cap. "It'll be hell t' pay stoppin' them," he said shortly. "I presume so," remarked the general. Then he began to talk rapidly and in a lower tone. He frequently illustrated his words with a pointing finger. The two infantrymen could hear nothing until finally he asked: "What troops can you spare?" The officer who rode like a cowboy reflected for an instant. "Well," he said, "I had to order in th' 12th to help th' 76th, an' I haven't really got any. But there's th' 304th. They fight like a lot 'a mule drivers. I can spare them best of any." The youth and his friend exchanged glances of astonishment. The general spoke sharply. "Get 'em ready, then. I'll watch developments from here, an' send you word when t' start them. It'll happen in five minutes." As the other officer tossed his fingers toward his cap and wheeling his horse, started away, the general called out to him in a sober voice: "I don't believe many of your mule drivers will get back." The other shouted something in reply. He smiled. With scared faces, the youth and his companion hurried back to the line. These happenings had occupied an incredibly short time, yet the youth felt that in them he had been made aged. New eyes were given to him. And the most startling thing was to learn suddenly that he was very insignificant. The officer spoke of the regiment as if he referred to a broom. Some part of the woods needed sweeping, perhaps, and he merely indicated a broom in a tone properly indifferent to its fate. It was war, no doubt, but it appeared strange.
”
”
Stephen Crane (The Red Badge of Courage)
“
I Won’t Write Your Obituary
You asked if you could call to say goodbye if you were ever really gonna kill yourself.
Sure, but I won’t write your obituary.
I’ll commission it from some dead-end journalist who will say things like:
“At peace… Better place… Fought the good fight…”
Maybe reference the loving embrace of Capital-G-God at least 4 times.
Maybe quote Charles fucking Bukowski.
And I won’t stop them because I won’t write your obituary.
But if you call me, I will write you a new sky, one you can taste.
I will write you a D-I-Y cloud maker so on days when you can’t do anything you can still make clouds in whatever shape you want them.
I will write you letters, messages in bottles, in cages, in orange peels, in the distance between here and the moon, in forests and rivers and bird songs.
I will write you songs. I can’t write music, but I’ll find Rihanna, and I’ll get her to write you music if it will make you want to dance a little longer.
I will write you a body whose veins are electricity because outlets are easier to find than good shrinks, but we will find you a good shrink.
I will write you 1-800-273-8255, that’s the suicide hotline; we can call it together.
And yeah, you can call me, but I won’t tell you it’s okay, that I forgive you.
I won’t say “goodbye” or “I love you” one last time.
You won’t leave on good terms with me,
Because I will not forgive you.
I won’t read you your last rights, absolve you of sin, watch you sail away on a flaming viking ship, my hand glued to my forehead.
I will not hold your hand steady around a gun.
And after, I won’t come by to pick up the package of body parts you will have left specifically for me.
I’ll get a call like “Ma’am, what would you have us do with them?”
And I’ll say, “Burn them. Feed them to stray cats. Throw them at school children. Hurl them at the sea. I don’t care. I don’t want them.”
I don’t want your heart. It’s not yours anymore, it’s just a heart now and I already have one.
I don’t want your lungs, just deflated birthday party balloons that can’t breathe anymore.
I don’t want a jar of your teeth as a memento.
I don’t want your ripped off skin, a blanket to wrap myself in when I need to feel like your still here.
You won’t be there.
There’s no blood there, there’s no life there, there’s no you there. I want you.
And I will write you so many fucking dead friend poems, that people will confuse my tongue with your tombstone and try to plant daisies in my throat before I ever write you an obituary while you’re still fucking here.
So the answer to your question is “yes”.
If you’re ever really gonna kill yourself, yes, please, call me.
”
”
Nora Cooper
“
...Now let's set the record straight. There's no argument over the choice between peace and war, but there's only one guaranteed way you can have peace—and you can have it in the next second—surrender.
Admittedly, there's a risk in any course we follow other than this, but every lesson of history tells us that the greater risk lies in appeasement, and this is the specter our well-meaning liberal friends refuse to face—that their policy of accommodation is appeasement, and it gives no choice between peace and war, only between fight or surrender. If we continue to accommodate, continue to back and retreat, eventually we have to face the final demand—the ultimatum. And what then—when Nikita Khrushchev has told his people he knows what our answer will be? He has told them that we're retreating under the pressure of the Cold War, and someday when the time comes to deliver the final ultimatum, our surrender will be voluntary, because by that time we will have been weakened from within spiritually, morally, and economically. He believes this because from our side he's heard voices pleading for "peace at any price" or "better Red than dead," or as one commentator put it, he'd rather "live on his knees than die on his feet." And therein lies the road to war, because those voices don't speak for the rest of us.
You and I know and do not believe that life is so dear and peace so sweet as to be purchased at the price of chains and slavery. If nothing in life is worth dying for, when did this begin—just in the face of this enemy? Or should Moses have told the children of Israel to live in slavery under the pharaohs? Should Christ have refused the cross? Should the patriots at Concord Bridge have thrown down their guns and refused to fire the shot heard 'round the world? The martyrs of history were not fools, and our honored dead who gave their lives to stop the advance of the Nazis didn't die in vain. Where, then, is the road to peace? Well it's a simple answer after all.
You and I have the courage to say to our enemies, "There is a price we will not pay." "There is a point beyond which they must not advance." And this—this is the meaning in the phrase of Barry Goldwater's "peace through strength." Winston Churchill said, "The destiny of man is not measured by material computations. When great forces are on the move in the world, we learn we're spirits—not animals." And he said, "There's something going on in time and space, and beyond time and space, which, whether we like it or not, spells duty."
You and I have a rendezvous with destiny.
We'll preserve for our children this, the last best hope of man on earth, or we'll sentence them to take the last step into a thousand years of darkness...
”
”
Ronald Reagan (Speaking My Mind: Selected Speeches)
“
Not many of us will be able to go, because a crowd that large would draw too much attention. Evelyn won’t let us leave without a fight, so I thought it would be best to recruit people who I know to be experienced with surviving danger.”
I glance at Tobias. We certainly are experienced with danger.
“Christina, Tris, Tobias, Tori, Zeke, and Peter are my selections,” Cara says. “You have all proven your skills to me in one way or another, and it’s for that reason that I’d like to ask you to come with me outside the city. You are under no obligation to agree, of course.”
“Peter?” I demand, without thinking. I can’t imagine what Peter could have done to “prove his skills” to Cara.
“He kept the Erudite from killing you,” Cara says mildly. “Who do you think provided him with the technology to fake your death?”
I raise my eyebrows. I had never thought about it before--too much happened after my failed execution for me to dwell on the details of my rescue. But of course, Cara was the only well-known defector from Erudite at that time, the only person Peter would have known to ask for help. Who else could have helped him? Who else would have known how?
I don’t raise another objection. I don’t want to leave this city with Peter, but I’m too desperate to leave to make a fuss about it.
“That’s a lot of Dauntless,” a girl at the side of the room says, looking skeptical. She has thick eyebrows that don’t stop growing in the middle, and pale skin. When she turns her head, I see black ink right behind her ear. A Dauntless transfer to Erudite, no doubt.
“True,” Cara says. “But what we need right now are people with the skills to get out of the city unscathed, and I think Dauntless training makes them highly qualified for that task.”
“I’m sorry, but I don’t think I can go,” Zeke says. “I couldn’t leave Shauna here. Not after her sister just…well, you know.”
“I’ll go,” Uriah says, his hand popping up. “I’m Dauntless. I’m a good shot. And I provide much-needed eye candy.”
I laugh. Cara does not seem to be amused, but she nods. “Thank you.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
I’m yours. Fuck me, Cole,” she murmurs. Fuck. I thrust in, and her gasp meets my moan in a blissful explosion of lust. Like animals, we fuck against the wall, kissing and bouncing up and down. She rides me like an expert while sweat drips down my forehead, and her pussy is wetter than anything I’ve ever felt before. We were made for each other, her and me, like lightning and thunder in the night sky. And I can’t fucking stop loving her. Our mouths entangle in a furious battle while we fuck like madmen high on lust. Her body quakes with need as goose bumps scatter on her skin. My cock pulses inside her, and I’m slamming into her so hard I can barely fucking keep it together. I move away from the wall and carry her to the table in the back of the room where I put her down and swipe everything off it. She lies down, and I fuck her against the table like a savage, my hands grasping at her waist and tits. I’m delirious with need, completely consumed by my own desire. I lean over to kiss her on the neck, drawing a line all the way down to her nipples, which peak from the attention I lavishly dish out. And when I lean up to slam into her fully, her eyes almost roll into the back of her head. A filthy smile spreads on my lips, knowing it was me who made her feel this way. After all this waiting, all this fighting, all this tugging and pulling, she is finally mine.
”
”
Clarissa Wild (Rowdy Boy (Black Mountain Academy))
“
Jay came over as soon as Violet called him; she didn’t even have to give him a reason. He was there in less than ten minutes.
Of course, he’d heard about what had happened to Hailey. Everyone had. Buckley was a small town, and news traveled fast . . . especially bad news.
When he got there she told him what she was thinking about doing. It was nothing dangerous, at least as far as she was concerned, and she hadn’t expected Jay to disagree with her about it. So when he did, she was more than a little bit surprised by his stubborn reaction.
“No way,” he insisted, and his voice left little room for argument. “There is no way you’re going to go around looking for this guy.”
Violet was shocked by the tone of his voice, and by the harsh look he shot at her. She thought maybe he misunderstood her plan, so she tried to explain it to him again. “Jay, I’m only going to public places, like malls and parks, to see if I can get a feeling for who this guy is. Who knows, maybe he goes to places like that to find them, maybe he hands out there waiting to pick out a girl to . . . you know, kidnap.” She tried to make her argument sound logical, but there was a desperate edge to her voice. “I’m not going out alone . . . you can go with me. We’ll just hang out at different places to see if we can find him. And if we do, we’ll call my uncle. It’s not like we’d do anything stupid.”
“’Anything stupid’ would be going out to look for a killer. I won’t let you go looking for trouble, Violet. This guy is dangerous, and you need to leave it to the cops. They know what they’re doing. And they’re armed.” He sounded like he thought she’d lost her mind, and maybe she had, but she had already made her decision.
“Look, I’m doing this. I was just asking you to come along with me.”
“You’re not,” he insisted. “Even if I have to tell your uncle and your parents what you’re planning. I promise you, you’re not doing it.”
She could feel her temper flaring. “You can’t stop me, Jay. If you tell on me, then I’ll lie. I’ll bat my eyes innocently and promise not to go looking for this guy. But I swear to you that every chance I get, even if I have to sneak out of the house to do it, I will be trying to find him.” She stood up, meaning to glare back at him, but instead found herself craning her neck just so she could see his face. The awkward position didn’t steal nay of her thunder. She refused to back down. “I mean it, Jay. You can’t stop me.”
Jay glared incredulously back at her. Emotions ranging from disbelief to frustration and back to disbelief again flashed darkly across his face. He seemed to be fighting with himself now. But when she heard him sigh, and then saw him raking his hand restlessly through his hair, she knew she’d won. His icy determination seemed to melt right before her eyes.
“Damn it, Violet.” He sighed brusquely, wrapping his arms around her and holding her tightly. “What choice do I have?” he asked as he practically squeezed the life out of her.
She wasn’t sure how to react to him now. It definitely wasn’t a tender hug, but the close contact made her undisclosed desires stir all the same. She couldn’t help wondering if he felt even a fraction of what she did.
His arms were strong, and she felt safe in the circle of them. She’d never imaged that she could feel so comfortable and so uncomfortable at the same time. She waited within the space of his embrace to see where this was going.
“So, how is this going to work?” he demanded roughly against the top of her head.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
Stalker
The light so thick nothing’s visible, cognoscenti
I knew them, stupid apes. Real apes know more
Before we said apes. I know how to be you bet-
ter — a stupid voice. You must find a mind
to respect — why? There was someone with ear
buds, speaking gibberish who wouldn’t
stop walking beside me; freckle-spattered. I
had to ask the métro attendant for help;
she extricated him from me ... I respect his chaotic
speech, mild adhesive force because it makes no sense.
I am back on the alley, discovering adults are un-
trustworthy: someone’s lying ... about a
fight between a teenage girl and boy — he pushed
her hard — first she badly scratched him, she’s worse, his
mother says. I’m back at pre-beginning, I don’t
want to go through that again. There is no
sexuality in chaos, there’s no style, nor
hope. I want style — apes have style, people
have machines. Show me something to respect
This bleuet growing out of a wall on rue d’Hauteville.
I picked it and pressed it in a diary. Every once
in a while I respect a moment. I am back at
pre-beginning: I don’t want to care beyond
this ... sudden hue in the sand, yellow or spotted with an
hallucinated iridescence. The one who is
stalking me ... there has often been someone stalk-
ing me. My destiny. He’s gone, stay here
in this, I can’t be harmed if I’m the only one who’s
thought of being here. Aren’t you lonely? I don’t know.
”
”
Alice Notley
“
Their mouths crashed together. Tongues tangled. He kissed her as if he wanted to consume her, devour her alive. Fierce kisses, hard kisses, desperate, wanting kisses. He tasted like chocolate and smelled like sin.
"Sam..." She pulled away. "I can't breathe."
"Neither can I." Her wrapped his arms around her and drew her in for another hungry kiss. Hot, hard, and wet, melting her to the side of the Jeep. His tongue worked past her lips to plunge into her mouth, every stroke tugging at things low and deep in her belly.
Her hands moved to his chest, sliding over his pecs and the ripple of abs beneath his shirt. Harman was perfect but Sam was real, his body hard from his fight training, muscles thick from use. He hissed out a breath when her fingers grazed the top of his belt, his infamous self-control giving way to her curious hands.
"What are we doing?" he murmured as he drew her earlobe into his mouth, his five-o'clock shadow rough against her sensitive skin.
"I don't know, but don't stop."
"No chance of that." He shifted against her, his arousal as evident from his ragged breaths as the growing hardness pressed against her hips.
When he thrust a thick thigh between her legs, she rocked against him, reckless and wanton in her need for release. She was dying, burning, her body on fire. She'd never felt anything like the toxic combination of anger and lust that pounded through her veins. It made her head spin, drove logic away.
”
”
Sara Desai (The Marriage Game (Marriage Game, #1))
“
Humans are free. Although we can't fly through the skies all alone, if we can think it, we can do almost anything. We can sleep when we're sleepy. We are free to start or stop anything whenever we wish. Of course, it is a bit hindered by common sense, moralities, and the rules of society. Walking nude out in the streets, stealing from the elderly, and even killing, we can do all of this as long as we throw out our morals. Which is why they drill these laws in our head when we are children. And yet, people still continue to fight, deceive, and steal from each other. And so, people suffer because they live. Even now, there are events of happiness and unhappiness going on all over the world...
What can we do to make everyone happy? Of course that's impossible for me to know. If the answer to that could be found in the shallow wisdoms of a kid, wars would have stopped long ago. But I also dislike just leaving that problem up to society or the government. After all, a great person is just one who follows the popular will of the people. In this world, the essence of a frank honest human is just an idealization. I'm sure that there's nothing that can make everyone happy. Happiness is relative. And that's how people want it. Evil is also relative. Mothers can become demons when they do anything to protect their child. Yet it's usually seen as admirable. But when a person does anything for the country he loves, wars break out. Isn't it all the same thing? No matter how much a person pretends to be good and kind, he will still have negative aspects. But nobody really tries to notice that fact. Why is that? They all try to place the blame on others, and never even consider the possibility that they themselves may have played part in the problem.
Just what the hell am I thinking? The world isn't going to change no matter what I think. Then what should I be doing? I don't really want to do anything. I don't want to order nor trouble anyone. That's just laziness, I guess. I don't go to school nor do I work and I've been wasting my time away since noon. Look at me, talking about the freedom of humans when I'm just some suspicious punk in this down. In conclusion, I have nothing.
”
”
Inio Asano (Goodnight Punpun Omnibus, Vol. 5)
“
If our democracy worked as it should, we would elect wise women and men who made laws for the good of the people and enforced those laws.
That, though, is not the way things work. Greedy, power–mad billionaires spend money so that politicians such as George W. Bush can buy elections. Corrupt corporations such as Enron defraud old ladies and commit crimes. And they get away with it. They get away with it because most of us are so afraid of losing the security of our nice, normal lives that we are not willing to risk anything about those lives. We are either afraid to fight or we don’t know how. Or we believe that bad things won’t happen to us.
And so, in the end, too many people lose their lives anyway. In Nazi Germany, millions of men who acquiesced to Hitler’s murderous rise to power wound up marching into Russia’s icy wasteland—into the Soviet Army’s machine guns and cannon—to themselves be murdered. In America after 9–11, trusting teenagers who had joined the National Guard found themselves sent to Iraq on extended and additional tours. Our enemy killed many of them because we, citizens of the richest country in the world, did not provide them with body armor.
Grieving mothers protested the wasting of their sons’ lives. Nadia McCaffrey defied Bush’s shameful ban on the filming of U.S. soldiers’ coffins returning home from Iraq. She knew, as we all did, that this tyrannical dictum of Bush dishonored our soldiers’ sacrifice. And so she invited the press to the Sacramento International Airport to photograph her son’s flag–draped coffin.
Again, I am not comparing George W. Bush to Adolph Hitler, nor America to Germany’s Third Reich. What I do believe is that each of us has the duty to keep the Bushes of the world from becoming anything like Hitler—and to keep America from invading other countries with no just cause.
We will never, though, be able to stop corrupt politicians and corporations from doing criminal things until we stop surrendering our power to them. The more we fear to oppose them—the more we want to retreat into the supposed safety of our nice gated communities or downtown lofts—the more powerful people will conspire to ruin our prosperity and wreck our lives.
”
”
David Zindell (Splendor)
“
Aberforth’s getting a bit annoyed,” said Fred, raising his hand in answer to several cries of greeting. “He wants a kip, and his bar’s turned into a railway station.”
Harry’s mouth fell open. Right behind Lee Jordan came Harry’s old girlfriend, Cho Chang. She smiled at him.
“I got the message,” she said, holding up her own fake Galleon, and she walked over to sit beside Michael Corner.
“So what’s the plan, Harry?” said George.
“There isn’t one,” said Harry, still disoriented by the sudden appearance of all these people, unable to take everything n while his scar was still burning so fiercely.
“Just going to make it up as we go along, are we? My favorite kind,” said Fred.
“You’ve got to stop this!” Harry told Neville. “What did you call them all back for? This is insane--”
“We’re fighting, aren’t we?” said Dean, taking out his fake Galleon. “The message said Harry was back, and we were going to fight! I’ll have to get a wand, though--”
“You haven’t got a wand--?” began Seamus.
Ron turned suddenly to Harry.
“Why can’t they help?”
“What?”
“They can help.” He dropped his voice and said, so that none of them could hear but Hermione, who stood between them, “We don’t know where it is. We’ve got to find it fast. We don’t have to tell them it’s a Horcrux.”
Harry looked from Ron to Hermione, who murmured, “I think Ron’s right. We don’t even know what we’re looking for, we need them.” And when Harry looked unconvinced, “You don’t have to do everything alone, Harry.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
In a hurry to escape he let himself out of the house and walked to the truck. Before he could climb inside Marilee raced down the steps.
Breathless,she came to a sudden halt in front of him.
At the dark look in his eyes she swallowed. "Please don't go,Wyatt. I've been such a fool."
"You aren't the only one." He studied her with a look that had her heart stuttering.A look so intense, she couldn't look away. "I've been neating myself up for days,because I wanted things to go my way or no way."
"There's no need.You're not the only one." Her voice was soft,throaty. "You've always respected my need to be independent.But I guess I fought the battle so long,I forgot how to stop fighting even after I'd won the war."
"You can fight me all you want. You know Superman is indestructable." Again that long,speculative look. "I know I caught you off guard with that proposal. It won't happen again. Even when I understood your fear of commitment, I had to push to have things my way.And even though I still want more, I'm willing to settle for what you're willing to give,as long as we can be together."
She gave a deep sigh. "You mean it?"
"I do."
"Oh,Wyatt.I was so afraid I'd driven you away forever."
He continued studying her. "Does this mean you're suffering another change of heart?"
"My heart doesn't need to change. In my heart,I've always known how very special you are.It's my head that can't seem to catch up." She gave a shake of her head,as though to clear it. "I'm so glad you understand me. I've spent so many years fighting to be my own person, it seems I can't bear to give up the battle."
A slow smile spread across his face, changing it from darkness to light. "Marilee,if it's a sparring partner you want,I'm happy to sigh on. And if,in time,you ever decide you want more, I'm your man."
He framed her face with his hands and lowered his head,kissing her long and slow and deep until they were both sighing with pleasure.
Her tears started again,but this time they were tears of joy.
Wyatt brushed them away with his thumbs and traced the tracks with his lips. Marilee sighed at the tenderness. It was one of the things she most loved about this man.
Loved.
Why did she find it so hard to say what she was feeling? Because,her heart whispered, love meant commitment and promises and forever after,and that was more than she was willing to consider. At least for now.
After a moment he caught her hand.
"Where are we going?"
"Your place.It's closer than the ranch, and we've wasted too much time already."
"i can't leave the ambulance..."
"All right." He turned away from the ranch truck and led her toward her vehicle. "See how easy I am?"
At her little laugh he added, "I'm desperate for some time alone with you."
Alone.
She thought about that word. She'd been alone for so long.What he was offering had her heart working overtime. He was willing to compromise in order to be with her.
She was laughing through her tears as she turned the key in the ignition. The key that had saved his life.
"Wyatt McCord,I can't think of anything I'd rather be than alone with you.
”
”
R.C. Ryan (Montana Destiny (McCords, 2))
“
You know why you won fights as an initiate?” I say as I get to my feet. “Because you’re cruel. Because you like to hurt people. And you think you’re special, you think everyone around you is a bunch of sissies who can’t make the tough choices like you can.”
He starts to get up, and I kick him in the side so he goes sprawling again. Then I press my foot to his chest, right under his throat, and our eyes meet, his wide and innocent and nothing like what’s inside him.
“You are not special,” I say. “I like to hurt people too. I can make the cruelest choice. The difference is, sometimes I don’t, and you always do, and that makes you evil.”
I step over him and start down Michigan Avenue again. But before I take more than a few steps, I hear his voice.
“That’s why I want it,” he says, his voice shaking.
I stop. I don’t turn around. I don’t want to see his face right now.
“I want the serum because I’m sick of being this way,” he says. “I’m sick of doing bad things and liking it and then wondering what’s wrong with me. I want it to be over. I want to start again.”
“And you don’t think that’s the coward’s way out?” I say over my shoulder.
“I think I don’t care if it is or not,” Peter says.
I feel the anger that was swelling within me deflate as I turn the vial over in my fingers, inside my pocket. I hear him get to his feet and brush the snow from his clothes.
“Don’t try to mess with me again,” I say, “and I promise I’ll let you reset yourself, when all this is said and done. I have no reason not to.”
He nods, and we continue through the unmarked snow to the building where I last saw my mother.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
Caleb told me that our mother said there was evil in everyone, and the first step to loving someone else is to recognize that evil in ourselves, so we can forgive them.
So how can I hold Tobias’s desperation against him, like I’m better than him, like I’ve never let my own brokenness blind me?
“Hey,” I say, crushing Caleb’s directions into my back pocket.
He turns, and his expression is stern, familiar. It looks the way it did the first few weeks I knew him, like a sentry guarding his innermost thoughts.
“Listen,” I say. “I thought I was supposed to figure out if I could forgive you or not, but now I’m thinking you didn’t do anything to me that I need to forgive, except maybe accusing me of being jealous of Nita…”
He opens his mouth to interject, but I hold up a hand to stop him.
“If we stay together, I’ll have to forgive you over and over again, and if you’re still in this, you’ll have to forgive me over and over again too,” I say. “So forgiveness isn’t the point. What I really should have been trying to figure out is whether we were still good for each other or not.”
All the way home I thought about what Amar said, about every relationship having its problems. I thought about my parents, who argued more often than any other Abnegation parents I knew, who nonetheless went through each day together until they died.
Then I thought of how strong I have become, how secure I feel with the person I now am, and how all along the way he has told me that I am brave, I am respected, I am loved and worth loving.
“And?” he says, his voice and his eyes and his hands a little unsteady.
“And,” I say, “I think you’re still the only person sharp enough to sharpen someone like me.”
“I am,” he says roughly.
And I kiss him.
His arms slip around me and hold me tight, lifting me onto the tips of my toes. I bury my face in his shoulder and close my eyes, just breathing in the clean smell of him, the smell of wind.
I used to think that when people fell in love, they just landed where they landed, and they had no choice in the matter afterward. And maybe that’s true of beginnings, but it’s not true of this, now.
I fell in love with him. But I don’t just stay with him by default as if there’s no one else available to me. I stay with him because I choose to, every day that I wake up, every day that we fight or lie to each other or disappoint each other. I choose him over and over again, and he chooses me.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
Listen,” said the man, sitting up with a struggle. “Don’t interrupt. If you’re the bearer of the knife, you have a task that’s greater than you can imagine. A child…How could they let it happen? Well, so it must be…. There is a war coming, boy. The greatest war there ever was. Something like it happened before, and this time the right side must win. We’ve had nothing but lies and propaganda and cruelty and deceit for all the thousands of years of human history. It’s time we started again, but properly this time.…” He stopped to take in several rattling breaths. “The knife,” he went on after a minute. “They never knew what they were making, those old philosophers. They invented a device that could split open the very smallest particles of matter, and they used it to steal candy. They had no idea that they’d made the one weapon in all the universes that could defeat the tyrant. The Authority. God. The rebel angels fell because they didn’t have anything like the knife; but now…” “I didn’t want it! I don’t want it now!” Will cried. “If you want it, you can have it! I hate it, and I hate what it does—” “Too late. You haven’t any choice: you’re the bearer. It’s picked you out. And, what’s more, they know you’ve got it; and if you don’t use it against them, they’ll tear it from your hands and use it against the rest of us, forever and ever.” “But why should I fight them? I’ve been fighting too much; I can’t go on fighting. I want to—” “Have you won your fights?” Will was silent. Then he said, “Yes, I suppose.” “You fought for the knife?” “Yes, but—” “Then you’re a warrior. That’s what you are. Argue with anything else, but don’t argue with your own nature.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.
”
”
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
“
America was sleeping when I crept into the hospital wing that night. She was cleaner, but her face still seemed worried, even at rest.
"Hey, Mer," I whispered, rounding her bed. She didn't stir. I didn't dare sit, not even with the excuse of checking on the girl I rescued. I stood in the freshly pressed uniform I would only wear for the few minutes it took to deliver this message.
I reached out to touch her, but then pulled back. I looked into her sleeping face and spoke.
"I - I came to tell you I'm sorry. About today, I mean," I sucked in a deep breath. "I should have run for you. I should have protected you. I didn't, and you could have died."
Her lips pursed and unpursed as she dreamed.
"Honestly, I'm sorry for a lot more than that," I admitted. "I'm sorry I got mad in the tree house. I'm sorry I ever said to send in that stupid form. It's just that I have this idea..." I swallowed. " I have this idea that maybe you were the only one I could made everything right for.
" I couldn't save my dad. I couldn't protect Jemmy. I can barely keep my family afloat, and I just thought that maybe I could give you a shot at a life that would be better than the one that I would have been able to give you. And I convinced myself that was the right way to love you."
I watched her, wishing I had the nerve to confess this while she could argue back with me and tell me how wrong I'd been.
" I don't know if I can undo it, Mer. I don't know if we'll ever be the same as we used to be. But I won't stop trying. You're it for me," I said with a shrug. "You're the only thing I've ever wanted to fight for."
There was so much more to say, but I heard the door to the hospital wing open. Even in the dark, Maxon's suit was impossible to miss. I started walking away, head down, trying to look like I was just on a round.
He didn't acknowledge me, barely even noticed me as he moved to America's bed. I watched him pull up a chair and settle in beside her.
I couldn't help but be jealous. From the first day in her brother's apartment - from the very moment I knew how I felt about America - I'd been forced to love her from afar. But Maxon could sit beside her, touch her hand, and the gap between their castes didn't matter.
I paused by the door, watching. While the Selection had frayed the line between America and me, Maxon himself was a sharp edge, capable of cutting the string entirely if he got too close. But I couldn't get a clear idea of just how near America was letting him.
All I could do was wait and give America the time she seem to need. Really, we all needed it.
Time was the only thing that would settle this.
”
”
Kiera Cass (Happily Ever After (The Selection, #0.4, 0.5, 2.5, 2.6, 3.3))
“
Let go.”
“Make me let you go.”
She looked at Arin. Whatever he saw in her eyes loosened his hands. “Kestrel,” he said more quietly, “I have been whipped before. Lashes and death are different things.”
“I won’t die.”
“Let Irex set my punishment.”
“You’re not listening to me.” She would have said more, but realized that his hands still rested on her shoulders. A thumb was pressing gently against her collarbone.
Kestrel caught her breath. Arin startled, as if out of sleep, and pulled away.
He had no right, Kestrel thought. He had no right to confuse her. Not now, when she needed a clear mind.
Everything had seemed so simple last night in the close dark of the carriage.
“You are not allowed,” Kestrel said, “to touch me.”
Arin’s smile was bitter. “I suppose that means we are no longer friends.”
She said nothing.
“Good,” he said, “then you can have no reason for fighting Irex.”
“You don’t understand.”
“I don’t understand your godforsaken Valorian honor? I don’t understand that your father would probably rather see you gutted than live with a daughter who turned away from a duel?”
“You have very little faith in me, to think that Irex would win.”
He raked a hand through his short hair. “Where is my honor in all this, Kestrel?”
They locked eyes, and she recognized his expression. It was the same one she had seen across the Bite and Sting table. The same one she had seen in the pit, when the auctioneer had told Arin to sing.
Refusal. A determination so cold it could blister the skin like metal in winter.
She knew that he would stop her. Perhaps he would be cunning about it. Maybe he would go to the steward behind her back, tell him of the theft and challenge, and ask to be brought before the judge and Irex. If that plan didn’t suit Arin, he would find another.
He was going to be a problem.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
So what's the deal with you and my sister?"
He laughs shortly and rubs the back of his neck like something is there, tickling, tapping.
"Tamra." Clutching the dashboard, I turn and glare at her. "There is no deal."
She snorts. "Well, we wouldn't be sitting here if that was the case now, would we?"
I open my mouth to demand she end the interrogation when Will's voice stops me.
"I like your sister. A lot."
I look at him dumbly.
He looks at me, lowers his voice to say, "I like you."
I know that, I guess, but heat crawls over my face. I swing forward in my seat, cross my arms over my chest and stare straight ahead. Can't stop shivering. Can't speak. My throat hurts too much.
"Jacinda," he says.
"I think you've shocked her," Tamra offers, then sighs. "Look, if you like her, you have to make it legit. I don't want everyone at school whispering about her like she's some toy you get your kicks with in a stairwell."
Now I really can't speak. My blood burns. I already have one mother doing her best to control my life. I don't need my sister stepping in as mother number two.
"I know," he says. "That's what I'm trying to do now-if she'll let me."
I feel his gaze on the side of my face. Anxious. Waiting. I look at him. A breath shudders from me at the intensity in his eyes.
He's serious. But then he would have to be. If he's willing to break free of his self-imposed solitude for me, especially when he suspects there's more to me than I'm telling him...he means what he's saying.
His thumbs beat a staccato rhythm on the steering wheel as he drives. "I want to be with you, Jacinda." He shakes his head. "I'm done fighting it."
"Jeez," Tamra mutters.
And I know what she means. It seems too much. The declaration extreme. Fast. After all, we're only sixteen...
I start, jerk a little.
I think he's sixteen. I don't even know. I don't know anything about him other than his secret. That sort of eclipses everything else. But he has to be more. More than the secret. More than a hunter. More than a boy who doesn't want to be a force of destruction. More than the boy who saved my life. The boy I've built a fantasy around. I don't know the real him. Xander mentioned Will being sick, and I don't even know what happened to him.
But then I don't feel bad about that for long. Because he doesn't know the real me either. And yet he still wants to be with me. Maybe it's perfect because I want to be with him, too. And not just because I need to get close to him and use him for information. Although there is that. Something I would like to forget but can't let myself. Forgetting is resigning myself to a life here. Forever. As a ghost. A small voice whispers through me, a tempting thought...
Not if you have Will.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
It's never going to stop,’ Malenfant whispered. ‘It will consume the Solar System, the stars—’
This isn't some local phenomenon, Malenfant. This is a fundamental change in the structure of the universe. It will never stop. It will sweep on, growing at light speed, a runaway feedback fueled by the collapse of the vacuum itself. The Galaxy will be gone in a hundred thousand years, Andromeda, the nearest large galaxy, in a couple of million years. It will take time, but eventually—
‘The future has gone,’ Malenfant said. ‘My God. That’s what this means, isn’t it? The downstream can’t happen now. All of it is gone. The colonization of the Galaxy; the settlement of the universe; the long, patient fight against entropy...’ That immense future had been cut off to die, like a tree chopped through at the root. ‘Why, Michael? Why have the children done this? Burned the house down, destroyed the future—’
Because it was the wrong future. Michael looked around the sky. He pointed to the lumpy, spreading edge of the unreality bubble.
There. Can you see that? It's already starting...
‘What is?’
The budding... The growth of the true vacuum region is not even. There will be pockets of the false vacuum—remnants of our universe—isolated by the spreading true vacuum. The fragments of false vacuum will collapse. Like—
‘Like black holes.’ And in that instant, Malenfant understood. ‘That’s what this is for. This is just a better way of making black holes, and budding off new universes. Better than stars, even.’
Much better. The black holes created as the vacuum decay proceeds will overwhelm by many orders of magnitude the mere billion billion that our universe might have created through its stars and galaxy cores.
‘And the long, slow evolution of the universes, the branching tree of cosmoses?...’
We have changed everything, Malenfant. Mind has assumed responsibility for the evolution of the cosmos. There will be many daughter universes—universes too many to count, universes exotic beyond our imagining—and many, many of them will harbor life and mind.
‘But we were the first.’
Now he understood. This was the purpose. Not the long survival of humankind into a dismal future of decay and shadows, the final retreat into the lossless substrate, where nothing ever changed or grew. The purpose of humankind—the first intelligence of all—had been to reshape the universe in order to bud others and create a storm of mind. We got it wrong, he thought. By striving for a meaningless eternity, humans denied true infinity. But we reached back, back in time, back to the far upstream, and spoke to our last children—the maligned Blues—and we put it right. This is what it meant to be alone in the universe, to be the first. We had all of infinite time and space in our hands. We had ultimate responsibility. And we discharged it. We were parents of the universe, not its children.
”
”
Stephen Baxter (Time (Manifold #1))
“
Nicolas couldn’t stop looking at her with her head thrown back, her thick, black hair streaming in the wind, her body perfectly balanced as she guided the boat. With her head back, he could see her neck and the outline of her body beneath the shirt, almost as if she wore nothing at all. His body stirred, hardened. Nicolas didn’t bother to fight the reaction. Whatever was between them, the chemistry was apparent and it wasn’t going to go away. He could sit in the boat and admire the flawless perfection of her skin. Imagine the way it would feel beneath his fingertips, his palm.
Dahlia’s head suddenly turned and her eyes were on him. Hot Wild. Wary. “Stop touching my breasts.” She lifted her chin, faint color stealing under her skin.
He held up his hands in surrender. “I have no idea what you’re talking about.”
“You know exactly what I’m talking about.” Dahlia’s breasts ached, felt swollen and hot, and deep inside her, a ravenous appetite began to stir. Nicolas was sitting across from her, looking the epitome of the perfect male statue, his features expressionless and his eyes cool, but she felt his hands on her body. Long caresses, his palms cupping her breasts, thumbs stroking her nipples until she shivered in awareness and hunger.
“Oh, that.”
“Yes, that.” She couldn’t help seeing the rigid length bulging beneath his jeans, and he made no effort to hide it. His unashamed display sent her body into overtime reaction so that she felt a curious throbbing where no throbbing needed to be. She grit her teeth together. “I can still feel you touching me.”
He nodded thoughtfully. “I consider myself an innocent victim in this situation,” Nicolas said. “I’ve always had control, in fact I pride myself on self-discipline. You seem to have destroyed it. Permanently.” He wasn’t exactly lying to her. He couldn’t take his eyes or his mind from her body. It was an unexpected pleasure, a gift.
He was devouring her with his eyes. With his mind. A part of her, the truly insane part—and Dahlia was beginning to believe there really was one—loved the way he was looking at her. She’d never experienced a man’s complete attention centered on her in a sexual way before. And he wasn’t just any man. He was . . . extraordinary.
“Well, stop all the same,” she said, caught between embarrassment and pleasure.
“I don’t see why my having a few fantasies should bother you.”
“I’m feeling your fantasies. I think you’re projecting just a little too strongly.”
His eyebrows shot up. “You mean you can actually feel what I’m thinking? My hands on your body? I thought you were reading my mind.”
“I told you I could feel you touching me.”
“That’s amazing. Has that ever happened before?”
“No, and it better not happen again. Good grief, we’re strangers.”
“You slept with me last night,” he pointed out. “Do you sleep with many strangers?” He was teasing her, but the question sent a dark shadow skittering through him.
”
”
Christine Feehan (Mind Game (GhostWalkers, #2))
“
Here’s the thing, people: We have some serious problems. The lights are off. And it seems like that’s affecting the water flow in part of town. So, no baths or showers, okay? But the situation is that we think Caine is short of food, which means he’s not going to be able to hold out very long at the power plant.”
“How long?” someone yelled.
Sam shook his head. “I don’t know.”
“Why can’t you get him to leave?”
“Because I can’t, that’s why,” Sam snapped, letting some of his anger show. “Because I’m not Superman, all right? Look, he’s inside the plant. The walls are thick. He has guns, he has Jack, he has Drake, and he has his own powers. I can’t get him out of there without getting some of our people killed. Anybody want to volunteer for that?"
Silence.
“Yeah, I thought so. I can’t get you people to show up and pick melons, let alone throw down with Drake.”
“That’s your job,” Zil said.
“Oh, I see,” Sam said. The resentment he’d held in now came boiling to the surface. “It’s my job to pick the fruit, and collect the trash, and ration the food, and catch Hunter, and stop Caine, and settle every stupid little fight, and make sure kids get a visit from the Tooth Fairy. What’s your job, Zil? Oh, right: you spray hateful graffiti. Thanks for taking care of that, I don’t know how we’d ever manage without you.”
“Sam…,” Astrid said, just loud enough for him to hear. A warning.
Too late. He was going to say what needed saying.
“And the rest of you. How many of you have done a single, lousy thing in the last two weeks aside from sitting around playing Xbox or watching movies?
“Let me explain something to you people. I’m not your parents. I’m a fifteen-year-old kid. I’m a kid, just like all of you. I don’t happen to have any magic ability to make food suddenly appear. I can’t just snap my fingers and make all your problems go away. I’m just a kid.”
As soon as the words were out of his mouth, Sam knew he had crossed the line. He had said the fateful words so many had used as an excuse before him. How many hundreds of times had he heard, “I’m just a kid.”
But now he seemed unable to stop the words from tumbling out. “Look, I have an eighth-grade education. Just because I have powers doesn’t mean I’m Dumbledore or George Washington or Martin Luther King. Until all this happened I was just a B student. All I wanted to do was surf. I wanted to grow up to be Dru Adler or Kelly Slater, just, you know, a really good surfer.”
The crowd was dead quiet now. Of course they were quiet, some still-functioning part of his mind thought bitterly, it’s entertaining watching someone melt down in public.
“I’m doing the best I can,” Sam said.
“I lost people today…I…I screwed up. I should have figured out Caine might go after the power plant.”
Silence.
“I’m doing the best I can.”
No one said a word.
Sam refused to meet Astrid’s eyes. If he saw pity there, he would fall apart completely.
“I’m sorry,” he said.
“I’m sorry.
”
”
Michael Grant (Hunger (Gone, #2))
“
Why do we despise, ostracize and punish the drug addict when as a social collective we share the same blindness and engage in the same rationalizations? To pose that question is to answer it. We despise, ostracize and punish the addict because we don’t wish to see how much we resemble him. In his dark mirror our own features are unmistakable. We shudder at the recognition. This mirror is not for us, we say to the addict. You are different, and you don’t belong with us.
Like the hardcore addict’s pursuit of drugs, much of our economic and cultural life caters to people’s craving to escape mental and emotional distress. In an apt phrase, Lewis Lapham, long-time publisher of Harper’s Magazine, derides “consumer markets selling promises of instant relief from the pain of thought, loneliness, doubt, experience, envy, and old age.”
According to a Statistics Canada study, 31 per cent of working adults aged nineteen to sixty-four consider themselves workaholics, who attach excessive importance to their work and are “overdedicated and perhaps overwhelmed by their jobs.” “They have trouble sleeping, are more likely to be stressed out and unhealthy, and feel they don’t spend enough time with their families,” reports the Globe and Mail. Work doesn’t necessarily give them greater satisfaction, suggested Vishwanath Baba, a professor of Human Resources and Management at McMaster University. “These people turn to work to occupy their time and energy” — as compensation for what is lacking in their lives, much as the drug addict employs substances. At the core of every addiction is an emptiness based in abject fear.
The addict dreads and abhors the present moment; she bends feverishly only towards the next time, the moment when her brain, infused with her drug of choice, will briefly experience itself as liberated from the burden of the past and the fear of the future — the two elements that make the present intolerable. Many of us resemble the drug addict in our ineffectual efforts to fill in the spiritual black hole, the void at the centre, where we have lost touch with our souls, our spirit, with those sources of meaning and value that are not contingent or fleeting.
Our consumerist, acquisition-, action- and image-mad culture only serves to deepen the hole, leaving us emptier than before. The constant, intrusive and meaningless mind-whirl that characterizes the way so many of us experience our silent moments is, itself, a form of addiction— and it serves the same purpose.
“One of the main tasks of the mind is to fight or remove the emotional pain, which is one of the reasons for its incessant activity, but all it can ever achieve is to cover it up temporarily. In fact, the harder the mind struggles to get rid of the pain, the greater the pain.” So writes Eckhart Tolle. Even our 24/7 self-exposure to noise, emails, cell phones, TV, Internet chats, media outlets, music downloads, videogames and non-stop internal and external chatter cannot succeed in drowning out the fearful voices within.
”
”
Gabor Maté (In the Realm of Hungry Ghosts: Close Encounters with Addiction)
“
The parasol wasn’t a very good cane. Its tip dug into the hard, grassless earth, and the folded frame creaked as Kestrel limped across the grounds. But it brought her where she needed to go.
She found Arin walking through the bare orange grove, horse tack draped over his shoulder. It jangled when he stopped and stared at her. He stood, shoulders stiff. As Kestrel came close she saw that his jaw was clenched, and that there was no trace of what her guards had done to him. No bruises. Nor would there be, not for something that had happened nearly a month ago.
“Did I shame you?” Kestrel said.
Something strange crossed his face. “Shame me,” Arin repeated. He looked up into the empty branches as if he expected to see fruit there, as if it weren’t almost winter.
“The book. The inscription I read. The duel. The way I tricked you. The order I gave to have you imprisoned. Did I shame you?”
He crossed his arms over his chest. He shook his head, his gaze never wavering from the trees. “No. The god of debts knows what I owe.”
“Then what is it?” Kestrel was trying so hard not to ask about the rumors or the woman in the market that she said something worse. “Why won’t you look at me?”
“I shouldn’t even be speaking with you,” he muttered.
It dawned on her why it had never made sense that Rax had been the one to release Arin. “My father,” she said. “Arin, you don’t have to worry about him. He’ll be leaving the morning of the Firstwinter ball. The entire regiment has been ordered east to fight the barbarians.”
“What?” He glanced at her, eyes sharp.
“Things can be as they were.”
“I don’t think so.”
“But…you are my friend.” His expression changed, though not in a way Kestrel could read. “Just tell me what’s wrong, Arin. Tell me the truth.”
When he spoke, his voice was raw. “You own me. How can you believe I’ll tell you the truth? Why would I?”
The parasol trembled in Kestrel’s grip. She opened her mouth to speak, yet realized that if she did, she wouldn’t be able to control what she said.
“I will tell you something you can trust is true.” Arin’s eyes held hers. “We are not friends.”
Kestrel swallowed. “You’re right,” she whispered. “We’re not.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Marilee lay perfectly still,waiting for her world to settle.She had to fight the unreasonable urge to weep.
Wyatt's face was pressed to the hollow of her throat,his breathing rough, his damp body plastered to hers.
He nuzzled her neck. "Am I too heavy?"
"Umm." It was all she could manage.
"You all right?"
"Umm."
"Did anybody ever tell you that you talk too much?"
"Umm."
He brushed his mouth over hers. "If you hum a bit more,I might be able to name that tune."
That broke the spell of tears that had been threatening and caused her to laugh.
She wrapped her arms around his neck and kissed him back. "Have I told you how much I like your silly sense of humor?"
"No,you haven't." He rolled to his side and gathered her into his arms,nuzzling her cheek,while his big hands moved over her hip,her back,her waist, as though measuring every inch of her. "What else do you like about me?"
"You fishing for compliments?"
"Of course I am."
"Glutton. Your sense of humor isn't enough?"
"Not nearly enough.How about my looks?"
"They're okay,for a footloose rebel."
"Stop.All these mushy remarks will inflate my ego." He gave a mock frown. "How about the way I kiss?"
"You're not bad."
"Not bad?" His hands stopped their movement. He drew a little away. "That's all you can say?"
"If you recall,tonight was the first time we've kissed.I haven't had nearly enough practice to be a really good judge of your talent."
"Then we'd better take care of that right now." He framed her face. With his eyes steady on hers, he lowered his mouth to claim her lips.
Marilee's eyelids fluttered and she felt an explosion of color behind them. As though the moon and stars had collided while she rocketed through space. It was the most amazing sensation, and, as his lips continued moving over hers,she found herself wishing it could go on forever.
When at last they came up for air, she took in a long,deep breath before opening her eyes. "Oh,yes,rebel.I have to say,I do like the way you kiss."
"That's good,because I intend to do a whole lot more of it." He lay back in the grass,one hand beneath his head. "Now it's my turn.Want to know all the things I like about you?"
"I'm afraid to hear it." Marilee lay on her side,her hand splayed across his chest.
"Besides your freckles,which I've already mentioned,the thing about you I like best is your take-charge attitude."
She chuckled. "A lot of guys feel intimidated by that."
"They're idiots.Don't they know there's something sexy about a woman who knows what to do and how to do it? I've watched you as a medic and as a pilot, and I haven't decided which one turns me on more."
"Really?" She sat up. "Want me to fetch my first-aid kit from the plane? I could always splint your arm or leg and really turn you on."
He dragged her down into his arms and growled against her mouth, "You don't need to do a single thing to turn me on. All I need to do is look at you and I want you."
"You mean now? Again? So soon?"
"Oh,yeah."
"Liar.I don't believe it's possible."
"You ought to know by now that I never say anything I can't back up with action."
"Prove it,rebel."
"My pleasure."
There was a wicked smile on his lips as he rolled over her and began to kiss her breathless,all the while taking her on a slow,delicious ride to paradise.
”
”
R.C. Ryan (Montana Destiny (McCords, 2))
“
There’s my girl,” he said. “On her feet already. You’ll be a military officer in no time with an attitude like that.”
Kestrel sat. She gave him a slight, ironic smile.
He returned it. “What I meant to say is that I’m glad you’re better, and that I’m sorry I can’t go to the Firstwinter ball.”
It was good that she was already sitting. “Why would you want to go to a ball?”
“I thought I would take you.”
She stared.
“It occurred to me that I have never danced with my daughter,” he said. “And it would have been a wise move.”
A wise move.
A show of force, then. A reminder of the respect due to the general’s family. Quietly, Kestrel said, “You’ve heard the rumors.”
He raised a hand, palm flat and facing her.
“Father--”
“Stop.”
“It’s not true. I--”
“We will not have this discussion.” His hand lifted to block his eyes, then fell. “Kestrel, I’m not here for that. I’m here to tell you that I’m leaving. The emperor is sending me east to fight the barbarians.”
It wasn’t the first time in Kestrel’s memory that her father had been sent to war, but the fear she felt was always the same, always keen. “For how long?”
“As long as it takes. I leave the morning of the ball with my regiment.”
“The entire regiment?”
He caught the tone in her voice. He sighed. “Yes.”
“That means there will be no soldiers in the city or its surroundings. If there’s a problem--”
“The city guard will be here. The emperor feels they can deal with any problem, at least until a force arrives from the capital.”
“Then the emperor is a fool. The captain of the city guard isn’t up to the task. You yourself said that the new captain is nothing but a bungler, someone who got the position because he’s the governor’s toady--”
“Kestrel.” His voice was quelling. “I’ve already expressed my reservations to the emperor. But he gave me orders. It’s my duty to follow them.”
Kestrel studied her fingers, the way they wove together. She didn’t say Come back safely, and he didn’t say I always have. She said what a Valorian should. “Fight well.”
“I will.”
He was halfway to the door when he glanced back and said, “I’m trusting you to do what’s right while I’m gone.”
Which meant that he didn’t trust her--not quite.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Hermione!”
She stirred, then sat up quickly, pushing her hair out of her face.
“What’s wrong? Harry? Are you all right?”
“It’s okay, everything’s fine. More than fine. I’m great. There’s someone here.”
“What do you mean? Who--?”
She saw Ron, who stood there holding the sword and dripping onto the threadbare carpet. Harry backed into a shadowy corner, slipped off Ron’s rucksack, and attempted to blend in with the canvas.
Hermione slid out of her bunk and moved like a sleepwalker toward Ron, her eyes upon his pale face. She stopped right in front of him, her lips slightly parted, her eyes wide. Ron gave a weak, hopeful smile and half raised his arms.
Hermione launched herself forward and started punching every inch of him that she could reach.
“Ouch--ow--gerroff! What the--? Hermione--OW!”
“You--complete--arse--Ronald--Weasley!”
She punctuated every word with a blow: Ron backed away, shielding his head as Hermione advanced.
“You--crawl--back--here--after--weeks--and--weeks--oh, where’s my wand?”
She looked as though ready to wrestle it out of Harry’s hands and he reacted instinctively.
“Protego!”
The invisible shield erupted between Ron and Hermione: The force of it knocked her backward onto the floor. Spitting hair out of her mouth, she leapt up again.
“Hermione!” said Harry. “Calm--”
“I will not calm down!” she screamed. Never before had he seen her lose control like this; she looked quite demented. “Give me back my wand! Give it back to me!”
“Hermione, will you please--”
“Don’t you tell me what to do, Harry Potter!” she screeched. “Don’t you dare! Give it back now! And YOU!”
She was pointing at Ron in dire accusation: It was like a malediction, and Harry could not blame Ron for retreating several steps.
“I came running after you! I called you! I begged you to come back!”
“I know,” Ron said, “Hermione, I’m sorry, I’m really--”
“Oh, you’re sorry!”
She laughed, a high-pitched, out-of-control sound; Ron looked at Harry for help, but Harry merely grimaced his helplessness.
“You come back after weeks--weeks--and you think it’s all going to be all right if you just say sorry?”
“Well, what else can I say?” Ron shouted, and Harry was glad that Ron was fighting back.
“Oh, I don’t know!” yelled Hermione with awful sarcasm. “Rack your brains, Ron, that should only take a couple of seconds--”
“Hermione,” interjected Harry, who considered this a low blow, “he just saved my--”
“I don’t care!” she screamed. “I don’t care what he’s done! Weeks and weeks, we could have been dead for all he knew--”
“I knew you weren’t dead!” bellowed Ron, drowning her voice for the first time, and approaching as close as he could with the Shield Charm between them. “Harry’s all over the Prophet, all over the radio, they’re looking for you everywhere, all these rumors and mental stories, I knew I’d hear straight off if you were dead, you don’t know what it’s been like--”
“What it’s been like for you?”
Her voice was now so shrill only bats would be able to hear it soon, but she had reached a level of indignation that rendered her temporarily speechless, and Ron seized his opportunity.
“I wanted to come back the minute I’d Disapparated, but I walked straight into a gang of Snatchers, Hermione, and I couldn’t go anywhere!”
“A gang of what?” asked Harry, as Hermione threw herself down into a chair with her arms and legs crossed so tightly it seemed unlikely that she would unravel them for several years.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
was no one else there to comfort her. There was only him. The real him. She stepped forward and laid her head against his chest. Samantha: I’ll never forget the moment when Perry and Celeste walked into the trivia night. There was like this ripple across the room. Everyone just stopped and stared. 23. Isn’t this FANTASTIC!” cried Madeline to Chloe as they took their really very excellent seats in front of the giant ice rink. “You can feel the cold from the ice! Brrr! Oh! Can you hear the music? I wonder where the princesses—” Chloe had reached over and placed one hand gently over her mother’s mouth. “Shhh.” Madeline knew she was talking too much because she was feeling anxious and ever so slightly guilty. Today needed to be stupendous to make it worth the rift she’d created between herself and Renata. Eight kindergarten children, who would otherwise be attending Amabella’s party, were here watching Disney On Ice because of Madeline. Madeline looked past Chloe at Ziggy, who was nursing a giant stuffed toy on his lap. Ziggy was the reason they were here today, she reminded herself. Poor Ziggy wouldn’t have been at the party. Dear little fatherless Ziggy. Who was possibly a secret psychopathic bully . . . but still! “Are you taking care of Harry the Hippo this weekend, Ziggy?” she said brightly. Harry the Hippo was the class toy. Every weekend it went home with a different child, along with a scrapbook that had to be returned with a little story about the weekend, accompanied by photos. Ziggy nodded mutely. A child of few words. Jane leaned forward, discreetly chewing gum as always. “It’s quite stressful having Harry to stay. We have to give Harry a good time. Last weekend he went on a roller coaster— Ow!” Jane recoiled as one of the twins, who was sitting next to her and fighting his brother, elbowed her in the back of the head. “Josh!” said Celeste sharply. “Max! Just stop it!” Madeline wondered if Celeste was OK today. She looked pale and tired, with purplish shadows under her eyes, although on Celeste they looked like an artful makeup effect that everyone should try. The lights in the auditorium began to dim, and then went to black. Chloe clutched Madeline’s arm. The music began to pound, so loud that Madeline could feel the vibrations. The ice rink filled with an
”
”
Liane Moriarty (Big Little Lies)
“
Speaking truth to bullshit and practicing civility start with knowing ourselves and knowing the behaviors and issues that both push into our own BS or get in the way of being civil. If we go back to BRAVING and our trust checklist, these situations require a keen eye on: 1. Boundaries. What’s okay in a discussion and what’s not? How do you set a boundary when you realize you’re knee-deep in BS? 2. Reliability. Bullshitting is the abandonment of reliability. It’s hard to trust or be trusted when we BS too often. 3. Accountability. How do we hold ourself and others accountable for less BS and more honest debate? Less off-loading of emotion and more civility? 4. Vault. Civility honors confidentiality. BS ignores truth and opens the door to violations of confidentiality. 5. Integrity. How do we stay in our integrity when confronted with BS, and how do we stop in the midst of our own emotional moment to say, “You know what, I’m not sure this conversation is productive” or “I need to learn more about this issue”? 6. Nonjudgment. How do we stay out of judgment toward ourselves when the right thing to do is say, “I actually don’t know much about this. Tell me what you know and why it’s important to you.” How do we not go into “winner/loser” mode and instead see an opportunity for connection when someone says to us, “I don’t know anything about that issue”? 7. Generosity. What’s the most generous assumption we can make about the people around us? What boundaries have to be in place for us to be kinder and more tolerant? I know that the practice of speaking truth to bullshit while being civil feels like a paradox, but both are profoundly important parts of true belonging. Carl Jung wrote, “Only the paradox comes anywhere near to comprehending the fullness of life.” We are complex beings who wake up every day and fight against being labeled and diminished with stereotypes and characterizations that don’t reflect our fullness. Yet when we don’t risk standing on our own and speaking out, when the options laid before us force us into the very categories we resist, we perpetuate our own disconnection and loneliness. When we are willing to risk venturing into the wilderness, and even becoming our own wilderness, we feel the deepest connection to our true self and to what matters the most.
”
”
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
“
As people turned away, Kestrel saw a clear path to Irex, tall and black-clad in the center of the space marked for the duel. He smiled at her, and Kestrel was so thrown out of herself that she didn’t know her father had arrived until she felt his hand on her shoulder.
He was dusty and smelled of horse. “Father,” she said, and would have tucked herself into his arms.
He checked her. “This isn’t the time.”
She flushed.
“General Trajan,” Ronan said cheerfully. “So glad you could come. Benix, do I see the Raul twins over there, in the front, closest to the dueling ground? No, you blind bat. There, right next to Lady Faris. Why don’t we watch the match with them? You, too, Jess. We need your feminine presence so we can pretend that we’re only interested in the twins because you’d like to chat about feathered hats.”
Jess squeezed Kestrel’s hand, and the three of them would have left immediately had the general not stopped them. “Thank you,” he said.
Kestrel’s friends dropped their merry act, which Jess wasn’t performing well anyway. The general focused on Ronan, sizing him up like he would a new recruit. Then he did something rare. He gave a nod of approval. The corner of Ronan’s mouth lifted in a small, worried smile as he led the others away.
Kestrel’s father faced her squarely. When she bit her lip, he said, “Now is not the time to show any weakness.”
“I know.”
He checked the straps on her forearms, at her hips, and against her calves, tugging the leather that secured six small knives to her body. “Keep your distance from Irex,” he said, his voice low, though the people nearest to them had withdrawn to give some privacy--a deference to the general. “Your best bet is to keep this to a contest of thrown knives. You can dodge his, throw your own, and might even get first blood. Make him empty his sheaths. If you both lose all six Needles, the duel is a draw.” He straightened her jacket. “Don’t let this turn into hand-to-hand combat.”
The general had sat next to her at the spring tournament. He had seen Irex fight and directly afterward had tried to enlist him in the military.
“I want you to be at the front of the crowd,” Kestrel said.
“I wouldn’t be anywhere else.” A small crease appeared between her father’s brows. “Don’t let him get close.”
Kestrel nodded, though she had no intention of taking his advice.
She walked through the throngs of people to meet Irex.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
The fearful critiques came from within my government, too. A senior minister said to me, “You can’t stand up to America. Don’t fight a fight you are not going to win. You won’t stop the deal; you’ll only rupture relations with our most important ally. Ask for added defense appropriations, but don’t go.” Another minister argued that we should ask to be at the negotiating table. “You forget that we have been at the table with the Americans for the last two years,” I answered. “They listen politely to our comments, occasionally make minor modifications, but as far as making real changes—they haven’t done a damn thing. We’ve gotten to the point where even the French are tougher than the Americans, but they too don’t call the shots.” As the pressure mounted from abroad and from within, most of my staff joined in urging me to reconsider giving the speech or at least to do it at a later date. I was practically the only holdout. “Why don’t you push it beyond the elections? That way no one could say that it was political,” was the most common suggestion. “We may not be here after the elections,” I answered. As long as doubt lingered whether I would actually go through with the speech, I couldn’t focus my efforts on preparing it properly.
”
”
Benjamin Netanyahu (Bibi: My Story)
“
Alice's Cutie Code TM Version 2.1 - Colour Expansion Pack
(aka Because this stuff won’t stop being confusing and my friends are mean edition)
From Red to Green, with all the colours in between (wait, okay, that rhymes, but green to red makes more sense. Dang.)
From Green to Red, with all the colours in between
Friend Sampling Group: Fennie, Casey, Logan, Aisha and Jocelyn
Green
Friends’ Reaction: Induces a minimum amount of warm and fuzzies. If you don’t say “aw”, you’re “dead inside”
My Reaction: Sort of agree with friends minus the “dead inside” but because that’s a really awful thing to say. Puppies are a good example. So is Walter Bishop.
Green-Yellow
Friends’ Reaction: A noticeable step up from Green warm and fuzzies. Transitioning from cute to slightly attractive. Acceptable crush material. “Kissing.”
My Reaction: A good dance song. Inspirational nature photos. Stuff that makes me laugh. Pairing: Madison and Allen from splash
Yellow
Friends’ Reaction: Something that makes you super happy but you don’t know why. “Really pretty, but not too pretty.” Acceptable dating material. People you’d want to “bang on sight.”
My Reaction: Love songs for sure! Cookies for some reason or a really good meal. Makes me feel like it’s possible to hold sunshine, I think. Character: Maxon from the selection series. Music: Carly Rae Jepsen
Yellow-Orange
Friends’ Reaction: (When asked for non-sexual examples, no one had an answer. From an objective perspective, *pushes up glasses* this is the breaking point. Answers definitely skew toward romantic or sexual after this.)
My Reaction: Something that really gets me in my feels. Also art – oil paintings of landscapes in particular. (What is with me and scenery? Maybe I should take an art class) Character: Dean Winchester. Model: Liu Wren.
Orange
Friends’ Reaction: “So pretty it makes you jealous. Or gay.”
“Definitely agree about the gay part. No homo, though. There’s just some really hot dudes out there.”(Feenie’s side-eye was so intense while the others were answering this part LOLOLOLOLOL.) A really good first date with someone you’d want to see again.
My Reaction: People I would consider very beautiful. A near-perfect season finale. I’ve also cried at this level, which was interesting.
o Possible tie-in to romantic feels? Not sure yet.
Orange-Red
Friends’ Reaction: “When lust and love collide.” “That Japanese saying ‘koi no yokan.’ It’s kind of like love at first sight but not really. You meet someone and you know you two have a future, like someday you’ll fall in love. Just not right now.” (<-- I like this answer best, yes.) “If I really, really like a girl and I’m interested in her as a person, guess. I’d be cool if she liked the same games as me so we could play together.”
My Reaction: Something that gives me chills or has that time-stopping factor. Lots of staring. An extremely well-decorated room. Singers who have really good voices and can hit and hold superb high notes, like Whitney Houston. Model: Jasmine Tooke. Paring: Abbie and Ichabod from Sleepy Hollow
o Romantic thoughts? Someday my prince (or princess, because who am I kidding?) will come?
Red (aka the most controversial code)
Friends’ Reaction: “Panty-dropping levels” (<-- wtf Casey???).
“Naked girls.” ”Ryan. And ripped dudes who like to cook topless.”
“K-pop and anime girls.” (<-- Dear. God. The whole table went silent after he said that. Jocelyn was SO UNCOMFORTABLE but tried to hide it OMG it was bad. Fennie literally tried to slap some sense into him.)
My Reaction: Uncontrollable staring. Urge to touch is strong, which I must fight because not everyone is cool with that. There may even be slack-jawed drooling involved. I think that’s what would happen. I’ve never seen or experienced anything that I would give Red to.
”
”
Claire Kann (Let's Talk About Love)
“
Statement on Hamas (October 10th, 2023)
When Israel strikes, it's "national security" - when Palestine strikes back, it's "terrorism". Just like over two hundred years ago when native americans resisted their homeland being stolen, it was called "Indian Attack". Or like over a hundred years ago when Indian soldiers in the British Army revolted against the empire, in defense of their homeland, it was called "Sepoy Mutiny".
The narrative never changes - when the colonizer terrorizes the world, it's given glorious sounding names like "exploration" and "conquest", but if the oppressed so much as utters a word in resistance, it is branded as attack, mutiny and terrorism - so that, the real terrorists can keep on colonizing as the self-appointed ruler of land, life and morality, without ever being held accountable for violating the rights of what they deem second rate lifeforms, such as the arabs, indians, latinos and so on.
After all this, some apes will still only be interested in one stupid question. Do I support Hamas? To which I say this. Until you've spent a lifetime under an oppressive regime, you are not qualified to ask that question. An ape can ask anything its puny brain fancies, but it's up to the human to decide whether the ape is worthy of a response. What do you think, by the way - colonizers can just keep coming as they please, to wipe their filthy feet on us like doormat, and we should do nothing - just stay quiet! For creatures who call themselves civilized, you guys have a weird sense of morality.
Yet all these might not get through your thick binary skull, so let me put it to you bluntly.
I don't stand with Hamas, I am Hamas, just like, I don't stand with Ukraine, I am Ukraine. Russia stops fighting, war ends - Ukraine stops fighting, Ukraine ends. Israel ends invasion, war ends - Palestine ends resistance, Palestine ends.
However, I do have one problem here. Why do civilians have to die, if that is indeed the case - which I have no way of confirming, because news reports are not like reputed scientific data, that a scientist can naively trust. During humankind's gravest conflicts news outlets have always peddled a narrative benefiting the occupier and demonizing the resistance, either consciously or subconsciously. So never go by news reports, particularly on exception circumstances like this.
No matter the cause, no civilian must die, that is my one unimpeachable law. But the hard and horrific fact of the matter is, only the occupier can put an end to the death and destruction peacefully - the resistance does not have that luxury.
”
”
Abhijit Naskar (Bulletproof Backbone: Injustice Not Allowed on My Watch)
“
Ever seen a movie where the hero gets punched right in the face? A gruesome slow-mo close-up, where a spray of sweat and blood flies through the air? Notice how you wince, or flinch, or turn away even though you know it’s only a movie? Even though you know it’s make-believe, you can’t help relating to it on some level. How ironic is it that we can so easily relate to the nonexistent pain of a fictitious movie character, but we often completely forget about the very real pain of the people we love? Humans are social animals. When it comes to affairs of the heart, most of us are pretty similar. We want to be loved, respected, and cared for. We want to get along with others and generally have a good time with them. When we fight with, reject, or distance ourselves from the people we love, we don’t feel good. And when they fight with, reject, or distance themselves from us, we feel even worse. So when you fight with your partner, you both get hurt. Your partner may not reveal his pain to you; he may just get angry, or storm out of the house, or quietly switch on the TV and start drinking, but deep inside he hurts just like you. Your partner may refuse to talk to you, she may criticize you in scathing tones, or go out on the town with her friends, but deep inside, she hurts just as you are. It is so important to recognize and remember this. We tend to get so caught up in
”
”
Russ Harris (ACT with Love: Stop Struggling, Reconcile Differences, and Strengthen Your Relationship with Acceptance and Commitment Therapy)
“
So you don’t trust me: the guy who taught you everything you know. I’m guessing if you have her”—he jerked his thumb at Rae—“that’s no accident. Luke’s buddies sent her to trap you, and she thought she was doing the right thing, because, duh, she’s already proven she’s kinda gullible that way.”
“Hey!” Rae said.
“You are. Own it. Fix it. Now, you guys have her, which means you escaped whoever sent her after you. You didn’t escape without a fight, given that bruise I see rising on Daniel’s jaw and the scrapes on Derek’s knuckles. But you escaped, and you came back here, and you captured me. Who taught you all that?”
“Daniel and I had already started learning,” Maya said, “during those weeks you were chasing us.”
“Trial by fire,” he said. “Followed by hardcore, hands-on tactical training. You got away scot-free from these guys because of my lessons. And yet now you don’t trust I’m on your side?”
“Nope,” Derek said.
“Sorry,” Daniel said.
Maya crossed her arms and shook her head. I shrugged.
Moreno broke into a grin. “You guys do me proud. I’d give you all a hug, if that wasn’t a little creepy. And if I was the hugging sort. But if you survive the rest of this, I’ll take you all out for beer and ice cream.”
“You don’t need to be sarcastic,” Rae muttered.
“Oh, but I’m not, and they know it. This is exactly what I trained them for. Trust no one except one another. Excluding you, kid, because I don’t know you, and you have a bad habit of screwing up. But these guys are doing the right thing. Next step?”
Turn the tables,” I said. “Capture someone who’s behind this and get them to talk.”
“Mmm, yes. That would work. But even better?”
“Stop them,” Derek said. “Don’t just take down one. Take them all down.”
“Without running to the Nasts for help,” Daniel said. “Because in another year, some of us will be off to college, and we need to be able to look after ourselves.”
“Starting with proving we can look after ourselves,” Maya said.
Moreno beamed. “You guys are ace. See, this is what I told Sean. The best time to train operatives is when they’re still young and malleable. None of that shit about waiting until they’re eighteen and legally old enough to consent.”
Maya shook her head. “I suppose you’d also suggest he have the Cabal terrorize them for weeks first, so they’re properly motivated.”
“Exactly. Personal rights and freedoms are vastly overrated. And there’s nothing wrong with a little PTSD. I’ve always found mine useful. Keeps me on my toes.”
Rae stared at him.
“I’m kidding,” he said to her. “Mostly. Don’t you joke around like this with your instructors? Oh, wait. You don’t have any. Which is why you got tricked—again. And got captured by these guys.”
“Can we tie him up now?” Rae said. “And gag him?”
“Doesn’t do any good,” Derek said.
“We could try.
”
”
Kelley Armstrong (Atoning (Darkness Rising #3.1))
“
Derrick flies through the portal first. “Look at you,” he says, stopping to study me. “Alive. Unscathed. Good. If you hadn’t been, I would have lopped his fingers off.”
Kiaran moves to stand beside me. “I would have pulled off your wings.”
“Ignore him, pixie.” Aithinne strides into the room, her long coat billowing behind her. “I should have figured he’d be sullen and moody.”
Kiaran’s emotionless gaze flickers to her. “Phiuthair.”
“Bhràthair.” She stops and studies him. “You look like hell. I suppose you haven’t fed in a few days, if the lack of gifts is any indication.”
“Don’t.” Kiaran’s voice dips in warning.
“I’m wonderful, by the way,” she continues, as if he hadn’t spoken. “Do you like my coat? Don’t I look lovely? Aren’t I the best sister for standing here, still willing to talk to you after you’ve ignored me for months, you stubborn bastard?”
“Well, this is fun,” Derrick says. “I’m really feeling the love in this room. It’s beautiful. Aileana, isn’t it beautiful?”
“You’re here because Kam wanted your help. Not because I did.”
“Damn it, MacKay—”
“You might not have wanted me,” Aithinne says, ignoring my attempts to stand between them, “but look how quickly I came. Because I still care about you. Though god only knows why, since you’re such an obstinate pain in my arse.”
“I love it when Aithinne curses at people.” Derrick says to me. “I say we let them fight it out. A round of fisticuffs. No killing. I’ll go and find refreshments.”
“Oh, for god’s sake,” Sorcha says from behind us. “If you’re all going to squabble, I’d prefer to be back in my prison. That wasn’t torture. This is torture.”
Derrick peeks through my hair. “What’s that murderous arsehole doing here?”
Sorcha blinks at him. “What did you just call me?”
“You heard me, pointy-toothed hag.”
“Sorcha can find the Book,” I interrupt. “And we need her blood to get there. It was her or Lonnrach.”
“So given a choice between murderous arseholes you chose the one who killed you.” Derrick’s laugh is dry. “That’s interesting.”
“I chose the one who was conveniently chained up, rather than the one in hiding.”
Derrick doesn’t look convinced. “And we’re just supposed to believe she’s helping out of the goodness of that black hunk of rock in her chest that she calls a heart?”
“I’m standing right here,” Sorcha says sharply.
“Wish you weren’t,” Derrick sings. Then, to me: “Let me give you some advice, friend. If you’re going to take her along, make her go first. That way you don’t have to worry about her shoving a blade into your back.”
“Sweet little pixie,” Sorcha says. “If there’s one thing you should have learned, it’s that I’m perfectly willing to stab her in the front.” She turns on her heel and heads toward the great hall, the fabric of her brocade dress sweeping across the ground like a cloak. “If you’re coming, the door is this way
”
”
Elizabeth May (The Fallen Kingdom (The Falconer, #3))
“
What do woman say to little boys? " Stop fighting. Stop being so rough. Stop rough housing." They're boys you know, that's kinda what they're sapossed to do. So, men are sapossed to overcome all these biological drives and I'm just really interested in helping women overcome theirs caus' I think the spotlight of " Outgrow your bestial nature." has been pointed just a little bit too long at men and I think it's time to swivel that motherfucker around and point it at woman and say stop making yourself look like fucking sex clowns to milk money out of men's dicks. Stop lying about who you are and what you're about. Stop being flirty, manipulative, and trying to be sexy. Just stop doing it.
It's time for women to outgrow biology just as men have been instructed to for about the last 20,000 years to outgrow their biology. "Stop slamming doors. Stop yelling. Stop climbing trees. Stop being rude. Stop farting. Stop enjoying fart jokes. Just stop being men."
Ok, Well; women stop being women. Be people. Be people who have sex, absolutely but, don't be caricatures. Don't aim to be like a woman who looks like the outline of some playboy mudflap on a trucker's rig. Just be people. Be sexual. Enjoy your sexuality and bodies but, stop trying to bury us in tits so that we pass out and you can rifle through our bank accounts. Just stop doing that shit. I won't enable it anymore. Why does your face have to look like some half rained on Picasso water color? I don't need rainbows on the face of a woman. I don't need these weird butterfly wing goth eyebrows and shit like that.
Male sexuality is demonized and female sexuality is elevated. That's bullshit. Then women wonder why men prefer porn to them. It's caus' porn doesn't nag you for wanting stuff that's defined as "kinky" or "weird". Male sexuality is demonized and held in low esteem. Woman's sexuality is always beautiful.
Woman's sexuality is unremitting shallow. I'm not saying men's isn't but, we know that about men, right? What turns women on? Women say confidence. Do you know what that means? Money. Do women say " He is really confident about his sidewalk art. He is really confident about his subway busking. That's such a turn on!"
Why do men like looking at naked women and women get turned on looking at clothed men? Because if a man's clothes aren't on you don't know how expensive his wardrobe is.
This is what Mohammad Ali said. I'm going to throw on some old jeans and a old t-shirt and I'm just gonna walk down into some little town and find some woman who doesn't know who the hell I am and then when she's fallen in love with me and we get married, I'm going to take her to my million dollar mansion and my yacht. This is the reality. Once you start having money, once you start having power, then the true nature of massive swaths of female sexuality becomes clear.
”
”
Stefan Molyneux
“
He holds out the piece of paper, and we read: ‘I am scared of the blue giraffe.’ Jesus. ‘Okay,’ he says to the boy, ‘you possess this fear. It is overwhelming and relentless. And you,’ he says to the girl, ‘need to talk him out of it. In whatever way you can.’ He turns to me. ‘And you’—I have a bad feeling about this—’are the fear itself. Start now.’ They both look at me. The blue giraffe. I stand up straighter and pull my shoulders down and start gnashing my jaw and ripping leaves off trees with sideways jerks of my head. I keep doing this as I get closer to the boy. ‘Talk to him,’ the playwright tells the girl. ‘You know this isn’t real,’ she says to the boy. ‘This is just something you made up a long time ago when you were a little boy and scared that night your parents were fighting, but she doesn’t exist and she’s not going to hurt you.’ She is good. But the more she tells him I don’t exist the more real I feel. The boy moves away from me, and I follow him to the blackboard, around the desk, and back closer to our seats. I stand up on my chair and bend over him and start making a loud and terrible sound, a combination of my father’s snoring and Clark’s awful heavy metal singing. The girl keeps talking, and I start howling as loud as I can to stop him from hearing her, tilting my long neck back to get the loudest sound and thrashing my head and people are laughing and also a little scared of me and I am scared of nothing.
”
”
Lily King (Writers & Lovers)
“
Hear that? Living skulls! What are we doing here? What war at Troy? Does anyone care? Gods of love and hate! Aren't they the same god? All of us, all our lives, searching for the one perfect enemy- you, me, Helen, Paris, Menelaos, all those crazy Greeks! all those hapless Trojans! my dear beloved Jack! Jack and I fought all the time. I remember almost nothing but the fights - every fight a war to end all wars, you know how it goes, a righteous war, a final war, the worst fight you've ever had, you can't do this again, this time you'll get things straight one way or the other or it's over, he'll see what you mean, see you're right, fights aren't about anything except being right, are they? once and for all. You feel old. Wrong. Clumsy. You sit in two chairs on the porch. Or the kitchen. Or the front hall. Hell arrives. It's as if the war was already there, waiting, the two of you poured into it like wet concrete. The chairs you sit in are the wrong chairs, they're the chairs you never sit in because they're so uncomfortable, you keep thinking you should move but you don't, your neck hurts, you hate your neck, evening closes in. Birds move about the yard. Hell yawns. War pours out of both of you, steaming and stinking. You rush backward from it and become children, every still sentence slamming you back into the child you still are, every sentence not what you meant to say at all but the meaning keeps flaring and contracting, as sparks drop on gasoline, Fuckshit this! Fuckshit that! no reason to live. You're getting vertigo. He's being despicable. Your mother was like this. Stop whimpering. No use asking, What is this about? Don't leave the room. I have to leave the room. Breathless, blaming, I'm not blaming! How is this not blaming! Hours pass or do they. You say the same things or are they different things? Hell smells stale. Fights aren't about anything, fights are about themselves. You're stiff. You hate these chairs. Nothing is resolved. It is too dark to see. You both go to bed and doze slightly, touching slightly. In the night a nightmare. Some giant bird, or insect, some flapping thing, trying to settle on the back of your neck, you can't see what it is or get it off. Pure fear. Scream unearthly. He jerks you awake. Oh sweetie, he says. He is using his inside voice, his most inside voice. The distance between that voice and the fight voice measures your whole world. How can a voice change so. You are saved. He has saved you. He sees you saved. An easement occurs, as night dew on leaves. And yet (you think suddenly) you yourself do not possess sort of inside voice - no wonder he's lonely. You this cannot offer this refuge, cannot save him, not ever, and, although physiological in origin, or genetic, or who knows, you understand the lack is felt by him as a turning away. No one can heal this. You both decide without words to just - skip it. You grip one another. In the night, in the silence, the grip slowly loosens and silence washes you out somewhere onto a shore of sleep.
Morning arrives. Troy is still there. You hear from below the clatter of everyone putting on their armour. You go to the window.
”
”
Anne Carson (Norma Jeane Baker of Troy)
“
Eena worried to Ian in her thoughts. (You’re not going to let him walk away thinking what I think he’s thinking, are you?)
(You won't change his mind. The evidence is a little suggestive. You should have just stayed behind me.)
(Oh, this is all my fault?)
(Well, you were the one swimming in your underwear.)
(And you’re the one who took your shirt off!)
(You think the alternative would have been better?)
She shuttered at the thought of the Braetic stumbling across her in her underclothes.
“Cale,” Eena said in another attempt to convince the stranger. Somehow she managed to sidestep Ian’s effort to halt her, and she approached the man. “I am not messing around with my protector. I am, and always have been, true and faithful to Derian. It’s just……a lot of weird things have happened lately.”
The Braetic looked willing to consider a good excuse. “Such as?”
“Well,” she started, casting a furtive glance at Ian. He was shaking his head, conveying strong disapproval. She ignored him.
“Okay, well…..I’ve been fighting these immortals who are bent on using me to break free from an imprisoning gem where they were sentenced to stayed locked up for eternity. They nearly annihilated a world of Viiduns—that’s how awful they are! But one of these immortals has control over my necklace, and her brother keeps transporting me and my protector all over Moccobatra in search of pieces to a star-shaped platform they intend to use to free their bodies which have been trapped for over three-thousand years now. We were sent here at an inopportune—and highly embarrassing—moment to find the final piece to the platform. It’s been a nightmare just trying to stay alive!”
“Wow,” Cale breathed, not looking half as concerned as Eena thought he ought to. “So these immortals are using you and trying to kill you at the same time?”
She shook her head. “No, no, only the dragons are trying to kill me…or they were trying to kill me until Naga put a stop to them.” Eena heard Ian’s hand smack against his forehead. She saw humor sweep over the Braetic’s face. It made her angry.
“Dragons too, huh?” Cale snickered.
“It’s the truth!” she insisted.
(Eena, just forget it. You’re only making it worse.)
She ignored her protector’s advice again. “Cale, I’m telling you the honest-to-goodness truth. Do you know the story of Wanyaka Cave? The red-gemmed prison and the two spirit sisters?”
Completely out of patience, Ian broke into the conversation, rudely speaking over his queen. “We’ll be on our way now, sir. We apologize for trespassing.”
With a big grin on his face, the Braetic offered a friendly alternative. “Why don’t the pair of you accompany me home. I’m sure my wife can round up some suitable clothing for you. Those immortals must have a ripe sense of humor, leaving you alone in the woods without any decent attire.” He caught a chuckle in his throat. “That is unless it was the dragons who took the shirt off your back.”
“Dragons are immortals!” Eena snapped, as if any fool ought to know it.
Ian flashed her a harsh look. “We would greatly appreciate the help, sir.”
“Oh, it’ll cost you something,” Cale informed them, “but we can discuss that on our way.
”
”
Richelle E. Goodrich (Eena, The Two Sisters (The Harrowbethian Saga #4))
“
He’s a murdering chud,” Zil was yelling.
“What do you want to do? Lynch him?” Astrid demanded.
That stopped the flow for a second as kids tried to figure out what “lynch” meant. But Zil quickly recovered.
“I saw him do it. He used his powers to kill Harry.”
“I was trying to stop you from smashing my head in!” Hunter shouted.
“You’re a lying mutant freak!”
“They think they can do anything they want,” another voice shouted.
Astrid said, as calmly as she could while still pitching her voice to be heard, “We are not going down that path, people, dividing up between freaks and normals.”
“They already did it!” Zil cried. “It’s the freaks acting all special and like their farts don’t stink.”
That earned a laugh.
“And now they’re starting to kill us,” Zil cried.
Angry cheers.
Edilio squared his shoulders and stepped into the crowd. He went first to Hank, the kid with the shotgun. He tapped him on the shoulder and said, “Give me that thing.”
“No way,” Hank said. But he didn’t seem too certain.
“You want to have that thing fire by accident and blow someone’s face off?” Edilio held his hand out. “Give it to me, man.”
Zil rounded on Edilio. “You going to make Hunter give up his weapon? Huh? He’s got powers, man, and that’s okay, but the normals can’t have any weapon? How are we supposed to defend ourselves from the freaks?”
“Man, give it a rest, huh?” Edilio said. He was doing his best to sound more weary than angry or scared. Things were already bad enough. “Zil, you want to be responsible if that gauge goes off and kills Astrid? You want to maybe give that some thought?”
Zil blinked. But he said, “Dude, I’m not scared of Sam.”
“Sam won’t be your problem, I will be,” Edilio snapped, losing patience. “Anything happens to her, I’ll take you down before Sam ever gets the chance.”
Zil snorted derisively. “Ah, good little boy, Edilio, kissing up to the chuds. I got news for you, dilly dilly, you’re a lowly normal, just like me and the rest of us."
“I’m going to let that go,” Edilio said evenly, striving to regain his cool, trying to sound calm and in control, even though he could hardly take his eyes off the twin barrels of the shotgun. “But now I’m taking that shotgun.”
“No way!” Hank cried, and the next thing was an explosion so loud, Edilio thought a bomb had gone off. The muzzle flash blinded him, like camera flash going off in his face.
Someone yelled in pain.
Edilio staggered back, squeezed his eyes shut, trying to adjust. When he opened them again the shotgun was on the ground and the boy who’d accidentally fired it was holding his bruised hand, obviously shocked.
Zil bent to grab the gun. Edilio took two steps forward and kicked Zil in the face. As Zil fell back Edilio made a grab for the shotgun. He never saw the blow that turned his knees to water and filled his head with stars.
He fell like a sack of bricks, but even as he fell he lurched forward to cover the shotgun.
Astrid screamed and launched herself down the stairs to protect Edilio.
Antoine, the one who had hit Edilio, was raising his bat to hit Edilio again, but on the back swing he caught Astrid in the face.
Antoine cursed, suddenly fearful. Zil yelled, “No, no, no!”
There was a sudden rush of running feet. Down the walkway, into the street, echoing down the block.
”
”
Michael Grant (Hunger (Gone, #2))
“
Grabbing my hair and pulling it to the point my skull throbs, I rock back and forth while insanity threatens to destroy my mind completely. Father finally did what Lachlan started. Destroyed my spirit. The angel is gone. The monster has come and killed her. Lachlan Sipping his whiskey, Shon gazes with a bored expression at the one-way mirror as Arson lights the match, grazing the skin of his victim with it as the man convulses in fear. “Show off,” he mutters, and on instinct, I slap the back of his head. He rubs it, spilling the drink. “The fuck? We are wasting time, Lachlan. Tell him to speed up. You know if you let him, he can play for hours.” All in good time, we don’t need just a name. He is saving him for a different kind of information that we write down as Sociopath types furiously on his computer, searching for the location and everything else using FBI databases. “Bingo!” Sociopath mutters, picking up the laptop and showing the screen to me. “It’s seven hours away from New York, in a deserted location in the woods. The land belongs to some guy who is presumed dead and the man accrued the right to build shelters for abused women. They actually live there as a place of new hope or something.” Indeed, the center is advertised as such and has a bunch of stupid reviews about it. Even the approval of a social worker, but then it doesn’t surprise me. Pastor knows how to be convincing. “Kids,” I mutter, fisting my hands. “Most of them probably have kids. He continues to do his fucked-up shit.” And all these years, he has been under my radar. I throw the chair and it bounces off the wall, but no one says anything as they feel the same. “Shon, order a plane. Jaxon—” “Yeah, my brothers will be there with us. But listen, the FBI—” he starts, and I nod. He takes a beat and quickly sends a message to someone on his phone while I bark into the microphone. “Arson, enough with the bullshit. Kill him already.” He is of no use to us anyway. Arson looks at the wall and shrugs. Then pours gas on his victim and lights up the match simultaneously, stepping aside as the man screams and thrashes on the chair, and the smell of burning flesh can be sensed even here. Arson jogs to a hose, splashing water over him. The room is designed security wise for this kind of torture, since fire is one of the first things I taught. After all, I’d learned the hard way how to fight with it. “On the plane, we can adjust the plan. Let’s get moving.” They spring into action as I go to my room to get a specific folder to give to Levi before I go, when Sociopath’s hand stops me, bumping my shoulder. “Is this a suicide mission for you?” he asks, and I smile, although it lacks any humor. My friend knows everything. Instead of answering his question, I grip his shoulder tight, and confide, “Valencia is entrusted to you.” We both know that if I want to destroy Pastor, I have to die with him. This revenge has been twenty-three years in the making, and I never envisioned a different future. This path always leads to death one way or another, and the only reason I valued my life was because I had to kill him. Valencia will be forever free from the evils that destroyed her life. I’ll make sure of it. Once upon a time, there was an angel. Who made the monster’s heart bleed.
”
”
V.F. Mason (Lachlan's Protégé (Dark Protégés #1))
“
We end up at an outdoor paintball course in Jersey. A woodsy, rural kind of place that’s probably brimming with mosquitos and Lyme disease. When I find out Logan has never played paintball before, I sign us both up.
There’s really no other option.
And our timing is perfect—they’re just about to start a new battle. The worker gathers all the players in a field and divides us into two teams, handing out thin blue and yellow vests to distinguish friend from foe.
Since Logan and I are the oldest players, we both become the team captains. The wide-eyed little faces of Logan’s squad follow him as he marches back and forth in front of them, lecturing like a hot, modern-day Winston Churchill.
“We’ll fight them from the hills, we’ll fight them in the trees. We’ll hunker down in the river and take them out, sniper-style. Save your ammo—fire only when you see the whites of their eyes. Use your heads.”
I turn to my own ragtag crew.
“Use your hearts. We’ll give them everything we’ve got—leave it all on the field. You know what wins battles? Desire! Guts! Today, we’ll all be frigging Rudy!”
A blond boy whispers to his friend, “Who’s Rudy?”
The kid shrugs.
And another raises his hand. “Can we start now? It’s my birthday and I really want to have cake.”
“It’s my birthday too.” I give him a high-five. “Twinning!”
I raise my gun. “And yes, birthday cake will be our spoils of war! Here’s how it’s gonna go.” I point to the giant on the other side of the field. “You see him, the big guy? We converge on him first. Work together to take him down. Cut off the head,” I slice my finger across my neck like I’m beheading myself, “and the old dog dies.”
A skinny kid in glasses makes a grossed-out face. “Why would you kill a dog? Why would you cut its head off?”
And a little girl in braids squeaks, “Mommy! Mommy, I don’t want to play anymore.”
“No,” I try, “that’s not what I—”
But she’s already running into her mom’s arms. The woman picks her up—glaring at me like I’m a demon—and carries her away.
“Darn.”
Then a soft voice whispers right against my ear.
“They’re already going AWOL on you, lass? You’re fucked.”
I turn to face the bold, tough Wessconian . . . and he’s so close, I can feel the heat from his hard body, see the small sprigs of stubble on that perfect, gorgeous jaw. My brain stutters, but I find the resolve to tease him.
“Dear God, Logan, are you smiling? Careful—you might pull a muscle in your face.”
And then Logan does something that melts my insides and turns my knees to quivery goo.
He laughs.
And it’s beautiful.
It’s a crime he doesn’t do it more often. Or maybe a blessing. Because Logan St. James is a sexy, stunning man on any given day. But when he laughs?
He’s heart-stopping.
He swaggers confidently back to his side and I sneer at his retreating form. The uniformed paintball worker blows a whistle and explains the rules. We get seven minutes to hide first. I cock my paintball shotgun with one hand—like Charlize Theron in Fury fucking Road—and lead my team into the wilderness.
“Come on, children. Let’s go be heroes.”
It was a massacre.
We never stood a chance.
In the end, we tried to rush them—overpower them—but we just ended up running into a hail of balls, getting our hearts and guts splattered with blue paint.
But we tried—I think Rudy and Charlize would be proud
”
”
Emma Chase (Royally Endowed (Royally, #3))
“
It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store.
Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches.
I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet.
"Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?"
We.
There is no we.
I know it.He knows it.And it bugs me that he tries to pretend otherwise.
The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more.
Acting like we won't really end long before our passports are stamped RETURN.
And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce.
"Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!"
I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?"
I gape.Surely he's joking.
"Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return.
Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life.
Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna."
Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.
”
”
Alyson Noel (Fated (Soul Seekers, #1))
“
I argued again for an American strike on Iran’s nuclear facilities. America could still stop Iran from developing atomic bombs that would endanger America, Israel and the peace of the entire world. An American action now would give an enormous boost to the standing of the US and its president. Obama’s response floored me and Itzik Molcho, who sat beside me. “Bibi,” he said, “Nobody likes Goliath. I don’t want to be an eight-hundred-pound gorilla strutting on the world stage. For too long we acted that way. We need to lead in a different way.” I was stunned. In the Middle East as I knew it, with Iran racing to nuclear weapons, and with the shifting geopolitical balance toward Asia, I would want to be a 1,200-pound gorilla, not an 800-pound one. Often when I met officials of the Obama administration they waxed lyrical about the marvels of soft power. Culture, values, even Hollywood can do wonders to change the world, they said. “Soft power is good,” I acknowledged, “but hard power is even better.” By hard power I meant the judicious use of formidable military or economic power, or both. The values of individual liberty and national freedom give meaning and strength to free societies. But they are not enough. Power has the unfortunate quality of not being limited to the morally superior and the well intentioned. If malign forces amass enough of it and have the will to use it, they will overcome the less well-armed forces of good, especially if the good lack the tenacity to fight. Being a moral people won’t save you from conquest and carnage, which was the history of the Jewish people for two thousand years. Being perfect victims who harmed no one, we were perfectly moral. Being utterly powerless, we were led to the slaughter again and again. The rise of Zionism was meant to correct this flaw by giving the Jewish people the power to defend themselves. Enhancing this capacity was the central mission of my years in office.
”
”
Benjamin Netanyahu (Bibi: My Story)
“
[...] Kevin had grown up playing left-handed. Seeing him take on Andrew right-handed was ballsy enough, seeing him actually score was surreal.
Kevin kicked them off the court [...], but instead of following [...] he stayed behind with Andrew to keep practicing. Neil watched them over his shoulder.
"I saw him first," Nicky said.
"I thought you had Erik," Neil said.
"I do, but Kevin's on the List," Nicky said. When Neil frowned, Nicky explained. "It's a list of celebrities we're allowed to have affairs with. Kevin is number three."
Neil pretended to understand and changed the topic.
"How does anyone lose against the Foxes with Andrew in your goal?"
"He's good, right? [...] Coach bribed Andrew into saving our collective asses with some really nice booze."
"Bribed?" Neil echoed.
"Andrew's good," Nicky said again, "but it doesn't really matter to him if we win or lose. You want him to care, you gotta give him incentive."
"He can't play like that and not care."
"Now you sound like Kevin. You'll find out the hard way, same as Kevin did. Kevin gave Andrew a lot of grief this spring [...]. Up until then they were fighting like cats and dogs. Now look at them. They're practically trading friendship bracelets and I couldn't fit a crowbar between them if it'd save my life."
"But why?" Neil asked. "Andrew hates Kevin's obsession with Exy."
"The day they start making sense to you, let me know," Nicky said [...]. "I gave up trying to sort it all out weeks ago. [...] But as long as I'm doling out advice? Stop staring at Kevin so much. You're making me fear for your life over here."
"What do you mean?"
"Andrew is scary territorial of him. He punched me the first time I said I'd like to get Kevin too wasted to be straight." Nicky pointed at his face, presumably where Andrew had decked him. "So yeah, I'm going to crush on safer targets until Andrew gets bored of him. That means you, since Matt's taken and I don't hate myself enough to try Seth. Congrats."
"Can you take the creepy down a level?" Aaron asked.
"What?" Nikcy asked. "He said he doesn't swing, so obviously he needs a push."
"I don't need a push," Neil said. "I'm fine on my own."
"Seriously, how are you not bored of your hand by now?"
"I'm done with this conversation," Neil said. "This and every future variation of it [...]."
The stadium door slammed open as Andrew showed up at last. [...]
"Kevin wants to know what's taking you so long. Did you get lost?"
"Nicky's scheming to rape Neil," Aaron said. "There are a couple flaws in his plan he needs to work out first, but he'll get there sooner or later."
[...] "Wow, Nicky," Andrew said. "You start early."
"Can you really blame me?"
Nicky glanced back at Neil as he said it. He only took his eyes off Andrew for a second, but that was long enough for Andrew to lunge at him. Andrew caught Nicky's jersey in one hand and threw him hard up against the wall.
[...] "Hey, Nicky," Andrew said in stage-whisper German. "Don't touch him, you understand?"
"You know I'd never hurt him. If he says yes-"
"I said no."
"Jesus, you're greedy," Nicky said. "You already have Kevin. Why does it-"
He went silent, but it took Neil a moment to realize why. Andrew had a short knife pressed to Nicky's Jersey.
[...] Neil was no stranger to violence. He'd heard every threat in the book, but never from a man who smiled as bright as Andrew did. Apathy, anger, madness, boredom: these motivators Neil knew and understood. But Andrew was grinning like he didn't have a knife point where it'd sleep perfectly between Nicky's ribs, and it wasn't because he was joking. Neil knew Andrew meant it.
[...] "Hey, are we playing or what?" Neil asked. "Kevin's waiting."
[...] Andrew let go of Nicky and spun away. [...] Nicky looked shaken as he stared after the twins, but when he realized Neil was watching him he rallied with a smile Neil didn't believe at all.
"On second thought, you're not my type after all [...].
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
Mike continued to walk unhurriedly toward the crowd until he loomed up in the stereo tank in life size, as if he were in the room with his water brothers. He stopped on the grass verge in front of the hotel, a few feet from the crowd. "You called me?"
He was answered with a growl.
The sky held scattered clouds; at that instant the sun came out from behind one and a shaft of golden light hit him.
His clothes vanished. He stood before them, a golden youth, clothed only in his own beauty, beauty that made Jubal's heart ache, thinking that Michelangelo in his ancient years would have climbed down from his high scaffolding to record it for generations unborn. Mike said gently, "Look at me. I am a son of man." . . . .
"God damn you!" A half brick caught Mike in the ribs. He turned his face slightly toward his assailant. "But you yourself are God. You can damn only yourself and you can never escape yourself."
"Blasphemer!" A rock caught him just over his left eye and blood welled forth.
Mike said calmly, "In fighting me, you fight yourself... for Thou art God and I am God * . . and all that groks is God-there is no other."
More rocks hit him, from various directions; he began to bleed in several places. "Hear the Truth. You need not hate, you need not fight, you need not fear. I offer you the water of life-" Suddenly his hand held a tumbler of water, sparkling in the sunlight. "-and you may share it whenever you so will . . . and walk in peace and love and happiness together."
A rock caught the glass and shattered it. Another struck him in the mouth.
Through bruised and bleeding lips he smiled at them, looking straight into the camera with an expression of yearning tenderness on his face. Some trick of sunlight and stereo formed a golden halo back of his head. "Oh my brothers, I love you so! Drink deep. Share and grow closer without end. Thou art God."
Jubal whispered it back to him. . . .
"Lynch him! Give the bastard a nigger necktie!" A heavy-gauge shotgun blasted at close range and Mike's right arm was struck off at the elbow and fell. It floated gently down, then came to rest on the cool grasses, its hand curved open in invitation.
"Give him the other barrel, Shortie-and aim closer!" The crowd laughed and applauded. A brick smashed Mike's nose and more rocks gave him a crown of blood. "The Truth is simple but the Way of Man is hard. First you must learn to control yourself. The rest follows. Blessed is he who knows himself and commands himself, for the world is his and love and happiness and peace walk with him wherever he goes." Another shotgun blast was followed by two more shots. One shot, a forty-five slug, hit
Mike over the heart, shattering the sixth rib near the sternum and making a large wound; the buckshot and the other slug sheered through his left tibia five inches below the patella and left the fibula sticking out at an angle, broken and white against the yellow and red of the wound. Mike staggered slightly and laughed, went on talking, his words clear and unhurried. "Thou art God. Know that and the Way is opened."
"God damn it-let's stop this taking the Name of the Lord in vain!"- "Come on, men! Let's finish him!" The mob surged forward, led by one bold with a club; they were on him with rocks and fists, and then with feet as he went down. He went on talking while they kicked his ribs in and smashed his golden body, broke his bones and tore an ear loose. At last someone called out, "Back away a little so we can get the gasoline on him!"
The mob opened up a little at that waning and the camera zoomed to pick up his face and shoulders. The Man from Mars smiled at his brothers, said once more, softly and clearly, "I love you." An incautious grasshopper came whirring to a landing on the grass a few inches from his face; Mike turned his head, looked at it as it stared back at him. "Thou art God," he said happily and discorporated.
”
”
Robert A. Heinlein
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Children.” Westcliff’s sardonic voice caused them both to look at him blankly. He was standing from his chair and stretching underused muscles. “I’m afraid this has gone on long enough for me. You are welcome to continue playing, but I beg to take leave.”
“But who will arbitrate?” Daisy protested.
“Since no one has been keeping score for at least a half hour,” the earl said dryly, “there is no further need for my judgement.”
“Yes we have,” Daisy argued, and turned to Swift. “What is the score?”
“I don’t know.”
As their gazes held, Daisy could hardly restrain a snicker of sudden embarrassment.
Amusement glittered in Swift’s eyes. “I think you won,” he said.
“Oh, don’t condescend to me,” Daisy said. “You’re ahead. I can take a loss. It’s part of the game.”
“I’m not being condescending. It’s been point-for-point for at least…” Swift fumbled in the pocket of his waistcoat and pulled out a watch. “…two hours.”
“Which means that in all likelihood you preserved your early lead.”
“But you chipped away at it after the third round—”
“Oh, hell’s bells!” came Lillian’s voice from the sidelines. She sounded thoroughly aggravated, having gone into the manor for a nap and come out to find them still at the bowling green. “You’ve quarreled all afternoon like a pair of ferrets, and now you’re fighting over who won. If someone doesn’t put a stop to it, you’ll be squabbling out here ‘til midnight. Daisy, you’re covered with dust and your hair is a bird’s nest. Come inside and put yourself to rights. Now.”
“There’s no need to shout,” Daisy replied mildly, following her sister’s retreating figure. She glanced over her shoulder at Matthew Swift…a friendlier glance than she had ever given him before, then turned and quickened her pace.
Swift began to pick up the wooden bowls.
“Leave them,” Westcliff said. “The servants will put things in order. Your time is better spent preparing yourself for supper, which will commence in approximately one hour.”
Obligingly Matthew dropped the bowls and went toward the house with Westcliff. He watched Daisy’s small, sylphlike form until she disappeared from sight.
Westcliff did not miss Matthew’s fascinated gaze. “You have a unique approach to courtship,” he commented. “I wouldn’t have thought beating Daisy at lawn games would catch her interest, but it seems to have done the trick.”
Matthew contemplated the ground before his feet, schooling his tone into calm unconcern. “I’m not courting Miss Bowman.”
“Then it seems I misinterpreted your apparent passion for bowls.”
Matthew shot him a defensive glance. “I’ll admit, I find her entertaining. But that doesn’t mean I want to marry her.”
“The Bowman sisters are rather dangerous that way. When one of them first attracts your interest, all you know is she’s the most provoking creature you’ve ever encountered. But then you discover that as maddening as she is, you can scarcely wait until the next time you see her. Like the progression of an incurable disease, it spreads from one organ to the next. The craving begins. All other women begin to seem colorless and dull in comparison. You want her until you think you’ll go mad from it. You can’t stop thinking—”
“I have no idea what you’re talking about,” Matthew interrupted, turning pale. He was not about to succumb to an incurable disease. A man had choices in life. And no matter what Westcliff believed, this was nothing more than a physical urge. An unholy powerful, gut-wrenching, insanity-producing physical urge…but it could be conquered by sheer force of will.
“If you say so,” Westcliff said, sounding unconvinced.
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Lisa Kleypas (Scandal in Spring (Wallflowers, #4))